#Synthetic Graphite
Explore tagged Tumblr posts
beeswire · 13 days ago
Text
The Graphite Market is anticipated to attain a value of $27.29 billion by 2034, registering a CAGR of 9.60% during the forecast timeline.
Graphite Market Analysis: Opportunities, Innovations, and Growth Potential Through [2034] The global graphite market was valued at USD 11.1 billion in 2024 and is expected to reach USD 27.29 billion by 2034, expanding at a CAGR of 9.60% from 2025 to 2034. Growth is primarily fueled by increasing usage in batteries, refractories, and lubricants. Market Definition The graphite market encompasses…
0 notes
tomoleary · 5 months ago
Text
Tumblr media
Frank Frazetta "…one of them carried a woman in front of him on the neck of the great bird..." Synthetic Man of Mars frontispiece (1974) Source
8 notes · View notes
ajinkya-2012 · 17 days ago
Text
Synthetic Graphite Market
0 notes
mindblowingscience · 4 months ago
Text
Diamond is well-known for being the hardest natural material on Earth, though synthetic forms have been developed that are even tougher – a feat that researchers have managed again, through a new approach to diamond formation. The team put graphite (another super-hard material) under an intense amount of pressure, before heating it to 1,800 K (that's 1,527 °C or 2,780 °F). The resulting diamond has a hexagonal lattice crystal structure, rather than the normal cubic structure.
Continue Reading.
104 notes · View notes
teddiee · 6 months ago
Text
Into Each Life: Chapter 13
Tumblr media
Summary:
The bed creaks softly as the room falls into silence. The hum of the radiator is the only sound, but it does little to fill the quiet that stretches between them. Tony focuses on the ceiling, the dim outlines of the cracked paint and faint water stains visible even in the darkness. He doesn’t move, doesn’t speak. For a long time, he wonders if Bucky’s fallen asleep, his breathing steady and measured behind him.
Tony closes his eyes. He tries to swallow the lump rising in his throat, tries to press down the aching, clawing feeling that’s threatening to tear him apart. But it’s too much—too big, too heavy, and before he can stop himself, the words slip free, so soft they barely leave his lips.
“I don’t want you to go.”
Words: 9,914
Tumblr media
Tony scribbles feverishly into his notebook, the faint scratch of pencil on paper filling the quiet room. His Art and Duty of Childrearing textbook lies abandoned on the floor beside him, pages bent and cover askew.
A casualty of negligence.
Propped up in bed, he leans against his and Arnie’s thin, mismatched pillows. The faint yellow glow of his bedside lamp casts long shadows across the cluttered surface of his nightstand, highlighting the smudges of graphite staining his fingers.
He nibbles on the end of his pencil as his eyes flick between messy calculations and intricate sketches.
The thing is, he had sworn off this nonsense weeks ago.
It had been a fucking headache, if anything. A dead end, something better left to time and the patience he didn’t possess.
Besides, the memory was still fresh—sharp words, sharper fists, and an ugly, lingering threat that Tony couldn’t dismiss, no matter how hard he tried to shove it into a deeper crevice of his mind.
And yet, here he was, defying all logic and better judgment, pencil in hand, letting curiosity pull him back in.
Because, like all bad ideas, this one had resurfaced with a vengeance.
(And had been sparked, no doubt, by both the mind-numbing drudgery of his current coursework and the glaring absence of a certain Alpha to distract him.)
His notebook is a chaotic sprawl of equations and diagrams, the pages covered in his usual chicken scratch, lines overlapping in a barely organized frenzy.
At the center of his muddled, distracted focus was the concept of a crystalline core—a theoretical medium to focus and amplify the radiation. Around it, he had scrawled potential materials, rough calculations, and the faint outline of a containment chamber: lead-lined walls to shield against leaks, an observation window made of reinforced glass, and a rudimentary control panel. The dials for adjusting intensity and duration are painstakingly labeled, though their precision remains theoretical at best.
In the margins, as if shouting at him from the page, he had scrawled the words “BIG RED BUTTON” in blocky letters, a failsafe to terminate the process in case of catastrophic failure.
The numbers sprawled across the page are rough, a messy mix of intuition and rapid estimations, but they start to form a picture.
He jots down an energy output estimate of 12.7 kJ/kg, scribbling question marks beside it, and notes that such an output might just activate Erskine’s super secret magic serum. The challenge, he knows, will be distributing the radiation evenly across a six-foot frame.
As he flips back through earlier pages, more questions fill the margins: What’s the long-term stress tolerance of synthetic quartz? What happens if the subject’s heart rate spikes? Could sub-threshold pulses mitigate the worst of the unintended effects?
He bites harder on his pencil, splintering the wood further as his scowl deepens. The textbook he’s supposed to be “studying”—yeah, right—mocks him from the floor, its neatly printed title a sharp contrast to the chaos of his thoughts.
At the bottom of the page, beneath the last hurried calculations, he underlines a phrase he’s written in bold, steady handwriting—a mantra that’s guided him through countless inventions and disasters alike: "Stark Rule #1: Always build it twice. The first one’s for the mistakes.”
He stares at it for a beat longer than necessary, then lets out a guttural groan, the kind that could rattle the hinges off the lab door. With a flick of his wrist, the notebook sails across the room, slamming into the wall before hitting the floor with an unimpressive thud.
“Brilliant,” he says. “Very mature.”
Fingers rake through his hair, tugging at strands as if loosening them might untangle the chaos in his head. He doesn’t even notice the caffeine buzz anymore—too much shitty dining room coffee, not enough food, and exactly zero good ideas.
“Some mastermind you are, huh?” He laughs, short and humorless. “Mastermind of digging your own grave, maybe. Idiot.”
A mastermind who will inevitably end up disowned, or worse, a victim of casual manslaughter, for this brilliant little detour.
He drops onto the bed like a marionette with its strings cut. The mattress groans beneath him in solidarity—or maybe protest. Above, the ceiling stares back, its cracks and water stains sprawling like some ancient, forgotten map. He traces the imaginary continents with his eyes, trying not to notice how the edges seem to blur.
"This is the stupidest thing I’ve ever done," he announces to the empty room. His voice sounds small, swallowed by the radiator’s low, steady hum.
Hopelessly foolish endeavor or not, the itch won’t leave. It burrows deeper, demanding attention, like a stubborn splinter lodged under his skin.
The crystalline core. The perfect medium. The impossible dance of energy and matter, balanced on the razor’s edge of genius and disaster. It taunts him like an ancient spell, daring him to solve its riddle or perish painfully trying.
He turns his head toward the notebook lying facedown on the floor, pages splayed like a wounded bird. The edges flutter slightly in the breeze from the cracked window. For a second, he considers leaving it there—letting it rot alongside the other half-finished ideas that litter his life.
But a stronger, more reckless impulse wins out.
Tony rolls off the bed with a graceless grunt, landing in a crouch on the floor. He snatches up the notebook, ignoring the torn page at the corner, and flips it open to the most recent entry. His eyes scan the scrawled notes, his brain already working to untangle the mess of ideas.
"Okay," he mutters, dragging the pencil back to his mouth for another absent nibble. This is what happens when he skips supper—he starts eating his stationery. "What’s the play here, Stark? You need power—stable, scalable, non-lethal power. Sure. That’s easy. No problem at all. Just rewrite the laws of physics while you’re at it.”
He grabs a fresh sheet of paper from the nightstand, smoothing it out against the uneven surface of the bed.
"Step one," he says aloud, sketching a rudimentary diagram of the core’s containment unit. "Figure out the heat dissipation. No point in building a glorified bomb. Step two..." He pauses, pencil poised mid-air. "Find someone stupidly altruistic enough to let me test it on them.”
That thought makes him pause, his posture deflating as his expression twists into something sour. The shadows in the room seem to deepen, and for a moment, his hand hovers uncertainly over the page. He knows better than most what unchecked ambition can lead to. The wrong hands, the wrong intentions, the wrong test subject—it could all go sideways so quickly.
He sets the pencil down and exhales, his breath shaky.
"Stark Rule #2," he says quietly, repeating another mantra he’s lived by since childhood. He thinks of flying cars. Stolen glances at classified files on his father’s desk—nuclear bombs. "Just because you can, doesn’t mean you should.”
The words linger in the air, heavy with meaning. But even as they settle, his eyes wander back to the notebook. The diagrams. The equations. The tiny, insistent kernel of possibility that won’t let him walk away.
