#wild incredible 10/10 viewer experience | Explore Tumblr Posts and Blogs

welcometomy20s · 4 years

Text

February 7, 2021

This is Part two of the introduction of Nijisanji. I have written for an audience who has just gotten to know vtubers through hololive and wants to explore more. This part cover all of Nijisanji members who has debuted in the year 2019.

2019 Part 1 (Jan-Apr)

Warabeda Meiji - Another eleven year old, but likes FF14 and K-On! So frequently described as an 11 year old third season. But she is genuinely cute! And a really good singer, so much so that her K-On cover gets banned for being too close!

Gundou Mirei - Actually a teacher, but definitely a ditzy and lazy one, that is incredibly sexual to an uncomfortable degree, you know, a fan favorite, including of mine. Watch her 3D streams and you will be amazed. Has a ship with Shoichi as mentioned before, even though she’s a self-professed bisexual. It’s odd but, you know, it works!

Yuzuki Roa - Kind of innocent devil like Towa, but more like a kid than an older sister. Really like Belmond. Was friends with Chitose, a retired member, and got a costume based on her a bit, and maybe is retiring herself, considering she hasn't uploaded for quite a few months now. Well, whatever. She’s cute and innocent.

Onomachi Haruka - Another of the rare, truly seiso people in the team, but can go wild if the vibe goes that way. Lost and found a llama in minecraft once.

Seto Miyako - Kind of a quiet girl who might be psychopathic... you know the type. Her true tendencies pop up during gaming. Also tweets a lot... make sense.

Kataribe Tsumugu - Basically retired, but her concept was so shocking that it took Naruse Naru’s return of old design to push her into the bottom of the list.

Otogibara Era - She’s a Cinderella if she has gone completely out the window. People routinely separate the original Cinderella side as Era, and her true side as Gibara.

God, how do I describe her. Gibara is just great. Her adult comments are something to behold, let’s say she gels with Tamaki very well. She returns to monke often, and does other types of screams too... seriously look at her gacha stream and witness Gibara in her full glory. Also incredibly lazy and definitely cannot live by herself.

But as you have guessed it, she is an incredible singer. (It might be the case that incredible singing is associated with madness) Had knockout hit with her 3D stream, trending number one on twitter and 30,000 US dollars in superchats!

Lize Helesta - Queen of Shizuoka, I mean Heleste kingdom. Usually behaves like an empress, but as with most royalty has a real competitive spirit, so she knows how to badmouth when she needs to. So, she’s a really stingy person as well... not really fitting for a royalty, but you do know some people that act like that.

She’s a strange person. Look at asphalt or a handstand in order to sleep. Friends with Ange, who was a childhood friend, even with an age difference. Also does radio stuff with Lulu as well. Reveres Mito, wonder why. Again, incredible 3D debut.

Ange Katrina - Nice low-middle voice with a smooth upper body, and surprisingly small but that got fixed as 3D started. Think she’s cute, but blushes when people agree. Just a cool gal who I enjoy very much... her streams, I mean.

Inui Toko - She’s a cerberus, and now works at a cafe. A little bit out there, but definitely a tsukkomi. Usually does little gaming outside Minecraft, so mostly talks and sings. A unique laugh and loves Ensemble Stars. Hangs out with red and blue people, like Lize, Ange, Roa, Ayame, Suisei and so on. Actually is boing boing, Ange felt betrayed.

And as mentioned above, a great singer, and can play many instruments as well!

Saegusa Akina - High tension singer, who is quite sickly and is terrible with girls. But he got better as time went on and the ship with his gen mate Manami started to sail. Actually he hangs around with many girls... maybe it’s just Manami?

Arizona Manami - Ito Life’s daughter... so you know what she looks like. Calls herself the queen of sensitivity, and yes she does very suggestive streams... but she’s pretty innocent and childish... so she’s kind of like Melody in a way. Has a very fond-looking relationship with Akina as mentioned above.

Suzuhara Lulu - Just your typical art student. She’s a rich girl, so she knows very little about the outside world. Definitely has stamina of a thousand horses, famously played 11 hours of Dark Souls, then straight onto 10 hours of Ring Fit, and never got phased. Seriously, she never gets phased. She rode the freaking snake without a problem! Apparently really beautiful in real life, really has large expressions.

There’s a rumor going around that she’s actually some kind of an eldritch god... and I don’t know where that comes from at all. Look at her, she’s such a sweet gal, look at her dancing and singing... she’s a true idol, that’s what she is... (don’t hurt me.)

Yukishiro Mahiro - First-year high-schooler. Good variety of content. Her personality is of a rude kouhai. One viewer described her as a bad-tempered chihuahua. Really likes Kanae, which is okay, I guess. There’s not much more than that.

2019 Part 2 (May-Aug)

Ex Albio - A hero from a different world. Originally portrayed as a rude snarky figure, much like Kazuma without charm or luck but with perseverance. Got his fame through his noob Minecraft experience, as with Minecraft servers, they are ripe with collab opportunities, so he started to collab especially with Ars Almal, which he thinks as a mentor... and so they both talk in high register. Eventually became a couple.

Has a thing where he questions something and immediately denies it, which is quite funny. Eventually got a dark alter version due to the imagination tournament I talked about earlier, which brings the fact that he can’t fight until tragedy occurs.

Levi Elipha - Actually only six years old, and apparently dense, like physically dense. Great singer and good physique, does some English songs as well.

Nui Sociere - A 25-year old witch, but more like a NEET with an addiction to horse racing. Very much like Megumi in terms of magic abilities, but capable of melee.

Kind of sounds like Doraemon when she screams... usually plays JRPG... and well, just look at her. Damn... well, least you have something to look forward to.

Hayama Marin - Hayame is Hayame. She’s just a little kid with a pure mind. Yeah.

Hayato Kagami - CEO of a toy company, so called that. Polite and diligent, but like a CEO of a toy company, completely becomes a boy when getting a bit excited.

Actually is a great singer, maybe a trained singer as well. As a good example of rich getting richer, fans have a tendency to throw red superchat, a typical stream might hit 10K USD, even though there’s nothing particular going on.

Yorumi Rena - Idol magician, but no actual proof of her magic abilities. Plays APEX a lot. Very much an outgoing person with lots of collab from everyone. Hakase calls her mama. Sleep promptly at midnight, except when ARK was involved.

Also makes 8-bit art proficiently, does all her loading screen. A bit of a lewd mind.

Hakase Fuyuki - HIgh school girl who likes to experiment, but it’s obvious none of it ever works. Tries to ship Yorumi and Kagami, and calls him papa. Just absolutely in her own world and everyone is just privy to it... also incredibly bad at gaming.

Mayuzumi Kai - A white hacker. Very cool, but has a thing for comedy, almost to the level of Joe Riikichi, but laughs very little himself. Make sense, since he lost his parents at an early age and lived in the system, therefore is a night streamer. Very good with kids as a result, and very kind and polite as well.

Ars Almal - A mage who specializes in lightning. Started out by apologizing, gets bullied for her round face, usually by Shiina. Cute voice with toxic words with a knack for pranks and taunts. Actually is quite boing boing. Good at Minecraft construction, but get rough and dirty under the wheel, as in Mario Kart. Became a kitsune, and then immediately got compared to Fubuki... much like Fubuki in a sense.

Aiba Uiha - Another idol who is a bit out there, has a tendency to be clingy. Also has a large physique... kind of a denatured Lulu is what I’m getting at. Sisters with Ara Chae, incredibly bad eyesight, apparently. I can see that, actually.

Eli Conifer - A flower fairy and maid with a unique phrasing. Likes to immerse herself in games, very knowledgeable, especially with teas, and also handy at housework, and superb at drawing and singing. Ryushen and Rion think she’s a badass, and they might not be entirely wrong on that aspect, actually.

Kokoro Amaiya - Dragonborn, I think. But there’s no dragon anymore. Has that mumble-speak that people really don’t like. She’s very much kid-like in a sense, uh, so get put into the loli category much like her fellow peer. Incredibly weak.

Ratna Petit - Adventurer with an independent streak. Does games and ASMR, tries to be grown up during collabs, but retreats into a kid in solo streams. Got the infamous random deletion of the account that Kiara famously got.

Nijisanji ID Gen 1

Taka Radjiman - Another CEO, this time a food CEO. Usually streams games, but much like other CEOs here, a pretty good singer as well. Obviously a good cook as well.

ZEA Cornelia - She’s an automata. ZEA is short for Z-type Executive Automation. Likes to sing, and sung many songs including La Vien en Rose by IZONE! I really like her, her streams are bit odd and ZEA can carry a stream like no another.

Hana Macchia - A design student, much like Lulu. Likes drawing as you expect, also like gaming as well. Does some barista stuff as well, a kind of the ambassador of Nijisanji ID, since her father is American and her mother is Japanese, and she lives in Indonesia.

Papa Macchia appears on stream from time to time, and apparently was the progenitor of Hana’s gaming prestige as he played Doom and Half-Life. She’s on the cute side of things, but blushes when she gets called that. Also cries in horror, but screams in excitement... just overall a well-rounded in strangeness. I really like her.

2019 Part 3 (Sep-Dec)

Sukoya Kana - Incredibly smart, but also has an otaku and perverted side. Likes acting, as you might have guessed and bad at housework. Has a quiet voice, but gets savage when a game is involved. Pretty good at english as well. Does a radio show as well.

Oh, yeah, likes to throw up. It’s a thing. Also plays drums. She’s pretty cool.

Shellin Burgundy - Before Kanata did her PPT intro, Shellin was the first one. Professes himself to be a detective, but little lightheaded for that. Good narration voice, though, which means he’s a good singer as well. I kind of like him. He’s good.

Hayase Sou - An outdoorsy girl who likes cosplay and road biking. Kind of talks like she’s middle age, but she acts pretty young. And of course she likes shotas.

Fumi - It took over a year for her to debut. She’s a hikikomori gundam otaku and a goddess. A bit airheaded and pretty bad at gaming, and since she is 67, gets called grandma infrequently. She’s fun to watch. Has a ship with Nagao.

Hoshikawa Sara - Half Japanese and half English. Definitely a cool and tough, ready to take whatever sex jokes and insults you throw at her. Hangs out with Mahiro a lot, or with male members like Yumeoi, Ebio, Shellion or Kanda. Has a wide voice range, with a wide personality as well. There’s a sense of healing to her, honestly.

Obviously gets fangirled by many, including Matsuri, whose frequently red superchats her much to her confusion and relative embarrassment.

Yamagami Karuta - She’s a tengou in training, since she is filled with desires, mostly to connect with people. This is real, apparently. Has a ship with a staff member...

Matsukai Mao - Smartest devil... no, she’s an airhead like the rest of them. Apparently she can spit out crude oil... which is pretty useless. Definitely an unlucky, miserable person who needs to be protected at all times, and she relishes that like the devil she is.

Hangs around with Luis a lot in real life, apparently. Also plays APEX and stuff.

Emma August - Demon Lord that was thrown in an uprising, living with Morinaka Kazaki, and got a new house in February of last year. An alcoholic and a masochist, who gets berated by Kazaki of all people. Definitely not a loli, that’s for sure.

Luis Cammy - An expert thief, which excites Shellin very much. Seen as the leader of the gen, but found out to be much of a kid as the gen mates, especially around Shellin. They are a couple now, apparently. Oh yeah, she did an Outlast stream with a cat outfit and invited Shellin because she was scared? Now there's a loli version of her... yikes.

Fuwa Minato - A host, but a teetotaler, because of health problems... yet drinks Monster energy like it’s no business. A bit out there, as Nijisanji people are. A bit of a trickster, a bad boy if you will... right there with being good at games as well. He’s pretty cool.

Shirayuki Tomoe - When I first saw her, she felt like one of those people in mahjong tournaments. Well, she’s a queen of the night, so night-time streamer, although she has daytime streams as well. Strong drinker. Talks about SM, but also effortlessly friendly and a lovely person. I think she’s attractive, but I can see why people call her cute. She hates bugs, loves cute things, odd thoughts... feels like an aunt to me.

Very bad at reading kanji, not that she’s good at anything else. Likes to practice, hence preserved her way in the Mario Kart tournament. Does talk and ASMR streams with a third of her viewers being women. Likes Mirei, makes sense. Oh, she’s a nudist.

And don’t forget the relationship between Kana and her. Purported to be the most real of the ships of any vtubers. I believe it’s called Crossick. I don’t know too much.

Gwelu Os Gar - Presenter for the elf kingdom, hired as a presenter, since Nijisanji got so big and there’s only so many Kakeru around. Unfortunately seen as boring, and transitioned into kind of a Maimoto character.

Already married, I don’t know why that’s significant but there you go. Oh, and an actual dad! That is pretty significant. Although Setsuna also has a child, and had to retire to take care of the little baby. Teaches math to others, so that’s cool.

Mashiro - Recent high school graduate. He’s a boy. Yes, he has heels and boobs, but he’s a boy. And yes, he is a bit out there, stealing candies from the office.

Naraka - Another oni, and a loli-baba. Obviously a fan of the fellow oni, Mikoto... which has a queen kid relationship. And yes, her chest is smaller than Mashiro... sad.

Kurusu Natsume - 19-year old college student who likes music and sheep. Very smart and very normal. Has an ASMR test stream, which was pretty fun.

Nijisanji ID 2nd Gen

Rai Galliel - An interdimensional policeman. Likes cheese, but hate porridge due to only eating one for four months. Likes baking, pretty cool personality, if a bit straight edge.

Amicia Michella - A freelance illustrator, so the drawing is superb. Like sleep but also sports. Also penguins. Likes to play horror games pretty calmly. Raises two dogs, well one of them passed away late last year. Sang a 10cm cover?

Miyu Ottavia - A business student, and likes otters and is optimistic. Mostly plays RPG and online multiplayers. Tries to be cool, but look at her! She’s very cute.

Riksa Dhirendra - A 24-year-old freelancer and works as an editor and translator. Looks mean, but is actually a very decent gut. He is pretty competitive. Plays RPG.

#nijisanji #vtuber #long post

13 notes · View notes

johnarmitagega · 3 years

Text

Search for 25+ Of The Best Places To Take Pictures With Santa In Atlanta ...

The water for the best areas to take a walk, yet there' s a wonderful location to.

Oak Avenue Oak Method One of the most beautiful places in Georgia is the 1. 5-mile oak-lined method on the Wormsloe Historic Website that has a canopy of significant old oak trees getting to over the roadway from both sides.

The Common Ideas Of Tfti Experience: Home

The 822-acre historic Wormsloe vineyard near Savannah when came from a colonial founder of Georgia and also is currently a maintained website for visitors to take pleasure in. 3. Savannah Riverfront Evening along the Savannah riverfront As the oldest city in Georgia, Savannah has some stunning history to photo, however one of the ideal places in the city is along the riverfront in the Historic Site District.

Accommodation: Where to Remain in Savannah: Finest Areas & Hotels 4. Stone Hill Park Stone Hill Park While Rock Hill Park is popular for tourist tasks, it has countless acres of all-natural charm to picture as well as appreciate, from covered bridges to lakes. Among the noteworthy features of Rock Hill is the three-acre memorial carving in the side of the rock.

