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My sweet smol baby Xion just chilling
and Pluto too :)
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finally finished playing new chapters,, really liked this guys design, especially the wings
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more krusie because they make so sick

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Kris gets heels in the lightworld saga
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Top 10 Disney Villains across the board?
( @izunias-meme-hole )
Honorable Mention: Negaduck - I love him dearly, but he's too tied to his heroic counterpart to really make the cut, as all of the other villains on this list are great even just on their own.
10. Professor Ratigan - The world's greatest criminal mind, the would-be supreme ruler of all mouse-dom, and one of the greatest adaptations of Professor Moriarty in all of fiction. He's not simply super smart, prideful, and oriented toward crime, but takes so much gleeful, childlike joy in what he does, and has a mutually campy homoerotic obsession with matching wits with Basil of Baker Street. Jim Moriarty from BBC's Sherlock picked up a lot from him.
9. Captain Hook - IMO, Hook is the purest of "funny" Disney villains. Yes, he is dastardly and shouldn't be underestimated, but otherwise he is just so over-the-top in everything he does and every emotion he displays that he's a laugh riot. He wants to be seen as a distinguished Eton-educated gentleman and a fearsome pirate captain, but in many ways he's as childish as his nemesis. And of course, his interactions with Smee and the crocodile are all golden.
8. Scar - An excellently done example of the classical archetype of a scheming, treacherous, power-hungry usurper. Just...avoid that lame incel of a "live-action" version like the plague.
7. David Xanatos - He was a truly revolutionary villain: he had style and charm, a brilliant way of doing things that codified many tropes, depth and nuance that never took away from what an amoral scumbag he is, and even something akin to a full character arc that wasn't quite a redemption but placed him in less of an antagonistic role to the heroes. He's just fantastic!
6. Bill Cipher - You know right off the bat that this guy is going to be a hilarious villain, and he is. What's shocking is just how terrifying, repulsive, and ultimately pitiful he also is. He may be a flat, two-dimensional triangle, but he is an unexpectedly three-dimensional villain.
5. Terra-Xehanort - He takes aspects from the previous three villains on the list (treacherous usurper, charismatic and brilliant with non-redemptive nuance, surprisingly layered) and applies it to being a threat to an entire Disney multiverse. Hell, he even splits himself into two entirely separate beings so that he can threaten it twice-over on two entirely different fronts!
4. Hades - He's a stylish, powerful, menacing yet hilarious god and has been a consistent scene-stealer in just about everything he's ever appeared in. Just...no more James Woods, Disney, OK? The old loon cannot properly do the voice and requisite energy for it anymore.
3. Jafar - Now this is my personal favorite Disney villain and among my top favorite villains ever, but I have to concede that he's cursed with diminishing returns, meaning that if Jafar shows up in anything then he will always blow his load of greatness at that time so that if he ends up returning he won't be nearly as impressive (the live-action film version might be an exception just because he was so thoroughly unimpressive to begin with!) But all the same, when in his prime Jafar is every sort of sinister insanity that one could want in a classic villain.
2. Frollo - One of the most underexposed Disney villains, which actually works to his advantage as it allows him to maintain his place as possibly the most realistic, frightening, and downright evil villains in the Disney pantheon, with indisputably the greatest villain song.
1. Maleficent - Could it be anyone else but the Mistress of All Evil?
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Lamenting the fact that we live in this universe and not an alternate one where Tetra from The Legend of Zelda: Wind Waker has the same sense of agency throughout the whole game instead of just the first act.
One where she does not sit dazed and obedient in the bones of a drowned kingdom, waiting for a hero to save the day for her and restore an old order than caused so much strife and conflict to begin with. One where she actually stands her ground as she's done before, challenges the king who calls her a different name, maybe even denies the dead legacy forced upon her, for she is not a princess made to listen and pray and hope - she is a leader of pirates, as strong and brave as she is wise and cunning, who gets stuff done.
One where, perhaps, she could have a short gameplay segment of her own. One where she escapes her new gilded cage (not unlike how Link escaped the Fortress, for instance) and explores the castle frozen in time, maybe even learning more of the history she's been entangled in, the good and the bad. One where, when Ganondorf's forces invade to find her, she fights back, ripping away the dragging hem of her new dress to run and dodge and kick more easily, using the heels of her new shoes as makeshift daggers until she can knock an enemy's glaive out of their hands, so that - when the old Demon King does inevitably overpower her - at least she will have proven that she is more than just Zelda.
