#you can never escape angst with me. my bad yall thats just how my brain is

[flowersfortheghost]

writing down ideas for my fluff au and my god im gonna cry its so sweet😭

ghostflower, what the fuck have you done to me?!

[day-time-dream]

ok so im posting this conversation transcript so ill ((hopefully)) be able to find it later and also yall should read the wild stuff @nocturnal-and-chaotic and i came up with while discussing HNOC a while ago

CHEL-i like to think that literally the only reason brian bothered to give any prophecies was that he was trying to keep mordred from getting him stuck in the sun

NOCT-yes

but also he tries to be a good person

CHEL-which comes with the lovely mental image of every time mordred passes the hanged man hes like ‘is that prophetic statue.....glaring at me?’

NOCT-gorgeous

wanna hear my latest mechs hot take

CHEL-sure

NOCT-the hanged man rusts is just brian rolling 2 nat 1's and a nat 20 on a charisma check

CHEL- noice

also he was stuck on means justify ends that whole time and thats why he couldnt just get down

it would have been rude

NOCT- oh my god youre so right

or maybe he wasn't actually hanged, he just got himself stuck and everyone sort of assumed he had been hanged and he was to embarrassed to say anything

CHEL-thank you. im very into your idea that brian just fucked up and got himself stuck

and then people started using ‘the hanged man’ as a cautionary tale and he couldnt just get down!! that would be a bad example!!

NOCT-no no, he's physically incapable of getting down, and it would be rude to ask for help

the real reason it takes the crew so long to fish him out of the sun is that they keep picturing his face when he got stuck and then they start laughing again

CHEL-i cant tell if i better like the idea that brian was there alone and wrote/told the others about hnoc or if the others were there and thought it was the funniest fucking thing he’d ever done

NOCT-every single one of the mechanisms would have laughed directly in brians face

CHEL-i think thats where the angst or comedy branches off

oh absolutely

jonny comes by once a week to ask someone in town to ‘explain what this metal man thing is. why is it up there? what does it do?’ and brian is hanging there like, if it were not for the laws of this land and also the fact that i am stuck up here and also my morality being on mje i would slaughter you

NOCT-ivy walks past after jonny, commenting about how foolish the hangman must have been to tie such easily escapable knots

although i like to think they all left when they saw which way the wind was blowing, and just,,. forgot brian?? and then when they realized, the series of fuck ups were just too funny and they laughed at brain for a couple decades before picking him up

CHEL-*the mechs, drifting through space, having a grand old time*

tim: hey lets go to -random planet-

*three days later*

tim: why are we not on the planet yet

ashes: idk ask brian

tim: brians not here

mechs:..........

jonny: FUCK we forgot brian

NOCT-screeching

CHEL-the reason it took them so long to get back is no one else can fucking fly the aurora

NOCT-nastya and aurora were on a break

CHEL-yea nastya could ask her to take them there but it takes a Lot of persuasion and its very uncomfortable for everyone else

NOCT-eeeeeeeeeeeeewwwwwwwwwwwwwwww

CHEL- -marius

NOCT- -jonny

i mean its definitely both

CHEL-brian gets back on board and no one will look at each other and hes like ‘i hope you all fucking learned your lessons i am the most important fucking crewmember on this ship’

NOCT-no, he assumes everyone was drunk and forgot but had no other problems, and everyone makes a silent agreement to never tell him the truth

CHEL-no i think ive gone from ‘brian was just Too Nice to come down from the gallows and the other mechs thought this was hilarious’ to ‘brian purposefully got himself stuck in a sun for a thousand years so the others would start giving him some goddamn Respect’ and i like this

NOCT-ok i'm on board with the exception that everyone else THINKS my version is what happened but in reality they all got played

CHEL-oh yes absolutely

NOCT-raphealla*** writes lost in the cosmos because she feels bad

CHEL-vksjebksjfna WHAT

NOCT-i cant spell

help please

CHEL-its raphaella i think

but i was thinking about that conversation

NOCT-idk i just thought raphaella would want to apologize without admitting they forgot brian so she goes,

you know what shows we care? a backstory song!

CHEL-brian: yea you all left me in a sun huh?

raph: yes and while you were gone i wrote you a song for us to perform together

brian: cool!

*after listening*

brian: its...,very beautiful......and well written?

raph: do you not like it? its kinda an apology.....

brian: as an apology for you all leaving me alone in space you wrote me a song-

raph: yes!

brian: -about my agonizing death alone in space?

raph: ....ah

NOCT-raph, scribbling in a notebook: reminding people of trauma is not a good way to handle lesser trauma. got it

jonny, reading over her shoulder: i just thought of a great way to bother tim!

