#(<- meta joke)

[nefelibatat]

So if I were to take away from this moment something deeper than “man Sevika's a freak”, I'd point out that we've seen the same tactic not long before.

What does this say about Caitlyn? She's fighting dirty. She's fighting like a cornered rat. She's fighting like a Zaunite.

And first of all there's hypocrisy. Caitlyn's been calling these people animals and monsters and whatnot but when placed in an identical situation she responds identically. Case in point: getting so mad at Jinx for terrorizing people out of grief that she goes ahead and starts to terrorize people out of grief. Sevika's expression afterwards is mostly “joke's on you I'm into that” but there's some surprise there too — you wouldn't expect that move from a Piltie.

Then there's desperation. Because she needs revenge; she needs it or she'll never ever forgive herself for what happened. So she'll throw away her morals and her dignity and just do whatever it takes to achieve the goal, whether it means chomping on someone like a feral raccoon or becoming a military dictator… which puts her in the same mindset as Zaunites, all of whom are desperate to survive and a lot of whom could never afford morals and dignity in the first place.

[akanemnon]

Wow, not even 5 seconds in and they're already starting a fight.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[strialternatives]

bonus:

:inhales and slams hands on the desk: akechi. palace. pitch.

disclaimer: the setting for this is all about vibes and aesthetics, it kinda got away from me when i started hashing out the plot around it two months ago so now we're here. in hell. (i'll probably have to make a secondary post i made wayyy too many concepts,)

yes i made an ost for this idea, here is a youtube playlist of chill european jazz

AU details under the cut-

Akechi Goro's palace is "Ampitheatrum Doloris”.

KEYWORDS: Akechi Goro, Tokyo Highcourt, Amphitheater

Akechi's psyche is a massive collection of locked doors, puzzles, and contradictions. He wants to be seen but not understood—heard but never known, ect. This makes his palace infiltration a waking nightmare (affectionate).

His palace is made up of five main layers. They each mirror a stage of grief:

1) There is the outer layer of with the appearance of a Venice-esque water canal maze, there is a door that must be opened to reach the entrance to infiltrate the second layer underneath the amphitheater. The puzzle's actually pretty sentimental and revolves around Akechi's interest in literature.

(This layer is depression, Goro mourns what he lost and the fact that the choices he made for the sake of revenge ultimately led to nowhere. This is reflected in how desolate/meandering the outer layer feels, it is the largest and most time consuming part of the palace for this reason. It takes weeks to finish. AKA, Akira and Morgana have a terrible, no good, very bad month of May.) 

2) The Labyrinth under the amphitheater; it is full of shadows for the arena champion to use as fodder for the enjoyment of the masses. ‘Loki’ resides here—this layer’s theme loosely plays on the Minotaur myth.��

The only way to escape is through a pulley/elevator mechanism which leads to the surface after shattering the Champion’s chains by force. Loki taunts in Old Norse, but gives Akira (and the party by extension) genuine hints on how to escape.

(This layer is anger, Goro is always angry, about the hand he’s been dealt, the futility of his own actions, and the fact that his life has always been a dead end, written in the stars.)

3) The Audience Stands; full of human cognitions and Akechi’s former clients and fans, despite everything, like Sae, he sees them as ‘people’ and is disgusted by them. Their compliments are shallow and empty, surface level like Goro’s facade. Cognition Sae is delegated to a middle manager-type role, and leads Akira and Co. through puzzles.

Different cognitions from Akechi’s shitshow of a childhood throw riddles based around philosophy and the nature of justice at the party, if the answer is ‘wrong’, there’s a mini-boss fight. Answering everything correctly yields a prize—a key, this process is made difficult by all of Robin’s ‘hints’ (which the Thieves can directly ask for) being lies.

(Bargaining. Goro always thought he could still salvage his revenge despite his enemy being essentially invincible, even now deep down he thinks he can salvage all the effort and sacrifices he put in.)

4) The Stage; Robin Hood appears proper instead of in cameo appearances, this is the lead actor's stage. To earn the right to stand with him, Akira has to have to prove his worth in one-on-one combat while showing the crowd a rousing show. The goal is to use the key obtained in the bargaining layer to unlock the Performer's cuffs.