#legend of zelda#wind waker#tetra#what if#what could have been#they wasted a perfectly good character
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becoming a gal and then looking back at my old ann design is genuinely so embarrassing ... but shes getting updates!!! not a fan of her hair rn so it will be changed
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Mimi Tachikawa's clothing style - a meta analysis
While their clothing styles are arguably an underlying theme in both Koushirou's and Sora's ways of self-expression (even if it's never at the forefront of their arcs), no other character lives and breathes the idea of expressing themselves through fashion as openly as Mimi. So after Taichi, Yamato and the two redheads, let's take a closer look at Digimon Adventure's very own fashion queen, shall we:

Adventure (+ Our War Game), age 10/11:



If there is one thing the viewer can immediately tell about Mimi, it's probably her favourite colour: Through the course of Adventure, you will rarely see her wear an outfit that doesn't include one pink item of clothing (or at least an accessory) at minimum. While she also has a preference for red shades, she absolutely loves pink in all its variations - on her everyday outfits as well as on her pyjamas! In terms of style, Mimi loves to combine comfort with "being fashionable". The feminine red cowgirl dress and beige-brown - assumably - shearling boots are not exactly the most practical items to wear during a camping trip; but they perfectly complement her favourite item, the pink cowgirl hat she hides her long, wavy hair under in a ponytail. In general, hat(s), dresses/skirts and boots are a repeating theme for her, as we will see later on.
Mimi didn't exactly start Summer camp unprepared, as she wears brown gloves (in a similar colour as her hair) and carries around a brown bag with camping equipment all the way. On the other hand, as Mimi grew up in a sheltered household, at the beginning of Adventure, she is very prone to let everyone around her know when her comfort is being disrupted. Thus, it's no surprise that she got coerced into exchanging her travel-ridden outfit (probably sweaty and dirty at this point) for a fancy white-pinkish (!) princess dress, as PicoDevimon's intrigue aimed to corrupt her. After all, she was overwhelmed by the situation - and loves pretty clothes and being comfortable, so she (understandably!) gets lost in the convenience of luxury for a bit. Thus even Taichi telling her how "impractical" the dress would be as a traveling fit couldn't shake her out of it for a while. However: As a mix between red's passion and white's purity, pink symbolizes love, nurture and compassion - and so it shall also come as no surprise that Mimi (encouraged by Sora) eventually found her way back to the right path and leave the spoilt attitude behind for the sake of her duty.
Even though she'll leave the beloved hat behind with Palmon in the Digital World at some point as well - it won't be the last hat she'll own. And also not the last pink one!
02 (+ Diablomon Strikes Back), age 13/14:



The transition phase between Adventure and 02 already shows Mimi getting a little more experimental with colours, as she actually added white, blue and green - her signature colour - to the mix. However, the viewer is not prepared for just how experimental Mimi would turn out to be! And neither were the animators, as several of Mimi's incredibly varied concept outfits didn't make it into the anime - but let's go through it step by step:
At the beginning of 02, we learn that Mimi's family has moved to the USA - and if the cowgirl aesthetic hasn't been an indicator before, 13-year-old teenage!Mimi will go all out on the American aesthetic and a style that couldn't be more early 2000s: Wearing a crop top that couldn't be closer to the US American flag if she tried, a white short skirt and high heels with white kneesocks. Most notably, for the majority of the season, her favourite colour pink will be a permanent part of her - as she chose to dye her (a little shortened, but more voluminous) hair pink. Additionally, she has adopted the star motive for herself - which we have previously only seen on Taichi! Mimi herself wears them either on her shirt - or as small hairclips in her hair.
Speaking of hair - unfortunately, the viewer won't get to see most of her hair experiments (namely the dark brown dreads, the highlights and the space buns). In one episode, her strawberry blonde perm (and pants!!!) can be witnessed at least - and eventually, we'll see her return to her natural hair colour. She also returns to the cowgirl aesthetic in Summer, once again wearing a pink hat (!), a white cowgirl dress, boots - and pigtails.
In general, one can tell that Mimi undoubtedly enjoys her youth abroad, as she seemed fascinated by American culture and the idea of "expressing herself freely" as a 10-year-old already. In the Adventure novels, it is already implied that Mimi stood out among her peers in school and - similarly yet differently to Koushirou - may be considered an "odd" in contrast to more "more traditional" Japanese customs (such as Sora's kimono-wearing mother as a traditional iemoto). Mimi also never fit into lifestyle aesthetics like Gyaru or Lolita, but definitely thrives in experimenting with extravagant, less traditional clothes and hairstyles through Summer that draw attention and display her personal interpretation of femininity; outfits that are funky, stylish (mainly crop tops, short skirts/shorts and high boots) and, most importantly, individualistic.
