#(see the more realistic examples on the left)

[flygonscales]

I am losing my mind here

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[twistedpink]

Hello! I love your writing sm <3

Could I request General!Lilia with that one military graduation tradition where the soldiers are required to stand still and wait for a loved one to touch them so they can move?

Idk if you know what I'm talking about but like here's an example: https://youtube.com/shorts/2142YOyLS8M?si=0xV64So-Sl_YtVSL

Remember to take care of yourself, drink lots and eat lots so you can stay healthy 🫶

I LOVE THESE VIDEOSSSSSS

General!Lilia’s spent his entire deployment thinking of you at home,, How you may want to remarry, and if you haven’t thought of it already you definitely will once you see him. He’s not the same man you married, and he just barely has the courage to admit to himself it scares him- More than any humans or the senate. The thought of you leaving him is terrifying, but he’d understand in the end. He’s been turned into a monster.

General!Lilia that keeps your clothing in pristine condition his entire deployment despite being filthy himself. You’ve done the charity of sending him the blanket from your wedding bed, a couple socks, and the bane of his existence. Your favourite night shirt. He deludes himself to think still smells of you after months of use- It reeks of the outdoors and his sweat and tears, but he’s never failed to bury his nose in it and feel all giddy.. You cared enough to send these mundanities to him, and they’re his greatest treasures. His last (sleeping) night on duty is spent wearing your socks in your shirt wrapped up snug in your blanket. More than anything, they give him strength.

General!Lilia’s lost so much. His troops and friends, his princess, his morals,, His tap out’s done alone, in a field untouched by the war. A pessimistic, realist part of him’s convinced that you’ll never come, that he deserves to rot in this field. If you were to abandon him here, he wouldn’t make it out alive. Not because it’s particularly dangerous,, But because he’d wait as long as it takes for you to be with him again- Even if you’re no longer “his”.

General!Lilia doesn’t blame the hypothetical you in his head for scorning him- Actually, he thinks you aren’t being harsh enough. He hasn’t earned a kiss or gentle touch, he doesn’t deserve your tender affections anymore. Your husband’s a failure. But he can admit he’s good enough to have stayed loyal at least,, No town flower’s tempted him, nor alley specials for soldiers. He’s never considered himself the romantic altruist type, but if you are to hate him, to leave or slander him, he just wants to look at you one last time. Then he wouldn’t have to worry if he’s failed so miserably that even you fell to the conflict.

When you appear out of the thicket, unmarred by the battle and even looking concerned for him, it’s a massive weight off Lilia’s shoulders. The time you take running across the field feels like a lifetime. You look the same as when he left for war.. You know nothing of the things he’s done, the things he can’t undo. He is not the man you knew. He briefly thinks of flying off- He’s had no difficulty when breaking the rules before, so what’s the difference? He’s sure you’d be better off without him. There’s a barely audible thunk against the metal of his armour when your arms are thrown around his neck, hurriedly removing the bloody mask he wears to see his face again. To see your Lilia safe and sound. Once all the pressure’s released, he wants to deflate, wants to collapse in your arms and weep and kiss and love you again despite the angry, violent thing he’s become,, He settles for hugging you back. He can feel you cry at seeing him so defeated, hear your heart race and smell your smell (The shirt doesn’t do you justice). He allows himself to breathe you in. It’s time to go home <3

@bju3c0re

[unboundprompts]

Hii!! I came across your blog and immediately followed since I thought I might needed some help with my fanfics, and if there's one thing I'm bad at is describing fight scenes with like guns or magic, I've been struggling to write it and did some practices and didn't like how they came out, I'm hoping if you can do some fighting prompts, I hope this isn't too much!!

How to Write Fight Scenes

-> check out @howtofightwrite , they are an excellent resource for writing realistic fight scenes.

Set the Stakes Early

Why are they fighting? Establish the stakes of the fight clearly before it begins. If the reader understands what’s at risk, they’ll feel more invested. Stakes could be personal (revenge, survival), emotional (protecting a loved one), or strategic (achieving a mission).

Use the Environment

Incorporate the setting to add depth and realism. Are they fighting in a cramped alley, an open field, or a crowded city street? Describe how the environment affects movement, line of sight, or weapon use.

Vary Sentence Length for Pacing

Short sentences create tension and speed, while longer sentences allow for brief moments of reflection or description.

Incorporate Sensory Details

Highlight the senses beyond sight to ground the reader in the fight. Describe the smell of sweat, the metallic taste of blood, the weight of a sword, or the deafening roar of a gun.

Example: “Her ears rang as the blast reverberated around the alley. Smoke filled her nose, thick and choking, but she ignored it, tightening her grip on her weapon.”

Focus on Key Moments, Not Every Movement

Avoid blow-by-blow descriptions. Instead, highlight critical moves, reactions, and turning points to keep the scene flowing and avoid overwhelming the reader.

Show Physical Strain and Fatigue

Fights take a toll, especially over time. Show characters struggling to keep up, panting, sweating, or even stumbling as exhaustion sets in.

Example: “Her arms ached, each swing feeling heavier than the last. Her breathing came fast, ragged, but she couldn’t stop now.”

Capture Emotions and Mindset

Mix action with glimpses of your characters’ thoughts and emotions. This adds depth and reminds readers why the fight matters.

Describe Injuries Believably

Injuries impact the pace and intensity of a fight. Showing injuries realistically adds tension and makes victories feel hard-won.

Example: “She hissed as pain flared in her side where his blade had grazed her. Her vision blurred, but she forced herself to stand, one hand pressed to the wound.”

Build Up to a Climax

As the fight progresses, increase the stakes and bring tension to a peak. This could be a devastating blow, a risky last-minute decision, or a surprising twist.

Example: “He was backed against the wall, nowhere left to run. She raised her hand, a final spell crackling in her palm, the light casting a fierce glow in her eyes.”

Conclude with a Realistic Aftermath

Show the immediate aftermath of the fight: physical exhaustion, injuries, and the character’s emotional response. If they won, are they triumphant, relieved, or traumatized? If they lost, what happens next?

Fight Scene Prompts (with Magic)

-> feel free to edit and adjust pronouns as you see fit.

As they crept down the dim hallway, the flash of gunfire exploded from behind, forcing them to dive to the ground, bullets ricocheting off the walls around them. She barely had time to pull her weapon, pressing her back to the wall as footsteps drew closer. With a steadying breath, she waited for the right moment, then spun, firing off two rounds that hit their marks with surgical precision. The hall fell silent, the smell of gunpowder hanging in the air.

Electricity crackled around his hands as he stalked toward his opponent, energy building in his fingertips. She mirrored his stance, blue flames licking up her wrists as her gaze narrowed. He made the first move, sending a bolt of lightning in her direction, but she countered with a quick flick of her wrist, sending the flames forward like a living shield. Sparks flew as their magic collided, the force of it rattling the metal beams around them.

He ducked behind the dumpster as gunfire erupted, bullets pinging off the conjured barrier that surrounded him. He gritted his teeth, feeling the strain as his shield flickered with each impact. His opponent advanced, shouting taunts over the noise, but he focused, raising one hand to push the barrier outwards, turning it from defense to offense. With a growl, he flung the shield forward like a battering ram, the force slamming his opponent back against the alley wall.

They ascended into the night sky, wind whipping around them as spells flew between them like streaks of fire. He could barely keep up, dodging her relentless attacks as the city lights twinkled below. Finally, he unleashed a burst of energy from his hands, the force spiraling outward in a shockwave. She managed to deflect it just in time, retaliating with a beam of light that sliced through the night like a comet, forcing him into a desperate mid-air roll to avoid it.

[oito-cc]

PORES — skin pores for more realistic looks

i made those to get less softness and bring some realism in my ocs' skins. just sharing in case someone finds it useful. i recommend reshade's smart sharpen shader for more sharpness.

⭐ INFO

base game compatible (bgc).

10 swatches (4 types with different opacities).

teen to elder, all frames.

available in skin details (forehead, mouth crease, freckles, left lip mole, birthmark, eye socket), facepaint and occult details (brow and mouth details) categories.

disabled for random.

⭐ EXAMPLES (click for better quality)

⭐ NOTES / T.O.U

compatible with most skintones.

i tried to show the difference, but i don't know if i succeeded.

you can use it in your skinblends and etc, just credit me.

don't reupload, but you may include it in sim dumps.

⭐ DOWNLOAD

simfileshare / patreon (free)

any problems, PLEASE tell me. feel free to tag me if you use it, i will love to see it!

[dduane]

The Bad Armor Drinking Game

In the digital art dep't...

So, having just sorted out the new figure for Queen Eftgan in the Middle Kingdoms books, I spent most of last week (while continuing to recover from the household upper respiratory infection) doing preliminary planning for the visual of a scene from The Door Into Sunset in which all the MCs are out on the battlefield. The big battle (or the final one of a sequence) will be the next day, and last-minute tweaks are being made to strategy and tactics. Which means putting most of the our-side protagonists together in a command tent, bent over a table covered with maps. (The "sketch" for this scene is over here.)

But sweet Goddess in a bucket, the shopping I had to do to make sure I had those guys' armor the way I wanted nearly drove me around the bend. From the digital artist's POV, the main problem with this is realistically arming the female characters. And the reason for this is simple: Almost all of it that's currently available from Daz is crap.

There are a very few notable exceptions. In Eftgan's case, for example: she's wearing the female-fighter version of the male-fighter harness that Herewiss has on. Sickleyield and Moonscape Graphics have done good work here.

But almost all the other female-use armors available at the moment? Argh. It had been ...a few years, I guess? since I last went armor-shopping. Last week I'd hoped there might at least be some new possibilities in the Daz shop. But instead I found so much more useless crap than before that I was tempted to start day drinking. And by evening, there were enough drink-triggers to start my very own drinking game.

I am not going to illustrate the triggers enumerated below, as I don't want to embarrass the artists. But if you look at the items turned up by this search, you'll have little trouble finding the things that would have left me in a drunken stupor within an hour or two.

My baseline: if I'm going to buy digital armor, either for male or female characters, it has to be something that I myself wouldn't be embarrassed to show up wearing at a swordfight. Otherwise, I start hitting the virtual bottle.

