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[thelockedtome]

love in nona the ninth

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no but that scene where kid Tris bluntly but PRIVATELY reveals to Briar that she KNOWS he can't read- she's known all along-

how he waits for everyone else to start doing their chores for the day before starting on whatever's left, instead of just checking the board where it all gets written up-

she never poked at that

never used it against him. even back when they didn't LIKE each other- him a kid from the streets and her from a merchant family, social oil and water, all their scuffs and tiffs. her temper is hot and her words are sharp

Tris never. not once. mocked him for not being able to read. didn't even mention it

and she noticed. this before the four of them all really grow into being foster siblings, back when they're just four traumatized and thrown away kids plopped down into a cottage with two women who weirdly enough won't stop caring about them-

even back then, prickly Tris paid attention

the offer to teach him comes later- in private- she is NOT embarrassing him in front of anyone else when she talks about it. it's after the four survived almost dying together, a quiet moment alone, when she finally mentions she could help if he wanted

he does. instantly- and it's not hard to see why he's so comfortable with saying yes, now. he wouldn't let on to anyone else, their teachers and guardians, but Tris saw and kept quiet and is asking him

her urge is to share this thing that'd given her so much comfort and strength with someone else who doesn't have that yet. and to do it just for him, no one else to see, just his thing to study with her, something she's happy to make time for

then years later, they are the family bookworms together. sister and brother with more academic interests than their other two siblings. they reconnect so quietly and easily even though they both are maybe the hardest to get along with in general, the sharpest and most likely to snap and lash out. but Tris taught Briar to read without making him feel stupid about it. he grew up and taught HIS student to read, using a lot of the same tricks Tris had used on him

i dunno. it gets to me, is all

[thelockedtome]

Naberious goes from being a jerkwad who makes it everyone else's problem to having his voice silenced by Ianthe in the lyctoral process.

In this essay I will explore how the lyctoral process is an allegory for abusive relationships and how one partner consumed the other...

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I FEEL SO STRONGLY ABOUT THE CHAMBER'S REACTION TO KEL OK

kel is the lump, a stone, the calm surface of a lake- but ONLY on the outside- ONLY to make dealing with people work better

the chamber hammers your weak spots trying to make you BREAK, but KEL, WENT TO THE CHAMBER, AGAIN AND AGAIN, she GREW AROUND it like a TREE

the day came when the chamber had it's chance- to strike her as HARD AS IT COULD

and

there was almost nothing left for it to even aim at

because kel had stuck HERSELF already, had BEEN hammering herself this whole time- had been TESTING herself every step of the way QUESTIONING HERSELF AND asking herself how she could be and do better next time

for the sake of those who need someone when no one sees them as people. for the sake of unwanted animals and overlooked humans- kel became her own ordeal

the chamber couldn't break Kel. SHE broke IT

so it had nothing to do, except make her an ordeal in the real world-

the nothing man, child killer, the promise she will stare evil in the face somewhere somehow, that tantalizing and USELESS knowledge burning her as she is given charge of convicts and refugees and not enough soldiers to defend them and her old desire to be like the Lioness, her inspiration, to go out there and STOP THIS SUFFERING FROM HAPPENNG HERSELF

the chamber jammed this thorn into her heart and THEN it chose to Watch Her out there

as she.... chose people. Again. chose care over glory. everyday duty over heroics. obscurity to wider world- but a friend to a small corner of the world that desperately needed someone to see them, fight for them, and not ever look away... or abandon them

the chamber saw that. it NAMED HER- didn't chose her- didn't make her- gave no gift other than pain to her

but it was glad, to have seen her

Protector. of the Small

gently burying dead sparrows and scoffing at such a silly name

[thelockedtome]

Ladies WHERE is the Juno Zeta/We Suffer fanfic?? WHERE?? Y’all yap about the milves (I love Mercymorn too, don’t come for me when I say she’s definitionally not a milf) but ignore the fact that Zeta was WAYYY too interested in We Suffer’s divorce…and We Suffer calls Zeta an “extraordinary lady.”

all I’m saying is I think they would have explored each other’s bodies if given the chance! let the postmenopausal women get it on together!

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The locked tomb is truly my favorite anime

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Prince Ianthe Naberious experiences gender and body dismorphia

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something i've been thinking about is pyrrha's herald bullet.

pyrrha has one herald bullet, stolen from wake. and there is a moment where she points it at ianthe and tells her that it isn't meant for her. a real jack sparrow moment. move aside, neither of us wants this particular bullet to end up in you.

and then she uses it anyway. she uses it on ianthe to get past her into the tomb. and i can't stop thinking about that.

it was for john, right? pyrrha had one bullet and she can only have been saving it to, at a crucial moment, incapacitate john.

and pyrrha picked nona. like, yeah, you could argue that opening the tomb is more useful to killing john in the long run, but is it really? that "death of the emperor" stuff is mostly a lie. pyrrha knows that. pyrrha of all people knows it's not as simple as "open the tomb, the emperor dies."

and yet she wastes the bullet on ianthe, with no fanfare. fuck it, fuck john, fuck revenge, fuck any plans she might've had. she's gotta save nona. and if that pasty bitch is gonna stand between her and her nono's best shot at survival, then there's no question about it. no hesitation.

and isn't that what all this is about, in the end? pyrrha - jaded, angry, cynical pyrrha - forfeits personal revenge because nona needs help, and she can't waste time.

i'm having feelings about it.