Truths of The Best Scenic Views In Atlanta - Tripsavvy Unveiled

Hunt Hill High Falls Waterfall, Search Mountain Hunt Mountain has many unusual aesthetic prizes, from uncommon rock formations to a seven-state sight from the Monitoring Point at Fan's Jump and also gardens. Several of the most aesthetic places are the significant High Falls waterfall as well as the Enchanted Trail, where there are creative sculptures nestled right into the landscape.

Macon Cherry blooms in Macon The city of Macon is thought about the heart of Georgia due to its geographical location in the center of the state but it additionally has warm, standard Southern appeal. Macon is beautiful in the spring, when 350,000 cherry trees remain in flower around the city as well as historical homes.

The Best Approach To Employ For Best Photo-worthy Spots Around Atlanta — Courtney ...

Blue Ridge Mountains Sundown over the Blue Ridge Hills The Blue Ridge Hill sight at sunset is motivating, specifically throughout the spring, when the colors overhead are accentuated by the flowers of purple blossoms. The hill sights that expand for many miles have a gorgeous aesthetic deepness that is emphasized by the changing light at sundown.

Chattooga River Chattooga River The Wild and also Beautiful Chattooga River is an amazing natural attribute in Georgia. The whitewater rapids are sensational to record in the summertime, yet the ice on the water in the winter months adds a a lot more dramatic effect. 15. Divine Superintendence Canyon Divine Superintendence Canyon Providence Canyon in southwest Georgia is sometimes referred to as Georgia's Grand Canyon.

The Top 10 Engagement Photo Shoot Location In Atlanta.

The steep canyon is inside Divine superintendence Canyon State Park near Lumpkin, Georgia. There are lots of trails and also hunt places throughout the 1,000-acre park to obtain different vantage points of the elaborate natural rock developments.

A story can consist of lots of products, but one of the most impactful is the place. To submerse viewers in your images, you require the right setup shoot pictures on area.

Little Understood Points About Insta-worthy: The Best Spots In Atlanta For Your Pics - The Signal.

The one where I defined the area and time of day? That's what separates workshop sessions from those done on location.

I'm an incredible proponent of shooting pictures on area, and also below are some factors why you ought to consider it for your next session. Portraits on Place Importing Locations is Expensive Unless you have a great deal of resources as well as cash, it's challenging to bring the location to your workshop. I'm uncertain you can recreate a wonderful day on the coastline without bringing in great deals of sand, developing a little pool, and doing some major job in Photoshop.

The 8 -Minute Authority for Real Estate Photographers In Atlanta Ga - Zillow

You're much better off taking a short drive and possibly even a short stroll to get the real point. Atlanta is an excellent area for this, almost every sort of environment is within a couple of hours of driving (pending website traffic obviously). Easier Lighting It's no straightforward job to duplicate a gold hr sundown in a studio.

In some cases you require random passerby and also people behind-the-scenes to help set the scene. It would certainly be odd to take a content portrait at a circus and also not see other people at the stands or in line for the trips? Long as you can not acknowledge any individual, they won't require a version release either.

2 notes · View notes

anhed-nia · 4 years

Text

BLOGTOBER 10/17/2020: SPOOKIES

What do we watch, when we watch movies? This question was sparked by my SOV experience with the very different, and differently interesting BLOODY MUSCLE BODYBUILDER FROM HELL and HORROR HOUSE ON HIGHWAY 5. Within the Shot On Video category, one can find inventive homemade features that are driven entirely by blood, sweat, and the creators' feeling of personal satisfaction. The results are sometimes fascinating, in their total alienation from the conventions and techniques of mainstream filmmaking, and after all, one rarely sees anything whose primary motivation is passion, here in the late stages of capitalism. But, all this talk about what goes on behind the camera points to a discrepancy in how we consume different kinds of production. The typical mode of consumption is internal to the movie: What happens in it? Do you relate to the characters? Are you able to suspend your disbelief, to experience the story on a vicarious level? One hardly needs to come up with examples of films that invite this style of viewing. Alternatively, we can experience the movie as a record of a time and place in which real people defied conventions and sometimes broke laws in order to produce a work of art. SOV production is usually viewed through this lens, where the primary interest is not the illusory content, but the filmmakers' sheer determination to create. We find some overlap in movies like EVIL DEAD, which simultaneously presents a terrifying narrative, and evidence of what a truly driven team can create without the aid of a studio, or any real money to speak of. See also, Larry Cohen's New York City-based horror films, in which a compelling drama with great acting can exist side by side with phony but beautiful effects, and exciting stories of stolen footage that would be dangerous or impossible to attempt today. I'm thinking about these different modes of consumption now because I just watched SPOOKIES, a legitimately cursed-seeming film whose harrowing production history has superseded whatever people think about what it shows on the screen. The lovingly composed blu-ray from Vinegar Syndrome includes a feature-length documentary that attempts to explain the making of the film--which is accompanied by its own feature length commentary track by documentarists Michael Gingold and Glen Baisley. The very existence of this artifact suggests a lot about the nature of this movie, in and of itself. The truth behind its existence is as funny as it is tragic.

I'm not going to do a whole breakdown of the tortured origins of SPOOKIES, which is much better told by the aforementioned documentary. To summarize: Once upon a time in the mid 1980s, filmmakers Brendan Faulkner, Thomas Doran and Frank Farel conspired to make a fun, flamboyant rubber monsterpiece called TWISTED SOULS. It was wild, ridiculous, and transparently fake-looking, but it was loved by its hard-working creators; as a viewer, that soulful sense of joy can rescue many a "bad" movie from its various foibles. Then, inevitably, sleazoid producer Michael Lee stepped in--a man who thought you could cut random frames out of the middle of scenes to improve a movie's pace--and ruined it with extreme prejudice. Carefully crafted special effects sequences were cut, relatively functional scenes were re-edited into oblivion, and the seeds of hatred were sown between the filmmakers and the producer. Ultimately, everyone who once cared for TWISTED SOULS was forced to abandon ship, and first time director Eugenie Joseph stepped in to help mutilate the picture beyond all recognition. Thus SPOOKIES was born, a mangled, unloved mutation that would curse many of its original parents to unemployability. For the audience, it is intriguingly insane, often insulting, and hard to tear your eyes off of--but in spite of whatever actually wound up on the screen, it's impossible to forget its horrifying origin story as it unspools.

As far as what's on the screen goes: A group of "friends", including a middle-aged businessman and his wife, a vinyl-clad punk rock bully and his moll, two new wave-y in-betweeners, and...a guy with a hand puppet are somehow all leaving the same party, and all ready to break into a vacant funeral home for their afterparty. Well, this happens after a 13 year old runaway inexplicably wanders in to a "birthday party" in there, that looks like it was thrown for him by Pennywise, and he has the nerve to act surprised when he is attacked by a severed head and a piratey-looking cat-man who straight up purrs and meows throughout the picture. Anyway, separately of that, which is unrelated to anything, the island of misfit friends finds a nearly unrecognizable "ouija board" in the old dark house. Actually this thing is kind of fun-looking, having been made by one of the fun-havers on the production before the day that fun died, and I wonder if anyone has considered trying to make a real board game out of it...but I digress. Naturally, the board unleashes evil forces, including a zombie uprising in the cemetery outside, a plague of Ghoulie-like ankle-biters, an evil asian spider-lady (accompanied by kyoto flutes), muck-men that fart prodigiously until they melt in a puddle of wine (?), and uh...I know I'm forgetting stuff. One of the reasons I'm forgetting is because of this whole side story about a tuxedo-wearing vampire in the basement (or somewhere?) who has entrapped a beautiful young bride by cursing her with immortality. That part is a little confusing, not only because it doesn't intersect with the rest of the movie, but because sometimes it seems contemporary--as the bride struggles to survive the zombie plague--and sometimes it seems like a flashback, as our heroes find what looks like the mummified corpse of the dracula guy, complete with his signet ring. So, I don't know what to tell you really. Those are just some of the things that happen in the movie.

Some people like this a lot, and have supported its ascendance to cult status, which is a huge relief when you know what everyone went through to make this movie, only to have it ripped away from them and used against them. I found SPOOKIES a little hard to take, for all the reasons that the cast and crew express in the documentary. It holds a certain amount of visual fascination, whatever you think of it; something of its original creativity remains evident in the movie's colorful, exaggerated look, and its steady parade of unconvincing but inventive creature effects. But then, you have to deal with the farting muck-men. What was once a scene of terror starring REGULAR muck-men, that sounded incredibly laborious to pull off, became a scene of confusing "comedy" when producer Michael Lee insisted that the creatures be accompanied by a barrage of scatalogical noises. Apparently this was Lee's dream come true, as a guy who insisted everyone pull his finger all the time, and who once tried to call the movie "BOWEL ERUPTOR". But, of all the deformations SPOOKIES endured, the fart sounds dealt a mortal injury to the filmmakers' feelings, and even without knowing that, it's hard to enjoy yourself while that's happening.

Actually, all the farts forced me to ask myself: Is this...a comedy? Like for real, as its main thing? As the movie slogged on, I had to decide that it wasn't, but I was distracted by the notion for around 40 minutes. I was only released from this nagging suspicion when the bride makes her long marathon run through throngs of slavering zombies who swarm her, grope her, and tear off her clothes, before she narrowly escapes to an even worse fate. The lengthy scene is strangely gripping, and sleazy for a movie that sometimes feels like low rent children's entertainment. Part of the sequence’s success lies in its simplicity; it is unburdened by the convoluted complications of the rest of the movie, whose esoteric parts never fall together, so it seems to take on a sustained, intensifying focus. The action itself is unnerving, as the delicate and frankly gorgeous Maria Pechuka is molested and stripped nearly-bare by her undead bachelors, running from one drooling mob to another as the horde nearly engulfs her time and again. Actually, it feels a lot like a certain genre of SOV production in which, for the right price, any old creepy nerd can pay a small crew-for-hire to tape a version of his private fantasy, whether it's women being consumed by slime, or women being consumed by quicksand, or...generally, women being consumed by something. I wish I could describe this form of production in more specific or official terms, because I genuinely think it's wonderful that people do this. Anyway, Pechuka's interminable zombie run feels a little like that, and a little like a grim italian gutmuncher, and a little like an actual nightmare. Perhaps it only stands out against its dubious surroundings, but I kind of love it--and I'm happy to love it, because apparently the late Ms. Pechuka truly loved making SPOOKIES, and wanted other people to love it, too.

Which brings me to the uncomfortable place where I land with this movie. On the one hand...I think it's bad. It's so incoherent, and so insists on its impoverished form of comedy, that it's hard to be as charmed by it as I am by plenty of FX-heavy, no-budget oddities. Perhaps the lingering odor of misery drowns out the sweet joy that the crew once felt in the early days of creation--which is still evident, somehow, in its zany special effects, created by the likes of Gabe Bartalos and other folks whose work you definitely already know and love. But I feel ambivalent, about all of this. On the one hand, I can be a snob, and shit on people for failing to make a movie that meets conventional standards of success. On the other hand, I can be a DIFFERENT kind of snob--a more voyeuristic or even sadistic one--and celebrate the painful failures that produced a movie that is most interesting for its tormented history and its amusing ineptitude. I'm not really sure where I would prefer to settle with SPOOKIES, and movies like it. (As if anything is really "like" SPOOKIES) With all that said, I was left with one soothing thought by castmember Anthony Valbiro in the documentary. At some point, he tells us how ROSEMARY'S BABY is his personal cinematic comfort food; he can put it on at night, after an exhausting day, and drift to sleep, enveloped in its warm, glowing aura. He then says that he hopes there are people out there for whom his movie serves that same purpose, that some of us can have our "milk and cookies moment" with SPOOKIES. Honestly, I choke up just thinking about that.

#blogtober #2020 #spookies #horror #supernatural #vampire #zombie #creature feature #old dark house #cursed film #thomas doran #frank farel #eugenie joseph #michael lee #vipco #twisted souls #brendan faulkner #maria pechuka

12 notes · View notes

aion-rsa · 3 years

Text

The Pandemic in Pop Culture Trends

https://ift.tt/32wrfZT

The first year of the COVID-19 pandemic was both a universal and incredibly personal experience. While not everyone’s life in the first year of the pandemic looked the same, there have been some common joys, struggles, and tragedies. And there have been stories that have helped get us through the first year of pandemic. The global COVID-19 pandemic is not over, but it has hopefully reached a turning point. Multiple vaccines protecting against the worst of the virus have been developed and have begun to be (unevenly) distributed around the world, with Israel, the U.K., Chile, and the U.S. currently with the greatest percentages of their populations having received at least one dose. As we hopefully move into a less deadly phase of the pandemic, we’re taking a moment to look back at the TV series, games, movies, and other pop culture moments that brought comfort, distraction, critique, and catharsis for many in the pandemic’s first year, as well as some of the major trends and news stories that shaped the industry itself between March 2020 and February 2021.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

March 2020

NBA To Suspend Season Following Tonight's Games pic.twitter.com/2PTx2fkLlW

— NBA (@NBA) March 12, 2020

The NBA Suspends the Season (March 11th)

Many use the NBA’s March 11th announcement that the 2019-2020 season would be suspended until further notice as an unofficial start of the COVID-19 pandemic in the United States. The season would continue four months later in the “NBA Bubble,” but no one could know what the future would look like, only that things were indeed very serious for the billions-dollar professional basketball and media industry to shut down.

Everyone Watches Contagion

Though Steven Soderbergh’s pandemic thriller came out in 2011, Contagion jumped from Warner Bros.’ 270th most digitally rented movie in December 2019 to their second most rented one in February, and that trend would only continue into March. As the pandemic continued, we would see audiences turning towards more “escapist” fare, but, in the early days of this international crisis, people turned towards this matter-of-fact, fictional imagining of how a global pandemic might play out to help process their new and frightening reality.

Movie Theaters Essentially Go Dark

In addition to the immense loss of human life the COVID-19 pandemic has caused, there has also been an economic cost that will no doubt continue to impact human health and livelihood in the coming years. On March 17th, the movie theater chains Regal and AMC announced their temporary closures, an early sign of just how bad the pandemic would be for the movie theater business.

Movies in Theaters Begin Going to VOD

With movie theaters closed, studios needed to get creative about how best to distribute their movies still “in theaters.” Universal Pictures was the first to make the decision to move its new releases to a video on-demand model, bringing The Invisible Man, The Hunt, and Emma to VOD on March 20th.

Animal Crossing: New Horizons is Released (March 20th)

On March 20th, Nintendo released Animal Crossing: New Horizons for Nintendo Switch, allowing players (most of whom where stuck at home) to digitally move to an island and nurture their own community. The fifth game in the Animal Crossing series, New Horizons would go on to major commercial success. It broke the console game record for most digital units sold in a single month, became the 15th best-selling video game in history, and the second best-selling game of all time in Japan. It was also the most blogged-about subject on Tumblr in 2020!

Tiger King Drops on Netflix (March 20th)

Netflix remains the largest streaming service worldwide, with over 200 million global subscribers and roughly 74 million of those subscribers in the U.S. Because of this, when a Netflix Original becomes a hit, it usually becomes a major part of online discourse, especially in the United States. This was the case for Tiger King, the true crime (and truly wild) documentary series that dropped on Netflix on March 20th. With most watchers stuck at home, the online discourse around the show felt even more intense than usual. For a few weeks, you couldn’t throw a stone without hitting a Tiger King meme.

