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#would you guys still love me if used incredibly low quality photos for my lyric edits
settofsofts · 5 months
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Galex x I See A Darkness by Bonnie “Prince” Billy
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smbinfostation · 4 years
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Super Mario Bros. Ice Capades - 1989
To commemorate the SMBIS’s 20th anniversary, here’s the infamous Mario Ice Capades video in high quality. Enjoy!
Original commentary from October 17, 2003
On Thursday, December 7, 1989, ABC presented an Ice Capades special on TV, hosted by Alyssa Milano (of Who's The Boss fame) and Jason Bateman (Silver Spoons; Valerie, Arrested Development). The show had many famous and talented figure skaters, music numbers and comedy acts, including segments featuring Barbie and the Super Mario Bros. This happens to be the 50th Anniversary of the Ice Capades that they taped, as the programs that the hosts and the audience had, with the Mario Bros and Barbie on the back. (The 50th Anniversary Ice Capades Barbie was released at this time also.) When the segment begins, the hosts are backstage when they spot some random people playing Super Mario Bros. Alyssa mentions that she's never played videogames before (*gasp*) and Jason brags to her that he is a master of Nintendo, proclaiming himself to be the "Video Prince." Then he tells her about the plot of Super Mario Bros. [It's interesting to mention that Jason refers to King Koopa as Bowser, because the entire show after this just calls him King Koopa.]
As they talk, they are interrupted when the monitor starts flickering and doing crazy stuff. Jason, who apparently know everything about Nintendo, states that it's a computer virus, which will, and I quote, "release all the evil forces stored up in the computer." @_@ Um...OK, "Mr. Video Prince", whatever you say. Then, who pops up? Yes, it's good ol' King Koopa (NOT Bowser!), played by the late 80's sitcom star Christopher Hewett, a.k.a. Mr. Belvedere. Koopa has released the virus and threatens to take over the world. His plan is very laughable at best, as it implies that a NES can be used to infect computers with deadly viruses, which probably can't happen. That, and he says he doesn't really want the world, but does it anyway because he loves causing trouble. It's nice to have hobbies, I guess.
The Mario set is decent enough. It looks like a 3-D version of the 8-bit SMB1, with pixelated clouds and trees in the background and a castle in the middle. However, it looks way better than what Mr. Hewett had to wear. His costume is very tacky and ugly. He doesn't even have anything over his face, just horribly applied green face paint around his moustache. His horns looked like dangly jesters' bells and he's wearing horrible plaid pants and a geeky red bow tie. On top of that, he's riding on a moving castle. You know the forts at the end of each level of SMB1? Yep, he's roving about on the ice on a castle. o.O
Koopa calls out his minions to destroy different computer parts that NES's don't have, including 2 Green Koopa Troopas, 2 miscolored white Goombas, 1 Hammer Bro (two Troopas and only ONE Hammer Brother?), a Red Paratroopa and a Spiny. The baddies' costumes were based on their official Nintendo designs, though they looked very non-threatening and somewhat cuddly-looking. The Goombas and the Spiny, about a meter or so tall, do seem to be radio-controlled, or have skaters crouched or something inside them. After this, Koopa pompously sings about how evil he is, with his baddies dancing around him...wearing plaid pants...on a moving castle...oooookaaay. Mr. Hewett had a very cultured, polite-sounding British accent, not like Cartoon Koopa's voice at all. He sang pretty well, but the lyrics were shallow and kinda childish. The song is short, thankfully, and only proves that Koopa can create plans for world domination much better than he can sing silly egotistical songs. After this, we see the Princess Toadstool (can't call her Peach yet, as this is still 1989, or all time and space will unravel around us and disappear), who has a huge, horrid mascot-like head and a cliché Mae West-ish Hollywood voice, off to the side with her subjects of plumber pawns with her. Another note is that the Princess's costume is based on the official Nintendo design; she has blond hair, instead of red/brown from the cartoons.  Princess Pea....Toadstool, helpless to stop Koopa, then summons the Mario Bros., who for some reason arrived from the sky with the help of their trusty support wires. @_@ [Here's something I just noticed: In the scene when the Princess talks to her people before she calls the Bros. from the heavens, you can see the Marios behind her, with their backs turned to the audience. Sloppy editing.] After being briefed on the situation by Princess, Mario and Luigi, with their very stereotypical Italian accents and oversized, misshapened mascot heads, protect the Maiden in Distress from the horrible men in Koopa Troopa suits. The Princess helps out by sending out carts containing kids from the audience to assist the Bros. Koopa then scoffs at the Marios for sending children to do a man's job. So, one by one, Koopa sends out his legions of dumpy villains to defeat the Bros. However, Luigi dons his airgun/cardboard box out of nowhere and mercilessly kills each bad guy with sparkler blasts that are later added in. The effect of the baddies dying is just crude and leaves one to think how it'll work without the superimposed TV special effects of them just fading away and disappearing to low-budget heaven. Koopa, realizing that his army of extras is failing him, decides to attack the Bros. himself on his mobile fortress with his Spiny. The Marios and the children in the carts surround Koopa, totally ignoring Spiny altogether from the onslaught of death and sparkly insanity. After Mario spouts a remarkably bland joke/pun, the children vanquish the Koopa King with their big foam wrenches and dirty plungers in a blast of sparklers. Cheesey fanfare music plays afterwards, proclaiming the death of the Koopa King, as the children are returned back to the audience, without getting any complementary gift for being a part in the show.
