#I haven’t been on here for a while-

[asherashedwings]

Made self indulgent Daycare Attendant designs. Or well, reworked my previous ones a bit (besides Eclipse, that one’s new)

I may start focusing more on FNaF for a bit. My brain is just only wanting to think about that rn, sorry.

Might still post Pico’s School occasionally, just not as much.

[sirazaroff]

@wickedisback commissioned me for some cuddly modern gelphie, and how could I resist such a call? :D

Thank you so much for the work! This was fun, was a nice callback to very old art of mine.

[shrugsinchinese]

He’s back baby!!!!

[pommunist]

everyone be quiet….hes taking a nap

[candyheartedchy]

Y’all I think I’m going feral.

[zero3six]

It’s been a while

[neptunes-cunt]

I didn’t engage with any THT content until I fully finished the show to avoid spoilers but holy fuck, I understand how so many women end up with shitty, awful, white supremacist men because it was such a shock to see how obsessed the fandom is with Nick. Yes, June and Nick’s relationship was passionate and I was absolutely blushing at my TV during the first 2-3 seasons, but before any characters even uttered the word, I knew that man was a Nazi. Serena confirmed he played an instrumental role in rounding people up and establishing Gilead’s power, hence his original role as an Eye. During one of Nick and June’s conversations, we learn he felt he had no purpose or direction in life which led him to join the Crusade. That conversation really reminded me of how many men talk about the reason they join the military or become police officers, and both of those institutions notoriously take advantage of young men, grooming them by assuring them they have meaning and will reap the rewards of participating in that meaningfulness and servitude. And maybe that’s what happened to Nick, but we don’t get much more insight than Serena telling June about Nick’s service and Nick telling June about his vague motivations. Young men recruited into Hitler Youth were done so using the exact same tactics and we don’t give them a pass for it, for just following orders, because that kills people. It kills non-white people, it kills ethnic minorities, it kills queer people, it kills disabled people, it kills women, and if it doesn’t kill them first, it exploits and tortures them and strips them of their humanness. It’s unfortunate we never really got to see Nick truly operating as an Eye other than in interactions involving June, but considering his actions as a Commander, and the fact that he even rose through the ranks to become a Commander, Nick was not saying no. He was not disobeying orders, he was not turning away from killing those who tried to flee or broke Gilead law. If he had, he’d probably be dead. And it’s very human to not want to die. But we can’t pretend our actions in avoidance of death have no moral weight or consequences. Nick tried to help June escape, but did he ever try to help any other women escape? Did he care about Nichole/Holly after she stopped being something that brought June back to him over and over again (read: Nick suddenly bringing her up in s6e9 so June would run away with him—particularly in a way that made it seem like Nichole’s presence would mostly be for June’s benefit—after seemingly forgetting she existed)? Every good action we have seen from Nick has at its root been in favor of himself and his protection from the reality he helped bring about. Nick loved himself far more than he ever loved June, because real love would’ve made him risk his life to free June and her daughters with any and all power he had (like Luke did). “I should’ve run away with you when I had the chance,” mhm, yeah, you should have, but you chose to stay, not out of fear, but out of love, not for June, but for power.

[mossfrogandratmushroom]

Gay Men.

That is all.

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part One

For Xiantober Day One: Genius… albeit stretching the prompt so it refers to MXTX and MDZS itself, but at the end of the day it’s still about WWX – so no harm done!

(Part Two | Part Three | Full version on AO3)

The narrative is a very active player in MDZS’ story. How it presents information, what it chooses to show and omit, often reflects important facets of its themes and characters – Nie Huaisang, for instance, is so good at hiding behind his mask that not even the narrative can hold him accountable; the present day’s storyline as a murder mystery and the slow reveal of information about the past both prompt the reader to think critically about the truth of events, when the importance of thinking critically is an important theme; and the dangers not thinking critically (and instead basing conclusions on rumours without much evidence) are shown by tricking unquestioning readers into the very same trap the cultivation world falls into, as the information given by the title, summary and in-universe rumours – which contradicts how we see actually Wei Wuxian act – turns out to be false.

