#I think I needs to make a tag for you. uhhh

[shellsstardew]

you made me ship shelliot so hard it's not even funny 😭 like normally im not super into rarepairs bc it seems ppl ship them just to ship them but i legit see where you're coming from, especially in the same context as your comic where their story begins after elliot moves in. i actually love your comic i cannot wait for the next part (not trying to pressure you obv). ive never gotten too many hearts with either of them but your characterization just feels so accurate like i feel like I could see your story with their dialogue happening in the game and it wouldn't feel out of place at all. and also finally (oops ive been rambling), your art style isn't overly detailed but the facial expressions/body language/like perspective i guess of the characters, especially shane and elliot on the dock is so well done, the small changes in positioning work so well to communicate the change in their body language and its just really impressive.

sorry i yapped or if it was weird or something i promise i was not trying to come off weird 😭😭😭 i just really admire good fanworks such as yours and it's important to tell authors/creators that they're doing well and yeah

also if you (or anyone else) has any shelliot fic recommendations i would loveee to hear them :>

No but seriously it's so funny that your like "I hope I'm not being weird" meanwhile I reread over and over your super thoughtful message to keep me going 😭

YOU GUYS DON'T REALIZE I NEED THOSE HYPER DETAILED COMPLIMENT or my stupid brain will go like "Okay time to think you're worthless and that what you're doing doesn't matter"

No I can point at the screen and say "See? 👉📱 SEE?! 👉👉📱?" and it's putting another coin in the machine hehe

Anyway, thank you so much 😭

AND YES I HAVE FICS TO RECOMMEND! ONCE AGAIN, @cutethulu you know the drill hehe

Camellia Station, by Awdrey (Explicit - but it's only one short smut scene in the last chapter for now)

Now it's still in progress (updating once a month) and they still didn't smooch yet, but that's what you get when you fall into the Shelliott rabbit hole, hehe, you can't be picky

It's really well written and the author and I have a lot of similarities in our interpretations of Shane and Elliott :) Go give it some love!

Also some one shots by @mongoosingisme that I really love :

Untitled Shelliott Ranch Project

Herding cats (Explicit - Shane/Elliott/fem!farmer)

And UHHH maybe you've seen it already but I wrote one about Shells, it's an alternate ending to part 34 (it's my first one and I'm really proud of it teehee)

Shells, alternate ending, by shells_stardew (Explicit)

Also @visionofthebees wrote this one for me on the same concept :

One Shell of a Night, by Visionofthebees (Explicit)

Be warned it's EXTREMELLY SILLY and she didn't even reread it before posting, but I love it with all my heart it's so so funny hahaha

I love her so imma also recommend her Clint x Elliott fic too (yes yes you read that right, she's 10 degrees further than me on the crack ship scene) :

Falling Ore You (Explicit) (46 chapters, completed)

LISTEN SHE MAKES IT WORK OKAY! SHE REALLY DOES!

And also, check my bookmarks! They are some non-Shelliott stuff that I absolutely love in there! (BUT always ALWAYS check the tags before reading, there is also some dark stuff haha)

Here you go, hope I didn't recommend all the ones you already knew about, as we all know this is not an extremely popular ship so this is what we get, quality over quantity hahahaa 😭

[tqmlecherocuki]

Yam spotted https://twitter.com/GingerBrave_dev/status/1730101448137179296?t=nhyeO4wsAvVcb7J1JnDfWA&s=19

"If 4 degrees or fewer: hug purple yam cookie"

OOOOOOOOOAAAAAAAAAAAAAAAAAAAAAGHHHHHHHHHHHHHHHH YAAAAAAAAAAAAAAAAAAAAAAAAMMMMMMMMMMMMMM MY GOOOOD IT IS HIMMMMMM OHHHHHHHHHHHHHHHHHHHHHHHHHHHH

AAAAAAAAAA

so he's just a walking furnace? That is, uh, cruel considering what happened to him, but, sure! (I guess if he is one, then he may not require dressing for colder climates....?)

[spacerockband]

Charlie on Earth, a comic.

