#<- again only sorta
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grimalkinmessor · 2 years ago
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New picrew dropped, so I decided to make my Death Note OCs :D ✨
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In order we've got Mice, Spider, Henka, Mina, and Vasykl
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Plus a few humanized Shinigami—Cinis, Suraci, and an extra Ryuk :3
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thebrainrotsreal · 4 months ago
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Eve, Kate, Mark and Rex! Nailing some ideas down on how I wanna draw them in the future, and enjoying messing with their designs like usual! Not a fix-it whatsoever just fun + ref for the future! I cannot do realistic styles so translating them into something I can do while still being recognizable is peak. I will mess with Rex's suit more. Trust. I Kate so much now. Look at her <333333
#the brainrotsreal's art tag ✧˖°:*♡#invincible fanart#invincible#mark grayson#digital art#fanart#procreate art#rex splode#duplikate#atom eve#eve wilkins#RAMBLE TIMEEEEEEEEEEEE#MARK: again he's got his mother's pearl earrings as a winky wink to batman reference + fun inkling that he is ALSO his mom's son#MARK: adding to the whole difference of civvie/hero persona he's a bit more miserable looking and anxious w/o the suit while emotional in i#but also means he's eager and confident when he does think he knows what he's doing. but is not as confident outside of it.#heroism is his chance to prove his worth in his eyes even after Dad Realization because know he has to prove he ISNT his Dad.#Basically Invincible will always need to prove himself but he doesn't know how to do that as Mark Grayson. so gold = joy/confidence#stays on Invincible. but not mark#REX: easy peezy a spiky hair style to wink more at his passionate and louder personality as well as wink to the explosion thing#REX: gold earrings and shoulders exposed as civvie because i know in my soul he WOULD. like i cant even explain he told me himself.#goggle change to lean more into the style change! pupil-less design!! and gold eyes cause he got experimented on/powers ingrained.#the dangling bit from the goggles screams fighter and since he does ALSO need to fight it makes sense#KATE: new haircut cause i cant stand her normal one istg. ugh. but keeping the same vibe! leaning more into ben 10 type of elements since#numbers ARE a point of her design AND power so it was only fitting! i love her suit so much#NOWWWWW since she is A REAL FIGHTER like her only thing is multiplying still mean she knows how to throw a punch and MOVE i figure#she works out a ton and has a more flexible sporty fit going on so she's got a hoodie crop top. ready to jog at all times.#once in my brain she's the vague sorta raven of the group (more isolated and withdrawn since she doesn't rlly interact with anyone)#added black made SENSEEEEE#EVEEE: easiest to do because she is starfire of the group so i got possessed! honestly kept all her colors except tried to move around the#logo a bit more and take slight inspo from Justice league Green lantern's design + tweak the logo cause i realized i hate it KSDKS
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platypus-brained · 7 days ago
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I’ve just rewatched “Does This Duckbill Make Me Look Fat?” and it’s funny to imagine that people who didn’t watch/don’t remember this episode might see these screenshots and freak out that it looks like they found out Perry’s secret
But nope Candace and Perry accidentally switched bodies when both went through a teleportation device at the same time
I know it’s a common trope in cartoons to do this type of episode and that when it happens the characters will keep their original voices as to not confuse the viewers but I kinda wish we could’ve seen Candace in Perry’s body only able to chatter and for Perry in Candace’s body to be able to speak in her voice (but only one line)
[Edit: platypaws has drawn a little comic of this <-]
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But that’s a just random thought I had and if I’m honest I do like that the show limits Perry from really “speaking” or how he’ll have only a few moments where he’ll write something down
He’s like Ferb in that sense! Both are rectangular shaped characters that only “talk” when they have something they want to say! (No wonder they’re my top 2 favorite characters)
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inumbrapugnabimus-maybe · 2 months ago
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I’m convinced the only meal hyrule knows how to make is soup… If it can be called that
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stxss-art · 2 months ago
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When you're trying to impress your new parents, but your partner exposes you 😔
I saw the trailer for HW: Age of Imprisonment, and got curious how they're going to introduce Link into the story... cause there's no way Link is not in a loz game (...right?)
I can only hope the meeting is as chaotic as in our fanon dreams 💜
*If they try to keep the game canon (not like AoC), then my best guess is that it's post-totk Link. It wouldn't make sense for Link to have an adventure before totk, because then he'd know about Zelda's location already... (unless,,, amnesia?? Anyways, that's my excuse for not drawing Link's zonai arm lmao)
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donutdrawsthings · 1 year ago
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🎶 There's always a twist in the end!
