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Eurovision 2018 - Initial Impressions

So, with the pre-parties getting into full swing, I thought I’d note down my impressions of each of the songs, as well as general comments on each semi-final.

SEMI-FINAL 1

Azerbaijan: Aisel – X My Heart 5/10 Luna moon me unimpressed. Given that this is Azerbaijan that we’re talking about, it’d probably qualify anyway, even with the 1st semi being such a bloodbath, but god I hope not. This is as generic-Eurovision as it gets, complete with the cringe-worthy, nonsensical lyrics. 

Iceland: Ari Olafsson – Our Choice 1/10 To be fair, Ari’s got a good voice, but the only thing that will save this song is to make him sing in Icelandic so that most people don’t understand what on Earth he’s saying. If I thought “luna moon me up” from Azerbaijan was bad, then this song just made that sound positively Shakespearean! Watching it for the first time, this gave me a serious case of the creeps and made me want to run for the hills. It’s almost as if Iceland gave up after last year and just went. “not voting for me despite me sending quality songs, will you? Well then here’s the blandest thing imaginable, see how you like that!” It’s just as well Iceland got the dreaded #2, it’s not like it’s got a chance anyway. Better luck next year.

Albania: Eugent Bushpepa – Mall 8/10 Rock entry, and in Albanian no less! I really like this since the get go. He’s got an excellent voice and seem to work well live too, so I definitely look forward to seeing his performance in Lisbon! 

Belgium: Sennek – A Matter Of Time 10/10 Aaaand Belgium delivers a quality entry that’s slightly out of the left field again! I knew I could trust you, Belgium. So far, this has been my #1 overall. I had high hopes for it ever since Laura was announced and I listened to the two songs she posted on her youtube channel, and A Matter of Time definitely met those expectations and more. She’s a good singer with an unique voice, and the song is dark and atmospheric but sleek and stylish at the same time. With the right staging, she’ll be ready to slay. 

Czech Republic: Mikolas Josef – Lie To Me 7.5/10 This is quite modern for Eurovision and a total earworm. I’m a bit undecided about it to be honest, but I enjoy it for the most part. I suppose it will really hinge on his delivery on stage, but for now it doesn’t strike me as the cold, soulless, off-a-production line kind of pop that usually turns me off. 

Lithuania: Ieva Zasimauskaite – When We’re Old 8/10 I’m feeling a bit devastated by this running order, which probably just destroyed any chance of my girl Ieva qualifying to the final. This is a lovely little song that soothes the soul like a warm cup of cinnamon-spiced tea in the winter. There’s a quite kind of magic to her voice as well that sells the genuine emotion behind the song so well. Her live vocals need a bit improvement, imo, but judging from her recent performance at Riga she’s definitely working on that and getting better. Sandwiched between two high energy fan favorites in an already tough semi though, I’m worried that her song will end up being the bathroom break instead of the slow but charming respite.

Israel: Netta – Toy 9/10 If someone looked up the word “grower” in my personal dictionary, they will see a picture of Netta next to it, along with a link to the MV for Toy. I have to admit, I hated this song on first listen and was completely baffled by how Eurovision fans got behind this, and so quickly too. I was convinced that this was a hot mess that would drop faster than a lead balloon. Well, here I am, placing this in my top five and happily eating my words. This song is catchy as hell and has a way of getting under your skin and into your mind and never letting go, and that’s exactly what happened to me. It’s so clever in how it carries the central message of women empowerment as well, demonstrating with style how a song like that don’t have to involve power ballads and grand-standing divas, and that one can just have fun with it in the mean time. 

Belarus: Alekseev – Forever 7/10 This song, for me, is a tale of two songs. I love the final studio version of the song as well as the MV, but what I’ve seen of his live vocals so far leave me less than impressed and I shudder at the horrendously overdone staging, with the LED suit and everything going on in the background. If Eurovision were based on studio versions alone, this would have been in my top ten, but as it stands right now unless they change the staging and Alekseev shows improvement in his live vocals, I’m of the mind that this song will get left behind, especially since it has Israel and Estonia as neighbors in the running order.

EDIT: I found a much more recent live performance in Yekaterinburg while I’m still working on the rest of the post, and his live vocals show much improvement, which made me a lot more confident about Belarus’ prospects. I’m still a bit worried about it being stuck between two big favorites though.