(Denial, Goro doesn’t believe he needs or deserves saving or a life outside of his revenge, he believes there is no other way forward.)

Hereward and the 'treasure' are in the Imperial box area, which I'll save for part 2 of this I think! The second half of this'll have less focus on the environments and more on general plot and character design.

EDIT: here's part two and part three

[das-a-kirby-blog]

chat it's supposed to feel like 101°F today omgggg

[ithinkimnormal]

Sorry but It's actually so annoying how much people downplay the crucial role piltover's corrupt council games played in derailing jayce/viktor's work and pretty much putting shackles around their lives. The council is directly responsible for and directly FUNDING so much of the misery that happens in this show, before the story has even started. Before Powder ever finds the gemstone. They single-handedly doom half of the region to death.

Just during the show: Jayce wanted to create magic to aid and uplift the common people, the council wanted trade route instant teleportators to make themselves richer.

Jayce & Viktor wanted to work on technology to help miners and steelworkers and artisans who are trying to survive in the industrial hellscape of piltover and zaun; the council wants it shelved for another 20 years. (yes, heimer is part of the corrupt council - no matter how much his image is laundered by the fandom.)

They are inept and self-serving leaders, elected by themselves and their blood inheritances, utterly obsessed with ultimate profit. You can really see how parasitic their relationship is to the people at the beggining of act 1. Jayce is a token nameless life, so disposable to them that they were going to burn down all of his research and throw out all of his titles, making him not just a lower-house vassal but an EXILE, and the only reason why that doesn't happen is because they realize how much money they can suck out of his work.

This applies to Viktor too. See the way that Heimerdinger tells him over and over again that no other paths can be taken, he has 'fulfilled his purpose' and he should be content to die. See how Mel looks at Viktor like a bug she wants to squash under her palm when he rejects the idea of making weapons for council. See how they speak over him and only address Jayce, as if he's worth less than nothing.

You are only as valuable as the profit you're willing to create. You are a problem that has to be dealt with as soon as you refuse their orders. They have the power to ruin your life, and if they find an excuse, they will. This is a direct threat pointed at Jayce & Viktor during ACT2, when Jayce is pressured into becoming one of them to protect 'the bottom line profit' and, personally speaking, to avoid that ire being redirected towards Viktor. He's pushed into compliance and told a target has been painted on his back.

Arcane jayvik are doomed in big part not for wanting to do harm, but being forced to exist under the beck and call of billionaire leeches. They are both immigrants. They are both struggling to get a degree and keep themselves afloat and they want to help people so goddamn much but they have to keep postponing their dreams to serve uncaring masters. I really wish there was more fan content focused on these very real bonds of understanding and solidarity between them.

When Viktor says 'Jayce will understand' that's not a fluke; he's lived in this environment for years. He knows Jayce is being pushed down the same way that he is and that deep down they've been kept captive by the exact same people. When Jayce agrees that Viktor should do whatever he needs to do to keep himself alive, he means that from the heart.

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[actual-changeling]

So, I was rewatching the kiss scene frame-by-frame, as one does, and I realized something. First I thought, well, Alex, you probably saw that wrong, let’s keep going. A minute later, however, I was confronted with the reality of no, not mistaken. 

Maybe I am late to the party and everyone has already seen it and knows about it, but in case there are people that haven’t: Aziraphale not only puts his hand on Crowley’s back, he puts his left one on his waist BEFORE that.

Not just that, he slides it up and also uses it as leverage to pull Crowley closer. I could go through those few seconds one frame at a time, but that would take forever, so I will give you the highlights in chronological order.

His hands flutter around at first and don’t settle anywhere, which is actually really useful since it shows us what the angle for that looks like.

Now, the next time his left hand moves up, look at the progression. It does not go down the same way as before. Instead, it moves inward and against Crowley’s waist. And it STAYS THERE right up until he moves both of his hands away.

Look at the angle!!!! Look at how it moves INWARD and towards Crowley instead of straight down like before.

Still moving towards Crowley with a slight downwards drift because he is aiming for his waist.

Now it is too low for us to see but I think it is very obvious where his hand has settled. Maybe I am going insane after only thinking about this show for almost a month straight. Maybe not. Call me crazy but the angle here is DIFFERENT. The second one very much looks like he is holding onto Crowley.