In the end, the Princess, who now just looks like a giant, mutated blow-up doll, congratulates the Marios by giving them the "Purple Plunger for Bravery" or "The Incredibly Cheap Cardboard Hero Prize.". Then, the Bros. have a disgraceful squabble about bragging rights. Note that in all this, Mario does absolutely NOTHING to help out. Luigi killed all the minor foes and commanded the children to kill Koopa. Lazy, lazy Mario... Backstage, the monitor that the hosts were watching all this goes back to normal, then for no reason, Alyssa announces that she wins the game by default, although she doesn't even play it at all, leaving "Jason the Video Prince" in a stupor.
----
More research led me to a site belonging to a Mr. Michael Baroto, a costume designer who made these all the characters for the show, including the baddies, the Bros. and Peach. Apparently, he had only 3 months to make three sets of ten costumes, as well as two other costumes for another show. Seeing that he had to make 30 costumes in the short a time span, this would explain why the Marios and Peach looked so rushed. They don't do his talents justice, however, as his other works, including puppets, dolls and marionettes, are very creative and well-made. There are production photos of the Mario costumes in the previous link. If you ever get to read this, Mr. Baroto, please don't take my negative comments personally. ^^;;;;;;
Here's something I just noticed after watching this over again. Apparently, they deviated from what they'd usually do at a live show and made it extra special for the TV show by adding those "special" effects and camera angles. Also, they taped this when the audience wasn't present, as the seating couldn't been seen at all. They do show some stock footage of people watching all this and laughing at the bad puns, and of the kids getting out of the carts when the show was over, never getting compensated with gifts and whatnot for killing off the "mighty" King Koopa.
However, doing this just made the show worse, as there were obvious editing mistakes. For example, you can see enemies that were killed off later hanging about off to the side when the children return to the audience. In another instance, right at the end, you can see a lone boy sitting on the ice in the background playing with a wrench behind Princess Toadstool before she hands out the awards. Then he disappears in the next shot. And let's not forget the earlier example of the Marios already on stage before they arrive from the sky.  Very very sloppy, even for late 80's television. Of course, this was a time when little kids wouldn't care less if the show was crappy or not. It had Mario, and that's all that mattered.
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cheollies · 7 years
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Fanboy!Hansol
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a/n: tbh a quarter of my motivation to write this was because of the gif, he’s just so pretty like how???????
requested by: an anon messaged me a while ago wanting a fanboy Hansol. originally I was going to write this for his birthday but then i saw that gif, so thank Hansol. 
He’s not low-key but he’s also not high high key, but he’s like up there
More likely to be rapping your lyrics in public
he works at a convenience store and figured out that he could hook his phone up to the speakers and play the music he wants
He works from the evening to maybe like 11 or midnight sometimes and so the owner usually leaves by the time Hansol shows up
so you know he gonna be blasting your group songs
once played the same song over and over again just because he liked the way you sounded in it
when he restocks, he’s gonna be singing and spitting out your raps cause that’s just how Hansol does
Hansol discovered you because he knew your past
sounds creepy but hear me out
When he was in highschool, his friends took him out to this underground rap place, and hansol thought the place was the coolest thing ever, he had the time of his life
and then suddenly a girl steps onto the stage, and you know, some of the guys were snickering because a girl seriously
but before Hansol knows it, you’re spitting fires out of your mouth, literally tearing the whole place down and Hansol feels as though his whole mind is stalling, in his head he’s like ohh shiiiit
Hansol saw you a few more times at a few other underground events, and he was always so excited to see your name in the lineups, you had definitely become one of his favs
and whenever you performed, he would sometimes record it so he could listen to it later since you hadn’t released anything officially
He even followed you on social media
anyway, it had happened so quickly, Hansol stopped seeing you at the events, your social media was deleted and basically everything about you had disappeared
he asked around whenever his friends took him to the underground places, and everyone had said the same thing
‘y/n got into a company. She’s going to debut in an idol group’
He was kind of disappointed that you’d be in an idol group but he’s like, what the hell, at least you’d be getting the recognition you deserve
so from there, Hansol stuck with you.
