#The problem is that most people are just human. They are flawed and they are capable of good and bad things.
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poorly-drawn-mdzs · 2 years ago
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He was just being a silly little guy!
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dollishmehrayan · 8 months ago
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BATBOYS TOXIC TRAITS / RED FLAGS + GREEN FLAGS ── .✦
a/n: the thing is, they all aren’t like problematic when it comes to relationships but they do have some things and flaws which when heard sound “oh okay that’s fine” but may be like super annoying in a irl relationship also this was a request by anon (here)! (Tags: batboys x reader)
© dollishmehrayan — ( all rights reserved to me. These works cannot be reposted, translated, or modified. Thank you for understanding dollies! )
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DICK GRAYSON ── .✦
RED FLAGS:
Chronic People-Pleaser: Will prioritize everyone’s needs over his own (or yours), leading to burnout… and you having to remind him you exist.
Flirty by Nature: He’s not trying to flirt… it just happens. That waitress? Nope, not on purpose, but yeah, you’ll roll your eyes a lot.
Hero Complex: He always has to “save” people, including you, even when you’re perfectly fine handling it yourself. “I got it, babe.” No, you don’t, Dick.
GREEN FLAGS:
Emotionally Intelligent: He can read your mood like a book and knows exactly how to make you smile (with pancakes shaped like hearts).
Physical Affection Expert: Hugs, cuddles, forehead kisses—you’re basically his personal teddy bear.
Supportive King: He’s your biggest cheerleader, hyping you up in the most genuine, heartfelt ways. “That’s my girl.”
JASON TODD ── .✦
RED FLAGS:
Anger Issues: He’ll throw hands for you at the slightest provocation. Guy looks at you wrong? Jason’s already removing his jacket.
Emotionally Guarded: Good luck getting him to open up. He’s more likely to tell you his deepest fears after you’ve fallen asleep.
Reckless Behavior: He’ll drag you into the most insane situations and act like it’s no big deal. “What do you mean this is dangerous? It’s fine.”
GREEN FLAGS:
Loyal to a Fault: He’ll defend you with his life, no questions asked. “You mess with her, you mess with me.”
Soft Romantic: Beneath the tough exterior, he’s writing you sweet notes and remembering the little things, like how you take your coffee.
Protective (in a good way): He won’t smother you, but he’ll make sure you always feel safe, even if it’s just crossing the street.
TIM DRAKE ── .✦
RED FLAGS:
Workaholic: He’ll forget to eat, sleep, and sometimes text you back because “the case was just getting good!”
Overthinks Everything: Spends hours analyzing your last text to figure out if you were mad or just tired. “Was that period passive-aggressive?”
Terrible Self-Care: You’ll have to force him to drink water and go to bed like a mom with a rebellious child.
GREEN FLAGS:
Incredibly Thoughtful: He remembers every detail about you, from your favorite flower to that obscure hobby you mentioned once.
Adorably Awkward: His shy smiles and fumbling over words when you flirt back are endlessly endearing.
Problem Solver: He’ll find solutions to all your problems, from fixing your computer to making your bad day better with tea and soft music.
DAMIAN WAYNE ── .✦
RED FLAGS:
Insanely Jealous: He glares daggers at anyone who looks at you too long. “Why is he breathing near you?”
Judgmental: He might critique your taste in music, books, or anything else with his usual bluntness. “This… is what you listen to?”
Control Freak: He likes things done a certain way and will try to “help” you by micromanaging your life.
GREEN FLAGS:
Devoted Partner: Once he’s in, he’s all in. You’ll never doubt his commitment because he’s always showing up for you.
Loyal Beyond Measure: He’ll defend your honor to anyone, even Bruce. “She’s perfect, Father. You simply lack taste.”
Surprisingly Gentle: Despite his tough exterior, he has a soft side that only you get to see, like the way he pets animals—or you—so tenderly.
BRUCE WAYNE ── .✦
RED FLAGS:
Emotionally Repressed: He’s basically a human brick wall when it comes to expressing his feelings. “I’m… fine.” No, Bruce, you’re not.
Work Comes First: He’ll disappear into the Batcave for days unless you drag him out by the cape which becomes quickly annoying.