CHEL-and thats how gunpowder tim vs the moon kaiser was written

NOCT-canon

[unironicduncanstan]

[UNI’S LPS LORE DROP BITCH]

so ,,, i used to collect littlest pet shop (mostly the 1st and 2nd gen ones bc yall i am old) and theyre long gone now but. these are some of the lps i remember playing with and giving distinct personalities growing up. most of them didnt have names at all so im just referring to them with numbers and pictures. also warning it gets pretty Dark bc weird kid culture but here we go;;;

the first is #11 and #86. they were my absolute FAVORITES, a mother and daughter duo, a lot of their stories revolved around the kitten getting lost and the mom having to get to her, or the kitten dying and the mom having a mental breakdown. 11 mostly acted as a single mom but sometimes id cycle out different potential dads, usually the dog lps bc i did Not care abt the actual scientific lack of interspecial breeding possibilities

#25. a basic white picket fence ass dude, really common choice as the ‘dad’ in the above situation, he also was not immune to being ‘killed off’ for angst. was also cheated on a couple times by 11 (THOSE WERE AUS THO,,, DONT CANCEL HER ITS OK TO KEEP STANNING)

#200. she was #11s best friend, I think her name might have been hannah??? anyways if the mom and dad were killed off sometimes she’d “adopt” #86. but usually only after #86 fell into the custody of a terribly neglectful parent for a while and had to be rescued bc again, in my gay neurodivergent little brain peace was never an option

#487. another love interest for #11, usually competed with #25 in an almost edward vs jacob type battle of cool brooding boy and average mcfamily man. he was a big fav

#672. number #487s sister! usually either helped him get #11 like a wingman, or i’d flip the cards and make her manipulative and sabotage 11 bc she didnt think she was good enough for her brother. the personality switches id give characters were rly like. getting the bad ending in a video game,

#44. YET ANOTHER,, LOVE INTEREST FOR THAT ONE CAT,,,, but it was one sided and he always lost. poor friend zone ass simp im sorry man idk why you deserved that 😔 i think sometimes though id pair him with #200/hannah at the end. cant get the girl date her best friend idk i was 8 my morals were not always applicable to the adult situations i created

#14. SO I,,,, i ended up with three of these. and in the end i made them triplets that performed for the circus and were unhappy in their life of exploitation. i think sometimes they would. form a sui pact to escape their torment.

#137. HIS NAME WAS FUCKEN CHEESE

Groovy goat / unnumbered. I remember she was spanish to me but spoke mostly english, this decision was made bc i was an extremely white american child, and she was almost always involved somehow in a story bc she was my favorite design ever. anyways she usually was a model that would give a struggling lps a ‘makeover’ like that one scene in any dramatic disney live action film ever made

#464. another fav bc of her design omg. she was like a little sweetheart and would often play the role of ‘baby’ for any species i didnt already have designated ‘babies’ for. BUT, when i’d play with the other hamsters (we’ll get 2 them in a sec), i made them all the same age and theyd all crush on her at the same time lmao the DRAMA

#34, #35, #36. they were brothers and in order from left to right;;; biggest brother and a leader+positive role model, then the punkish middle brother that didnt like to listen and would often get them all in trouble, then the youngest nerdy brother that was naive and soft and did w/e he was told. they stuck together thru all their antics, except when #464 was involved, then theyd have a classic ‘fighting over a girl then realizing thats ridiculous’ arc. rly loved these guys cuz i always wanted a hamster so id pretend they were real animals sometimes too loL

#693. i got thsi in a mcdonalds happy meal but anyways she was a princess/queen/whatever and was very spoiled royalty. probably tried to behead some of the other lps idk. all she wanted was drama and money

#112. punk boy,,, usually paired with one of the ‘popular’ girls,,,,,,,,,,,,,,,,,,,,, oh my god did i government assign this dog duncan kin b4 td even existed yet

#48, #79 #42. !! HUGE FUCKEN BITCH ALERT !! (popular girls trio lol), i think a couple times i like, aged down #11 and got rid of the kitten for a ~highschool au~ where these girls bullied her but she ofc ended up stealing the middle ones man. and then other times i just paired the middle girl with #112 in a genuine ‘opposites attract’ ship . where were u guys when i was making duncney lps a thing tbh

#59. i love this guy but he was just an eccentric dork and mostly used for comedic effect

