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gaspardcaderousse · 5 years ago

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Masterlist of Amedot Moments & Tidbits

This is a post I originally made and maintained starting around the time Beta came out, but accidentally deleted it recently (rip the hundreds of notes it had accumulated). Luckily, I was able to find an earlier version via Google Cache, so behold: the edited masterlist, ten whole pages long in Google Docs. As of 1/30/2021, this contains every moment from the show and comics and won’t be updated unless more media is released in the future.

If you can think of anything I might’ve missed, please let me know! Reblogs are obviously welcome. I’ve also got a video of all amedot moments in the show if that interests you. Amedot rights!

IRL

Amethyst and peridot gemstones are commonly paired together in jewelry, similar to how ruby and sapphire (a canon couple) are.

There has been a fair bit of art of them drawn by the crew. There are multiple pieces of them interacting by Danny Cragg, Maya Peterson has drawn art of them (she has an amedot tag of her own art on her tumblr, plus some other romantically suggestive art of them together), Nicole Rodriguez has drawn shippy art of them (she doesn’t have an amedot tag, but some can be found in her peridot tag), comic writer Grace Kraft has drawn them (she has a tag), and Rebecca Sugar has drawn them together, too.

Catch and Release

When Peridot is running up the stairs, Amethyst pulls out her whip and says “Hey” to Peridot in a rather provocative tone.

Too Far

Peridot is obviously desperate for Amethyst to pay attention to her and see her as cool. She made jokes about the other gems to impress her (even if she was unknowingly being rude) and said to Steven that she thought she was being “cool” by doing so, and tries to make Amethyst laugh with her names for things (ex. “rythmatic pulverizer”). This behavior is typical of someone who has a crush, and was not just due to Amethyst’s status as a quartz; Peridot argues with and states that she dislikes Jasper, another quartz (and not a defective one, at that).

Peridot was visibly upset when Amethyst didn’t find her funny and said she felt “smaller” when Amethyst gave her the cold shoulder.

Peridot goes out of her way to save Amethyst from the drill head, even managing to break her leash in effort to do so.

After saving Amethyst, Peridot is shown to have fallen on her; that and her reaction seem to reference the anime trope where the character will fall on their love interest and immediately become flustered.

Peridot’s apology at the end of the episode! This is probably the most heartfelt apology she’s given (compared to her actions at the end of Back to the Barn and throughout Barn Mates), and she specifically calls Amethyst “the best gem here”. She also admits that she was in the wrong with her statements and this is the first time she does so – compare with Back to the Barn, where she acts like Pearl needed to prove herself to her before Peridot could apologize. In that way, this was a huge turn for her character.

That little exchange of smiles at the end. It’s adorable.

Steven’s Birthday

Amethyst invites Peridot to join them and even blows up a cute lil Peridot-shaped balloon.

It Could’ve Been Great

Peridot tries to impress Amethyst with her knowledge about gems (specifically how they immediately adjust to the gravity of any planetoid), and is disappointed/surprised when Amethyst doesn’t find it interesting.

Peridot tries to compliment Amethyst by saying that the Beta Kindergarten was nowhere near as impressive as the Kindergarten Amethyst originated from.

Message Received

Aside from Steven, Amethyst was the most visibly upset at Peridot’s betrayal, likely due to how close they were.

Log Date 7 15 2

When trying on the paint cans Steven gives to her, Peridot is shown to want to impress Amethyst with her new height. She also wants to show it off to Pearl, but she’s specifically trying to help Amethyst, whereas it’s just her height she wants to show Pearl; she wants Pearl to see how tall she is, and wants Amethyst to see how capable she is and actually wants to do something to actively help her.

If we assume Peridot’s shipping chart represents the gems, and that the green is Peridot and the purple is Amethyst, it is clearly shown that they are paired together.

Peridot’s descriptions seem to imply that Percy and Pierre represent Peridot and Amethyst respectively, and she obviously thinks those two belong together. At the very least, the pairs have similarities.

Amethyst says that she uses shapeshifting to be cool and directly shapeshifts into Peridot, showing that she obviously thinks Peridot is cool.

Amethyst is shown to know Peridot well enough to perfectly mimic her speech patterns, and says that she has been practicing doing so. She also says it’s “hard to beat the original”, to which Peridot responds to by blushing and giggling.

Peridot states that she finds Amethyst’s company entertaining.

Barn Mates

Peridot seems to be picking up some phrasing from spending time with Amethyst, directly referenced in the “Holy smokes!” scene.

Hit the Diamond

As soon as Peridot says that she’s scared, Amethyst immediately decides to ambush the Rubies in her defense.

Too Short to Ride

Peridot shows off her tablet-velcro innovation to Amethyst, attempting to impress her again.

Amethyst tries to win Peridot’s desired prize for her.

Amethyst gives a whole little speech to Peridot about how they like her for who she is, which shows that Amethyst genuinely likes Peridot for who she is and wants her to enjoy herself.

Amethyst tries to throw away Peridot’s tablet. While not necessarily the right thing to do, she was still trying to help Peridot in doing so. This also unintentionally means that Amethyst is the reason Peridot discovered her powers.

Amethyst also casually touches Peridot a lot throughout this episode (ex. putting her arm around her shoulders). Peridot doesn’t seem to mind this, in stark contrast to how she reacts when Mr. Smiley touched her.

Beta

Peridot is obviously very excited to see Amethyst; she runs down to see her, arms open wide, shouting her name happily.

Peridot is excited to show her art off to Amethyst (and specifically Amethyst).

When Steven tells Peridot why Amethyst is upset, Peridot doesn’t hold her attitude against her and immediately tries to make her feel better by telling her that she’s better than Jasper and insulting Jasper’s Kindergarten. I mean, it’s not the best way of comforting someone, but Peridot hasn’t been shown to be particularly good at comforting people.

This episode makes Amethyst the first person for Peridot to give affectionate nicknames (Ams, Big A).

Peridot is also obviously more physical with Amethyst (for example, putting her arm around Amethyst’s shoulder) similar to how Amethyst was with her in Too Short to Ride, even though Peridot seems to be have an aversion with physical contact except with those she is very close with.

Earthlings

Peridot seemed particularly worried when Amethyst left to fight Jasper, even more so than Steven did.

They both seemed to share a mutual desire to protect one another. Even so, they were also trying to protect Steven, so this doesn’t necessarily solely indicate romantic interest.

Back to the Moon

When Amethyst walked away from Peridot during Doc’s rant, Peridot reached out to her for a few moments.