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thegunslingerletmedrop · 1 year ago
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salamispots · 5 months ago
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working on a smaller guy here and there ('m also pleased with how the sky is more galaxy-feeling then just dark tones compared to other backgrounds I've done)
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arolesbianism · 3 months ago
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Oh god is that a comicfrin drawing where they have whimsy quick someone throw that guy into a decades long timeloop
#keese draws#new game+#grips sink and tries not to cry#isat#ok anyways I just drew this because I wanted to try out an isat profile html someone on toyhouse made#plus I’ve been rotating early on less completely fucked up chou in my mind recently#anyways did you know that comicfrin (at least in one panel) doesn’t wear gloves? fun stuff#oh wait speaking of forgot to tag them#comic siffrin#anyways important note! them looking less disheveled than siffrin is on purpose#chou started off their loops Far more mentally stable than siffrin and actually managed pretty well their first run through#it still was rough and they still were a bit of a sad wet trembling puppy abt it but they were generally doing just fine#they didn’t even go on a self loathing monologue after their first death! who is this guy!#dw the self loathing is still there it just takes a bit longer to hit in full force since again they started off more stable#anyways I probably should have cross referenced some move animations for this but I think I got the point across that they’re a support#unit even if the turn passing gimmic is not rly evident (idk if I could make it evident tbf)#shout out to how in their default kit they have 6 turn passing skills and only one attacking skill#also said attack as a cooldown of. five turns. tbf that’s because it has a pretty strong secondary effect#they also have three other support moves where they boost different damage types for a round#so yeah they’re basically pure support which they sorta had to be at first because bestie started off at level like. 5.#they ofc switch up their kit pretty damn fast after the first run#but first time around when they were leveling at abt the same rate as everyone else they were content to play support
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dorothywonderland · 9 months ago
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Finally settled on the twins design!<3 (minus their bow and arrow cuz i got too lazy) Big thanks to everyone on the Epic Discord server that helped me figure out what to do with Artemis hair!!! I’ve saved so many versions of her with different hair colors that half my gallery is just her now, so your opinions were a huge help!
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beelxebub · 1 year ago
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i totally get why people make the captain a military man or ex-military in modern AUs because it makes sense but i personally believe he would simply be one of those middle aged autistic men whose special interest is wwii military vehicles
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arsenicflame · 7 months ago
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It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.
At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 
It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.
Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 
“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.
(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)
By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.
When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.
Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”
And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”
That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.
#i feel like the little paragraph about the crew is real clunky and out of place but i wanted some kind of establishment of where those#dynamics are at. its important that the crew is something for izzy to consider in his decision; but also that their relationship isnt so#solid he would stay for them alone; yknow?#im sorta aiming for a s2e5 era but like. early in those themes. he cant be all sorted yet i need him to be struggling#anyway this is part of a much larger scenario in my head that im never ever doing anything with but i wrote THIS bit in a daze in like. jun#and i got thinking about it again and i think?? it holds its own as a 'hey think about THIS' snippet. idk you decide#youre welcome to interpret this as solo bellhands but in my head it Has morphed into sam/izzy/ed/stede#because i cant not put edizzy in things any more. izzy has two hands#i also think the comedy potential of one of your boyfriends HATING your other boyfriend is gold. 10/10 dynamic#stede is mostly along for the ride in this but also i think they need him#aaaaand. the sam/ed bracket i think can only be closed in exceptional circumstances. i think they 'hate' each other too much#...which is WHY someones getting kidnapped!!! yay#anyway its all irrelevant because ill never write it out. i can do silly chill things but thatll require work#nyxtalks#ofmd#our flag means death#izzy hands#israel hands#sam bellamy#bellhands#i wanna also say. the general concept of repeated sam proposals has been floating around my head forever#it used to be a more silly thing like i referenced at the start but. s2 gave me angsty feelings i guess#i cant not have izzy have feelings for ed right now which inherently adds layers to Any bellhands scenarios i think.#but yeah. its a Classic Bellhands vibe for me. sam seeing izzy at sea or on shore and asking him to marry him (again)#i like to do this with jackie too. i think i just want that man to be obnoxiously desired#(theres also layers of my personal hornigold era lore built into this but i hope it holds up without u knowing it. tldr. sam lost izzy by#being an idiot n fumbling the bag. thats what matters. izzy went with ed and sams been trying to fix it ever since)#i probably should have readmore'd this but i didnt think it was Quite long enough. or had a good break point. sorry <3
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krotiation · 2 months ago
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ima be so real... i hate the idea of jack being some "greater mastermind who actually escaped death and will come back in bl4 as the Big Bad"
the biggest appeal about jack to me is the fact that despite being genuinely really smart and tough, he's really just human in the end. angel died, he got reckless, he died. same with tales tbh. he found out angel died, rhys betrayed him, he crashed out, he "died". he's extremely self destructive and THAT is why i really love jack as a character. it just wouldn't hit the same if he somehow survived and it was all part of some secret plan
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basket-of-radiants · 23 days ago
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Why were you so disappointed by Rhythm of War?