Aziraphale kisses back. Fully kisses back. Somehow, that wasn’t enough for Michael Sheen, no, he had to fully commit to it and *close his eyes* when he reciprocates, too. Look at this!!! The way his eyes flutter shut when Crowley first grabs him, then open, and then CLOSE AGAIN when he starts holding him in return. Kissing back with his eyes closed and his arms wrapped around him. The last picture is right before he moves his hand to his waist/the frame after the camera angle changes.

Anyone else losing it right now? No? Just me? That’s fine, although I most definitely am not. Fine, that is. Michael Sheen I’m sending you my fucking therapy bills.

[avelera]

In episode 1.01 of Arcane, the minute the break-in job goes wrong is actually when Jayce returns to his apartment, which indicates that he is now within 10’ of Vi.

As we know, any time Vi and Jayce are within 10’ of each other, everything goes catastrophically wrong. In this essay, I will…

[lurukifennecfox]

Gotham was welcoming of Amity Parkers.

not as loving as with her own but she was way more patient with the people of her friend that any other outsiders.

so the people of Amity those Liminal and aware of her tried to pay her kindness back, to a reasonable degree of course but they could help and she let them stay so they did.

Paulina took it upon herself to make a nice place in the fashion district, she sold some charms to help with the curses as much as she could.

Sam being Sam opened a surprisingly Ivy Approved community garden and was very hard to convince not to join the Eco-terrorist but they managed to, thankfully.

the Fentons designed filters to help the 'Parkers but it was good for the city too if too little to do much.

Val hadn't moved here (yet) but she visited often enough and each visit volunteered somewhere.

Gotham grown to adore them almost as their own, she even hid them from the bats for a while to let them settle (and maybe help her more before her Knight inevitably got paranoid)

Gotham laughed when her King stumbled into her Red Knight, you could hear it in subtle ways the sounds of the night flowed just a little too much like a giggle.

Hood did deserve more good things she's proud of herself!

[mollysunder]

I like how the trailer shows us that people will try to symbolically tie Jinx and Vander together.

But Jinx goes out of her way to wear Silco themed clothes. Look at her wearing a SHARK hoodie with the Eye of Zaun design on it.

She really said that narrative can kick rocks, Silco's her favorite dad.

(Look at the little fin on the back of the hood)!

[chameleonsd1sh]

"harry had one spell and a dream" "harry only uses expelliarmus" "learn a new spell"

he did not only know expelliarmus. this gets exaggerated by the fandom bc in-universe it's uncommon to use it in extreme situations, so other characters took note of it, expressed surprise, and "fans" ran with that, and eventually started to take it literally. it used to be a joke but people forget that now, so it's become overused and unfunny

if you pay attention he knew tons of interesting spells, literally taught them to DA members, but NOT fighting fancy is key to his character... he wants to survive, not impress. this is very much the same line of thinking that led him to latch onto being an auror — it's suggested to him and he never has to consider another career because being an auror is fine, it will help him survive. he can't think of another career he'd want anyway... everything he does is about survival. this loss of interest or pleasure in most or all normal activities can be connected to his clinical depression

that's the point. expelliarmus is effective. it's simple. it's saved his life countless times. he's fully capable of fancier magic, but chooses to keep it simple to survive. he has nothing to prove

in fact, he uses fancier spells every time he duels draco malfoy bc then he's a kid, not a martyr, and wants to impress. in those moments, he has something to prove. all other times he dgaf because he's tired, he just wants to live.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[artbyblastweave]

So In the original X-Men comic where Magneto appeared, before any kind of civil rights metaphor was a glimmer in anyone's eye, he was doing a fairly unnuanced "Bow-before-me" routine, seizing control of nuclear missiles because he was a supervillain and that's what you do. In the original Ultimate X-Men by Mark Millar they reproduced that basic dynamic in the first six-issue arc (although not with nuclear missiles, but something equally high-collateral and terroristic.) He had much more of an express ideology there- a very simplistic 2edgy4me blanket misanthropy about humans, tinged with malthusian ecoterrorist vibes- in a way that harkened back to the cartoonish completely unsympathetic and unnuanced silver-age faire while also gesturing in the direction of a guy with enough of a party line to build a global cult following around. This was deliberately incompatible with an eventual claremontian face-turn but it was something.