The Kindergarten Kid

Given Peridot’s previous attempts to impress Amethyst, her behavior at the beginning of the episode seems to be in attempt to show off to her. She may also be trying to show off to the other three Crystal Gems as well, but she specifically says some things in response to Amethyst and has tried to impress her more in the past than the others, so this is possibly directed more at her.

Amethyst is the most clearly insulted by Peridot’s comments at the beginning of the episode, showing that she really does care about her opinion. However, she forgives her after Peridot beats the corrupted gem and admits her misjudgments.

Amethyst is the first to compliment Peridot’s ability to bubble.

Last One Out of Beach City

When they arrive at the party, Amethyst tells Pearl to talk to a nerd. While this isn’t necessarily just referring to Amethyst and Peridot’s own relationship, it could be interpreted that way, as Amethyst calls Peridot a nerd rather frequently.

Adventures in Light Distortion

Amethyst seems to be actively listening to and taking interest in Peridot’s comments about the space ship, shown further when she refers to Peridot saying the gravity engine “bends reality”. While not necessarily romantic, it does show how their relationship has developed since It Could’ve Been Great, when she mostly ignores Peridot’s similar comments.

The New Crystal Gems

When Lapis says she doesn’t know who Amethyst is, Peridot seems visibly annoyed.

Peridot indirectly states that she thinks Amethyst has a good sense of humor (an opinion which she has voiced multiple times before).

Back to the Kindergarten

Amethyst’s entire motivation in this episode is to cheer Peridot up; she obviously cares a lot about her wellbeing and emotional health. It is obviously very effective, as Peridot begins to feel better throughout the episode in direct response to Amethyst’s actions, which goes to show just how well Amethyst knows her, and how much Peridot cares about Amethyst’s opinion.

The first time Peridot smiles since the beginning of her depression is in direct response to Amethyst complimenting her. She’s also very visibly blushing.

The two are essentially flirting throughout the entire episode. Amethyst poses while leaning against a wall while complimenting Peridot resulting in the above reaction, they joke with each other while gardening, and at one point Peridot can be heard speaking passionately to Amethyst about their project while Amethyst smiles at her with half-closed eyes. Amethyst replies, “Oh yeah?” in a tone that sounds very obviously flirtatious.

Again, Amethyst is shown to casually touch Peridot a lot; she puts her hand on her shoulder and even picks her up and carries her at one point. Again, Peridot is perfectly okay with it.

The gardening project happened because of Amethyst, and ultimately is what taught Peridot that even when some things are beyond saving, there is always hope to be found somewhere, and sometimes you have to move on. This is another major character development for her - again, one caused directly by Amethyst.

Letters to Lars

Amethyst and Peridot are seen doing improv together and seem to consistently agree with and encourage each other. While this isn’t necessarily romantic, it does show that they have been spending a good deal of time together casually offscreen.

Can’t Go Back

While Lapis is spying on the Crystal Gems on Earth, Peridot can be seen looking upset. Amethyst approaches Garnet and Pearl in what seems to be a worried way, and the three of them talk to Peridot, who eventually seems to brighten up. It seems like Amethyst noticed that Peridot was upset and came to the others with her concerns, leading to them cheering Peridot up, making her the direct cause in Peridot’s change in attitude and showing, again, that she cares for her emotional state.

As the Crystal Gems walk away, the projection of Peridot is the first to walk through Lapis, followed by Amethyst. This could be symbolism; Peridot is moving on from Lapis and her sadness over her leaving, with help from and while forging a stronger relationship with Amethyst.

Made of Honor

Amethyst and Peridot are seen standing together and casually interacting on multiple occasions throughout the episode - more than either with anyone else.

At one point, Peridot leans back on a chair while talking to Amethyst before falling over. The way it’s posed looks like a pretty textbook example of flirting (… and then making a fool out of oneself in attempt to flirt).

At the end of the episode, Amethyst puts her arm around Peridot’s shoulder. This is, yet again, an example of how physical they are with each other.

Reunited

Like in Made of Honor, Amethyst and Peridot are seen standing together and casually interacting multiple times onscreen.

Peridot is very physical with Amethyst in this episode, grabbing her arm and hiding behind her and pushing her in attempt to help push Steven’s shield. This shows again how physical they are with each other, and again shows that Peridot is very comfortable being physical with Amethyst (noticeably more so than with any other character at this point) despite her aversion to contact.

They can be seen bragging to each other about how they attacked Blue Diamond. Bismuth is also there, but they noticeably seem to be directing their boasts at each other.

Change Your Mind

Peridot and Amethyst seem to be taking inspiration from each other on their new regenerations. Amethyst has a triangle shape around her gem now, and Peridot has her stars on her knees like Amethyst’s old designs.

After the battle with White Diamond, Peridot immediately runs over to Amethyst and practically tackle hugs her. This is far more physical than she’s been with anyone else before in the series, and they both seem genuinely overjoyed to be with each other. Amethyst also holds her hand up right beforehand, either to wave or high five her.

Steven Universe: The Movie

When Amethyst recovers from Spinel’s attack, Peridot doesn’t initially realize that she’s back to normal and reacts very strongly upon seeing her, exclaiming that she can’t bear to see Amethyst “vacant and bereft of personality”. Interestingly, Peridot doesn’t seem affected at all to see Ruby, Sapphire, Garnet, or Pearl in such a state, but she’s so upset by the sight of Amethyst reduced to a shell of herself that she physically refuses to look at her.

In addition, Peridot immediately changes attitude and reacts excitedly when Amethyst tells her that she’s back to normal, despite the fact that the world is in dire threat of destruction.

When the gems are seen working on repairing the city towards the end of the movie, Peridot can be seen riding inside of Amethyst (who is shape shifted into a crane) to put up the donut on the Big Donut. They share a wink and a smile while doing this. It would have been just as easy for Amethyst to put it up on her own; Peridot isn’t really doing much to help, she’s just chilling there to hang out with Amethyst.

Bluebird

Throughout the episode, Amethyst and Peridot are the only two characters to point out that Steven likes tomato soup. Of course, this isn’t really evidence and by no means indicates anything romantic, but it does highlight how similar their thought patterns have become in certain ways. It’s reminiscent of the “Holy smokes!” scene back in Barn Mates.

Everything’s Fine

Peridot mentions to Steven that Amethyst told her that he was prohibited from messing with plants. Since Steven Universe: Future focuses so heavily on Steven, the other gems don’t interact all that much, but this makes it clear that Amethyst and Peridot, at least, are hanging out offscreen.

