The jackass in black and his world (Mindfall) is made by @theriverpersonshadow, Underswap is the Undertale fandomâs, this is just my headcanon if it based on RPs River and I have done. All the art was done by me, Wolfgirl :D
This was way too perfect of a song for these two, I had to do it XD
âWhat did you do?â Blue sounds like such a mom. He has to know.
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
Lock shows off his newly acquired pillow, âGaht a âlow.â The twinkle in his eyes and grin on his face heavily imply that there was definitely more to that story.Â
Was Lock rearranging Carrotâs room to assert dominance? Heâs been told heâs not supposed to do that anymore (though itâd be the first time in Carrotâs room), and also that itâs really weird.
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
Finally left in peace, Carrot locks his door and takes a nap.
....a brownie would be better, but heâs out.
Blue watches Lock come downstairs and go to âhis room.â
...ok, fine. Blue gets up and checks on Lock.
âHey, what happened??â Why was he in Carrotâs room?? When did he get in Carrotâs room????
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
Lock shrugs, grabs Carrotâs pillow, and leaves. With Carrotâs pillow. He goes back to his makeshift bed in the bathtub under the stairs and adds Carrotâs pillow to his own pile of soft. He leans back and basks in smug victory.Â
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
...maybe heâd ask once the movie was over, but not right now.
Carrot is very angry.
âGET OUT!!â Carrot, again, goes to drag Lock out of his bed and out of his room.
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
Red chuckles, âAll I hear is my gaydar going off.âÂ
Lock laughs and finally relents, for now. He looks the guy up and down and mutters out, âShure yainât. N my teethâre fine.âÂ
He then goes back and reclaims the bed, sticking his tongue out and being a brat.Â
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
Blue, who was downstairs, watching TV with Red, looked to his brotherâs door.
âHey, did you hear something?â
Carrot struggles. âSERIOUSLY, LET ME GO!!â
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
Lock bursts out howling in laughter. This guy is too great! He gets flustered so easily too! This is amazing!Â
Not to be outdone, he swings around and takes Carrotâs wrist, giving a snaggle-tooth grin as he starts swinging the other around in an improvised dance.Â
Fucking with Carrot is his new favorite thing and oh wow did he just dig up something new and juicy to exploit.Â
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
âI JUST SAID IâM NOT GAY WHAT THE FUCK?!â Carrot grabs the guyâs wrist and tries to force him out of his room.
âNOPE, YOUâRE OUT.â
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
((Please note Mod Wolf and I have done a LOT of RP in the past and this takes place in one where Lock has lived with them for a while, had the wiring removed, and has been attending both regular and speech therapy.))
Lock's own eyes are wide in shock despite having done the kissing. He... kinda acted on aggression and impulse there.Â
Still... might be a decent time to fuck with Carrot. He winks at Carrot, raising his eyebrows and tugging his shirt down slightly. Not enough to show anything, just enough to imply.
Oh this should be hilarious.Â
Discovery
âThink weâre in the clear, Lock.â Carrot reports. âTheyâre chillinâ out on the couch.â
Lock peaks his head out, considers it, and claims Stretchâs bed as his, stretching out for nap.
Carrot isnât sure how to feel about that.
âŚWell, it is his bed, so⌠sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrotâs continued proximity, but it IS Carrotâs bed. Clearly thereâs only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrotâs lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesnât know how to feel about this.
âŚCONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh thatâs it! He starts petting Carrotâs head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
âŚDRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CANâT FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
âD-DUDE?!â Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
"Think we're in the clear, Lock." Carrot reports. "They're chillin' out on the couch."
Lock peaks his head out, considers it, and claims Stretch's bed as his, stretching out for nap.
Carrot isn't sure how to feel about that.
...Well, it is his bed, so... sit on the side and make Lock uncomfortable with the closeness until he leaves.Â
Lock is a little irked by Carrot's continued proximity, but it IS Carrot's bed. Clearly there's only one course of action: make Carrot uncomfortable with closeness until he leaves. Lock drapes himself across Carrot's lap, still spread out across the rest of the bed in an only semi-comfy position.Â
Carrot doesn't know how to feel about this.
...CONTINUE GETTING CLOSE, FLOP ONTO LOCK. THIS MEANS WAR.Â
Lock is flopped on. Oh that's it! He starts petting Carrot's head aggressively, attaching himself to the other in something that could be mistaken for a hug.Â
Carrot struggles to think of how to escalate this.
...DRASTIC MEASURES. AGGRESSIVELY HUG THE SON OF A BITCH. FUCKING SMOTHER THIS ASSHOLE. HUG HIM SO MUCH HE CAN'T FUCKING MOVE.Â
FUCK IT! ALL HANDS ON DECK!
KISS STRETCH TO ASSERT DOMINANCE!Â
HE WAS NOT EXPECTING THAT WHAT THE FUCK.
Carrot recoiled, absolutely shocked at what just happened.