[cacaocheri]

this was supposed to be one drawing!! ONE DRAWING!!!!!!!!! but every time i draw them i can't stop i need to keep going

[luck-of-the-drawings]

OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

[starscreamingg]

Detroit Become Human and why does this game decide that the problem in society is individual people treating androids poorly because those androids are choking them out of the workforce and NOT the corporations and governments who deliberately designed the androids to do this

[sainteclectic]

+ personally I don't care for cjshipping discourse? if your hms are brothers that's one thing, but i feel like the "chonny would feel weird if they kissed" argument kind of positions romantic relationships as uniquely More than other dynamics. it places romance on the top of the hierarchy as something that would be inherently deeper and thus more wrong than them being like... friends who cuddle?

what's the difference? none of my posts are "shipping" in a romantic sense, but why does the word "ship" have to exclusively refer to romantic relationships at all? a qpr is still a relationship. friendship is a relationship between people. undefined relationships are, obviously, a relationship. so why can't those be shipping too?

if you see them as family or are just personally uncomfortable with their relationships being romantic, that's fine! I don't see them as dating either! cultivate your online experience as much as you like, genuinely. but romance isn't above or more intense than other types of relationships. y'know?

[technicalknockout]

Do you care her 💔

im going to be completely honest,, i am so torn on what to make of mko

[deet-doot]

late to maid day but it's fine, have a doodle

thank u @lucien-aventine for the idea that we do not in fact have to adhere to the in-game maid outfit 💙

[solanumflare]

wanna hear about plants that can kill you?

[deoidesign]

just wanted to say that I absolutely LOVE your comic I am so inspired by it and it’s so lovely and I wanna buy the physical books (I’ve never done that before) I just AUGGHHH EVERYTHING ABOUT IT IS SO 💙💙💙

do you allow fanart? And is there anything not allowed? I wanna draw adam and steve so bad 😭

Of course it's allowed! Fanart fanfic fan music fan dubs whatever!

I like to think I'm sort of "building a playground" when I make a story, have fun on it! I made it for you!

In my general opinion, it's not my business what my "fandom" does... It's on you and also me to curate our own spaces! If you're inspired by my work in any way, that's the greatest honor I could imagine and I want you to feel fully free to explore that. If someone is being weird, I know where the block button is and they can keep being weird where I don't have to see it haha

Just don't like... sell it... it's messy legally with webtoon and I'm one person making the story and it's my whole income so the few sales I get are kind of huge for me ;_;

[gemini-queen42]

Batb: Other Than Human - Themes stuff (& why I Called It That)

That's right folks, the self-indulgent "throwing any concept I like at the wall and haphazardly mixing together what sticks" au rewrite Thing has Actual Themes! That kind of happened accidentally but they are so real for that so let's get into it.

The Main Narratives Themes Trio of the story now all also embody expanded themes about being an "Other", when being a person is not enough to be properly considered human- more specifically of a neurodivergent/queer girlhood type flavor.

Summary is that it's called "Other Than Human" because the prominent theming is about being considered something other than human due to not fitting the mold of the 'norm'.

[This is a long one so details & specific character stuff are under the cut<3]

Amalure has the greatest departure from her original counterparts thematic placing, so we'll start with her. Amalure retains Gaston's social standing, reputation, etc. But it's of course not quite the same- because she is a woman, and she is not revered for being the picture of ideal womanhood/femininity. Instead, she excels in masculinity, but remains firm that she is and always will be a woman. So, to justify the desire & awe people have for her, they dehumanize her: She doesn't need to follow the Rules because she is outside of them. Amalure is not a person: she is a symbol, a figure, an object. A legend, a folksong, a modern myth. Her skills are not skills they are blessings, inherent, a mundane magic or supernatural. Despite having grown up in Villeneuve for her entire life, she is considered exotic, and is practically, if not actually, fetishized. And through all of this, the status quo and social order gets to be retained without question, and she gets to exist as the exception that proves the rule, rather than the Undesirable that she'd be marked as otherwise.

Amalure is fine with this, because this dehumanization is her status quo: She doesn't really view herself as a person either, she is defined by her relationship to other people, by who she is to them. Amalure has never been a person to anybody: Growing up she was never just a girl, never just Amalure: She was a girl with a mans brain, an embodiment of her fathers greatest achievements, an embodiment of her mothers worst mistakes, she is her fathers daughter or her mothers daughter, but not her own. (and she never both, it is either or, mother or father, never both, never parents.)

Princess Eve/The Beast is the other end of this, of operating through her dehumanization. Upon being cursed, she adheres to what societies have oft wanted to happen to their Undesirables: Hide away and never be seen by the public again. It is entirely self-inflicted, as most of her suffering truly is. She operates not through others dehumanizing view of her, but her dehumanizing view of herself and its warping of how she believes others view her. Because, well, the servants still view her as a person. I mean, they're still human- under the new object forms. And the separation of humanity that is easy to slip into on matters of royalty is awfully minimal as well; they watched her grow up, and she grew up among them.

