#xy were my first pokemon games and i still love them despite their flaws

[isot1ne]

🇫🇷🇫🇷🇫🇷FRANCE🇫🇷🇫🇷🇫🇷JUMPSCARE🇫🇷🇫🇷🇫🇷

[crystalelemental]

“books-are-my-life-stuff: Oh, you reminded me. Alola was actually my second favorite region after finishing Pokemon Moon for the first time. Despite the unfair difficulty of Totem fights, I enjoyed the environment, lore, legendaries, and especially characters of Alola. They were great, they felt welcoming, the characters felt very close to me, I love the tradition, and I felt "at home" in Alola.“

That’s fair, I won’t really argue that.  I do like the legends and the UBs, and I can get that someone might enjoy it.

“However, Alola now falls to fourth place after playing Ultra Moon only in span of a month after Moon. It's probably my fault, I should have given more time between the two games, but back then I didn't expect 80% of USUM as just rehash of Pokemon Moon, and the changes that USUM made, some are great (the QoL improvements, Hau being more awesome) but some are...not as much personally (Lusamine's character, the Rainbow Rocket postgame).

After some time, the flaws of Alola games for me start to show as I slowly get over the hype. I think it has similar problems as with every games in later gens: they leave other characters severely underdeveloped. Sure, it's not like Kalos where every single character is underdeveloped, but characters that aren't the Aether family are very much overlooked. SwSh fixed that a little bit but Marnie is still underdeveloped compared to Bede and Hop.

As a result, fans tend to focus solely on the developed characters: the Aether family, especially Lillie. Alola characters that aren't Aether family tend to be great as groups but as individuals they don't have much, there are obviously some exceptions like Hau, Kukui, Guzma, but even then they're still underdeveloped compared to Aether family. And the manga of Alola generation doesn't fix this at all, even though the XY version of the manga was great.”

In fairness, a lot of the “third” games tend to just be...mostly the same exact game, so I don’t think that’s what hindered it.  Almost the opposite; what they did change just wasn’t changed for the better, like the adjustment to Lusamine or the inclusion of Rainbow Rocket.  Other characters have always been fairly under-developed, but I think the problem is that as the games became more story-centric, it starts to hit a little worse.  When the games were mostly just straight gameplay with very few stops, it didn’t matter that gym leaders and the like weren’t that well developed.  You get a little bit, and you develop from there.  But in games where every goddamned route is at least one cutscene, sometimes multiple, it starts to hurt that you don’t actually know much about them.  It always especially bothered me in Gen 7 that you don’t actually battle the trial captains.  They may as well not even be there.  I know there’s supposed to be some what to face off against them, but for the life of me I don’t think I ever figured out how to do it.  So I don’t blame anyone for latching on to the few that did get that focus.

Also I’m kinda surprised the manga doesn’t do more.  I figured that was one thing I could count on with it.  I think the anime involved a lot of the trial captains.  I guess if you want character, that’s what you have to go with.

“I dunno, maybe I'm just holding an unreasonably high standard for modern Pokemon games in terms of story and characterization after Unova, which I still consider as the best, but Unova really did a great job in making a lot of characters memorable and relevant to the plot somehow, modern Pokemon games tried but kept failing to do so. If only the focus weren't too much on the Aether family and more balanced, the Alola characters would probably be stronger.

I still like Hau the most among all Alola characters though, despite him being underdeveloped and the manga proves that he still can be sidelined even further than the main games.”

No, I think that’s fair.  Considering they did do a good job with the development of a cast with Unova, I think it’s reasonable to expect a bit more from the later games as well.  There shouldn’t be any reason for the reduction in quality of what’s produced, and personally I’ll go to my grave blaming the decision to move to 3D models without extending the development cycle.  I feel like it’s super easy to track that as soon as they made that shift, things started falling apart in terms of content being cut or not fully fleshed out or recently just kinda not looking great.  It’s messy.

[sugarsweets9987]

Silly rambles, feel free to read or not. Just thought posting.

Saw a post from someone about SWSH and how it's a little funny coming back to those games and remembering how people complained about them, only for SV to release even worse.