Anyway I think a lot of people want Magneto to be a hero or at least an anti-hero these days (understandable, he has a very cool helmet) and so for a while I've been thinking about how and if you could hybridize all these beats. I think it's doable. I think you could build a version of Magneto where him stealing a bunch of nuclear missiles from the government is framed as basically morally neutral at worst, honestly kind of a lateral move, where it's more about not letting toddlers touch the hot stove. Magneto who's magneto less out of identitarian mutant supremacy and more in a way where he's exhausted with the human condition and fully convinced that the only way the children are going to stop stealing each other's lunch money is if someone with the requisite power (I.E. him) makes them stop. (In a way that functionally wraps back around to mutant supremacy, but that's not the explicit party line). A guy who'd intervene in the same way Daredevil or Spider-Man would if he saw someone getting mugged or threatened, who then immediately turns around and bloodlessly steals an entire bank vault to fund his asteroid house, because he's not about to take a moral lecture on the sanctity of property from fucking Goldman-Sachs. A guy who's pissed at Xavier at least in part because if he had globe-spanning psychic powers the world certainly wouldn't still look like this. Do you see my vision.

[lgbtlunaverse]

"Marcille hates all of Laios' freak traits but loves them in Falin" is honestly a really good joke but... you guys do know it's a joke right?

It's such a funny one I honestly find it impossible to get mad at even when people mistake it for an actual truth about the characters but JUST TO MAKE IT CLEAR

THIS is how marcille reacts when Falin is predictably just as enthusiastic about eating monsters as her brother was.

That is not the face of a woman who thinks this trait is lovely and endearing as long as it's exhibited by the girl she loves. That is the face of a woman who is taking 7d8 psychic damage and yet knows deep in her heart she won't like Falin any less for it.

The way young Marcille reacts to Falin eating berries Marcille can't recognize but Falin knows are safe is pretty similar to how she reacts to eating monsters years later, albeit with more fear than disgust. The difference in her relationships with Laios and Falin isn't just that she's attracted to Falin, it's because the Touden siblings, while similar, are in fact different people. Not just genderswaps of each other.

Also, I think you all already know this, but just to say it: she doesn't actually hate Laios for any of his freak tendencies either. He's one of her best friends. She's just a lot quicker to be outwardly exasperated with him while she's quieter about it with Falin.

[lexus-k4]

Dp x DC ideas/prompt

I've read many fan fics and storries where Danny is refered to as "the danger twink" and it got me thinking. What if Danny was an extreme danger twink where when you look at him you don't think he is even capable of looking or being a danger twink let alone and extreme danger twink.

It would go something like this:

*Danny, had his accident at an earlier age so younger than 14, his halfa status makes him grow slower so his 'puberty' would be in his like late teens to early 20's , Danny had bad neglectful parents so he doesn't look the best but in Amity he had somewhat of a food intake with fast food, Sam, Tucker and jazz. Trained in martial arts by Maddie Fenton, and jazz taught him psychology stuff unintentionally, jack Fenton taught him how to properly throw punches and his fights with the ghosts caused him to research human weak points and how to use them to his advantage before he realised not all of them worked on ghosta.*

-now you have a 14 year old Danny, after whatever accident or plot got him to Gotham, looks like he's maybe 12-13, extremely malnourished, looks pale and sickly, has his left arm clearly wrapped in bandages covering an injury and neck (compression bandages for damaged nerves from accident electrocution but no one knows that), cold to the touch probably because of whatever sickness he has and overall looking horrible, and is in a situation of attempted kidnapping, mugging or trafficking every other night or whatever-

Random guy with a knife: hey kid, you better do what I say or you'll be meeting the afterlife sooner rather than later.

Danny aware of his miss leading appearance and just fed up: been there done that, did you know that the after life is green. Oh and there's no choice where you go. Satan's more annoying than scary, like he's got these big horns on his head but-

Random guy confused as fuck: what? - no, I'm not joking. You better follow me or I will have to use force.

Danny: mmmmmm.nuh-uh.

Random guy: ... The fuck you mean nuh-uh?!