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My opinion on the 'would modern au Harrow be goth or Catholic' debate is that she would be both and it would throw everyone off. She goes equally hard on both of those things and no one knows what to do about it.

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"ianthe ate naberius instead of corona because he's the better swordsman"

that's what she wants you think. that's what she wants corona to think. that's what she wants everyone to think. whether it's true or not isn't even relevant to her. she just won't live in a world where corona isn't by her side. but she probably thinks that level of emotional attachment would be perceived as weak. by others. hell, she probably thinks it is weak herself. so she rather just lie to everyone and herself and make up a logical explanation as to why she would sooner backstab naberius than take the willing cavalier.

people who say she's a maniacal control freak who cares only about herself and how to seize power? almost correct. mostly correct. but not quite.

i just don't understand why someone who cares only about themselves would willingly live under a lie that is barely beneficial to them. and would have committed to it for the rest of their lives if the lyctor trials were never introduced, which was definitely a surprise to everyone, as there weren't new lyctors for thousands of years. UNLESS. she just cared for corona that much.

[thelockedtome]

Based on what Tamsyn Muir said about Alecto “hopefully” being the last book. I wish I could tell her directly “Do it. If the story needs to be longer do it. Hell make an entire book about the Harrow Nova au cause it ties into some later arc. Take up space. Dominate the genre.So many male writers make 5-8 books about some fantasy/Sci-fi world cause they feel like they have the audience’s attention to do so. And to be completely honest Tamsyn Muir has my attention like no other. Like yes girl make me read 3 more books consisting of 500-600 pages. I am sat.

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god i wish there was a way for the fandom to collectively let tamsyn know that it’s okay if alecto is 800 pages, really,

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Me: huh, it's interesting that Muir specifically mentions that Harrow is the 311th Reverend Mother of the Locked Tomb, that seems very specific. I should look that up.

Me: *looks it up*

Me: [loudly redacted cursing]

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311 is one of those special numerology numbers, because Muir loves to layer meaning into everything like she's making an onion.

Specifically, 311 in numerology is what's called an "angel number". (HM)

One in these numbers carries the meaning of new beginnings. (HMM)

Three in these numbers is associated with harmony, balance, and joy. (HMMMM)

Putting this together and 311 in numerology means that change is coming, get ready for enlightenment whether you want it or not. (HMMMMMMM)

(Bonus: 11 is considered to be a powerful number relating to "twin flames" aka two halves of the same soul who've been split apart and straining to come together-- oh look it's necromancers and their cavaliers it's the gnosticism again layered inside all the other gnosticism once more we are an onion) (HMMMMMMMMMMM)

[thelockedtome]

I love how the whole message of the locked tomb is how love is what irrevocably changes people and histories. Love can be given and never taken away. We are all amalgamations of those we've loved before or still do love and it cannot be taken from us unless we destroy ourselves from the inside out and even then they're fingerprints will be left in your mind as proof of their love.

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[sic] is my favorite editorial notation because of its inherent bitchiness.

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I want to continue pushing my 'Magnus Quinn wasn't actually a terrible swordfighter' agenda.

Obviously, he wasn't on the same level as professional duelists Babs or Pro, or soldiers Marta or Jean. He was a guy who did some kind of fencing in high school and then picked it up again in his 30s, presumably with some degree of seriousness.

When Gideon joins the other cavaliers in the training room, Magnus and Jean are sparring. He jokes about how badly Jean is beating him, but he must have some degree of competence for aspiring soldier Jean to find him worth training with. Babs then mocks him for getting beaten by a teenager and Magnus jokes, describes himself as "absolutely no good", and praises Jean's abilities...before giving Babs such a death glare he gets obviously embarrassed.

It's worth bearing in mind that there's some degree of tension between the Third and the Fifth. Babs will have know Magnus since he was small and has almost certainly seen him fight before. But the Fifth, their relationship, and the relative freedom that Magnus has to not be a perfect fighter (because his necromancer values him as a human being) is clearly something that rankles the Third. In TUG, when Ianthe talks about Babs, she explicitly references Abigail and Magnus. And what's interesting is that she makes a comparison not just between Abigail's husband-with-a-sword and her perfect tool to be moulded and used, but also to Corona's aspirations to swordcraft:

IANTHE (Playing a card) She’s not here, so let me be fully honest, Sextus: my sister is not a swordswoman. She loves to wear big boots and wave a sword around, and she looks wonderful doing it, but her actual competence … well, put it this way: she’d lose to Magnus Quinn.