It just brought up a thought for me. SWSH is like XY to me. And I mean this as in you will NEVER catch me whining about them or talking shit about them. Those games, despite their respective flaws, are both incredibly special to me for incredibly different reasons. I'll talk about both of them now because I want to.

XY were my first ever pokemon games. I got Y for my 8th birthday (or that christmas), if I remember correctly, and my sibling had X. I loved playing those games. They introduced me to Pokémon as a franchise entirely, and I still hold those games very dearly despite how everyone talks about how shit they are. I find them wonderful and a really fun trip down memory lane. I seriously hate seeing people so constantly and consistently hate on these games because of how important they are to me, but I get that not everyone feels the same way. These games mean nothing to most people, but everything to me. I wish the games got a little more love.

Sword and Shield, on the other hand, means a lot to me in a different way. Lets start with the innocent fun stuff. I'm going to be honest with you all right here and now; I love Leon. Almost everything about him I love. He's a silly and fun champion who just wants everyone to have a good time. Plus he has a Dragapult. Based. I also love Raihan and Hop. Raihan is just. S+, no notes. I can't explain why I love Hop, but I really just do. His whole arc of wanting to be exactly like Leon, then realizing that's not what he truthfully wants out of life and instead deciding to research pokemon to become a professor instead is just. Super appealing to me! He also probably just gets bonus points for being Leon's brother anyways seeing as how Raihan and Leon are tied for my favorite characters from SWSH lol. Also, all 3 of the starters are awesome. I love all 3 of them. Zamazenta and Zacian are also cool legendaries :) Spectrier too.

Now. On a more personal level. My dad started to play switch games with me and loved to watch me play during the pandemic. We played Animal Crossing New Horizons, Diablo III, Ace Attorney (Trilogy and Chronicles) and Pokémon Shield together. In Shield, he would do whatever he could to get me a pokemon I wanted, especially shinies. I have so many shiny pokemon just thanks to him trading almost all day for me. Most of them are hacked, yes, but I don't care. It was really just the thought that mattered to me. I have a shiny Porygon Z named Jitters that he went above and beyond just to get me. Unfortunately, in 2021 he passed away due to Covid. These Pokémon are. More important to me than ever. Because they were some of the last gifts he got me before he passed. Jitters specifically will always mean the world to me. And I will always name a shiny Grimmsnarl "Mr. Legs" based off a joke I had with my dad about its gigantamax form.

Damn. Now I want to hunt a shiny Scorbunny and name it "Sparky" (one of my dad's nicknames) since that was his chosen starter. I think I'll go start that now.

If you read this. Why? But also. Thank you. Sometimes I just need to talk about this stuff. And why certain things mean so much to me. Anyways. See yall later. Maybe I'll reblog and update this post if I get my Scorbunny.

[solitaire-dreams]

Pokespe Gold, Silver and Bronze? An Arc Progression Analysis

Hey readers! I'm back and ready to attack a long post that had a long time coming. It is time for the part 2 of my prediction for the Gen 8 Pokespe dexholders/dexholder analysis. I would recommend reading my previous “What Type are you?” but there is a recap below for need-to-know info. Skip to the asterisks if you've already read (thanks).

Grass type dexholder = character who has self-intrinsic motivation despite life pushing them down and the path to their goal doesn't hurt many people.

Fire type dexholder = character who tramples over anything or anyone in the way of their goal.

Water type dexholder = character who hides important information from other characters and is secretive.

Gen 8 Male Character Counterpart = water type

Gen 8 Female Character Counterpart = fire type

Relationship (platonic) between the two = more emotionally charged and dramatic than other pairs.

***Today in our analysis, part 2 looks at exploring the progression of Pokespe against the evolution of...comic books of all things...and how the sets of holders mirror the ages of comic books.

DISCLAIMER: I am personally not a fan of comic books, despite my love for the superhero shonen of BNHA, and all this information is extrapolated from online research. Also this post was inspired by a post on the dexholders opinions of the pokedex which I can't refind for the life of me because I DON'T KNOW HOW TO USE THIS FREAKING SEARCH BAR CORRECTLY. Credits to them for inspiration. Somewhere out there.

SPOILERS BEWARE.

