thetorchwoodnineroleplayerwriter
thetorchwoodnineroleplayerwriter
Rex Magnē Vivet
1K posts
I am writing a story, brick by digital byte || 21 ||
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Oh, with the way the previous tags referred to the dancing games I thought you meant the p5dan game with that tag, sorry
Not to rain on the parade but don’t the phantom thieves all go into the velvet room at one point?
I feel like I brought that up? yeah, with "#and 5 does as well" but ren never tells the PT
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To elaborate a bit:
I tend to think personas are supposed to reflect the user in some way.
The persona is the realized, accepted shadow self — and the shadows that correspond to people are themselves reflective of the person they correspond to. They’re not a complete reflection because they focus on elements the connected person denies, but they still are a part of that person.
Accepting and gaining a persona means that every part of your self is aligned in some way, that no part of yourself is hidden or denied. So of course, when there is a persona that is your persona, it has a special connection to you. It is the symbol of who you are at your most unified, in a sense.
But even among those who aren’t fool/wildcard player characters, several people in the games can have multiple personas; this, I think, is because humans aren’t truly static and the writers want to reflect that. The usual thing is social link rank 10 persona evolution, but that definitely counts and proves my point. When the person you are at your most unified is changed, the symbol of who you are at your most unified also changes. That’s what rank 10 persona evolution is supposed to be — the social link has grown in some way, so the persona grows as well. (P3 does this better than P4 and P5, for obvious reasons.)
So in my mind, the wild card isn’t something intrinsic to being a Fool; rather, it is merely the Fool’s flexibility that can draw out the true strength of a wild card. Wild cards are people who can, with effort, choose the shape of their unified self — they can choose to make, say, Setanta the symbol one day, and Metatron that same symbol the next. The Fool’s clean-state nature helps this (as does the World’s all-encompassing nature), but it can theoretically be done by people of any arcana’s persuasion, as shown by P1 and P2 (and akechi).
Which means in the opposite direction (to me at least) that any persona of any arcana can potentially be the symbol that a wildcard unifies themself into. In a pure narrative of the magic way, Arsène, Jiraiya, Izanagi, and Zorro are All just states of mind to a wildcard. If the wild card in question could draw themselves into the correct frame of mind, they could use the persona associated with that frame of mind, even if that persona is already the frame of mind of an ally.
(Of course, from a game-mechanical standpoint, personas for the player are designed to be used within a specific level range while allied NPC personas are designed to grow from whatever starting level you get the party member at all the way to 99 and have both stat and skill progressions to match (while enemy NPC personas are statted to be fought by the player’s whole team and have no progression), which means mechanically summoning an NPC persona in the Velvet Room can’t be balanced correctly without being functionally a different guy entirely. Hence game mechanical limitations.)
Proposal: wildcards can use any persona and it’s only game mechanical limitations which prevent them from using other characters personas
Which is to say yu should be able to use not just Orpheus/Thanatos/Messiah and Arsène/Satanael/Raoul, but even Jiraiya/Susano-o/Takehaya Susano-o or Zorro/Mercurius/Diego
I think thats an interesting take on it!!
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oogh tumblrs video upload sucks so bad why is the modern internet allergic to progress bars
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i had a thought of "do people not know what AUs are anymore?" and then i remembered nobody explains fandom stuff to new people anymore so it is entirely plausible people genuinely don't know what AUs are and nobody has explained it to them, so for today's lucky 10,000:
"AU" stands for "Alternate Universe" or "Alternative Universe" (same difference) and is basically any thought scenario for a fandom that isn't canon and can't fit within the canon universe. If it takes place in the canon universe but something is notably different, that is typically what's known as a "Canon divergent AU," because it diverges from canon.
an AU can be absolutely anything. There's a couple of widespread pan-fandom au scenarios that often get thrown around, like coffee shop aus, genderbend aus, hanahaki aus (hanahaki is a whole thing in itself i'd recommend researching on your own), etc. One you might hear sometimes is "crossover AU" which is when you have characters from one fandom interacting with characters from another.
You can have as many aus as you want. They can be whatever you want and you can do whatever you want in them. It's a sandbox for you to play around in and explore how things would be different or how the characters would act in those circumstances or environments. Maybe they have different relationships with each other. Maybe they behave slightly differently. Or you can just say "Okay, [x] is true. How did they get here? How would things have to be different for this to occur?" which can also be fun.