Literally felt like his heart was crying when your company confirmed the groups debut date
you may have deleted your social media, but we all know Hansol was whipped for you and had already saved some of your old photos
he also still has his old recordings of you that he keeps precious to his heart
Hansol started attending music shows just to see you
but he ended constantly running into this guy that sounded like he was crying and dying all the time
That was Seungkwan
yeah, he meets Seungkwan because they keep running into each other at the music show, and whenever your group is doing the little pre-photoshoot outside of KBS, Seungkwan is there screaming his head off about his bias
Hansol and Seungkwan were part of the few males there and Seungkwan opened up to Hansol so fast that Hansol was just like welp looks like I’m his friend now
now that they’re buddy buddies, Seungkwan took the time out of his time screaming for his bias to scream, ‘Y/N. MY BEST FRIEND HANSOL, THINKS YOU’RE THE PRETTIEST WHEN YOU SMILE’
and Hansol watched you break into the most beautiful embarrassed smile
‘THANK YOU HANSOL’
you scream back as you and your group are leaving and Hansol thinks he’s about to fall over at how your voice said his name
Because of Seungkwan, Hansol got added into the groupchat
and now he spends much of his time at work on his phone sending memes of your group to the guys
He shows the guys all the recordings of you predebut too and they all comment about how cute you were
And Hansol’s doing a foot stomp ‘SHE’S NOT CUTE! SHE’S SO COOL!! SHE’S COOL!!!’
Wonwoo: okay bro, she’s cool
Jun: She’s still cute though
Hansol: SHE’S MINE
Jun: WELL SHE’S MY BIAS WRECKER SO SUCK IT
Woke up one morning to Seungkwan spamming him, and the words are all blurry to him since he just woke up so he calls Seungkwan and Seungkwan is shouting
‘Y/N PUT OUT A FRICKIN SURPRISED MIXTAPE’
you bet he be sitting in his room with a racing heart as he listens to it and all the guys are spam texting him asking if he alive
Plays the mixtape and only the mixtape at work for a week
Probably would still cry about it if someone asked him about the mixtape
Some of the songs you put out were actually studio versions of his recordings, but he prefers listening to the old recordings since they hold such a special place in his heart
Hansol never attended a fan meet until mama Jeonghan was like I GOTCHU and boom, he’s in
Hansol doesn’t even know how he should feel when he saw you come onto the stage
on one hand he wants to scream for you, on the other hand he wants to bask in how beautiful you were, and on another hand he’s so nervous
He feels like when he was in high school again, back to when he was watching you on stage but this time was totally different, this time you’re style, your hair, everything about you was different
and he just can’t take his eyes off of you
‘Hi!’ you smile so brightly at him when he approaches you.
‘Hi.’ he says it so nervously, ‘i actually have something to show you’
‘Okay’ you nod while grabbing his album to sign
And while you’re flipping the pages, you hear, your voice, your old rapping style, your old song that has never been released
and you start laughing uncontrollably because your old past self makes you cringe so much
‘YAH’ you scream taking his phone to turn it off. you seriously can’t stop laughing and smiling, and your waving your hand around as everyone stares confused
Hansol is honestly smiling so much because your laugh, your smile, everything about the crinkle and sparkle in your eye is making him so happy
Because of you the line is being held up and it takes you almost five minutes to calm down before you grab a mic, and you’re sighing so much into it
You point at Hansol while everyone stares ‘this guy! he just showed me a predebut recording of when I used to rap underground. Seriously, it’s been so long. The video is so old, i never even released the song’
You’re non-stop smiling in front of him because the video really made your day.
By the end of the session with you, you’re holding his hand, waving it around cutely while smiling at him.
‘You shouldn’t show that video to anyone!’ you cutely glare at him
He can’t help but smile a toothy grin and he nods, ‘okay, i’ll keep it for myself’
You’ve come to remember him as the guy who has so many receipts of you
And he enjoys seeing you smile and laugh at everything he shows you
He also uses his discount at the convenience store to buy you all your favorite snacks and he brings a whole bag filled with them and he loves watching you munch on them when you get a little break
He still records you, he’s doesn’t have a professional camera like Jeonghan and Seungcheol may have but his phone does him justice
and there’s moments where you catch him recording and wave to him
Oh boy, Hansol is just so utterly infatuated with you. He loves you, he loves that you’re so popular now and that you’re doing great in the industry. But he’ll always remember that first time he heard you spit fires into the mic. He’ll always rewatch those low quality videos of you, and he’ll still think you were incredibly beautiful. No matter what you do, or how you may change. You’ll still be everything to him.
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aleksandrakv · 6 years
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Social media in Adam Lambert’s life&career
It’s been so long since I’ve written anything longer than a tweet about Adam, but this stanning lethargy doesn’t reflect the level of my interest in the man. It may appear so, but can the lack of online presence automatically imply the lack of interest? In today’s state of affairs, when artists have carefully constructed and heavily monitored internet presence, when YouTube views are everything and the most powerful politicians seem to pay more attention to Twitter than their jobs, it would be understandable if it could. The www. has finally become literally that – a worldwide group chat, where presidents tweet, where actors, musicians and sportsmen keep vlogs on YouTube, writers publish their essays on Facebook, and everybody comments.
Adam Lambert has chosen not to do so. In an era when YouTube stars become singers who get Saturday Night Live slots where they whisper the lyrics into a microphone, and when the top trending video which garnered more than 30 million views in a day is one of a reality star announcing her pregnancy, Adam has taken a quiet step back in the past few years - and I together with him. I couldn’t help it. Twitter has lost its appeal to me ever since a constant possibility that Adam could see a particularly flaily or witty tweet was no longer an option – the magic of giddy anticipation was gone. For all intents and purposes, Adam has semi-abandoned Twitter and moved to Instagram; a Facebook affiliated app which I never took a liking to.