April 2020

Quibi Launches (April 6)

While not necessarily pandemic-specific (did Quibi ever really stand a chance?), 2020 saw the launch (April 6th) and death (December 1st) of Quibi, Jeffrey Katzenberg’s short-form streaming platform that squandered $1.75 billion in investment capital and star power like Sophie Turner, Kiefer Sutherland, Idris Elba, Chrissy Teigen, Karlie Kloss, and Laura Dern before bowing out in December.

Trolls World Tour Becomes First Movie to Break Theatrical Window (April 10)

Remember when it was radical for a movie to break its theatrical window? Yeah, that was in April, when many media professionals were shocked with Universal’s decision to release Trolls World Tour, the computer animated musical comedy sequel to 2016’s Trolls, as both a limited theatrical release and via video on demand services. The move led AMC Theatres to temporarily announce that they would no longer be distributing Universal films, but the two companies quickly came to an agreement shortly after.

Extraction was a Thing (April 24)

Honestly, every week in 2020 felt like its own lifetime. Remember when Extraction, the Chris Hemsworth-helmed action-thriller, became the most watched original film in Netflix’s history? Directed by Sam Hargrave and written by MCU vet Joe Russo, the film follows a black ops mercenary who must rescue the kidnapped son of an Indian drug lord in Bangladesh. As self-reported by Netflix, the movie was watched by 99 million households in its first month of release.

May 2020

TikTok Pops

TikTok was already firmly a thing heading into 2020, but the pandemic was when more people found it—especially the olds… by which I mean millennials. In October 2019, TikTok had almost 40 million U.S. users (and 507 million global users in December 2019). By June 2020, that number was at almost 92 million in the U.S. (and 689 million globally by July 2020). This was part of a larger trend over the course of the pandemic that saw people spending more time on their mobile devics than ever before: According to a report from mobile app intelligence agency App Annie (via Social Media Today), by the end of 2020, Americans spent more time on TikTok than they did on Facebook, and the average American now spends more time per day on their mobile device (4 hours) than they do watching TV (3.7 hours).

Avatar: The Last Airbender is Released on Netflix (May 15th)

In many ways, the pandemic has been an accelerant of global processes, and this applies to pop culture as well. While we were already seeing the rise in more foreign-language TV, including anime, and the return to some major nostalgic properties due to broader and easier accessibility because of platforms like Netflix, the pandemic really ramped that process up. When all three seasons of Avatar: The Last Airbender became available on Netflix in May, the American animated TV series that originally aired on Nickelodeon from 2005 to 2008, was discovered or re-discovered by millions of viewers, becoming one of the top Tumblr fandoms of 2020. It was indicative of a larger trend of old shows becoming new again through release on major global streaming platforms.

Avatar: The Last Airbender – What Can We Expect From the New Avatar Studios?

By Shamus Kelley

Avatar: The Last Airbender Co-Creators Exit Netflix Live-Action Series

By Shamus Kelley

June 2020

Buffy Lands on All4 (June 1st)

In a year where what’s old was necessarily new again, all seven seasons of Buffy the Vampire Slayer came to UK streaming platform All4, and were broadcast on E4 every weeknight at 11pm. Elsewhere in the UK streaming market, the BBC iPlayer saw its best-ever quarter from April to June with 1.6 billion requests, an increase of 59% on the same quarter last year (according to a BBC press release).

Staged Premieres (June 10th)

As it became apparent that TV and film production would not be going back to normal anytime soon, many creators got, well, creative and began making things in lockdown. One of the best and most high-profile examples was BBC’s Staged, in which David Tennant and Michael Sheen play fictionalized versions of themselves, trying to rehearse a performance of Six Characters in Search of an Author via video chat, alongside director Simon Evans. The low-budget, high-charisma series is filmed in the actors’ real-life homes but, unlike some celebrity efforts during the pandemic (see March), strikes the right tonal note in relation to its subjects’ privilege.

July 2020

Ray Fisher Speaks Up About Alleged Abuse on the Justice League Set (July 1st)

Actor Ray Fisher raised his voice on July 1st in a tweet, calling out director Joss Whedon for alleged abuse on the Justice League set, and WB execs Geoff Johns and Jon Berg for “enabling” that alleged behavior.

Joss Wheadon’s on-set treatment of the cast and crew of Justice League was gross, abusive, unprofessional, and completely unacceptable. He was enabled, in many ways, by Geoff Johns and Jon Berg. Accountability>Entertainment

— Ray Fisher (@ray8fisher) July 1, 2020

Later, in December, Fisher would add WB exec Walter Hamada’s name to that list, following a December 11th announcement by WarnerMedia that their investigation connected to Justice League “has concluded and remedial action has been taken.”

Hamilton Blows Us All Away (July 4th)

One of the deepest cultural cuts during lockdown was the necessary elimination of live, in-person theater, which is probably one of the reasons why Hamilton, the Pulitzer Prize-winning stage musical that originally came to Broadway in 2015, made such a splash when it became available in its filmed format via Disney+. Even without a pandemic, Hamilton (and all Broadway theater) is only accessible to a select group of people, making the addition of the pop culture phenomenon in a more accessible form so very important.

From Bridgerton to Hamilton: A History of Color-Conscious Casting in Period Drama

By Amanda-Rae Prescott

Movies

Hamilton: Thomas Jefferson Controversy Explained

By David Crow

Host Becomes the Most Zeitgesty Movie of 2020 (July 30th)

Another particularly impressive entry into the “filmed from lockdown” genre that sprouted up during the first year of the pandemic was British found footage horror film Host. Written and made over 12 weeks in a pandemic and based around a haunted Zoom call, few pandemic-made stories managed to nail the balance between both frighteningly topical and escapist quite so well.

The NBA Bubble Begins

Professional sports went into their bubbles, aka tightly controlled settings in which pro sports players live, practice, and play their respective seasons—to varying degrees of success. The NBA’s Disney World bubble went into effect on July 22nd for exhibition scrimmages, before launching into the final eight games of its regular 2019-2020 season and then the 2020 NBA playoffs. Twenty-two of the NBA’s 30 teams were invited to participate and ended the bubble in October with no recorded cases of COVID-19 amongst its participating players. The MLB bubble was… less successful.

SDCC @Home: WTF Was That? (July 22)

San Diego Comic-Con is one of the most important and lucrative pop culture events of the year, bringing hundreds of thousands of people into downtown San Diego to celebrate and discuss some of the largest franchises in the world. SDCC was one of the many in-person conventions that attempted to transfer its programming online in 2020 and… it didn’t really work. Part of the fun of Comic-Con is in the excitement of the crowd and the exclusivity of the events. (Though not on Thanksgiving, thank you very much.) There is nothing quite like getting to be part of a major Hall H announcement, and watching via video chat is just not the same.

August 2020

Tenet Comes Out in the UK (August 26th)

In what was largely a year without theatrical cinema in the U.S. and the U.K., a brief respite in COVID-19 cases and therefore lockdown meant a proper theatrical release for Christopher Nolan’s latest in August 2020. Sci-fi blockbuster Tenet hit U.K. theatres on August 26th, bringing in $5.3 million domestically in its first week of release and marking the first major studio release since the pandemic began.

American Sports Leagues Go on Strike to Protest Jacob Blake Shooting

Many professional sports in the U.S. came to a temporary halt when some players and teams refused to take the field or court following the police shooting of Jacob Blake, a 29-year-old Black American who was shot in the back and paralyzed by a police officer in front of his sons on August 23rd in Kenosha, Wisconsin. The incident re-ignited ongoing protests over racism and police brutality, with which many players and teams stood in solidarity. The NBA, WNBA, MLB, and MLS all postponed games as players protested Jacob Blake’s shooting.

Chadwick Boseman Passes Away (August 28th)

In a devastating loss to American culture, Chadwick Boseman, the star of Black Panther and many other films, passed away due to complications from colon cancer, a condition with which he had been living and working since a 2016 diagnosis. Boseman was one of the most successful Black actors and creators working today.

“He … knew that his voice was now strong and people were listening and paying attention,” wrote Kelley L. Carter in The Undefeated. “And he knew that even as this moment was victorious, Hollywood still needed to be called to task on the things that make this industry problematic, even as it was in the infant phases of creating a groundbreaking blockbuster with a mostly Black cast.”

September 2020

Tenet Flops in the U.S., Hollywood Abandons Ship for Fall 2020 (September 3)

While Tenet may have been a hit in the U.K., the Nolan blockbuster flopped upon its release in the U.S., where many theaters remained closed or empty through the summer and fall. The film would make around $58 million in the U.S. and Canada, prompting Hollywood studios to further push back major releases slated for the fall.

Mulan Becomes First Disney “Premier Access” Release (Sept. 4)

After several pandemic-caused release delays, Disney’s much-anticipated, live-action adaptation of Mulan became the first “Premier Access” release for Disney+, causing a bit of a stir. In the U.S. and in some other markets, Disney forwent releasing Mulan in theaters, instead offering a “Premier Access” window on Disney+ that viewers could access for an additional fee of $29.99. While the film received middling reviews from western critics, it was not received well in China. Additionally, a #BoycottMulan movement, which started out as a response to social media comments star Liu Yifei made in support of the Hong Kong police in their (sometimes violent) suppression of pro-democracy protestors, gained some traction in the lead up to the release.

Movies

How Mulan Maintains The Animated Film’s Queerness

By Natalie Zutter

Movies

Mulan: Disney Plus Grosses Exceed $200 Million? (Report)

By David Crow

I’m Thinking of Ending Things Makes People Go “Whaaa?” (Sept. 4)

As our Rosie Fletcher wrote in the “Ending Explained” for I’m Thinking of Ending Things: “[this story is] a movie, and a book, which really requires you to watch/read twice to actually fully understand.” It’s a gloriously confusing movie, and many in September dove right into the mystery chiller adapted by Charlie Kaufman from a novel by Iain Reid. As Fletcher put in her review, the film is “a perfect storm of philosophy, ambiguity and wankery.” What’s not to love?

October 2020

Trial of the Chicago 7 Debuts on Netflix (Oct. 16)

However you may feel about Aaron Sorkin, the man knows how to make a taut political drama. Trial of the Chicago 7 is a dramatic retelling of (as it says on the tin) the 1969-70 trial of the Chicago Seven, a group of anti–Vietnam War protesters charged with conspiracy and crossing state lines with the intention of inciting riots at the 1968 Democratic National Convention in Chicago. The movie has an all-star cast of dudes, and is both written and directed by Sorkin. It made many critics’ best-of-the-year lists and made a cultural splash when it dropped on Netflix in October, after a summer of American and global protests ignited by the killing of George Floyd and other Black Americans.

Borat 2 Makes (a Bigger) Fool Out of Rudy Giulilani (October 23rd)

Rarely do the paths of pop culture and politics so explicitly intersect as they did in Borat 2. The mockumentary comedy sequel came out in October, in the long, plateau-ed height of the lead up to the presidential election, and featured a scene in which Republican politician Rudy Giuliani puts his hand into his trousers in front of actress Maria Bakalova, who is impersonating a conservative journalist. While Giuliani attempted to spin the event in both the lead up to and following the release of the film on Amazon Prime, Sacha Baron Cohen told Good Morning America in an interview after the film’s release: “It is what it is. He did what he did.”

Movies

Maria Bakalova is Ready to Do Borat 3 in ‘Five Minutes’

By David Crow

Movies

Borat 2: Sacha Baron Cohen Reveals Dangerous Deleted Scene

By David Crow

The Queen’s Gambit Turns Everyone into a Chess Player (Oct. 23)

Odds are that, in October 2020, you either knew someone or were someone who watched The Queen’s Gambit and then fell hard into the world of chess. The Netflix period miniseries tracks the highs and lows of fictional chess prodigy Beth Harmon (the brilliant Anya Taylor-Joy), from her upbringing in a Kentucky orphanage in the 1950s to her time at the top of the competitive chess world in the 1960s. In its first month of release, The Queen’s Gambit became Netflix’s most-watched scripted miniseries, and sent chess set sales soaring—yet another sign of just how commercially and culturally powerful Netflix has become.

November 2020

PlayStation 5 Alleges Launches, But No One Can Get Them (Nov. 12)

Even if you aren’t a gamer, you probably heard about the release of the PlayStation 5. Though the PS5 technically became available in Australia, Japan, New Zealand, North America, Singapore, and South Korea on November 12th (and worldwide a week later), the limited supply of the console made it almost impossible to find.

As Matthew Byrd wrote in his November article on the subject: “We know that the initial PS5 shortage can at least partially be attributed to a shortage of the console’s chips (as well as distribution and manufacturing problems caused by the complications related to the COVID-19 pandemic), but as we’re already seeing in Europe where some who pre-ordered a PS5 were warned they may not receive their console until 2021, Sony faces some notable additional issues moving forward.”

This is partially a story of supply and demand, and the growth of gaming in general. According to a report by market researcher SuperData (via Venture Beat), the game industry grew 12% (to $139.9 billion) in 2020, with console games revenues up 28% from 2019. While growth is expected to be slower in 2021, as fewer people will hopefully be stuck at home, more people than ever are gtting their story fix in the world of gaming.

Games

PlayStation Bets on Big Games as Game Pass Slowly Wins a Console War

By Matthew Byrd

Games

Why PlayStation Store Closing on PS3 Should Matter to You

By Matthew Byrd

December 2020

WB Announces HBO Max Release Hybrid Model (Dec. 3)

In a move that seems to be paying off, in December, Warner Bros. announced that it would be moving to a release hybrid model through 2021, putting its entire 2021 film slate on HBO Max. As David Crow explained in our film section: “The move will put all 17 of WB’s scheduled 2021 films on a ‘hybrid’ model where films will premiere on HBO Max the same day as their theatrical release in the U.S. Technically speaking, the films will still be playing in theaters, particularly in international markets without HBO Max as a streaming option, but for the first (and most lucrative) month of their release, they’ll also be available on WarnerMedia’s streamer.”

People Actually Get to Play Cyberpunk 2077, Immediately Realize It’s Broken (Dec. 10)

Hooboy, Cyberpunk 2077. In December, after literal years of anticipation, CD Projekt released action RPG video game Cyberpunk 2077 to disastrous results. While the narrative and design of the game is ambitious and has its rewards, the rollout was plagued by performance issues (particularly in the console versions) that led to player backlash and actual lawsuits.

Games

Cyberpunk 2077 Lawsuits Explained

By Matthew Byrd

Games

Cyberpunk 2077 Roadmap Proves the Game Should Have Been Delayed to 2021

By Matthew Byrd

The Mandalorian Finale Breaks the Internet (Dec. 18)

Um, spoilers.

The second season of The Mandalorian may not have technically been the most-watched series of 2020, but it certainly felt like the most-talked-about, proving that, even in the era of streaming, there’s still such a thing as appointment television. This all came to a culmination with The Mandalorian Season 2 finale, “The Rescue,” which featured an appearance from Luke Skywalker himself.

Could Durge’s Star Wars Return Lead to a Role in The Mandalorian or Book of Boba Fett?