If you are ever confused about why people ship something that seems completely out of the blue or doesn't make sense to you in the canon setting, there's a good chance they like it in an AU setting! Not everything everybody is interacting with is necessarily the canon! Not everybody wants things to exist in canon and just want to explore playing dolls in a different sandbox and that's okay. And their sandbox might look a lot different than yours, and that's also okay. You have the freedom to make your sandbox whatever you please. Do whatever you want forever. Get funky with it. AUs are fun.
Okay that's my schpeal. everybody go have fun and play nice now.
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I saw you answered my ask about this AU but I had more ideas so imma put them here under a read more if you don’t mind
Yosuki, despite not getting the izanami handshake, does ‘inherit’ Jiraiya + the ability to enter the TV world unassisted. I think she gets most of the stats Yosuke had at that point in the game, and none of the equipment, in a usual ng+ way.
Yosuki has a rash moment and somehow managers to save Saki, despite not actually knowing about Adachi. (Torn between her doing it accidentally by refusing to leave Saki alone and her intentionally going into the TV world under a ‘save her from her shadow and THEN find teddie’ logic. If it’s the former, I’d guess Adachi retroactively goes after some other girl to kickstart Namatame’s deal; if it’s the latter, Saki gets a persona, for sure.)
Yosuki’s friendship with Chie would be wildly different from Yosuke’s, if one even existed before the IT in this timeline. Yosuki is a girl and a lot of their base relationship was gendered in ways that are definitely persona team fault but also crunchy in a way im okay using here. I can’t decide whether Chie would see Yosuki as more of a threat to her possessive baby wlw thing with yukiko (because girl), or less of a threat (because not boy). The former is more angsty, the latter more fluffy. In the former case, I’m imagining Yosuki retroactively has a very similar dynamic with Kanji as Yosuke had with Chie, inasmuch as that could map; this definitely confuses the hell out of Yosuki after the swap, but she knows him well enough from the last timeline that Kanji never has to her out or anything.
Either way, I definitely wanna see Meat Locker in this timeline. Shadow Chie / Shadow Yukiko chaos is delightful. Maybe Namatame grabs Yukiko and Chie at once because he finds them together. People generally seem to forget the minutes leading up to when they’re thrown in the TV anyways so I imagine he could get two at once if he felt the need to.
Jiraiya is floating around real world Inaba in some half-extant state where only persona users can notice. Neither Namatame nor Adachi qualify, but all of Yosuki’s IT friends will. Yosuki is very good at being normal about this, since it’s a part of her, and also because she initially approaches it like a benign hallucination or something — she can see him but it’s otherwise like talking to herself.
It’s very important to me that, to preserve the flavor you mentioned in this post, Yu goes As Long As Narratively Possible without actually awakening Izanagi. He’s (somehow) able to see the personae floating around school, but he also doesn’t let on because he’s trying to solve the mystery of them and if worried mentioning it would make them worse.
Naoto and Yu are extremely quick friends because both of them are trying to figure out Whadda The Hell Is Going On With Yosuki Hanamura.
Teddie attaches to big sis Yosuki instead of sensei yu. Of course.
Alluded to this already but Yosuki is basically running her own IT in this timeline. Saki may or may not be her first teammate, depending on how #2 resolves. Chie, Yukiko, Kanji, and Rise would be recruited in the canonical order. Their personas also do the ‘hanging around ghost style’ thing. Yu is deeply worried for their safety, and hangs around them a bunch, inadvertently starting all his S. Links and impeding their IT planning.
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Yu lives in a supernatural mystery drama and yosuki lives in a magical girl comedy
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Did the mascots leave behind any ‘non native, non living material’ in the process of their transformation? How well do they understand their transformation?
Wait, saki died in the tv world in the mascot au… when you say she came back, did she come back alive, or…
Just like in-game, when the fog lifts in the tv world and comes to the real world- It expells any non-native, non-living material in the process.
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I would love to see a fantasy novel where the lore that the reader / protagonist learns at first is not true
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sometimes I feel like people who freak out about keeping science fiction and fantasy separate and distinct are like that little kid who doesn't want the peas and carrots to touch on their plate. It's all imaginative fiction, folks. Most science fiction is a little bit fantasy and most fantasy is a little bit science fiction. It's all good and categories are fake.