I was upset and a little resentful. I didn’t understand why. Not only did I have to suffer the cruel Atlantic Ocean between us, but now we were on different online apps, which is a fate way worse than living on different continents, according to cyber sense of geography. In my bitterness, I even had an occasional mean thought on the subject. Oh yeah, that’s because he can ogle hot guys there. What about MEEE? Or, even worse: it’s because of the filters. The man LOVES a good filter, the vain queen. Or, absolutely the worst: he wanted to escape the twitter crazies. It was the worst because I should have known that the crazies are everywhere. I was bitchy, mean, and so, so wrong. This essay is my redemption. The price I want to pay for my stupidity, because Adam does have a social media presence, albeit not as aggressive as I might like. There is a reason for that, which he has already given. I had read it before, but it flew right over me like a sparrow, equally tender and fragile, leaving my head unruffled and thoughtless as if nothing had happened.
Even on his preferred social network, Adam’s behavior is somewhat atypical, in a sense that he doesn’t hesitate to share less than perfect photos. Unfiltered, sweaty, in-your-face, flaking makeup photos of the realistic kind - a rare occurrence among the Hollywood hotties. But he is a geek like the rest of us. The anticipation of waiting for the first photos to appear when he has a concert is one of the best parts of being his fan. Adam is incredibly photogenic, but sometimes, those photos are low quality ones, taken by fans on their phones, from pretty unflattering angles. Adam somehow manages to look great in most of them, despite the low angles and the fact that great physical exertion makes everyone look awful. Being photographed in the middle of an adrenaline rush while singing from the top of your lungs for two hours is challenging. His facial features almost rearrange with strain, but Adam simply knows how to pose and is rarely caught off guard – a life’s tiny miracle.  I love those candid pictures. And Adam posts only the best of them.
It’s the professional photos where he shines the most. Those are usually true works of art, crispy sharp and simply stunning in their quality. I don’t think I’ve ever seen less than perfect professional photo of Adam. They capture the moments that would otherwise be missed and allow you to fully appreciate the visual side the concert. In videos, the focus is primarily on the sound and the movement, but if I had to choose which medium reflects Adam’s emotional state and journey during concerts best, I would choose photography. It’s a strange thing to say about a singer, but Adam has a very expressive face and body. It’s like their muteness and stillness don’t subtract, but add to the experience of Adam’s process of creation.
In addition to music photography, Adam posts everything and anything that’s important to him, seemingly with no rhyme or reason. His Instagram page is a mess, a potpourri of professional photos, fan photos, album covers, photos of his family, friends, his dog, travelling photos, fashion photos, and all that in uneven levels of quality which most posters would never allow themselves. Adam has it all, from professional HD quality to grainy and blurry shots taken by a phone. It’s a far cry from carefully coordinated, handpicked and posted after a thousandth try stylish representation of other serious posters. He doesn’t juice for a week before taking selfies. He doesn’t always filter. He doesn’t always look pretty. He isn’t always all mysterious and artistic. He’s sometimes such a goofball. He is definitely an undisciplined Instagram user. 
It’s a revealing fact. He deletes his posts sometimes, and I’m not sure if it’s the morning after self-filtering, or he gets the call. Social media can make or break a career nowadays. But on the other hand, you can be a successful artist without constant media presence – although it is a pretty rare occurrence. The only example coming to my mind is Frank Ocean. There are artists who have a modest number of followers and YouTube views, and yet they can and do fill up arenas, just as there are artists who have millions of followers and cannot have a decent tour. 
In Adam’s case, I feel like he is past making or breaking his career online. At this point, he doesn’t need a heavily moderated Instagram page or a vlogging channel to achieve anything - other than making me happier, that is. The fact that I would love if Adam was more present, by engaging with his fans more, or, in best case scenario, vlogging about his life and career (I would sell my firstborn for that), doesn’t mean much in grander scheme of things. Adam has allowed himself the luxury of doing what he wants, and his Instagram page reflects that in the clearest of ways. I am not saying he wouldn’t benefit from having 50 million followers on Twitter or Instagram, but, he just doesn’t have that. If he can’t get it from doing his job and being who he is, he will never get it anyway. He refuses to participate in the social media race. So, unlike many a budding YouTube star trying to make it in other fields by creating an ideal, unrealistic impression of themselves, with their uniform, heavily filtered, grayscale artsy photos, Adam’s multifarious posts do reveal a lot simply by not being what one would expect. He’s a rebel just for kicks there. 
Oh, there is some vanity there; he isn’t above it nor does he pretend to be. He smizes and pouts in many filtered photos and videos, enjoying his flawless skin provided by Instagram CEO Kevin Systrom’s filtering system, turning his head like this and like that like a Valley girl – but that’s just Adam playing with his toy. He has this proclivity for ridiculous behavior; that and the fact that he loves the ageless chibi art of Creative Sharka makes me sometimes think that he has entered a serious fear-of-getting-old phase. It would have been true if he posted such photos only, which he most definitely doesn’t.
