im into some fucked up shit. raindrops on roses and whiskers on kittens. bright copper kettles and warm woolen mittens. brown paper packages tied of with strings. i could go on but you couldnt even handle it
So - Taylor Swift & Florence Welch both have songs called Cassandra. Why is that significant?
✨First- Who is Cassandra, Anyway? EW.
Cassandra is a figure in Greek mythology, blessed with the ability to see the future & cursed to never be believed. She sees the fall of Troy before it happens but can't do anything to stop it (there's a lotttt more Cassandra lore, keeping it basic here).
In the 1940s, a French philosopher dubbed "Cassandra complex" to encompass situations where someone reacts validly & with reason and raises the alarm but is not believed until it's too late.
✨Second- What is Taylor's interpretation of Cassandra?
Taylor's Cassandra remains faithful and places herself into the myth, issuing warnings about untrustworthy individuals that went ignored by her peers, the media, and the general public - invoking her Reputation era. ("You can mark my words that I said it first in a morning warning no one heard"). She's telling the story of her Reputation era through Cassandra, who was famously ignored after giving warnings about the fall of Troy.
She references snakes in her cell, a double meaning:🐍 on her actual cell phone (hehe) & a reference to the snakes mentioned in the myth of Cassandra, where snakes whispered the future to her. She goes on to say, "so they killed Cassandra first because she feared the worst and tried to tell the town"..."do you believe me now?" asking if, after the witch hunts & death of her reputation, we believe her now that the truth has actually come out. She makes a point to say, "when the truth comes out, it's quiet. it's so quiet."
A line that I personally feel is very important within Taylor's story is "they say 'what doesn't kill you makes you aware' - what happens if it becomes who you are?" Changing the famous "what doesn't kill you makes you stronger" to "makes you aware" is a very important distinction for her to make. Ever since she was made aware of the shady characters that exist within her world, she has been vigilant in order to protect herself, her art, and her integrity. Next, she worries that the struggles she went through will define her in the same way that Cassandra's struggles continue to define her today, which we've seen carry over thematically in albums she's released since Reputation.
In her outro, she reiterates: "When the first stone's thrown, they're screaming. In the streets, there's a raging riot. When it's BURN THE BITCH, they're shrieking... when the truth comes out, it's quiet. It's so quiet." Taylor Swift has not forgotten the volume of the voices that condemned her, or their apparent silence (lack of apology?) in the aftermath.
✨Third- What is Florence's interpretation of Cassandra?
Florence's Cassandra is a told a bit more in abstract, and comes after Florence believed that the music she was writing, as well as her own personal wishes pre-pandemic, seemed to call upon her the isolation that came during the pandemic.
She starts with, "I used to see the future and now I see nothing"..."Crying like Cassandra, I used to tell the future but they cut out my tongue" and tells a story of a Cassandra who had the gift of foresight, was cursed, and then was ultimately stripped of it & left to cope in the aftermath. Combined with the uncertainty & loneliness felt during the early months of quarantine, Florence's Cassandra is blinded, condemned, and left to question how she fits into the world crumbling around her.
These days we haven’t been sleeping. Staying up thinking about how there’s THREE MORE days until Taylor Swift | The Eras Tour Extended Version! Includes 3 performances not shown in theaters. 🤗🏠
happy birthday to from sprinkler splashes to fireplace ashes, i gave my blood, sweat, and tears for this. i hosted parties and starved my body like I'd be saved by a perfect kiss. the jokes weren't funny, i took the money, my friends from home don't know what to say. i looked around in a blood-soaked gown and saw something they can't take away. cause there were pages turned with the bridges burned. everything you lose is a step you take. so, make the friendship bracelets, take the moment and taste it. you’ve got no reason to be afraid. you're on your own, kid. yeah, you can face this. you're on your own, kid. you always have been.
“i think there’s something about being a young woman that feels very murderous. that’s what i was trying to get with a song like ‘dream girl evil.’ it can be dangerous for people to think you’re incredibly nice. when you get, ‘you’re an angel,’ that seems like such a high place to fall from. when i see messy or violent or terribly behaved women, especially young women, there’s a liberation. to not have to try and survive by being good.”
Orpheus and Eurydice, Frederic Leighton // Orpheus and Eurydice, Edward Poynter // Orpheus Leading Eurydice from the Underworld, Camille Corot // Orpheus and Euridice, George Frederic Watts // Orpheus Lamenting Eurydice, Camille Corot // Orpheus in Hades, Pierre Amédée Marcel-Beronneau // Death of Orpheus, Émile Lévy // Nymphs Finding the Head of Orpheus: The Head of Orpheus, John William Waterhouse