Overprotective: He’ll want to track your every move, not because he doesn’t trust you, but because he worries too much. “It’s for your safety.”
GREEN FLAGS:
Quietly Romantic: He may not be overly expressive, but he’ll show love through subtle gestures—like a bouquet of your favorite flowers left on the table.
Ultimate Provider: He makes sure you never want for anything, whether it’s emotional support or physical comfort.
Unshakable Devotion: Once you’ve captured his heart, he’s yours forever. There’s no halfway with Bruce—he’s in it for the long haul.
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solxamber · 5 months ago
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Signed, Sealed, Bonded || Jade Leech
Being an Esper is hard. Finding a Guide is harder. Somehow, the only one who can handle you is Jade Leech, who is both the best and worst thing that has ever happened to you.
or: Guideverse AU!
Series Masterlist
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So, picture this: You wake up, make yourself some coffee, look outside the window… and BAM—a glowing hell portal is vomiting out nightmare creatures like it’s Black Friday at the Underworld’s Walmart.
No big deal. Just another Tuesday.
This is life now. The universe is one big, unstable loot box, and sometimes, instead of daily struggles like taxes or existential dread, you get eldritch horrors trying to redecorate your city with human remains.
And that’s why Espers and Guides exist.
Espers are the special little guys (derogatory) with godlike powers and a tendency to explode if left unattended. They punch things, obliterate monsters, and generally keep civilization from crumbling like a stale cookie.
But Espers have one teeny, tiny problem. A small, insignificant, itsy-bitsy little flaw—
Espers have a fun little self-destruct feature where, if they overuse their powers and aren’t calmed down properly afterward, they go berserk and start turning cities into craters.
Whoops.
That’s where Guides come in—people with the power to keep Espers from self-destructing and turning the planet into a post-apocalyptic wasteland. They are the Espers’ emotional support humans. Their job is to keep Espers stable, sane, and not prone to going Godzilla-mode on a bad day.
Cool system, right? Makes sense? Keeps society from crumbling?
Yeah, except there’s a problem.
The problem is you.
You are the single strongest Esper on the planet. SSS-Class. Top of the charts. The kind of power that makes scientists scream and military generals start sweating through their uniforms. If Espers were trading cards, you’d be the one people would sell their kidneys for.
There’s just one little issue.
You… cannot be guided.
Like, at all.
Every time a top-ranking Guide tries to do their job, your body reacts like you just swallowed a fork.
S-Class Guide tries to guide you? You feel like you’ve swallowed a beehive.
A-Class Guide reaches out? Your skin crawls like you’re being haunted by the ghosts of bad life choices.
Government’s best, most elite SSS Guide gives it a shot? You feel like throwing up and committing a crime, but you can’t decide which one first.
Basically, your Esper powers took one look at every high-ranking Guide and said, “I’d rather die.”
The entire world is losing its shit over this.
The government is stressed. Scientists are conducting emergency research at 3 AM. High-ranking Guides are offended because how dare you reject their very expensive, very prestigious guidance?
Nobody knows why.
Is it a genetic anomaly? A cosmic joke? Are the gods simply looking down at you and laughing? Science is baffled. The government is stressed. At this point, your mere existence is a “can we patch this in the next update?” level of disaster.
You’re a walking nuclear reactor with no off-switch. And people are starting to panic.
And meanwhile, you’re just standing there, the world’s most unstable walking nuke, trying not to sneeze too hard in case you accidentally vaporize a small country.
It’s fine. It’s totally fine.
It’s absolutely not fine.
Because if they don’t find a Guide who can actually handle you soon…
You’re going to go berserk.
And when an SSS-Class Esper goes berserk? Well. You know those fantasy novels where an ancient dragon wakes up and annihilates an entire civilization in one breath? That, but worse.
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You had been this close to blacking out.
It wasn’t supposed to be this hard. You were an SSS-Class Esper, for crying out loud. You could sneeze and flatten a city block. But that Gate had been a nightmare, and without proper guidance, your body was losing its mind. Your veins felt like molten lava, your hands wouldn’t stop shaking, and your head was pounding with the kind of stress headache that could legally qualify as an assassination attempt.