So I'd drink when I see:

Armor that fails to cover or at least protect vital vulnerable areas. Not just vital organs, but seriously important places like the insides of thighs and arms, the throat area, etc. (And yeah, I know and enjoy the various webcomics that illustrate, for humor's sake, the idea that the more bare flesh a female warrior displays, the safer they somehow are. But I'm dealing with the "realistic" side of combat here. Yes, some of my characters are magic workers, but the reason they go out and get themselves armor is so they don't have to waste precious magical ability dealing with something that steel will manage perfectly well without them having to think about it.)

Armor that should serve a useful protective purpose but nonetheless doesn't because it's been twisted by the armor maker, for design purposes, into a shape that means it's now essentially useless. Drink, for example, on seeing an example of "Silly Pauldron Syndrome:" i.e., shoulder pieces that will not only not protect you from a shoulder cut, but will direct it toward the space between neck and shoulder. ...Drink again if the pauldron also somehow blocks your view of what's going on around you. Another drink for pauldrons, gorgets or neck pieces that poke your eye out when you turn your head.

Armor covered with decorative doodads that do nothing but get in your way or serve as something for your adversaries' weapons to catch on. The proper purpose of armor is to deflect blows away from vulnerable areas, not to catch and keep them there. No one is going to waste expensive metal (and armourers' labor time) on decorations that are a liability. Anything that would catch a thrusting sword? Drink. Drink twice if spikes are involved.

Poorly thought-out attachments to armor (loincloths, capes, etc), Drink if these would inevitably trip you or otherwise interfere with you if you tried to run in them: or that would make it easier for an attacker—especially from behind—to pull/knock you down and kill you. Two drinks if the attachments are asymmetrical. (Because, what, this is supposed to help somehow?) And drink for loincloths in general, because, FFS, why.

Boob armor. If you're a woman who's fought with the sword at all, you know that unless you're absolutely dead flat in front, you bind up somehow to get the frontage safely restrained before the action begins. Armor that purports to separate your breasts into two different casings is simply idiotic. All that it does do is signal that you're female. (And you're doing this why, exactly? On a this-world battlefield, this strikes me as nothing but a recipe for trouble.) One drink for boob armor. Another drink for conical boob armor that would make even early!Madonna look askance. Two drinks for boob armor that covers only the tops of the boobs. Honestly, WTF!!

And: Armor that just looks silly. Armor that makes you go "Oh FFS, give me a break now" and look away. Two drinks (or more) for armor that covers hardly any of your character, but for which the designer is possibly charging you even more than for an intricately made and well thought-out piece of work with a lot more protective real estate.

...(sigh) So many drinks. And so little armor worth having. ...Anyway, I got away from that series of shopping sessions with my sobriety intact. Small mercies.

But let me show you something hilarious that came up along the way.

Very, very few of the people making and selling armors on Daz betray any sign of a sense of humor in their marketing images. The rig below, though, popped up suddenly and reduced me to gasps of helpless laughter.

This, I kid you not, will come up in that "armor" search above. Let's be charitable and refer to it for the time being as "fighting gear".

I haven't shown you the best of this, though. These two figures weren't alone. There was another.

This guy should be an example to us all. He's thinking, "They're gonna make me go out there wearing some stick-on leather nipple straps and half a rug from IKEA? Fine. I'm gonna make it work." ...And he not only owns it: he rocks it. This is a badass of some kind or another, and he has my sword, or axe, or whatever.

All I can say is: Good on the product designer for doing something genuinely funny for a change: because at that point, I seriously needed it.

(sigh) And now back to work.

ETA: A quick note per various recommendations of others online doing this kind of analysis: Thanks, but I don't need to go outside the household for more of the same. I'll just yell up the stairs to @petermorwood, who probably has some that's way more acerbic than mine. :)

[moonwoodhollow]

HOHENZOLLERN ALLEE 72-76

a German-inspired 1950s apartment build + a furnished flat

A build download that was in the works for almost a month and made me realise how much I love building local architecture even though it's not the easiest within the constraints of TS4.

It's meant to represent a realistic German apartment build, that is a bit run down and yet still feels homey and nostalgic to those of us growing up near or in these buildings. There's one furnished flat that is ideal for 2-3 sims and furnished in a retro 60s-90s look, that I hope you'll enjoy! This is also a BIG 1K followers gift, with which I want to show my deepest appreciation to all my followers, thank you so much!!

More info, screenshots + DL link behind the cut!

First a little history/backstory to this build:

This build is something you'd see very often in Middle to Northern Europe, less so in the UK, because brick builds there look similar but also different and I based my build off of Northern German brick builds.

The red brick used for these builds dominates the townscapes in quite a few cities where I live and has been used for a few centuries (see Brick Gothic). This build that I based on a real building, however, is more modern and was probably built after WW2, as the design choices, like using tiles on the facades of brick builds is something distinctively 1950s. I know there are older examples, but these buildings usually have more design and decor elements on the facades. These red brick builds were built en masse starting with the 1920s and were usually meant for low-income households. The same goes for the 1950s brick builds, which were built on top of ruins of older buildings destroyed in the war and oftentimes were cheaply constructed and usually don't receive the same appreciation that older pre-war brick builds get, so quite a few are already being demolished for more modern builds.

So what do you get with this build?

Hohenzollernallee 72-76 is a 40x30 lot that I placed in Evergreen Harbor on the Sprucewood Square lot. I created 2 versions of the building, one as a normal residential lot and another as a residential rental. Just choose whatever you want! There are 6 different flats, that have been renovated at different times, which is apparent from the condition of their kitchen and bathroom.. Each flat has its own basement room and the garden is shared between all tenants and there's a shared laundry room in the basement as well.

You'll also have a restaurant shell, the Burger Lab that is not functional currently, but you could make it so if you want.

The furnished flat is playtested and ideal for 2-4 sims max and is heavily 'lived in', meaning very cluttered. I personally see an older woman living there, whose husband already died and her daughter left as soon she turned 18, but the interior was never changed or renovated. I don't know, you could probably come up with a lot of story ideas!

CC is mostly included. You'll find an Excel file with the specific file names and the dl link for all CC that is not included. The build will probably still look okay-ish without the excluded CC but I strongly recommend downloading it, if you do not already have it.

Thank you, especially to these lovely creators: @budgie2budgie, @sforzinda, @surely-sims, @pluto-sims, @syboubou.

@myshunosun, @charlypancakes, @peacemaker-ic, @kkbsmm, @leaf-motif

@awingedllama, @kirsicca, @baufive, @lumenniveus, @kiwisim4 and many more!! it's because of you that this build looks the way it does <3

Uses items from the following packs: For Rent, Growing Together, High School Years, Cottage Living, Snowy Escape, Eco Lifestyle, Discover University, Island Living, Get Famous, Seasons, Cats and Dogs, City Living, Get Together, Get To Work, Werewolves, My Wedding Stories, Dreamhome Decorator, Strangerville, Vampires, Dine Out, Tiny Living, Laundry Day, Backyard Stuff, (Kits): Party Essentials, Basement Treasures, Greenhouse Haven, Bathroom Clutter, Everyday Clutter, Desert Luxe, Little Campers, Décor to the Max, Industriel Loft & Courtyard Oasis

Download: Google Drive | also up on the gallery: aeromantica (but you'll need the cc files from the Drive folder!)

-> Info: I tried to not include merged files, but there are about 3-5 that I missed, sorry :(

TOU: please don’t claim as your own or put behind paywalls etc. If you find any issues (wrong files, etc.) please let me know + tag me if you’ll use the house, I’d love to see it in your games.

[hayatheauthor]

How to Write Relatable Characters: A Writer’s Guide

Relatable characters are the lifeblood of any compelling story. They're the ones readers root for, cry with, and remember long after they've turned the last page. But what exactly makes a character relatable? Why do some characters feel like old friends, while others fall flat? 

In this guide, I’ll walk you through the key elements that contribute to creating characters that resonate with readers on a personal level. From building a strong backstory to crafting authentic dialogue, this blog will equip you with the tools to create vivid, compelling, and believable characters that will captivate your readers and add depth to your narrative.

1. Understanding Relatability

Definition: What Makes a Character Relatable?

A relatable character is one that readers can connect with on a personal level. This connection might stem from shared experiences, emotions, values, or even flaws. Relatability is about creating a character who feels real—someone who could exist in the reader’s world, or even in their own life.

Importance: Why Relatable Characters Matter

Relatable characters are crucial because they engage the reader emotionally. When readers see a piece of themselves in a character, they become invested in that character’s journey. This investment is what drives readers to keep turning pages, eager to see how the character will overcome their challenges or achieve their goals.

Connection to Audience: How Relatability Creates Reader Engagement

Relatability bridges the gap between fiction and reality. When readers connect with a character, they experience the story on a deeper, more personal level. This connection makes the story more memorable and impactful, as readers are more likely to empathize with the character’s struggles and triumphs.

2. Building a Strong Backstory

Personal History: Adding Depth and Relatability

A well-crafted backstory is essential for creating depth in a character. It’s the foundation that shapes who they are, how they think, and how they react to the world around them. A character’s past experiences, upbringing, and the events that shaped their life provide context for their actions and decisions in the story.

Key Elements of a Backstory

Family and Upbringing: The influence of family, culture, and environment on the character’s development.

Past Traumas and Pivotal Events: Significant experiences that have left a lasting impact on the character.

Personal Motivations and Desires: The underlying drives that push the character forward.

Examples of Effective Backstories

Consider Harry Potter’s backstory: growing up as an orphan, mistreated by his aunt and uncle, and discovering he’s a wizard. This backstory not only explains his initial naivety and longing for acceptance but also makes his journey into the wizarding world all the more compelling.

3. Developing Flaws and Imperfections

Humanizing Characters Through Flaws

Perfect characters are boring. Flaws make characters human and relatable. They allow readers to see themselves in the character, imperfections and all. Flaws create tension and conflict, driving the character’s growth and development throughout the story.

Common Character Flaws

Insecurity: A character’s self-doubt can lead to relatable internal conflicts.

Fear: Whether it’s fear of failure, rejection, or the unknown, fear is a powerful motivator.

Pride: Excessive pride can lead to mistakes, making the character’s journey more complex.