2017-Present Comic Series

Please note that all the comics are written by different people, and are considered “level 2 canon”; rather, not inherently canon but you’re free to consider them canon as long as they don’t contradict the show. Any italicized points are from entirely non-canon comics that directly contradict the show in some way. Even the non-italicized ones are not necessarily canon, however.

All throughout Issue 4 (in which Amethyst, Peridot, and Steven visit a renaissance fair together), Amethyst and Peridot are continuously very physical with each other, especially Amethyst towards Peridot.

When Steven calls Peridot cute, Amethyst can be seen blushing and holding her hands up to her face in a way that shows her clearly gushing over how “cute” Peridot is. While this is pretty typical behavior for Steven regarding cute things, it really isn’t for Amethyst; she just thinks Peridot is that adorable.

Amethyst is very excited when Peridot wins a joust, notably more so than Steven.

In Issue 9 (in which Vidalia gives Peridot and Lapis art lessons), Amethyst models for them. Peridot is notably very enthusiastic while illustrating her.

Amethyst seems concerned for Peridot specifically when she and Lapis start arguing.

In Issue 11 (in which Steven, Lapis, and Peridot take part in a cooking competition), Peridot runs into Amethyst at the competition and is especially happy to see her.

In Issue 17 (aka Peridot Becomes A Gamer), Amethyst is the first of the Crystal Gems to try to convince Peridot to get out and do stuff.

She also seems to be cheering for Peridot during her match against Pearl.

Although Peridot had been entirely immersed in the video game when the others first approached her and then smug during her match against Pearl, she actually indulges in some genuinely lighthearted banter with Amethyst before their match. She actually seems pretty happy, despite the context of the comic. In turn, she also reacts downright fondly when Amethyst loses.

Amethyst is also the first to comfort Peridot when she admits that she’s been using video games to cope with Lapis leaving, and in turn opens up to her a bit in attempt to empathize.

In Issue 33 (in which Peridot introduces Amethyst and Pearl to Camp Pining Hearts), Amethyst is the first to approach her and asks to watch the show with her.

Amethyst and Pearl make Peridot blush when they agree to continue watching CPH with her.

It’s Amethyst’s comment about Percy and Paulette’s lack of chemistry that gets Peridot excited; she blushes and gets the star effect in her eyes.

Harmony

Peridot and Amethyst are seen paired together throughout the course of the comics, walking close to each other, sitting together inside the Harmony Core, etc.

There’s a panel where Peridot’s Twitter is visible, and Amethyst is, interestingly, the only other gem visible in her image gallery.

Camp Pining Play

At one point during rehearsal, Amethyst comes up behind Peridot and announces herself while sparkling.

Peridot is clearly impressed and enthusiastic about Amethyst’s acting abilities.

Crystal Clean

Similarly to in Harmony, Peridot and Amethyst are often paired together.

Amethyst is also physical with Peridot like in the show, grabbing Peridot’s arm once she gets onto the warp pad at one point, which Peridot doesn’t seem to mind.

Directly after this, when they warp back into the temple, Amethyst seems to be standing in front of Peridot in a protective position.

Misc.

Peridot and Amethyst’s relationship has been consistently shown to advance the plot and cause them to develop as people – it is undebatable that they are important to each other’s characters and the plot as a whole.

Amethyst has more nicknames for Peridot over the course of a few episodes than she has for any other character, including characters like Steven and Pearl who she has known for the entire series.

Overall, there are actually quite a few parallels to rupphire (one saving the other soon after meeting (Too Far and The Answer, with one even being followed directly by the other, drawing further attention to this), both couples being short with somewhat opposing color schemes, one being higher ranked and the other lower ranked on the gem caste system, one acting on emotions and the other one logic, etc.) The parallel is strengthened in Steven Universe: The Movie, when Sapphire saves Ruby from a berserk pizza cutter; this scene is even more similar to the drill scene from Too Far.

As with rupphire, amedot also parallels conniverse in the sense that one saved the other when they had very little knowledge of each other, both are short in stature with somewhat opposing dispositions, etc.

Relating to the former two points, Rebecca Sugar has called the act of saving another in such a way as was done in The Answer as “ridiculously romantic”. Given all the parallels with two of the show’s largest ships and then this…

#steven universe #su #peridot su #amethyst su #amedot #perithyst #screms

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soleidabayrp · 3 years ago

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Welcome to SOLEIDA BAY, ISLANDERS!! The following characters have been accepted. Please be sure to review the NEW ACCEPTANCE CHECKLIST which includes INSTRUCTIONS on how to send in your account, and post your INTRODUCTION within 24-hours.

** PLEASE remember to send an ask to the main with your soleida bay blog once you’ve been accepted.

The dash will be open for interactions immediately, but please allow up to 24-hours for all writers and characters to submit their blogs and get writing!

ALAB DELA CRUZ ( MANNY JACINTO )

APRIL NOVAK ( BARBARA PALVIN )

CARMEN PETERSON ( MAIKA MONROE )

CASSIDA PHA ( BRENDA SONG )

CHURAI KASEM ( FAH YOUNGWAREE )

DION BECK ( MICHAEL EVANS BEHLING )

DYLAN WILDER ( KEITH POWERS )

EMINE KAYA ( ASLIHAN MALBORA )

HAYDEN HELLER ( JESSICA ROTHE )

JACK HANSEN ( JOSH DUHAMEL )

KAIA DESTINY ( TAYLOR RUSSEL )

LEYLA OZDEMIR ( AYCA AYSIN TURAN )

LUKAS NAVARRO ( TOMMY MARTINEZ )

LUNARA KAYA ( ASLIHAN MALBORA )

MANUEL PEREZ ( FROY GUTIERREZ )

MARIANA ROJAS ( SOFIA CARSON )

MICHA REZNIKOV ( FLORENCE PUGH )

NISHIR MALIK ( RAHUL KOHLI )

NOA DEVON ( ZOEY DEUTCH )

OLIVIA MARSEILLE-CLARKE ( ADRIA ARJONA )

RAJU VISHNAVI ( ANIRUDH PISHARODY )

RICHARD HOTCHNER ( BRENTON THWAITES )

RUBY REYES ( INDYA MOORE )

STELLA VARGAS ( ALEXA DEMIE )

TATUM PARKER ( OLIVIA HOLT )

WINORA DEEN ( SOPHIA TAYLOR ALI )

YASMIN DEMIR ( HANDE ERCEL )

ZION COHEN ( ALEX WOLFF )

#soleida.accepted #horror rp #island rp #appless rp #new rp #soleida.admin

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maceyxcross · 7 years ago

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@ruby-peterson

A play date had been arranged between Sophia and Daniel. Sophia was four now and Daniel had turned three this year or something (she didn’t really remember what they’d said) so they were close enough in age and Sophia had met Daniel at the park. Sophia was keen on making new friends so Macey agreed to arrange a play time at Ruby and Charlie’s place. Her place was getting new windows put in so this would kill an hour and a half at least which was good enough. She just hoped it wouldn’t be too awkward with Ruby, but Macey was sure high school should be behind everyone now. Right? Besides, she didn’t have enough social interaction with people in town these days so this was a start. She knocked on the door and Sophia pretty much rushed into the house as soon as the door opened. “Hey. Hope we’re not too early..”