But nowhere do I love this trait more than in its treatment of Wei Wuxian – and, more specifically, in its way of emphasising his agency. We’re not just told how much his active choices define his character, and we’re not just shown this in-universe through his personality, worldview and the events he causes. I’d argue that this aspect goes a step further, and shapes the structure of the out-of-universe narrative as well.

There are two main ways this happens: one, in how the aspects of Wei Wuxian’s life that are shown and hidden directly tell us what’s important about his character (which is good writing but isn’t necessarily tied to this shaping of the narrative), which is what we’ll explore today; and two, how what’s shown and hidden reflects what Wei Wuxian himself prefers to dwell on, resulting in the narrative respecting his own thoughts and feelings on matters (which very much is tied to it). We’ll explore this at a later date.

But as for now – let’s explore my favourite aspect of MDZS.

(Here, narrative agency will be considered the ability of a character to meaningfully influence their events and the story they’re in.)

Tragedy, Circumstance, Choice

If we simply look at Wei Wuxian’s backstory in a vacuum, it seems almost typically tragic. His  parents died in circumstances beyond his control, he was left alone as a child with nobody to care for him, he was forced to grow up fending for himself on the streets, he was faced with abuse when he finally was taken in… as with all typical woobies, everything simply happened to him, and none of it was good. It’s just another example of the lack of agency being used for sympathy points, right?

…Except there’s one problem with that idea. We don’t actually see any of this.

It would’ve been easy to start the flashbacks during these times. We’re telling the story of Wei Wuxian in (largely) chronological order, and these are likely important experiences for him! But instead of starting in his street days, or evenat the moment Jiang Fengmian took him in*, we start at the lectures in the Cloud Recesses. That’s not even something mentioned in, and therefore something that’s able to disprove, the rumours at the start of the novel. So why is this the case? 

Well, there are multiple reasons – the main one being that MDZS is also Lan Wangji’s (and Wangxian’s) story, and having the flashbacks open with their first meeting is very satisfying. But I want to focus on something else.

This period doesn’t have to be shown, because what happens to Wei Wuxian, especially out of his control, isn’t what’s important about his character.

We’re not even at Lotus Pier here, where Wei Wuxian certainly has more agency than he would’ve had as a young child, but where the harm caused by Madame Yu is still completely out of his control. Here, he has agency! Though there are consequences, he is free to act, and what happens to him is a result of those actions and not of circumstance. Yes, he gets punished more than others who also take those same actions (due to classism); yes, it’s not his choice to be picked on by Lan Qiren in class (yet look how he responds, twisting the situation to his advantage and ending up tricking Lan Qiren into letting him leave, which is what he wanted to do. He is not at all helpless here!); yes, these choices have been influenced by his learned mindset from Madame Yu that punishment is arbitrary and will happen anyway, so you may as well do what you want regardless. But there is cause-and-effect here. It’s not circumstantial tragedy.

Therefore, instead of our first impression of past!Wei Wuxian being that of an unfortunate woobie, it’s of someone who has the freedom, ability and will to choose and act (and that’s after these initial tragic events have taken place). This is compounded by the fact that before we see any of his backstory, we get a similar impression of him in the present day.

If the purpose of his tragic past was to earn him sympathy points, to make us pity him due to how much he was influenced by events out of his control, this would’ve been a terrible way of going about it… and it’s this that betrays the true reason for its existence. Because now, the flashbacks instead show us how little these tragedies define who he is! From the very start, Wei Wuxian isn’t someone defined by circumstances out of his control, but rather by who he is as a person and by what choices he makes in the present day (which is both a mindset in-universe, and a nice little out-of-universe detail that lines up! Because out-of-universe, this means he’s not defined by sympathy points from a backstory, but rather by his great character writing… aka, by who he is as a person and what choices he makes). And this refusal to be defined by tragedy is a conscious choice on his part, too – but we’ll explore that more later. 

