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omg nic rouleau played elder price tonight and seeing him in costume again nearly made me cry

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Make me choose: @iwillmp3​ asked Natasha, Pierre, & the Great Comet of 1812 or Hadestown?

Drink with me my love For there’s fire in the sky And there’s ice on the ground Either way my soul will die

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you know what? fuck you [unsuddenlys your seymour]

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knock knock. it’s dave malloy

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andrew rannells in falsettos is like [enters in a gay manner]

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THIS

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Denée Benton as Natasha Rostova in the American Repertory Theater (A.R.T.) production of Natasha, Pierre & The Great Comet of 1812

Photo: Gretjen Helene

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Hamilton, Act Two Big Mood

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friendly reminder that u can be like “lin manuel miranda created a work of art that was meant to highlight performers of color and made broadway mainstream again and was full of amazing themes and motifs” and still be like “but hamilton is inherently problematic because it glorifies the founding fathers when they should not be treated as people to look up to” like u can and should do that

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The cast of Company performed the opening number for New York Times! God, I love them all so much

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This was waaaay before falsettos and they're singing the obc version.

Also, christians 'let's go fight whIzZER''

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so my entire musical theatre season of my senior year of college has been totally screwed?

cool.

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natasha pierre & the great comet of 1812 is THE musical like I’m sorry but nothing will ever top it, the music, the set, the acting, the costumes, the lighting the layers this isn’t abt opinions on musicals this is abt Facts…you can’t compete where you don’t compare  

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please call me Phantom, Mr Of The Opera was my father

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anyway it’s ironic that theatre and broadway are stereotyped as “gay” things when lgbt representation on theatre that goes beyond jokes and side characters is so incredibly rare and musicals with genuine LGBT representation such as falsettos and the prom are largely ignored by the theatre wing at large, in this essay I will