Tony knows himself too well to believe he’ll leave it unfinished. He never does.
He lies sprawled on the cold linoleum floor, the growing ache in his neck a distant afterthought. His mind hums with restless energy as he conjures equations from nothing, the numbers unfurling like spectral ribbons. They stretch toward the ceiling, forming intricate patterns—floating variables that shimmer and shift, like constellations only he can decipher.
The ceiling becomes a canvas for his imagination, an infinite expanse where equations morph into possibilities. Variables twist and curve, dancing in a chaotic ballet as he tries to tease meaning from the mess. His lips move silently, murmuring numbers and theoretical principles, the words barely audible over the soft creak of the radiator.
A sharp knock breaks his reverie.
“Go away,” Tony grunts, rolling onto his side and sliding his notebook under his bed with a sharp shove.
The knock comes again, louder this time, insistent. Tony scowls, sitting up on his elbows and glancing warily at the door.
It’s past curfew. Room checks were hours ago.
It’s clearly not enough to stop Tompkins and his pathological need to catch Tony in some imagined act of delinquency and debauchery.
Well, maybe not so imagined, not anymore. To the trained, prying nose, his sheets most definitely still smell like Bucky.
Tony had been writhing in his lap only twenty-four hours earlier, after all, before Bucky had so graciously flipped him around and pinned him to the mattress, spread Tony’s hips with his thighs, sucked a bruise to his collarbone, and rocked him to a swift, messy orgasm before Tony could even unbutton his pants.
“So easy, doll,” Bucky had laughed into Tony’s throat, squeezing Tony’s hip as Tony’s pleasured aftershocks ebbed into a more heated type of mortification.
“Gonna have to hand wash these, you animal,” Tony groaned, hiding his face in the crook of his elbow and hiccuping weakly as Bucky punished him with another slow drag of his hips, relishing in Tony’s overstimulation.
“Not my fault you’re on a hairpin trigger, kid.”
“Don’t call me ‘kid’ when you just made me blow a load into my pants, Barnes, gross.”
It’s too late now for Tony’s sheets. Besides, until Tompkins catches Tony ‘in the act,’ so to speak, Tony has just been heavily relying on his best friend—plausible deniability.
Straightening his tie (askew since breakfast) and brushing graphite smudges from his hands, Tony clears his throat. "I'm studying," he says, loud enough for the words to carry through the door. “You know, like a model student.”
There’s no response—no impatient drawl, no snide comment about Omegas needing discipline. Just a muffled sound that sends a prickle of unease down his spine.
“Byron?” he tries again, this time more cautiously. His hand hovers over the doorknob. “If this is another surprise ‘search and seizure’, you’re too late, sir. My harem’s already disbanded for the night.”
Still nothing. He presses his ear to the door, straining to catch even the faintest sound. Then, almost imperceptibly, a sniffle.
Tony freezes.
He finally swings the door open, the sight on the other side rooting him to the spot.
Becca Barnes’s shoulders tremble under a plain uniform sweater, her face blotchy and streaked with tears. Her hands tremble as she clutches a crumpled telegram to her chest, fingers gripping it like it’s the only thing holding her together.
“Tony,” she whispers, her voice cracked and broken. Her red-rimmed eyes lock onto his, filled with a grief so deep it takes him a moment to find his voice.
“Becca? What—” He stops short, stepping aside to let her in. She sways slightly as she crosses the threshold, and Tony catches her elbow, guiding her to sit on the edge of his bed.
Her shoulders shake with barely suppressed sobs, and Tony drops to his knees in front of her, uncertain, his mind racing.
Tony, historically, doesn’t do well with tears. Other people’s or his own. He doesn’t know how to handle them—what to say or where to start—but something about the way she trembles makes his stomach twist.
She doesn’t answer immediately. Instead, she stares down at the telegram clutched in her lap, her knuckles white and trembling.
“It’s Joey,” she finally chokes out, barely managing the words before her voice breaks.
Tony’s brain stalls, caught between relief that it’s not Bucky—it’s not Bucky, he hasn’t gotten his orders yet—and a sharp pang of guilt for the thought. His eyes flick to the telegram in her hands, and though he doesn’t ask for it, she thrusts it toward him like it’s burning her.
With hesitant hands, Tony unfolds the paper. The words hit him all at once, stark and clinical against the cheap yellow stock.
“We regret to inform you that Private Joseph Proctor is missing in action. Further updates will follow as they become available.”
Missing in action. The phrase lingers in his mind, carrying with it the weight of all its implications. Not dead, not confirmed—but not safe, either. Not home.
“Becca,” he says carefully, setting the telegram down on the bed beside her. “I—” His voice falters, and he rubs the back of his neck, trying to find the right words. His tongue feels like lead in his mouth.
Her shoulders shake harder, and before he can figure out what to do, she collapses forward into him.
Tony freezes. She’s clutching at his shirt now, sobbing into his shoulder, and he’s absolutely, completely out of his depth. He sits stiffly, his arms hovering awkwardly in the air, panic rising in his chest.
What is he supposed to do? Hug her? Say something? He glances around the room as if the peeling wallpaper might offer some guidance.
“Uh, hey,” he tries, his voice thin. “It’s—uh—okay?”
She doesn’t stop crying. If anything, she sobs harder, her entire frame trembling against his. Tony’s heart hammers in his chest, and finally—finally—he manages to drape one arm around her shoulders in the most awkward, tentative hug imaginable.
“There, uh… ” He clears his throat, patting her back stiffly. “There, there?”
She doesn’t respond with words, just cries harder, and Tony’s awkward pats slow until he’s holding her in a loose, uncertain embrace. The position feels strange, foreign, like wearing a suit two sizes too big.
He doesn’t... comfort people. He’s not good at it. But Becca is falling apart in his arms, and for once, he can’t bring himself to pull away.
“It’s… it’s not over yet,” he says finally, his voice quieter now, less stilted. “They said he’s missing, right? That means there’s still a chance. He’s probably out there thinking about you. About how much he wants to get back home to you.”
Becca hiccups, her tears slowing enough for her to look up at him, her red-rimmed eyes searching his. “What if… what if he doesn’t come back?”
Tony’s throat tightens, and his own breathing suddenly feels constricted in his chest. He forces himself to hold her gaze as he says, “Then… you’ll deal with it when you know for sure. Until then, don’t let yourself lose hope, okay? John wouldn’t want you to.”
“Joey.”
“Joey wouldn’t want you to.”
Tony’s grip on Becca spasms momentarily, his knuckles white against the dark fabric of her cardigan, before he loosens his hold again, uncertain. She doesn’t pull away, just leans into him, her weight anchoring him to the moment. Her breathing hitches, soft hiccups breaking through the stillness, and Tony focuses on those tiny sounds because they’re easier to manage than the chaotic storm brewing in his own head.
He doesn’t know how to do this. He doesn’t know how to do this. Comforting people, sitting with their pain—it’s all alien to him. It feels like trying to hold water in his hands, everything spilling through the cracks no matter how tightly he tries to hold on.
He’s failing, isn’t he? He must be. Becca’s still crying. His words hadn’t helped. His presence hadn’t helped. He’s just a placeholder—just here because she needed someone, anyone, and he happened to open the door.
She’s trembling in his arms, hiccupping breaths that shake her small frame, and he doesn’t know what to do with it—with her grief, with her fear.
Because it isn’t just her fear anymore, is it? It’s his, too.
The thought twists something sharp and bitter in Tony’s chest.
He’s spent months shoving it down, locking the fear away behind the endless buzz of equations and ideas and the warmth of Bucky’s grin, the way his voice drops when he teases Tony, the way his hands linger like they never want to leave.
Tony had told himself that was enough. That as long as Bucky was still here, still with him, the rest of the world didn’t matter.
“Do you ever think about the war?”
The crumpled telegram sits on the bed beside them, the stark, clinical language burned into Tony’s mind.
Missing in action.
It’s Joseph Proctor's name on the paper, not Bucky’s, but for the first time, Tony lets himself consider—really consider—that it could be.
That one day, some faceless messenger could knock on his door, hand him the same slip of paper, and tear his entire world apart in one word.
He swallows hard, his throat tight and dry. The thought feels too big, too heavy to hold in his chest, and yet it’s there, pressing down on him all the same. He’s spent weeks pretending the war was something far away, something that happened to other people.
