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warning: suggestive

canonical geo and cole

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Get bored on history class so here you go

Geo doodles!!

He such a sweetheart❤️

Closer look

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Damn dat's crazy...

Damn dat's crazy... @untulithed

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guess who :3 (WIP)

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first time posting for this fandom, damn y'all active

yknow my commissions are wiiide open if someone wants more lego art 👁️👁️

i dont know pretty much anything about this show, i drew this for a friend lmao, geo is a certifiable babygirl tho

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made this juuuust for you <3

i dont know pretty much anything about this show, i drew this for a friend lmao, geo is a certifiable babygirl tho

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i dont know pretty much anything about this show, i drew this for a friend lmao, geo is a certifiable babygirl tho

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It's been one of those weeks... Pass the yuri

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Trauma in Solo leveling

Always haunted by what could have been of Solo Leveling if the narrative acknowledged the inherent trauma vision that guides most of Jin-Woo's actions through the series instead of glorifying him for that.

Like, it is pretty clear to me from the start that a lot of his obsession with self reliance and his increasingly cynical views of the world ("The weak are destined to be betrayed") are a direct response to the double dungeon incident, and in more ways than we initially realize.

I think it's particularly obvious in the way he is paralled with Lee Joohee; while they're both shown to be traumatized from their encounter, Joohee is supposedly 'worse off' than him. She has noticeable flashbacks to that episode and withdraws from life and work in an attempt to avoid possible triggers - becoming paralysed when she fails to do so. And because, while also afraid, Jin-Woo is instead making a point to return to dungeons we are very clearly meant to think that he is moving on when she is not. ...Except that he isn't.

Because, you see, along with withdrawing, the reenactment of a traumatic event is also a very common response to trauma. And so is the risky behaviour that might come with it. And what does Jin-Woo does as soon as he's able to leave the hospital again? Immediately throw himself into dungeons, alone, with a clear disregard for personal safety and an extreme need to both prove himself and give meaning to his near death experience before.

Not only does he goes right back into the very same place his trauma took place, but he seems to subconsciously be trying to recreate said event in a way that gives him control of the situation. This time, he wasn't abandoned to die alone in a dungeon: he did it himself, willingly. He placed himself in that position. And later on, when he risks himself with shady parties he expects to betray him, he seems almost content; once again putting himself in risk by creating a scenario where he is 'abandoned' and 'betrayed' but where he can come off on top. He is desperate to both have his belief confirmed that someone perceived as a weak hunter like he is will always be betrayed, always be left behind, and to fight that supposed fate. To prove that he has 'fixed' this aspect of himself and will thus not fall victim to that consequences of that abandoment again. In fact, he is so detatched from the current scene that he deliberately ignores the fact Yoo Jinho challenges those believes by protecting Jin-Woo, whom he believes to be an E rank at that point.

And were this any other story, all his development from then on would prove the faults of this mindset. The dangers of self reliance, of cutting yourself off from any support network, from depriving himself of any sort of meaningful trust or vulnerability with others. But instead, we're meant to respect the fact he is increasingly isolated from everyone else. That he becomes cold, emotionally withdrawn and paranoid (his refusal to join any of the existing guilds always felt to me like his need for control taken to extreme, plus the fact he could not deal with how exposed he felt working with others again). And I think that's really sad.

It would have been really interesting to have a story that is willing to challenge the notion that he is better off alone, and that trust in others is ultimately unecessary. And that would acknowledged the strength necessary to allow himself to trust and be vulnerable after everything - and the importance of surrounding himself with people he loves and knows will protect him too. Sad 😔

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dead boys i forgor to post

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Oh the absolute chokehold this two have over me....

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I just love how pathetic he is

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I've been thinking a little bit about how the Cat King expresses his affection, and specifically, how the fandom interprets it.

There's some people who see how he interacts with Edwin and think "oh my god, he's such a simp, Edwin really has this sexy catboy wrapped around his little finger," and there's some people who see how he interacts with Edwin and think "yowza, learn to take a hint, he's not interested in you and your fuckboy fur coat," which, y'know, are both valid. I love the Cat King, but he's clearly not a fan of boundaries---outside of his own, of course.

Which... is the point, isn't it? Because here's the thing---we all like to analyze the Cat King as if he's human, but... he's not.

He's a cat. And that's how cats are.

Let's look back at his first interaction with Edwin. Our sassy Edwardian boy has used magic on one of his cats, and he's pissed, because cats are protective over what they consider "theirs---" and seeing as he's the Cat King, all of the cats in Port Townsend are his. He's bitchy and rude, cutting Edwin off when he tries to explain himself, and doesn't exactly seem like he's a merciful guy.

Then comes the moment where he whisks Edwin away, and he gets a closer look. The Cat King realizes that he's handsome, he's clearly queer, and that there is something fascinating about him. So he gets closer, he gets intimate, and it's working. Even in the throes of internalized homophobia, Edwin's getting into it, and... the Cat King self-sabotages, slapping a binding spell onto him.