So, like any responsible, law-abiding Esper who didn’t want to be put down like an unruly dog, you dragged yourself to the Guidance Center.
The moment you stepped inside, they immediately threw their best Guide at you—a fellow SSS-Class, the crème de la crème, the poster child of the entire system.
“Let’s begin,” they said, voice dripping with confidence, as if you weren’t already suffering. They reached out, their hands warm as they pressed against your skin.
And then.
Oh, God.
It hit you like a truck full of nausea and existential horror. Your stomach flipped so violently you actually gagged. Your muscles screamed in protest, every cell in your body rejecting the touch like a bad Tinder match.
You scrambled backward so fast you almost ate floor.
The SSS-Class Guide stood there, horrifically offended.
"Are you serious?" They demanded, arms crossed like a petulant child. "Again?"
You barely heard them over the sound of your own labored breathing because Wow. That had been unpleasant.
So now you were curled up on the floor of the Guidance Center, shaking from both overexertion and the delightful aftereffects of a guide touch that had made you want to throw yourself into oncoming traffic.
The SSS-Class Guide was still watching you, arms crossed, debating whether they should be more concerned about your wellbeing or their ego.
Which is exactly when Jade Leech walked in.
There was a pause.
Then a slow, deliberate click of polished shoes as he stepped toward you, tilting his head.
“…Are they supposed to look like that?” he mused aloud.
“No,” said the SSS-Class Guide, deeply unamused.
Jade hummed thoughtfully before crouching beside you, resting a hand on your shoulder. It wasn’t careful. It wasn’t hesitant.
And for the first time since your powers awakened, you didn’t want to fling yourself off a building.
Your whole body went limp.
The shaking stopped. The nausea faded.
Your mind, which had been screaming at a constant 200% volume since you turned eighteen and acquired your powers, went quiet.
It was the most blissful thing you had ever felt in your entire life.
The SSS-Class Guide was gaping at you like you had just committed high treason.
"Are you kidding me?" they spluttered. "Him?"
And then, with a huff, they stomped away, absolutely furious that you—the greatest Esper in history, the walking apocalypse—had rejected them but accepted some random nobody.
You, meanwhile, felt clear-headed for the first time in years.
You looked at Jade—at his unreadable expression, at the sharpness of his gaze.
And then you asked, voice hoarse but steady, "What’s your name?"
His lips curled into a polite smile. "Jade Leech."
"And your grade?"
He tilted his head slightly, as if entertained by the question.
“B-Class.”
Silence.
You stared at him.
Then, before you could stop yourself, you started laughing.
Of course this was happening. Of course the universe gave you a Guide you could accidentally kill.
What an absolute joke.
And yet…
You didn’t let go.
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Jade Leech was the key to your survival.
Not in the romantic, fated, "I would perish without you, my love," kind of way (you weren't that dramatic, despite what your coworkers said). No, this was purely a matter of self-preservation.
For years, you had been operating like a high-powered, government-issued, barely-functioning time bomb.
Every time you subdued a gate, your body veered dangerously close to going berserk, and the only thing keeping you from breaking reality into tiny, apocalyptic pieces was the occasional half-hearted guidance session that felt about as effective as slapping a band-aid on a leaking nuclear reactor.
It was not ideal.
But now?
Now you had Jade.
Jade, the B-Class Guide who had accidentally waltzed into your life, touched your shoulder, and immediately rewired your entire nervous system.
For the first time since awakening as an Esper, you had felt calm. Like your power wasn’t on the verge of ripping itself apart. Like your own body wasn’t actively rejecting the guidance meant to stabilize you.
And it was incredible.
So, being the responsible and absolutely not impulsive person that you were, you did the only logical thing.
You decided to bribe him with a gift and ask him to temporarily bind himself to you.
Look, it wasn’t permanent.
Permanent bonding was a whole different beast.
If you bonded with Jade permanently, that was it. Game over. No take-backs, no re-dos. No guiding anyone else for the rest of his life.
Espers could still receive guidance from others, sure. But Guides? They could never guide anyone else again.
Which—haha, wow,—that had never caused any problems, ever. Definitely not an entirely predictable storm of jealousy and possessiveness among Guides who suddenly couldn’t tolerate the idea of their Esper ever touching another person.