Other Alphas. Not Bucky.
Not his Bucky.
But the war isn’t far away anymore. It’s here, in his room, in Becca’s shaking hands and tear-streaked face. It’s in her sobs, and the weight of the paper she’d handed him like it was burning her alive.
It’s in the question he’s been too afraid to ask himself: What if?
Becca shifts slightly against him, and her words pull him out of his spiraling thoughts. “I don’t know how to do this,” she whispers, her voice breaking again. “I don’t know how to… to sit here and not know.”
Tony closes his eyes, gripping Becca a little tighter. His breath feels too fast, too shallow, and he forces himself to focus on her instead of the spiral pulling at him. She’s here, crying, looking to him for something—comfort, answers, anything—and he has nothing to give. Nothing that doesn’t sound empty or wrong or too much like a lie.
“You just… keep going,” he mutters, his voice thin, shaky. The words feel foreign in his mouth, like they belong to someone else. “You block it out. You don’t think too much. And you hold onto…” He trails off, his grip loosening as he glances at the telegram again. His throat tightens as the words hang in the air between them.
Because he doesn’t want to imagine the empty days and nights Becca will have to face, the silence stretching on without answers. He doesn’t want to imagine himself sitting in this same position, staring at a piece of paper with Bucky’s name on it.
Don’t think about it. Don’t let it in. That’s how he’s survived so far, isn’t it? By not letting it in?
Becca pulls back slightly, just enough to look up at him, her red-rimmed eyes full of a quiet kind of devastation. “Is that what you do?” she asks, her voice soft, hesitant, like she already knows the answer and doesn’t want to hear it.
Tony’s breath catches, and for a moment, he can’t meet her gaze.
The truth sits bitter and heavy in his chest, impossible to spit out. He’s been doing exactly that—blocking it out, refusing to think about the letters piling up in mailboxes, the names of boys shipped off to fight wars they might not come back from.
Refusing to think about Bucky and the unspoken inevitability hovering over them both. Because once he lets himself think about it, there’s no turning back.
“I don’t know,” he murmurs finally, his voice quiet and strained. “Maybe.”
Becca’s hand brushes against his, tentative but steady, and it jolts him like a live wire. He glances down, startled, as her fingers curl lightly over his. “Tony,” she says softly, her voice still trembling, “Bucky’s not going anywhere. Not yet.”
The words hit him square in the chest, a mix of comfort and something sharper. Not yet. It feels like a countdown, like the moment the other shoe will drop. And yet, it’s also true. Bucky hasn’t left. He’s still here, sneaking through Tony’s window, teasing him, stealing kisses when no one’s looking. He’s still here.
Tony nods slowly, forcing himself to meet Becca’s gaze even as the weight of everything presses harder against his chest. “Yeah,” he says, the word barely audible. “Not yet.”
Before Tony can fully process the weight of his own words, the air shifts around him, subtle but inescapable. He feels it before he understands it—a presence folding into the room, slipping between the stale heat of the radiator and the sharp tang of Becca’s distress.
And then, it’s there. Firewood and snowfall.
It wraps around him in a way that’s both grounding and unbearable, soothing and terrible all at once. It floods his senses, pulling him from the moment even as it tethers him more tightly to it. Tony’s breath catches, his pulse stumbling over itself as the scent settles deep in his chest, heavy and unshakable.
The window creaks.
Tony stiffens, his heart kicking hard against his ribs—equal parts anticipation and dread—as Bucky hauls himself through the narrow opening. He moves with the same practiced ease as always, his boots landing softly on the floor, his shoulders rolling loose as though the weight of the world has never once touched him. His hair’s mussed, wild from the wind, and his sleeves are pushed up to his elbows, revealing arms dusted faintly with soot. And then there’s the grin.
Lopsided, easy, and warm, like the night is his to command.
Tony can only watch, frozen in place, as Bucky brushes dust from his shirt and casts a glance around the room, oblivious to the weight pressing down on it. “Evening, sweetheart,” Bucky greets, his voice rich with its usual warmth as he runs a hand through his windswept hair. “Didn’t think you’d still be up. Know I wasn’t supposed t’stop by tonight, but…” He shrugs, his grin widening. “Thought I’d surprise you.”
For a moment, Tony feels like a rubber band pulled to its breaking point, every part of him stretched thin under the collision of two worlds. Bucky, carefree and teasing, full of life and ease. Becca, trembling in his arms, her grief still a raw, open wound. The contrast is jarring, the shift too sudden to reconcile, and it leaves Tony paralyzed under the weight of it.
Bucky doesn’t notice. Not at first. He’s still unwinding his tie, pulling it loose with a casual flick of his wrist. “Miss me?” he teases, stepping further into the room.
Then he sees her.
Bucky’s steps falter, the grin freezing halfway across his face before it dissolves completely. His gaze sharpens as it locks onto the bed, his brow furrowing deeply as he takes in the scene: Becca, curled tightly against Tony’s chest, her face blotchy and red; Tony, frozen like a deer caught in headlights, his body wound so tight it might snap.
“Becks?” Bucky’s voice cuts through the silence, sharper now, tinged with alarm. He steps forward, his movements slow but purposeful, his steel-grey eyes darting between Becca and Tony. “What’s going on? Why is she—” He stops, his jaw tightening as his gaze lingers on Becca’s trembling frame. “Why is she crying?”
Tony tries to respond, but the words catch in his throat, jagged and unsteady. “It’s…” His voice falters. He swallows hard, forcing the words out. “It’s Johnny.”
“J-Joey,” Becca corrects between hiccupping sobs.
Bucky freezes, his entire body going rigid. The name seems to hang in the air between them, heavy and suffocating. Slowly, his expression shifts, the confusion melting into something darker. “Joey?” he repeats, his voice quieter now, lined with a growing edge of dread. “What about Joey?”
Becca doesn’t answer. She doesn’t lift her head, doesn’t even look at him. Instead, she presses her face harder against Tony’s shoulder, her sobs rising again, fractured and uneven.
Tony swallows thickly, his gaze darting between the siblings as he wordlessly gestures to the crumpled telegram on the bed.
Bucky’s eyes follow the motion, narrowing as he steps closer. His hand trembles faintly as he picks up the telegram, unfolding it with a deliberate precision that belies the storm gathering behind his gaze. Tony watches the exact moment the words hit him. Bucky’s face tightens, his jaw clenching as his eyes dart across the text.
Missing in action.
The words seem to knock the air from his lungs, leaving him standing there, silent and still, his jaw working silently as though trying to chew through the implications.
“Goddammit,” Bucky mutters under his breath, his voice low and rough as he rakes a hand through his hair.
He doesn’t move immediately, doesn’t turn to Becca right away. Instead, his gaze flicks to Tony.
His expression is unfamiliar. Raw, unguarded—emotions that Tony isn’t sure he’s meant to see, and it makes his chest feel too tight, like the oxygen has been sucked out of the room.
Tony meets his eyes, the breath catching in his throat as the unspoken passes between them. He feels the weight of it settle in his chest, as heavy as the telegram.
Bucky sighs, sets the paper down on Tony’s nightstand, and takes a cautious step closer. His hand moves before his words can, reaching out to settle lightly on Tony’s back. The touch is brief, almost fleeting, and Tony flounders under the weight of it—his own nerves fraying at the edges.
For just a moment, the world seems to still. Bucky’s thumb brushes against the edge of Tony’s neck, the faintest, almost imperceptible movement—and Tony’s breath hitches, his gaze flicking to Bucky’s face. There’s something uninhibited in the way Bucky looks at him that makes the knot in Tony’s chest loosen, if only slightly.
Tony swallows, nodding once in acknowledgment, though his heart feels like it’s clawing its way out of his ribcage. He doesn’t say anything. Doesn’t trust himself to.
Bucky’s hand twitches but lingers for another heartbeat before he pulls it away, his movements deliberate as he shifts his attention to Becca.
He moves quietly, his boots barely scuffing the floor as he lowers himself onto the edge of the bed beside her. The mattress dips under his weight, and for a moment, Becca doesn’t react. Her small frame remains hunched over, curled against Tony’s chest, her fingers clinging tightly to his shirt.
