winteries
a tell-tale heart
kasia, late twenties 🌼 lazy cat. been here for too long and don't come often anymore. i live quietly to look at nature, art and media. multifandom blog.
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notimenoproblems
Just fine, welcome.
dearhartselfships
dearest deerheart!
keep-it-strange
Out Of This World
vampirel00rd
chaos.
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caged dogs
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What We Do in the Shadows | 3.10 – “The Portrait“
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nobody told me they love me most ardently this morning... whatever
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i needed to draw louis with the raccoon
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ELEKTRA: I am the shape you made me. Filth teaches filth.
(prints)(process video & high res)
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This is a PEAK regency romance look. 🔥
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I don't want a movie to be "good" I want it to rewire my brain chemistry
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i say that's my baby and i'm really proud ❤️🔥
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I desire blood as much as you do. But I wonder, should we be more selective?
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LUKE & ARRAX ARRIVING AT STORM’S END ✦ House of the Dragon, 1.10 “The Black Queen”
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Right and wrong become relative, subject to the same distortions and disruptions created in the lighting and camera work. Moral values, like identities that pass in and out of shadow, are constantly shifting and must be redefined at every turn…
Janey Place and Lowell Peterson, “Some Visual Motifs of Film Noir.”
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