The girl's bratty, spoiled, temperamental, and is a ball of horrid consequences of the shallow views and ideals learned from surrounding nobility. But she's also the girl that fell asleep listening to Cogsworth explain the many technicalities to managing servants; because she was stubborn in asserting her authority as the mistress of the castle, and thus she Must have say over its goings ons. But the majordomo's voice can be awfully soothing when he's not high-strung on anxiety, and it's hard to pay attention when you don't understand what's being discussed, so its all going in one ear and out the other. And She's Lumiere's 'Evie', who was so amused when Lumiere would draw on a little mustache when dancing the male roles so the princess could learn some duo dances, or because she didn't look very "waiter-like" (because Eve wasn't entirely sure what a maître d' did, but it seemed to have something to do with waiters), and who got annoyed every time the dance teacher/maître d' would warn her not to hurt her body in her pursuits, because it seemed so silly, why would anyone do that? And she's the girl who dragged Mrs. Potts to have tea with her, because she made the best tea and as princess she would have only the best; and if you're going to have tea you may as well have a tea party, and you can't really have a party of one, but two isn't much of a party either so she's going to drag Babette away from her duties too, since the maid was so elegant and thus would be perfect.

Honestly, the girl probably would've turned out fine if she was raised by just the servants. But they weren't the only forces in her life: she's a princess, so she's got to host and interact with important people and learn how to Be noble which isn't something any of the servants can teach her. And it is under the pressures and eyes of nobility, is in mixing and learning their social rules, that learns the lessons that will lead to her curse: That to be considered human and treated as such, one must look human. And to be such as a woman meant to look beautiful, like the ideal. As a woman, to be worthy is to be beautiful and vice versa. And even if she does not, she must have some way to serve men. Otherwise, she is nothing. Eve met these requirements well, and where she did not yet her authority as princess covered. So when a beggar woman is at her doorstep, the princess turns her away: because she is old, ugly, so long past her 'prime'- there is no worth to her anymore. There is no point caring for her future.

Helene stands as both the middle ground and inverse to the other two. She is an Other by virtue of her mind, she is Objectifiable by virtue of her beauty. She sits on the precipice between Undesirable and Desired, seeming nearly apathetic to where she lands despite popular encouragement to embrace or smother aspects of herself. Helene is quite sure she's a person like anyone else, thank you, and is frankly frustrated and a bit weirded out that others seem to have a hard time getting the memo- she doesn't like or want to assume the worst, though, so maybe she just missed another confusing untold social rule or something. I mean, the local triplets really do seem to be advising in good faith- they really do think of her as one of them to an extent (for reasons Helene is yet to know); they just don't understand her.

When Amalure pursues her, there's an unspoken aspect to the deal of marriage she proposes: Helene will get a secured place on the in of the community, a secure standing the promises people no longer questioning or trying to encourage her to no longer be herself. But Helene just isn't interested in Amalure like that, and she also sees what the real trade-off of that security is; that uncomfortable dehumanization that is exactly what Helene doesn't want to deal with anymore. If Amalure is fine living with it than she is free to do as she pleases, but the huntress doesn't seem to understand what Helene could possibly have a problem with- and it's not like they can discuss it, because it's unspoken, and you're not supposed to speak the unspoken things, because they're unspoken for a reason- even if you don't know what that reason is. Helene knows that rule, at least.

When Helene meets the Beast, she regards her as she does any other. It's plain as day that the Beast has a humanity to her, whether she's really "human" or not- she thinks and she feels, and that's enough for Helene.

Because Helene grew up raised by a single dad who she got most of her brain workings from, and he is a man of compassion and science. Off he'd send his beloved daughter to go and question and figure out the world for herself, to experiment and learn and become whatever she desires. Off to bed he'd send her to tell her fairy tales and have their lessons of love and compassion and humanity understood as she drifted off to sleep. Helene was never Odd with her father, never Other, in fact they were so easily two of a kind. It was so jarring, hearing people imply Tyndare less than sane; his logic paths were so easy to follow- but apparently his voice gruffs enough that others have a hard time understanding what he's saying sometimes, so that's where things seem to get lost in translation she guesses. People became jarring in other ways as she grew up too, because suddenly there seemed to be lots of social things she was supposed to know or be but didn't and wasn't, and it became very apparent very quickly that she was an Other among her village.