Estonia: Elina Nechayeva – La Forza 9/10 This is glorious. As a (very) casual fan of opera and a huge fan of stellar vocals, this ticks all of my box in just the right way. If I were to have a complaint about this song though, it’s the fact that the song lack a true climax and a direction it’s building to. Elina commands the stage with that hell of a voice though that you’d hardly notice. This is definitely not the usual Eurovision fare and that, particularly with the genre being what it is, might work against it, but I’m hoping that the jury and the voters at home will be sufficiently wow’d by her vocals that the fact that this is a pop opera piece and not something they might normally listen to cease to matter.

Bulgaria: Equinox – Bones 5.5/10 I don’t know if it’s because I had too high an expectation for Bulgaria after the last two excellent years, but this song just falls completely fat for me, and repeat listens doesn’t seem to improve my regard (or lack thereof) for it one bit. If anything, I’m turned off by it more and more, what with the hype still surrounding Bulgaria and its entry. Let’s hope the staging change my mind. 

Macedonia: Eye Cue – Lost and Found 4/10 I don’t know, people seem to like this but for me this is one of the forgettable ones that have me going “how did this one go again?” before the song even finishes playing. It’s fine enough, but it makes my attention wander. 

Croatia: Franka – Crazy 6.5/10 It’s fine, I suppose, but it’s nothing impressive. I’m sorry, but everything about it screams safe and middle of the road for me. 

Austria: Cesar Sampson – Nobody But You 7/10 This feels like a pleasant-but-safe entry much like last year’s, and all but screams middle of the road, just like last year. But with how Nathan Trent charmed his way into my favorites list during pre-party season, I think it’s way too early to count Austria out yet. With his effortless vocals and the right amount of charm, Cesar might still lift his song into contention for the finals yet. 

Greece: Yianna Terzi – Oneiro Mou 9/10 Epic ethno-ballad for the win! I certainly wouldn’t say no to #Athens2019 even if this isn’t my overall favorite. This is beautiful, atmospheric, and has the chance of being truly spectacular with the right staging. I’ve only seen the studio version, so I can’t comment on her live vocals, but I’m definitely keeping my fingers crossed for this one and hoping that she delivers on what the studio version promises. 

Finland: Saara Aalto – Monsters 9/10 This has the potential to blow up into a huge banger. The song is powerful and just the right kind of anthemic for Eurovision fans to get behind. I really hope Finland ups their game with the staging and styling though because the national finals one rather came out on the wrong side of left field and something like that just won’t cut it for the big leagues. All the best to Saara and Finland!

Armenia: Sevak Khanagyan – Qami 9/10 Armenia took the plunge this year too in sending a song entirely in Armenian, and Sevak,  being such a stellar vocalist, is definitely the guy to take that risk with. He’s one of the strongest male vocalists this year and that definitely shows in how he delivers this song and its artistry and ethnic charm. I’m definitely looking forward to seeing this live and I hope he kills it in the semi and carry the song to a high finish in the final. 

Switzerland: Zibbs – Stones 7.5/10 This is quite a bop with an excellent beat, but I’m not sure this song will cut it in this semi, unfortunately enough.

Ireland: Ryan O’Shaughnessy – Together 4/10 I guess this is better than last year’s...? That isn’t saying much though. The only thing going for it seem to be the gay romance going on in the MV, but even that feels like a cynical ploy to score points with fans. The female supporting vocals also make it feel like the very definition of incongruous, with the mixed message they’re sending out.

Cyprus: Eleni Foureira – Fuego 3/10 This irritates me to no end, and the fact that people I’ve come across seem to like it only exacerbate things for me. Objectively I guess it’s inoffensive in that generic Eurovision way, but there’s just something about this song that just rubs me the wrong way. 

SEMI-FINAL 2

Norway: Alexander Rybak – That’s How You Write A Song 6/10 I have to admit, I had quite the soft spot for him because his victory in 2009 was what introduced me to Eurovision. That said, where do I even begin with this song? This is the furthest thing from his excellent Fairytale, and more closely resembles a kindergarten sing-along. There were quite a few songs I preferred over this one in the Norwegian national finals too, and I’m not sure if I’ve gotten over their losses yet. When it comes to Rybak himself though, you can’t deny that this man has charm in spades and total command of the stage, and he definitely knows how to work his audience. With a better song we might have been able to have #Oslo2019, but alas...