By the end of the season and the start of winter, she goes in a bit of a different direction: Her winter outfit is probably one of her most iconic ones - as well as the most high-femme she's ever been: Mimi fully commits to the spirit of Christmas by wearing a pine green goat and hat, accompanied by her long(er) flowy hair, a mahogany red skirt and light brown boots - it's cozy and mature and very Christmas-tree-y! A similarly mature vibe is maintained during Diablomon Strikes Back, as she wears a yellow turtleneck, a mahogany red skirt, a star necklace and brown boots. She doesn't exactly grow out of the experimental expressionist phase - but gets more balance into it. It's all very symbolic for 02!Mimi, who isn't just incredibly self-confident, but has also grown out of her "spoilt princess" tendencies. Instead, she has her own mind and insists on it - in a constructive, self-assured way!
Tri, age 16:



Tri!Mimi is mostly consistent with the majority of style elements we have discovered so far and actually adds a fashion-related element to her arc. First, let's focus on the things we are familiar with - and add the aspects that are new:
By now, Mimi has stopped dying her hair regularly and mostly sticks to wearing it open and/or with a headband. Sometimes, she does wear a ponytail, still cherishes the cowgirl hat whenever it fits - and in one scene, is even seen wearing unconventional bangs (and bunny ears that almost let me doubt that it was her for a moment, but since she actually wore stars - for the first and only time in Tri -, we can tell that it's her!). Thus, she still likes to experiment with variety!
Clothes-wise, she still prefers (mostly short!) dresses/skirts/shorts, (sandal-)boots - and of course the colour pink in most of her everyday outfits (with splashes of red, green and blue in between), including yukatas! Tri also lets her wear jeans for a change - but rather rarely.
Her school uniform includes exactly two aspects that differentiate her from the way Sora wears it: First of all, she adds a splash of colour by wearing red-white sneakers (whereas Sora wears standard loafers). Second, she wears rolled-up long sleeves in Summer - and is the only one who does so besides Yamato.
Last but not least, let's talk about the formerly mentioned US American influences that got her in trouble for a bit: After transferring back to Japan, she suggests hosting a Hooters-like café for the school festival - and thus her outgoing, funky (and undeniably more revealing) ideas clash with her more traditional, reserved Japanese classmates.
Her general sentiment is that she doesn't see the use in holding back or hiding her true feelings and thoughts for the sake of pleasing others. It's her sense of sincerity, which gets perceived as egotism by her classmates, that requires her to balance herself out again (and not just in terms of fashion, as she also got into a fight with Koushirou over priorities as well):
She has to find a way not to give herself up while simultaneously not stepping on everyone else in the process - and just like when she got seduced by a princess dress at age 10, things eventually get resolved. Working with Sora and Meiko to create an orange-purple cheerleading outfit, her performance and enthusiasm doesn't just impress her classmates, but help her to reconcile with them. Even though the outfit may have shown more skin than they initially anticipated, it was still a good mix between practical, fun and cute for them to seem more open to the idea of experimentation themselves. This subplot also greatly contributes to Meiko's character development, helping her to get a little bit more confident herself!
To quote Mimi in the English dub here: "Fashion demands courage."
Kizuna, age 21:

Kizuna represents a small shift in Mimi's expressionist attitude - or rather, as she stepped into the world being an entrepreneur, running her own online business, she interprets some of her prior style elements a little... Differently, depending on the situation:
She still loves (short) dresses and will never give up on pink - however, her everyday outfit appears a little different than what we are used to with her. It's still colourful and funky, complemented by earrings and bracelets with splashes of colour. But gone is the cowgirl hat - and the hair she used to wear open for most of the past ten years has been tied back into a (loose) bun. The style is very difficult to describe and even though it's very much Mimi-esque in the way it's individualistic - it looks a little more kindergarten teacher-esque as well. In contrast, her business meeting outfit - a strapless long-sleeve shirt, a black belt and a high-waist skirt in burgundy red - combines familiar elements of Winter02!Mimi and Tri!Mimi.
