thesxmplelife

[thesxmplelife]

A vinyl record close-up!

[http://bit.ly/2fus91z]

[thesxmplelife]

[thesxmplelife]

Prince being chased by girls

[thesxmplelife]

Love

Cash Out - WYD (SXMPLELIFE Bootleg) [MP3]

[thesxmplelife]

enjoy

[thesxmplelife]

New Music Soon

https://soundcloud.com/thesxmplelife

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***NEW*** BOOTLEG

T.I. - Rubber Band Man (SXMPLELIFE Bootleg) [MP3]

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NEW BOOTLEG

Lloyd Banks - On Fire (ft. 50 Cent) (SXMPLELIFE Bootleg) [MP3]

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Trina - Don’t Trip (ft. Lil Wayne) (SXMPLELIFE Bootleg) [MP3]

very rare video

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SXMPLELIFE has been bootlegging again.  Trina and Weezy F Baby's (say the 'Baby' if you feel like it) “Don't Trip” skips past Mannie Fresh's blubbering original into a strumming howl.  Without tainting the vocals, SXMPLE revisits Trina's hit through the dark shatters of a thick cloud.    

SXMPLE borrows the levity of Harry Fraud's “Bird On A Wire”, instrumental, harping a distant flute.  Standing on one leg, meditating over a dark forest, SXMPLE flattens a stillness throughout the bowl of his instrumental.  A pinging bass rumbles a flicker into the trees, suspending Trina’s hair over a hushed//windy embrace.  SXMPLE’s hi-hat shake peppers drum slaps, creating a texturized experienced.  He loops a methodical reflection around Trina and Weezy’s hood-hoppin original, completely reimagining this classic track.  

SXMPLE has been focusing his efforts on tightening his imagination around tracks that already have a long history, demonstrating his important capacity to expand on already-established work.  He has a unique ability to understand the history of a track in order to push it to the place it would’ve wound up in our current era.  There are no glitches or missed opportunities, SXMPLE perfectly tunes a new story into “Don’t Trip”.  

TRIP : 

ORIGINAL : 

Don’t Trip (feat. Lil’ Wayne) by Trina on Grooveshark

-CUTT CZAR (HERONALD REAGAN)

FORMERLY KNOWN AS : FRANKLIN WEATHERFIELD AKA DENZEL SPLASHINGTON AKA PATOIS VUITTON AKA CHUCKDEGAULLE

[thesxmplelife]

CHECK OUT MY SONG "BE FOREVER" IN THIS AMAZING COMPILATION

***EXCLUSIVE***

We are delighted to give everyone our second volume in the amazing producer trilogy, Madness. Madness Two, features a bevy of talented and amazing producers from all over the place, and we love it. I hope everyone will like it as much as we do and I want you guys to enjoy....

[thesxmplelife]

YES

Cam’ron - Hey Ma (SXMPLELIFE Bootleg)

[thesxmplelife]

NEW BOOTLEG

Camron ft. Juelz Santana - Hey Ma (Sxmplelife Bootleg)

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OMG!! DOWNLOAD LIL B “100% PERCENT GUTTA” MIXTAPE!! THIS IS A HISTORICAL DOUBLE DISC COLLECTORS ITEM!! 34 BRAND NEW SONGS FROM LIL B FEAT THE HITS “PINK BANDANNA PARTY” “DO IT” PRODUCED BY LIL B “COMIN UP” “TWERK LIKE MILEY” AND MORE!!! THIS IS THE RAWEST MIXTAPE TO BE RELEASED!!! TO DATE AND RAWEST PROJECT TO BE RELEASED ON THE 18th ! - Lil B

DOWNLOAD HERE

http://www.datpiff.com/Lil-B-The-BasedGod-100-Percent-Gutta-mixtape.497887.html

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NEW BOOTLEG I DID ENJOY

J-Kwon - Tipsy (Very Emotional) (SXMPLELIFE Bootleg) [MP3]

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BLEU DOPE’s T-Bruin comes out with his first video since making his (permanent) trip from Atlanta.  “R.I.P Peace” is off of his upcoming tape The Big Bruinski, and was filmed in the six-mile radius encompassing Harlem’s Courtney Callender Playground and Chelsea’s Highline Park.  Myself and Joe Cruz were invited to the day-long shoot, perpetually unsure of the narrative that Bruin and his BLEU DOPE guardians were weaving throughout the day.  After seeing the finished product, though, it’s impossible to deny the deliberate vision.  