Adam is a naturally beautiful man, why does he have to goof around like that? Well, because he is so much more than that. Because more than stunning good looks, he has a killer sense of humor. Because more than looking pretty and feeding his vanity, he loves having fun. He mocks himself, too. “I swear I didn't realize I was making full duck face” is his own comment on a truly astounding full duck face he made while trying to credit Valentino for a clothing item. He loves stand-up comedy. He’s watched the Amy Schumer Leather special, and the Ricky Gervais Humanity special, and posted about both shows. That’s how I know.
There’s a selfie which he took while Antinous was being tattooed on his torso – a particularly painful experience, according to him; hence the awkward facial expression. The photo is so ridiculous and unflattering that it immediately reminded me of the comical selfies which Ricky Gervais takes all the time, trying to look as ugly as possible in them, thus expressing his mockery on the worldwide mania of posting unrealistically perfect photos. Adam has a comedic streak a mile wide, and not only does it come out in concerts and movie roles such as his part of Eddie in the Rocky Horror Picture Show, but also in his Instagram page as well. Unlike Ricky, Adam just wants to laugh at himself. Yes, he sometimes looks ridiculous and weird - don’t we all? He’s no bullshitter, and never will be. 
Now would be a great moment to mention his Grandma June alter ego. So, Adam has decided it would be great to make himself look forty years older, name the character Grandma June and rant throughout several videos on many a current topic. Who? What? Adam, the most eligible gay bachelor of several times? Adam, the Zeus in a thong sex symbol for many? Unbelievable. Waves of discomfort could be felt throughout the shallower waters of the fandom. Was he just having fun with it? Was he mocking himself for overusing de-aging filters? Was he helping himself get over his own fear of aging by laughing at his own expense? Was it some kind of reverse psychology/psychotherapy via Snapchat filters? Was it to shock his fans who come to his page for hotness and beauty galore, only to find Grandma June blinking owlishly at them? The list is endless. It’s like he was saying, ‘yeah, I’m hot, but I’m also ridiculous, funny and a little bit on the crazy side.’ Who knows. It’s certainly less ridiculous than me putting words in his mouth. It is also very non-Hollywood of Adam, where ageism is rampant and the anti-aging industry flourishes, where kids start injecting botox as soon as they’re twenty and where a lot of people take faces they’re born with as a slight suggestion. Interesting topic.
We’re now traipsing deeper and deeper into Adam’s more hidden depths. This makes it sound like scrolling through his Instagram page is a voyage into the heart of darkness, the Apocalypse Now style; but it does feel adventurous after you parse through the regular job-related stuff. Such aside interests tell us a lot about him and his fascinations, like his love and respect for other artists. He is a true fan at heart, expressing himself unabashedly and passionately – so many pictures of Freddie, Bowie and George Michael, but also Goldfrapp, Demi, Lady Gaga, and all his musician friends. Sometimes, he puts the flailers in his own fandom to shame. I like that about him. I feel like it’s a level we can relate on. And I love that he doesn’t have cheap, tit-for-tat, I’ll-do-you-and-you-do-me mentality. When he says that he likes something, you better fucking believe that he does.
He also loves nature. He posts sceneries – the beloved Runyon Canyon, the Ibiza cruise, Mexico, Bali, Mykonos in Greece, Argentina, you name it - but, he will also post a photo of a single olive tree. The fandom speculated for three days about what it could possibly mean. He posted a video of a single butterfly flapping its wings, and a colony of bats, and a lonely gecko crawling up the wall and a mother duck and her ducklings swimming in the lake. Endless photos of Pharaoh don’t even count. Details from around him capture his attention in a way that he expresses his emotive, intuitive side by showing us the impact they have on him. In his private moments, he is a far cry from a wild rocker living his wild rock’n’roll life. He’s so much more than that. He’s a tree watcher. A butterfly watcher. A bird watcher. Life and observing life clearly excites him.
He also loves architecture. He will post pictures of streets and buildings, sculptures and monuments, from everywhere he goes, and he travels a lot. Someone else would probably spend all pre- and post-concert time in hibernation accumulating energy, but not Adam. He loves the bas-reliefs, ancient facades, the Greco-Roman culture, supporting columns and carvings of Venetian houses; but every now and then he will also post some strange things, like tombstones. He’s a traveler with a twist. When he goes somewhere new, he sometimes visits cemeteries.  He’s been to Boston Cemetery and Buenos Aires Cemetery. He posted a photo of the entrance to Jesus’ tomb from his visit to Jerusalem. No matter what B Hollywood horror movies are trying to tell us, cemeteries are never about being creepy or frightful -- they are like a library for the imagination. Wandering cemeteries around the globe, reading headstones, thinking about the lives of the people there, the mind wanders into a thousand stories. It can be therapeutic. But, who knows what Adam’s motives were. All I know is that he is more than just a traveler – he is also a spiritual explorer.