By Joseph Baxter

How The Mandalorian Challenges Star Wars’ History of Bad Dads

By Lacy Baugher

Wonder Woman 1984 Premieres (Dec. 25)

Wonder Woman 1984 dropped on Christmas Day in the United States, and quickly became the most-watched straight-to-streaming title of 2020 (knocking Disney+’s Hamilton out of the top spot), despite its middling reviews. In the U.S., it would be the first of WB’s “hybrid model” releases, getting a simultaneous release in theaters as well as on HBO Max.

Movies

Wonder Woman 1984 Star Connie Nielsen Defends Patty Jenkins’ Vision

By Don Kaye

Movies

Does Zack Snyder’s Justice League Set Up Wonder Woman 3?

By David Crow

Bridgerton Gets Saucy (Dec. 25)

Bridgerton, Netflix’s deliciously addicting period romance based on the Julia Quinn novels, also dropped on Christmas Day, and went on to become the streamer’s most watched series ever, reaching #1 in 76 countries. The Shondaland produced drama made leading man Regé-Jean Page a global star, so much so that the announcement that he would not be returning for Season 2 (as each season focuses on a different romantic pairing featuring a member of the Bridgerton family) into a bit of a meltdown. Bridgerton has already secured another three seasons—a post-Season 1 announcement that is unprecedented for a Netflix original.

Why Bridgerton Had to Let Regé-Jean Page Go

By Amanda-Rae Prescott

Will Bridgerton Become the Next Game of Thrones?

By Kayti Burt

Soul Brings on the Feels (Dec. 25)

Called Pixar’s “most ambitious movie in years” by Den of Geek film editor David Crow, Soul was another Christmas release that brought solace to people stuck at home, many without their families, for the holidays. Directed by Pixar vet Pete Docter (Up, Monsters, Inc., Inside Out) and co-directed by Kemp Powers (One Night in Miami, Star Trek: Discovery), the film follows middle school music teacher and pianist Joe Gardner as he seeks to reunite his soul and his body after they are accidentally separated, just before his big break as a jazz musician.

January 2021

The Little Things Kicks Off WB’s 2021 Film Slate on Streaming (Jan. 29)

Fans of crime thriller and/or Denzel Washington and Rami Malek flock to HBO Max and theaters for the hybrid release of The Little Things, the first of WB’s planned 2021 slate.

Movies

The Little Things is Better Than a Seven Copycat

By Don Kaye

Movies

The Little Things and the Mystery of Denzel Washington’s Character Explained

By David Crow

February 2021

WandaVision Ensnares Us

Stop hogging the zeitgeist, Marvel!

In February, Disney+ released its first MCU show, WandaVision, and it broke the internet. The miniseries, created by Jac Schaeffer and starring Elizabeth Olsen as Wanda Maximoff/Scarlet Witch, wowed audiences with its clever use of the sitcom format and superhero tropes to tell a story about grief that, for all of its fantastical elements, was oh so relatable.

How WandaVision’s Doctor Strange 2 Connection Evolved

By Joseph Baxter

WandaVision: The Unanswered Questions From the Marvel Series

By Gavin Jasper

Judas and the Black Messiah Debuts (Feb. 12)

Daniel Kaluuya and Lakith Stanfield lead an all-star cast in this 1960s period piece that follows the real life story of Black Panther Party chairman Fred Hampton, who was the victim of a targeted assassination by the FBI. In a year that saw an increased mainstream awareness of Black trauma, the Oscar-nominated Judas and the Black Messiah shone a cinematic light on yet another state-led historical injustice against Black Americans.

Charisma Carpenter Speaks Her Truth

In February, actress Charisma Carpenter came forward with allegations about Joss Whedon’s alleged abuses of power during her time on Buffy the Vampire Slayer and Angel, inspired by Ray Fisher’s own efforts to seek justice and systemic reform for Whedon’s alleged behavior on Justice League.

My truth. #IStandWithRayFisher pic.twitter.com/eNjYcJ6zwP

— charisma carpenter (@AllCharisma) February 10, 2021

— Ray Fisher (@ray8fisher) July 1, 2020

Pokemania Returns

Many older millennials have spent their time during quarantine reconnecting with their childhood faves. This culminates with a massive renewed interest in Pokemon cards to the point where McDonald’s Happy Meals with Pokemon cards as toys sell out instantly.

Sponsored

Why Pokémon Has Endured For 25 Years

By Alec Bojalad

Did we miss anything? What have been the stories and pop culture trends that have helped get you through the pandemic so far? Let us know in the comments below.

The post The Pandemic in Pop Culture Trends appeared first on Den of Geek.

from Den of Geek https://ift.tt/3tFxFBF

#aion-rsa #Den of Geek

2 notes · View notes

laresearchette · 3 years

Text

Sunday, May 16, 2021 Canadian TV Listings (Times Eastern)

WHERE CAN I FIND THOSE PREMIERES?: 2021 MTV MOVIE & TV AWARDS (MTV Canada) 9:00pm GOOD WITCH (W Network) 9:00pm RUN THE WORLD (Starz Canada) 9:00pm

WHAT IS NOT PREMIERING IN CANADA TONIGHT SORORITY SISTER KILLER (TBD - Lifetime Canada)

NEW TO AMAZON PRIME/CRAVE/NETFLIX CANADA/CBC GEM:

AMAZON PRIME BALI RUN THE WORLD SHIVA 143

CRAVE TV RUN THE WORLD (Season 1, Episode 1)

NETFLIX CANADA LITTLE

NHL HOCKEY (SN) 12:00pm: Islanders vs. Penguins (SN/SN360) 3:00pm: Wild vs. Knights - Game #1 (SN) 7:30pm: Lightning vs. Panthers - Game #1 (SN360/SN1) 10:30pm: Flames vs. Canucks

MLB BASEBALL (SN1) 1:00pm: Phillies vs. Jays (TSN2/TSN3/TSN5) 7:00pm: Cardinals vs. Padres

NBA BASKETBALL (SNNOW+) 1:00pm: Hornets vs. Wizards (TSN3) 1:00pm: Pacers vs. Raptors (TSN2) 3:30pm: Celtics vs. Knicks (TSN3) 3:30pm: Grizzlies vs. Warriors (TSN4) 10:00pm: Lakers vs. Pelicans

MLS SOCCER (TSN/TSN4) 2:00pm: Sporting KC vs. Whitecaps FC (TSN) 4:00pm: Cincinatti vs. Miami (TSN) 9:30pm: Seattlle vs. LAFC

THE WRONG ISLAND REAL ESTATE AGENT (Lifetime Canada) 8:00pm: A single working mother and her teenage daughter rent a beautiful house on several acres of land from a friendly real estate agent who they know well and lives nearby.

MYSTIC (Super Channel Heart & Home) 8:00pm (SERIES PREMIERE): After moving from London to New Zealand, a girl uncovers a series of secrets surrounding a mysterious injured horse.

MASTERCHEF CANADA (CTV) 9:00pm (SEASON PREMIERE): In this penultimate episode, the remaining competitors face a three-round skills test, and one final cook to determine who will earn a spot in the finale.

JUNIOR CHEF SHOWDOWN (Food Network Canada) 9:00pm: Chef Jordan Andino gives a demo in flavour building by creating a classic Caesar salad with a balance of salty, crunchy, savoury and umami components.

SCOTT 'S VACATION HOUSE RULES (HGTV Canada) 9:00pm (SEASON PREMIERE): Real estate expert and contractor Scott McGillivray shows homeowners how to take their vacation property purchase and unlock its full rental potential.

THE CURSE OF OAK ISLAND: DRILLING DOWN (History Canada) 9:00pm/10:00pm: Rick, Marty and the team allow viewers behind the scenes to see how every moment on Oak Island is captured. In Episode Two, Matty travels to Travers City, Mich., and meets with Rick, Marty, Craig, Alex, and Jack to review the incredible discoveries made in Season 8, and hear what might be in store for Season 9.

CORAL GHOSTS (Documentary) 9:00pm: An impassioned marine biologist uses his family's extensive archive as the catalyst to save the world's reefs.

ISLAND OF BRYAN (HGTV Canada) 10:00pm: Bryan and Sarah focus on the guest experience, while the Baeumler kids navigate living at the hotel with guests on site.

#cdntv #cancon #canadian tv #canadian tv listings #masterchef canada #junior chef showdown #scott's vacation house rules #the curse of oak island: drilling down #island of bryan #nhl hockey #mlb baseball #nba basketball #mls soccer

1 note · View note

nandalorian · 5 years

Text

So. I wasn’t going to post about Roswell, but now I am, so buckle up because this is going to be a long one.

A lot of people on Tumblr, Twitter, and the wider internet have, over the last few days, very intelligently posed criticisms of Roswell’s representation of POCs and queer characters in the context of Malex. While I have to be upfront about the fact that the problematic writing has made me apprehensive of seeing the show through to its next season, I’ve been pretty quiet on that front as I gather my thoughts and figure out what I need to say. As a white woman, I am upset and dismayed by the token and tone-deaf representation, but I feel like that’s not mine to speak to when there are a lot of people of colour in this fandom who can and should take this opportunity to explain, criticize, and educate the rest of us on how the show has failed and how it must do better. In that regard the most worthwhile contribution I can make is to listen and amplify those voices and their thoughts, feelings, experiences, and insights about the negative and at best lazy representation of people of colour on the show.

But as a bisexual woman and a professional writer and editor, I am in a position to criticize the queer representation from a political and social standpoint, but also a creative one. I am going to break this post up into two parts because there’s a lot I want to address about two separate issues, and I think the waters will get muddied if I try to combine it into one post. So let’s talk about Malex first, which is the subject about which, oddly enough, I feel the most calm. Depressed af, but mostly calm.

More under the cut.

A lot of people have already written about Malex or Tweeted Carina and the production team far more eloquently than I can manage, but the thing is, while I do have issues I’ll get into in a sec, I... actually think they have done a good job of writing Michael as a bisexual man and Alex as a gay one. That isn’t a popular opinion at the moment, but hear me out, because I have a lot more to say on the subject of bisexuality that doesn’t concern Michael Guerin. The show’s struggle isn’t entirely that their politics are bad. I do think the intentions are mostly good--mostly--but what I want to speak to is the breakdown between intentions and how those intentions translate to the screen through the medium of writing, direction, and the actors’ performances.

I don’t want to dismiss or disregard anyone who feels differently since that view is also totally valid and a lot of people have raised very fine points to that end. This is just my interpretation, so take it with a grain of salt and feel free to disregard or not. But my take is we can’t boil down the show’s issues to saying oh it’s biphobic or homophobic where Michael and Alex are concerned. I don’t think it is, not inherently.

The show’s struggle is that the writing is often so sloppy, rushed, and disjointed that it’s impossible to tell whether they don’t fully understand what positive queer representation is and what it isn’t, or if they just don’t know how to do it justice on TV. Perhaps it’s a combination of both, and right now I’m not writing off either possibility.

But I’m inclined to think it’s the latter. To be clear: the Malex/Maria triangle is shitty writing because love triangles frequently are, and they’re really, really difficult, if not impossible, to get right. The reason I think so many of us are up in arms about it is because the show rushed and stumbled its way through a 30-second supercut of Alex and Michael’s relationship from the word go, just enough to get us hooked before abandoning it for something else.

We’re pissed because it’s like they got us addicted to black tar heroin and then took away our fix just as the night sweats and shaky hands started to kick in, and at this point my life since episode 1x11 has been like a bad Trainspotting withdrawal montage. I don’t think they have intentionally baited us, although that is what it feels like. It’s taken a lot of angst and going back and forth on my part to arrive at this conclusion, and I will say I still waffle about it some days. But bad writing is bad because it pulls unintentionally negative reactions from people due to being misunderstood, or from creating all these wild implications the writers didn’t necessarily intend or realize were present in the final product.

The fact that Carina has to take to Twitter to explain each episode to viewers shows the quality of the writing or lack thereof. If it were stronger, she wouldn’t have to do that, but the show suffers from chronic exposition, incredibly bad pacing, and an overreliance on plot devices to advance the story rather than gradual and necessary character development. Sorry if that’s harsh, but the editor part of my brain sometimes wants to weep during episodes of Roswell. Oftentimes a bunch of shit will happen in an episode that doesn’t even progress the story, leaving us or the characters at exactly the same place they started off.

In short, everything happens too much. The characters feel like they have no agency because they are always reacting to one thing after another every episode, not even a second for them to breathe and be and let us see who they really are when the world isn’t on fire. And that’s all the characters, not just Alex and Michael, although arguably we have a bit more insight into the primary characters like the Pod Squad and Liz. But really, everything suffers as a result. The characters seem thin or underdeveloped and the sense of urgency, tension, and risk disappears even from theoretically high-stakes scenes like a live shooter at a hospital because we don’t get to see who the characters are in their normal lives. We don’t fully know what’s important to them before the next explosion happens.

Adversity is a helpful writing tool because it can show us who characters are under a certain set of high-pressure circumstances, but boredom and normalcy is just as important for character development. You can’t tear down what we don’t know exists. Star Wars: A New Hope wouldn’t have been half as effective if we hadn’t seen Luke Skywalker in his day-to-day life before that simple life was upended and he got the call to adventure. The first stage of the hero’s journey is necessarily the boring part because we can’t cross from the known to the unknown world without seeing what the known world is.

We never really… get that with Roswell. Not even for a second. So of course we feel cheated of bisexual or gay representation in the show because we never actually get to see Michael and Alex in any kind of sustained relationship, healthy or not. It’s just conflict conflict conflict with a bit of sex and longing gazes thrown in, followed by more conflict and then the relationship ending in favour for a new one. All hat, no cattle. (Literally.)

With Michael we get to see some of his routine and him being himself with his family, etc., and a lot of that has to do with the incredible performances Michael Vlamis delivers week after week, although even then, that suffers. Rather than start us off slow and building relationships from the ground up, the season begins in conflict, so that it has the effect of it seeming like the town of Roswell has been vacant for 10 years and everyone moved back in the same day and started catching up on each other’s lives after a decade apart. You don’t get the sense that anyone really talks to each other, even though most of them have been living in the same place their whole lives. Every single relationship, from Isobel and Michael, Max and Michael, Max and Isobel, even Maria and Michael, could have been strengthened if they’d taken more time to lay that groundwork ahead of the conflict. Especially Maria and Michael! Imagine how much better this season would have worked if they’d had an existing relationship, friendship, or flirtation before Alex got back. By this point we’d be nodding and probably going, “Okay, I get it. I might not like it, but I get it.”

Alex by comparison is a total cypher where his background and his day-to-day life is concerned. We know almost nothing about him outside of his history of abuse, his tragic backstory with Michael, and his role in helping to uncover the mystery about the fourth alien. Yes, we’ve gotten to see that he is blunt and fiercely loyal to his friends, and he has serious issues with needing to be in control, which are all valid from a character development standpoint. I have come to desperately crave any and all scenes with him and Kyle because that seems to be when we get the most significant moments of character insight like that wonderful “I’m talking about a conversation, not a war” moment. But how much else do we know or understand about him that is canon, not fans’ headcanon?