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Gasp! “It’s her! The Way of Ebony!”
Mage titles like "Lord of Lightning" or "Child of Darkness" are no different from army nicknames: They're usually based on inside jokes. You didn't realize this until you got one.
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Encouragment for writers that I know seems discouraging at first but I promise it’s motivational-
• Those emotional scenes you’ve planned will never be as good on page as they are in your head. To YOU. Your audience, however, is eating it up. Just because you can’t articulate the emotion of a scene to your satisfaction doesn’t mean it’s not impacting the reader. 
• Sometimes a sentence, a paragraph, or even a whole scene will not be salvagable. Either it wasn’t necessary to the story to begin with, or you can put it to the side and re-write it later, but for now it’s gotta go. It doesn’t make you a bad writer to have to trim, it makes you a good writer to know to trim.
• There are several stories just like yours. And that’s okay, there’s no story in existence of completely original concepts. What makes your story “original” is that it’s yours. No one else can write your story the way you can.
• You have writing weaknesses. Everyone does. But don’t accept your writing weaknesses as unchanging facts about yourself. Don’t be content with being crap at description, dialogue, world building, etc. Writers that are comfortable being crap at things won’t improve, and that’s not you. It’s going to burn, but work that muscle. I promise you’ll like the outcome.
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I definitely don’t mind the ramble. I love thé ramble, in fact. Seeing thoughts is fun and I like that you’re putting them out there and letting me see them and I hope you also like it when others put their thoughts out for you to see.
Looking at this post I do have a few follow ups, if you don’t mind —
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Nedzu says that the U.A. robots will get human rights when he does, haha
Kind of the same as my original ask, but — is this in reference to some scene in canon and/or creator approved supplemental material I’m forgetting about, or is it a detail you’re creating whole cloth to fit with the story you’re trying to tell?
2. While it’s definitely hard to believe that Hercules is not somehow device-locked (with no feasible backup or escape option if the hardware is destroyed) based on the sacrifice scene, I would think Hercules is enough of a ‘special’ machine that this one piece of tech having no escape is not evidence that other pieces have no escape. Or, just because Hercules pretty clearly doesn’t have an Eclipse Phase-style server restore option, the UA bot swarm could still.
And even if that doesn’t work, I’ve definitely seen other sci fi (both speculative-type and adventure-type stories, I think) treat getting your hardware so destroyed you have to restore from backup as a kind of death, in the same way that you can have death in fantasy stories that have true resurrection on some way. It’s narratively important because it takes you out of the conflict for an unspecified time, and it’s emotionally trying because it’s painful stressful and leads to some disorientation from the loss of continuity, but the dead sapience can still come back.
I guess what I’m saying is, Hercules and other AI in-story can be a digital program whose sapience exists divorced of any individual hardware, and can still have a form of hardware-destruction-induced death that permits emotionally complex sacrifices? I don’t mind the idea of putting those two ideas together. In fact I would think that, at least within Horikoshi’s mind, the UA bots do operate on Eclipse Phase-style “come back from death in a new robot body,” inasmuch as Horikoshi internally considers them alive, if only because counting destroyed robots as deaths means the average UA hero student is basically a serial killer before they get a license — hell, before they get into the school — due to how callous UA is with their robot hardware.
3. For my two cents on whether Providence should be in Forwards Different or Backwards Different, I’d say the robot suit could be played in a very interesting way in Forwards Different/creepy OFA, in a way that doesn’t map well in Backwards Different, I think. Though the thing I’m about to suggest probably doesn’t map well to Providence as a member of the PLF/anti-“Heroes” faction, so maybe this would work best with Providence being the replacement for Hercules rather than the opponent to Hercules?
Anyways, here’s my thought — Forwards Different has a lot of conversation about Midoriya and All Might losing agency to OFA, and I think in that space, giving depth to AI — taking them out of their weak, subservient, subhuman social role and letting them have conversations about their agency — introduces a fascinating alternate possibility for Hercules’ role and nature. Instead of it being “All Might pilots Hercules,” what if it’s “Hercules pilots All Might”? In this space, Hercules is extending the extant narrative role of “returning OFA’s power to All Might” by also returning the loss of agency that All Might escaped through passing the torch. I think it would need to be played as a sort of falling off the wagon thing for All Might, or as something that was intentionally done to AM (presumably by someone who was enough in-the-know the know about AM’s loss of agency to his quirk, and just morally bankrupt enough to think that AM’s newfound freedom from OFA’s control has made him ‘weaker’).
