#So yeah... saving it for later

[achillean-knight]

Debating unhiding the deltarune and undertale tags until I actually finish chapter 4 (I'm at the final boss, but leaving it til Sunday (need my charging point for my phone and stuff for the con I'm going to tomorrow so BWAHG))

I also don't wanna get spoiled on like, the secret boss of chapter 3 bc my ass did NOT get to that part. So like... do I just wait until I replay it for myself on pc before I let the tags free? BWAHHHH

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[deoidesign]

Doing master studies the only way I know how: Stealing them and making them my guys.

(Barberini Faun)

(The Fallen Angel - Alexandre Cabanel)

(Covent Garden - William Bruce Ellis Rankin)

[lidoshka]

I was going to tittle this either "She was their mother too" or "from a place of hurt"

in any case, this is based on a scene from @syndrossi 's writing... not Resonant! but actually Resonat's au "Restoration"

I was thinking that before Robb closes the door he gets to see little William staring back at him with sadness or reproach.

[bunnieswithknives]

Can we possibly get your version of osma? I'd be interested to see what you did with her

Here you go!! I was putting this off a bit cause, I'll be honest, the way the reveal/transition scene was handled was actually kinda upsetting for me.

I did read on her Wiki though that she's apparently a fairy which is awesome as hell. I haven't gotten to that part in the books yet but I'm glad to have something to chew on in my time of need.

[too-many-rooks]

was giffing this for something else, but. he's so polite when he's kidnapping a teenager from the hospital room of her comatose father (who he put in a coma) to be used as a hostage/bait in a crazed billionaires wild schemes. Like yeah he's gonna do all that, but he'll open the door for her. He's not a monster.

[crow-caller]

rewatching your nightbane review and getting genuinely mad about how much the concept of a magically-bound divine right of kings (and how the populace can’t overthrow their rulers without all dying) fucking rules and how alex aster WASTED it. begging another fantasy author to please write this idea but like. good

(also your proclamation in that video that grim has “ice-cold yaoi hands” has haunted me since it came out. why did you speak that into the world social media user crow caller. why)

1. was there when the yaoi hands reigned. I know the signs and know them well. never call me a social media user ever again.

2. The divine right of kings thing Aster backward stumbles into IS very cool conceptually, you're right!! I nearly brought this up in my Skyshade review, but then realized it'd be the weirdest pull: Fallen London has an extremely good version of the same concept. I'm so so so sorry FL for referring to you as anything similar to Lightlark, but if you're interested in how 'magically bound divine right of kings which keeps a populace under control, treated as innate to the world but secretly artificial' can be done well.... well. let me tell you about The Chain.

The Great Chain of Being is a concept that the world is divided into a strict hierarchy, with some above others. In FL, the beings at the top are Judgements- cosmic gods who burn as bright as suns (okay, they are suns). They sit at the top of The Chain with the understanding This Is The Way The World is- they are often referred to as 'Kings', because they are analogous to them in many ways. Why do the Kings rule over us? Because the Chain is a facet of the universe, the Chain is true and says they are better than us. Why does the Chain say this? Because it is true.

.......Except, of course, it isn't. The Judgements created the chain, as kings created the Divine Right of Kings- to excuse their excess of power and abuse of it, they create the lie there is a divine truth to the world which just so happens to put them at the top. The universe doesn't make some people better than others, but some people will say it does in order to get away with heinous acts*. In FL, the Judgements abuse their power in far wilder cosmic horrors ways, able to enforce this division with their ability to rewrite reality with burning words. This power is again not necessarily something innate to them because they are sooo special- it is something they have because The Chain they've created to control reality says so.

This is key worldbuilding to fallen london, and is Sick As Hell- though quite Deep Lore, not apparent or relevant when you first begin playing.

(*The Great Chain is a real concept originating from medieval Christianity, which very much places all the world into a strict hierarchy with God at the top- followed by man, descending through various animals, and even including plants and minerals. A key aspect of the Chain was that this 'Absolute Hierarchy' was real, innate, holy, and... of course, an excuse for all kinds of racism. Sure, maybe they did think it mattered to decide lichen was closer to god than mushrooms, but ultimately an obvious reason the philosophy took root was to justify why certain humans mattered more than others.)

[willyhoos]

this is my favorite scene in the game because its just italy trying to make things as confusing and frightening as possible for reasons that end up benefiting NO ONE in the end

[scourge-sympathiser]

SCOURGE SUNDAY 015/???

a mask of my own face. id wear tht

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[hadesisqueer]

I like how Violet is so used to having dramatic ass children that Francesca marrying with no drama was too odd to her lmao. And thinking about how her story will unfold is actually kinda hilarious because it's gonna be like:

Violet: Well, that's it. John is a very good man and Francesca is comfortable and happy with her choice and if this is what she truly wants, it's all that matters💜

Violet: Also, it's kinda refreshing to finally have a normal child that doesn't do any dramatic or scandalous shit.

Francesca a few seasons later after her husband passes: *fucks and falls in love with her husband's cousin -who is a woman-*

Violet:

Violet: Honestly, I should've seen this coming, none of my children will actually ever be normal.

[luxfuxxvii]

i?????? how did i get here??????

i went to write????? my wip?????????? and???? and???? and then i spent 3 hours learning to code?????????? where did that come from?????????? i mean it worked but JESUS FUCK I SPENT 3 HOURS PROCRASTINATING ON MY WIP IN ORDER TO LEARN EXACTLY 4 THINGS ABOUT CODE???????? WHAT????????? THE FUCK????????

god. id do anything to get out of writing this scene, huh???????

yes. yes i would.

[disposal-blueeee]

VARGASTOBER - day 1 : memories

[buwheal]

ouhhhh debating whether or not i want to show these but i cant help myself... when im bored i love love love to think up just. poses and activities. for you to interrupt him in. (bottom left excluded this is my doodle page) And i dont think ill do any of these soon anyways. besides the top right one. which you wont see. one million things for him to do..... I can do anything i want.... and i can make /him/ do anything i want.... Is the point of the askbox not just for you to hang around with him during his day? his week?? his year???

[mattodore]

also dw theo is still the prettiest guy you've ever seen

[gurggggleburgle]

if SQQ got himself post cannon genderswapped by a magic flower or some bullshit and found sex with Binghe was somehow amazing and way better than it was before he'd chalk it up to stallion novel bullshit and be like 'ah yes, even if the genre changed Luo Binghe is at his core meant to be unrivaled with women in bed' and then he'd nod methodically to himself as he started making diagrams and excell sheets about the benefits of womanhood. Like he'd be trying to min max this shit and pondering if she wants to go back to mediocre sex as a dude and being gay or not. He's considering all the ramifications of delaying curing this easily fixable problem and strategizing while meanwhile Luo Binghe is setting down breakfast and replying, "Of course Shizun is the prettiest woman in the world. How can anyone ever compare with how perfect my wife is?"

And Shen Yuan nods their head as he pets her amazing husband Binghe's head, "If anyone is perfect its you."

anyway girl process none of it. she's in her own category of cracked egg with the shell still on.