Furthermore, the lack of context and representation around Alex’s disability as a veteran, amputee, and potentially as a PTSD-sufferer is really dangerous and feels like tokenism. The way they’ve written the existence of his injury feels inconsistent, and while showing his residual limb during a love scene was significant, they ruined any goodwill we might have developed toward them for that by simply never engaging with his disability again. Same with the fact that he is of Indigenous heritage, which we know FROM A TWEET but which the show has never actually engaged with explicitly, in a move taken straight from the J.K. Rowling Book of Bogus Representation. We don’t quite have enough information to know yet whether this is tokenism or bad writing, in Alex’s case, although I sincerely hope it isn’t the former. Based on everything I’ve seen so far, though, my hopes aren’t high, because it kind of feels like the writers want credit for representation when they haven’t actually done the legwork (yet?).

Maria suffers a similar lack of character development, and what started off promising when we got great scenes with her, Liz, and Alex and then met Mimi has quickly deteriorated to her being nothing more than Michael’s new love interest. As a woman of colour, that is lazy and shitty on multiple levels, and I just about hit the ceiling in 1x11 when they not only showed a black woman being drugged and her body used against her will--could you be more tone-deaf to those implications?!--but had two white women (Jenna and Isobel) accusing Maria of being a murderer to another WOC (Liz). Maria’s very thin character development in the latter half of the season has had the dual effect of making us feel like we’ve been cheated out of a relationship we have gotten attached to but haven’t been given time to fully appreciate or understand (Malex) and thrust into a new one that feels weak, arbitrary, and rote by comparison.

I actually don’t object to the idea of Michael and Maria as a couple. They have great chemistry. But I do object to the lack of development they’ve given us on either front, either Michael/Maria or doing serious justice to Malex as a ship. To think all of that could’ve been solved if the writers had slowed down the show’s pacing and actually given themselves and the characters time to breathe and get to know each other, and us them.

What I feel a lot of straight/white/cis/able-bodied writers don’t seem to understand is that representation takes care. It’s great to say you’re going to write a diverse show and have lots of representation, but it’s for naught if you don’t also understand that you can’t write diversity in the same way you’d write a character coming from a place of privilege, be it racial, socioeconomic, gender, sexuality, ability, etc. Part of that privilege is having a lot of generally positive understanding and assumptions about those characters already built in, especially from your viewers who share that privilege. Writing diversity takes WORK, a lot of attention to detail, sensitivity, and most of all the ability to listen. It takes a lot of consultation with people who have those experiences and know what they’re talking about, because the experiences, assumptions, and biases of nondiverse writers just can’t fully capture what minorities know and live every day of their lives. To do otherwise is how we arrive at whitesplaining, mansplaining, straightsplaining, etc. If you’re a white/straight/cis/able-bodied person and think you’ve done enough to positively represent your diverse characters, that probably means you need to do more. It’s not for you to judge how much is “enough.” That’s for your consultants and, most importantly, your viewers. And if those people are telling you you’ve missed the mark, the next best thing you can do is stfu and listen to them and try to learn how to do better, not get defensive or start patting yourself on the back for everything else you’ve done.

I think those principles can be applied to all the representation on the show, including that of POCs, the differently abled, and the queer characters. I think the writers have done enough with Michael and Alex as queer characters on their own, but they’ve missed the mark on doing enough with them together. Because--and I know this will come as a shock--part of writing queer characters is also giving us well fleshed-out queer relationships. They started off down that road, but at some point the road abruptly ended and left us as viewers feeling stranded in the middle of a desert. That’s uneven writing that results in a feeling of uneven representation, and as far as viewers are concerned, it amounts to the same thing.

Carina’s attempts to explain why they’ve done nothing wrong to viewers via Twitter and social media is sheer intentional fallacy. And while we’re at it, I’ve spent a lot of this season wanting to take Twitter away from her and throw a copy of “The Death of the Author” at her head instead. It’s not enough, Carina. What you intended isn’t enough if it’s not there on the page or visible to us on the show. As a writer she should understand that, but instead she is getting defensive of her abilities as a screenwriter and showrunner when fans pipe up to say whatever she intended isn’t translating properly. We aren’t seeing that representation, which means the writers need to do more than what they think is “enough.”

Add into that a rushed, arbitrary love triangle with an underdeveloped black female character and an underdeveloped gay POC with a disability, especially when those two characters are also best friends whose relationship is severely threatened as a result, and there’s no wonder why viewers are up in arms about this. I don’t think the love triangle makes Michael seem like an indecisive or promiscuous bisexual--and anyway, since when is being promiscuous a bad thing. It just makes him and Maria seem careless of Alex’s feelings and like Alex is the victim, which they could have avoided by taking their time with the characters/relationships, especially the vulnerable ones, or by avoiding such a lazy and unnecessarily dramatic trope in the first place, or at the very least establishing the characters and their relationships enough that our current situation felt more organic.

So really this kind of leaves us at an impasse, I think, as fans. I think people ought to keep speaking up to Carina if they think that will help, but I think it’s also important for us to be able to separate bad politics from bad writing, or at least be able to engage with them as separate things that occasionally (or frequently) overlap with disastrous consequences. I’m sure there are a lot of people who will disagree with this utterly, and that’s fine. Could be I’m totally wrong, and I am aware that I’m probably giving the writers too much credit about what they may or may not have intended.

But with regards to Alex and Michael, maybe it will help to understand what’s happening from this standpoint and tailor our approach accordingly. We really can’t take it upon ourselves to make demands upon the show in terms of what story they want to tell, but we can certainly complain when they aren’t telling that story effectively or when it alienates viewers, especially on points of diversity and representation.

But I don’t know. It could be the only way to make ourselves heard, to tell the writers when they are and aren’t doing “enough,” is to vote with our time, attention, and viewership, whether that means continuing to watch the show or stopping altogether. And that’s kind of a bummer, because there was a lot of potential. But if the quality of the storytelling is unable to make heard the voices and experiences it ought to, especially with such a receptive, enthusiastic audience, then maybe it’s time we start looking for other shows that do a better job, or better yet, continue to keep telling and creating our own.

Those are just my thoughts. Please feel free to discuss with me in the comments or via DM, because I’m still talking through this stuff and welcome the conversation and any alternate or opposing viewpoints.

I’ll be back in a bit to share a second post with my far less forgiving thoughts about Roswell’s representation of queer female sexuality, because that one’s a doozy and the gloves come off. Sorry not sorry in advance.

#roswell new mexico #malex #alex manes #michael guerin #meta #biphobia #representation

116 notes · View notes

2020recommendanime · 5 years

Text

Toilet-Bound Hanako-Kun and the Power of Visuals

Unique animation and background art can be selling points when it pertains to whether an individual decides to watch a new series. Although great story writing and characters can create an amazing series, it is difficult to know these two qualities without first watching the anime itself (as well as reading the light novel or manga). The easiest way to impress a person into watching a show without any prior knowledge is to have an interesting art style. This sort of technique is used in more than just Japanese animation, but also in other countries such as The United States with Spider-Man: Into the Spider-Verse and Loving Vincent. Spider-Man: Into the Spider-Verse brings a comic book to life by using frames and onomatopoeia words, while Loving Vincent was hand-painted using stop-motion. With these concepts, movies that would have been a simple crossover and a documentary would be dull and not cause more people to watch and marvel at what is to come. The anime and manga of Toilet-Bound Hanako-Kun do just that; the animation and background art draws people in to enjoy what is to come.

Figure 1 Persichetti, Ramsey, Rothman, “Spiderman: Into the Spider-Verse”

Figure 2 Kobiela, Welchman, "Loving Vincent"

The Impact of Visuals

As with other art forms, anime has its general groups where you can expect a certain art style to go along with the concept; seinen (mature themes) are often done with more darker schemes and muted styles, shounen (aimed at boys) is brighter and smoother, hentai (animated porn) focuses on exposure and shojo (aimed at girls) is bubbly and sparkly. While there are these general groups, there are subgroups that contain their own styles, and even then, there are always exceptions. As mentioned before, Toilet-Bound Hanako-Kun is one of these exceptions.

As stated on Mangakalot, Toilet-Bound Hanako-Kun is a shounen that includes comedy, supernatural, and school life themes. With these themes, the first thought would be to compare this to shows such as Noragami and Natsume's Book of Friends. Both Noragami and Natsume's Book of Friends are stereotypical looking anime with thin lines, dry colors, and standard scenery. While these shows are impressive with their storytelling and inclusive to supernatural myths, the amount of uniqueness and creatively put into the art style does not instantly draw the viewers in.

Figure 3 Tamura, "Noragami"

Figure 4 Miyake, "Natsume's Book of Friends"

Although I can go on and describe Toilet-Bound Hanako-Kun’s animation and background, James Beckett from AnimeNewsNetwork summaries it perfectly: “The environments feel hand-crafted, like they were plucked out of an especially evocative picture-book, and the way the show uses overlays of comic panels to break up some of the gags and establishing shots makes everything even more painterly.” This kind of exceptional work is common with the producers and directors of the show. As reported from AnimeNewsNetwork, Studio Lerche employed director Masaomi Andō, writer Yasuhiro Nakanishi, character designer Mayuka Itou, and animation producer Yūji Higa. Both Masaomi Andō and Yūji Higa have previously collaborated for a child-like show, Hakumei and Mikochi. With this team, they would go forward to produce another amazing series.

Figure 5 Andou, "Hakumei and Mikochi"

There are three important factors that go into making Toilet-Bound Hanako-Kun series’ art special: manga frames, vibrant colors, and creative lighting.

Manga Frames

When discussing this subject, it is important to remember its origins. When reading manga, the frames and panels are outlined boxes stacked against each other that contain drawings and words. This concept is common across manga and comics alike but employing this type of style of boxes containing drawings is not common in anime. As referenced at the beginning, the American movie Spider-Man: Into the Spider-verse uses the same notion with it being a parody towards superhero comic books. Toilet-Bound Hanako-Kun does this in a similar fashion with its manga-inspired animation.

(Below will be images for this example) Episode 6 of Toilet-Bound Hanako-Kun features many examples of manga frames, but for this example, we are focusing on a screencap from time 3:42. The screencap has two visual planes, in the background is an open book with a red page reading “Future” while in the foreground is Yashiro Nene’s, the main character, face being shown within white manga-panel borders. This image shows an interesting way to convey Yashiro talking while still being able to see what she was talking about on-screen. This scene is comparative to the one drawn in the manga. In the manga, the panel that has the book and “Future” is read first, then the next frame has Yashiro talking about what she is looking at. The way the producers decided to adapt to this scene is interesting; they were able to see the original concept and impact, but also integrated the feeling of being able to still see the first image while also continuing to read/watch on.

Figure 6 Andou, "Toilet-Bound Hanako-Kun" Ep 6

Figure 7 Aida, "Toilet-Bound Hanako-Kun" Chp 11

Vibrant Colors

Different anime may use color schemes to enhance themes, specific events, or symbolism. Color is everywhere in anime, and it is important for the animators to place certain colors in places to bring meaning or impact to the watchers. A popular example of this is in JoJo’s Bizarre Adventure where the color scheme inverts at random yet important times during the episodes, which brings about the weird and unique flare that this series holds. A series does not need wild color changes to be recognizable.

The very first noticeable feature of Toilet-Bound Hanako-Kun is how bright and lively the art looks. James Beckett’s description that this show looks like a picture book is accurate in this sense. Children’s books often have bold and contrasting colors to allow for easy viewing and longer attention spans. Rachel Pancare wrote a Sciencing article title, “How Do Bright Colors Appeal to Kids?” which states, “Bright colors catch young children's eyes because they help kids to distinguish objects from one another in their field of vision. Children spend more time looking at bright colors as opposed to looking at muted shades or pastels.” While this is true, some of the tones and circumstances within the show are not child-friendly, and even then, the coloration and art style are still able to bring the fear that is needed.

Figure 8 Andou, "Toilet-Bound Hanako-Kun" Ep 1

Figure 9 Andou, "Toilet-Bound Hanako-Kun" Ep 1

Creative Lighting

Lighting can be used in many different forms; it is used to brighten a landscape, a special character or object, or to create a certain atmosphere. In the average anime, lighting may not be diverse but may be only used to brighten the landscape so that the viewers can watch. There would be no major variation or casting that would change the mood of the scene. At times, there is seemingly no direct light source, but just everything is filled with brightness by either the sun, indoor lights, or for no reason. If the setting is at night, a streetlight may light up a character but that is seemingly the only option. Incredible anime typically takes a dive into using light sources and shadows dynamically, especially when there is a dramatic scene or an object that needs to be emphasized.

Toilet-Bound Hanako-Kun possesses the traits of having various light sources and accurately placed shadows, but there is another layer that is added. An integral part of the art style is that light can take a variety of shapes, but usually hexagonal. The pictures below demonstrate this; a light that emanates from the lamps and the lenses flare are hexagons, providing a creative change other than the usual faded circle of light surrounding an object. The other light sources are the light blue, glowing gems and the sunlight from the window. These two light sources provide the rest of the scene to be lit but within proportion to how bright the source is. Shadows are used accurately as well, causing darkness on the two character’s backs as well as slopping downward on the stall doors. These small additions can contribute greatly to the finished product and can transform how a scene is seen and the feelings that are derived from it.

Figure 10 Andou, "Toilet-Bound Hanako-Kun" Ep 6

Figure 11 Andou, "Toilet-Bound Hanako-Kun" Ep 1

Conclusion

The three essential components to Toilet-Bound Hanako-Kun are creative lighting, vibrant colors, and manga frames. Analyzing and discovering what goes into a series can improve your experience and create a deeper devotion to the content. With this being said, not all shows that have the typical animation style and dull background are bad, but that they need to be analyzed in other areas and be appreciated in those. Toilet-Bound Hanako-Kun deserves praise and attention for its art style, and studios should look after this show and put forth the effort to make more series like this.

When considering what new series, you may watch or if you would want to stop watching a series, stop and think for a moment, “Does this art style impress me? Was the effort of the animators shown?” If the answers to the questions is “yes,” then I recommend that you follow through and continue watching that series. While storytelling and character development are important aspects to a show, there is more to the story than that. So, take a minute, turn the volume off on your favorite anime and watch—does the art tell a story? Does it make you laugh, scared, sad, or any emotion? Looking out for these feelings is important, and so is analyzing why this show may look so wonderful, because the smallest details matter the most, and it shows the dedication and love the creators have for the series.

#hanako-kun #toilet bound hanako kun #WINTER 2020 #anime #mini essay #manga

4 notes · View notes

douxreviews · 6 years

Text

Charmed - Season Seven Review

"I don't think we're getting out of this one, girls."

Season Seven is one of Charmed's weirdest years. After the mess of Season Six, the series seemingly finds its way again. The first 13 episodes take the season in an interesting and thoughtful direction, after which the show starts to build towards some sort of resolution, though said resolution feels rushed and odd. Despite what is clearly a season begging to close out this seven-year story, there's sadly more aneurisms on the horizon in Season Eight. Before that we do get to experience some surprisingly decent material, with a few crappy episodes thrown in for good measure.

Following the events of Season Six, the Halliwells' lives are still in turmoil after Gideon's betrayal, and the death of future Chris. The most interesting element of this is Leo's struggle to clear his name after killing Gideon, something that gets even more complicated after Barbas' meddling in the premiere forces Leo into murdering another Elder, this one completely innocent. This destructive behavior sets Leo on a path towards the Avatars, a mysterious group initially introduced in Season Five, back when Cole was groomed to join their cause, a cause that was at that point, unclear.