“Becks,” Bucky murmurs, his voice low and gentle as he leans toward her. He reaches out, his hand hovering near her back before settling lightly against her shoulder. His touch is cautious, careful, as though afraid she might break beneath the weight of it. “It’s me. I’m here.”
Becca hiccups softly, her sobs catching in her throat as her head shifts slightly, her cheek brushing against Tony’s shoulder.
“Hey,” Bucky soothes, his other hand sliding under hers with practiced ease, his fingers curling lightly around her trembling grip. “C’mere, Becks. I’ve got you.”
Tony feels the moment her hold on him falters, her hands slipping from his shirt as Bucky gently coaxes her away. There’s no resistance, only a quiet surrender as she turns toward her brother. Her movements are slow, almost hesitant, but when she finally collapses into his arms, it’s with the full weight of her grief.
Bucky pulls her close, his arms wrapping tightly around her as she buries her face against his shoulder. He leans his cheek against the top of her head, murmuring soft reassurances that Tony can’t quite make out. His hands move in soothing circles across her back, anchoring her to him.
Tony exhales, the sound shaky and uneven, as he sits back on his heels.
He should leave; he knows this, but he feels rooted to the spot.
The quiet of the room feels oppressive, broken only by Becca’s uneven breaths and the faint creak of the wind pushing through open window. Tony’s fingers twitch against his knee, the urge to do something—anything—gnawing at him. But there’s nothing to do, no easy fix, no clever quip that could make this moment any less harrowing.
His eyes drift toward the window, the cold air seeping in from its slightly warped frame. He tells himself he should get up, close it, climb out it—do anything to give them some privacy. But he doesn’t move.
Because Bucky’s eyes keep finding him.
Over Becca’s shoulder, Bucky looks at him with something unspoken, something open and unguarded that Tony doesn’t know how to interpret. It’s not an invitation, exactly, but it’s not dismissal, either. It’s something in between, a thread pulling Tony back every time his thoughts stray toward leaving.
Becca shifts slightly in Bucky’s arms, her quiet sobs giving way to hiccups as exhaustion begins to weigh her down. Her fingers clutch at Bucky’s shirt, trembling as her breaths stutter unevenly. Tony watches as Bucky presses his cheek against the top of her head, murmuring something so low that Tony can’t catch the words. But the cadence of it—the quiet, steady rhythm of Bucky’s voice—settles something fragile in the air.
Tony swallows hard, looking away to give them some semblance of privacy, though there’s nowhere else for his gaze to land. The room feels smaller than ever, the three of them compressed into this tiny, suffocating space. He lets his gaze trail back up to the ceiling. Wishing he could find answers instead of constellations full of equations and improbable variables.
Tony shifts his weight, his knees protesting the hard floor, and eventually leans back onto his palms, his body folding into the silence.
The stillness stretches, minutes bleeding into what could be hours, until Bucky’s voice finally cuts through the quiet.
“She fell asleep,” Bucky says eventually, his voice breaking through the quiet.
Tony’s head snaps back down, his gaze darting to Becca. Sure enough, her breathing has evened out, her face slack against Bucky’s chest. She looks younger somehow, smaller, and the sight makes something twist sharply in Tony’s ribcage.
Tony swallows audibly, his mouth opening and closing a few times before his gaze darts across the room.
“Yeah, no,” he says, shaking his head and blinking as his mind catches on the words. “Sure. You two take the bed. I’ll crash on Arnie’s. No big deal.”
Bucky’s expression softens. “Tony,” he says quietly. “I’m not kicking you out of your own bed.”
“It’s fine,” Tony says quickly, pushing himself up onto his feet and wincing as the feeling comes back into his legs. I have extra sheets… somewhere. Probably. And I’ve been stealing Roth’s pillow, anyway. Seems silly to drag Becca back to her room—”
“Tony.”
Tony freezes, mouth tense, a hand tugging through the messy strands on the back of his head. He looks at the Alpha.
The Bucky that Tony knows is… effortless. All easy grins and self-assured confidence.
But now, sitting on the edge of Tony’s shitty, too-small twin bed with his little sister cradled in his arms, Bucky looks different.
Tired. Resigned, maybe, or weighed down by something Tony can’t quite decipher. The lines at the corners of his eyes seem deeper, Tony’s usual favorite crooked grin replaced by a faint downturn of his lips. His broad shoulders, always so solid and unyielding, slump just slightly.
It’s disarming, Tony realizes, seeing him like this.
There’s no bravado, no easy grin to shield the cracks in his armor. He looks unpolished. Vulnerable in a way that makes Tony’s chest ache and his breath hitch.
The realization pulls something sharp and uneasy through him, and Tony’s gaze flickers away, but there’s no escape from the weight of it—or from Bucky’s scent, which hangs thick in the air now, impossible to ignore.
It’s still familiar in its warmth, still steadying in the way it grounds Tony when everything else feels too loud. But now there’s a bitter undertone curling beneath it, subtle but unmistakable—a quiet sorrow that lingers like the first sharp bite of frost before a snowstorm. It seeps into every corner of the room, clinging to Tony’s senses and wrapping around him in a way that makes his stomach twist and his throat tighten.
He inhales without meaning to, the scent pulling at something deep and instinctive, something he doesn’t want to name but can’t shove down any longer. It presses against his ribcage, heavy and unrelenting, and he feels himself teetering between the urge to offer comfort and the impossible desire to fix it, even though he knows he can’t. Not this. Not tonight.
“Tony.”
The quiet rumble of Bucky’s voice slices through the haze, steady but laced with a softness that catches Tony off guard. When he glances up, Bucky’s sharp, perceptive eyes are already locked on him, and there’s something in his gaze that makes Tony want to squirm. Concern, sure—but also something deeper, something Tony’s not ready to face.
“Stop scentin’ me,” Bucky murmurs, though the words carry no real command, only quiet insistence. His jaw tightens as he glances away, his fingers flexing gently against Becca’s back. “Didn’t mean for it to get to you. Just…” He trails off, his voice lowering as he nods slightly. “Hold on.”
Tony flinches, heat crawling up his neck. He folds his arms tightly across his chest, digging his nails into his palms. “It’s fine,” he says, too quickly, his voice sharp with defense.
Bucky doesn’t respond right away. His gaze lingers for a beat longer before he shifts his attention back to Becca. Moving with a quiet deliberateness, he adjusts her until she’s lying on the mattress, her head propped against the pillow and her small frame tucked carefully against the wall.
Tony watches in silence as Bucky leans down to slip her shoes off, his movements careful and precise, as though the slightest misstep might shatter the fragile peace they’ve built. Once Becca is settled, Bucky sits on the edge of the bed, tugging off his own boots with slow, deliberate motions.
Still, Tony doesn’t move. His feet feel like lead, his body rooted to the spot as he watches Bucky without meaning to, caught in the quiet gravity of him.
Bucky straightens, his boots landing softly on the floor beside Becca’s. His hands rest briefly on his knees, fingers flexing like he’s bracing himself for something. Then, without hesitation, he looks up at Tony and holds out his arms.
“C’mere,” Bucky says.
Tony blinks, his eyebrows pulling together in confusion. He shifts on his feet, his arms tightening across his chest. “What—”
“Just come here, doll,” Bucky says, his voice gentle but firm.
Tony hesitates, his gaze darting between Bucky’s open arms and Becca, who’s still fast asleep, her breaths slow and even. The bed is tiny. There’s barely enough room for Bucky and Becca as it is, and the thought of squeezing himself into that cramped space feels… impossible.
“Bucky,” Tony starts, his voice awkward and stilted. “There’s no room. I’ll just—”
“There’s room,” Bucky interrupts, his arms still outstretched. His expression softens, but there’s an edge of stubbornness in his tone now, the kind that always leaves Tony feeling off-balance. “You love havin’ this argument, don’t you? Just humor me.”
Tony snorts, shifting his weight uneasily. “Probably not gonna get much humor out of me tonight, Buck.”
“That’s not what I meant, and you know it,” Bucky says, his lips quirking in a faint, tired smile. He nods toward the bed, his gaze steady and insistent. “Come here, baby. Please.”
The please is what gets him.
Tony swallows, the sound loud in the stillness, and finally takes a cautious step closer. “This is stupid,” he mutters, trying to inject some levity into the moment, but the words fall flat. He toes off his own shoes as he drags himself forward. “You don’t need me crowding you two all night.”
Bucky shakes his head, the smile fading into something quieter, more earnest. “I do,” he says simply. “I need you here.”