Balancing Flaws with Strengths

While flaws are essential, it’s important to balance them with strengths to avoid making the character too unlikeable. A character’s strengths should complement their flaws, creating a well-rounded and realistic individual. For example, a character might be stubborn (a flaw) but also incredibly determined (a strength).

4. Creating Emotional Depth

Internal Conflicts and Emotional Complexity

Relatable characters often face internal struggles that mirror real-life emotions and dilemmas. These internal conflicts add layers to the character, making them more complex and interesting. Readers are drawn to characters who experience a range of emotions, from joy and love to anger and despair.

Techniques for Showing Emotional Journey

Dialogue: Use conversations to reveal a character’s feelings and thoughts.

Internal Monologue: Dive into the character’s mind to explore their inner turmoil.

Actions: Show emotions through the character’s reactions to situations.

Creating Reader Empathy

To create empathy, your character needs to be vulnerable. Show their fears, hopes, and insecurities. Let readers see the character at their lowest points, struggling to overcome challenges. This emotional journey is what will resonate with readers, making them feel invested in the character’s fate.

5. Crafting Authentic Dialogue

Realistic Speech Patterns

Authentic dialogue is crucial for making characters relatable. People don’t always speak in perfect sentences or with flawless grammar. They interrupt, hesitate, and sometimes say the wrong thing. Capturing these nuances in dialogue helps make your characters feel real.

Voice and Tone

Each character should have a unique voice that reflects their personality, background, and emotional state. A character’s tone can convey their attitude, whether they’re sarcastic, serious, or playful. Paying attention to how your characters speak can add depth and authenticity to their interactions.

Dialogue as a Window into Character

Dialogue is a powerful tool for revealing character traits, flaws, and emotions. For example, a character who speaks in short, clipped sentences might be guarded or angry, while one who rambles might be nervous or insecure. Use dialogue to show, rather than tell, what your characters are feeling and thinking.

6. Relating Through Common Experiences

Shared Struggles and Universal Experiences

One of the most effective ways to create relatable characters is by giving them experiences that resonate with readers. These can be universal struggles, such as dealing with loss, searching for identity, or falling in love. When readers see characters going through similar experiences, they’re more likely to connect with them.

Cultural and Social Touchpoints

Characters can also relate to readers through cultural references or social issues. This could be anything from navigating family traditions to dealing with societal expectations. Incorporating these elements into your character’s life can make them more relatable to readers from similar backgrounds.

Examples of Characters Relating Through Shared Experiences

Consider Elizabeth Bennet from Pride and Prejudice. Her experiences of navigating societal expectations and family pressures are relatable to readers, even centuries after the book was written. Her wit and independence make her a character that many can see themselves in, despite the historical setting.

7. Avoiding Stereotypes and Clichés

Unique Characterization

While some character traits may be common, it’s important to avoid reducing your characters to stereotypes or clichés. Stereotypes can make characters feel one-dimensional and unoriginal. Instead, aim to create characters with unique, multi-faceted personalities that go beyond surface-level traits.

Subverting Expectations

One way to avoid clichés is to subvert reader expectations. For example, instead of making the “tough” character emotionally distant, show their softer side. Or, instead of the “nerdy” character being socially awkward, make them confident and charismatic. Subverting these stereotypes can create more interesting and relatable characters.

Writing Diverse Characters with Authenticity

When writing characters from diverse backgrounds, it’s crucial to do so with respect and authenticity. Avoid relying on stereotypes and instead, research and understand the nuances of the culture, experiences, and perspectives you’re portraying. Diverse characters should be as complex and fully realized as any other character in your story.

8. Giving Characters Agency and Growth

Active vs. Passive Characters

Relatable characters are often those who take control of their own destinies. Active characters make decisions, face consequences, and drive the story forward. On the other hand, passive characters who simply react to events can feel less engaging and relatable.

Character Arcs

A well-developed character arc shows how a character changes over time. This growth can be in response to internal conflicts, external challenges, or both. A character who evolves in a believable way is more likely to resonate with readers.

Growth and Change

Show your character learning from their experiences, whether it’s overcoming a fear, letting go of pride, or learning to trust others. This growth makes characters more dynamic and relatable, as readers witness their journey from start to finish.

9. Testing Relatability: Beta Readers and Feedback

Beta Readers

Beta readers are an invaluable resource for testing the relatability of your characters. They can provide feedback on whether your characters feel authentic and engaging. They can also point out any areas where the character’s actions or dialogue might seem out of place or unrelatable.

Character Surveys

Consider creating character surveys or questionnaires for your beta readers. These can include questions about the character’s likability, believability, and relatability. The feedback you receive can help you refine your characters and ensure they resonate with your audience.

Revisions

Use the feedback from beta readers to make necessary revisions to your characters. This might involve tweaking dialogue, deepening backstory, or adjusting character arcs. Revising with a focus on enhancing relatability can significantly improve the impact of your story.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[umbrelladripdrop]

DPxDC Idea 2

This one I've actually attempted to write at one point but only got a lil over a chapter done before I moved on and while I do want to write it, I'm also being realistic when I say I probably won't so for a compromise I'll post it here:

Basicly after DP canon has run its course (sans phantom planet obviously) Danny is just chilling with Sam and Tucker when suddenly there's a snag in the conversation that Danny just can't handle. They've all been working together and been there for each other through all the crazy that's happened after the 'portal incident', but at the same time, Sam and Tucker, and even Jazz, can't quite be there for Danny for everything. More specifically, when it comes to the fact that Danny actually died and the effects that has on him.

In my attempt at a fic it came up with Danny complaining to Sam and Tucker about Jazz being overprotective, even if she has been getting better at not being so bad about it all the time, and Sam ends up actually agreeing with Jazz. The friction comes from Sam and Tucker saying how they wish Danny didn't have to be a hero which hurts Danny because he needs to help, he needs to protect the town, and yet his friends are saying that they wish he didn't. It's a bit of a miscommunication sure, but it's also that Sam and Tucker just can't get it and Danny does eventually realize this but not before he storms off and flies all across town.

And on that flight, is where he says those dreaded words:

"I wish that I could just- just talk to someone who understands for once!"

And *boop*! In a sparkle of green dust pops out a real confused Red Hood stranded on a rooftop that has now been thouraly left in Danny's dust as the teen said the words while flying at least 100 miles an hour and therefore did not see the sudden appearance of a person who was not there five seconds ago.

Yep, Desiree is here but literally only for plot stuff as she's the jumping-off point for this fic. She's like the 'big bad' if you want to call her that, but only because they need to fight and defeat her to undo the spell but other than that this would be a pretty chill fic with some nice Jason and Danny (and even Tim and Danny) bonding and shenanigans.

The premise is that, after this wish and first instance of Danny accidentally summoning someone, it keeps happening. After Jason finally meets up with Danny (Red Hood finds himself in a new area so after like a day or two of research and no contact with the bats [ghostly/GIW caused radio black out or something] he does the smart thing and seeks out the towns resident hero) he gets flashes of why he's here and now he knows he's here cause both he and the kid share the experience of death so yeah he's helping this kid now. After that he and Danny (and Tucker and Sam cause they all made up now) find out that anytime Danny states a fact about his life that's weird or slightly traumatizing, he ends up summoning someone who shares that experience with him. Some examples/possibilities I came up with are:

"Who else fights eldrich horrors and what are essentially God's on the regular?" Cue John Constantine popping up, taking one look at Danny, and giving an emphatic fuck this and teleporting out.

"Well- uh- I bet no one else has had their DNA stolen by a freaky billionaire who's weirdly obsessed with them and then cloned them!" Cue Clark showing up frazzled until he sees Jason and just sighs in acceptance of the Weird Bat Shit.

"No! I refuse! There's no way in hell that someone's had to go and fight their future evil self because they came back in time to stop me from making it so their timeline never comes to pass!" Oh and now Tim is here, now him and Jason can start planin on how to fix this mess (and Tim and Danny can start to be friends too. All the bat bonding).

Those are just the first few back to back ones that Danny spews out in his denial that this is even happening after that initial meet up and explination with Jason. Clark ends up dipping with a promise to tell Bruce that Jason and Tim are alright an are just on a mission now I guess, they're not stuck since both Clark and Constantine could leave but it's not like they were just gonna let this shit slide, so yeah they're staying to help out.

Cue plot/shenanigans/accidentally trauma dumping since the spell makes Danny more suseptible to spewing his guts that way the spell can work more by summoning more people. The summons are based off proximity in a sense because they pull in the person closest that can relate to whatever Danny said.

This leads to Jason and Tim end up getting re-summoned again with a few other points like:

"Getting kidnaped by some old creep on the regular is not a fun time." Tim gets teleported back to Danny and they just... stare at each other because didn't this already happen? Aka this is when they figure out the summoning can apparently stack.

"Yeah like I was supposed to know that getting kidnapped by a ‘father figure’ for ‘my own good’ and wanting to strangle said father figure on multiple occasions was a universal experience." Jason who was sitting in a chair ten feet away is now only two feet away and no longer sitting in a chair and falls to the ground with a waterfall of swears.

"None of you get what it's like to have an older sibling as overbearing as jazz!"Jason teleports again and absolutely flips his shit and goes to fucking gag the twirp because this is the third god damned time Danny!

After Jason's 3rd teleportation, they pause the search for what's happening in favor of trying to figure out why he seems incapable of keeping his mouth shut. Literally. Even Danny says that he doesn't know why he's saying all this. They head down to the lab, which leads to this:

"Oh yeah we can go down here all the time, comes with the territory of borderline neglectful parents." Tim who wasn't on the stairs is suddenly now on the stairs (Jazz was leading the way and therefore farther away) and tips head over tea kettle which makes Jason laugh his ass off all while going how does it feel now?!

There's a potential for so many more summonings and accidentally trauma dumping shenanigans/emotional comfort opportunities but these were just all the ones I could come up with.

The day is eventually saved when they trick Desiree back but Jason and Tim end up staying in touch with Danny and end off with everyone being friends cause I'm a sucker for good endings and fluff. Again I might get to making this an actual fic but I'm already working on a big one (and slacking on it a bit my bad) so who knows? But I at least wanted to get the idea out there somewhere in case someone else wanted to play with the idea.

[yaseraphine]

astro observations 4 / random edition 1.

TW : virgo roast (sorry guys lmao), slight 18+ stuff and hot women lol

is it me or...?? #1

Is it me or do people that are born in late november / early december of 2005 (basically sagittariuses lmaoo) are often left handed or ambidextrous ?