#43. love interest for #59 that he goofily fawned over till he eventually got the girl at the end of every story bc i loved cliches

#673. usually a mysterious adventurous girl from out of town that meets the mains in my story and befriends them/helps them out. also a close friend of the groovy goat character

“Paws off diary” Bull Terrier. ok this ones weird but he came in this lil electronic diary right (you can google how it looks to see what i mean) and there was this like, plastic bubble on top that he came in and you could stick him or any other lps in there and shut it securely cuz it was a diary so i. used it as like. a prison almost where id trap lps and the other characters had to ‘save’ them like they were rescuing a princess from a tower or smth. but it was usually just this lil guy. also he was given a name but i was kinda cheating skjdfsdf it was, “Max” bc that was always his name in the commercials for the diary--

#646 and #647, twin orphans separated at birth. did a lot of princess and the pauper esque ‘long lost siblings from different worlds’ reunion stories with these two

#94. so this one came with a head bandage and a little medical looking case to carry them in. i used the carry case as like an ‘ambulance’ or med helicopter to put ‘sick’ pets in and carry them to the hospital, and this pet had chronic illness so they were always the roommate patient at the lps hospital.

#10 and #142, the goldfish couldnt be taken out of the bowl if i remember correctly so. he felt sad and isolated but the seahorse was his best friend who was able to go anywhere so id stick him in the bowl with him a lot to hang out n make him feel better. solidarity

#463. i LOVED her design, so i used her a lot as just a friend to whoever i was playing with. she was also one of the bigger birds so shes the only one i remember really utilizing as a ‘this character can literally fly’ plot device. she also might have been magic i dont remember. ik whenever i did the circus story she was always in it

#37, #38 and #39. i lost the ‘girl’ one early on, like completely lost it and never found it again so idk what happened to it. so the story was the other two were brothers in a constant search for their long lost sister. sometimes id either have another lps be their sister or make a ‘found family’ trope out of somebody

#331. i had two of these and they come with little hats but i lost one of the hats so. evil twin story babey the regular one was a nice old pirate guy but the one with the hat was evil and nobody could ever tell the difference

#641, IM THE TRASH MAN! I START EATIN GARBAGE,

[afewmarvelousthoughts]

Stay Ch. 16

Master List

Pairing: Natasha X Reader (Female)

Summary: You have a gift, the ability to see other people’s innermost secrets. For years you used it to gather intel for the highest bidder when you take on The Widow. After she becomes more than a mark the two of you spend years stealing moments. Post snap you wait in your designated meeting place, look back on the sordid past you share with the woman you love and hope against everything that she’s still alive.

Warnings: Angst, and fluff, and feels oh my!

A/N:  So yeah I swear I wroth an authors note for this... but idfk what happened. 

ANYWAY! Thank you all for being so patient while I got my life together. This one is also short and sweet (guess that’s the mood I’m in). However, y’all should know me by now. This is just the calm before the storm. 

Hope you enjoy this one my pumpkins! 

Tags are open!

@mywinterwolf  @disagreetoagree  @breezy1415  @peachthatdrinkslemonade  @5aftermidnight@jeromethepsycho  @marvel-randomness  @daniellajocelyn  @katecolleen  @yanginginthere@wonderlandmind4 @piensa-bonito @for-the-love-of-the-fandom @lesbian-girls-wayhaught @siriuslycloudy2

March 2007

At some point in the last five months, you’d stopped recognizing yourself. The woman in the mirror wasn’t Y/N. Her hair was different, down to even the eyebrows. Her accent distinctly that of a life long Londoner. She worked for an independent UK couture fashion magazine, chose wine over whiskey, and was distinctly heterosexual.

When the chance to work this job requiring deep cover came up in December you jumped on it. You didn’t want to be you anymore. The you that couldn’t be with the woman you loved. The you that was heartbroken. The you who was beginning to doubt that you’d ever be happy. Fuck her.

Being Charlie Daniels was far better. She was, of course, a real person. Just one who was now living comfortably in the Bahamas courtesy of MI6. Even legit agencies had use of freelance talent every now and then.

Settling into her life had been easy. Not setting her boss on fire or blowing his brains out daily was a different task altogether. Turned out that a magazine was a great front for a crime empire. Lots of international travel, young and beautiful and desperate men and women, money exchanged in countless untraceable ways, on and on. And this fucker was happy to take advantage of every single disgusting avenue it opened up.

You almost had everything you needed to hand to MI6, get your obscenely large payout, and get on to another gig while they threw all of these bastards into cells to rot for the rest of their miserable lives. Just one more trip. After whatever horrible things they lay out in Tokyo you’ll be set.