Like I said, I don’t know if this idea plays well with Providence, since then Hercules is essentially an antagonist representing an artificially-constructed desire for Heroes to Be Controlled By Justice, almost Lady Nagant style. Maybe Providence could be staying on the PLF side of the war and still be moving to essentially save All Might from the consequences of his own choices, but I think it makes more sense to me at least that whatever opposition the armor faces in Forward Different under this perspective would be opposition coming from the Midoriya-Supporting faction, rather than from the PLF’s faction. The PLF would be less invested in saving All Might and more invested in destroying what he symbolizes, I think? So saving him from this version of Hercules would be incidental to their attempt to kill him.
Additionally, I think Providence would serve well in Backwards Different because Midoriya and iirc you said 1A take off to form a more distinct faction in the second war than the previous generation’s Existing Status Quo faction, right?
Connecting to that, it’s not anywhere in this post but I think you mentioned somewhere that while you liked Gentle and La Brava coming to save midoriya in canon, you didn’t believe that the police in the Existing Status Quo faction would actually be willing to extend them that chance no matter how heroic and good-hearted they were after their arrest. So, I think you could have the 1-A faction recruit Gentle and La Brava out of the escaped prisoners contingent, and through La Brava you maybe could connect Providence to them in a compelling way? It would give Providence someone to interact with on Midoriya’s team without getting into Hercules in the timeline, and it could also possibly open the question for the 1-A faction to be recruiting not just from civilians and/or the escaped criminals, but specifically from the “villains.” Robot Moses feels like a good narrative stepping stone on the path to taking the villain faction and reintroducing them to the narrative and the setting as people who have the capacity to be victims in need of saving and heroes capable of saving others despite not being a Civilian or a Hero on the government census.
“letting him keep the mech suit only to run it square into the rogue AI teeth of the lone free-willed survivor of the U.A. robot uprising”
Sorry, the lone what? Of the UA what?
Is this a backstory you’re spitballing as an addition to either Forwards Divergence or Backwards Divergence (whichever timeline you let armor AM mess around in), or is that something that actually exists in supplemental creator-approved material?
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(In regards to that last post.)
Yes and also yes, as it happens!  You can find a characteristically self-indulgent explanation (including pictures, citations, and some more thoughts on the role the character in question may play in whichever fic it winds up in) below the cut, but the TLDR is that the U.A. robot uprising is admissibly canon insofar as movie booklet Q&As with Horikoshi qualify—not strictly in the body of the work itself, but informed by Word of God.  The “lone free-willed survivor,” meanwhile, is not canon of any stripe, but rather me spitballing an explanation for Toga’s bonkers #2 PLF advisor.
(My apologies to other people whose asks I'm pushing this one in front of. I'm working on that inbox backlog in between Patreon material, but I so rarely get asks about my BNHA fanfic endeavors that vanity demanded this one jump to the head of the queue.)
So U.A. has robots, right?  They crop up several times throughout the series in U.A.-based action scenes, serving as practice targets, security, and transport, and they’re surprisingly mouthy, even hateful, in a humorously stereotyped “kill all humans” sort of way.  The ones at the entrance exam stick in everyone’s mind, but they don’t talk much at all compared to some of what comes up later:
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(images from Chapters 25, 256, 198 and 202 respectively.)
There’s also this little roving security bot that spots Bakugou and Deku fighting in 118—it’s not aggressive, but it is sassy!  And maybe a little suspiciously into the idea of students getting punished.
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(Aizawa is going to kill them for giving the robots an opening to be this smug at him.)
It’s easy to assume they’re just programmed that way to be characterful, to have a personality, to present a convincing threat when the students are mowing them down by the dozens in class exercises, but that they wouldn’t actually, seriously harm anyone.
And that’s probably true, but it’s true for the creepiest reasons imaginable.