This has been sitting in my askbox for years. I've taken several cracks at answering, only to get frustrated with the subject matter and burn myself out every time. I didn't like Rhythm of War. More than that, I didn't like it in a way that tainted my enjoyment of the entire series. And despite what it may seem, I don't actually enjoy discussing things which I don't like. I always want to talk from a place of good faith. Which is why now that my feelings towards the series are a little more positive, I think I can finally answer this.
I'm going to try to stay away from specific plotpoints and story beats for this post, because my goal isn't to nitpick (if for no other reason than it would take a week to write this post), I'm just looking to talk about my overall impressions. I think that might mean the only spoilers here will be structural? idk, if you haven't read Rhythm of War yourself then you should probably do that before looking for other people's opinions anyway. 
I liked Way of Kings when I first read it. I didn't love it at the time, but I liked it. Certainly enough to keep reading once I'd finished. One thing that made me a bit uncomfy, however, was the war against the Parshendi. They were this unknowable enemy which the book was not interested in knowing. An inhuman army. Their main purpose was to kill Kaladin's friends, or else be killed by Dalinar's armies. And yet the Parshendi, and the parshmen in the form of Shen, did show hints of personhood. And so it bothered me how Dalinar spoke so casually about how the Alethi had decimated their numbers, how the others used the war as a means to amass wealth and power. (It didn't bother me in a "this is a bad book" way but in a "these characters are bad people" way.)
One of my foibles as a reader is that when a book is very clearly treating one side of a conflict with more humanity, I tend to be a bit predisposed towards the other to account for that. And with the Alethi clearly being the invading party and superior military force, there was also some underdog favoritism. I didn't really like how the book treated the Parshendi. This is to say that going forward, the singers would be more important to me than any other through line.
So imagine my delight at reading Words of Radiance and meeting Eshonai, one of the Parshendi, who even gets her own point of view sections! They were no longer being treated as a faceless mass, we were getting to see things from their perspective as well. And it became plain to see the damage the Alethi had done to them. I couldn't really bring myself to root for Dalinar or really any of the humans against the listeners. I couldn't even bring myself to like most of these characters. I still enjoyed the book but once it became clear there wouldn't be a peaceful conclusion, let's just say that I wouldn't have wept for Dalinar and Adolin if Szeth had managed to off them. Like everyone in the book, I assumed that going forward all the parshmen would be turned into evil voidbringers in the everstorm and that the listeners were mostly dead. Except for Rlain, and Eshonai because I'd read or been told that book 4 would be Eshonai's book and thus had assumed she was fine. (Oathbringer spoilers, she was not fine.) So ultimately it was still a bit of a downer way to end the book. 
So imagine my delight at reading Oathbringer, where for the first time singers were being treated as people, full and real people, and where the human characters could no longer ignore or dismiss them. We met Khen and the others, common singers who were sympathetic and just wanted freedom from bondage. We see Venli grapple with the loss of her home. We see Leshwi and Moash connecting with and understanding one another. We learn of a history where singers were the original inhabitants of the planet. Parallel to this, Dalinar is having a truly excellent character arc about confronting one's past actions and acknowledging them to move forward and do better. I loved Oathbringer, for some years it was my favorite book, and I was excited as hell to see what came next. At the time, it seemed to me that there is a clear direction the story is going. Two books about needless war, and then a third where the main cast is forced to acknowledge the personhood of their enemies. This was so cool, all of my feelings from the previous installments were being validated, the characters were going to have to face what they've done in the past and outgrow their militaristic mindsets, I was so sure of that.