In everything he does, he rarely stays within the lines. This diversity tells us that Adam is a complex man before he is an artist, and even less than he is an artist, that he is a promoting artist. His self-promoting campaigns are there, but ever so subtle and discrete - nothing like the aggressive campaigning that has become obligatory nowadays. I’m not talking about the management or the label part in it, or whoever is in charge of his promotion; just Adam’s own role in it. A few tweets, a few Instagram posts, mostly just informative in nature, before a new release. Regarding concerts, a tweet before and after is a rarity. An occasional review. He will sometimes post great photos after concerts, though. I have no idea how to explain such behavior other than to say that he doesn’t want to do it, nor does he feel like he has to. Maybe he is of the ‘an artist should never reveal too much and keep a level of mystery’ persuasion. Maybe he believes the music will find its way to those who want to hear it. Or maybe he just finds it tacky, as I do, the ad nauseam self-promoting of certain artists. Who knows. I certainly wouldn’t find it tacky if Adam did it. We’ll see how Era 4 will roll out and if Adam will be more talkative then. The one explanation I personally find the most believable is that he is a well-mannered man who believes that you should let someone else praise you, and not your own mouth; an outsider, and not your own lips; but that’s because I tend to attribute Adam superhuman qualities. He can’t be that much of a gentleman, can he?
He is not very verbose in his Instagram captions either; most of them, that is. His posts are usually with very little or no comment from him. He tags the people in the photo, or he gives credit to the photographer – he is pretty diligent about it. On few unfortunate occasions when that didn’t happen, we had a mutiny among the photographers which ended with bruised egos on both sides.
So sparse are his comments, that when you do bump onto a few loquacious ones, you just know that it must be something of utter importance or that he feels strongly about. You don’t have to guess anything then, or draw unfortunate conclusions, which is a game his fans like to play and that Adam likes to engage us in by dropping random hints. No game here – his words are loud and crystal clear, concise and to the point, and apart from bringing my attention to the relevance of such particular posts, they serve to remind me what a great thinker and an amazing human being Adam is. Those words are always about love and equality.   
One of such glimpses into his more private, passionate side is certainly his love and appreciation for  Creative Sharka, a fan who makes digital paintings and chibi art of Adam and the moments in his career. He has posted her art several times and even met with her during his tour - such gratitude and appreciation of a fan really warms my heart. It tells me what I already knew: that he is such a fan himself, a great lover of everything that inspires him and open in his heart for the reciprocal love exchange between artists as the highest form of flattery. He’s had such situation in his career several times, on various levels, but this one with a fan feels truly rewarding.
Creative Sharka gives him her art, but it doesn’t have to be a tangible thing. One of the most revealing and emotional comments he wrote under a photo from one of his performances reveals so much. It is a photo whose focal point are the backs of two people, two guys, who are leaning against one another in a hug, their heads connected, and they are facing Adam singing on the stage in the background. They are in the forefront, their body language speaking of love; Adam is in the background, perhaps inspiring such connection. His comment says, “Really in luv w this photo. So sweet.”  I’ve never read Adam saying that about any picture, and it’s one of the amateur, fan ones, too – and all the more precious for that.  
But, does he always feel the love? Do we? Most of the times, I am sure that he does. But I have always imagined Adam as a highly emotional guy, which also means a great capacity for sadness, too, especially with so many reasons for it surrounding us. There is one, literally one sad comment that I have encountered during all these years. It’s under a photo of Frank the Robot’s head, taken before the show, with the top half of it waiting patiently to be connected with its bottom half by diligent Queen crew, so that Adam can ride it and spew obscenities into the audience from its shiny, metallic head. “Sad Clown,” is Adam’s caption. I don’t know if he felt bad for Frank at that moment, or the words are about Killer Queen, but there is a possibility  that the words are about Frank’s rider later on. Sometimes, he does have to hide his sadness and paint his smile on. Who doesn’t.
He truly belongs to one of the rarest of species – a beautiful man who becomes even more beautiful when he opens his mouth and speaks. Or sings. In the pre-Trump, pre-Brexit, pre-Vučić era, I used to take his words for granted. I believed everybody thought so, or almost everybody. I was spectacularly wrong. The bout of sadness that gripped me then is still not easing up. How can it? This Weltschmerz has affected everyone with a soul - Adam, too. Will our physical reality ever satisfy the demands of our minds and souls ever again? I believe so, as long as there are people like Adam, like Emma Gonzalez, like many others who are fighting for it. That is what hope sounds like. With rising urgency, Adam speaks up.
“Black lives matter. For all of u who totally miss the point of this movement, the GOAL is for all lives to matter equally. But as it stands, racism is preventing us from that ideal. We must fix the reality so we can grow toward hope.”
We must fix the reality… We really do, Adam. Faced with such thoughts, don’t all previous words about promotion and lack of internet presence sound frivolous? I am glad that this is how Adam feels. I am so proud of him for sharing his thoughts. 