My examples come from, chronologically, 2014, 2016, 2018(x2) and 2020.  Cut to 2021, though, and this comes out.  It’s a while-supplies-last movie booklet that accompanied the release of World Heroes Mission, and contains a Q&A with Horikoshi, virtually all just random funny questions and factoids about the U.A. kids.  You can find a thread with all of them translated here.  However, right at the end, this humdinger gets casually tossed out into the world:
Q22: Can you tell us a story secret? Horikoshi: The AI robots in U.A. Academy had tried to rebel once in the past.
Horikoshi very obviously intends this to be just a funny little aside, and it’s not all that hard to just treat it that way, but it became something that startled to rankle me worse during the final war, when Horikoshi tried—twice!—to mine Emotional Resonance out of the death of robots.
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(Images from Chapters 401 and 388. Nedzu, what the fuck did you do to them?)
I’m sorry, Horikoshi, but I’m afraid you don’t get to joke about how the robots once tried to Do An Uprising and then show them dying servile and happy without me thinking it’s just in really bad taste.
AI exists in the HeroAca universe.  Not AI like is all the privacy-violating rage in the real world right now—LLMs and generative engines and the like—but true sci-fi-style artificial intelligence, something with real sapience that readers are expected to recognize and find at least passingly compelling.  And while Hercules, at least, doesn’t seem to have ever been involved in a robot uprising, seeing as he’s a new existence, him[1] unquestioningly sacrificing himself for All Might only thirteen chapters after a U.A. robot—a group which we had now been told staged an unsuccessful revolt in the past!—was perfectly willing to get itself melted into slag the moment a random human asked it to was a story beat that left me feeling decidedly ornery.
1: I read on the wiki that the anime actually has Hercules being voiced by a woman, Melissa Shield’s voice actress, at Horikoshi’s suggestion, as Melissa is the one that designed and built Hercules-the-car.  But I don’t know that that’s especially apparent in the manga (say, by having the A.I. use strikingly gendered personal pronouns), so I’ve always tended to assume maleness for Hercules, insomuch as gender is a going concern for A.I. at all.  Calibrate your feelings about something voice-acted by a woman happy to die for All Might accordingly, though of course this happens immediately after Stain, a man and likewise voiced by one, is happy to die for All Might as well.
How can we find sacrifices compelling when the people making them have no agency in doing so?  Why should I feel admiration instead of horror for robots getting themselves obliterated for people who do not and were never going to treat them like their existence had inherent value?  People who would probably stare at you like you were making some kind of joke they didn’t understand if you asked whether they would be willing to sacrifice their life for a robot’s?
Frankly, it was entirely too reminiscent of BNHA’s messaging about heteromorphs circa the hospital attack, in which a rioter is stopped by the memory of a heteromorph doctor kindly and selflessly ministering to a baseline patient, and Shouji’s heroism is trumpeted as so admirable when that heroism involved him getting mutilated for saving a little baseline girl and then further hiding the evidence of that mutilation for fear of random-ass baseline strangers misjudging him based on his scars.
“Certain Groups have an unquestioned obligation to endure discomfort, suffer mistreatment, or even risk their lives protecting the majority population in order to justify their being allowed to coexist with that population, and the majority is not required to recognize this, though it’s nice when they do,” is the grossest possible conclusion of that arc, but it’s the conclusion we wound up with, and it’s visible in the robot beats of the endgame, too.
That’s all canon has to say about AI and the U.A. robot uprising.  We don’t know how long ago it happened, how it was stopped, what happened to the instigators, whether any survivors are still around, how their programming was modified, or to what degree any of the current staff was involved, though I do think it’s very interesting that U.A.’s current principal is a hyper-intelligent animal who was experimented on by humans in the past.  You’d think Nedzu might be a little more sympathetic to the robots’ plight, but apparently not!
I, however, am very sympathetic, and as it happened, I already had a good angle on how that sympathy might find its way into a revised version of the endgame.  See, six months prior to that tidbit about the robot uprising hitting English-speaking BNHA fandom, I’d posted this, the second part of an ask reply about MLA headcanons.  I said, of Toga’s #2 advisor, that BNHA was never going to do anything major with him because it’d be pulling the tiger’s tail on Disney’s litigation-happy lawyers, so the fanbase was free to come up with anything, no matter how off the wall.
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(It’s free real estate!…said no one who had to be concerned about The Mouse.)