Is it me or are Venus in Aquarius people really clingy ??? i thought my sister and I were the only ones who saw that but I've seen other people on here say the same thing.

Is it me or are women with Scorpio on the ascendant often really underestimated and labeled as airheads ?

Venus in Scorpio women and men's beauty + mix of libra and scorpio personal planets

a lot of women with scorpio venus tend to grow up chubby and the ugly duckling and then have this huge glow up and everyone is SHOOK

 women with Venus in Scorpio and Libra placements are literally the embodiment of beauty like they are the reincarnation of aphrodite. (It can also be applied to Venus in libra with other scorpio placements in the personal planets)

Their beauty is magnetic. I know it's overtly said in the astro community but there is a reason for that. They are not just pretty, no, they have striking features. They don't have to fit the beauty standards of their cultures or of an algorithm, they just have that je ne sais quoi.

example here : Adèle Castillon, Sun at 0 degree and Rising in Scorpio, Venus and Mercury in Libra.

(i actually have sooo many real life examples such as a few of my friends or acquaintances as well as my sister but I sadly can't post them on here...they would make such good and more realistic examples but it's okay lol)

Maybe It is up to everyone's taste, but, personally I find them so breathtaking. They're NOT just instagram model good looking NO a lot of women with this astro combo that i've met were genuinely so magnetic, their energy spoke for themselves

They also look so good with darker makeup and goth looks.

Men with Venus in the 8th house / Scorpio

Men with Venus in Scorpio or Venus in the 8th house tend to have really captivating eyes, and beautiful thick eyelashes like this :

On the left : Slimane, Venus in the 8th house / On the right : Imurgency, Venus in Scorpio

The humor of people with a mix of sagittarius and aquarius placements :

 People with a mix of sagittarius and Aquarius energies with some mercurial influence are so cringy but not in a bad way. They are just being themselves and they do it unapologetically.

They either have a really brainrot type of humor or redneck type of humor mixed with a dirty mind and a certain vulgarity that is meant to be funny but it usually makes people uncomfortable (which is why they're cringe BUT funny at the same time )

Mercurial moons being freaky +18

sorry but why are moon in virgos actual freaks (in the sense that they are freaky and h*rny and think about freaky ah stuff 24/7) and why are moon in geminis so dirty minded ? i swear mercurials don’t get enough credit for the freaks they are. In my experience, they're definitely the most dirty minded signs of the zodiac. They're the type to see innuendos EVERYWHERE and die inside when you say stuff like "I'm coming".

North node/ south node in pisces-virgo /12th house - 6th house node axis

Women I know with a north node in pisces/south node in virgo / 12th -6th house always have their nails painted in a simple color that goes well with their outfits for the week. They usually always look clean. Their nails are never dirty, always clipped and well groomed.

7th house observations on my chart and my "romantic" (BIG words right there lmaoo) life :

The two guys I've been "romantically" involved with both had Venus in Gemini. (one had it in the 9th house, the other one in the 11th house). I am Sagittarius rising with a 9th house south node, as well as a Gemini 7th house. Us being involved "romantically" makes a lot of sense. It was probably somewhat fated.

Both had a different ethnicity than me.

It's quite common to have a crush on people with whom you share a 1st house synastry with and as a Sagittarius rising, I know one guy who had a huge crush on me and he had a Sagittarius stellium, including his Venus.

Generational placements

 Generational placements do exist. A huge part of my family, including my parents and my sister, have 6th house placements/stelliums. They also have a significant earth placement either in Taurus or Capricorn and /or are Saturn dominant. There is also a big theme with the 6th house/12th house axis.

I am literally the only one (as far as I know) who has no placements in any earth signs or in the 6th house.

• Growing up, my parents were always working, even during weekends and the only vacations they got. They worked so hard and non stop, and often came late from work. I was really isolated growing up, despite having a sibling. I would sometimes cook myself dinner at like 8  (4th house in Aries at 22nd degrees and 3rd house in Pisces with Mars in Aries in it)

TW : that's where the virgo roast begins (it's mostly about unevolved ones)

• I second what Zeldas notes says about Virgos..the most obnoxious sign of the zodiac for sure. I can't stand their negative energies and how they constantly justify their bitter critiques behind a "I am just being realistic" mindset like go s*ck your d*ck, respectfully. I don't want your unsolicited advices, especially when your life is just you being stuck in karmic cycles, living in a lack mindset and b*tching about people all day. No thanks.

Aquarius and avoiding confrontation 

No matter what people say, the sign that avoids confrontation the most is hands down Aquarius. Libras are commonly known for that for obvious reasons, since they care too much about keeping the peace and the harmony no matter what. But, at least, Libras are passive-agressive, so you end up kind of knowing that they have a problem with you. Aquarius placements, on the other hand, have a really unpredictable, hard to read, and somewhat stoic energy, which makes it hard for people to know where they stand with them. The ones that I've met are NEXT level when it comes to avoid confronting things. Like Pisces, as they are the last signs in the zodiac wheel, they have a really hightened sensitivity, which makes them prone to seek ways to avoid reality more than other signs. This "avoiding reality" trait manifests itself so strongly in Aquarius placements, especially when it's placed in Mars from my personal experience.

This energy in one of my Solar Return charts: The year I had an Aquarius rising, with a Mars in Aquarius and a 11th house stellium, I avoided confrontation for a whole ass year. I ghosted everyone consistently. I was weirdly self-centered and felt so different (literally the "i'm weird i'm a weirdo" meme from that riverdale scene..help-). I felt out of place in the friend group I was in but never directly confronted them and dealt with the problem. I was just suffering in silence, pretending not to be as uncomfortable as I really was. By the end of the year, I just straight up avoided them without giving any type of explanation. At that time, i did not directly explained myself. I only did it through other people who were sent by this ex-friend group, and I did it really cryptically.

i have the biggest crush on her y'all just don't understand i am down bad she's drop dead gorgeous a godess thee reincarnation of aphrodite allegory of beauty i love her my jaw drops on the floor whenever i see her i believe in scorpio women supremacy period.

remember guys : stay blessed.

[shikiii-skadi]

Most to least likely to want to have children:

INCLUDES: everyone

WARNINGS: talking about biological children, but no mentioning of readers gender

NAVIGATION: Obey me! Masterlist

Most likely

💙Diavolo💙 - He is the future king of the Devildom, so he definitely needs an heir someday. The thought of having a child with you, which is basically the embodiment of his dream, is something he would have never believed could become such near reality. A child with a demon for a father and a human for another parent, while also descending from angels. Having a child with you is definitely a big wish for him, and he can get rather excited and pushy regarding the whole thing, but if you do not feel ready for children right now, he of course would respect your wishes. But he still would bring up the topic quite often, almost subconsciously, in your everyday life. For example, after you helped Luke with something, Diavolo will point out what an excellent parent you will most definitely be for your future children, or if you walk past a store that has baby/child clothes on display, Diavolo would tell you how cute those clothes look and that he should buy them in preparation for your children. Divaolo likes children in general. He finds his role as a father very fulfilling. He wants to have at least one child, and is open for more if you are as well.

💜Mephistopheles💜 - He is from a royal family as well and will need an heir at some point, too. His family will remind him of their wish for grandchildren every chance they get. But also without his family's wishes, he also wants to have children. Until you came into his life it was always a distant destination for the future, because he has yet to find someone, who he wants to have a family with. But it was always certain for him that after finding the right partner, children are going to follow at some point. Although he is in no rush and will take it on more slowly if you wish to wait. Mephisto loves his adorable younger siblings and wants his children to experience the same joy. So he wants to have at least four children, preferably more.

❤️Beelzebub❤️ - Beel definitely wants to have children with you. At least two, so that your children have each other. But preferably more. Beel wants to have a big family, just like he and his brothers are.

💚Simeon💚 - Simeon is kind of hard to place, because of his position as an angel. Like realistically he isn't even allowed to fall in love with you, much less to be intimate with you and sire children. But at the same time Simeon is known for his behavior that isn't really fit for an angel and his tendency to bend rules to align with his own desired outcome. While it is not his first choice, he would gladly fall from grace and become a demon, if it meant to be together with you. Simeon is very domestic and he would definitely desire to raise a family together with you. He prefers to have one or two children of his own, so he can make sure to devote enough of his attention and love to all of them and you, of course, equally, while also having enough left to give to Luke.

💜Belphegor💜 - While it would be a lot of work and would take a lot of time away from napping with you, Belphie does like the thought of having a family with you. It appeals to his more possessive tendencies, while also appealing to his domestic wishes. Belphie wants to have at least three children, just like he, Beel, and Lilith were.

💙Lucifer💙 - First his answer would be no. He already has to take care of his younger brothers. But on one of his quiet nights in the music room, listening to some of his favorite cursed records, the thought won't leave him and the longer he was thinking about it, the more appealing it became. Lucifer does find the thought of joining both of your bloodlines through a child appealing. To leave a piece of himself within you for everyone to see. It's the ultimate proof of your love and that you are his. The thought of you carrying his child fills him with an immense feeling of pride and possessiveness. Lucifer prefers to have just one child, but he can be persuaded to try for a second one, if that's what you wish. But two is his maximum.

💚Satan💚 - Satan is a romantic at heart, probably because of the many romance novels he has read. He is fond of both ideas. Starting a family with you and seeing your love combined in a little being that reflects the two of you fills him with warmth, but so does the thought of the two of you alone together forever. But no matter which outcome you do choose, there going to be a lot of cats. Lots and lots of cats. You will have a completely cat-themed house. And if you do have children, Satan is going to dress them in all the cute cat clothes and accessories, he himself can only wear for a few seconds in the confinement of his own room, where no one of his brothers can see him. The Avatar of Wrath couldn't walk around with cat ears. He has a reputation to uphold. But no one can say anything against his adorable children wearing those. They will have cute cat-themed onesie, cat shirts, cat socks, cat ears, you name it. If there is a cat related article of something, you can be sure you will have it somewhere in your home. Satan prefers to have one or two children.