The words stop Tony in his tracks. He stares at Bucky, his mind scrambling for a witty retort, something to deflect the heaviness of what’s hanging in the air between them. But nothing comes.
Instead, he just exhales sharply and mutters, “Fine. But if I fall off the bed, I’m taking you down with me.”
Bucky doesn’t say anything at first, just reaches out and catches Tony’s wrist in a firm but gentle grip. His hand is warm, calloused, and before Tony can process what’s happening, Bucky tugs him closer—not onto the bed, not yet, but to the space between his knees where he sits on the edge of the mattress.
Tony stumbles forward, blinking in surprise. “What are you—”
“Just… hold still for a second,” Bucky murmurs, his voice low and steady.
Tony freezes, his pulse ticking sharply against his throat as Bucky’s hands reach up to the knot of his tie. The movements are deliberate, careful—nothing like the hurried, heated way Bucky had tugged at his clothes a few nights ago, impatient and hungry as he backed Tony against his desk.
The memory flares briefly, unbidden, making Tony’s face burn. He remembers Bucky’s hands then, quick and sure, undoing buttons and pulling fabric aside like it was in the way. The way his lips had followed, leaving a trail of heat against Tony’s skin, drawing soft gasps and murmured protests that neither of them had meant.
This is nothing like that.
Now, Bucky’s touch is unhurried, almost reverent as he loosens the tie from Tony’s collar. There’s no rush, no teasing smirk, no deliberate press of his body against Tony’s to ignite sparks. Just quiet, deliberate movements and a weight in Bucky’s eyes that Tony can’t quite name.
The tie slips free, and Bucky sets it aside before his hands move to the buttons of Tony’s blazer. His touch lingers briefly, just enough to make Tony’s breath hitch before the first button pops open.
“You don’t have to—” Tony starts, his voice coming out shakier than intended, but Bucky cuts him off with a soft shake of his head.
“I do,” Bucky says simply, his gaze meeting Tony’s as his hands move to the next button. “Just let me.”
Tony swallows hard, the words catching in his throat as he nods, barely perceptible. He doesn’t trust himself to say anything else, so he lets Bucky work, his hands steady as they ease the blazer from Tony’s shoulders.
The quiet intimacy of it all feels strange, too raw for Tony to handle, but he doesn’t pull away. He stands there, frozen but compliant, as Bucky folds the blazer and sets it aside with the same care he’d shown with the tie.
When Bucky’s hands settle lightly on Tony’s waist, Tony’s breath catches again, his gaze darting away. But before he can spiral too far into his own head, Bucky leans forward, pressing a kiss to Tony’s forehead.
Tony exhales shakily, his shoulders slumping as some of the tension bleeds out of him. “You’re really… something tonight,” he mutters, his voice quieter than intended.
Bucky hums faintly, his thumbs brushing lightly over Tony’s hips. “Yeah, well…” His gaze flicks to Becca, nestled behind him, her face slack in sleep. “Guess everyone’s a little off tonight.”
Tony doesn’t know how to respond to that, so he doesn’t. The warmth in Bucky’s voice pulls at something deep in his chest, but before he can dwell on it too long, Bucky shifts, his hands steady as he guides Tony toward the bed.
“C’mere,” Bucky says softly, his voice calm but insistent. “We’ll figure it out. Just… stay.”
Tony swallows hard, his throat tight with something unnameable, and doesn’t argue. He lets Bucky guide him, the mattress dipping under his weight as he settles hesitantly beside him. Bucky leans over and flicks off the bedside lamp, plunging the room into darkness.
Tony adjusts awkwardly, curling into Bucky’s side and fisting his hand into the material of Bucky’s tear-soaked shirt. “Don’t blame me if I elbow you in my sleep,” he whispers, his tone pitched low and uncertain. The bed is small, and Tony’s already bracing himself for the inevitable fall if Becca so much as shifts.
“Wouldn’t be the first time,” Bucky murmurs, his hand settling lightly on Tony’s back. The touch is steady and warm, grounding Tony in a way that makes his throat tighten.
They fall into silence for a long moment, the quiet filled only by the faint hum of the radiator and the soft sound of Becca’s breathing. Tony lets his eyes adjust to the dark, his gaze flicking to the faint outline of Becca tucked against Bucky’s side. She looks smaller than usual, her face peaceful despite the tear tracks still visible on her cheeks.
“She’s tougher than she looks,” Bucky says suddenly, his voice breaking the stillness. It’s soft, but there’s a weight to it, something heavy and resigned. “Joey… he’s a good kid. I’ve known him his whole life. Never thought it’d get this serious between them, but she loves him. Always has. Since they were little.”
Tony swallows hard, unsure how to respond. He’s never met the Alpha, of course, but the way Bucky talks about him—steady and low, tinged with quiet fondness—makes him feel like more than a name on a telegram. It’s easy to picture the boy through Bucky’s eyes: the neighbor kid with a shy grin and a good heart, someone who grew up alongside Becca and earned her love in a way that feels unfairly fragile now.
“She doesn’t deserve this,” Bucky continues, his voice barely above a whisper. “She’s just a kid. Fifteen. She should be worried about dances and sneaking out to see a picture show, not… not this.” He exhales shakily, his grip on Becca tightening slightly. “Not waiting for news that might not come.”
Tony presses his face into the crook of Bucky’s shoulder, the scent of cedar and smoke washing over him—sharp and steady, but tinged with sorrow. It anchors him and unsettles him all at once, pulling at something deep in his chest that he doesn’t know how to name.
“Yeah,” Tony mutters after a moment, his voice barely audible. “Guess not.”
Bucky’s arm tightens around him slightly, pulling him closer, and Tony doesn’t resist. He lets himself sink into the warmth and the weight, the quiet presence of the man beside him. It feels like too much and not enough all at once, but for now, it’s all he has.
“You’re good at this,” Bucky murmurs after another long pause, his voice soft and low, breaking through Tony’s spiraling thoughts.
Tony snorts faintly, though there’s no real humor in the sound. “What? Squeezing into a bed too small for three people?”
“No,” Bucky says quietly, his hand stilling briefly before resuming its slow, soothing motion. “This. Being here. Taking care of people.”
The words hit something raw and fragile inside Tony, and he stiffens slightly, his breath catching. “No,” he mutters, his voice rougher now. “I’m not.”
Bucky doesn’t respond right away. Instead, he leans down, pressing a soft kiss to the top of Tony’s head. His lips linger there for a moment before he rests his cheek against Tony’s hair. “You take care of me,” he murmurs, the words almost lost in the quiet. “Hey, sweetheart?” “Yeah?” Tony croaks.
“I didn’t know the two of you were friends. But… thank you. For being there for her.”
Tony bites down on the inside of his cheek and buries his face into the Alpha’s armpit to hide the warmth coloring his cheeks.
“We’re not friends. She forces me to eat breakfast with her. Steals my breakfast and cheats off my homework.”
Bucky snorts. “You don’t do ‘homework’.”
“Exactly,” Tony mumbles, his voice muffled against the soft fabric of Bucky’s shirt. “That’s how much of a menace she is. She cheats off assignments I don’t even do.”
Bucky chuckles softly, the sound a low rumble in his chest that Tony can feel more than hear. It’s warm and familiar, and for a moment, it cuts through the weight pressing down on the room. Tony’s grip on Bucky’s shirt loosens slightly, his fingers flexing before curling again, holding on like it’s the only thing anchoring him.
The darkness around them feels impossibly heavy, but it’s not suffocating. Not quite. It’s the kind of weight that settles rather than smothers, wrapping around them like a blanket too thick for the season. Tony closes his eyes, letting himself focus on the faint, steady rhythm of Bucky’s breathing, the quiet creak of the bed as it shifts under their combined weight.
“Hey, Bucky?” He says quietly.
Bucky hums. “Yeah, baby?”
Tony hesitates, his question lingering on the edge of his tongue. He knows he shouldn’t ask—knows the weight of it—but the thought has been gnawing at him for weeks. Tonight, though, with Becca curled against Bucky and Joey’s absence casting a shadow over everything, the words slip free before he can stop them.
“Why haven’t you been called up yet?”