There’s also the introduction of Kyle Brody to contend with, a detective who has a large distrust of the Avatars, thanks to their role in murdering his mother and father when they stumble into the wrong place at the wrong time. His relationship with Paige is interestingly drawn, with her loyalty to him being tested in an altogether different way than Phoebe's was back in Season Four. Brody has some valid reasons for siding against the Charmed Ones, reasons that Paige herself understands. He loses his life while trying to stop the Avatars’ plan to remake the world in their image from coming to fruition, but his death is a powerful moment, and gives Rose a rare chance to make Paige appear likable again. His reincarnation as a whitelighter is completely unnecessary, though.

The Avatar arc is actually one of the more inspired of Charmed's long running stories, mostly because it attempts to tackle something a little “grayer” than would be typical of the series, especially this late in the game. Though they seem to initially offer a better world for the Charmed Ones, one without demons or evil, the Avatars’ "new order" isn’t as clear cut as it seems, with free will eradicated. The girls are left with no other option but to join forces with a demon named Zankou in order to reverse the world altering spell in 'Extreme Makeover: World Edition' (the episode titles are starting to get real wild). The resolution to this whole debacle is a refreshingly tame one, with the girls reasoning the Avatars out of their position of power, and parting ways with Zankou who promises to come face to face with them further down the line. Initially I was a bit underwhelmed by what transpires with the entire arc, but looking back its actually quite poignant, interspersing moments of intriguing mystery with bitter realizations about the world these characters exist in.

The seeds sewn during the girls' reluctant team-up with Zankou are used to great effect later on the season. Some of the episodes in question are plagued by poor execution, notably in 'Death Becomes Them', when the guilt the sisters' are forced to relive when Zankou resurrects innocents they failed to save just doesn't hit home; it's a fantastic idea that doesn't push the boundaries far enough. Zankou himself is still a terrific villain, with Oded Fehr's performance way outshining the bland macho-posturing of the Z-list demons around him. His villainy comes to a head in the finale, with the girls "sacrificing" themselves to stop him from taking control of the Nexus beneath the manor. The episode itself is a tense, exciting ride that gives Zankous's master plan a lot of gravitas, and has a few fun call-backs to elements of past seasons, though it's oddball ending leaves the season in a weird place, with the girls faking their deaths and escaping the potential exposition of their explosive showdown with Zankou at the manor. The ending has some interesting repercussions in theory, and the open-endedness of it is pretty exciting, but it's not exactly where I would want the show to end up. In hindsight, it would seem almost a mercy to viewers to end it here, rather than face the shit-show that is the show's final season. Not to mention how clumsily this is all dealt with after the fact. Ugh.

Outside of the resonance of the Avatar arc and Zankou's generally fun presence, the season feels a little off. 'The Bare Witch Project' is an embarrassing approach to modern day sexism that is unintentionally sexist itself. Any excuse to get Alyssa in her underwear, right? 'Freaky Phoebe’s is another shitty hour that is the perfect example of how tired the possessed sister trope has become. And 'Imaginary Friends' is a bad re-hash of the "let’s turn Wyatt evil" plan that was done to death in Season Six, with the episode further hindered by the black-sucking hole of boredom that is Wes Ramsey's portrayal of an adult Wyatt.

The generally tired attitude is evident in the rest of the guest casting, too. Phoebe's annual love interest this season is the terribly cast Nick Lachey, whose character Leslie steps in as a ghost writer for Phoebe's column when she takes a sabbatical from dishing out useless advice. Of course, the writers use this opportunity to shove them together, even though their chemistry is non-existent. Erica Dane's charm that kept Jason Dean afloat last season just isn't there with Leslie, either; stick to the boybands and reality shows, Nick. Things do look up briefly mid-season, with Billy Zane's brief arc as ex-demon Drake, who momentarily suspends Phoebe's descent into a chasm of whining and self-importance. Zane is ridiculously charismatic, elevating otherwise drab material and injecting life into an increasingly bored looking cast. His exit after just three episodes is sad to watch, but it's more of a tribute to how great Zane was rather than how well Drake was written.

In general, the sisters’ journeys this season are a little uninspired. Paige does find some purpose with her inheritance of Magic School, a job she later passes on to Leo when she fully embraces her whitelighter duties. Phoebe thankfully parks sperm hunt '04 to embrace her role as a source of relationship advice; it’s a nice change of pace from her standard plots revolving around bland love interests but she's just as annoying as she was when she was man-hunting. Piper is still focused on helping Leo, though it’s her role as a mother of two that's one of the few elements that help her to remain somewhat relatable. That aside, there isn’t a whole lot of growth where Piper’s concerned, despite remaining the only tolerable character.

Potions and Notions

Phoebe regains her power of premonition this season. It’s the only of her three powers that she ever gets to use again on-screen, with empathy and levitation remaining too strenuous on the budget.

Death makes his second appearance here, and his first since Season Three. I love that there’s reference to the fact that it was only Prue who saw him last time. One of the rare occasions where the series keeps its continuity in check.

I loved the shots in 'Extreme Makeover: World Edition' that showed all the people going to sleep, with the characters addressing little plot holes like the planes in the sky falling without a pilot to fly them.

Julian McMahon reprises his role as Cole in the 150th episode ‘The Seven Year Witch’. It’s disappointing that he only gets to interact with Piper, who is temporarily stuck in some form of limbo, but he remains a huge talent, and it was great to see him on the series again.

In the season finale, the girls use Astral Projection when trying to trick Zankou. There’s a reference to Prue having taught them the skill at one point, though back in the day it was heavily implied it was one of Prue’s individual talents, not a learned ability.

Spells and Chants

Death: "Which means ending death effectively ends life, throws off the entire cosmic design, the whole point, and for what? A single fleeting life. This is bigger than your sister, Piper. Much bigger."

Paige: "Well, you're gonna go deaf first. Don't forget, you're the older sister." Piper: "Yeah, I love you too."

Paige: "Last column?" Phoebe: "Well yeah. How much advice can a world with no conflict need? I may be out of the job." Paige: "You okay with that?" Phoebe: "I've got better things to look forward to."

Leo: "I tried to change the world for you ... and I would do it again in a heartbeat. "

Phoebe: "Those demons do have a way of keeping you warm at night." Piper: "Yeah, but that's only because they have fireballs."

Best Episode: Witchness Protection; a remarkably affecting episode, with Charisma Carpenter's incredibly likeable Kira bringing the show together in a way that hasn't been seen since early season five.

Honorable Mentions: Charmageddon; Something Wicca This Way Goes.

Worse Episode: The Bare Witch Project

There's a general sense that those behind the camera (and in front of it) wanted this to be where Charmed's journey ended, and it's hard not to argue with that. By the time we reach the season finale the series had completely drained the well of ideas and, despite a short lived creative resurgence during the initial Avatar arc, the season was mostly a mere shadow of the series Charmed used to be, and the sisters themselves were starting to grate. Sadly, the WB Elders kept the show plugged in for one more year. The only reprieve of the show's extended life is the potential for the series to craft an ending that feels a little less rushed. In hindsight that still doesn't justify the trash we get fed in Season Eight, but 20/20 I guess...

5 out of 10 world altering spells.

Panda

#Charmed #Piper Halliwell #Phoebe Halliwell #Paige Matthews #Charmed Reviews #Doux Reviews #TV Reviews #something from the archive

7 notes · View notes

joeygoeshollywood · 7 years

Text

My 25 Favorite Films of 2017

It’s hard to believe that 2017 is already coming to a close. Here’s my 25 favorite films from the year!

25. Girls Trip

Perhaps it’s the Bridesmaids or The Hangover of 2017, Girls Trip is a fun, buddy comedy about a group of women who try to rekindle their friendship during a trip to New Orleans. Queen Latifah and Jada Pinkett Smith are always reliable and Regina Hall is an underrated lead, but it’s breakout star Tiffany Haddish that gets the biggest laughs.

24. All The Money in the World

All The Money in the World is a good film on its own, but what makes it historic is what went on behind the scenes. Ridley Scott pulled off the impossible by replacing its disgraced star Kevin Spacey with Christopher Plummer with only roughly a month ahead of its original Christmas release. The film is based on the events of the 1973 kidnapping of John Paul Getty’s grandson. All The Money is a highwire thriller, but it’s Plummer’s brilliant, cold-hearted performance that steals the show.

23. Okja

Korean director Bong Joon-ho behind such films as The Host and Snowpiercer debuted this gem. Okja follows a girl’s battle to protect her “superpig” from a juggernaut company that plans on turning her pet into food. This action adventure was easily one of Netflix’s strongest original films to date. The stellar cast includes Tilda Swinton, Paul Dano, Jake Gyllenhaal, Steven Yeun, Lilly Collins, and newcomer Seo-hyeon Ahn.

22. Battle of the Sexes

Emma Stone and Steve Carrell face off as Billie Jean King and Bobby Riggs in the most historic tennis match in history. Battle of the Sexes is a fun, empowering, nostalgic sports dramedy from Little Miss Sunshine’s Jonathan Dayton and Valerie Faris.

21. Stronger

Based on the incredible true story, Stronger follows Jeff Bauman and his struggle for normalcy after surviving the Boston Marathon bombing. Time and time again, Jake Gyllenhaal proves to be one of Hollywood’s most under-celebrated actors today as he arguably gives the most challenging performance of his career. Tatiana Maslany (Orphan Black) also deserves praise for her raw, emotional supporting role. Stronger is a powerful, moving biopic that reminds us that there’s always hope even in the darkest moments.

20. Split

After releasing numerous duds, it appears that M. Night Shyamalan is finally making a comeback. Split kicked off 2017 with a wild psychological thriller surrounding the kidnapping of three young women who’ve been imprisoned by a man with multiple personality disorder. James McAvoy gives a memorable performance as he channels well over a dozen personalities.

19. Wonder Woman

Wonder Woman broke the glass ceiling on many fronts: one being the first female-lead superhero blockbuster and such a blockbuster was directed by a woman. Gal Gadot made her big-screen debut as the Amazon princess in Batman v Superman: Dawn of Justice, but she absolutely nails it in her first solo flick. Many have considered this film to be the strongest film in the DC Cinematic Universe yet.

18. Alien: Covenant

Ridley Scott certainly kept himself busy this year. In the latest chapter of this deep-space horror franchise, a colony ship makes a fatal detour on a planet filled with our favorite aliens. Accompanied by an all-star cast, Michael Fassbender is on double duty with two fantastic performances. While Prometheus settled the groundwork, Alien: Covenant returned to its heart-pounding roots that made these films such a big success.

17. It

Very rarely do remakes exceed its predecessors, but the 2017 remake of Stephen King’s It really deserves praising. Bill Skarsgård managed to make Pennywise his own with his terrifying interpretation of the murderous clown. That being said, the film heavily relies on the tremendous cast of young actors including Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jack Dylan Grazer, Wyatt Oleff, Chosen Jacobs, and Jeremy Ray Taylor. Filled with good scares and disturbing imagery, It will have a new generation afraid of clowns.

16. Darkest Hour

Gary Oldman gives a transformative, Oscar-worthy performance as British Prime Minister Winston Churchill in Darkest Hour. The film takes place during the chaotic transition period the United Kingdom face in the midst of WWII and gives a glimpse of Churchill’s bumpy start to his successful era of leadership. Darkest Hour is a captivating drama with sprinkled humor throughout.

15. Get Out

Part horror, part thriller, part social satire, Get Out marks the directorial debut of funnyman Jordan Peele. An interracial couple is put to the test when the black boyfriend visits the white girlfriend’s family, but once he gets there, he’ll learn that her family may have something sinister planned for him. While it’s sort of hard to explain it, Get Out is a unique, thought-provoking, movie-going experience unlike any other in 2017 that’s carried by a strong cast and an intriguing plot.

14. The Wedding Plan

Chances are you haven’t heard of The Wedding Plan, but it’s one of the most relatable films of the year. This Israeli romantic comedy follows an anxious bride-to-be who decides to keep her wedding date after her fiancé dumped her just weeks before and literally relies on faith in order to find a groom before she walks down the aisle. Yes, the plot’s that zany, but Noa Koler’s heartwarming and heartbreaking performance truly carries the film.

13. Dunkirk

It’s been three long years, but Christopher Nolan returned with an immersive war flick Dunkirk, which depicts the underdog WWII rescue effort of the British military that was surrounded by German troops. While there isn’t exactly a straight-forward plot, the incredible cinematography, editing, and sound design keep audiences on the edge of their seats.

12. War of the Planet of the Apes

An epic conclusion to one of the strongest trilogies in recent memory, War of the Planet of the Apes was a rare reboot that actually exceeded its predecessors. For three films, Andy Serkis brilliantly humanizes the lead ape Caesar as the climax escalates the brutal battle between human and ape.

11. The Shape of Water

If Beauty and the Beast and Creature From The Black Lagoon had a beautifully weird baby, it would be Guillermo del Toro’s latest film The Shape of Water. The story surrounds a mute janitor who forms a relationship with a creature trapped in the laboratory she works at and her personal mission to help him escape. She doesn’t even speak a word, yet Sally Hawkins gives one of the best performances of the year and she’s joined by a spectacular supporting cast including Octavia Spencer, Michael Shannon, Richard Jenkins, and Michael Stuhlberg. Visually stunning and emotionally enthralling, this is del Toro’s best film since Pan’s Labyrith.

10. Call Me By Your Name

An emotionally complex film, Call Me By Your Name tells the story of a romance that blossoms between a 17-year-old boy and his father’s 24-year-old research assistant. In the wake of the #MeToo movement, such an inappropriate relationship would/should be frowned upon, but as viewers, you sympathize with Elio and Oliver not just because they’re likable characters but for the powerful performances that came with them, particularly from breakout star Timothée Chalamet.

9. The Killing of a Sacred Deer

The closest thing to an Alfred Hitchcock film in 2017, The Killing of a Sacred Deer is a suspenseful, psychological thriller that virtually no one saw. The film follows teenager who gets brutal revenge after a doctor failed to save his father’s life. Newcomer Barry Keoghan, who you’ve might have seen in Dunkirk, gives a unsettling, outstanding performance. Between this and his last film The Lobster, writer/director Yorgos Lanthimos is proving to be a filmmaker Hollywood should watch out for.

8. The Disaster Artist

If you haven’t seen The Room, it’s a 2003 film that has earned a cult following because it’s so incredibly bad, it became unintentionally hysterical. The Disaster Artist is about the making of that film with James Franco starring, producing and directing the film. Franco manages to earn big laughs and also give a transformative performance as the infamous Tommy Wiseau. With tons of A-list cameos and a brutal glimpse of the film industry, The Disaster Artist made the making of a painfully bad film painfully funny.

7. The LEGO Batman Movie

Not only was this a great animated movie, it was also a great Batman movie. The LEGO Batman Movie allows its self-awareness to drive the narrative that examines Batman’s relationship on a psychological level. Filled with tons of fun Easter eggs and references to previous Batman films, this LEGO movie will leave you nostalgic and laughing til it hurts.

6. Lady Bird

Actress Greta Gerwig makes a strong directorial debut with this down-to-earth coming of age comedy about a Sacramento teen transitioning into adulthood. In film after film, Soirse Ronan shows that she’s one of the best actresses in the millennial generation and Laurie Metcalf, who may win the Oscar playing her heartfelt but judgmental mother, shows that she’s one of the most under-celebrated actresses of our time.