#man idek what i'm doin

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liesxetxsecrets · 4 years ago

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╭┄━┄━┄━┄╮ 𝕄𝕠𝕞𝕞𝕒, 𝕀'𝕞 𝕤𝕠 𝕤𝕠𝕣𝕣𝕪 𝕀'𝕞 𝕟𝕠𝕥 𝕤𝕠𝕓𝕖𝕣 𝕒𝕟𝕪𝕞𝕠𝕣𝕖. ╭┄━┄━┄━┄━┄━┄━┄━┄━┄━┄━╮B A S I C.

┊ │ Full Name: Mason Robert Peterson ┊ │ Nickname(s): Mason ┊ │ Age: 20 ┊ │ Birthday: 28.02.2001 ┊ │ Hometown: Baberton Born. ┊ │ Current Location: Baberton ┊ │ Orientation: Bi - leaning toward the men. ┊ │ Religion: I asked God to save me. I think he’s mad at me. ┊ │ Occupation: ┊ │ Living Arrangements: ┊ │ Language(s) Spoken: English.

╭┄━┄━┄━┄━┄━┄━┄━┄━┄━┄━╮P H Y S I C A L.

┊ │Face Claim: Cameron Monaghan ┊ │Hair Colour: Reddish Blonde. ┊ │ Eye Colour: Green. ┊ │ Height||Weight: 6′4″|| 8.7 stones. ┊ │ Tattoos||Piercings: [00.] || Left Ear Lobe, Belly Button ╭┄━┄━┄━┄━┄━┄━┄━┄━┄━┄━╮H E A L T H. ┊ │ Physical Ailments: None listed. ┊ │ Neurological Conditions: None listed. ┊ │ Allergies: None. ┊ │ Sleeping Habits: He doesn’t sleep well. ┊ │ Eating Habits: When he is doing drugs, he goes for days without eating because he forgets. When he is sober, he eats everything in sight. ┊ │ Exercise Habits: When he is sober, he takes to running. ┊ │ Sociability: He loves people except during his low periods. ┊ │ Addictions: Drugs. ┊ │ Drug Use: Cocaine, Methadone ┊ │ Alcohol Use: He drunks regularly.

╭┄━┄━┄━┄━┄━┄━┄━┄━┄━┄━╮F A M I L Y.

┊ │ Father: Brendan Peterson + he gets along with his dad when he is with him but when they are apart, he grows sort of resentment for him. ┊ │Mother: Haley Watson + he loves his mom. She is his best friend. He just feels like he is letting her down. ┊ │ Sibling(s): Ruby Peterson ┊ │ Other: ┊ │ Significant Other(s): No. ┊ │ Children: Nope. ┊ │ Pet(s): No. ┊ │ Exes: Kelly Sharpe - not really a relationship, but he had a serious crush on her.

╭┄━┄━┄━┄━┄━┄━┄━┄━┄━┄━┄━╮T A G D R O P. ┊ │ bio -- # :mason peterson bio: ┊ │ photos -- # :mason photos: ┊ │ videos -- # :mason videos: ┊ │ interactions -- # :mason interactions: # :masonxname connect: ┊ │ muse -- # :everything mason:

╭┄━┄━┄━┄━┄━┄━┄━┄━┄━┄━╮B I O.

┊ │ C L I C K H E R E F O R M O R E I N F O

#:mason photos:#:mason videos:#:mason interactions:#:everything mason:#:baberton residents:#:mason peterson bio:

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asecretsummer-rpg · 5 years ago

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Name: Lee White Age: 39 Sexuality: Heterosexual Gender: Male Portrayed By: DJ Cotrona Availability: Open

“It’s torn my whole family apart. They need to catch this bastard.”

→ Background

Lee White was born in Baberton, raised alongside his sister Ramona. They were fairly close. Lee left town after high school so that he could go to a good college in London where he studied to become a teacher. He really wanted to teach in college and it was something that didn’t change his whole life and everyone knew he’d be a teacher some day. He did well in college and returned to Baberton a few years before the killings started and got himself a job at the local college. He taught a highers class and also history, a subject Lee has always been very passionate about.

A woman he met and started dating in college, Michaela, came to stay with him in Baberton shortly after he’d returned and the two of them got closer than ever - and eventually Lee proposed. He felt like it was the logical next step in their relationship and she said yes, but she eventually had to go back to Edinburgh for work, which honestly suited him fine. As much as he loved her, Lee has always been someone who likes his own space. A long distance wife in another country who he sees every other weekend might not be the most normal but it suits him perfectly.

→ Back to Baberton

It all started with the disappearance of local teenager Annie Pierce. Baberton used to feel like such a safe community until then. Two years later her body was found. Then the mayhem began. Some unseen figure began stalking and killing the people who lived in this town. It was insanity and Lee worried for the safety of his family. Ramona had lost a son already, and then her youngest daughter Sierra killed herself. He looked out for Katie as much as he could though she always knew how to look out for herself. He got through the days like everyone else. Work, live your life, take precautions, pretend none of it was happening, wait until the police caught the psycho. Or psychos, as it later turned out to be.

Lee has always loved teaching. Instilling information and educating people, especially on history. It was always his favourite subject and Lee has always especially loved the lessons that you could learn from times already past. He tries to incorporate them into his lessons whenever he can, though most people just want the facts, not some great life lesson. Still, he enjoys his job, and he even likes teaching the highers classes, which is usually full of high school dropouts and older people. Lee is close with his family and he just lives as normal a life as he can, despite the fact his wife is miles away - there’s usually a lot of facetime and skype calls and texts through the day.

→ What’s His Secret?