Tokyo is one of those cities you can lose yourself in. Like New York but better for its interesting balance of vibrancy and grounded reserve. You absolutely love it.

The whole point of the trip, at least on the surface, was to focus on Fashion Week Tokyo. Honestly, there was a part of you that wished this was your world. Nothing but runway shows and after parties. Writing about the latest trends rather than delving into the inner workings of the worlds miscreants

Oh well. It was nice enough to pretend. You had to admit that you’d miss Charlie Daniels once you shed this skin in a couple of weeks.

You’re sitting two people down from your boss at an underground show. The level of security here screams that there are other things going on behind the scenes but it’s still a room filled with a who’s who of the Japanese and international fashion communities.

This was your third show of the day, and you knew there would be a party after where you’d have to schmooze all while plucking information from your unsuspecting fellow guests. You’re exhausted. So rather than pay much attention to the show you let your mind wander.

When she walks out you feel her rather than see her.  Slowly you turn your head to stare dumbstruck at the model walking onto the catwalk. Your heart begins beating against your ribs, your mouth goes dry, your hands shake.

It takes every ounce of control you have to keep your emotions in. To not scream “Natasha!” at the top of your lungs. To not grab her and run for the hills. Charlie Daniels and her easy life be damned. It’s hard but you manage.

As she turns and comes back down, passing now closer to you, her eyes don’t graze  the crowd at all. Head up, shoulders back, she walks the runway like she’d been doing it for years.

The rest of the show is maybe ten minutes but it feels like years. You know the models are all attending the party. Eye candy for the high end guests.

It’s fairly easy to ditch your coworkers in the crowd as you try to find the best vantage point in the room without being too obvious. After a solid twenty minutes, you find yourself planning an escape route. Most of the models are milling about but she’s no where to be seen. You will find her.

But you know you can’t skip out just yet. At the bar, you order a red wine and make yourself seen. Charlie would never miss the whole party after all. You spend a bit chatting with designers and a few models, feigning interest in the whole thing until you hear your boss call out to you.

“Oy, Charlie!” Carl’s voice alone makes you want to put him down. When you turn he’s waving you over to the bar. Sighing heavily you head over.

You’re about ten feet away when you see her, head back laughing at something Carl or his friend had said. Both men are far to close to her for your liking and the hungry look on Carl’s face sets your blood boiling.

He slings an arm around your shoulders and you carefully coach your face to not show disgust. “Charlie here is my best writer. Doin’ some pieces for us on this whole thing,” he waves his other hand around wildly.

“Good to meet ya, Charlie, I’m Dan,” the other man, clearly American says.

“Likewise,” Natasha doesn’t react to the accent at all.

“This here is-”

“Natalie,” Natasha cuts him off, extending a hand to you. Holding her eyes with yours you take it. It’s like touching a live wire.

“Natalie is an American model working here in Japan. May be a good topic for a piece.” He ribs you leaning closer, “And a good piece for the office eh?” Suddenly that MI6 money seems far less appealing.

“I’d love that,” Natasha beams. “Why don’t you guys go mingle and Charlie and I can chat!” The men exchange a glance, but there’s plenty of fresh meat around to sink their teeth into.

Carl flashes you a greasy smile and a wink as he walks away. Thinking clearly that you’re going to snare this woman for him. You, unfortunately, had a few others. Not something you were proud of. Demands of the job you told yourself.

“She’ll take a vodka neat,” you tell the bartender.

“Yes,” Natasha smiles at him, “Whiskey for her. Makers if you have it.” He thinks nothing of it and makes your drinks.

“So, how’s modeling in Japan?”

“Probably about as good as writing for a sleazy jackal.”

You laugh, “That bad? What’s the goal.”

“Getting a cover,” you commend the clever word play.

“That’s a good goal. Long term?”

“Something like that.” She takes a sip of her vodka, “How long are you here?”

“End of the week.” Your skin itches to touch her. The men are rounding back. You hold her gaze and shift your eyes back to them. She catches on.

“Perfect! It’s so hard to have a good interview here, don’t you think?”

“Absolutely. Why don’t you come by my hotel?” You whip out your spare key card. “I’d love to get your story for the mag, maybe do a full feature.”

“A feature would be excellent exposure!”

“Wouldn’t it?” Carl slides up next to her. “We can get you all the exposure you could want Ms. Natalie.”