Romania: The Humans – Goodbye 7/10 This is quite a pleasant song, if a bit dated. I really enjoy the instrumental backing as well, with the strings and everything. When it comes to this year’s rock selections though, this isn’t exactly the best (or even the best in this semi).  

Serbia: Sanja Ilic & Balkanika – Nova Deca 5/10 In any other year, the ethnic element and use of traditional instruments would have captured people’s attention and help them forgive a lot of the song’s faults, but with more nations taking risks as a response to Portugal’s win, I don’t think that strategy works nearly as well, if at all, this year. And they’re not even the best Balkan song in this semi, unfortunately. 

San Marino: Jessika feat Jenifer Brening – Who We Are 2/10 Sorry, I prefer the Norwegian “Who We Are” that sadly got left behind in nationals. She’s got a nice voice, I’d give her that, but the song sounds like two different songs thrown together, and not in a good way. The dancing robots are the only things going for it, really. 

Denmark: Rasmussen – Higher Ground 8/10 I always wonder if I’m being too soft on the Nordic entries because of personal biases, but I’d like to think I’m fair even with my soft spot for them. This song, when it comes down to it, isn’t that spectacular and the lyrics can be iffy at times, but nonetheless I find myself enjoying it. Part of that is probably the viking aesthetics. the atmospheric staging, as well as the general musical theatre aura to the whole package. 

Russia: Julia Samoylova – I Won’t Break 3/10 This is another one that makes me go, “I know they’re going to qualify for simply being Russia but please, please find a way to stop that from happening!” Granted, this is worlds above last year’s aborted entry, but then again it doesn’t take much effort to achieve that particular feat. I don’t know if it’s her diction, her vocal techniques, or a mixture of both, but her vocals is grating. 

Moldova: DoReDos – My Lucky Day 6/10 This is one of the songs that I think might become a grower for me. I almost discounted it entirely at first, because the first performances and videos I’ve seen of it were nothing short of disastrous, with the low quality making the whole thing seem cobbled together with tape and some loose strings. With the official music video out and the performance in Riga showcasing them live though, I’m slowly warming up to it, though this still feels rather like Hey-Mamma-lite to me. 

Netherlands: Waylon – Outlaw In ‘Em ???/10 Okay, I don’t know what I think about this song. Or rather, I do, but my thoughts don’t condense into a neat score that I can put on it. Objectively speaking, this is a spectacular song with a genuine spirit to it. Emotionally speaking though, what makes it great also makes it unlistenable for me because I loathe country music as a genre. So, my rational self will be cheering if, or rather, when this advances to the final with a respectable position, but the other parts of me will be lamenting the fact that I have to sit through this again for the final. So, I guess it’s best of luck to Netherlands, see you in the finals, but I wish you came with a mute button...?

Australia: Jessica Mauboy – We Got Love 7/10 It’s a good song, and even without having seen her live I already get the feeling that she probably has great energy on stage. The song itself is fun, but ultimately safe and inoffensive. It will most likely qualify, but I think it needs something more to go further in the finals. Maybe if there’s a killing part like Dami Im’s song in 2016...

EDIT: I promised myself I’d finish this post before watching the London Pre-Party, but that didn’t exactly happen. So, yeah, she absolutely killed it with her stellar vocals, infectious energy, and charm. If she keeps her momentum, then Australia’s more than good to go. 

Georgia: Iriao – For You 7/10 In any other year, I’d appreciate this a lot more, but alas, 2018 isn’t like any other year. I commend them for their choice to keep this in Georgian, and the vocals on this song are quite impressive as well. But, the fact is, with so many other songs with ethnic elements to compare it to, it doesn’t stand out as much as it should because the simple truth is that whatever this song does well, there’s another song that does it even better. 

Poland: Gromee feat Lukas Meijer – Light Me Up 7/10 This is a great song to rock to at a beach party or on a long road trip. But, the thing is, I’m not exactly partial to beach parties. Or road trips. Or anything else summer-y really. So while this is certainly easy to listen to and enjoyable while it’s on, it’s not exactly something that incites passion in me.  