Was sleeping with one of the students in his highers class. He knew the age was an issue and it would be super frowned upon (especially in the wake of what happened with Charlie Baker and Ruby Peterson) but it was fun. The sneaking around, the younger girl, all of it. Then his wife called him from Edinburgh when he was with Becky and the cat was out of the bag. She dropped out of the course altogether, which makes it a little easier. He still has the rather revealing pictures she sent him on his phone and likes to look at them once in a while.

Is becoming a little bit addicted to visiting the local lapdancing/strip club. As much as he doesn’t mind the arrangement with his wife, long distance does have its limits, the same limits that maybe led him to his affair with Becky. He likes going to the club, getting the real interaction with women, watching them dance, giving them money. It’s starting to become something he’s eager to do nearly every single weekend and he’s not sure how to stop or if he even wants to.

#town rp #bio rp #secrets rp #scream rp #dj cotrona #openm

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lodelss · 5 years ago

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Soraya Roberts | Longreads | May 2020 | 10 minutes (2,500 words)

Isolation is horny as fuck. Not for everyone, obviously, but if you’re single and you live alone. . . I mean, I have never thought this much about sex in my life. Not even in high school. Although this does kind of feel like high school: snacking, jerking off, sort-of working, snacking, jerking off. Or maybe we’re regressing to a point in history when we were exclusively driven by our basest instincts: horny, hungry, trying not to die. In between we binge-stream. And through this fogged up lockdown-induced lens, the horniness of what we are watching is compounded by our own.

Normal People is the big one. The Hulu adaptation of Sally Rooney’s critically felated millennial romance is softcore for hipsters: an outcast girl and a sensitive jock, both of them equally brilliant (of course), having some messy, bildungsroman-style sex over the years (to Imogen Heap, in Malick-ian light) like that’s all the world is. The sex is hot, but everything that happens right before it is hotter. All that staring, all that sizzle — by the time they actually do it, it’s almost an afterthought. Almost. The same goes for Run, the HBO series by Phoebe Waller-Bridge’s creative partner, Vicky Jones, about two ex-lovers fleeing their lives to the kind of loin-tingling wit that got us through the Hays Code. Here, once again, the foreplay is the sex. Then there’s Portrait of a Lady on Fire, the French period piece in which two women, with their eyes alone, strip, fuck, and share a cigarette before they physically do all three.

This is the kind of hot — leg-crossing, side-eying — where you don’t have to say it out loud, you feel it. The kind of hot spun by women from Europe, where sex doesn’t have the same moral implications it does in America. But more than that, it’s a hotness related to a wider move toward women reclaiming their own stories, their own sex. We all know by now that sex under the male gaze tends to objectify women — hotness, in the hands of men, is predominantly naked women getting fucked. Permission is neither here nor there. Under the female gaze, sure, naked women get fucked too, but there’s also enthusiastic consent. Great sex is not orgasm upon orgasm so much as agreement upon agreement, through looks and gestures and breaths and talk — the personification of ongoing accord, no permission slips or questions necessary. The point being that sex isn’t sexy unless it’s between people, not just their bodies; people who change their minds as well as their positions. In isolation, where you have nothing to do but wait for it, it only makes you hotter to watch not only the physical restraint and psychological tease, but every move, every look, every word that says “Yes!” before it’s screamed aloud.

* * *

I have no idea where or when I first heard the term “edging,” but I think it was a couple of years ago. I recall being told that it came from teenagers who used it to describe holding off orgasm deliberately to make it that much stronger in the end, a kind of pleasure binge that seemed to fit that generation (if everything sucks, might as well overdose on suckage). Which is not to say that climax control is new; it goes back to Tantric and Taoist traditions, where it’s less about splooging as hard as you can and more about a kind of physical transcendence. But the idea of mindful sex, of really feeling everything — together — instead of just trying to get yourself off as quickly as possible, didn’t really hit conservative America until the sixties. Masters of Sex reintroduced us to William Masters and Virginia Johnson, the couple responsible for the huge human sexuality study published in 1966 that identified the four-stage sex response: excitement (arousal), plateau (pre-orgasm), orgasm, resolution (post-orgasm). Of course, it turned out that cycle was generally reserved for men, while women across the country were left dissatisfied (and often pregnant). But the sixties and seventies brought heightened awareness of women’s rights along with heightened awareness of sexuality.

Enter edging. “Understanding this new kind of orgasm can be especially difficult for men. When it comes to pleasure, women are the first in line.” This comes from the worryingly titled Extended Massive Orgasm by Vera and Steve Bodansky, a 2002 addition to a slew of slow masturbation and one-hour-orgasm how-to books, all of which fall under the rubric of edging. The Bodanskys emphasize being fully present — fully engaged with yourself and your partner — and aware that the mechanics of sex are not the sole source of pleasure. A human being has a psychological as well as a physical self, and sex also has both elements; eye contact, verbalizing, variations in touch, and breathing responsively aren’t requirements for ejaculation, but they definitely make it more agreeable. Which is why the Bodansky book, somewhat patronizingly, addresses men the way it does. Because sex has been generally dictated by men, it has generally served them and them alone. Putting women first doesn’t mean men are neglected, it means women aren’t.

But Hollywood is still predominantly run by men and men predominantly run it the old way when it comes to heat (erotic thrillers were a brief light at the end of the tunnel, but then the tunnel just kept going). Think of Game of Thrones or anything on Starz: what passes for hot, once again, is conventionally beautiful women with no clothes on being bent over. The physical part may be there, but the psychological part, not to mention the consent, is not. Which is why reality series like Too Hot to Handle (contestants win by not touching) and Love Is Blind (contestants get together before seeing each other) are not particularly orgasmic, though they are positioned as the perfect pandemic watch. The payoff of edging requires real chemistry and it helps to have some real stakes thrown in.

Which is not to say it can’t be fictional. There are nine sex scenes in Normal People. Actually, there are more than nine, but there are nine between the two superficially polar-opposite teens we follow from high school to college. (There are only 12 episodes). Try finding a story about Normal People that doesn’t mention its horniness. You can’t; horniness defines it. Obviously, being particularly susceptible in lockdown to anything related to the possibility of sex has affected how we respond to it, but this is also the kind of hotness that transcends pandemics. Let me explain, with Connell and his little chain.