💛Mammon💛 - On one hand, he would like to have children with you. So he could cross off another thing on his list of things he was your first with. On the other hand, he is not in a hurry to have children with you. He is greedy and wants to have you for himself for a while before you plan a new addition to your family. When he's not plotting schemes to get your child to torment Lucifer, because Mammon knows his child would never be harshly punished like he would (but Lucifer obviously knows Mammon is behind it, so Mammon will still be punished at the end of the day) or using your child to make money (by having your child beg strangers for money, for example), he is a surprisingly good father. Mammon is fine with one child.

💛Barbatos💛 - Barbatos wishes regarding children depend on whether you wish for children or not. If you want children, he will arrange everything, so that he has enough time to help you raise them and to take care of you, while also making sure to have enough time to dedicate to his position as Lord Diavolos butler. If you don't want to have children, he is fine with that as well, it will give him more time to focus directly on you. He also doesn't really have a preferred number of children, although he would prefer it if you don't have too many.

🩷Solomon🩷 - He is very, let's say free-spirited. Whether it's making a deal with a Reaper that involves getting his candle extinguished if he loses simply because it sounded fun to Solomon, or any of the other things he gets carried away with because it might be interesting, Solomon definitely doesn't see himself in the position to put all that behind him in order to take responsibility for a child. Though he can become serious, visible for example from the responsibility he has taken on for the people of the human world, which is why his ability to take care of a child is higher than some of the others. Just don't let him near the kitchen. But right now he thinks he is too young to settle down, even though he is literally centuries old. Though eventually, he would quite like settling down with you and raising children together. Having children together isn't a must for him though. And to actually get to the children point, you will have to give him another like two hundred years.

❤️Thirteen❤️- Children were never something she gave any thought to. Even after you two became a thing. She doesn't mind children, but she also doesn't really want some of her own. It's so much work. And a reapers cave isn't exactly the type of place to raise children that a part human in anyway. Thirteen can find some joy in taking care and playing with children, but would rather want to look after Luke or any other children of your or her friends and family and give them back to their parents when it comes to do the actual parenting. She is more of the fun-loving aunt every child wishes they had because they will be allowed to do all the things they normally aren't.

🩷Asmodeus🩷- Asmo is sure that a child that is the combination of him, the most beautiful being in all three worlds, and you, the second most beautiful being right after him, could only be of exceptional beauty. He would definitely be interested to see what your child would look like, but at the same time, he is also afraid deep down that his own child could upstage him. He also doesn't like the thought of having to share you with someone else and the whole chore of having to take care of a child. Though while it is a nice thing to think about for a few moments, Asmo rather not wants a child anytime soon.

🧡Leviathan🧡 - Definitely no. Levi has problems taking care of himself, he couldn’t take care of a child. And he also has so much anime and movies to watch, games to play with you, conventions to visit, lines he has to wait in for the special prerelease of Ruri-chan merchandise, and events to play for special login bonuses. He can't lose his login streak he has upheld for centuries! He is a busy demon. And the thought of having to take care of a child and actually having to raise and guide them, scares him because he is sure he would somehow mess up his child. He also doesn't want to share your time and affection with someone else. It makes him envious, even if it's his own child. Just thinking about it makes him feel jealous. And he is aware that this feeling of jealousy towards his not even real child is an ugly emotion to have regarding once own blood. He feels pathetic and just rather forgets about any children.

Least likely

Bonus:

🧡Luke🧡 - The thought that you and your significant other could have children together makes him jealous and a little sad. Luke is afraid that you might forget him and stop caring and supporting him the way you did before. Luke is in constant rivalry for your attention with your children before he realizes that nothing has changed between the two of you and that he is still an important person in your life as he was before you had children. Now he takes on the role of the big brother figure, even though he would never admit it out loud due to feeling embarrassed.

[centrally-unplanned]

Guess I should throw out some Gaza Ceasefire Thoughts - from a political history perspective it certainly is interesting:

-- As for the deal itself, it is pretty much "the best one could realistically hope for", though funnily enough the details aren't that surprising. Israel for some time has had very little strategy in Gaza (beyond "release the hostages or we keep blowing up random blocks"), and so them agreeing to these terms is the expected outcome. Hamas also lacked any real strategic options, but in the summer you could at least argue "the status quo of radicalizing the population and shredding Israeli reputation is beneficial", so you can see why both sides really weren't committing to anything before in the summer. Things have changed since then, though.

-- The straight-up-humiliating defeat of Hezbollah in the fall was a complete game-changer for the strategic situation. As much as Hamas had a strategy it was "wait for Hezbollah/Iran to carry the weight of the fight", and that was going not-awfully through the summer. Then Israel absolutely shattered Hezbollah to the point where their ability to control Lebanese politics is up-for-grabs, and any real threat to Israel is temporarily gone. Meanwhile Iran stacked that defeat with the revolution in Syria and their own military capacity losses, and while there is real tension in Iran between realist & radicalist factions, the current winds are blowing towards retreat. Combine that with the death of Sinwar, and the new Hamas leadership had no cards left to play. By the same token, Israel has few fights left to win.

-- This is why negotiations resumed in earnest in October/November, and right now you are seeing some pretty heavy exaggeration of the role of the Trump administration in this deal. It has been being hashed out for months, you can easily point to articles about progress throughout both of those months (example) and the Biden administration was heavily involved in the Doha talks. These things just take time, and both sides had a dramatic incentive shift recently. That is carrying the most weight here - talks were "90% complete" before any Trump reps arrived on the scene.

-- But the election certainly did play a role here, primarily because it was inducing uncertainty and changing incentives in the US. While it was going on you can see how both sides could "hope" that new administrations might let them gain an advantage, and understood that commitments from the Biden administration in August just weren't very meaningful. Additionally, while not very important the war was "an issue" in the election, and so the "action space" of politicians was shaped by that. Why not just...wait, and see how things go, right? Now there is no more reason to wait, you know what you got.

--I don't want to take all credit away from Trump on this, though. A theme I will continue to harp on, the "Imperial Presidency" has advantages. Biden was a perpetual faction appeaser, and you could credibly call his bluff on any decision around the war by going "you won't take the heat from your own party on this" from the left or the right. Trump can much more credibly claim "I don't give a fuck what I 'said on the campaign trail', I say what goes, make a deal or I will absolutely spite you". This is not a great strategy in a lot of contexts, but in foreign policy you need this sometimes. Dems really do need to take notes here, more unity in either direction and more strong brinksmanship from Biden would have been better.

--Now let's walk that back a bit - it is way easier for the Trump administration to play hardball. Elections make hard decisions much more difficult to pull off, as political factions can punish you more easily. The Dems have an asymmetric disadvantage here - they are inherently the "dove" party facing a topic where the median American voter is generally hawkish, and they are the party that contains a notable split within itself on the issue. Meanwhile Republicans all agree. No longer facing electoral pressure, it is much easier for Republicans to play a "Nixon goes to China" card and credibly browbeat Israel. No one will really think the Republicans are anti-Israel even if they do that, and Dems can't accuse them effectively of foul play because the party itself is split on the topic. This is "unfair" in a certain sense, for sure, but such is politics.

--I would be assigning way less credulity to the complaints amoung the Israeli far-right about Trump or Netanyahu "betraying" them. The far-right in Israeli is a powerful force, for sure, but by no means do they command the majority. They want to annex the West Bank and all that, but most Israelis disagree, the military isn't on board, it would jeopardize US/Arab ties, etc. Never say never but that was not really in the cards - if it was they would have done it already. Slow-roll settlement expansion is the plan, that will continue, but meanwhile there is nothing left to do in Gaza. Netanyahu is of course going to say publicly "oh boo hoo my hands were tied by the Americans I'm so sorry" while he gets almost all of his realistic goals. This is politics 101 stuff - though if the approval vote on Thursday goes sour then I am wrong on this, part of why I am posting it today. (Also another reason to not assign too much credit to the Trump admin - easy to "bully" someone who wants to be bullied)

Okay done - hopefully the ceasefire sticks, obviously this has been a disastrous war for almost all involved, never look the imperfect status quo horse in the mouth. It isn't the world one would want but it is better than the one we have right now.

[la-gotica-fantasma]

Nineteen writing tips I've picked up / been told -

~ ( Disclaimer : I am not telling you what to do or what you can and cannot do. Writing is personal, stylized, and a vessel for self-expression. Your writing is YOURS suga, and however you do it is beautiful. This post is just some advice I've found insightful, and maybe you could too. ᓚᘏᗢ ) ~

★ If you cannot tell if your story is connecting - read it out loud

★ If you have a really good idea, and you are practically itching to write it right now - then do !! Jot down that amazing idea and then connect all those frayed wires.

★ If you want the reader to be attached to a character - let that character be imperfect. Let them be selfish, overzealous, clumsy, or naive. / Let their good traits have bad days.

( examples include, but are not limited to; )

Savior-complex: Pushing too hard to help someone and hurting them more.

Patience: Being left high and dry.

High tolerance: Other characters overestimating their ability to tolerate anything.

Selfless: 'Character X' putting themselves after others to the point that 'Character Y ' has to forget about themselves to be able to keep 'Character X' afloat.

Bonding: Building an unhealthy reliance with one another.

★ If you want a character to be [emotionally] complex - let their emotions conflict. / Let morals be mixed into their dilemma (if they have one). / Try not to let the plot overshadow the characters inner conflict.

★ If you have a work in progress that you want to finish, but can't find motivation to - that's okay !! You're allowed to wait, and you're allowed to come back later with a bajillion ideas !!!

★ If you have plot holes - don't overwork yourself trying to getting rid of them !!! There are plot holes in stories that are TRUE, it'd be impossible to fix all plot holes.

★ If you are writing first person / thought - give their thought process a voice. How do they think? How do they structure their sentences? What phrases do they often use?

★ If you are writing stuttering, people rarely ever stutter "L-l-like..... T-t-this." - Stuttering is usually the repeating of the same part in a sentence, going back on it, like they're editing their sentence. / Space in between words, breathing, preparing. / Filler words !!! "Oh- I- I just-.. uhmm.. I was- I was just giving.. an example."

★ Don't 'CAPITALIZE' dialogue to show that they are yelling / shouting / screaming - we can convey yelling with how we phrase their speech, exclamation marks, etc.

★ Don't be afraid to make a character have hate for another character - nobody can like everybody. It can add personality and makes the character all the more realistic for the reader

★ Sensory details are always great to have in your work !!! But in action scenes - having less sensory detail is almost always more immersive.