Danny: I mean. Nuh-uh. Now good bye. *promptly charges at the guy, disarms the knife from his hand and tosses him over his shoulder despite being like twice his height and throws a well placed kick to his head so he's knocked out.*

RedHood and Nightwing who were hanging out on a mission following traffickers, on top of the roof of one of the buildings overlooking the alleyway this happened in-

Nightiwnt: I'm not seeing things right? That kid just threw that guy like it was nothing... Right?

Red hood: I... Yeah? I mean... Huh?

...

Red Robin having a run in with Danny who again got caught in some random guys attempt to take him or mug him or something. And just as red Robin jumps down to help Danny had already sweeped the guys legs and knocked him unconscious: wait what?

Danny: oh. Hi. I uhhh... He started it. *points at the unconscious guy*

Red Robin: huh?

...

*the bats and birds in the cave, having a meeting because most of them have had a run in with this supposedly 'danger twink' and Oracle showing what ever street camera footage they found of the many times this kid has done something that made no sense like Russian suplexing a mugger, knocking out a group of 4 ppl when they attempted to kidnap him and so on*

Batman: how many of you guys have met him so far?

Nightwing: me, Hood, red Robin and Spoiler. And Signal I believe.

Signal: yeah, I heard some comotions and when I went to check I just saw the kid stood in an alley surrounded by about 3 unconscious bodies and 2 guys holding a knife and a bat looking like they were about to soil their pants...

Batman pinches his nose bridge and is about to speak before Oracle speaks over and pops up on the bat computer.

Oracle: sorry to interrupt, but I just spotted this kid again, and this times it's in clear footage. But this is different. He's not attacking just... Talking? Oh, wait no... Worse he's mentally attacking and psycho-analyzing. Ther is audio.

Oracle puls up a feed and the bats and birds proceed to watch a live feed of Danny verbally chewing out what looks to be a mLe adult holding a gun that still has its safety on, a male teen holding a knife and a female teen holding a duffle of what is assumed to be full of stolen items. The adult proceeds to start crying as he goes to the floor and starts rocking hinself, followed by the male teen collapses to the floor having an existential critics covering his ears then the girl follows with her face covered in tears as she proceeds to have a therapy session with Danny and Danny just helps back as she just spills every detail about her life and struggles all while sobbing heavily.

Red Hood: ... Can I just say... I am actually scared of this kid... Like... He scares me...

Nightwing: ... I don't even know what to say.

Signal: ... I think I like him.

Red Robin: I don't wanna risk being on the receiving end.

Robin: that is a good attack method...

Spoiler: ... Yeah I agree with Hood.

Batman: .... *heavy sigh*

Orphan/Batgirl: New brother :D

Sorry for any spelling mistakes.

[heartinhyacinth]

Something that I’ve always loved about Hualian is that throughout the series, people had warned Xie Lian of Hua Cheng left and right, told him various horror stories, rumors of cruelty and malice, etc., and yet…Hua Cheng never once (as far as I can remember) tried to counter the accusations with words. He never defended himself or his actions to Xie Lian, never told him of the ways it was false or not as bad as it sounds.

At times, he even went as far as to do the opposite, one example being when Xie Lian said he’d heard rumors of eming (to which Hua Cheng responds, “like how it’s evil, forged from the blood of a living sacrifice?”); when Xie Lian brushed them off as only rumors that shouldn’t be taken at face value, Hua Cheng only smiled (in the donghua at least, we couldn’t see his reaction in the novel considering Xie Lian’s back was to him), and didn’t say anything else on the matter, not refuting or confirming whether it was true, nor proving the details that would surely paint him in a much better light than Xie Lian’s colleagues had.

He’s always let Xie Lian form his own opinions on things, and that includes himself.

Much like the novels themselves, Hua Cheng takes a very “show don’t tell” approach to things. He doesn’t need to tell Xie Lian he can trust him, that he’d never harm him, and that he has reasons for doing what he does. Xie Lian already knows this. He’s shown it to him in his actions. If he had to say the words for Xie Lian to believe him, he’d have seen it as a failure to live up to them. It’s very in character for him imo—he hates hypocrisy and hates when people say one thing and then do another. So it makes sense that he would simply sit back and trust that Xie Lian would see him for who he is.

It’s all very similar to the fact that they don’t say “I love you” throughout all eight books (which I absolutely adore and I’ll make a separate post on soon).