With this video, Bruin emerges as a man whose passage is certain, but whose ends are not.  Potentially an allegory for his life, the commodious emcee traces his passage from Atlanta’s Zone 6 to Uptown NYC.  But that’s the surface, obvious, short-sighted view of the trip he takes in this video.  And although it may seem simple in its imagery, a complexity lies beneath Bruin’s bleu-filtered track.  This composition, of stories encapsulated, folding into themselves, carries from Bruin’s (self-produced) instrumental to the images themselves.

Bruin opens with lightly-tapped, concave chimes, rewinding droplets of soothing showers.  Lopsided booming drums follow, inebriating listeners into a dazed knock.  We hear a thoughtfully uncalibrated surface hide an amity of fantastically-rendered jingles.  With two characters, a schizophrenia threatens to set in, but Bruin’s careful manipulations wrap these personas together.  He does this by including a windy confusion, swirling around the entirety of the track, giving us pause, unable to judge the direction Bruin’s allegory will choose.  Its perpetual motion brings us through the layers of sound, poised to follow either persona.  Unforgiving, Bruin takes this opportunity to lay subtly revolutionary bars about parolees, penny-pinching, social disparities, an inability to relate to the paper-cha$e, taking to the streets for what you believe in, and being a “Hippie with OG tendencies.”  

But leave your thoughts on “conscious rap” at the door.  This isn’t that.  This is pure Bruin.  Pure thought.  Pure empowerment.  Not once does he lay claims of superiority.  Not once does he try to format a way of life, or boast an unearned strength.  His humble demeanor forces listeners to hunker down close to his words, close to his actioned flow, close to his story.  Bruin’s peppered ad-libs grittily hold back the intensity he spits with, completing the leveled (but not level) character he develops here.  And although I certainly have a theory on what this video is meant to tell us about Bruin’s personality, I’d rather leave you with questions.

Who came to Bruin’s door in the first few seconds?  Who are his blue guardians?  Are they guardians at all?  What was the significance of the blue orbs following many scenes? With shots of the city as he plunges into water, does he carry his final moments to an assured death?  If you don’t know, watch again and again and make up your own meaning.  

It’s all Bruin could ask for.  

-CUTT CZAR (HERONALD REAGAN)

FORMERLY KNOWN AS : FRANKLIN WEATHERFIELD AKA DENZEL SPLASHINGTON AKA PATOIS VUITTON AKA CHUCKDEGAULLE 

[thesxmplelife]

AMAZING WRITE UP. THANK YOU

I got home, knowing new Ja was coming out on Hot 97.  Funk Flex made me listen to the first 20 seconds on repeat for about 15 minutes.  Those few strings are burned into folds in my brain.  For a moment, let’s forget what 50 Cent did to Ja Rule’s career.  Let’s forget how Ja didn’t make it better for himself with Cadillac Tah and Irv Gotti as backup.  Let’s forget that he talked about Eminem’s Hailie.  ”Clap Back” was a beautiful track, 100% a hood classic.  Every DJ wanted to scream over that track.  And when you listen to SXMPLELIFE’s remix, you’ll remember the importance it held.  I included the original below.

Way to soften this track up, SXMPLE, though.  The street classic gets put in the microwave with marshmallow puffed strings and shines.  SXMPLE keeps enough drums and bass to retain the memory of the hood, but manages to coat it with a believable spray of indy vibes.  He revisits the atmosphere to forge an elevating track, steadily reminding us of love(s) lost and chances missed.  Really describes Ja’s career in a powerful way.  Any time an artist can flip the aura of a track without violating its impact is impressive.  

By refocusing Ja’s intensity in a new space, SXMPLE gives us a reference-heavy sound without a sample form the original.  We are transported by the track’s energy, perfectly tuned by the Boston native.  

***SXMPLE Uses Ja To Shout His City Out At The End. Say Strong Boston***

LISTEN/DOWNLOAD : 

ORIGINAL : 

-CUTT CZAR (HERONALD REAGAN)

FORMERLY KNOWN AS : FRANKLIN WEATHERFIELD AKA DENZEL SPLASHINGTON AKA PATOIS VUITTON AKA CHUCKDEGAULLE