Bucky’s hand stills, his breath catching just enough for Tony to notice. The silence stretches, thick and heavy, and for a moment, Tony regrets asking. He lifts his head slightly, glancing up at Bucky’s face. “Forget it,” Tony mutters, his voice rougher than intended. “You don’t have to—”
“It’s okay,” Bucky interrupts gently, exhaling a slow breath. His gaze shifts to the ceiling, distant and thoughtful, before it falls back to Tony. “Guess we have to talk about it, sooner rather than later.”
Tony doesn’t respond. His chest feels like it’s caving in, his lungs straining against the weight of the conversation he’s been avoiding since the beginning.
“When Ma and Dad died,” Bucky begins quietly, his voice steady but tinged with something heavier, “it was just me and Becca. She was thirteen, still a kid, and there was a pile of debts bigger than anything I’d ever seen—hospital bills, the funeral, everything they left behind. Someone had to take care of it. Someone had to take care of her.” He pauses, his jaw tightening briefly. “So when the notice came, I went down to the recruitment office and told them I wasn’t tryin’ to dodge it. Just… asking for time.”
Tony blinks, caught off guard. “They let you do that?”
Bucky shrugs faintly. “I think I got lucky. This was before things really took off. Before Japan attacked us. Maybe they took pity on me, y’know? Some kid fresh outta school, no parents, trying to hold things together for his sister. Told them I’d go if I had to, but I couldn’t leave her with nothing.”
Tony swallows hard, the image of Bucky standing in front of some indifferent bureaucrat, pleading his case with the same quiet determination that Tony’s come to know so well—it twists something deep in his chest.
“And now?” Tony asks, his voice quieter.
Bucky’s hand falters for a moment before resuming its slow, soothing rhythm. “Now our grandparents are helping. Paying for her schooling. She’s with them when she’s not here. They’re good folks. But… that doesn’t mean the clock’s not ticking.” He lets out a quiet, humorless laugh. “I’m on borrowed time, Tony. Just waitin’ for the day the letters start coming again.”
Something in Tony’s stomach lurches. It feels like dread, but heavier.
Anguish.
There’s no point in masking it. He knows Bucky can smell it.
Bucky doesn’t say anything right away. His hand continues its steady rhythm on Tony’s back, grounding and patient, giving Tony the space to sort through the tangled mess of his emotions. But Tony can feel the Alpha’s gaze on him, sharp and searching even in the darkness.
“Hey, I didn’t mean to dump this on you,” Bucky says softly after a long stretch of silence. His voice is quiet, apologetic in a way that twists something deeper in Tony’s chest. “Not tonight. Not…like this.”
Tony snorts faintly, though there’s no humor in it. “What’s one more thing to worry about?” he mutters, his voice muffled against the fabric of Bucky’s shirt. “Might as well pile it on.”
“Hey.” Bucky’s hand stills briefly before resuming its soothing motion, firmer now, as though trying to ease the tension out of Tony’s frame. “Don’t do that.”
“Do what?” Tony asks, his tone sharper than he intends. “Be realistic?”
“Minimize this,” Bucky counters gently, his fingers brushing against the back of Tony’s neck. “You’re allowed to feel this, Tony. You don’t have to… bury it.”
Tony scoffs, though the sound comes out weaker than he’d like. “Yeah, well. In my experience, burying my crap tends to work better than facing it.”
He doesn’t have to elaborate. Bucky knows what “it” is. The war. The draft. The inevitability of Bucky’s name coming up, of the letters arriving, of him being sent off to fight in a war that’s swallowing up everything and everyone in its path.
Tony shifts abruptly, pulling away from Bucky’s warmth and turning onto his side, his back facing him. He doesn’t want to look at him, doesn’t want to see the weight in those steel-grey eyes, the resignation that’s already settled in. It feels too much like an ending, and Tony doesn’t know how to hold that in his chest without breaking apart.
The bed creaks softly as the room falls into silence. The hum of the radiator is the only sound, but it does little to fill the quiet that stretches between them. Tony focuses on the ceiling, the dim outlines of the cracked paint and faint water stains visible even in the darkness. He doesn’t move, doesn’t speak. For a long time, he wonders if Bucky’s fallen asleep, his breathing steady and measured behind him.
Tony closes his eyes. He tries to swallow the lump rising in his throat, tries to press down the aching, clawing feeling that’s threatening to tear him apart. But it’s too much—too big, too heavy, and before he can stop himself, the words slip free, so soft they barely leave his lips.
“I don’t want you to go.”
The confession trembles in the air, so quiet and raw that Tony isn’t even sure Bucky heard him. His voice cracks on the last word, the sound splintering like glass, and Tony clamps his mouth shut, biting down on the inside of his cheek to stop anything else from spilling out.
For a moment, there’s nothing but silence. Then, the mattress dips, and Tony feels the warmth of Bucky shifting closer behind him. A hand brushes lightly against his shoulder, hesitant, before sliding around his waist. Bucky’s arm wraps around him, pulling him back against the solid warmth of his chest. The weight is steady, grounding, and Tony’s breath catches as he feels Bucky press his forehead gently against the back of his neck.
“Sweetheart,” Bucky murmurs, his voice low and heavy with something Tony can’t name. “I know.”
Tony squeezes his eyes shut tighter, his body stiff in Bucky’s embrace.
He can’t help but think of the last time they’d been tangled together in bed—only a few nights ago, at the tail end of his heat, when the world had felt far away and distant. Bucky’s bed had been too warm, their limbs intertwined, Tony too boneless and content to care about anything beyond the four walls of the bedroom.
He thinks of the lazy, indulgent smile on Bucky’s face, the way his mouth had trailed patterns down Tony’s bare shoulder, both of them sticky with sweat but too relaxed to do anything about it. They’d talked about nothing and kissed endlessly, the kind of careless behavior that felt safe because the world outside hadn’t crept in yet. Tony’s heart had been full that morning, his body humming with the comfort of Bucky’s scent and the warmth of his skin.
Now, the bed feels cold despite the heat of Bucky’s body against him. There’s no teasing, no smirk, no lazy contentment. Just the weight of what’s coming and the words they can’t take back.
“You don’t—” Tony’s voice falters, breaking apart before he can finish. “You don’t know what it’s like. To be left behind.”
To be cast aside by everyone you know.
Bucky exhales softly, the sound shaky in a way that makes Tony’s stomach twist. “You’re right,” he says quietly. “I don’t. And I’m so damn sorry that you have to feel this. That Becca has to feel this.” His arm tightens slightly, his hand resting against Tony’s side. “But you’re never gonna be alone in this, okay? I need you to know that.”
Tony doesn’t answer, doesn’t trust himself to. His throat feels like it’s closing up, his chest aching as he fights to hold back the flood of emotions threatening to overwhelm him. Bucky’s scent surrounds him—heady and incensed, still tinged with that quiet sorrow that makes Tony’s heart hurt—and it pulls at something deep and instinctive inside him, something that makes him want to stay wrapped in this moment forever.
“You don’t have to do this,” Tony whispers finally, his voice barely audible. He knows he’s being unreasonable. Petulant. Selfish. “You don’t have to go.”
Bucky’s breath catches, and for a moment, he doesn’t respond. Then, his hand moves, his fingers brushing lightly over Tony’s side in a way that’s both comforting and  devastating. “I do,” he says softly. “You know I do.”
Tony clenches his jaw, his hands fisting in the sheets as he presses his face against the pillow. He doesn’t want to accept it. He doesn’t want to think about it. But the reality of it looms too large, too undeniable, and it feels like it’s swallowing him whole.
Bucky shifts closer, his arm tightening around Tony as if he’s trying to hold him together. “Listen to me,” he murmurs, his voice steady despite the ache that lingers there. “I’ll come back. No matter what, I’ll come back to you. You have my word.”
“You can’t promise that,” Tony mutters, his voice thick with barely restrained emotion. “No one can.”
“I can,” Bucky insists, his voice firm but gentle. “And I am. You hear me? I’m coming back, Tony. I swear it.”
The words hang in the air between them, heavy and fragile, and Tony wants so badly to believe him. But all he can do is nod, the motion small and uncertain, as he lets himself sink back into the warmth of Bucky’s embrace. His breathing is uneven, his heart racing in his chest, but he doesn’t pull away. He stays there, pressed against Bucky, and lets the Alpha hold him like he’s the only thing keeping him tethered to the world.
Bucky’s hand moves again, slow and deliberate, tracing soothing circles against Tony’s side.