"D-DUDE?!" Carrot was leaning away from Lock now, obviously bewildered and flustered. âYOU DONâT JUST KISS PEOPLE LIKE THAT, WHAT THE FUCK?! IâM NOT EVEN GAY!!â
Blueâs dreams tend to be more family oriented. Having a relationship, having his parents back, his brother getting better, having kids, that kind of thing.
Blueâs nightmares are mostly being left alone or driving friends away. Heâs terrified of making things worst or that people are only nice to him to be nice, not because they care.
Blue definitely admires both and thinks both are necessary in the right amount, though he tends to think wisdom comes first.
Carrot doesnât remember his dreams... or his nightmares... though, his nightmares are based on loosing control, mostly over other people. His dreams consist of people listening to him and treating him like he thinks he deserves.
Carrot doesnât admire either as he doesnât admire anyone unlike himself. Or anyone in general. Sure, heâll use flattery to seduce people if he feels like he needs to, but itâs not genuine.
Character Development âHard Modeâ Meme: send a number & character to my ask box  and Iâll write an answer/headcanon in reply.
Does your character have siblings or family members in their age group? Which one are they closest with?
What is/was your characterâs relationship with their mother like?
What is/was your characterâs relationship with their father like?
Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
On an average day, what can be found in your characterâs pockets?
Does your character have recurring themes in their dreams?
Does your character have recurring themes in their nightmares?
Has your character ever fired a gun? If so, what was their first target?
Is your characterâs current socioeconomic status different than it was when they were growing up?
Does your character feel more comfortable with more clothing, or with less clothing?
In what situation was your character the most afraid theyâve ever been?
In what situation was your character the most calm theyâve ever been?
Is your character bothered by the sight of blood? If so, in what way?
Does your character remember names or faces easier?
Is your character preoccupied with money or material possession? Why or why not?
Which does your character idealize most: happiness or success?
What was your characterâs favorite toy as a child?
Is your character more likely to admire wisdom, or ambition in others?
What is your characterâs biggest relationship flaw? Has this flaw destroyed relationships for them before?
In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?
If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others?
What does your character like in other people?
What does your character dislike in other people?
How quick is your character to trust someone else?
How quick is your character to suspect someone else? Does this change if they are close with that person?
How does your character behave around children?
How does your character normally deal with confrontation?
How quick or slow is your character to resort to physical violence in a confrontation?
What did your character dream of being or doing as a child? Did that dream come true?
What does your character find repulsive or disgusting?
Describe a scenario in which your character feels most comfortable.
Describe a scenario in which your character feels most uncomfortable.
In the face of criticism, is your character defensive, self-deprecating, or willing to improve?
Is your character more likely to keep trying a solution/method that didnât work the first time, or immediately move on to a different solution/method?
How does your character behave around people they like?
How does your character behave around people they dislike?
Is your character more concerned with defending their honor, or protecting their status?
Is your character more likely to remove a problem/threat, or remove themselves from a problem/threat?
Has your character ever been bitten by an animal? How were they affected (or unaffected)?
How does your character treat people in service jobs?
Does your character feel that they deserve to have what they want, whether it be material or abstract, or do they feel they must earn it first?
Has your character ever had a parental figure who was not related to them?
Has your character ever had a dependent figure who was not related to them?
How easy or difficult is it for your character to say âI love you?â Can they say it without meaning it?
What does your character believe will happen to them after they die? Does this belief scare them?
Your turn Wolf, 6 (recurring dreams), 7 (recurring nightmares), and 18 for Carrot and Blue... maybe one of the shortout boys too if ya want.Â
Character Development âHard Modeâ Meme: send a number & character to my ask box  and Iâll write an answer/headcanon in reply.
Does your character have siblings or family members in their age group? Which one are they closest with?
What is/was your characterâs relationship with their mother like?
What is/was your characterâs relationship with their father like?
Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
On an average day, what can be found in your characterâs pockets?
Does your character have recurring themes in their dreams?
Does your character have recurring themes in their nightmares?
Has your character ever fired a gun? If so, what was their first target?
Is your characterâs current socioeconomic status different than it was when they were growing up?
Does your character feel more comfortable with more clothing, or with less clothing?
In what situation was your character the most afraid theyâve ever been?
In what situation was your character the most calm theyâve ever been?
Is your character bothered by the sight of blood? If so, in what way?
Does your character remember names or faces easier?
Is your character preoccupied with money or material possession? Why or why not?
Which does your character idealize most: happiness or success?
What was your characterâs favorite toy as a child?
Is your character more likely to admire wisdom, or ambition in others?
What is your characterâs biggest relationship flaw? Has this flaw destroyed relationships for them before?
In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?
If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others?
What does your character like in other people?
What does your character dislike in other people?
How quick is your character to trust someone else?
How quick is your character to suspect someone else? Does this change if they are close with that person?
How does your character behave around children?
How does your character normally deal with confrontation?
How quick or slow is your character to resort to physical violence in a confrontation?
What did your character dream of being or doing as a child? Did that dream come true?