Connell (Paul Mescal) isn’t just hot because he looks like an animated version of Michelangelo’s David, he’s hot because he looks like an animated version of Michelangelo’s David and is shy. He is hot because he is entirely uncomfortable in his own skin despite inhabiting skin in which he should be entirely comfortable — he is a super-smart, super-handsome, super-athletic white man; how much better can he have it? Connell is hot because despite all of that, he can’t stop staring at the guileless-verging-on-neurodivergent-poor-man’s-Anne-Hathaway Marianne (Daisy Edgar-Jones) when Marcia Brady (that’s not her name, but does she ever look like her) can’t stop staring at him. He is hot because he is charmed as fuck when Marianne, during their second kiss, blurts out the “guy” question: “Now can we take our clothes off?” He is hot because he gives Marianne an out during her first time. He is hot because he takes Marianne’s advice about his future. He is hot because he is inconsolable when he realizes how badly he has treated her by keeping them secret. Connell is hot because as much as Marianne is at his mercy, he is even more at hers.

And the sex scenes in Normal People are hot because the director realizes all of this — that the hotness is as much in everyone’s heads as it is in their bodies. “In some movies, they treat sex scenes like they treat car chases or gun fights, like an opportunity to try a different form of filmmaking,” Lenny Abrahamson told the Irish magazine Hot Press. “How I shot, if we were moving from dialogue to sex, there’s no point where we enter a different dimension, it’s just a continuation of their interaction.” The way the show is filmed, the confined settings, the proximity of the camera to their faces, their eyes — all of it magnifies the intimacy. But it isn’t just in the shooting, it’s also in the choreography. With the help of intimacy coordinator Ita O’Brien, every frisson between Connell and Marianne — from every long gaze and every small touch to all that heavy breathing in flagrante — coalesces into an intoxicating six-hour expression of the fluid physical connection between two characters whose psychological connection (whose verbal agreement, even) came first. It’s like nothing else exists but them. These two are entirely in it with each other.

While Run is less about what’s in their heads than what’s coming out of their mouths, its not-so-brief encounter on a train has a similarly close-quartered intimacy. The HBO series stars Merritt Wever as Ruby, a wife and mom of two, and Domhnall Gleeson as Billy, a Jordan Peterson type. The two exes reunite after 15 years on a cross-country trip to escape their lives. She has her family to lose, he has his book deal. The stakes are slightly uneven, but their banter is not: their edgeplay is their wordplay. Like Normal People, the camera stays close to the two lovers who are already confined in their seats (and, later, “roomette”) shoulder to shoulder, face to face, almost mouth to mouth. Just like we do, they become so hot off each other’s proximity that they are forced to take breaks to secretly masturbate in the bathroom. Both of them. Separately.

But here again, as in Normal People, the woman ultimately has all the power. With a family back home, this is Ruby’s encounter to take or leave, not Billy’s. It is her thirst that fuels the ride, not his. “I turned up to have sex,” she says. And later, “I want to fuck you… now.” These exclamations are all the more pregnant for the person saying them — Wever herself has admitted she did not see herself as a lead in a rom-com (Gleeson had already done About Time). And yet here she is not only in one, but subverting it. A man admitting he wants to fuck a woman who might not want to fuck him isn’t transgressive, it’s a cliché. But a woman admitting she wants to fuck a man (more conventionally attractive than she is, more successful, more single) who might reject her? That’s hot. So will he say yes? Do we even need him to anymore? “Holding back on the sex was always something we knew we had to do,” creator Vicky Jones told Refinery29. “Because it’s not really a will-they-won’t-they, since they do. It’s, will they have sex and how?” But with foreplay this good, the sex can’t help but be an anti-climax.

That upending convention, that the woman dominates really, suggests why the queen of edging is Portrait of a Lady on Fire, a queer love story by a queer filmmaker (Céline Sciamma) about a painter named Marianne (Noémie Merlant) and her subject, Héloïse (Adèle Haenel). There is no dilution here by the well-trod tropes of male sexuality, there is only a pair of women drowning in each other. The female gaze turns in on itself as Marianne’s view of Héloïse becomes ours. The film’s title summons the slow burn of their relationship, with every new plateau advancing so achingly slowly — Marianne even seeks consent before repositioning Héloïse’s arm as she sits for her, which is the first time they touch — that every act, when it comes, is that much more extreme, the whole thing mimicking that aforementioned menacing “massive extended orgasm.” It takes 13 minutes for the heroines to meet, despite being in the same house, and even then, one of them is only introduced from behind in a black head-to-toe cloak, a funereal tease. This is no meet-cute; it’s the slowest reveal ever, with her cloak fluttering in the breeze until a mess of blond strands escape, which almost make you gasp despite yourself, before the whole hood falls to expose the back of a blond head. And then, suddenly, the faceless woman is running to her death, we think, until she stops right at the edge of a cliff and, abruptly, turns, her flushed face, her great blue eyes, downplaying the grand mort to a petit mort. “I’ve dreamt of that for years,” Héloïse says breathlessly, post-coitally. A pure distillation of the female apex, no wonder the French, their sexual legacy defined by males, thought the film wasn’t erotic enough.

* * *

The hottest scene in Normal People, ergo the hottest scene of my isolation, doesn’t actually include an orgasm. And it, fittingly, takes a while, not arriving until the near the end of the second half of the series, which was directed by Hettie Macdonald. Now in college, no longer dating, Connell and Marianne are sort-of-not-really watching some sports game in Connell’s hot, cramped childhood room in a haze of hormones. Everything is sweating. She stares at him. He stares at the screen. She pretends to sleep. He gets up. “Want some ice cream?” He goes, she stays. He returns. It’s not ice cream, it’s penis-shaped rocket popsicles. And the room is dripping in sex. When Marianne stretches out her bare feet to his end of the bed, I squeak. She says she wants him to kiss her. He says he does too — the pain on his face! — but they always end badly and he doesn’t want to lose her friendship. Fuck. She gets up to leave, telling him not to drop her off at home ‘cause he’ll miss the rest of the match. Olive branch: “I forgot there was a match on, to be honest.” Game on.

Even though the sex is ultimately abandoned (I won’t spoil it), it doesn’t matter. This prelude is more satisfying than 99 percent of the orgasms I’ve ever watched. Despite all the sexual tension, the woman still ultimately commands the room. Theirs and ours. In that Hot Press interview, director Lenny Abrahamson, who shot the first six episodes, laughed perversely about the show coming out during a worldwide pandemic. “You start to miss the human touch, people’s skin — and that is all over the show,” he said. “God help everybody!” But it wasn’t Abrahamson behind the episode I’m talking about, it was a woman. And while it’s true that thirst can hurt, it can also take the edge off, as that scene choreographed by three women — conceived of by Rooney, directed by Macdonald, managed by O’Brien — proves. No one finished, but it wasn’t about that. Because all the elements were there, all that want and all that permission. And that was enough for me, if for no one else. And what was that line again? “When it comes to pleasure, women are the first in line.”