5. The Big Sick

The greatest romantic comedy since Silver Linings Playbook, The Big Sick is a rare film because it feels authentic and real... and that’s probably due to the fact that it’s based on the stranger-than-fiction true story behind Kumail Nanjiani and Emily Gordon’s relationship. Nanjiani essentially stars as himself (which he does a terrific job) and has great chemistry with his co-star Zoe Kazan. Ray Romano and Holly Hunter give hilarious, heartwarming performances as the parents who meet Nanjiani as their daughter is in a coma. From the culture clashes, the comedy industry, to the modern era of dating, The Big Sick feels more relevant than ever and can resonate with any audience.

4. Coco

Disney/Pixar has a gift of continuously melting people’s hearts. And they do so again with their beautifully-animated latest, Coco. Miguel is an aspiring musician in a family that has banned music after his great grandfather abandoned them for pursue stardom. And after being transported into the Land of the Dead, Miguel must track down his ancestor in order to return home. The importance of art is obviously a theme, but the heart of the film is about family, pursuing our dreams, and the significance of leaving a legacy. Coco is rich with a cast of lovable characters, great music, and a satisfying ending that may leave you in tears.

3. Three Billboards Outside Ebbing, Missouri

Three Billboards Outside Ebbing, Missouri may be a mouthful, but it’s also masterful work from writer/director Martin McDonagh. Frances McDormand gives an Oscar-bound performance as grieving, no-nonsense mother determined to pressure the police to solve the murder of her daughter. She is accompanied by a strong ensemble cast which include strong supporting performances from Sam Rockwell and Woody Harrelson. Three Billboards is the only film this year that will make you laugh, cringe, and anxious all at once. It’s the closest thing to Fargo since Fargo... and the Fargo TV series.

2. Baby Driver

Edgar Wright, the mastermind behind Shaun of the Dead, Hot Fuzz, and Scott Pilgrim vs. The World, finally found commercial success with Baby Driver, a terrifically-edited heist film with the greatest film soundtrack in recent memory. Aside from the uncomfortable fact this will go down as Kevin Spacey’s last great film, Ansel Elgort proves he’s got the chops for a leading role. With lots of well-choreographed action sequences and even some laugh, Baby Driver is absolute fun and is why we go to the movies.

1. I, Tonya

Who would have thought that it would take a dark comedy to make Tonya Harding look sympathetic? I, Tonya is a unique, Goodfellas-like biopic that gives multiple, not entirely reliable perspectives surrounding the infamous attack of Nancy Kerrigan. Margot Robbie offers a layered, grounded depiction of someone who was painted as a cultural villain. Allison Janney also knocks it out of the park as her cruel yet hilarious mother. The works of director Craig Gillespie and screenwriter Steven Rogers have spanned decades, but their collaboration here is the best of their careers. Combined with great editing and an awesome soundtrack, I, Tonya is a rare film in 2017 that isn’t just another remake, sequel, or ripoff; it skates on its own.

5K notes · View notes

sarahtaylortraveladventures · 6 years

Text

Week 1 (Jan 6 - 13)

Hallo aus Berlin!!

I’m so excited to share with you what I've been up to the past week! It’s been pretty crazy getting adjusted to my new dorm, learning how to get around in Berlin, going to the store, and meeting new people. I can already tell I’m going to love Berlin and I’ve had such a great time so far. This post is so much longer than I anticipated, but I hope you enjoy reading about my first week!!

Last Sunday, I took one plane from Charlotte to London and then a short flight from London to Berlin. Everything went smoothly with with the flights and I got a few hours of sleep which was good! The meal I got on the plane was a pasta dish, which was pretty delicious. Here’s a picture of the airline meal and a picture of me with my suitcase for proof that I packed light!

I met up with some people in my same program who were on my flight from London to Berlin. Once I got to the Berlin airport, I met up with my roommate, who is also named Sarah, and then the program provided a bus that took us from the airport to the program center.

The place where I’m staying is a center for study abroad students from the US. The bottom section has a lobby and cafe and classrooms and then the top floors are the rooms where students live. My room is dorm style with bunk beds, a desk, a wardrobe, a mini-fridge/microwave set, and then a bathroom. Here are a few pictures!

The first day we were in Berlin we had a welcome toast to the semester, then we went on a short walking tour around the neighborhood, and then dinner with some people in the program.

One the second day, we had morning sessions that covered helpful information about our classes, the center, and the culture in Berlin. Then in the afternoon, we went on one of those bus tours of Berlin, which was cool because we saw the main tourist attractions (pictures below!) and learned about their history in addition to getting a better feel for the layout of the city. And by that I mean realizing just how big Berlin is!

The first stop was the East Side Gallery, which is the longest remaining piece of the Berlin Wall. After it was torn down, the city preserved this section and asked local artists to paint what peace and unity meant to them, so it’s covered in really cool murals. This picture is probably the most famous section - it depicts Leonid Brezhnez (Leader of the Soviet Union) and Erich Honecker (East Germany Leader) kissing and was based off of a photo taken when the German Democratic Republic (East Germany) was created.

Then we went to the Brandenburg Gate, which was pretty cool just because you see references to it everywhere in the city (including on the fabric in the seats in the U-Bahn) But the history of it is super cool - it’s actually pretty old (18th century) and was a part of the old Berlin Customs Wall, which was a literal wall around the city that regulated people to pay taxes on the goods they brought into and out of the city. The Brandenburg Gate was one of many gates in the wall, but it was used for people of higher nobility or special occasions. Then it was used later for triumphal processions by Napoleon and the Nazis.

The last stop was the Memorial to the Murdered Jews of Europe. It’s hard to get a good picture that shows the whole memorial because it’s so big, but it’s a large open space with grey concrete-looking boxes of various heights. There’s apparently a lot of controversy about this memorial, but the artist, Peter Eisenman, was also very intentional in his design. The monument resembles a cemetery and walking through the stone boxes makes you feel somewhat uncomfortable and trapped. Eisenman didn’t want to label the monument or label the boxes because he wanted viewers come to their own realization and form their own opinions about the meaning behind his work. The monument is one of the largest public spaces in Germany and was really moving. There’s also an underground documentation section, but we didn’t see that on our tour.

That night we went to a German/Austrian restaurant, and I had my first schnitzel of the semester! This was a veal schnitzel that is popular in Austria and it was incredible. I’ve also been trying different beers at restaurants because Berliners are obsessed with their beers.

P.S. the beer glass was smaller so don’t use it as a size comparison to the schnitzel which looks ginormous in this picture

On Wednesday we started our first day of class! I only had my International Finance class that day, but I think the class will be really interesting. The professor is also really awesome - he was discussing a concept in class and mentioned this tea beverage but no one in the class knew what he was talking about because it’s only made in Berlin, so during our break (they’re 10 minutes since the class the 3 hours) he went a bought one and had some plastic cups so we could all try it!

We also went to Real, which is kind of like Germany’s Walmart or Target. It was my first experience going on the U-Bahn (Berlin’s subway/metro) and to the store in Berlin and it was a wild experience. The U-Bahn is pretty simple, especially given my experience in New York, but it’s big and all the names of the stops have at least ten letters. At the store, they have a lot of the same brands as the United States, but it was definitely an experience. I just got some notebooks for class and other things that I didn’t want to worry about packing like a bigger shampoo bottle. The whole trip was a little overwhelming but my friends from the program were there too so we struggled together and are now laughing about how confused we were.

On Thursday, we went to the grocery store for the first time! It was super fun and we got stuff to make dinner and lunch since there is a communal kitchen at the center. I have a picture just because I was proud that we went and were cooking. Also, in the German grocery stores they only sell half loaves of bread and I think that’s genius. Also their cheese is way better than deli cheese from Harris Teeter.

It was also a slightly warmer and sunnier day, so we went for a walk around the neighborhood. The river was super beautiful and we also saw some interesting apartments too.

Afterwards, we went to a super cute cafe where we had some coffee and cherry cake.

On Friday, I don’t have any classes which means I got to spend a full day doing whatever I wanted! We went to this mall and got some more items that we needed and also just walked around to the different stores to see what they were like.

That afternoon we also went to the Berliner Dom, which is the big Cathedral in Berlin. It was super beautiful on the outside and it sits on what they call “Museum Island” because it’s an island in the middle of the Spree River that runs through Berlin and is where a lot of the main museums are. The inside is also really pretty and you can go to the top and see an awesome view of Berlin! It was foggy and dark outside when we were there but I’d like to go back when you can see more.

This is the view from the top! The TV Tower is to the left.

Also, a little bit of winter-y decorations were still up from Christmas and I thought they were really pretty!!

That night, we went to Curry 36, which they say at the program is a late-night staple. It’s a currywurst place, which is a fast-food dish consisting of sausage, French fries, curry-flavored ketchup, and mayonnaise. It is honestly life-changing and I would consider Curry36 similar to the Cookout of Berlin, which as many of you know is a pretty bold statement coming from me.

On Saturday, I went to an all-day German Survival Course that the program put on. It was somewhat helpful because we learned a little about ordering food and how to say some phrases. It’s definitely a hard language though so I can’t say that I have a large German vocabulary as of now.

Today (Sunday), we went to a brunch place and then a museum called Urban Nation, which is a contemporary art museum that focuses a lot on street art too. It was super cool.

And then tonight I’m just finishing up some homework!

Wow - it’s been a really busy week but I’ve loved being able to explore and experience new things, even if it was sometimes intimidating. Berlin seems like an amazing city and I’ve loved making new friends who are studying here with me too.

I miss you all!! Auf Wiedersehen!

the view from my dorm!

2 notes · View notes

still-we-go-pumpkins · 6 years

Text

An amazing fan tribute to Weiki. Unique facts compilation 👌🎃

I've just found the post on DeviantArt. As great Weiki fan also, I can confirm that he's really that marvelous just as the author describes him. This will make you feel warm and will set smile on your face as well as you will check Helloween vids/lives while exploring this facts. So, here we go.

Further credits : SamWeiki

100 Reasons I love Michael Weikath

Possible – scratch that, definite – Fangirling ahead (I tried to keep it to a minimum and I probably failed)

1. He has the most gorgeous blue eyes. [right off, I told you – Fangirling]

2. The songs he writes are so unique and AMAZING. Most of them mean quite a lot to me, as well. I’ve always been drawn to them. They just have a certain special quality to them that I love.

3. He wrote “Keeper of the Seven Keys” for cryin’ out loud!

4. His “thanks” section in the Unarmed booklet.

5. He’d pick Judas Priest over Iron Maiden in an instant.

6. The way he sometimes answers questions. For instance, he was asked about what fans could expect from The Dark Ride and his response was: “Well....hmmmm you can expect that it will be standing in stores and it’s very likely you can buy it when you find it there! hahahahahaha apart from that I don’t know if it’s going to say anything but you can go there and buy it, listen to it, and use it, because it’s a CD and it usually makes a lot of sound if you put it into a CD player......but probably doesn't work if you put it into a toaster.....hahahahahaha.”

7. If he wasn’t a musician, he says his life would be dedicated to cartoons.

8. He dedicated the Hammond version of “Burning Sun” to the great Jon Lord.

9. He’s an artist. His little skull and pumpkin drawing is beautiful.

10. He makes the best faces in concerts.

11. I love watching him in the High Live video, especially during “Steel Tormentor”. [I did not just say that]

12. He made the frog noises at the end of “Nothing to Say”.

13. So many people have blamed him for things over the years, when he did nothing wrong, just because they feel it's easier to blame him. I experience that quite a lot and have for several years, so I understand what it's like but he seems a lot stronger than me about it, as it's very hard for me to get over a lot of that stuff. He's sort of my hero about that because it seems like he hasn't let that really stop him.

14. How he totally told off that Phantom guy. His responses were awesome.

15. A part of “Do You Know What You Are Fighting For” is Deep Purple’s “Stormbringer” backwards. There’s actually a lot of Deep Purple in that song. Makes me love it even more – both songs.

16. He played on Uli Kusch’s cover of “Eyes of the World” from the Rainbow tribute album and he played all the guitar on that song. “Yeah I played on Eyes Of The World. So I did all of the guitar work on it. Uli told me that he did not expect me to have the guitar work as close to the original song as I had it.”

17. The seven pronged star on the cover of 7 Sinners was his idea. And what a damn fine idea it was because it makes a freaking sweet album cover! It was a lot of fun for me to draw, as well.

18. When writing “LAVDATE DOMINVM”, he called upon his old Latin lessons from school and actually got to work with his old Latin teacher on the lyrics. Weiki hadn’t worked with Latin for a bit, so he had to relearn a few things and he even managed to correct something his teacher had written.

19. His response to what animal he would be: “A lion, 'cause I could be lyin' round lazy and have my food brought to me by other people.”

20. Helloween would not be Helloween without him, plus Markus and Andi wouldn’t let him quit in 2000/2001.

21. He drew the logo and original pumpkin.

22. How beautiful the lyrics to “Windmill” are. Example:

"Don't feel alone and depressed

Someone will come, at last

To soothe your storming mind

To keep it away from the evil storms."

23. You can clearly hear the man singing in “White Christmas” and he’s the most fun to listen to.

24. “Introduction” never fails to make me laugh very loudly, especially the lyrics to “Rock n’ Roll All Day”.

25. He likes Spinal Tap.

26. The way he sang “Gorgar will eat you” in the Keeper Legacy interviews.

27. He was asked what his motto in life was and his response was: Be as friendly as it comes; have fun, make money and spend it on charity to help people. ~Sei so freundlich wie es geht; Spaß haben, viel Geld verdienen und es für wohltätige Zwecke ausgeben, um Leuten zu helfen~ (it was originally in German)

28. His black and white outfits in the ‘80s and ‘90s, especially those awesome star-printed pants.

29. The entire story of the Keeper of the Seven Keys and Master of the Rings.

30. The Jacuzzi scene in the Keeper Legacy Road movie.

31. He likes Aphrodite’s Child, Nektar, and Camel. He’s cool.

32. I really don’t think I’ve heard him say anything bad about anyone.

33. The moment when he switched his guitar off and “played” a solo after he was introduced in The Legacy concert.

34. “All right… That’s enough! Now, I want to hear Dani’s drum solo!” *rapid fire – BLAMBLAMBLAM!* The first time I watched the “Smoke On the Water” bit from Hellish Rock, I nearly fell to the floor laughing.

35. About the time Pink Bubbles Go Ape came out, in an interview, Michael Kiske said something about they weren’t Metal, they didn’t do that “Heavy Metal” thing and Weiki says, “I thought we were Heavy Metal”. And Michi completely just stopped talking for a second.

36. The way Weiki messed around with Michi and Roland during the interview mentioned above.

37. How much fun he looked like he was having in the “Kids of the Century” video.

38. Every time he dances around on stage.

39. His love for Gibson Les Pauls.

40. He was reading “A Hat Full of Sky” and even recommended it.

41. He says that his writing “Keeper of the Seven Keys” kept him alive and he considers it a major turning point in his life to have come up with the idea for it.

42. The hairspray scene in the Hellish Rock road movie.

43. He actually got involved with the DJ game when they were in Japan (Keeper Legacy road movie) – the whole arcade scene was great.