“I’ve got you,” he murmurs softly, the words barely more than a whisper. “I’ve got you, Tony.”
And for now, in this quiet, fragile moment, it’s enough.
Tony doesn’t recall falling asleep; the crushing weight of his thoughts must have eventually dragged him under.
He wakes before dawn, the pale light creeping into the room, casting everything in a faint gray haze. The mattress beneath him is too warm, crowded with too many bodies. Becca is still curled up against the wall, her face slack in sleep, while Bucky’s arm remains slung protectively around Tony’s waist, holding him in place.
Tony untangles himself with slow, deliberate movements, careful not to wake either of them. He doesn’t look back as he slips out of bed, his bare feet cold against the linoleum floor. His mind is already racing as he pulls on his blazer, though his tie remains slung carelessly over the back of his chair. He doesn’t need to be presentable for what he’s about to do. Just… prepared.
The hallways are eerily silent at this hour, the oppressive quiet broken only by the soft creak of Tony’s footsteps. The early morning chill seeps into his skin, but he doesn’t care. His destination is clear, and his purpose even clearer.
Byron Tompkins’s office door is closed when Tony reaches it, the plaque on the wood catching the dim light. Tony doesn’t bother knocking. He grips the handle, twists, and pushes the door open with enough force that it smacks against the wall, rattling the frames hung with awards and irrelevant accolades.
The headmaster is seated at his desk, his glasses perched low on his nose as he reviews the morning paper. He jumps at the sudden intrusion, his head snapping up, and the color drains from his face when he sees who’s standing in the doorway.
“Mr. Stark,” Tompkins says sharply, though his voice wavers. “What on earth—”
“Becca Barnes is excused from finals,” Tony announces, stepping into the room and letting the door swing shut behind him.
Tompkins blinks, caught off guard by the bluntness of the statement. “Excuse me?” he says, recovering enough to feign authority. “Christ—you don’t have the authority to make that call, Stark.”
“Don’t I?” Tony’s voice is calm, almost bored. “She received a telegram last night. She’s grieving, you absolute cretin. Do you expect her to sit through exams and recite poetry while her world is falling apart?”
Tompkins clears his throat, clearly flustered. “This is an institution, Stark. We have protocols—”
“To hell with your protocols, Byron,” Tony snaps. He steps closer, his gaze narrowing. “Here’s how this is going to go. You’re going to phone her grandparents and explain the situation. Tell them to come pick her up. She’s excused from finals, and she’s excused from the rest of the term.”
Tompkins glares, his indignation flickering behind a thin veneer of control. “You don’t get to decide that, Omega.”
“Don’t I?” Tony’s lips curl into a faint, humorless smile, and he leans forward, planting his hands on the headmaster’s desk. “You know who my father is. You know what he could do with a single phone call. Do you really want to test me on this?”
Tony won’t test this. He’s completely bluffing. His father wouldn’t give a shit.
But the threat works, anyway. It’s worked for two years.
Tompkins visibly swallows, his eyes darting away as the weight of the unspoken threat settles over him.
“She’s a child,” Tony hisses. “A grieving child who doesn’t need some bureaucratic leech like you making her life harder. And while you’re at it, write a note excusing her from every last responsibility she’s got. Outstanding assignments, obligations, whatever else you pencil-pushers are dreaming up to make kids here miserable. She’s done."
The headmaster shifts uncomfortably, his shoulders sagging as he realizes he’s lost. “Fine,” he mutters reluctantly, his voice tight with frustration. “I’ll… make the call.”
"Fabulous."
Tompkins scowls as he reaches for the phone on his desk. Tony doesn’t leave until the first dial tone sounds, ensuring that the man follows through.
As he steps back into the hallway, the burden in his ribs doesn't lift; it just shifts. For a moment, he stands still, his gaze fixed ahead, his jaw tight, like he’s daring the weight of the morning to press harder.
The faint hum of the headmaster’s voice drifts from the office, low and reluctant as the call begins. Tony doesn’t turn back. He doesn’t need to. The message has already been delivered, the balance of power tilted just enough to leave Tompkins scrambling to save face.
He exhales slowly, his breath sharp in the quiet, and begins walking again. His steps echo in the empty corridor, steady but heavy, like each one carries the weight of something he can’t shake.
There’s no satisfaction in the victory—only the dull ache of inevitability settling deeper.
Lodging itself firmly into his chest.
66 notes · View notes
sitbc-archive · 1 month ago
Text
RED ALERT!
A rare invitation to the live airing of the SITBC series (with a wool-like texture at the back) as well as some storyboards of the pilot and one of Ranting Swede's rants had just been surfaced on eBay.
This listing also provides (possibly?) never-seen-before info about the production of the show (see its description in the 'keep reading' for details, but in short: mostly everything was animated in South Korea while the storyboards and Ranting Swede sections were done in New York and New Jersey.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Source:
Description:
The Premiere 2000 presentation of Willems' fondly remembered Cartoon Network series took place at the studio where the show was produced, the now-defunct Curious Pictures ( or ..?ictures) in NYC. Sent in a translucent green envelope, the invitation to the premiere features the Willems-drawn pose of the naked Sheep tossing his wool "coat" aloft a la the famous scene in the titles of the old Mary Tyler Moore show wherein she triumphantly tosses her cap in the air, & includes a typical-to-the-show dad-joke pun, "Shorn To Be Wild!" along with the irresistible line "OPEN BAA."
Invitation bears both the Cartoon Network logo & Curious Pictures Studio logo & address, along with the logo for the show itself.
In a clever design choice, the reverse of the invite is lined with a plush, fuzzy synthetic "wool" as if covered with Sheep's coat, typical of the keen wit at work on the show. (Did kids actually appreciate that wit? Spoiled brats!😄)
ALSO! even though the actual animating for the show was done in South Korea, the whole show was boarded & had layouts done in NYC, & this lot includes TWO animation layout drawings from the FIRST full-length episode of the show, "In The Baa-Ginning," featuring Private Public wheeling The Angry Scientist into Feneral Soecific's "secret lab." The drawings line up to match the Scientist to the handyruck he rides upon, with notations on both.
AND! even tho' MOST of the animation was executed overseas, Willems wanted his circle of artists to have a chance to do full animation, so he had the concluding RANTING SWEDE segments produced in NYC (& New Joisey!) & this lot includes an Actual Animation Drawing from Swede #7, "Piano," featuring Swede in full rant, with 16 extra arms poking out from his back as he makes his point. Drawing features handwritten production notations, including spacing guide for what must be an Extreme (rather than an in-between).
All drawings are on 16lb. white animation bond paper, bottom-peg punched with Acme-standard peg holes. Drawings are graphite over erasable colored pencil.
These rare gems can be yours today. Make a bid.
Mailed in waterproof envelope, wrapped in newsprint & between heavy rigid boards to guarantee safety & security in shipping.
6 notes · View notes
fugengulsen · 8 months ago
Text
Tumblr media
Cy Twombly Proteus 1984 Synthetic polymer, coloured pencil and graphite on paper.
18 notes · View notes
dreaminginthedeepsouth · 1 year ago
Text
Tumblr media
Cy Twombly Proteus 1984 Synthetic polymer, coloured pencil and graphite on paper.
* * * *
You need to have a community. You need to have meaningful values, not the junk values you’ve been pumped full of all your life, telling you happiness comes through money and buying objects. You need to have meaningful work. You need the natural world. You need to feel you are respected. You need a secure future. You need connections to all these things. You need to release any shame you might feel for having been mistreated. ~Johann Hari (Book: Lost Connections) ::: 
[Philo Thoughts]
36 notes · View notes
x-en-jpeg · 26 days ago
Text
won’t be here for a while.
i’m going back to where i was in october last year. hopefully i am not gone too long. hopefully i can hold more than a pencil this time. wear the necklace more often to keep me on the ground.
i don’t want the sterile fluorescent lights to blind me to the stark graphite scratching into the paper. i don’t want to null out in synthetic contentedness then comply my way out again.
if they ask me anything i hope i’ll have the stomach just to show them the graphite. i hope they don’t force me to speak if they don’t know how to read. i won’t say anything because i’ve already scratched it down.
everything they need will be there.
4 notes · View notes
autistichalsin · 10 months ago
Text
Random fun chemistry facts
(Some of these are "duh" for experts, but I find them really fun as a chemistry layperson anyway).