* * *

Soraya Roberts is a culture columnist at Longreads.

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asecretsummer-rpgpromo · 8 years ago

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WANTED! FC can be changed!

♠ Austin Ramsey is 26 years old and is often confused with Chris Wood. He is Open.

“I didn’t have too much interaction with her… but from what I did witness, she wasn’t that nice of a person.”

→ Background

Austin Ramsey moved to Baberton with his mother and little sister Daisy when he was eighteen. He was a little rough around the edges back then, playing up an attitude and smoking all the time to look tougher and scare all the other kids away. Nobody really took to this strange new boy who skipped classes or left school at lunch so he could eat alone in the park, at first. Not until the day he stood up to Annie Pierce, anyway. Then he was Baberton’s hero for a few weeks until Annie knocked him back down a peg or two by getting him expelled from school by planting a bunch of stolen wallets and phones in his locker for the headmaster to find.

Austin was never very close with his sister, though he tried hard when they moved and wished he could have a better relationship with her. She always felt so distant and far away. Things have been complicated between them since before they even moved to Baberton and Austin feels guilty for letting them drift so far apart. Their father was sent to prison after being found guilty of raping his own daughter. Mark Ramsey wasn’t really guilty of the rape but Austin got his sister to lie to the police about it after somebody else actually did rape her during a party. Austin just hated his father and really wanted to see the man locked away because he was an emotionally abusive alcoholic and Austin just couldn’t take it anymore.

→ Back to Baberton

Austin doesn’t play up the bad boy image as much as he used to, though sometimes can’t help but fall back into the habit of smoking and walking around with a steely expression when he’s feeling insecure. It’s just a defensive mechanism that he hopes to break one day. Annie Pierce’s body being discovered didn’t have a whole lot of an effect on Austin. Sure, he found it sick, a teenager buried under the ground like that… but he didn’t know her that well and he was still pretty mad about her getting him expelled. Besides, he had enough on his plate.

The past few years have been tough for Austin. His father reappeared out of the blue after being let out of prison on a technicality and came for them. His gullible mother got back together with him and, when Daisy was found out as being -A after committing suicide in front of Annie’s old friends, Mark had to go on the run again (since he’d broken parole to come here) and Austin’s mother, Anna, went with him. Austin feels pretty bitter that he was left behind like that for his asshole father. How could his mother leave him to deal with all this by himself? His poor sister was obviously going through something terrible and now everyone had branded her a psycho, a murderer, good riddance. Austin knows Daisy had the same illness as his mother (despite the fact both of them didn’t know about their DID, Austin was pretty observant living with them both), and he just wants justice. If Annie’s stupid friends had spoken up sooner about ‘-A’ then maybe Daisy could have gotten the help she needed and all this wouldn’t have happened. Maybe she would still be here and he would have family.

→ What’s His Secret?

Is part of the new -A team, to get revenge for his sister Daisy who was the first -A terrorising the streets of Baberton. He recently snuck into Imogen Ford’s apartment and switched out some of her schizophrenia medication and also hung up a dartboard from -A with the faces of all her friends on it, with Annie and Sophie’s bearing a large X over their faces. He is willing to do whatever it takes and -A now wants him to get closer to Imogen, get on her good side so it’s easier for him to sabotage, perhaps even romance her if he has to. Austin blames the girls for his sister’s death and suffering so he’s very keen to do whatever he has to do to get justice.

Had a brief affair with Isabel Pierce, shortly before he started dating her daughter Chloe. Chloe found out and it ruined both the relationships. Austin was angry at first but now he just wants to move on. Maybe he’s still got a chance with the mother. Isabel seems sad and lonely these days anyway.

Was flirting with Ruby Peterson for -A, to cause a rift between her and Charlie. When he and Charlie got into a fight after Austin said some horrible things about Sophie, Charlie told Ruby and now she won’t talk to him. So he’s going to have to come up with a new plan of action to mess with them.

Main | Plot | Most Wanted | Characters | Ask

#chris wood fc #town rp #roleplay #rp #bio rp

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tune-collective · 8 years ago

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FBI Director James Comey to Speak at SXSW

South by Southwest on Thursday announced FBI director James Comey will address the portion of its festival focusing on interactive technology.

He will be a featured speaker in Austin, Texas, on March 13. Comey currently is under a U.S. Justice Department inspector general’s investigation for an FBI probe into emails linked to Hillary Clinton’s private email server.

In July, Comey announced that the FBI wasn’t recommending criminal charges for Clinton. But, just 11 days before the election, he divulged that the FBI discovered new emails that could be relevant to that investigation.

Comey later said the FBI wasn’t changing its July recommendation, but Clinton supporters blamed the incident for costing their candidate votes.

President Donald Trump has asked Comey to remain in his post for the remainder of a 10-year term expiring in 2023.

On Thursday, SXSW also added an additional 175 artists to this year’s lineup, including Hurray for the Riff Raff and Har Mar Superstar:

Max Abysmal (Amsterdam NETHERLANDS)

The Accidentals (Traverse City MI)

Naomi Achu (Washington DC)

Carl Anderson (Charlottesville VA)

Brad Armstrong (Rhinebeck NY)

Astro 8000 (Philadelphia PA)

A.Ward (Kansas City MO)

Babewatch (Oakland CA)

Cedryl Ballou & the Zydeco Trendsetters (Lake Charles LA)

Reuben Bidez (Nashville TN)

Big Big Love (Mexico City MEXICO)

Big Jesus (Atlanta GA)

Blaenavon (Liphook UK-ENGLAND)

Owen Bones (Chicago IL)

Annie Booth Trio (Denver CO)

Boyfrndz (Austin TX)

Pony Bradshaw (Chatsworth GA)

Tony Bray (Austin TX)

Gala Brie (Lima PERU)

Mari Burelle (New York NY)

Cakes Da Killa (Brooklyn NY)

Caravanchela (Bogotá COLOMBIA)

Casual Strangers (Austin TX)

Paul Cauthen (Tyler TX)

James Chance & The Contortions (New York NY)

Chrissy (Chicago IL)

Chrissy & Hawley (Chicago IL)

Cilantro Boombox (Austin TX)

Jesse Clegg (Johannesburg SOUTH AFRICA)

C.Macleod (Isle Of Lewis UK-SCOTLAND)

Coldcell (New Orleans LA)

Leo James Conroy (Los Angeles CA)

Jennings Couch (London UK-ENGLAND)

Creepside (San Antonio TX)

Ami Dang (Baltimore MD)