So, let's start at the beginning with the main arcs for our first three dexholder trios (RGB, GSC, and RS; with Yellow and Emerald to a lesser extent). These arcs represent the Golden Age equivalent in Pokespe.

The Golden Age (from the late 1930's to the middle of the 1950's) is described as the introduction of archetypes for the genre, and heroes and villains were depicted as very white and black in order to provide moral for a society in wartime.

While the original arcs of the manga were marketed towards 10 year olds in the 1990s-2000s instead of 10 year olds in the time of WW2, there is many of the same patterns in how they present the stories.

The RGB arc is the most shonen-esque out of all of them, where Red simply plays the role of the standard protagonist you've seen countless times and an episodic formula for chapters. The rival of Blue also feels standard by this definition and the conflict with Team Rocket is pretty black and white. Giovanni is a mafia boss who kidnapped an entire town, genetically engineered multiple Pokemon through harsh experiments, was willing to murder kids; and all for “The Glory of Team Rocket.”

GSC gives you the exact kind of story you expect with a shonen target market and a hot-headed + headstrong main protagonist (a f*ckboy). The main villain of the Masked Man who kidnapped children also keeps him firmly on the evil side and our protagonists who oppose him firmly on the good one.

Then while RS may have been unexpected for most readers, considering a secretive male protagonist clashing with a headstrong female protagonist, a stronger character focus and development was to be expected. Plus, despite Ruby initially ignoring the fight against the region and Norman (who I still maintain is a sh*tty parent and should not have been forgiven for his treatment of Ruby that easily) both are still painted on the side of good. Ruby does the closest in giving a complex protagonist, but by the time he locks Sapphire in the aircar and teams up with Courtney, the reader can understand he's still on the side of good.

Mainly, the reason they never seem too morally grey in the first arc is that the in universe characters do not address their flaws as in depth as they should. Plus, the villains of Maxie and Archie are both shown be extremely corrupt and willing to endanger their own for the end means; providing a level of villainy to overshadow the grey tones of Norman and Ruby.

The arcs are all often grouped together when talking about Pokespe as well because the first three regions of dexholders are the only ones that have actually interacted with one another. And the post which I CAN'T find classified their stance on the Pokedex as they take their roles as protectors of the region seriously and accept the responsibility.

This translates well into the Golden Age characterization as this view of all the dexholders makes them appear more noble than most; magnifying the heroic traits of dexholders and heightening the contrast with the villainous teams.

Next up in the timeline was the Silver Age. The notable features of the Silver Age (mid 1950's to 1970) are hard to peg down, but they conclude important aspects are: targeting a wider audience including girls and adults, science fiction overcoming gods and magic in use in stories, and the pop art style started in this time period.

The Silver Age honestly doesn't have much to apply to Pokespe, but the Silver Age is a transitional era for comic books, as its boxed in by the much more influential ages of the Golden and Bronze ages. For Pokespe, its version of the Silver Age does seem to adjust its target audience to a wider audience of kid Pokemon fans (as there isn't too much “mature” content in Sinnoh or Unova arcs). However, its new hook lies in “the power of friendship”; also noted in that elusive post.

The DPP arcs centres around a trio that all become very close friends, with the Pokedexs canonically serving a role to demonstrate the bond all three of the characters have developed. Plus, Dia is a protagonist who completes believes in friendship for all as he listens to Cyrus is the Platinium arc, possibly giving him the chance to amend his wrongs.

BW may not have a trio of great dexholder friends, but the connection that develops between Black and White have a strong focus, and Black's friends of Cheren and Bianca also have a strong present in the story and exhibit the friendship that exist all between them. Meanwhile, the power of friendship cannot really apply to Team Plasma, but they definitely manifest the transition from “evil for the sake evil” to “complex motives that may not make them evil”. Despite N being the near definition of “morally grey” in Pokemon, the manga keeps him in a dark enough light that the reader can't fully think of him outside of evil—unlike the game.