What does your character find repulsive or disgusting?
Describe a scenario in which your character feels most comfortable.
Describe a scenario in which your character feels most uncomfortable.
In the face of criticism, is your character defensive, self-deprecating, or willing to improve?
Is your character more likely to keep trying a solution/method that didnât work the first time, or immediately move on to a different solution/method?
How does your character behave around people they like?
How does your character behave around people they dislike?
Is your character more concerned with defending their honor, or protecting their status?
Is your character more likely to remove a problem/threat, or remove themselves from a problem/threat?
Has your character ever been bitten by an animal? How were they affected (or unaffected)?
How does your character treat people in service jobs?
Does your character feel that they deserve to have what they want, whether it be material or abstract, or do they feel they must earn it first?
Has your character ever had a parental figure who was not related to them?
Has your character ever had a dependent figure who was not related to them?
How easy or difficult is it for your character to say âI love you?â Can they say it without meaning it?
What does your character believe will happen to them after they die? Does this belief scare them?
Lock points to the wires in his teeth, smirking as he dodges the questions. Chain rolls his eyes and decides to answer for both of them.Â
âSaying you love someone... well, not something you can say often here. If it gets out that someone is close to you, people can use that against you. Loved ones have to be kept secret and act like strangers or rivals in public.Â
âLock... has lied about it before. I donât know the specifics, but he has. People are affection starved, I think. Sometimes a few pretty words gets you out of a bind, and itâs not like Lock can put up a good fight otherwise.â
Chain leans against the wall inside his house, âBit different in the dog pack. Iâve told them I love them a lot, but get the feeling that might not be what youâre talking about.â
He sighs and looks down, chuckling bitterly, âWhat âappens after we die? Heh. Nuthin. Monsters turn ta dust. Let us live n weâll have decades, maybe even centuries, but there ainât nuthin afterwards.
âAt least... nothing we know about. Fight to survive because the alternative is oblivion... But that canât be all, right?â He sounds scared, the lights of his eyes small and shaky.
He seems relieved to move on to the next question. âIâll admit, we donât get to see many kiddos around here. By the time monsters show up, theyâre basically teens. Simple enough really, if you want to let a kid live to be a teen, you just... never let them outside. You find a place to fake the pregnant monsterâs death and hide them away for years until the kid straight up wonât hide anymore.Â
âIf you actually see a kid... itâs because their parents have either abandoned them or died. Not sure that counts as a childhood, but I try to help them when I can. They usually donât last very long though...â
Lock gives Chain a pat on the head and waves goodbye.Â
Character Development âHard Modeâ Meme: send a number & character to my ask box  and Iâll write an answer/headcanon in reply.
Does your character have siblings or family members in their age group? Which one are they closest with?
What is/was your characterâs relationship with their mother like?
What is/was your characterâs relationship with their father like?
Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
On an average day, what can be found in your characterâs pockets?
Does your character have recurring themes in their dreams?
Does your character have recurring themes in their nightmares?
Has your character ever fired a gun? If so, what was their first target?
Is your characterâs current socioeconomic status different than it was when they were growing up?
Does your character feel more comfortable with more clothing, or with less clothing?
In what situation was your character the most afraid theyâve ever been?
In what situation was your character the most calm theyâve ever been?
Is your character bothered by the sight of blood? If so, in what way?
Does your character remember names or faces easier?
Is your character preoccupied with money or material possession? Why or why not?
Which does your character idealize most: happiness or success?
What was your characterâs favorite toy as a child?
Is your character more likely to admire wisdom, or ambition in others?
What is your characterâs biggest relationship flaw? Has this flaw destroyed relationships for them before?
In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?
If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others?
What does your character like in other people?
What does your character dislike in other people?
How quick is your character to trust someone else?
How quick is your character to suspect someone else? Does this change if they are close with that person?
How does your character behave around children?
How does your character normally deal with confrontation?
How quick or slow is your character to resort to physical violence in a confrontation?
What did your character dream of being or doing as a child? Did that dream come true?
What does your character find repulsive or disgusting?
Describe a scenario in which your character feels most comfortable.
Describe a scenario in which your character feels most uncomfortable.
In the face of criticism, is your character defensive, self-deprecating, or willing to improve?
Is your character more likely to keep trying a solution/method that didnât work the first time, or immediately move on to a different solution/method?
How does your character behave around people they like?
How does your character behave around people they dislike?
Is your character more concerned with defending their honor, or protecting their status?
Is your character more likely to remove a problem/threat, or remove themselves from a problem/threat?
Has your character ever been bitten by an animal? How were they affected (or unaffected)?
How does your character treat people in service jobs?
Does your character feel that they deserve to have what they want, whether it be material or abstract, or do they feel they must earn it first?
Has your character ever had a parental figure who was not related to them?
Has your character ever had a dependent figure who was not related to them?
How easy or difficult is it for your character to say âI love you?â Can they say it without meaning it?
What does your character believe will happen to them after they die? Does this belief scare them?