Adrian Daniel (Brooklyn NY)

Darkness Divided (San Antonio TX)

Sarah Darling (Nashville TN)

Dave (London UK-ENGLAND)

Dead Neighbors (Athens GA)

Deep Sea Diver (Seattle WA)

Deraj (Orlando FL)

The Detail (New Orleans LA)

Digging Roots (Barrie CANADA)

DJ Jon Rambo (Houston TX)

Doe (London UK-ENGLAND)

Tomás Doncker & The True Groove All-Stars (Brooklyn NY)

A. Doulos (Oakland CA)

Dream Machine (Austin TX)

Dream Phases (Los Angeles CA)

Drive Like Maria (Nijmegen NETHERLANDS)

Toby Driver (New York NY)

Drunken Tiger x Yoonmirae (Uijeongbu SOUTH KOREA)

Jacob Dupre Quintet (Austin TX)

Marrio Esco (Worcester MA)

FBC KLIK (Shreveport LA)

Findlay (Manchester UK-ENGLAND)

Schuyler Fisk (Crozet VA)

FlygerWoods (Houston TX)

Johnny Flynn (London UK-ENGLAND)

Foxy Mojo (El Paso TX)

Francisco y Madero (Guadalajara MEXICO)

Kayla Freeman (Houston TX)

Doug Funnie (Fort Worth TX)

Quin Galavis (Austin TX)

Gustavo Galindo (Mexico City MEXICO)

Ginla (Brooklyn NY)

Samantha Glass (Madison WI)

Gost (Below TX)

Marika Hackman (London UK-ENGLAND)

Har Mar Superstar (Minneapolis MN)

Corey Harper (Los Angeles CA)

Lilly Hiatt (Nashville TN)

Hikes (Austin TX)

Hogwasche (Brooklyn NY)

Hurray for the Riff Raff (Bronx NY)

Intl.DJunknown (Rochester NY)

Eli Jas (New York NY)

J-me (Yangon MYANMAR)

Kydd Jones (Austin TX)

River Jones & Lorelei Linklater (Austin TX)

King James III (Denver CO)

Lady Leshurr (London UK-ENGLAND)

La Mente (Lima PERU)

Sam Lao (Dallas TX)

Mozart La Para (Dominican Republic DOMINICAN REPUBLIC)

Las Rosas (Brooklyn NY)

La Travesia del Alma (Medellín COLOMBIA)

Let’s Eat Grandma (Norwich UK-ENGLAND)

Lexie (Changsha CHINA)

LIFE (Hull UK-ENGLAND)

Lil Sicc (Austin TX)

Living Hour (Winnipeg CANADA)

Rebecca Loebe (Austin TX)

Lord of War (San Diego CA)

Royce Lovett (Tallahassee FL)

Justin McLean (Rosenberg TX)

Menores (Lima PERU)

Nik Mercer (Let’s Play House) (Brooklyn NY)

Miss Ko (New York NY)

Money Chicha (Austin TX)

Monk Tamony (New York NY)

Ian Moore (Austin TX)

Mothica (New York NY)

Mr. Lewis and The Funeral 5 (Austin TX)

Mr. Paradise (New York NY)

Name UL (Wellington NEW ZEALAND)

Navy Gangs (New York NY)

Noah North (Austin TX)

Novella Inc. (Santiago CHILE)

Nutopia (San Juan PUERTO RICO)

Odezenne (Bordeaux FRANCE)

The Outer Vibe (Nashville TN)

The Outfit, TX (Dallas TX)

Pentateuch Movement (Kingston JAMAICA)

Peterson Brothers Band (Bastrop TX)

Allison Pierce (Los Angeles CA)

Christopher Plowman (Austin TX)

Poison Rites (Denver CO)

Pomo (Vancouver CANADA)

Potty Mouth (Northampton MA)

The Present (New York NY)

PxP Allstars Band (Berlin GERMANY)

Ramesh (Austin TX)

Red Velvet (Seoul SOUTH KOREA)

Reeps One (London UK-ENGLAND)

RIRI (Tokyo JAPAN)

Rivers of Nihil (Reading PA)

Karen Rodriguez (New York NY)

Roddie Romero & the Hub City All-Stars (Lafayette LA)

Toni Romiti (Chicago IL)

Royal Tusk (Edmonton CANADA)

ROZES (Philadelphia PA)

Kore Rozzik (New York NY)

Ruby (Dumfies UK-SCOTLAND)

Ruzzi (Mexico City MEXICO)

Serge (Miramar FL)

JJ Shiplett (Calgary CANADA)

Sarah Shook & the Disarmers (Chapel Hill NC)

The Sleeping Ghost (Los Angeles CA)

SlowKiss (Santiago CHILE)

Small Houses (Austin TX)

Stalking Gia (New York NY)

Jesse Jo Stark (Los Angeles CA)

Peggy Stern Octet (Austin TX)

Sunjacket (Chicago IL)

Patrick Sweany (Nashville TN)

T-Rextasy (New York NY)

Rudy Tee Y Los Pelicanos Del Rey (San Antonio TX)

The Teeta (Austin TX)

Tinnarose (Austin TX)

Torae (Brooklyn NY)

Tredici Bacci (Brooklyn NY)

Tres Bourbonnais (Austin TX)

Twinsmith (Omaha NE)

The Two Lips (San Marcos TX)

Uncle Lucius (Austin TX)

Ünloco (Austin TX)

Varsity Week (Los Angeles CA)

Matthew Logan Vasquez (Austin TX)

Patricia Vonne (Austin TX)

Vox Sambou (Montreal CANADA)

We The Lion (Lima PERU)

The Wheelwrights (Austin TX)

Whethan (Chicago IL)

Bonnie Whitmore (Austin TX)

Winter (Los Angeles CA)

With Our Arms to the Sun (Phoenix AZ)

Worldwide (San Antonio TX)

The Wrecks (Los Angeles CA)

WRVTH (Manteca CA)

Jaime Wyatt (Los Angeles CA)

ChihiroYamazaki+ROUTE14band (Kawasaki JAPAN)

Yip Deceiver (Athens GA)

Zona Tango (Buenos Aires ARGENTINA)

Source: Billboard

http://tunecollective.com/2017/01/31/fbi-director-james-comey-to-speak-at-sxsw/

#comey #director #fbi #james #speak #SXSW

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lodelss · 5 years ago

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On the Hotness of Not Getting Any

Soraya Roberts | Longreads | May 2020 | 10 minutes (2,500 words)

* * *

Soraya Roberts is a culture columnist at Longreads.

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