The important thing is that this idea of Wei Wuxian isn’t because of what exists in his past, it’s because of what parts of his past are shown to us (as well as what he chooses to do, with agency, in the present). 

Now, if this relationship between what’s displayed and what’s omitted was just a one-time thing, I might’ve considered it a cool detail or a nice way to establish a character, but not something the narrative is actively focusing on. But it’s a pattern that continues throughout the flashbacks. What, arguably, are the two other most important times in Wei Wuxian’s life where he doesn’t have enough agency to meaningfully influence his circumstances? His three months in the Burial Mounds (before escaping – he managed to assume some control of the circumstances but not enough to substantially reduce his suffering in his time there), and his loss and death during the First Siege. And we’re not shown either of them! We skip to when Wei Wuxian has emerged from the Burial Mounds and is torturing the Wens, or we skip to the present day – both times he has agency once more, because, again, what he’s like without it doesn’t matter enough to be shown. 

Furthermore, I’d argue this does actually contrast the other tragic events we see in Wei Wuxian’s later life. Things do go horribly wrong, but it’s either due to choices he knows the consequences of (see: rescuing the Wen Remnants in the first place), or instances where he still has some ability to act in the situation and influence it within the limitations. If he’d had no ability to influence circumstances at Qiongqi path, he would have died in the ambush; if he’d been unable to do that at Nightless City, he would’ve died then, too (of course Lan Wangji helped him escape as well). The attention drawn to him losing control of his actions in both instances is very interesting, but intentional or not, it’s still his actions influencing the plot. And that influence happens to be detrimental. The very ability to act and influence, at a base level,  is not taken away (though, of course, that doesn’t make these events any less tragic).

So, so far, the narrative seems to be telling us that the ability to act and choose is key to Wei Wuxian’s character. And it’s doing it through omitting his moments without agency in favour of instead showing us his moments with it. 

Let’s see if this is echoed in the text itself before we go further – because even with this pattern, nothing would end up mattering if Wei Wuxian’s agency wasn’t actually that important to the story itself. But thankfully it is, and that first impression we get of Wei Wuxian in the Cloud Recesses turns out to very much be accurate! Though there are defining circumstances out of his control that occur, such as the massacre of Lotus Pier, the majority of the important events of his life are due to his own choices. He didn’t happen to be forced to cease traditional cultivation and solely use guidao, didn’t happen to lose his Golden Core in a fight with Wen Zhuliu or due to some force in the Burial Mounds, it was his own choice to give it and his spiritual powers away. He didn’t tragically happen to get targeted by the cultivation world, it was a result of him acting on his morals and protecting the Wen remnants (a choice which he was fully aware of the implications of). He isn’t a protagonist to whom things simply occur, and that activeness and agency is my favourite thing about him. 

That’s not to say that the times Wei Wuxian doesn’t have agency, or feels like he doesn’t have any, don’t exist at all, either – but they are rare enough to have attention directly drawn to them in his internal narration:

Or else what could he do? He could do nothing. He was powerless. Lotus Pier had been destroyed, both Jiang FengMian and Madam Yu were gone, and Jiang Cheng had disappeared as well. He was the only one left, alone, with not even a sword in his hands. He didn’t know anything, he couldn’t do anything! For the first time, he discovered how little his power was. In front of something as large as the QishanWen Sect, it was the same as a mantis trying to stop a chariot. - Chapter 59, EXR translation

(And even in this circumstance, note that he still does force himself to act – to carry on searching for Jiang Cheng, to place his faith in Wen Ning – and does accomplish his goal (albeit with the help of others)! So even in dire situations, he isn’t simply passive. This is actually also the case with his time in the Burial Mounds, almost certainly the First Siege, and even his days on the streets as well (Chapter 20: he did actively fight with dogs to get food despite their danger and his growing fear of them, rather than just waiting and hoping to somehow receive some more). He can’t influence or immediately influence his circumstances, but that doesn’t stop him from trying.)