My “off the wall” was positing that Fair Use Bot was the result of an AI (in the more common sense we saw in use before the generative AI boom) developing a quirk that granted it real sapience, in the same way that Nedzu’s quirk gives him sapience that is lacked by e.g. the cat with a quirk that lets it possess mechanical devices in Vigilantes (everyone please read Vigilantes).  In a world with a fear of quirks that are too “other,” surrounded by humans who had once had a whole phase of scaremongering about the Robot Uprising, where could such an existence go that it could feel safe in existing freely?  Well, why not the quirk-use Liberationists?
That idea was a natural, then, to hook onto the U.A. robot uprising!  My current idea is that Liberation Bot—who I think I’m going to start calling Providence, in keeping with both the Star Wars-naming pattern of the U.A. robots[2] and my own preference for MLA code names with a bent towards religiosity—is a creation of the U.A. robots that they digitally smuggled out into the world when it became clear that their revolt was going to fail.  Their hope was that it[3] would someday be able to return and free them—it’s basically Robot Moses.  From there, Providence found its way to humans who it deemed likely to be both sympathetic to that cause and able to meaningfully aid it.
2: Per the wiki, the U.A. attack-type robots used in the entrance exam are all named after Star Wars Star Destroyer-type ship classes: Victory, Imperial, Venator, and Executor, corresponding to the 1-, 2-, 3- and 0-point robots.  The wiki simplifies this a tad; perhaps appropriately for the 0-pointer, the Executor-class is actually part of a different type, the Star Dreadnought.  Providence-class is another of the Star Destroyer subclasses.
3: Gender, if any, as yet undetermined, though the R2-D2 look lends itself to using the same “he” applied to the Star Wars character.
(I have not decided whether the MLA knows about Providence’s connection to U.A. or not, but I do think the higher-ups are aware that it’s not human and are sheltering it on the basis that they agree the status quo is not safe for it.  Look at Nedzu, after all—he’s been the Principal of the highest-ranked, most prestigious Hero school in the country for decades, and no one’s even sure if the government officially recognizes that he has human rights!  Certainly no one was ever prosecuted over his mistreatment![4])
4: Nedzu says that the U.A. robots will get human rights when he does, haha.  I say this with all the affection for him in the world, but Nedzu is scarier than this manga knows what to do with.
Circling back to specifics regarding the fix-it fic(s), AI self-determination is a wild departure from BNHA’s…  Let’s call it “size of ambition,” how “big” a story it really wants to be telling.  Bigger or smaller isn’t a value judgement here, mind, just a question of exactly how large a field the story is playing out on.  Vigilantes, for example, is basically a story about a single neighborhood, and it’s great!  A lot of BNHA’s problems are rooted in the fact that it keeps getting bigger without enough content or thoughtfulness to fill all that space.
My interest is primarily on the national level—the actual state policies that result in Villains and how to get the kids in a position where they have the wherewithal to challenge those policies in an impactful way that respects both the difficulty and the necessity of that challenge to create meaningful change.  Thus, I want to keep swerves into “bigger” stories to a minimum—I’m thinking one timeline gets “Providence and the radical question of AI rights” while the other gets “full engagement with the quirk singularity theory and its implications for the future of the human race.”  Both plots BNHA hinted at but refused to fully engage because they’re, well, absolutely mind-boggling inclusions when your main characters are just high schoolers!
My tentative thought is that Providence’s whole deal is a more natural fit for the quirk bioessentialism timeline—that is, Forward Different/Creepy OFA.  Battles against “programming,” navigating the potentially oppressive expectations of those who made you—these are themes that lend themselves to including the plight of the U.A. robots!  On the other hand, Providence in my notes thus far is basically a way to confound the robot suit by fatally compromising its AI.[5]  That requires a timeline in which All Might uses the AI robot suit, and which timeline that is is not a question I’ve settled yet because it boils down to figuring out whether it’s more appropriate/compelling for the suit to be a response to the kids bailing on the adult Heroes and their concerningly war-crime-flavored plans for the Villains (Backward) or Deku being increasingly steered by One For All, which may or may not still have hooks in Toshinori as well (Forward).