Imagine my disappointment when that does not even remotely resemble the direction the story went in Rhythm of War. RoW presented a clear, straightforward “us vs. them" narrative, where every character was totally fine with killing singers. Characters aligned with the singers were either flattened into wholly evil versions of themselves (Moash) or were expected to turn on their side in favor of the humans (Venli.) Because clearly there was no reason good people would be on the side that's all former slaves trying to stay free. Maybe there's some sort of accord or understanding between Navani and Raboniel that I might have found meaningful if the seeds of mutual understanding weren't already there in Oathbringer and then apparently ignored for a year by all the characters.
I have a lot of issues with how the listeners are handled in these books. (Here's some elaboration.) Following OB, I had thought that all my concerns were going to be addressed. Following RoW, I knew they never would be. 
Which is my main complaint, because that's the thread that matters most to me in this series.
I have a lot of other Things as well. Gonna just talk about a few big ones. 
One outsized source of disappointment that may seem a little petty, and which probably is, is that I felt mislead by the premise of the book. It had been announced that this book would center Venli and Eshonai, and I was unbelievably hyped for that. That did not really turn out to be the case. The purpose for their backstory chapters felt less about exploring them as people and contextualizing their arcs, and more about filling in gaps of world history. In the main plot, Venli was a POV character and she certainly played a role, but honestly not a very important one overall. To me she felt like a side character in her own book. I don't think it's controversial to say that the main character of RoW was Navani. A lot of people really like Navani and are happy about that. Unfortunately I'm not one of those people, and I found it all the more difficult to enjoy her when it felt like it was coming at the expense of some of my favorite characters. 
This particular gripe somewhat comes down to preference, obviously everyone prefers to read about characters they like more than those they don't, and it can go both ways. (For instance, on a craft/technical level RoW is probably the superior book to W&T, but I liked the latter a lot more because of my stupidly outsized attachment to Szeth and Nale.) But I do think there's something of a real criticism in how the book would rather focus on the feelings of a queen rather than those of a genocide survivor, and how the former's are given significantly more weight and import. It ties in with my main criticism, I think. 
And then there's how human/human racism had also been wholly cast aside as a plot point. Jasnah fixed slavery so that's resolved, and the only person who still cares about structural racism is the evil bad bad evil villain Moash/Vyre, who is now wholly irredeemable and who you're allowed to totally write off because he's sold his soul to Odium. I've already talked a lot about this. Other people have already talked about this, probably better than me. The writing was actually on the wall for me in OB, but again, RoW was when I fully accepted that this was never going to be addressed. 
There's something else that probably deserves its own discussion rather than being quickly tacked on at the end here, but here we are. This book changed how the series approaches war. 
In WoK, war was very clearly portrayed as a bad and inglorious thing. It was brutal, it was painful, those at the bottom died cruelly and unceremoniously and pointlessly while those at the top turned a profit. Every day was a new horror. The enemy were never evil, they were always just more people forced to go through the same thing. Through the next couple books, it felt to me that even if the characters had accepted war as necessary, there was still a tragedy to it. Conversely, in RoW (and W&T) war is basically a series of boss battles, in between which our protagonists can kill dozens of footsoldiers with barely a thought in the same way WoK had criticized.
Final note on all this, it sucks how we have no perspectives from the former-slaves-singers demographic. Those guys are really thrown under the bus, and seemingly get no self-determination now or ever. It was a glaring problem to me in RoW. Conscripted and enslaved humans and singers probably have just as much ground to form mutual understanding as a fused and a queen. (In fact they already had. In Oathbringer.)
In essence, RoW disappointed me because it left me with the distinct impression that none of the series's most important through lines (well, most important to me) were going to be resolved well. I liked W&T, but I haven't revised my opinion very much about the overall handling of these topics across the series. Maybe one of the reasons I was able to enjoy W&T so much more was because I no longer had such high expectations.