Every element after lead is radioactive.
Diamond and graphite are both forms pure carbon takes. (This is why it's so easy to create synthetic diamond, and why De Beers is shitting themselves currently. Turns out when you have the technology to create entirely new elements, even if only for seconds of observation, rearranging carbon atoms into particular configurations is trivial. But, ya know, De Beers would rather keep their slaves.)
The most radioactive naturally-occurring element is believed to be polonium, though some man-made elements are more radioactive since they have half-lives on the order of seconds. Polonium-210 is the most radioactive isotype thereof, and has the dubious honor of having been used in a political assassination.
Light behaves like both a wave and a particle at the same time, which is called wave-particle duality, and is kinda insane to think about.
"Mole day" is celebrated on October 23 every year, because written out in American conventions, it becomes 10/23, which references Avogadro's constant, 6.022*10^23. (This number equals one mole, and is used to define an amount of a substance.)
Helium is lighter than air, which is why balloons float. Also, helium can and will escape into space, making it non-recoverable, which is kind of a problem since helium is also used to cool the magnets of MRI machines.
Absolute zero (a temperature that has never actually been reached) is the point at which all molecular activity ceases/the kinetic energy disappears from the system. Even if you cooled a mass of helium to this point, it would still be a liquid instead of a solid.
Thioacetone is believed to be the worst smelling chemical in the world. It's capable of inducing nausea in people .4 km away.
Alfred Nobel, the person who the Nobel Prize is named for, invented dynamite, intended to assist in mining. There is a popular story that he was the subject of a prematurely-published obituary calling him the "merchant of death", which horrified him so much that he shifted his focus and later invented the Nobel prize to save his reputation, but this has never been verified and some think it might be apocryphal.
Some chemicals have different forms, called isomers, that still work drastically differently. The most infamous of these is thalidomide. It is a chiral (that is, like your left and right hand, it can't be superimposed over its mirror image) molecule. The "good" form, R-thalidomide, was useful in treating morning sickness, but the body would convert this to S-thalidomide since it couldn't distinguish the two. The S-thalidomide then caused an epidemic of birth defects, and thalidomide was removed from the market. It remains a popular case study for a variety of issues: isomers and interconversion, chirality, birth defects, and more.
Just some random fun facts. :)
15 notes · View notes
danny-chai · 1 year ago
Text
for about a week now I've been working on a DIY vest. it's not a battle vest, but i am taking inspiration from some of the patch ideas and maybe adding spikes
here's my process so far:
(EDITED with image descriptions - thanks for the reminder in the tags!!)
Tumblr media Tumblr media
i dyed a pale blue vest with one full bottle of graphite synthetic dye. it's still sadly a little blue, but it's dark enough that it isn't super noticable, so I'll live. if you have any questions about the exact process, ill answer them in the comments!
Tumblr media Tumblr media Tumblr media
i then added two regular pockets after seam ripping the fake ones - why do they even put fake pockets on these - and two inner pockets using the shape of the upper pocket as a guide. one of them is embroidered with quotes from a post by turboennui on here about Laika, the first dog in space sent from Russia
Tumblr media
then i added a detachable hood taken from an old sweatshirt, which is attached to the vest via six buttons. i get anxious when i don't have a hood on my clothes, so if i don't wear this vest over a sweatshirt, i still have the option to have more comfort
Tumblr media Tumblr media
yesterday, i planned out and began embroidering the back panel. it will be a detachable piece of black fabric from an old button up shirt, connected only with safety pins so i don't have to commit to a theme and instead have multiple artworks to swap out. this one is a few black ferns and a pale blue moth (type undecided) atop a starry night sky background
if you guys have any ideas of stuff to add or embroider, or tips for making a denim vest in general, comments are greatly appreciated! ill post another update once the vest is finished
16 notes · View notes
dreadfutures · 11 months ago
Text
I am super digging the Yupo surface. It's not porous at all, it glides so beautifully under implements, and yet it doesn't catch the tip of my mechanical pencil (like some synthetic surfaces) and doesn't chip or scratch, and it's easy to erase without smudging, and the graphite doesn't smudge under my hand
I already know it takes ink really really smoothly, it feels like a joy to put paint or pen on.
anyway synthetic paper ftw this is awesome
I JUST WISH EVERYONE WASN'T OUT OF STOCK ON 16X20 I COULD MAKE SOMETHING REALLY COOL W IT
8 notes · View notes
edlorado · 1 year ago
Text
Tumblr media
Cy Twombly
Proteus
1984
Synthetic polymer, coloured pencil and graphite on paper.
10 notes · View notes
mutantlord · 9 months ago
Text
Tumblr media
Cover Art for The Mutant Epoch RPG Expansion Rules Photoshop painted over several graphite drawings. No Ai imagery (so called ‘Ai art’ it wasn’t even used yet when I started this image!). In the foreground, we have a Mutorg adventuress with a spike thrower arm growth and the new mutation of energy orbs (see page XR-243). She’s also fitted with a cybernetic eye and combo weapon arm with robotic hand and MK3 laser carbine (pg. XR-410), plus retractable razor sword built into the same implant. Behind her is a mysterious figure in advanced combat armor holding a digital being character. It could be a man or woman, a synthetic human, perhaps even an android, which is also a playable character in these new rules. The blue hologram is a digital being’s persona, which rises from the relic clad warrior’s palm emitter, an ancient device that currently houses her entire consciousness. This inanimate new character type will be seeking an upgrade to some other bodily construct if she hopes to do more than hack some doors and computers or shoot the odd lightning bolt. In the background from the left to right is an abomination, a plantoid (with goalie mask) and finally a unique, self aware robot who looks ready to dominate the ruin landscape if only it can find enough power cells to keep up with its meaty companions. WM https://www.outlandarts.com/expansionrules.htm
2 notes · View notes
oh-cosmia · 2 years ago
Note
hey! what tools (pens colored pencils markers etc) do you use for your traditional work? the way the colors look on your pieces is so satisfying to look at as well as your lineart so im curious 👀
oh! thank you!! and also thank you for asking i love talking about my brushes
for sketching, i use multicolored .05mm lead— UNI NaNoDia is my go-to because unlike a lot of other colored graphite i’ve used, it doesn’t have that waxy feel and it erases more cleanly. these are kinda hard to find in store (i order mine online) but michaels carries red-lead and blue-lead architectural sketch pencils and those work too. tbh any colored pencil will do but i’d recommend sketching very lightly because they tend not to erase well
for the mechanical pencils themselves, any model is fine, but lately i’ve been using more pentel, uni and tombow brand models— office depot or staples usually carries at least some kind of these? you don’t have to get the fanciest stuff tho, a 3$ pencil body works fine
for inking, i use fine-tip/pointed felt tip markers (usually kuretake, tombow, pentel, but faber-castell works too, and most of these are at michael’s) as well as brush pens/synthetic bristle-tip brushes. for those, kuretake, akashiya sai, and pentel are my favorites, and it’s fun to experiment with different brands, brush tip sizes and ink colors to get better effects.
for coloring i use faber castell and mildliner markers! and sometimes posca paint markers.
i hope that helps?? most of these brands can be found at your nearest office supply/stationery/art supply store. i also like to order from jetpens dot com when there’s a specific item i want that’s not in stock near me.
oh and i know mildliners/faber castell marker packs can rack up the prices— for what it’s worth i rarely buy those in bulk, the collection i currently have is stuff i gradually accumulated… if you’re not certain about trying a new model of marker, i’d suggest just buying one or two colors you really like and experimenting basic shading with those for a bit, and buy more colors when you feel you need them
ok yea!! ty for letting me ramble and i hope this isn’t too much at once
10 notes · View notes
rattusrattus3 · 1 year ago
Note
Heya! I just watched ur recent Diy/mend video, Im so inspired, I have a huge pile myself I need to get started on, either way, I was curious what dye you use?
The black dye Ive tried always turns out very blue - hued and Im not super into that, and yours look more neutral/purply, at least on video, which I like way more
Ah! Thanks! I use rit dye in black (I think when it’s synthetic the black is called graphite not black but yeah) just the liquid version (not powder) and I use a tub method (not clothes washer) for non-synthetic and the stove top method for synthetic !
I agree it often comes out more purply/gray (but as always with dying results are unpredictable-) hope it helps tho! Good luck 🥳
6 notes · View notes