Following up the Unova adventures in B2W2, this arc does a better job of emphasizing friendship. While Lack-two/Blake claims to lack any emotions, I'm not sure if it would hold up to a power of friendship punch in his emotionless face. Whi-two/Whitley also learns a lot about becoming friends as she gets closer and opens up to Blake—despite it being a ploy for information—still pushes the friendship theme. The evil is team is dealt with better as well, because Whitley has sympathy for N and the old values of Team Plasma, being a former member herself; and we see one of the older members aid Hugh in his search for Purloin. By having the new terrorist branch of Team Plasma cover the evil, it allows the members who follow the previous values to be painted in a redeemable light.

Finally, we arrive at the two most recent arcs of XY and SM/USUM. Or the Bronze Age equivalent of Pokespe.

The Bronze Age (1970-1985) of comics is the one people who are fans may know fairly well. Darker plots returned in full forces, tackling more serious topics such as poverty, pollution, and dangerous substances. Heroes were also more flawed and complex than they had ever been; and villains were dipped deeper into grey.

And if you've read the XY arc, these traits are probably ringing some alarm bells. The arc was extremely dark, expanding on the games in a way they never managed to achieve. The main theme of the arc is the apathy of society and how its flawed, self-serving natures screws over anyone unfortunate enough to be caught in its wake. This stance that Team Flare took against society had radical actions (tons of it), but the sucky behaviors demonstrated by Kalos citizens in the manga prove society is far from perfect. The story of Emma/Essentia is also compelling as you understand she is on the wrong side, but with some right reasons.

X is additionally one of the most flawed male player character protags by far; the best way to describe him being all the negative mental problems shoved into one 12-year old boy (which I mean in the most loving way possible). Y also has her repressed problems, and a standoff-ish/headstrong nature that puts her at odds with others; most notably with the huge fight with her mom.

Then, in the SM arc, despite the more lighthearted vibes that come from Alola; that does not undermine the Bronze age themes present throughout the arc. The manga does not shy away from manifesting the trauma Gladion and Lille have sustained from Lusamine going insane, Guzma smashes his head into a wall after losing a fight, and Lusamine's fusion with Nihelego horrifies our protagonists; as it probably should if you saw that for the first time. The manga seems to be going in the direction that Lusamine has lost all her marbles and can't be fully held responsible for her crazy actions. Plus, Sun's flaw of hyper-focusing on gaining all the yen he needs to buy back the island/hatred for the Aether Foundation; and Moon's flaw of a hero complex that causes her to help one problem, but abandon it for a new one when it comes up (on top of her cold attitude to people initially).

Their Pokedex stance was summed up in the post by: “WTF is this thing? I don't want it.” which fits pretty well with their overall stance on the region crisis. None of these four protagonists ever truly consented to saving the region. In Kalos, the reasons the protagonists fight back is that their town is destroyed and they are being assaulted by the evil team. And as for Alola, both Sun and Moon get sucked in slowly with smaller events until it's like: “Hey, you've bonded with the incarnations of the Sun and Moon. Guess you’re the last line of defence for Alola now!”

Thus, if the Ages have each of the three rotations sets in it, Gen 8 in the Galar region will also stick with the Bronze Age vibes. Though, that's to be elaborated on in a later post (so sorry).

Tl;dr The progression of arcs in Pokespe follow the same progression of comic books throughout the different ages. RGB-RS (also Emerald) are in the Golden Age, with standard archetypes and black and white divides between heroes and villains. The Silver Age doesn't tie in much to DDP-B2W2, but they are both transitional periods for villain characterization (evil, but with a chance for redemption) and have a new hook; this time in the form of friendship boosts. Last lies the Bronze Age for XY and SM arcs, known for darker plots, and complex and morally grey villains paired with complex and flawed protagonists.

[sage-nebula]

Pokemon XYZ or blue exorcist please!

Someone else asked for Blue Exorcist, so I’m going to go ahead and do Pokémon XY(&Z). I’m also assuming you mean the anime here, but if not and you meant the games, feel free to send that in, haha.

But as for the anime … oh buddy.