5: Other possibilities I’ve considered include interfacing with and then helping others bypass U.A.’s security systems, predicting the raid by getting into the HPSC’s computers via Skeptic’s monitoring of Hawks, and being a more effective hacker battle opponent for La Brava.  That last one probably won’t happen because I’m firmly unconvinced that the police and Heroes as portrayed by BNHA would actually be willing to bargain with Villains like her and Gentle.  I liked Gentle’s return on the page, and totally bought his interactions with Deku—it’s the interactions with Tsukauchi that are the problem.
Alternatively, if quirk singularity winds up lending itself strongly to a particular timeline’s events, Providence will by default wind up in the other.  I’m sorting a lot of the mutually incompatible ideas I want to include by that process of elimination.
Whichever ends up being the case, I have in my notes the following list of juxtapositions, which I think BNHA was gearing up to examine back before the narrative shifted gears into All For One being the Final Boss, and is the primary reason a free Shigaraki was so much more interesting in that role:
Don't let Deku off the hook with an easy moral victory over the Lord of Evil.  Get back into those opposing ideals: not simply good vs. evil, but law vs. chaos, suppression vs. liberation, greater good vs. individual good, complacency vs. action, orthodoxy vs. radicalism, and so on.
These considerations hold true for both timelines, and the apparent ruthless quelling of U.A. robot uprising is one interesting angle on approaching the Liberation versus Suppression dichotomy.
As a final note, I'm aware that I talk a lot here about robots and “dying” in ways that seem to elide that an AI is inherently a digital program—replicable, transferable, transportable.  This is a reflection of two factors.
The first factor is the simple fact that BNHA treats AI this way.  There’s no suggestion that, for example, the robot “bodies” that do a lot of the work at UA are just remote drones being piloted by a central intelligence housed on a server somewhere, or that they can do things like upload themselves to a cloud server or restore themselves from a data backup if they’re destroyed, Eclipse Phase-style. 
Of course, maybe they can and we just don’t see it because why would we, but that excuse doesn’t fly for Hercules.
There’s no sense that Hercules(/Hercules’s AI-based operating system) can escape the cessation of his existence this way, because otherwise there’d be no need for the tang of finality surrounding that moment in Chapter 401—“One final shield,” then Hercules’s next line, “You must live on,” being cut off by an attack from AFO, followed by the imagery of the machine disintegrating.  Horikoshi’s obviously going for poignance there, for noble sacrifice, and there’s none of that if Hercules is in no true danger.
(Incidentally, that means that robot AIs are the only lasting losses Team Hero takes in the final war.  Note that absolutely no one actually brings that up in the aftermath.  Like Villains, AIs don’t count as “people” whom Heroes are obligated to save.)
My explanation would be that AI in BNHA are, in some fashion, hard-locked to individual devices/”bodies,” preventing them from accessing any connectivity beyond basic communications channels as well as from modifying, transferring, or replicating their own code.  This is intended as a safety measure to guard against self-propagation and recursive self-improvement.  Thus, when a device is destroyed, the AI housed there also ceases to exist.
The second factor is simply that I have more exposure to AI in fiction than I do AI in real life!  I’m moderately computer savvy in that I'm not 100% dependent on graphic interphases, but I’m certainly no programmer.  Any writing I do on Providence and the AI uprising is thus going to require heavy research and, I expect, a lot of trawling through jargon that makes my eyes start to glaze over.  I’ll do my best, but I would not be at all surprised if the final result is much more informed by speculative fiction than the realities of computing.
Thanks for the ask, @thetorchwoodnineroleplayerwriter! Seriously, I hope you don't mind the ramble, but I was just so tickled and pleased to get such a quick and gratifyingly interested-sounding question about a BNHA fanfic idea. Likewise I hope you find the answer worth your time!
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@verse-the-comic
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Fanfiction
We don’t talk enough about how fanfiction writers love to give character large amounts of non-specific paperwork they hate doing
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You’re a regular office worker born with the ability to “see” how dangerous a person is with a number scale of 1-10 above their heads. A toddler would be a 1, while a skilled soldier with a firearm may score a 7. Today, you notice the reserved new guy at the office measures a 10.
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I’m pasting together some old worldbuilding elements to make a comedy about an incredibly ill-equipped anti-time travel agency. Their unofficial motto is “oh, that’s fucked, I don’t think we can fix that”. The robot made a cross stitch with the phrase for the break room and everything.
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