The epilogue, approximately age 38:
38-year-old Businesswoman-slash-experimental-TV-star-cook!Mimi elaborated on the look of 21-year-old Businesswoman!Mimi - and while her look definitely evolved, she also returned to her roots again, finding a balance between "more traditional" and "individualistic": She's back to wearing her hair open, it's a little shorter and, depending on how she styles it, either wavy or frayed. The pink cowgirl hat is back too - as well as the whole cowgirl aesthetic, because, let's be real, she would always find a way back to it, considering how it had become such a reoccurring theme for her.
Final thoughts (and headcanons):
Mimi being as experimental as she has always been, trying out all the different things - in both fashion and life itself - absolutely stands for her honest, pure nature. She absolutely has her own mind and trusts her intuition a lot - and this experimental yet straightforward mindset will lead her to make decisions in the end: It helps her to learn exactly what she wants/likes and what she doesn't want/like. Go big or go home, don't hide who you are deep down inside!
It's a very progressive, empowering mindset - and so it shall not even come to any surprise that it's mainly (but not exclusively!) female characters she inspires with her way of thinking. Whether it's Miyako who heavily idolizes and wishes to be like her as she blushes and smiles serenely to herself; Meiko who gains a lot of self-confidence through Mimi's support and encouragement and kisses on the cheek, so she bursts through her self-destructive thoughts and gets "out of the closet box" at least a little more; her female classmates who actually adore and admire her school festival outfit and performance; or, last but not least, there is Sora, who used to take Mimi under her wing, and is, as an adult, reassured by her in return to "spread her wings freely" herself. Personally, it's very difficult for me not to see Mimi's influence and general theme as a metaphor for self-discovery in terms of gender-representation and sexuality as well. (I've made similar points for Sora and Koushirou in their respective analysis posts as well; the former is such a strong contrast to Mimi not only in the way their personalities, styles and arcs contrast each other, but in how Sora struggles so much with her own self-representation in return. The latter's temporary crush on Mimi may even play into the idea of self-discovery as well, but that's a topic for another day. Mimi - in my personal opinion you don't have to agree with! - actually has a lot of aroace energy, as she never actively pursues romance herself in the series. But at the same time, the wlw vibes she causes when she's in the same room with other girls cannot be overlooked! Also, not to say that she doesn't inspire male characters - such as Jyou, Koushirou and Taichi - at various points as well, but that's the beautiful part of Mimi's theme: even more empowerment AND power to the bisexual vibe!)
However, as it is often the case with themes of self-discovery, that kind of sincere, outgoing attitude may not be to everybody's liking. It may even cause Mimi's more revealing/emotion-based choices to clash with other people's preferences and ideals. And, as Tri suggests, it may even be controversially considered self-centered and indecent instead of self-confident and empowering by some.
For example, the fact that she spent most of her early teenage years in a - in comparison to Japan - more open society in terms of fashion choices may be met with suspicious eyes among some of her Japanese peers. 02!Mimi did pick more revealing clothes after all, which were typical for Western teenagers in the 2000s - and Tri!Mimi was 100% used to that kind of style, liking to show skin and feeling free and happy while doing so! Which definitely collided with Meiko's more closed-off clothing choices.
(On a different note, it shall not be ignored that she was also the focus of a lot of heavily sexualized/objectified marketing materials back in the Tri era. So while her wearing crop tops, short skirts and high boots absolutely IS a Mimi!thing, Tri's half-naked fan service promo art can and should be taken with a grain of salt. And while it's not exactly linked to her clothes, Mimi had already faced a lot of Digimon (!) back in Adventure hitting on her as a 10-year-old - such as Numemon and Sukamon -, trying to date her in a rather scummy fashion. So her being the center of weird "fan service" and uncomfortable encounters has always been a thing.)
On the other hand, her learning/knowing exactly what she wants also includes her having reoccurring preferences she will always come back to. And thus, as she grew more mature and self-assured, Mimi never gave up on her own personal roots: The comforting power of pink - let's remember: as a mix between red's passion and white's purity, it symbolizes love, nurture and compassion. And, of course, the nostalgic cowgirl hat that will always link her to her literal soulmate - who wears a pink, almost hat-like flower on top of her head.
#digimon#digimon adventure#digimon adventure 02#digimon adventure tri#last evolution kizuna#mimi tachikawa#character analysis
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Okami Amaterasu inspired by Mucha's style
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even more kris designs hell yes! (continuation of this post)
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something i drew for usagi and chibiusa’s birthday a few days ago ^_^
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bro's rizz is being a sweetheart 💘
battle throuple is throupling
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