When he posted a photo of Freddie, pointing out the hypocrisy of the ruling US political party using Freddie Mercury’s music, some people seemed to have an issue with that. This was Adam’s reply:
“I realize that there are many different schools of thought frequented by people following me on social media. EVERYONE is entitled to their opinions and beliefs. Including me. This is MY Instagram page where I share my experiences and feelings. If you don't agree with something, that's perfectly ok with me - but I'm not going to refrain from being me, and no one is forcing you to either.”
And refrained he has not. 
He’s spoken against the gun violence. 
He’s spoken about Orlando. About Paris. About all mass shootings. 
He’s also spoken at the Los Angeles Pride Resist March last year. Here are some of his words:
“I typically avoid publicly speaking about politics because of its divisiveness. People get real sensitive, and I ain’t trying to piss anybody off. But, this year things have gone way too far.
So I’m not speaking today about being a democrat vs. a republican. Today is about right vs. wrong. The current presidential administration has manipulated the country using fear and hate to gain power to divide us. Our differences are being used against us. And the shockwaves of this dangerous rhetoric have rippled throughout our community and beyond. And it fucking hurts. We’ve come way too far to stand by and watch our social progress be yanked backwards. It’s almost as if they’re going, ‘Eh, you’re different. You can’t sit with us.’ What the fuck is that? It’s childish and it needs to end now.
Our pride parade is usually an all out shit show of a party where we all dress up like crazy unicorns and prance around through the streets. Yeah! It’s a celebration of the progress we have made – our liberation, our freedom, our glitter. But this year, we are facing such dark forces that pride has taken on a deeper purpose. Protest. So today, we stand together in order to support anyone whose human rights are at risk. We resist homophobia. We resist transphobia. We resist misogyny. Bi-invisibility. We resist racism. Xenophobia. And we resist extremism, and anything else that helps promote hate. We stand defiant and will not be brainwashed. We refuse to be sucked into that kind of negativity.
But, I ask you not to fight hate with hate. We don’t want to be hypocrites. So how can we resist? I’ll tell you what I think:  with unity, with visibility, truth, inclusion, acceptance, and most importantly – love.”
Don’t his words boom loud? Read them and abide by them. Don’t scroll through or ignore them. 
Shame on those who think that Adam should only do his job and stop voicing his opinions and views. 
Shame on those who, blinded by his beauty, refer to him as a Ken doll. 
Shame on those who say that he is back in the closet. 
In his Love Letter to the LGBTQ community, which was published in Billboard magazine last year, he talks more about what his community means to him:
“Y'all are my true inspiration. You're life lines that have kept me grounded and thankful. All the LGBTQ musicians, dancers, drag queens, bar stars, club kids, DJ's, designers, actors, stylists, glam squads..... YOU are my circus family. It is because of all those years traipsing round our nocturnal playgrounds that I had any sense of how and why I wanted to stay the course; to rep for my queer family!
And now 8 years later, the LGBTQ community has come SO far. I see fellow artists AND civilians coming out with no apologies and no fucks given. Despite the current obstacles we face, I am blown away by our progress. We have come so far. My true fans share the same principles so we continue to welcome other alien weirdos into our family. Thank you ALL for inspiring and supporting my journey. I promise to keep doing the same for all of you.”
Should he speak more frequently? Adam has voiced his opinions time and again, but he won’t misuse the opportunity given to him. He has a sophisticated sense for not crossing the line between his art and his humanitarian fight. He  never pushes anything under anyone’s nose; not his art; not his fight. He never uses just causes as a self-promoting opportunity. 
This is all part of the reply to the question from the beginning about what the lack of social presence can mean. His social presence isn’t lacking, it is just of the unobtrusive kind. It’s all out there, only a few clicks away. Are we so used to the constant media shoveling content down our metaphorical throats that we can’t even register when something’s said only once?
Apparently, I am. Because I have already read Adam Lambert’s own explanation about deciding to moderate his social media presence and it hasn’t even made a blip on my radar at the time. I won’t tell you where his words are from, you can try to guess. It’s a direct quote. It says everything.  
How pathetic now seems the discussion about  flattering vs. less flattering photos? Don’t ask this man about the size of his gauges for a hundredth time and expect him to engage with his fans more. But Adam does, he does engage, for he isn’t a mean man and he answers the same trivial questions again and again. It’s perhaps a much better option than talking, I don’t know, about Weltschmerz. Sometimes, such discussions are better avoided, and not only that - he has already said what he wanted to say. It’s much more bearable to repeat the silly topics than the raw, emotional ones. The repetition hurts, and devalues the latter.  
It really is a journey, from Grandma June, to cultivating self-love and True Individuality; only not to the heart of darkness, but to the one of lightness. It’s all him, the philosopher and the comedian, the Frank’s head rider and the march speaker. Read his words. Don’t forget them, like I did. Laugh with him, but also think with him and be sad with him.
