“The roots of loneliness are very deep … They find their food in the suspicion that there is no-one who cares and offers love without conditions.”
— Henri Nouwen
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Painter unknown
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"The inaccessibility of this loch is part of its power. Silence belongs to it. If jeeps find it out, or a funicular railway disfigures it, part of its meaning will be gone. The good of the greatest is not here relevant. It is necessary to be sometimes exclusive, not on behalf of rank or wealth, but of those human qualities that can apprehend loneliness."
— Nan Shepherd, The Living Mountain
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17.
So I guess it’s time
to let go of my
tears, to let you go
on into the night,
quietly, quietly,
as you let the world
go, voice cut from you
by the surgeon’s knife,
only your hands to
say goodbye, touching
the leaves of the
lemon tree one last
time, or Britta’s
pale, shivering arm,
or trying to hold
forever in your eyes
this olive-tree
twisted in the valley
winds, or this flash
of sunlight off
the high Sierra snows.
Burton Hatlen, from Crossing Altamont
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A bird came down the walk:
He did not know I saw;
He bit an angle-worm in halves
And ate the fellow, raw.
And then he drank a dew
From a convenient grass,
And then hopped sidewise to the wall
To let a beetle pass.
He glanced with rapid eyes
That hurried all abroad,-
They looked like frightened beads, I thought;
He stirred his velvet head
Like one in danger; cautious,
I offered him a crumb,
And he unrolled his feathers
And rowed him softer home
Than oars divide the ocean,
Too silver for a seam,
Or butterflies, off banks of noon,
Leap, splashless, as they swim.
— Emily Dickinson, A Bird Came Down
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David Lupton, illustration for the Folio Society edition of The Tombs of Atuan by Ursula K. Le Guin
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I taught myself to live simply and wisely,
to look at the sky and pray to God,
and to wander long before evening
to tire my superfluous worries.
When the burdocks rustle in the ravine
and the yellow-red rowanberry cluster droops
I compose happy verses
about life's decay, decay and beauty.
I come back. The fluffy cat
licks my palm, purrs so sweetly
and the fire flares bright
on the saw-mill turret by the lake.
Only the cry of a stork landing on the roof
occasionally breaks the silence.
If you knock on my door
I may not even hear.
—Anna Akhmatova
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Metamorphosis
10″x6″ Pencil and powdered graphite on bristol
Sometimes letting go changes everything.
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“الشجاع حر.”
— سنيكا الأصغر
المصدر: خلِّدها - مقولات عن الحرية
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Tanka # 227
In all the places
where I imagined
I'd find you
I found only
my longing
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“Each of us has a sophisticated system that throws away most of our experiences, keeps only a few choice samples, mixes them up with bits from movies we’ve seen, novels we’ve read, speeches we’ve heard, and daydreams we’ve savoured, and out of all that jumble it weaves a seemingly coherent story about who I am, where I came from and where I am going. This story tells me what to love, whom to hate and what to do with myself. This story may even cause me to sacrifice my life, if that’s what the plot requires. We all have our genre. Some people live a tragedy, others inhabit a never-ending religious drama, some approach life as if it were an action film, and not a few act as if in a comedy. But in the end, they are all just stories.”
— Yuval Noah Harari
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Life’s overflow is the infinite,
Which gathers and glimmers around him—he’ll never catch it.
Yet it lives in him, and, present, warming,
And fertile, the fruit contains its surfeit.
Friedrich Hölderlin, 'Rousseau' (Trans. Maxine Chernoff and Paul Hoover)
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Obscure
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