"Why?", Because if a character is in an active sword fight with another character, their focus wouldn't be on the way the moonlight spills through the mesh curtains, or how their hand feels against the handle.

Putting those details before or after is so much more realistic and lets the reader grab and hang on to what you have to say, instead of a zip line with loose handlebars.

★ Don't be afraid to use tropes - it's not cheating in the slightest, you are the one writing it. Nobody else could've used the trope like you would. / You can use tropes to your advantage; readers find security in tropes, let the reader think "I see this often, they'll _____" and then totally 180 them.

★ Kill "Show. Don't tell." - you can do both !! It will be right either way, but always choosing one or the other disengages the reader from certain aspects.

★ Kill "Said is Dead" - you can lack the word "said" just as much as you can overuse it !!!

★ It isn't just about if a character coaxed, agreed, revealed, or proposed the dialogue. - It's also about how they did it. Was it soft? Sand papery? Rich? Confident? Hesitant?

★ Chaos doesn't solve 'everything' - but it solves a boatload.

★ Your story doesn't have to have a happy ending for the main character.

★ If a scene feels random or forced - check if you have motive for the scene

★ If you think of yourself as a bad writer, or you're self-conscious of your writing, remember - that no matter what, you will always be a better writer than Colleen Hoover.

~ ( Reminder : If you live by any of the things I mentioned, this is no hate to you. I am not shunning you, nor the way you write. Your current writing and your future growth is beautiful. But, if you like Colleen Hoover you can block me. ᓚᘏᗢ ) ~

[dontyoufeelitangel]

Hello Ghesties, Ghouls & Ghoulettes! Welcome to Angels run-down show-down, where I (Angel) do a run down of the Ghovie for all you lovely folk!!

Didn’t get the chance to see the Ghovie aka Rite Here Rite Now? Fear not for I am here! This post will contain a run-down of what happened during the Ghovie.

So this is your warning:

‼️SPOILERS AHEAD ‼️

I will be breaking this down into separate parts:

Lore: contains all lore that was mentioned

Songs: songs that were played

And Theatrics: stage play and other attributes that happened.

Another fair warning: there is a possibility that not everything that happened in the movie is noted here, I may have forgotten some things!! But I will do my best to include everything🤍

Additional notes: many fans including me were worried that this project would be incredibly low quality due to the fact it’s a movie operated by a band. More so worried that the movie would be the same quality as the YouTube episodes. I can confirm that the camera quality for this movie is amazing. You can compare the filmography to Taylor swifts era tour movie. Each shot for rite here rite now is shot with a high-to-low speed motion camera. The audio quality is above and beyond, even nihils ghost is very detailed and realistic. Every film shot is synchronized with the songs and instruments (example: camera changes for each beat/camera focuses on certain ghouls for their assigned solo)

Lore:

Story: the plot of the ghovie is a showcase of their Kia forum concert mixed with short lore scenes. Between every 2-3 songs there would be a scene of Copia running behind stage and talking with imperator and nihil OR getting dressed and ready for his next performance.

When he talked with imperator and nihil, he mostly talked to them about what would happen after the concert. Nihil and imperator told him numerous times that he was “focusing to much on the past and future instead of living in the moment, living right here, right now.”

Copia realizes this before he does his encore, so he goes out and does a great encore assuming he’ll soon die. After the encore and when the concert is finished, unfortunately imperator dies and gives a note to Copia.

The note states that he will not die, but rather be gifted a new higher status in the clergy. In which he’ll further be known as Frater (Latin for brother, which makes sense if we think about the title for sister imperator). And because there is no head for the ghost project they will bring in a new front man. The movie ends before the front man is revealed and we are left on a cliffhanger.

The lore for the ghovie is very similar and the same to what we already know! Not to much was revealed but here were the key points of what was mentioned:

⭐️the other brothers were not directly mentioned or shown on camera. The only references to the other emeritus brothers was the backdrop for the stage (stained glass windows portraying the previous brothers & nihil)

⭐️it was confirmed that Nihil was copias father and that during the kiss the go-goat music video sister imperator was pregnant with Copia.

⭐️Copia even acknowledges nihil as his dad, in one scene where he says “thanks dad”

⭐️sister imperator ends up passing at the end of the movie but becomes a spirit and is seen with the rest of the spirits (nihil and the twins, yes, the twins seem in the YouTube episodes apparently have died)

⭐️the ghouls were not to involved with the lore except for the fact they all surrounded imperators dead body when she passed. (Idk if this counts as lore but) the ghouls also talked in the movie, only for a small scene though. Bass ghoul (Rain) is the ghoul that talked.

⭐️nihil says that he produced three songs. The third song is the one we see during the credits. Song is : the future is a foreign land, as shown here:

SONGS:

The songs that played were the ones that were played at the Kia forum shows. Songs that where played included:

⚡️imperium (pre - opener)

⚡️Kaisarion (opener/curtain pull) (also if I remember correctly there was a short clip of a harp but I’m not sure if it was being played or not during that song.)

⚡️rats

⚡️faith

⚡️spillways

⚡️Cirice (he ciriced the camera making it look like he Ciriced us)

⚡️Absolution

⚡️ritual

⚡️call me little sunshine

⚡️con clavi con dio

⚡️ watcher in the sky

⚡️ if you have ghosts (acoustic version with two cellos, violin & harp ghoulettes. As well as a background vocalist ghoulette who did absolutely amazing! Also papa gives a speech about how “everyone is important and that their presence at that concert was inspiring”)

⚡️dominion

⚡️ Twenties (body painted skeleton dancers came out and performed on stage, they did cartwheels, threw eachother around and even picked up cardi)

⚡️year zero

⚡️spoksonat

⚡️he is (I cried)

⚡️miasma (nihil told Copia that he didn’t want to die, but even when he did he was still happy because he got to perform and bring joy to people temporarily when they revived him. Nihil also told Copia to focus on the good in life)

⚡️Mary on a cross (animated in a scooby-doo style, where nihil chases around imperator as she fights him and runs away)

⚡️ mummy dust

⚡️respite on the spitalfields (each ghoul/ghoulette got a solo)

⚡️ kiss the go-goat

⚡️dance macabre (skeleton dancers come out for a second time with silk fans)

⚡️square hammer

THEATRICS:

Some silly theatrics that happened include:

💙Copia huffing the gas from a whip-cream can before performing.

💙jumped in a storage transfer crate and had a whole convo with nihil.

💙has a the tour manager (Ashley) come out on stage and change his shoes for him.

💙only Copia can see the spirits of his family, so when he would talk to nihil or imperator, spectators around him would think he’s crazy and talking to himself.

💙many of the behind the scenes crew of the band were included in the movie such as : Ashley(tour manager), and many of the security guards & jesus( you know who lol)

💙remember when everyone was freaking out about the fact there’d be a blowjob reference? Yeah well there was no actual blow job scene, the warning for the blow job was for when Kyle aka Jesus came out and blew away the confetti.

💙there is also a scene at the end in which Copia is flying away from the concert (I guess that’s his preferred way of transportation lol??) he is flying in the hot air balloon we see in the cover for rite here rite now. He flies into space before falling, ouch!

💙during his flight there’s a montage of sister imperator being pregnant with him, during this montage we see twins. Twin babies, twin children. We are unsure if this is a reference to Tobias’s twins or if Copia has a twin.

.

If I forgot to add anything or got info wrong please feel free to leave a comment and I will correct myself as fast as possible!!

Don’t you feel it Angel? I do⚡️

[opbackgrounds]

The Romanticism of One Piece III: Emotionality and the Absurd

AO3 Part I Part II Part IV

“Do you think I am an automaton? — a machine without feelings?” —Charlotte Brontë

After opening with Roger’s death in chapter one, the perspective of the manga immediately switches to focus on our main protagonist, whose first action we see is of him stabbing himself in the face in order to look cool. The introductory panel of Luffy is one of childish, absurd determination. His mouth alone takes up over half his face. It looks a bit silly, and after patching him up, Shanks just…laughs. 

The Romantics, on the whole, were not silly people, but they were bursting at the seams with emotion. If you read a Romantic novel expect the characters to spend a great deal of time soliloquizing about their feelings. If you look at a Romantic painting expect bold colors and dynamism composition. If you listen to a Romantic musician expect songs that are passionate and full of energy, unrestrained from traditional forms. In a word, these people were extra. Specifically, the Romantics embraced the full spectrum of human emotion, from the depths of despair in a work like the Sorrows of Young Werther to the heights depicted within the essays of the American transcendentalism movement. 

This heightened emotionalism of the Romantics always trumped over what was realistic or scientific. For example, look at a work like Jane Eyre. While melodramatic, it’s a work that ostensibly takes place in the real world. Yet the most emotionally-charged moments introduce supernatural elements, including reuniting the main couple at the end when Jane randomly hears Mr. Rochester speak her name on the wind from halfway across the country. 

And by random, I truly do mean random. It’s difficult to put into words how out of left field this is for the reader. There are only a few pages left in the book, and by this time the main couple has spent more time apart than together and had no reason to believe they’d ever be reunited. But their love becomes a literal supernatural force strong enough for Jane to rush after him without hesitation, and they live happily ever after. 

(Please, I beg of you to watch the last 10 minutes of this movie. It was one of the most unintentionally hilarious experiences of my life).

It’s an extreme and slightly goofy example, but what is One Piece if not extreme and slightly goofy? It’s a story that, at its most fundamental level, makes you feel. We all know the pain of crying over a boat, and what makes the death of the Merry, along with any other number of things that should be stupid but aren’t, is Oda’s commitment to sincerity. Emotional truth trumps logic, always. It’s why we celebrate characters like Bellmere who can’t not call herself a mother, even if it costs her her life. The bond of found family is more powerful than the logical choice of denouncing Nami and Nojiko. Oda had other characters try to inject logic into Bellmere’s decision after the fact, but there’s no evidence from Bellemere herself that she was behaving logically, and we love her for it.

