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I've Endured, Now What?

Blue Iris - Mary Oliver / So This Is All I Will Ever Be? - Fatima Aamer Bilal / Vive, Vive - Traci Brimhall

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pink & blue minidiscs from my collection

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wet pavement at night appreciation post

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silence lay steadily.

things haunt, joshua jennifer espinoza // giovanni's room, james baldwin // through me (the flood), hozier // flowers in the attic, v.c. andrews // i am in eskew, jon ware // anatomy, kitty horrorshow // the haunting of hill house, shirley jackson

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start here, caitlyn siehl // untitled, fortesa latifi // rien ne va plus, margarita karapanau (trans. karen emmerich) // black iris, leah raeder // the thorn merchant, yusuf komunyakaa // monster movie, nicola maye goldberg // a key to common lethal fungi, marge piercy // give me a god i can relate to, blythe baird // crimson peak, dir. guillermo del torro (2014) // the house of hades, rick riordan.

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Brother Sleep, Aldo Amparán

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on longing

kim addonizio what is this thing called love: poems: “blues for roberto” (via @fawnaura​) \ ernest hemingway the complete works: “the old man and the sea” \ adonis selected poems (tr. khaled mattawa) \ sylvia plath the unabridged journals of sylvia plath, 1950-1962 \ vladimir nabokov in a letter to his wife véra (14 july 1926) \ hillary gravendyk quarrel (via @typewriter-worries​) \ dorothy strachey olivia (1949) \ sappho from anne carson’s if not, winter: fragments of sappho (via @theoptia​) \ kim addonizio lucifer at the starlite (via @typewriter-worries​)

kofi

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The Sorrow Festival, Erin Slaughter

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Sneha Solanki  ‘The Lovers’

Two networked machines, one infected with a virus, slowly infects the other through the interface of classic romantic poetry.

A breakdown in the relationship was inevitable once the virus had seeped into the memory of one machine and then into the other through a singular network cable affecting the poetic text files. Communication between the two deteriorated, leading to irrational & at times odd behaviour. Each machine reacted with equal confusion and conflict. The interface text became an illegible poetic mutation of itself.

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the theme that always resonates me the most in stories is “the world is cruel; therefore I won’t be.”

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And the voice was many-eyed and many-winged. And the voice was beautiful. And the voice was terrifying. The voice was not a voice, but a burn across the mind. The burn said "I love you." But you could not see through the hurt.

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Auburn, Washington // Chad Wilder

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Aeschylus, The Oresteia / Anne Carson, H of H Playbook / Hadestown, Road to Hell (Reprise) / John Darnielle, Wolf in White Van / Richard Siken, The Worm King’s Lullaby

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LOSS OF INNOCENCE IS ALSO A LOSS OF PATIENCE.