Malta: Christabelle – Taboo 8/10 This song definitely has a kick to it, and I mean it in the best way possible. I love the song both for the song itself and the message of mental health awareness that it conveys, and I definitely appreciates that it manages to carry its message without being preachy. The staging seems to be coming along quite well already judging from the national finals (despite technical difficulties), and I’m definitely keeping my eyes on this one to see how it evolves on the big stage.

Hungary: AWS – Viszlat Nyar 9/10 The story of my journey with this song is a bit like a mixture of my experience with the Netherlands’ and Israel’s entries. I appreciated this song from the very beginning on an objective level, but personally I’m not much of a fan of heavy metal so I was having a hard time really enjoying it despite my eagerness for it to advance to the finals and do very well. Unlike Waylon and his country piece though, heavy metal is a lot less offensive to my personal tastes, so I was able to appreciate it more and more on a personal level as well with repeated listens, to the point that I now consider it one of my favorites of the year, both objectively and subjectively-speaking. I’m a bit worried that the juries will penalize it for its genre, but hopefully it will win over enough televotes, especially those from the younger generations, that it will go through anyway. 

Latvia: Laura Rizzotto – Funny Girl 7.5/10 I like this song for its quirky yet catchy nature, but what really captivated me about it was the aesthetics of its MV. I do think they will benefit from a staging that is in line with the MV, with a theatrical, film noir feel to it. 

Sweden: Benjamin Ingrosso – Dance You Off 5/10 I could have probably been able to tell this was the Swedish entry going in blind. This is all the well-produced slickness that we’ve come to expect from Sweden, but without the energy, soul, and the extra je nais sais quois that put Heroes or Euphoria in a different league. But hey, at least this isn’t nearly as robotic and worthy of trigger warnings as last year’s, which can only be an improvement. And, as a side note: enough with the brown-haired, reasonably attractive young white men, Sweden! I know you can do something different. ...Right?

Montenegro: Vanja Radovanovic – Inje 8.5/10 It’s going to be tough going right after Sweden. But, this song is so different that hopefully that won’t matter too much. This is one of the (many) ethnic entries this year that actually stood out to me. There’s something hauntingly Balkan about this song, and Vanja Radovanovic delivers it expertly. I also like how the song builds itself up to the rising chorus. Anyway, I’m not entirely confident about its chances, but I sure hope to see this one in the finals. 

Slovenia: Lea Sirk – Hvala, Ne! 6.5/10 I have to admit, this one is a bit of a guilty pleasure. The song isn’t anything too special and can definitely be said to be repetitive, but still, I find myself digging the beat despite myself. 

Ukraine: Melovin – Under the Ladder 8/10 I didn’t rate this song at all when I first heard it, but having seen his performance at the national finals, I’m beginning to warm up to it more and more. I’m still kind of trying to figure the song out, but whatever it is there’s something about it that kinds of grab you. 

ALREADY QUALIFIED

Portugal: Claudia Pascoal – O Jardim 8/10 This is quite magical and atmospheric, capable of evoking one’s imagination with the song alone. With the right staging, this will become something truly captivating. 

France: Madame Monsieur – Mercy 9.5/10 France does it again and makes it into my top three for the second year in a roll. The song is unassuming at first, but then builds into something beautiful, tender, and clever. The use of double entendre to convey the central message lends the song a sense of universality despite it being sung entirely in French, which will definitely make a difference in Lisbon because they don’t need the fancy LED or special staging elements to help non-Francophones in the audience to understand what the song is trying to say. 

Germany: Michael Schulte – You Let Me Walk Alone 8/10 Huh, Germany actually managed to surprise me. It’s a nice and comfortable ballad, and I mean it in the best possible sense. What makes all the difference this year with Michael Schulte’s “You Let Me Walk Alone” is how heartfelt and genuine this song is, and that, I hope, is what will make a difference and propel it to the left side of the scoreboard. Not to throw any shades, but I very much prefer this to any paint-by-numbers “pseudo-ethnic” pieces that might arise solely as a response to Salvador Sobral’s win. 