Very first order of business here is to fix Alan’s ending, because I hate, hate, hate everything that happened with him post-episode 44 to the point where I feel actual anxiety in my gut every time I so much as think about it, much less actually see screencaps or gifsets of it. (Well, okay—that scene where Sycamore tries to encourage Alan to dance despite the fact that Alan clearly doesn’t want to, only for Bonnie to drag Sycamore off a couple seconds later despite how startled and reluctant he is, while Alan grins at Sycamore getting a taste of his own medicine there—that was super cute. But everything else? Everything else was garbage, and I’m wiling to sacrifice those seconds of cuteness if it means getting rid of all the other trash.) While the abusive situation that gave me C-PTSD that I’m still grappling with to this day lasted a lot longer for me than Alan’s lasted for him, his situation also came with so many more severe incidental traumas, so I feel it evens out in terms of relatability for me. With that said, the fact that he was given no time to deal with them—the fact that we see in XYZ044 that he’s feeling and sounds suicidal enough to worry Ash to the point where Ash basically gives him a “promise me you’ll battle me again at some vague, undefined point in the future, which means you have to be alive and well enough to do it” offer and that Alan refers to this as Ash saving him, all to just completely sweep it under the rug and pretend it never happened two episodes later so they can toss him out on a journey again (despite, you know, the fact that Professor Sycamore said that with the way Lumiose City was Alan was needed there in episode 44 and Alan was so happy he practically started crying while smiling when he heard that), sickens me.So! Before I get into anything else, the first thing that’s changing is that. Alan is staying at the lab—his home—at the end of the series, in order to rest and recuperate. He no longer has the Mega Ring (and Lizardon no longer has that godawful collar), but the Key Stone and Charizardite X were kept and Sycamore has them fashioned into a matching set of pendants: a half-sun for Lizardon, and a half-moon for Alan. But even though they have those back, they’re still staying at the lab for the time being, with no definite plans for the future. Right now, Alan is just focusing on recuperating—or rather, Sycamore is focusing on Alan recuperating, while Alan is focusing on helping out around the lab. You know how he is. In his mind, he’ll rest when he’s dead. (Which Sycamore would like to be very many decades from now, rather than at some point before his sixteenth/seventeenth birthday, but that requires getting Alan to actually rest and take care of himself, and sometimes that can be a struggle.) So he has no definite plans, but before Ash leaves he does reaffirm that they’ll battle again someday, and whatever he does will work toward that. Ash is pretty happy to hear it.Manon, meanwhile, returns to her own journey. She’s reluctant at first; we see throughout TSME and the main series that Manon has little to no real confidence in herself as a trainer, shown both in how she never actually has a single battle on-screen aside from when she captures Fla-chan (which Alan helped her with and might as well have never happened anyway since Fla-chan was never seen after that moment)—and no, TSME 3 does not count, because Manon did not command Hari-san. He acted independently in order to defend both Manon and Alan. Her lack of confidence is also highlighted in TSME 4, when she tells Alan that if he’s with her then she and Hari-san can grow stronger, and he tells her (truthfully!) that she needs to stop relying on him all the time. So Manon is reluctant to go on her own, but Alan encourages her, tells her that he knows she can do it, and as an added bonus invites her to pick a Kanto starter to take with her. She chooses bulbasaur, and he gives her a cryptic message about how he might have something special for her should she ever manage to evolve her bulbasaur all the way to the venusaur stage. Manon gets excited and pesters him about whether or not it’s a Key Stone/Mega Stone (“Will I be able to mega evolve?!” - “It’s your pokémon that mega evolves, not you—” - “I know that, jeez! Just answer the question!!”), but he refuses to tell her. Just smiles and playfully shoos her on her way. She’s still nervous—scared, even—but she and Hari-san (and her new bulbasaur Fushi-kun) go on their journey to build confidence in themselves and each other.So that’s number one—the biggest one, but a very, very important one. As for others?