44. The way he just looks at a camera sometimes and doesn’t say a word – he just starts making faces and looking off in different directions. He can be funny without saying a single word.

45. His guitar solo in “Back On the Ground”.

46. He played most of the guitar on the Better Than Raw album.

47. Weikath Syndrome is the coolest thing to catch.

48. During the German Top 6 video (1993), he was drinking a Capri Sun. I think it may have even been Wild Cherry.

49. A Gibson Les Paul looks absolutely perfect on him. I also love the way he holds the guitar.

50. How his hair has always been shoulder length (at least) since the late ‘80s (and beautiful).

51. He thinks of the younger viewers/fans.

52. All the love for him in the Hellbook.

53. I don’t how much of the lyrics to “Dreambound” he wrote, but he has a credit on that song and OH MY GOD, is it flipping incredible! I must make special mention to how amazing “the Saints” is, too.

54. He wanted to talk to Michael Kiske when they met at a festival in 2012/2013, so they could try and work things out a little.

55. He wanted “Livin’ Ain’t No Crime” to be a single.

56. His song “Number One” and how uplifting and positive the lyrics are, especially the chorus.

57. When they were on the Ferris wheel, they didn’t start REALLY laughing until Weiki did.

58. How he introduces himself as “de Michael Weikath of Helloween” and he even got Dani to do it with him.

59. He contributed a guitar solo to the German Rock Project’s “Let Love Conquer the World” (the long Metal version) but went all incognito with it and is credited as “a member of the Seventh Key”.

60. The fact that he wanted a flute in “Raise the Noise” and it sounds totally awesome!

61. The sexy witch on the cover of Better Than Raw was Weiki’s idea.

62. His makeshift rocking chair.

63. His spoken part of the Dezperadoz song “First Blood” (and “Echoes of Eternity”, too).

64. How funny was in the two Nuremberg interviews from the ‘80s that are on YouTube.

1987 – He lights a cigarette, he passes it Ingo, Ingo passes it back, and Weiki passes it back to him. Ingo then proceeds to throw it on the ground and Weiki attempts to lightly hit him but only manages to hit his hair. xD

1988 – The FUNNY one! He was so frickin’ funny in that one. I won’t give away the end of it if you’ve never seen it, but it involves a balloon and a cigarette. (by the way, Michael Weikath takes his sunglasses off and puts them back on 13 times, 10 of which are in the first three minutes).

65. After an interviewer thanks him for being there, “Ja, that’s not so much I can do about it, because somebody put me on this Earth and I went out of my mother and suddenly I was there and now I have to deal with this crap.”

66. During the Indianapolis Hell On Wheels concert, during “Halloween”, Michi passes the mic over to Weiki and Weiki does the “I’ll show you power and glory” part. Michi then makes a disgruntled face at him and rubs the mic with his shirt, causing Weiki to make a face back at him!

67. Also from the same Hell On Wheels concert, during “A Tale That Wasn’t Right”, he was stepping on the skeleton and making Ingo laugh.

68. Speaking of “A Tale That Wasn’t Right”, that song is incredible and very powerful.

69. He let the other members of the band help out on “Mission Motherland”. That song is very quickly becoming my favorite song of theirs.

70. His backing vocals in the “Sea of Fears” demo.

71. All of his little pins that he wears: the pumpkin, the W, the stars…

72. This comment he made about the Hellbook: “With the hardcover you can better smash your naughty brother... and you can with the regular as well, just maybe not as effective.” I have actually made that joke to my brother before. xD

73. Someone at a meet-n-greet in 2008 showed the band an old picture of the guys, which they all signed. It was an old picture. Kai was stunned, Markus laughed his ass off, and Michael actually said he remembered where it was taken and when. The picture was taken in 1986, so that is kind of impressive.

74. He helped me become a big fan of Deep Purple. Yes, I will admit to only becoming a major Deep Purple fan after becoming a Helloween fan - and it was all because of Weiki. And now I'm really happy because I never realized how awesome Deep Purple is. Same thing with Wishbone Ash.

75. He’s given me several phrases to use whenever applicable.

- “Impressive, isn’t it?”

- “You have to listen with your ears.”

- “It’s nice, cold, windy, sunny weather.” (which pretty much describes Florida in the winter sometimes)

76. He can still sing with a cigarette in his mouth and not drop the cigarette.

77. The intro to “Halloween”. I’m not sure if he played it on the original recording, but when he plays it live… OH MY GOD.

78. His guitar solo in “First Time”.

79. He’s fun to watch in the “When the Sinner” video when he’s shown, especially when he’s playing those power chords in the beginning (even though he played no guitar on the song) and the part in the saloon.

80. How amazing “Les Hambourgeois Walkways” is.

81. He’s written a couple songs that he has dedicated to groups of fans ~ “LAVDATE DOMINVM” for the Latin speaking fans, and “Born on Judgment Day” for the people of Brazil.

82. How he’s so easily able to make Sascha laugh behind the camera.

More here 💜

#helloween #michael weikath #power metal #oldschool #classic metal #heavy metal #metal #oldschool metal #pumpkins interact #weiki

21 notes · View notes

rkxluda · 6 years

Photo

MGA season 4, ep. 8 - Senior Team 1 - Girl Power ( @rkyngsun @rksomi @rkdoyexn @rksxna ) SNSD Chi Chi - All Night | Lines | Outfit | Beauty

“The best vocalist is…” Katie Lee grinned and Luda closed her eyes. There was hope, she couldn't deny it, but she knew it wasn't likely. There were so many good singers – more experienced singers. She'd only started taking vocal classes at the beginning of the year, so it was unrealistic and she was aware of that. But how would it feel to her name called out now? She had to bite her lips to suppress the smile caused by her own thoughts. “Lee Luda. Congratulations.” It took her a moment to realise that this wasn't her imagination but reality and as her eyes flew open, her hands were quick to cover the “o” of surprise that her lips formed and she bowed deeply towards the judges. Overwhelmed with gratitude and formerly unknown pride she couldn't wait for her mother to see this episode and she was incredibly thankful to her team for having gotten the lines that she did. Until the eliminations happened, she was caught in indescribable happiness.

As soon they announced that 10 people would have to leave, her stomach tightened. She was sure this time she wouldn't have to worry about being eliminated, but that didn't mean she wouldn't worry for others.

All expression left her face as Daniel was eliminated – she'd hoped her team would be spared and somehow she felt guilty. And Luda didn't feel any better when Kyungri was named – they hadn't worked together after the first two performances, but she was sad nonetheless. She hadn't really known any of the other eliminated contestants too well, but it seemed unreal and she wondered how exactly eliminations were decided. It was shocking. At the same time she felt like she couldn't complain; didn't have the right to.

The girl was the first one to be led into another room to choose the song to perform next week and with her fingers entwined and her lip caught between teeth, she tried to be as careful as she could. She'd done so well this time, she'd be distraught if a bad choice of song destroyed this. “Fxxk It” was immediately out of question, it simply wasn't her style and escaped her capabilities. The rest were all nice choices, but she wasn't really feeling “Can Be Better”. Luda did want to challenge “Tell Me” to show the judges and viewers that she bettered her dancing quite a bit and she really liked the group, but after the first team performance, she knew better and excluded this choice as well. “Why So Lonely” and “All Night” were left and she had a hard time deciding. She saw the staff's expression, but she didn't want to hurry her decision. The latter had a fun concept and would be fun to perform. But with the prior, she could show a new side of herself. The safe choice she'd surely do well with, or the new concept that held many possibilities – positive and negative.

“I choose all night,” she said and they told her she could leave. Showing a new side of herself might have been a good idea, but the dance to “Why So Lonely” made her a bit uncomfortable from what she remembered and if she'd show that on stage... no, she felt like she had to show everything possible in this episode, so no experimenting. Better a safe bet, well delivered than a halfway good surprise. She could still learn songs with other images later on. Nonetheless, going with the safe bet made her worry, she didn't want to be boring. She'd simply have to do find a way to charm the judges.

Luda went home and couldn't help feeling guilty. Guilty because she was still happy, overwhelmed really, even after the eliminations. For the first time the girl felt like she actually had a realistic chance and not just a hopeful one – she was named best singer of the episode and she'd managed to enter the semi-finale, which had to count for something.

The next day she arrived early at the practise room. She knew the parts of the KT building that she was allowed to be in rather well by now, having been there for the 3rd time after all, two in a row. As the practise room filled, she was surprised and happy to see Yongsun again. She hadn't expected to be in the same team thrice in a row. She was also happy to see Sana again and looked forward to working with Doyeon and Somi, who she hadn't been in a team with before. She felt like they all fit the song very much and she was excited to start practising, but first those who hadn't yet met introduced themselves.

“It's nice to meet you, too!” Luda responded to Doyeon. “I hope we'll get along well,” she added. Of course she was also looking forward to working with the other, but she didn't want to reply with her exact words. All vocal parts and the dance positions were distributed without much problem and to her own surprisethe girl found herself looking forward to the dance. It seemed fun and not too difficult, even if she would still have to spent a lot of time practising it – luckily she had Doyeon's help with that. She surely wouldn't have learned the dance as fast all by herself.

Like before she spent a lot of time at the practise room, but as she had to promise her mum, she went home to sleep on 3 nights, including Thursday to get a good nights sleep before the performance and to feel more than energetic enough, to charm the audience. But even though she went home more often, she took less breaks during practise, so she wouldn't loose much time. As grateful as she was to have her singing recognised by the judges, as nervous she was to fall deep this week. Singing and trying to convey emotions was one thing, adding in dancing changed a lot and she couldn't rest on any achievement. The girl had to show that she could still go farther and learn more. Show them better skills. As Katie Lee had said – she hadn't shone much so far and that “so far” was all during performances including dance. She couldn't stop trying to go beyond her limits.

In one of her breaks the girl practised their introduction in a corner in front of the mirror. She tried to flex her not-so-existent biceps muscles. Trying to look tough while doing so... didn't really work out, instead it just looked like the girl pouted. Luda sighed and tried it a few more times, but ended up settling for a wink – something she was comfortable with.

Like last week, this week of practise was fun, though she wasn't sure whether she was more or less worried than before. Practise had gone well, but there was always the fear that that just wasn't enough. If everyone did well – and from what she could tell while practising, they did – it took more than just that to survive. The girl had never been very competitive, so her mindset came as a surprise, but it also made her realise how much she really wanted this. How could a whim of a decision lead to so much passion? All she knew was, that she'd constantly have to better herself to survive and as the semi-finale approached, there weren't many chances left to show this. The girl didn't like the reality, but she really didn't want to be eliminated this week, even if she wouldn't win, she just wanted to go on one week further.

As they stood at the ready in their pretty, glittery outfits, which Luda very much adored, her hands fidgeted more than she could keep track of. Luckily, as the first team to perform (again), they were ushered on stage fast and as she put on what by now might as well be her trademark smile, she started to feel a rush going through her veins. She felt so excited, she barely noticed the melting heat. As they walked, she saw a person holding a sign with her name and the girl happily waved at the person. They introduced themselves as practised and quickly got into their starting positions.

Ooh, you already know All night, all night Alright, we’re gonna laugh and party ‘Cause we hot & sweet baby

Sana started the song and Luda's first lines followed after. She sang well, as she did previously and also concentrated on moving prettily. She twirled her arms, before clapping her hands over her head and stepped forward. Being in the centre was a nice feeling, now where she wasn't as nervous on stage anymore. Her voice was clear as always and she enjoyed her time in the spotlight, before walking to the side and smirking at the audience. Her dancing ability really got better, even after skipping it last week and she was happy it showed. Of course she was far from perfection, but baby steps.

If we get it on if we fall in love If this wild kissing continues

Somi starts to rap and Doyeon joins her, as they are both centre, and while it's a short note, Luda's next made it into her favourites.

She wasn't that much of a party-goer, but already felt like she was having the night of her life. Feminine moves suited her and she felt like her voice fit the song as well. The song seemed to fit her well she thought, and she hoped audience and judges would agree. She delivered her lines as well as she did when she didn't have to dance, glad she'd practised how to breath while dancing. Surely her moves weren't as sharp as Doyeon's for example, showing she still had much to learn. But for someone with a vocal focus, she wasn't half bad at all. At least with a concept like this – if they'd made her do Before The Dawn again this week, she'd probably be very lacking still.

Even though she doesn't have a lot of ad-libs this time, she does enjoy the ones she has. And whenever she wasn't singing she was smiling, sometimes smirking when she saw fit. Compared to before, looking at cameras and audiences was a lot easier.

Mysteriously, I’m being pulled into you Oh tonight

Sana's, Yongsun's and Luda's lines smoothly followed one after the other, as the group walked in a circle, each in centre for their lines. She brings her hands over her head, crossing them, before quickly pulling them to the sides and down. Their dresses must have glittered prettily in the sunlight, as they moved. She ad-libs behind Yongsun's lines.

In love, nothing's decided Let’s just go with the flow honey

As Luda supports Yongsun's voice, they both stand centre. The move where they had to lift one leg had seemed a bit funny at first, though she came to like it. A quick shift and Doyeon and Sana were centre, before changing back to Yongsun and Luda. Now Yongsun was supporting Luda's lines. And as before, their voices fit together well. For the dance break Doyeon, Somi and Sana were centre, which Luda didn't mind at all and her next lines followed soon after.

When we’re together, it’s like we’re drunk We’re flying above the sunset

On Hey hey

Luda was now standing all the way to the right as she began singing once again. She gazed directly at the camera and bent forward, the others following suit. She moved elegantly and as the vocal part wasn't very difficult, it allowed her to smirk a little, before she turned her back to the audience.

It was time for her next ad-lib and as the song got more intense, the crowd cheered.

In love, nothing’s decided Let’s just go with the flow honey Drinking in the fever of the night

Now everyone was backing her vocals, while Sana stood centre of their “v” formation. During the whole performance she'd tried to look fresh and like she was having fun – which wasn't very difficult because she earnestly was excited. Rather than worrying whether she'd had enough centre or outstanding parts, she'd done her best not to drown next to such talented team members. She'd gazed at the cameras here and there and didn't make any mistakes. Her vocals were still obviously better than her dancing, but even that had improved a lot compared to how she started out.

As the song came to an end they turned their backs to the audience again, but turned their heads, so their side profile was visible. Luda tried to not make her heavy breathing too obvious and while she'd really enjoyed the performance, she was also a bit glad that it was over.

Now they'd have to wait for all other performances and the girl tried to ignore the nearing elimination. Five teams, that meant at least five of them would have to go. While she's been all smiley when they left the stage and voiced how she thought everyone had done great, now where they were waiting, she was earnestly worried. She could only hope to not be eliminated. But her overall fast progress and her hard work had to account for something as well, didn't it?

Of course one could never know the stunts MNET would surprise them with. Maybe they weren't only ranked inside their groups, but also group against group. Maybe those ranking 1st would all be exempt from eliminations, while the group ranked last could all be sent home. She shook her head, no, they wouldn't pull something like that.

The lowest ranking from each group would go home, they'd said and she'd done her best to survive once more. Hopefully her best was good enough.

#rkmga4 #rkmga4senior #rksxna #rkdoyexn #rksomi #rkyngsun #;solo #;e

6 notes · View notes