The artstyle itself emphasizes emotional truth over realism. Oda is more than capable of drawing in a more realistic or traditionally “cool” style if he wanted to, but it would be to the detriment of the story he’s trying to tell. Every smile takes up half a character’s face. People who are crying are portrayed as sniveling wrecks. Their fury becomes palpable, their hopelessness gut-wrenching, their joy contagious. Oda chose very early on not to give Luffy thought bubbles, and in the absence of knowing what he’s thinking, it was absolutely imperative that the audience knew what he’s feeling. The few times his expression becomes ambiguous immediately stand out and lend a scene a sense of weight that borders on unease.

This expressiveness doesn’t stop with the character designs. Oda will tweak perspective to make important people or places seem even larger than they really are. Buildings will follow Loony Toons logic if a gag calls for it. Locations and ships, particularly once the crew reaches the Grand Line, become absurd and impossible. 

(Remember, Hancock and Mihawk are both only a little over six foot tall)

But for One Piece, it’s in this absurdity that the impossible becomes possible, through sheer force of will. Luffy is on every level ridiculous, but it’s because he’s ridiculous that he chooses at every turn to keep fighting against forces that by all rights should be impossible to defeat. Many of Luffy’s most despicable enemies are the ones who in some way or another have taken away other people’s ability to feel as they wish. Arlong took away Nami’s happiness and made her cry. Crocodile stole Vivi’s ability to smile. The zombies of Thriller Bark are reduced to mindless slaves while the toys under Doflamingo’s rule are physically unable to emote. And perhaps most powerfully of all, the people of Wano and the slaves of the Celestial Dragons are both forced to smile despite their horrific circumstances, a bastardization of the joy Luffy brings no matter where he goes. 

In his prelude to the Lyrical Ballads, William Wordsworth wrote that, “All good poetry is the overflow of powerful emotion”. He linked emotion to motion, or action, with the catalist between the two being the creative power of imagination. While many of Luffy’s fights are ultimately won because he’s able to punch another person real good, the seemingly limited ability of the gum-gum fruit forces him to come up with increasingly-creative ways in which one can stretch, until he’s able to stretch the fabric of reality itself to bend to his whims. It is said, in all the world, that there is no power more ridiculous.

At the end of chapter 218 a galleon falls from the sky, and Oda quotes fictional physicist Willy Karen, stating, “Anything man can imagine is a possibility in reality.” It is through the power of imagination and absurdity that Luffy fights against the forces of oppression. There is nothing more dangerous to an institution than losing its credibility, and nothing so dangerous to one’s credibility than the power of mockery. If one can face the darkest, most difficult times and still laugh then, well, they become a little less dark and difficult. By laughing, and helping others to do the same, it becomes easier to make it through another day. It’s important, I think, that Oda has emphasized the act of laughing so much, drawing attention to it by virtue of giving out unique laughs all throughout the series.

One Piece has the reputation of being "the silly pirate manga". This isn’t untrue, but it does a disservice to the breadth of feeling the series inspires. As I said, we’ve all cried over a boat. Slavery, oppression, and every sort of hardship exist within the One Piece world just as much as it does our own. 

Oda’s answer is to combat these things with the silly and the absurd, by being creative and imaginative while pursuing one’s passions with one’s whole heart, no matter where those passions may lead. He tells the reader you have the right to feel as you wish and pursue joy wherever you may. And when you run up against resistance, you fight like hell for what you believe in. 

And as it turns out, that’s a Romantic virtue, too.

[lovelytsunoda]

the sixth sense | jake "hangman" seresin

summary: after a car accident totals her car and leaves her with the ability to see ghosts, an anxious police desk sergeant learns to live with the ghosts haunting her home, and the crush she has on the hot pilot who lives next door

pairing: jake 'hangman' seresin x reader

warnings: car accidents, ghosts (but they're very funny ghosts!), sexual innuendos/advances made by a ghost, if you can recognize the names of the detectives/station staff and can correctly tell me what tv show they are from, you get a metaphorical cookie. jake is a very involved neighbour.

author's note: my f1 fics for this collection have been on the struggle bus lately, so here's hoping my top gun one does better

sargeant y/l/n wouldn't say she hated her job, exactly, but there were many days where she wasn't always thrilled with it. take today for example, her desk piled high with requisition forms for fingerprint checks, traffic camera footage, autopsy reports and more.

it wasn't that she didn't like the work. no, she found catching murderers to be most rewarding. it was the people she worked with. detectives who didn't see her as an equal, but as a machine, dropping files on her desk with a demand and an impossible deadline.

"yn, how busy are you for the next few days?"

she raised her eyebrows at the detective across from her. "for you, detective disher? i won't be free until at least the end of the week."

detective disher raised an eyebrow. "how much work are they piling on you? you aren't their servants, you can speak up and tell them you're too busy."

she rolled her eyes, chewing the end of her bic pen. "usually they hightail it out of here before i even have a chance to open my mouth. some of them don't even speak to me or give instructions, they just drop a file on my desk and assume that i know what to do with it."

detective disher frowned. "we really need another desk sargeant."

"you think?"

it was long after sundown when she left the office that night, overtime she probably wasn't going to get paid for. she hoped that leaving at 6:30 was worth it to have a clean desk in the morning, one almost free of files long enough that she could breathe. of course, by the morning, all of the late shift detectives would have dropped all of their files off for her review.

she was about halfway home when traffic started to pick up again, the glow of the led headlights making it difficult to see out of her side mirrors. her glasses claimed to be glare resistant, but what did someone without astigmatism know about glare?

she turned right at the next set of lights, descending down the hill that would lead to her small, cosy neighbourhood. she was still a fair distance away as she watched the light change from yellow to red, taking her foo toff the gas. the car ahead of her seemed to be slowing, but not by much, and the car behind her was uncomfortably close. she sped up slightly, ready to put her foot on the brakes whenever neccesary.

wait a minute, are his break lights out? he's stopping!

she slammed her foot on the brakes, watching helplessly as her car continued to slide forward, her front bumper colliding with the rusted tail hitch.

her head jerked forward from the impact, banging against the steering wheel before it all went black.

she came to in the hospital, where audio was blurry and vision even worse as the doctor explained the symptoms of a concussion to her.

“it was a bad scene all around. you’re lucky you weren’t injured further.” the doctor insisted. “legally, I can’t allow you to drive for the next few days. is there someone we can call?”

realistically, the only name that came to mind was detective dishers. her parents were two cities away, and she didn’t want to disturb them. her sister was on vacation, and she didn’t want to bother any of her friends.

disher picked her up by the main doors, a matchbox twenty song playing on his stereo as she groggily slipped into the passenger seat, a plastic baggie full of prescription drugs in her hands.

“just take me home, randy. I don’t want to talk about it.”

the detective sighed. “okay. But you know you don’t have to come into work tomorrrow, right?”

great. no work meant no leaving the house. no leaving the house meant that her thoughts drove her to the brink of madness.

she simply couldn’t win.

as she slipped into her bed, she must have been slowly losing her mind as she swore that she could hear voices in her room as she was drifting off. she didn't think much of it, chalking it up to exhaustion as she let sleep claim her.

the following morning, she groggily puttered around the kitchen, assembling a light breakfast as she called her captain to explain why she couldn't come to wrok.

"hey captain, i was in an accident last night-"

"i know. randy called me. are you doing okay?"

"no concussion, but the doctor wants me to monitor for signs, so i'm not super hopeful. disher drove me home, and i'm supposed to hear from the mechanics about the state of my car later today."

"well, take care of yourself, yn. if you need anything at all, you have my number, and you have randy's. but don't call adrian, he's probably just going to make things worse."

she sighed, rubbing the skin on her forehead, fingertips teasing the edge of the bandages from where she'd hit her head on the steering wheel. "thanks leland."

"my my, you look a little worse for wear, don't you?" the voice came from nowhere, very thickly british and definitely not familiar.

she spun around, spying a figure in the kitchen doorway. his long hair dusted the shoulders of his leather jacket, and his skinny jeans were ripped to oblivion. she screamed, reaching for the metal ladle in her utensils jar.

"how the fuck did you get into my house?"

"your house?" the man looked confused. "sweetheart, i've always been here. i wouldn't throw that at me, if i was you. you'll just damage the wall behind me."

"who the fuck are you?" she stammered. "you're not real, this is just concussion brain, i should call the doctor back and go another scan-"

"you're seeing ghosts, honey." this voice was older, deeper. kinder. and significantly less british. another body materialized in her kitchen, sitting at her breakfast counter. she was round and plump, with a rosy face and sweet, kind eyes. she wore a nun's habit over a white blouse and a long navy skirt. "rick over there died in 1984. i'm sister katherine, and i died in 1961. lovely to meet you properly."

"the fuck do you mean i'm seeing ghosts?!" yn screamed, the sound reverberating through her skull. "you're not real!"

"i understand that this is a lot to take in." sister katherine insisted "but it must have something to do with the accident you were in last night."

"how do you know about my accident?" she pushed, brandishing her metal spoon as a weapon.

rick rolled his eyes. "because we watched that detective bring you home last night. tell me, are you two sordid lovers? if i wasn't dead i would love to get a piece of your-"

"enough, richard!"

"what the hell is happening right now? has he been watching me in the shower?" yn hissed under her breath, starting to pace back and forth in front of her stovetop.

"if you've got a head injury, you should really sit down." the nun kept trying to reason with yn, but nothing in this situation made one iota of sense.

she shakily sat down in one of the ikea chairs in her kitchen, and noted how badly her hands were shaking. she dropped the ladle on the table, clasping her hands together. she refused to look at rick and sister katherine, instead focusing on where her shellac manicure had begun to chip.

she really should book herself in for a fresh one.

"we have visitors!" rick's voice carried, his ghostly body reappearing next to yn. she startled in the chair, refusing to meet his eyes. "he looks annoyed, and he's wearing mechanics coveralls. i wore a pair of those on stage once. ladies love 'em."

"he was in a very unsuccessful hair band." sister katherine clarified.

"i need both of you to stay quiet for a second." she sighed. "he must be from the body shop."

she closed the front door behind her, although that was unlikely to do much against two beings who could walk through walls, but a girl could try.

"are you y/n y/l/n?"

"sergeant y/n y/l/n." she corrected. "san francisco pd. can i help you?"

"i'm from clint's garage, detective disher brought your car in last night."

that didn't sound good. behind her, she could hear a car door slam in her neighbour's driveway. oh good, jake was home. she tried not to let her eyes wander, waiting with bated breath for what the mechanic was going to say next.