The Showcases have got to go. They do. They just do. They’re bathed in idol culture, which is extremely toxic and harmful, and honestly I wouldn’t be as bothered by the Showcases if they weren’t female-only, but the fact that this is The Girl Activity (whereas Contests, for instance, were always co-ed) bothers me, particularly since there isn’t any battling involved, but there is a lot of dancing and cooking, et cetera. It feels like a rigid enforcing of gender roles on top of being steeped in idol culture, and I don’t like that. It needs to go.That said? The Pokémon anime actually did introduce the concept of idols way back in the OS—specifically in the Pokémon Chronicles special episodes—and it was far less of an issue then. Pokémon Idols in the OS took the form of trainers like Marina (who was based on Kris from the games), and while the actual job description is somewhat vague, from the way Marina made it seem the goal of a Pokémon Idol is to be as entertaining as possible while battling. It is, essentially, to be a performance artist as well as a battler. So for instance, whenever Marina would battle she and her pokémon had choreographed entrance moves whenever she released them from their pokéballs. She also insisted to Jimmy (who was based on Gold from the games) that she wanted to “turn her battles into performances” in order to make people happy. And you know what? She did! Marina participated in the Johto League/Silver Conference, as well as a Grand Festival, but she was also shown modeling the Pokétch on a magazine cover and has had her face on t-shirts. She has become a star/idol, while at the same time working as a trainer skilled enough to participate in the Johto League/Silver Conference, and a coordinator skilled enough to participate in a Grand Festival.This is relevant, because if they really wanted to capitalize on the popularity of idol culture/idol anime such as Love Live!, the PokéAni writing staff could have worked in something similar for Serena. Rather than inventing Showcases the way they did (and removing the battling aspect completely), they could have instead set up something such as a Kalosian Idol Search, which hosted special battle competitions around Kalos in order to search for the next idol a la Marina. Perhaps these are similar to, but not the same as, Gyms, in which the objective is both to win a series of battles, but also turn those battles into performances in order to win the favor of the public (so, sort of like Contests, but not wholly the same). This could be co-ed as well, meaning that Tierno could participate in an attempt to be an idol, which would be perfect for him given that he loves to dance (and likes to incorporate dancing into battles, which is right in line with what Marina liked to do back in the OS). This way, Serena could be an active battler while still pursuing a goal that doesn’t mirror Ash’s badge quest, and yet isn’t so rigidly “this is for girls, and girls don’t battle,” which is the vibe much of the XY&Z saga gave me. Something like that (albeit a bit more refined, as this is a rough idea) would be far better than the Showcases were. (More entertaining to watch, too, imo.)

And speaking on Serena some more, we’re not going to have her hero worshiping/hero crushing on Ash for the entire series, because to be quite honest that created far more problems than it solved. It’s fine to have them meet in childhood (even though bby!Ash in the flashbacks do not at all resemble OS!Ash, which they should have—and that would need to be remedied, too), and it’s fine to have her remember that meeting and still hold a childhood crush on him—but he should have changed a lot since then. She should have, too. And we should have—we needed to have a moment early on where Serena realizes that he’s not just the amazing and courageous hero that she remembers, that he’s a human being with flaws, and maybe that bursts her bubble a bit, maybe she’s disappointed and put-out that this isn’t exactly like a fairy tale …… but then she gets to know him, as a person, flaws and all. Sometimes they quarrel, sometimes she’s less than impressed with him, but othertimes she is impressed with him, other times she sees that he makes her laugh or that, even if he’s not some amazing hero, he’s a guy she likes …… and, if we must go down the romance route, feelings develop from there.What made Ash/Misty so great in the OS was that Misty wasn’t introduced with the idea of, “This is Ash’s love interest.” Instead, their friendship was first and foremost what was developed, and the romance—which was canonically there from both sides, even in the JP version—developed naturally over time. They are most definitely best friends with crushes. If the anime writers wanted to write a romance arc with Ash and Serena, okay, that’s fine—go for it! But in that case, focus on developing them as friends first. Have the crush grow naturally. Don’t create Serena with the express purpose of having her fawn over Ash (which, yes—a recent interview revealed that the reason why this was written in was because a writer wanted to “see the series from the eyes of a female companion who admired Satoshi” which is just … no). Instead, even if she has a crush on him at first, have her get to know him—actually get to know him this time, not meet once and then separate for years on end, but know him as a person—and have her develop feelings for who he is now, not who she has idealized him to be. (And don’t have him be perfect all the time, either! Let him get mad! Frustrated! Selfish! Petty! Let him be feisty!) And likewise, have Ash develop a special and concentrated friendship with Serena, rather than just cute shippy moments here or there. Show us that he actually feels something for her beyond friendship. Show us before the very end where you just have his eyes sparkle after she kisses him, because you know what? His eyes sparkled the same way when Rowlet cuddled up to him in the Sun/Moon anime. Different animation style, sure, but I’m js. That’s not enough. And if the writers have to tell us later on “oh yeah, it’s meant to imply Ash and Serena are a couple later,�� that’s not good writing. You guys can do better than this. Prove it.… So, um, yeah, I’d fix that. I’d change that ship from “girl meets boy when they are 5, develops a crush on him, and continues crushing through to the end as she works to be worthy of him” to “girl meets boy when they are 5, develops a crush on him, realizes when they are 10 that he’s not the Ideal Hero she built him up to be, befriends him as a person, realizes she’s developing new and stronger feelings for him now that she actually knows and sees him as a person, and he comes to see her as one of his closest friends and confidants, and their relationship is much more believable and stronger as a result.” That’s definitely a change I would make if the romance angle needs to be kept. (Which I don’t think it needs to be, but you know, in the interest of fairness, I’m just saying I could have done it better. Js.)