PALAMEDES Magnus Quinn was a cavalier primary.

IANTHE No, I mean Magnus Quinn now.

There's...a lot...to unpack here: the comparison of Corona to the husband-cavalier is intriguing in and of itself on a psychosexual level, as is the contradiction between Ianthe and Corona's own versions of Corona's competence. But Palamedes' response is also interesting, suggesting that Magnus was up to an acceptable standard for a cavalier, which Ianthe's joking response seems to back up.

So Babs' rudeness towards Magnus and Jean may have a lot to do with the internal dynamics of his own necromancer-cavalier relationship and not necessarily be an accurate reflection of Magnus' abilities.

Likewise, Judith's comment in the Cohort Intelligence Files that the Fifth is 'undoubtedly chagrined" to have "schoolboy fighter" Magnus representing them had to be read against the fact that we know from the Sermon on Necromancers and Cavaliers by Second House stooge M. Bias that the Cohort has a very low opinion of unranked "social cavaliers". And Judith Deuteros may have her own reasons for being disdainful of a cavalier who is so...cavalier...about his intimate relationship with his adept.

Magnus' own self-deprecating comment on his ability is:

"I didn’t get to be cavalier primary due to being the best with a rapier. I’m cavalier primary only because my adept is also my wife. I suppose you could say that I—ha, ha—cavalier primarried!”

But again, there's a difference between becoming cavalier primary because you're the best sword fighter and getting up to a vaguely competent level once you've become cavalier primary (guys in their 30s with high powered jobs tend to be scarily into their hobbies...) He is definitely the worst cavalier there (or would be, if Pro were actually alive), but on a general standard he probably isn't as terrible as people like to joke.

Another important bit of context here is that all of his comments about his own ability occur in the context of Corona trying to get him to fight Gideon. The shy, silent 18 year old from the cult planet whose practice of cavaliership is generally acknowledged to mostly consist of carrying buckets of bones.

She gets paired with Magnus because they assume she's not going to be much of a fighter and Magnus - neither a professional duelist nor a soldier - would therefore be the fairest opponent. Magnus is clearly uncomfortable. And Gideon is certainly Intimidating. But when you consider that most of his previous interactions with her have been trying to coax her out of her shell and clearly feeling rather sorry for her, his comments take on a bit of a different tone.

Does Magnus worry Corona has dragged along this poor kid out of interest or curiosity, and that she's going to be humiliated and never want to interact with them again? As Corona says “Come—Gideon the Ninth, right?—why don’t you try Sir Magnus instead? Don’t believe him when he says he’s rubbish. The Fifth House is meant to turn out very fine cavaliers," Magnus is politely dissembling, telling exactly the sort of jokes that would appeal to a teenager.

As everyone else mocks or is intrigued by Gideon's knuckle-knives, Magnus is trying to look her in the eye through her sunglasses, bewildered that she doesn't know to take off her robes or glasses to fight and then...suddenly realising that she is dead serious and perhaps he has dramatically underestimated her.

After his defeat, we hear him saying to Jean "I'm not quite that out of form, am I?". Gideon's abilities were totally unexpected: she severely tests a top duelist like Babs, and Magnus is surprised to be beaten in three moves. That suggests he's been holding his own rather more comprehensively in previous sparring.

And while he certainly wasn't up to Gideon's standard, he may have managed to draw his sword before Cytherea took him out...

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to me, the funniest thing about “that’s rough buddy” isn’t the fact that sokka says something patently insane with zero context seemingly out of nowhere, or the fact that zuko clearly doesn’t know how to respond. it’s the completely incorrect use of the word “buddy.” zuko would obviously like to be friends with sokka, but sokka is not, in fact, his friend. this is the most time they’ve ever spent together, and it’s because zuko invited himself to tag along on sokka’s suicide mission. at this point in the episode, sokka still hates this guy, perhaps less than he did a week ago, but he still hates him enough that he didn’t bother forcing zuko to stay home, which means he still didn’t really care whether or not zuko lives or dies. which, considering that he had tried to kill zuko multiple times in the past, is not all that surprising. this entire episode is essentially just zuko forcing his friendship onto sokka while sokka is legitimately too depressed to care. so when zuko calls sokka “buddy,” there’s a spirit of dogged optimism characterizing that epithet, because in no possible realm would sokka consider zuko his buddy at this point in the episode. and that’s something we miss when noting the iconicness of this exchange, simply because, by the end of this episode, they are buddies, so in our minds looking back on these lines, the implication of friendship doesn’t feel out of place at all. and really, it isn’t out of place, but only because zuko’s tenacity and determination (in this instance, his determination to befriend sokka) has always hugely outweighed his ability to read the room.