Italy: Ermal Meta & Fabrizio Moro – Non Mi Avete Fatto Niente 10/10 This is easily my top three, but I’m a bit hesitant to put my support behind without seeing the staging, because we all know how last year’s Italian-language song with a deep message turned out. The fact that they said they’re going to display the lyrics during the performance give me hope, because one of my favorite things about the music video was the way they showed the lyrics in a variety of different languages. But either way, this is poetic and powerful, and something of pure quality like all of Italy’s entries lately. 

Spain: Amaia & Alfred – Tu Cancion 7/10 This comes as a surprise to no one, but this year’s Spanish entry is worlds better than last year’s. At first glance, it’s just the run of the mill saccharine love song, but once you pay attention to it there something genuine about it that grabs your attention despite that. This is not really something I usually rate, but I’d be lying if I say I didn’t enjoy it a lot. 

United Kingdom: SuRie – Storm 5/10 Definitely not my favorite in You Decide by a long stretch, but I can’t exactly argue the point that she gave the best performance of the night. She’s a great singer and performer, but the song itself is rather...lacking. So, let’s hope the BBC still knows what it’s doing in terms of staging because this song definitely needs it if the UK has an hope of not finishing bottom five. Then again, SuRie might surprise us yet. She already made a more than respectable performance out of this song once already, after all. 

Who I want to qualify:

SEMI-FINAL 1: Belgium, Israel, Albania, Czech Republic, Greece, Armenia, Finland, Estonia, Balarus, Lithuania

SEMI-FINAL 2: Denmark, Moldova, Australia, Malta, Latvia, Ukraine, Netherlands, Hungary, Georgia, Montenegro

Who I think will qualify:

SEMI-FINAL 1: Belgium, Israel, Albania, Czech Republic, Greece, Armenia, Finland, Estonia, Bulgaria, Azerbaijan

SEMI-FINAL 2: Norway, Sweden, Australia, Russia, Netherlands, Hungary, Moldova, Ukraine, Malta, Poland

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Kenneth Choi lowkey playing his own grandson in Spider-Man: Homecoming. Well played, Marvel, well played.

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Hey, Happy. Here’s my report for the tonight. I stopped a grand theft bicycle. Couldn’t find the owner so I just left a note. I helped this nice old Dominican lady. She was really nice and bought me a churro. I just feel like I could be doing more. Was curious when the next mission would be. Cheers, call me back. It’s Peter. Parker.

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That battle scene in Captain America: Civil War just got a million times better now that I know Peter was excitedly recording it on his camera the whole time.

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A Hard Day’s Night (1964) dir. Richard Lester

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RogueWrecked. I can’t even sketch R1 without wanting to cry.

…also sorry for the continued reposts I kept doing it to the wrong account.

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Some of our favorite Zoe moments. Tune in Wednesday to The Watch-A-Thon of Rassilon and listen to us talk about them.

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😂😂😂

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Ringo in the studio with a little help from his friend! (Likely an early take of “All You Need is Love”.)

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TV Tropes - Defrosting Ice Queen, slightly edited from original version: She is the Ice Queen: cool, reserved, and giving nothing away. She may want love as ardently as anyone, but she masks her soft heart behind a wall of ice. It is up to the hero to soften her cold demeanor and win her love. "Cold demeanor" can mean anything from Rich Bitch, to haughty and proud, to Emotionless Girl, to being a Jerkass. Occasionally, she has — legitimately or not — misunderstood the hero. Furthermore, she will work with the hero and be professional enough for the task, if through some gritted teeth. Over the story, the hero successfully melts the Ice Queen’s cold heart, giving her character development into a nicer character. Typically, the payoff comes when she smiles and shows he’s gotten through to her.

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Michael Palin and George Harrison.

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The Beatles + Discography: Sgt. Pepper's Lonely Hearts Club Band

“Pepper was probably the one Beatle album I can say was my idea,” McCartney says. “It was my idea to say to the guys, ‘Hey, how about disguising ourselves and getting an alter ego, because we’re the Beatles and we’re fed up. Every time you approach a song, John, you gotta sing it like John would. Every time I approach a ballad, it’s gotta be like Paul would. Why don’t we just make up some incredible alter egos and think, “Now how would he sing it? How would he approach this track?”’ And it freed us. It was a very liberating thing to do.“ [x]

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Doctor Disco