“Charlie was telling me all about it.” She flashes him a coy smile. “Thank you so much Charlie! I forgot I have a late fitting tonight for another show so I’ve got to run. But we’ll chat soon yeah?”

“Absolutely! It was so good to meet you Natalie.”

“Same! Bye!” She hurries through the crowded room and disappears.

“Busy girl.” Carl quips. “Whiskey?” You look down at the glass by your hand.

“Some guy sent them over,” you gesture to Natasha’s lipstick stained glass. “Seemed rude to refuse. Can’t stand the stuff though.”

“That’s a mans drink,” Carl laughs at his own perceived joke and you force a smile.

Somehow you make it through the rest of the evening. You’d refused to allow yourself to hope that she’d be here, too obvious to come the same night, better to wait. Kicking off your shoes you head straight to the mini bar and crack open a whiskey, downing it in one gulp.

“You really need to be more careful,” Natasha’s voice comes from the bathroom. “I mean not even checking around. Sloppy.”

“Charlie Daniels doesn’t have to check for Russian assassins in her bathroom,” a smile pulls your face so tight it hurts.

“Well, Natalie Rushman isn’t a Russian spy. So…”

You let your real accent resurface as you pull her into your arms, “Natalie Rushman, I don’t know if that’s clever or lazy.” She kisses you hard, tongue sliding over your lips hands gripping your ass.

“Mmm,” she hums. “Kinda like the accent.”

“Oh?” You revert to the clipped posh Londoner sound. “Would you rather be with Charlie? I hate to break it to you, she’s strictly into dick so you may need to get a bit creative.”

Natasha’s head falls back with laughter, “I’m always into a challenge but,” she cups your face in her hands, “I’d much rather Y/N, she’s got a cute accent too.” Your kiss is soft this time, “I missed you.”

“I missed you too, honey.” Gently you push a strand of hair out of her face. “Is this smart? Are you gonna get-”

“I’m good. I wouldn’t be here if I thought there was risk.” She pulls away and tugs you toward the bed. “There’s no surveillance on me here, I check in every week, that’s it. This is strictly to build a cover.”

“Cover for what?” She gives you a sideways glance. “Right. National security.”

“Do you really want to talk about work?”

Smirking at her you push her back on the bed. “Maybe later.”

You lean down to her but she stops you by planting a strappy heel in the center of your chest. Trailing your fingers down her leg you snag a knife from her thigh holster. Carefully you slide the blade under the straps, the incredibly sharp edge cuts through the thin suede like it’s nothing.

“Those were very expensive you know,” eyes sparkling with desire.

You slip the shoe off and toss it aside. “I’ll buy you a new pair.” Your lips press against her ankle.  

Everything in your life until her was so fleeting. Even your own name, the sound of your own voice, who you were… But with her, you were grounded. You weren’t anything but her’s, you were Y/N.

Suddenly you’re overwhelmed. Caressing her muscular calf you just stare at her eyes. Emerald green, dark liner, lids heavy with lust and exhaustion.

“Natasha…” Your voice cracks and you fight for composure.

“Y/N? What is it?” She shoots up, cradling your face in her hands.

You shake your head, unable to really find the words and unwilling to send this storm of emotions to her. “I just…” You cover her hands with your own. It’s not that you don’t want her, you do. But…

“Can we just… I just wanna hold you…” Her expression immediately softens, eyes sparkling a touch with tears. “Sorry… I… I just…”

“I’d love that, baby.” Tenderly her lips brush yours, then your cheeks, your forehead, your eyelids as they flutter closed.

You shed your clothes and crawl into the plush bed. Holding tight to one another you spend hours drifting in and out of sleep, covering the other with soft kisses. Before the sun rises your hands wander southward.

This time you don’t fuck one another senseless. It feels like you’re trying to memorize every curve, every sound, every subtle thing that marks being together. You both know you many not get to do this for some time. The knowledge aches but it doesn’t make having her any less sweet.

Post Snap

You lean your head back on the wall behind the booth. The crying man from last night is gone, you find yourself hoping that he’s resting peacefully somewhere… even though you know it’s pointless to hope for such things.

There are more people filling the bar than there was before. The TVs are off, radios turned up, reporters frantically trying to determine what happened. It was global, that was clear. All planes grounded, trains stopped, communications spotty due to damaged cell towers.

A man speaks frantically to someone who seems to be a friend that he was heading to Nuremberg from Budapest, how the roads are almost not navigable. He doesn’t know if his family is even still there but he has to find out.

Despite his distress, your lips curl a bit at the mention of Budapest.