A cat hisses at you when you attempt to reach out your hand and reason with it. It changes its mind, and it comes up to you, purring. And just when you're about to scratch it behind its ears, it freaks out, scratching you on the hand.

Sure, right after that, the Cat King lays out the terms---the binding spell (which, honestly, is actually a pretty fitting punishment given that Edwin used a binding spell on that cat) can be taken off, "and I'm sure we can work something out." That's a line that's probably worked before, and that's a line that probably could've worked, but the damage is done. So the Cat King gets irritated, sneering at Edwin's "old-fashioned sensibilities," and gives him your classic trickster seems-easy-but-is-a-lot-harder-than-it-looks deal. And we don't see him again for a couple episodes... at least, not until Edwin gets that little cat-scratch at the lighthouse.

When a cat scratches your hand, you give it a wide berth. Even if it immediately changes its mind and meows for attention, you don't trust it anymore. So it gets pissy, getting more and more annoyed the more you ignore it, until it gives up and bites you when you won't give it pets.

Now, the Cat King has realized that Edwin's getting close. He's counted almost all the cats, and it won't be long before he completes the task and books it out of town. So, the Cat King starts flirting even more, even going so far as to mimic Monty and Charles if that's what it'll take. When that fails, and when getting Edwin to open up fails, the Cat King lets out a nervous little laugh and tells Edwin that he's way off, when in fact he couldn't be closer.

Once a cat realizes that it likes you, it becomes incredibly needy. It trots along after you, it begs for attention and love, it sits on your laptop and jumps up on the kitchen counter and will attempt to insert itself into any and all activities you might be doing. And while that may be the cat's way of expressing love, there's no denying that it is ignoring all of your personal boundaries and generally getting in the way of you doing anything---other than, of course, paying attention to it.

And then comes the moment in the forest. The Cat King shows up with a fancy chandelier to blow Monty's cover---why now? Because Monty isn't just a romantic threat, he's trying to do something that'll take away Edwin for good. Once the cover's blown, and once Monty storms off, the Cat King uses this as an opportunity---I just saved his life, maybe he'll notice me now---and Edwin snaps, dropping one of the best lines in the whole series.

This is the first time, mind you, that Edwin has really pushed back. He's been resistant before, sure, but he's never said or done anything that indicates that he really wanted this dance to end. And I don't even think the Cat King realized that he was crossing a line, had been crossing a line since he slapped that bracelet on. But when Edwin says that he's not the Cat King's toy to yank around, that he's nothing more than an inconvenience, that's a big old wake-up call for our boy---and of course, he takes it horribly, snarling after Edwin that he'll be stuck in this town if he walks away, that he'll stop playing nice, just fucking NOTICE me already why don't you?

There always comes a time when you're fed up with how invasive your cat's being. Maybe you've just had a bad day, maybe it's genuinely messing up something important that you're doing, but you break out the spray bottle. And how does it respond? With a hiss, with a scamper away, and with a baleful glare over its shoulder. It knows it's done something wrong, but it doesn't fully understand, and it's mad at you.

Afterwards, Edwin gets dragged into hell, and that breaks the charm on the bracelet. And the Cat King's left to think.

There's some conflicting emotions there, of course. He's moodily playing with the bracelet when Esther shows up, showing that he probably does care, but there's still something to be said about how he immediately calls Edwin a "tease" and hates himself for being willing to wait for him if and when he ever returns from Hell (which is very noble of you, Thomas, totally way more of a meaningful gesture than actually going down there to get him back---which, as a self-described eternal being, would probably be easier for you to do than Charles. Just sayin'). But as much as I love to clown on that, the Cat King does die in that scene, and it's only after that that he spills to Esther.

This, I think, is where the Cat King stops acting like a cat, and starts acting human. Because he doesn't go and see Edwin when he gets back---he's realized that he kind of was in the wrong, and he's giving him space. And I'm sure it can't have been fun knowing that Edwin and Charles only got kidnapped by Esther because of information that he let slip.

But when the boys and Crystal (and maybe Jenny) are about to leave, the Cat King visits Edwin to pay his respects to Niko. He gives Edwin a lily, which several people have pointed out is fatal to cats. He's still flirty, sure, but he's more understated now. No more tricks, no more spells. Just him. And that's the version of him that gets that little cheek kiss goodbye.

Because even cats can learn that there's a better way to love.

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Oh "Edwin has so many love interests" this, "Edwin gets all the bitches" that but you know what's amazing? It's not JUST the love interests

He captivates literally EVERYONE in some way or another

Niko and him are an instant click. Cat King, well, you know. Monty was supposed to betray him but fell in love. He gave Crystal the hardest time and still she ended up loving him. He found out Simon liked him back. DESPAIR FUCKING LIKES HIM. Esther wants what he can give her (terrible I know but walk with me).

Is there something else in him we don't know of? Magic? Cosmic energy? How does that work???

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the irresistible urge to keep making them kith like they're dolls i'm smashing together