"the front bumper was totally smashed, caved in where you hit the trailer hitch. the hood is also bent back a bit from impact. the good news is that the airbags didn't go off, which means your car can be fixed. the bad news is that it's going to cost more than your car is worth."

she could feel her headache coming back, her legs beginning to feel weak. she knew her car wasn't worth much due to it's age. but the city didn't pay her enough for her to be able to take on the payment for a new car outright, even if she was buying used.

she felt unsteady, and her body was starting to list to one side as two strong arms picked her up.

"i've got you, just keep breathing." the smell of cologne was overwhelming. there was no way in fuck that was rick, and it wasn't the mechanic.

she'd know that texan drawl anywhere. and that meant that right now, she was in navy pilot jake seresin's arms.

and that idea made her feel a little more faint that normal.

jake seresin had lived in that neighbourhood longer than her. she'd moved into her rental house just over four years ago, and he'd bene there on viewing day in a tight white tank top and jeans, getting all sudsy as he washed his silverado in the driveway. she couldn't resist watching from the window as he got into his truck in full navy fatigues before he went to work, or when he worked out shirtless on his front lawn since the porch took up most of the back.

she cleared her throat. "can i get an estimate for the repairs? will it cost less than buying a whole new car?"

the mechanic sighed. "look, even at randy's mates rate, it would still be more advisable to buy something new. go to a dealership and look at the preowned lot, anything less than 20k will serve you a lot better than getting this car fixed up would."

she couldn't form words, mind going fuzzy from the feeling of jakes hand on her lower back, and the thought of going back inside and facing the ghosts again.

"thanks, man. she can't drive for a few days anyway," jake started "but i'll bring her to the car lot when she's better and help her find something nicer."

jake helped her back inside, where the ghosts were watching giddily with their heads through the kitchen wall.

"you didn't have to do that." she insisted, avoiding eye contact with sister katherine while she spoke to jake. "i really can't afford a new car."

she could hear sister katherine in the background, whispering to rick. he's a hot one, and a real gentleman too!

"but you can't drive that one either. it's almost twenty years old, yn." jack frowned. "treat yourself. finance if you have to. take the scrap money and run, that's what i would do. you think the navy pays me well either?"

she fought the urge to bury her head in her hands and slump down on the table. "can you drive me to my follow up at the end of the week? he just wants to make sure there's no brain damage. i was going to get detective disher to do it, but if you have the morning off its less hassle."

jake looked puzzled. "why would you want me to do it instead of your boyfriend? shouldn't that be his job?"

"why the fuck does everybody think i'm hooking up with randy?" she shouted. "jesus, jake. he's my fucking boss."

the pilot's face was red as he carded his fingers through his hair. "he just seems to be over here a lot. he drove you home from the hospital last night and i just assumed."

"he's over here a lot because his girlfriend threw him out so sometimes i let him sleep on the daybed in my spare room while he finds a new place. we've been friends for years, we were at the academy together. i could be where he is if i wasn't too chickenshit to go into the field."

jake paused for effect. "well, this is awkward. are you sure you never thought about it."

despite herself, yn laughed. "we hooked up once back at the academy. we were sooo not compatible."

"i fucking knew it!" she heard rick shout in the background. "men and women can't just be friends!"

"richard!" sister katherine cut him off. "let the girl speak and mind your own business."

"lucky for you," jake grinned, totally unaware of the ghosts arguing behind him, every syllable of their argument making yn cringe inside "i happen to have the day off on friday. i'll take you to the doctors, and if everything is good, we can go to the car lot where i bought my truck. the guy will give you a good deal."

"i want a volkswagen. that's non-negotiable." she warned.

"that's fine. we can even stop by the garage and pick up your scrap money to put towards a deposit."

her chest felt tight with everything jake was offering to do for her. it was a slight anxiety, but a positive one. nerves that sprung to mind when she thought that maybe jake was offering to do all of these things for her because he wanted to be more than just her neighbour.

and as incredible as she knew it would feel to have a special place in jake seresin's heart, she'd been out of a relationship for so long that being in one again scared the ever-loving shit out of her.

true to his word, jake picked her up promptly at ten am the following morning. she had stressed about what to wear all morning, dodging criticisms about her outfit choice from sister katherine ('seriously, what on earth are they selling in the clothing shops these days? tops are supposed to go to the top of your jeans! what happened to dressing respectably?) and outdated sex tips from rick (which came with a knowledge of the ghost's kinks that she wished she could erase from her memory).

"just to be clear, you guys are bound to this house, right? you died here and now you can't leave?"

sister katherine nodded. "that is how being dead works, my love. we have to stay here while you go out gallivanting with your fancy man."

she stifled a laugh. "jake is not my fancy man. and neither is randy."

"whatever you say, cutie." rick winked. "and if you ever find yourself being undead in the walls of this house, give me a call and let me rock your world."

shaking her head with a laugh, she closed the front door behind her and headed over the grass to jake's house. he was waiting with two thermoses of hot chocolate and looked like he had just finished vacuuming the inside of his truck.

"good morning sunshine, let's go get you a clean bill of health!"

the wait to see the specialist was longer than the appointment. it lasted no longer than half an hour while the doctor took another brain scan and declared that there was absolutely nothing wrong with y/n aside from some superficial bruising to the skin on her forehead where she hit the steering wheel. jake insisted that her clean bill of health was worth celebrating, ushering her back into the truck and refusing to tell her where they were going.

"you know i'm a serving police officer, right? one call to captain stottlemeyer and there's a all points bulletin out on your truck."

jake laughed heartily. "i'm not kidnapping you, sweets. damn, you really don't like surprises."

"can't say i'm a fan."

minutes later, jake pulled off a secluded country road and into a parking lot lined in mulch. for a place that was so out of the way, the parking lot was packed to the brim and jake had to park the silverado what felt like miles away from the building itself. like a true gentleman, he helped her down from the truck's cab, one hand on the small of her back as they walked towards the large country store.

"a farmers market?" she giggled. "big bad hangman frequents farmer's markets?"

"how do you know my call sign?"

"you have it written on a metal sign in your garage."

jake winked at her, opening the heavy glass door. the country store was in a large refurbished barn, with the hayloft having been fully converted into a small cafe. his hand was warm through her cinnamon colored t-shirt as jake guided her towards the stairs to the cafe.

"do you like cinnamon buns?"

"of course i like cinnamon buns. who do you take me for?"

laughing to himself, jake had a large smile on his tanned face as he guided her towards a window seat. "make yourself comfy, sugar. i'll be right back."

she hated to see jake seresin leave, but she loved to watch him go, shamelessly watching the rippling muscles underneath his tight levis jeans.

he came back a few minutes later, two white china plates in hand, each one with a steaming warm cinnamon bun on top. as he passed her a plate, the cowboy made the bold claim that these were the best cinnamon buns in san francisco.

"i'll be the judge of that." yn said with a laugh, trying to pick up the sticky pastry in her hands in the most dainty way possible. the buns were large, mostly taking up the small plate.

"need a knife for that, sarge?"

"shut up, hangman."

"you know i outrank you, right?" jake joked, a sly look in his eyes.

she stuck her tongue out at the pilot, wishing she had a third hand so she could give him the finger. "bite me."

"all in due time, sugar."

she tried to hide the blush taking over her face, busying herself with taking the first bite of her pastry while she tried to ignore the images that jake's comment had conjured in her mind.

of course, the moan that she let out upon tasting the pastry did nothing to ease the sinful thoughts creeping into her mind. she could tell jake noticed, his breath momentarily catching in his throat despite the smile never breaking on his face.

"am i right or am i right?"

"fine." she playfully rolled her eyes. "you were beyond right. these are incredible!"

she beamed over at jake, wiping up some of the warm glaze on her chin that hadn't fully dried before she'd taken a bite. he was sitting across from her at the small table, and had yet to touch his cinnamon roll.

"you've got a little something..." he started, reaching a warm hand over the table to brush against her lips, wiping up some cinnamon that had been left behind.

her breath caught at the action, her eyes catching jake's blue ones. he truly was a beautiful man. time seemed to slow, jake's eyes slowly moving from her own to her lips and then back up again, her cheeks heating under his gaze.

"yn, can i kiss you?"

"yes."

he leaned over the table, gently rising from his wooden chair as he pressed his lips against hers. he was soft at first, almost apprehensive until she gripped his wrist where he was caressing her face, tilting her head back to give him a better angle and kiss him harder.

kissing jake seresin was everything she'd wanted it to be and more. if this was a movie, there would be fireworks going off behind them, and a sappy pop rock ballad playing as background music. perhaps something by lifehouse or matchbox twenty.

her lips felt sticky as jake pulled away, a goofy smile on both of their faces.

"you haven't touched your pastry." she said shyly.

jake grinned. "that's because you taste a lot nicer."

they stopped at the dealership on the way back, after having picked up the scrap money. yn test drove a volkswagen, fairly new with few miles on it. she decided to make it a point to come back within the end of the weekend, having already fallen in love with the little car. she felt like was, for lack of better words, walking on sunshine as jake pulled into his driveway, one of his large hands resting comfortably on her thigh.

he helped her down, looking forlornly over to her house, almost as if he'd enjoyed himself and didn't want the night to end.

"i have to go into work early tomorrow, and you've probabaly got heaps of work to do as well, so i'll let you get back to it." jake sighed, scratching at the back of his neck. "but, if you're up for it, i can stop by tomorrow and make you something for dinner?"

she smiled up at him, reaching to take his free hand in hers. "i'd love that." remembering her ghostly guests, she hesitated. "but maybe we could do it at your house instead?"

"i would like nothing more, sarge."

"good." she pressed up onto her tiptoes, kissing jake softly.

his hand snaked around her waist, slipping into the back pocket of her jeans as he deepened the kiss. she hummed contentedly, gently stroking his face with her thumb, hand resting on his cheek.

"i can't wait." she winked at him before she cut across her front lawn, backing towards her property. her southern gentlemen saluted her as she unlocked her front door, slipping inside the foyer.

"soooooooo." rick's familiar english drawl began. "how did things go with john wayne over there?"

and despite herself, yn was very much looking forward to sharing details of her budding romance with rick and sister katherine.

things were coming up roses for sargeant yn yln, and she was so excited to see what the future had in store.