yllogique

[yllogique]

Reel 2024 from Julie Yllogique on Vimeo.

[yllogique]

イラクサ (nettle) from Julie Yllogique on Vimeo.

IRAKUSA (orties)

72h film inspired by Vocaloid MVs The theme was "Itchy !"

directed by: instagram.com/julio_piratier instagram.com/yllogique

music: soundcloud.com/yllogique

[yllogique]

Reel 2020 from Julie Yllogique on Vimeo.

My latest animation works

Glitch Techs s1, Ernest & Rebecca pilot, Funan: the new people, Each and Every Night, Miraculous Ladybug s3, personal animations

Using Animate, TVPaint and ToonBoom Harmony

instagram.com/yllogique

[yllogique]

Loving these two cuties

[yllogique]

Each and Every Night - Trailer from Julie Yllogique on Vimeo.

Tonight is Lea and Maud's first date.The woods they have to cross to get back home have never looked so magical...misty...and more and more unsettling. Harassed by disturbing visions of derr only she can see, Lea is separated from Maud, and both get lost in the woods. They have to ind each other again, and together, make their new path through the forest..but there is no shortcut.

Each and Every Night is a 12mn upcoming short film looking for funding. For more information, get in touch : yllogic@gmail.com

More of my work : yllogique-portfolio.tumblr.com

[yllogique]

A doll's last duty from Julie Yllogique on Vimeo.

I'm currently attending a ToonBoom Harmony course and the assignment was to try and make whatever we wanted for 3 days so.... I made an accidental Skydoll-esque retelling of the short movie 'Khorkhoreh' I worked on a few years ago. Everything made in Toonboom Harmony over 3 days from board to compositing, then very lightly composited again and edited in After Effects

Character design by my dear friend Juliette (who also came up with the title !) instagram.com/julio_piratier/ (here is the actual design instagram.com/p/Bc3KbY5Fw77/?taken-by=julio_piratier )

More of my work : yllogique-portfolio.tumblr.com

[yllogique]

Pastry shop AU !

[yllogique]

Bonjour ! J'aurais une question a te poser, étant quelqu'un passionné d'animation, j'apprends beaucoup seul.. Mais je voulais savoir quel était le mieux entre faire son animation en volume puis de redessiner par dessus ou bien de faire un rough avec les détails et puis de faire ses inbetween en flippant ? :) Merci !

Un peu des deux, je dirais !Chacun sa méthode de travail mais moi je fais comme ça:D'abord les volumes rough pour avoir un feeling général du plan - autant d'images dont tu as besoin pour te rendre compte de ce que ça donnera, soit juste les clés, soit clés et breakdowns. Je te deconseille de faire tous les intervalles mais si certains sont nécessaires pour comprendre le mouvement, pourquoi pas.Ensuite tes clés bien clean avec un max de détails ou au moins des lignes de construction pour les placer. Bien flipper entre chaque clé a ce moment là, la justesse des clés conditionne pas mal de la "qualité" du plan- en tout cas en anim style disney où on veut être super modèle. Garder les détails qui overlappent pour la fin (cheveux, pans de vêtements très flottants...)Ensuite clean les breakdown en flippant les bd entre eux et avec les clés.Ensuite les inters milieux, ensuite les amortis.Et enfin tout ce qui overlap je le fais en straight-ahead à la fin :)

[yllogique]

Fashion Squad! Kagami, Chloé & Marinette in the fabulous dresses from @VIVEVAGINA 's 2014 collection.

[yllogique]

What’s better than a first date in summer ?

I’m so happy Riposte finally aired cause I can now draw Kagami fanart after a year of waiting! So meet my new ship (Chlogami, I guess ?), and brace yourselves because there’s more Kagami where that came from, I have a LOT of Kagami-wardrobe feelings and I am not gonna spare you.

Also I forgot to watermark so please don’t repost, reblog from here or my twitter, thanks :)

[yllogique]

Hey ! Do you have tips for beginners animator who have difficult to draw a character in animation ? (Animate a character who arent my design, respecting style, etc... ) Thanks !

Hello !Well to be honest keeping a character on model and keeping a consistent style is for me the hardest part in animation… I still have a lot of trouble doing it even now, but here are my tips :- take some time to get to know the character before diving in to the animation. Analyze the proportions, the style gimmicks. If you are lucky to have access to reference sheets, or previous finished shots of this character, study them thoroughly.- don’t try and do everything at once ! Focus on the animation first - while trying to keep at least proportions somewhat consistent with the model, obviously if you animate a slender realistic figure for a really cartoony character it will not match. Then, put it back on model.- Use whatever is available ! It isn’t ‘cheating’ to reuse a key or part of a drawing that has been done for this character already. It will help you keep everything consistent with a healthy base (just make sure to use stuff that has been approved, if it is in a production setting) - Focus on your keys, have them revised by a superior if you can, ask advice on them so that they are the best on-model they can be. It will make inbetweening so much easier. Besides, if the keys are on model, basically everything will ~feel~ on model even if breakdowns and inbetweens are less consistent. If everything is somewhat-on-model-but-not-really, the whole shot will feel a bit weird.-If you have the opportunity to work on the character layout step of production, do so ! It has helped me improve my animation skills tremendously, because character layout is nothing but being on model :’) (what a nightmare haha, but so helpful in the end)- ‘On model’ is not the only thing that will make your shot look cohesive with the others. Study the animation style which can be just as important, if not more.- Don’t sweat it that much, in the professional world you will most likely always have a lead to help you with that. They will be more acquainted with the characters than you, and they will be able to give you advice and point out what you tend to draw wrong.- The more you will try out and emulate different styles, the more your eye will gain this analytical angle. With every new style you try on, your skill will grow exponentially because each style will inform your skill on the others ! It’ll come to you with practice, keep going and don’t give up !That’s all for me :)

[yllogique]

Sukeban Deka Ladybug ! Lunchbreak doodle that kinda went a bit too far 

[yllogique]

Your layout work in Wakfu is amazing!, and it actually helped me understand much better how layouting works (I'm kinda saddened that it's after I turned in my horrible layouts for my first year short film)but hopefully I'll be able to execute better in the future!

Every movie is different ! When you have a big team that you are not in contact with that takes on the work after you (like on wakfu) you need precise layouts.But if the one animating afterwards is you or a small team if people that work right next to you, it is not as necessary :)

[yllogique]

Little Inktober with a new (?) ship I call LadyBee (and I forgot to draw Ladybug’s earring..)

[yllogique]

Aaaaaand that’s it :) that was basically all of my work on wakfu season 3. Now stay tuned for the netflix broadcast which is less than a month away ! all posts

[yllogique]

Almost done ! Here comes the most intense part of the episode (and of the season ?), Echo helping Evangelyne bring her child into the world ! Nice challenges on Evangelyne’s extremes expressions, but I had real trouble with Flopin ! He has a weird head °_°

[yllogique]

Like most of your other messages, I found you via Event0. Unlike most of the creepers, I'm a female animator/illustrator and would love to talk about materials/techniques (what paper were you using for your sketches in October 2016? I want it). Thanks, Susie

Well I'd love to talk about it but you're on anon !The paper I used for Inktober 2016 is from a Canson sketch book, big&orange named "XL sketch". It is not ideal for anything wet but it does have a nice texture.