I can’t believe I forgot about this until point four, but rework Bond Phenomenon ffs. First of all, we’re no longer giving it to Greninja (or at least not limiting it to Greninja). That was stupid pandering meant to push Greninja’s popularity, and I’m not having it. If any one of Ash’s pokémon is getting it, it’s Pikachu, particularly since “but Pikachu isn’t fully evolved!1!1″ doesn’t matter because Bond Phenomenon is not mega evolution, and therefore the same rules don’t apply. The entire point of Bond Phenomenon was to avoid giving Ash a mega evolution for whatever asinine reason the anime team had, and if that’s the case, then there is no reason not to give the special love-powered super form to the partner and platonic soul mate that Ash has had since day one, particularly since Ash’s bond with Greninja was so poorly developed and not believable in the least bit. So if Ash is still getting Bond Phenomenon for whatever reason, it’s going to Pikachu, and that’s final.Second, although I know there are many people who would hate this, sorry I’m not sorry, but I felt that there was plenty of foreshadowing that made it seem as if Alan and Lizardon would be tapping into that in the finale of the Flare Arc, perhaps following a scene where they tossed off the Mega Ring and collar right in Lysandre’s face and tapped into Bond Phenomenon afterward, given that they have “a bond that overcomes reason” (Alan’s words, TSME 1) / “a bond that surpasses its limits” (Malva’s words, TSME 4). So on top of giving Bond Phenomenon to Ash and Pikachu and making it clear that it’s not exclusive to that (which, conveniently, Sycamore’s explanation in XYZ036 did plainly enough by saying it’s rare but there are several recorded instances throughout history!), we’d perhaps tap into it here as well, albeit only on a Lvl 1 or 2 scale, and one that probably knocks them both out at the end of the battle due to the physical toll it would take on them.Or, if not that? Then ditch Bond Phenomenon altogether and just give Ash a goddamn mega evolution, particularly in the form of ‘Zard Y. I’d be very happy with that as well, especially since Ash wearing his Key Stone attached to his hat would be adorable (and a nod to Red, whom the anime team specifically said they pulled from when putting together Ash’s XY design, most notably with the sideburns). Either way, Ash-Greninja is getting the boot for sure. Gtfo, froggo. No one wants you here.

Last (but certainly not least), I wanted a real confrontation between Lysandre and Sycamore over what Lysandre did to Alan—the lies, the manipulation, the abuse. We see in TSME 4 that Sycamore gives Lysandre a cold reception when first meeting him, and I really, really wanted Sycamore to go save his son, or at least confront Lysandre over it. So I definitely would have worked that in there, as well as more focus on Sycamore and Alan’s father-son bond in general. We needed more of that. More childhood flashbacks, perhaps (imagine flashbacks showing little five-year-old Alan, fdsfdsafda), some more heart-to-hearts near the end, perhaps … things like that. So, an actual confrontation between Lysandre and Sycamore, and more focus on Sycamore and Alan’s father-son bond, yesssss.

There is a lot more that I would change, I feel, but these are major ones. And this is super long/a lot as it is, so … that should tell you how many feelings I have over it, haha.