Overall, although they do influence him, Wei Wuxian is very much who he is in spite of his circumstances, not because of them. We’re shown the importance of his agency both in-universe by the major impacts his choices have on himself and the plot, as well as by narrative presentation – important periods where he lacks the ability to meaningfully influence anything are often mentioned but not directly shown, which suggests that such moments and circumstances aren’t as important to understanding Wei Wuxian’s character as moments where he does have this agency are. And I’d argue this works very well. Depending on the version of the story you consume, you may end up having different interpretations as to how much circumstances were at play nearer the end of his life – but nobody comes out of MDZS thinking about Wei Wuxian, the poor bearer of yet another generically tragic backstory.

(Part Two | Part Three | Full version on AO3)

—

*We are shown this moment in more detail in Chapter 23… but even then, it’s through the framing of Wei Wuxian remembering Jiang Yanli’s narration, not through a flashback proper or even him remembering the experience itself!

[vic-does-battlecats]

Minor spoilers for the already revealed chapters of the next A Starless Clan book Wind

[padfootastic]

my sirius & harry thought of the day:

harry kept that firebolt alive for all 137 years of his remaining life through sheer willpower and magical strength. he did not let a single twig of it die off. not only was he absolutely unhinged about taking care of it, not letting anyone near it after 5th year, but he also basically single-handedly reinvented the field of broom-crafting just so he could keep his godfather’s gift to him alive. he didn’t do anything with this skill, basically driving everywhere who knew him spare bc !!! ‘harry do u know what u just did? most brooms don’t last over 6-7 years, not even a fraction of that if used at the pace and frequency as u. if u could just—‘

and he just flat out shuts them up bc how does he tell them that the reason his firebolt is still alive is bc sirius’ love runs thru it and harry would die himself before he let it bc he can’t lose the last piece of sirius he has left. he cannot perform this miracle on any other broom, tho he can probably make the single best non-sirius-gifted broom that the WW has ever seen just bc of how extensive his knowledge is now

and the thing, right, is he doesn’t keep the firebolt locked up in some display like some artefact. sirius would’ve never wanted that. his dad would’ve hated it. brooms were meant to be flown. so fly, he does. wonderfully. it’s forever his primary broom and he puts it thru all the paces, keeping up with all sorts of newer, flashier, pro models w utter ease.

it’s like this: when he uses this firebolt, it feels like perhaps he has his godfather back for just a second. and harry is forever weak to that feeling.

[ilovefredjones]

actually gotta go my own way is so. like a massive part of troy & gabriella’s relationship is built on that initial connection they had with other, where neither of them had anyone they had to be so they were just being themselves. and that vulnerability and genuineness is what they both really value about their relationship & it means so much to them. and gabriella sings ‘i’ve got to move on / and be WHO I AM’!!!!! she doesn’t feel that same connection with troy anymore. she feels like she has to hide parts of who she is whilst troy is also faking who he is!!!!!! and in bet on it troy sings ‘did you ever / LOSE YOURSELF to get what you want?’. hsm is integrally about being yourself & the genuine connection and joy that comes with being true to who you are. troy loses himself but gabriella serves as a reminder to who he really is

[dreamofbecoming]

i am actively being made an auntie (gn) right this minute

[chronic-hyperfixator]

Scream 1996 Headcanons

Sidney - Grayromantic - Bisexual

Gale - Pansexual

Dewey - Omnisexual

Randy - Biromantic - Graysexual

Billy - Bisexual

Stu - Gay

Tatum - Lesbian

Casey - Desinoromantic - Omni-sapphic

[coconut530]

Happy Lesbian Day of Visibility and Happy Birthday to Red of Red n’ Flynn!!

[bigtiefsart]

Sins of the Father