just a conspiracy of cartographers, then? // annie from the island; 34 at least; etc. neither a gentleman nor a scholar.
Don't wanna be here? Send us removal request.
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a special shoutout to darling @inclineto for today resuming a conversation we left off in 2012
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maybe?? some of you must be into knucklebones. for your review
trying to sculpt some knucklebones in nomad after more than a year away and it's making me feel like i've never seen any kind of Shape or Form before
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trying to sculpt some knucklebones in nomad after more than a year away and it's making me feel like i've never seen any kind of Shape or Form before
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moving the horatiana over here to spare you all: @fors-et-ratio
#useless paper#a tag i soon won't need!#“useless paper” is my favourite translation of “chartis ineptis” by the way. at the end of Epistles 2.1#when he envisions himself reused to wrap incense and pepper. “and whatever else is wrapped in useless paper.”
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thinking about H rereading namque ferunt luctu Cycnum Phaethontis amati / populeas inter frondes umbramque sororum / dum canit et maestum musa solatur amorem / canentem molli pluma duxisse senectam / liquentem terras et sidera voce sequentem—for they say Cycnus, in sorrow for his lover Phaeton, while he sang amid poplar branches and his sisters' shade, consoled his love-grief with music, and in white age put on soft feathers, leaving earth and chasing the stars with his voice—how lovely it must have been when written (that particular giddiness of being played with, the honour and the affection), and how bruising now, while working on the fourth book. 1.24 again, and anima fugiente vocabat.
and of course it's also H alluding to V (Aen. 10 180-something) alluding to H (Odes 2.20). so
#god intertext is always sexy but this particular taking-in-hand. more. eviscerating. in the 'being known' sense.#also. once again. surviving.#could talk about all of it but. biformis vates and of course sublimi feriam sidera vertice.#but also something particularly horatian imo about the double-sensed canentem here#and well the play with umbram. sequentem for that matter. V doing H masterfully.#translation: very blunt but the nuance is killing me and i need to go to bed so have some dogged Latin 101.#useless paper
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and of course it's also H alluding to V (Aen. 10 180-something) alluding to H (Odes 2.20). so
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more and better and queerer readings of 4.10 actually. like there's no unqueer reading of this poem addressed to a youth on the subject of his aging into adulthood (and indeed it is one of the odes that frequently went untranslated), but it's the um. the knowingness? the familiarity? the sense that the speaker recalls the loss of desirability / the position of being desired and feels it as a loss. bittersweet we overuse (thanks anne) but. and sure of course there's the reading that holds it as a mirror for the poet's surrender of the lyric crown and of course it is that too because as always with qhf. It's Both
#-> Once and Never Again is the wine pairing. thanks#0 notes horatiana posting again. we're so back#useless paper
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do u think guys in antiquity worried abt eromenos death
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i borrowed my mother's machine to sew a nice piece of silk and that thing threads its own needle? winds its own bobbins? auto-lock stitch AND it cuts the thread for you?? why are we talking about ai
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i'm not here really but Roman Silver Pin Surmounted by Hand Holding a Pomegranate, c. 2nd Century A.D. with a little snake wrapped round the wrist.
#to auction May 29 for the independently wealthy among you.#with all the usual grains of salt allowed for auctionhouse descriptions etc etc
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Unintentionally ominous sign a friend took a photo of at a JoAnn's that's closing.
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disiecti membra poetae monday
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