#sorry i sorta need to get this stuff off my chest to unpack my feelings about the series.#i hope posting this out of the blue doesn't come across as too mean spirited. my sensitivity reader DID sign off on it.#(that is a joke. although i do let my sister look over any 1000+ word posts ahead of time. and i would respect any disapproval from her.#but normally she just tells me i'm allowed to be more forceful in my opinions without qualifying them or apologizing all the time. pfff.#the reason i've been hesitant to write any especially spoilery w&t meta is mostly because she hasn't read it yet.)#discourse#asks#hey anon if you're still here after all these years. thank you.#at the time i was kinda fishing for an ask like this bc i wanted to vent but it felt mean to do so unprompted#of course this was still really hard to write. mostly because every time i tried i completely spiraled.#the version of this post that was sitting in my drafts was honestly a lot better than this one. in basically every way. except.#except it was nearly the same length and all i'd gotten to was the oathbringer paragraph#below which was a stupidly thorough outline of my itemized complaints#you KNOW i don't care about brevity but my god that would have taken forever to write and finish#and i did not want to spend that sort of time with a book i didn't like. which i would have had to do to get all my planned citations#sorry past self. you were clearly writing from a place of much more passion and that made your work better than mine. and yet.#so as i said. i'm only writing this bc i now like the series enough to talk about it again. sincerely not trying to be a hater.#side note: if any of you have thoughts/opinions about the shift in the way war is used in these books. i would love to hear them. lets chat
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daemon-in-my-head · 4 months ago
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One thing about Gortash that keeps bugging me is his desire to share power.
Because obviously, that's a great deal right? That's something special right? A tyrannical fascist geniunely wanting to share power with an old companion? Of all people? An old companion who fell from grace, yet Gort's still devoted to them? Isn't this, moral depravity aside, a great testament to their kinship and all that?
I mean that's certainly one way to read it right? But there's something else about that proposition, somethings leaving a bit of a sour aftertaste here, namely the near impossible level of power imbalance going on.
Gortash knows Durge intimately well. He flaunts that fact immediately and does not care about the repercussions his old companion may face due to the dirty laundry being aired publicly (if he's not looking forward to them outright, that may be their own version of flirting though tbf). Anyway, he knows their name, skills, past, and presumed motivations; they were incredibly close before the incident, and yet he hardly talks about that, brushes it off by saying "I missed you—anyway heres the issues I'm facing rn". He teases that he knows them enough to draw intrigue, but he never follows up, holding that knowledge and the answers Durge wants above their head. He uses their oath as an excuse, that they promised each other not to get involved into each other's messes, that he couldn't do shit, and then immediately asks them to get involved in his mess and sort it out for him cuz all of a sudden the oath not to get involved apparently doesn't apply anymore.
Like, yes, it seems like a "good deal" and something positive at first glance, and yes, he's not lying through his teeth but he's still withholding a shit ton of information on purpose and twisting the narrative to suit him more than anyone else. Instead of truly welcoming back someone who's been missing for months and helping them out a bit, that mf dispatches them to do his dirty work for him and promises shared reign alongside something as mundane as the chance to gain knowledge about themselves as a reward, yk the thing Durge really would like rn. AND considering Durge's notes and depending on what choices you make, sharing power would be more so Durge being merciful than smth Gortash can actually decide or propose (the balls he has for still trying though—sees a murderous demigod that can't remember they liked him once and decides to be a cocky bitch anyway).
Eitherway, he wants to share power. He might even mean it, but he's not willing to actually divulge information concerning anything 'Durge' and instead dangles the fact that he knows them above their head. He wants to share power, but only if Durge is blindly loyal to him and does not question his approach. After all sending the amnesiac gore baby to find their sister in a city and temple they can't remember whatsoever all by themselves isn't particularly efficient or smart but a damn suicide mission. And then he doesn't even provide any aid. He's willing to share power only if he gets to keep his control over the situation and Durge, and one way to confirm that is by sending the Bhaalspawn after their own family with no help nor information (either they come back and he'll be sure they still do as demanded or they'll die down there and thats that, Gortash probably). And only then is he actually willing to share power. Handily also without revealing any further information whatsoever, he's just using platitudes and buttering up to the bloody Bhaalspawn, never actually sharing any information regarding their shared past or what Durge was up to.
In conclusion, Gortash wants to share power the same way a king let's a dagger dangle from his belt while he sits on his throne. He doesn't actually want an equal right now. If he did he would not be doing everything to tip the scales in his favour and blatantly change the topic and refuse to disclose more information than necessary, information regarding the person he "missed so dearly". What he says sounds nice but what he's actually doing is trying to control Durge. This ain't rly about a shared reign or the likes, this is more so getting Durge to blindly tag along while concealing their past for reasons one can only speculate (did they fight, did someone betray the other, why is Gortash so unwilling to share any solid information?).
This escalated but you get my gist.
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reliquiaen · 3 months ago
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Summarising S3E4 to a friend as 'hot physicist is bitter that fellow scientists aren't giving her enough credit, starts apocalypse'.
We stan Mierin Eronaile in this house.
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