Overall: Eve & Helene get to go through these themes through the main plot, and post curse-breaking is when Eve gets to properly deal with the internalized issues and whatnot. Like she's learned beauty doesn't matter when it comes to love, and shouldn't decide whether or not someone should be cared about, and Helene loves her despite her having been beastly and despite her being a failure of a woman- (because she no longer fits the feminine ideal after the curse is broken, and frankly she never will again.) But she's still a Failure Of A Woman and Helene deserves Better Than That! So there's still work to do.

Amalure remains static on this aspect of the narrative until after the battle at the castle, where she does survive! .. barely. and it's later, in an argument with her mother that same night, bleeding out on the kitchen floor, when she asserts that she's her daughter too, not just her fathers. she has always been her daughter, always will be, she is the daughter of both of them, because that's not something that just switches or turns on and off- and it's an entire rant that I will not recite here, but the important part is the assertion that she is, always has been, always will be, the daughter of both her parents at once- that's the first little step for her arc of recognizing her own individual personhood and whatnot.

[ghostieblotts]

Full disclosure that this post was inspired by this wonderful meme. So you know where my brain is at.

I've been recently working on a Splatoon au for SAF, and this got me thinking about an aspect of one of my character choices. Because the importance and fear of abandonment is a key part of why I think Owen works well as Marina.

Now, being completely frank, the primary reason for my making curtwen be pearlina is because I am biased, and want my one set of faves to be my other set of faves. (Indeed, I have thought about how Owen and Tatiana could well have been the other way around - and this would lead to compelling character choices for both of them! Tatiana as Marina, who is trying to leave behind her past as a prodigious child soldier, would work really well - Owen as Acht, who is left behind and relinquishes their body and free will in avoidance of distraction and pursuit of perfection, is an idea that haunts me.) But there are also ways that I think it works!

During the Chaos vs Order splatfest, I think one of the things that scares Marina most is the idea of losing Pearl. The characters all have slightly different reasons for joining their team in that splatfest, but I always see Marina's as being that the order and status quo she is seeking to protect is the new life she has built with Pearl.

To me, Marina is a character who craves stability and is terrified of being abandoned, specifically because she once uprooted a stable life and abandoned everything she knew. And, while that decision allowed her to escape her home and make her dreams come true, it was nonetheless incredibly turbulent, and I think it feels very fragile for her. I think it feels particularly fragile while Pearl doesn't yet know that Marina is an Octarian (which - goodness, how scared must she have been when Pearl found out?), and the idea of this beautiful reality she has found herself in shattering terrifies her. And the idea of Pearl leaving is most terrifying of all.

I always like the idea that Owen was scared of being abandoned pre-fall. That he felt like everything good might shatter in an instant, that everyone he loved could leave or die without warning, and that it was hard to accept that Curt might actually stay. (And then, once he finally did accept it, once the trust between them grew to the point that Curt leaving Owen behind became unthinkable, the impossible happened.) So this idea of the fear of abandonment is something I'm particularly in favour of as part of my au.

Particularly, one of the things that is especially fun to me, is that in this splatoon au, Owen becomes so scared of being abandoned specifically because he's been the one who left. And he knows how abrupt that was.

[agapestricken]

margaret atwood, alias grace; slightly modified to say 'her' instead of 'his.'

[greasydumbfuck]

metafrank but like the bits that make it obvious they are like really terrible together

[gorchards]

Chapters: 1/1 Fandom: 呪術廻戦 | Jujutsu Kaisen (Manga), 呪術廻戦 | Jujutsu Kaisen (Anime) Rating: Not Rated Warnings: No Archive Warnings Apply Relationships: Okkotsu Yuuta/Reader, Inumaki Toge & Okkotsu Yuuta Characters: Okkotsu Yuuta, Inumaki Toge Additional Tags: One-Sided Attraction, One-Sided Inumaki Toge/Okkotsu Yuuta, Inumaki Toge Uses Sign Language, Selectively Mute Inumaki Toge, Okkotsu Yuuta is Whipped, Inumaki Toge is a Little Shit, just a little though i think he's allowed to be, Pining Okkotsu Yuuta, Flashbacks, Roommates, Alternate Universe - College/University, Alternate Universe - No Curses (Jujutsu Kaisen), Yuuta Okkotsu misses you so bad, Exes, you will get back together i prommy, Yuuta is spelled Yuta, Okkotsu Yuuta-centric, Inumaki Toge-centric Series: Part 2 of Love Lines Summary:

You and Yuuta Okkotsu have finally met up again after 4 long years of distance- and Toge Inumaki has been there for Yuuta the entire time.