“True Individuality seems daunting in our age of social media popularity contests. Sometimes it’s terrifying to face your true, whole self, stripped of any pretense. The good, the bad, the cracks, and the scars. I am no stranger to the feeling of not liking myself. Once I get past my own body image issues, I realize that I sometimes also neglect my own spirit. Living in a world filled with so much hatred sometimes makes cultivating self-love a very difficult task. I have always struggled with this as I’m sure many of you have. My path is a kind of paradox in that I get to share my craft with the world, but also be willing to throw myself to the wolves. To dare to be different, but still wanting to be accepted. There is vast beauty to be found in life’s contradictions. This non-binary reality allows us to lead happy, expressive lives, and yet this very freedom comes with great risks. I’m not alone in this limbo. Through my art, I pledge to bring empathy and courage to anyone who has been made to feel unworthy or ashamed while daring to be themselves.”
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~The sources for everything mentioned in the essay are Adam Lambert’s social media pages. I’ve decided against posting any links because I feel like this one reference is enough.
~No photos either,  since I mention too many of them  and this bloody thing is too long already. Just this one.
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Uncut: The Playlist (May 2006)
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Today’s review is a little different. My first two reviews were for full albums by single bands - this is a compilation CD with songs that were released decades apart from each other, each with its own feel and niche. Compilation reviews are going to be a bit lighter than full album reviews, mostly talking about the songs I liked with less focus on how they all fit together.
I actually liked this compilation a lot. I bought it because it had The Funeral on it by Band of Horses, and I managed to find a few other songs that I liked as well. The theme of the compilation seems to be contemporary country/folk - there are some indie songs on here like The Funeral (which I think is indie?), a couple fairly straight country-sounding songs like Candi Statons’s “I’ll Sing A Love Song To You” and even a really charming song by Lambchop - which I had to google after hearing for the first time, to find that Wikipedia has listed the band as “closely associated with the alternative country genre”. Alternative country is a thing. I think I love it.
Uncut seems to be a music publication - the CD booklet (liner notes?) is actually an advertisement for a Johnny Cash compilation release, and the songs on the back of the case all have page numbers next to them. Judging from both the content of the compilation and the ad, I would wager that Uncut is a country music magazine.
Personally I’m not hot on Country, at least not the “Tractors and muddin’ and riding a wet hog” stereotypical sort of stuff. I try not to characterise all of Country music as this, but I have heard songs like this. It’s a cliche for a reason - that type of country music certainly exists. The closest I get to Country is Counting Crows, who have shown traces of folky country-type inspirations for years but have dived head-long into the Dad Rock category over their most recent releases.
Really, I was more into the indie-sounding songs like the Calexico song “Cruel” and - in my opinion - The Funeral by Band of Horses, though there were some notable exceptions. Lambchop, for example - I’ll admit that the singer’s voice turned me off to begin with, but the way this dude delivers lines is incredibly intriguing.
The Lambchop song on this compilation is called “All Smiles and Mariachi”, and there’s this knock-out line where the guy talks about going to get some dip, and tells his partner that while they’re gone he’ll try not to eat all the chips. It’s goofy, charming lyrics like that that made me smile, and the way he delivered the word “chips” just hit me in some stupid way, you know? For some reason, the word “chips” was delivered in a way that I really appreciated. I don’t know what else to say - it’s goofy on my part, but I just loved it so much.
Another song I liked was Say So What by Graham Coxon. This song sounds aggressively british - the guy’s accent is brilliant, and I was getting a Blur sort of vibe from the song. As you can probably tell, I have a bit of a thing for Blur - I’m not that familiar with British rock or pop, so Blur and a handful of Britpop hits are basically all I have to go on regarding contemporary British music of the 90′s and onward. But I think I might have a bit of a handle on the differences between British rock and American rock? Like I feel like if I hear a song that hits the same switch as Blur, it might be British - the style of the song, in both its composition and general sound, feels much different to me.
Frankly, I could be full of shit. Feel free to tell me if that is indeed the case. But I think I’m starting to distinguish between American and British rock aside from the vocals, and I have to say - I’m leaning more towards the British sound.
EDIT: Being the dunce that I am, I didn’t realise that Graham Coxon was a MEMBER OF BLUR TO BEGIN WITH. Fuck, I’m a moron sometimes. Alright, carry on.
There were a couple of oddities on the record - there’s a song by a band called Faust that’s mostly ambient noise, there’s a Bob Marley song called Soul Shakedown Party, and there’s kind of an ill-fitting song by a band called Denim that closes out the compilation. But overall, it was a good, chill compilation, and I liked having the chance to unwind and listen to some decent tunes. About half of the album was background noise to me, but it was background noise that I appreciated - and even if the album had wasted my time, I still get to own The Funeral for myself in some capacity, and now I know about Kurt Wagner and Lambchop.
You can buy this compilation on eBay, or look up the track listing on Discogs.com and track down the songs for yourself. I imagine the songs are on Youtube, so feel free to make your own playlist and recreate the CD for yourself.
I apologise for the especially shitty-looking CD box-art photo today, I’ll go back to the method I usually use with the next review. I like the shitty low-effort look I’ve been going with, but when the image quality is that bad, it gets under my skin. Look forward to a better quality picture on my next review.
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