So, no. You were not going to ask him chain himself to you for eternity. That would be both cruel and incredibly selfish.
But a temporary bond?
A temporary bond would greatly reduce the risk of you accidentally draining him to the point of no return. It would give you the stability to actually push your limits without fear of self-destruction. And most importantly, it would allow both of you to thrive.
It was perfect.
Which was why, two days later, you found yourself standing at the entrance of the Guidance Center once again, clutching a neatly wrapped gift like it was a sacrificial offering.
You marched inside with the confidence of a person who had rehearsed this conversation in their head a thousand times.
And then promptly lost all of that confidence the second Jade turned to face you, smiling like he already knew exactly what you were about to say.
"Back so soon?" he asked, his voice perfectly polite. "To what do I owe the pleasure?"
You cleared your throat and forced yourself to act like a normal human being.
“I wanted to thank you,” you said, shoving the box into his hands before you could second-guess yourself. “For the other day.”
Jade’s eyes flickered with something sharp and unreadable as he took the box, his fingers brushing lightly against yours.
Then, before your already struggling brain could catch up to the recklessness of what you were about to do, you pushed forward.
“I also had a proposal for you.”
Jade tilted his head, looking far too entertained.
“I see,” he said. “Do tell.”
You inhaled deeply.
"Would you be interested in forming a temporary bond with me?"
There. You said it.
Now, all you had to do was wait for him to either:
A) Refuse outright because it was too much effort.
B) Agree immediately because having the strongest Esper in existence on a leash would give him unfathomable influence.
What you did not expect was for him to smile.
Not a normal smile. Not a polite, professional, "oh wow, what a fascinating suggestion," kind of smile.
No.
This was something else.
A slow, deliberate, sharp-edged thing.
Jade stepped closer, gaze glinting with quiet amusement.
"And what," he murmured, voice too smooth, too knowing, "would you be willing to offer me in return?"
You blinked.
Oh.
Oh, you might be in deep shit.
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It had been weeks.
Weeks of asking Jade to temporarily bind himself to you. Weeks of bargaining, negotiating, and trying to convince him that this wasn’t some tragic, toxic love story where the frail Guide got used up like an expired battery. Weeks of him smiling at you like you were a particularly amusing lab rat scrambling against the walls of a maze.
And yet.
Despite all of that—he still guided you.
He still stepped in when your brain felt like it was melting from the inside out, still pressed a steady hand against your skin like it was the easiest thing in the world, still whispered, “Don’t fight it. Just relax.”
Which was a very funny thing to say to someone who could literally kill you by accident.
And that was the problem.
Because he wasn’t bound to you.
Which meant that if you drained him too much—if you accidentally pushed him past his limits—there would be no failsafe.
And if that happened—if you were even a fraction too reckless—
He would die.
And you would go to jail.
And, even worse, you would probably cry.
So, obviously, the rational thing to do was to pull away whenever you felt like you were taking too much.
Which brings you to now.
Jade had been guiding you for forty-five minutes.
FORTY-FIVE. MINUTES.
An ungodly amount of time. A suicidal amount of time.
You could already see the signs of fatigue in him. His touch had grown warmer, heavier, his breaths had slowed into something almost too steady.
He was getting tired.
Which meant it was time to get the hell out of here before you became a murderer.
You twisted, trying to sit up, and—like the absolute menace he was—Jade simply… swung his legs over yours, caging you beneath him like some deranged, smug, lanky cryptid that refused to let you escape.
You froze.
He smiled.
That sharp, infuriating, absolutely unhinged smile.
"Now, now," he murmured, voice sickeningly patient, "where do you think you're going?"
You stared at him in horror.
"You've been guiding me for almost an hour," you hissed, your muscles tense with the effort of not launching him across the room. "I refuse to let you die because you’re too stubborn to let me leave."
Jade tilted his head, considering.
"Hm."
You blinked.
"Hm"???
You had just laid out the possibility of a tragic demise and all he had to say was ‘hm’???
"What the hell does that mean?" you demanded.
Jade leaned in slightly, pressing his fingers against your neck, his touch featherlight.
"I wonder," he mused, eyes glinting with something that looked too much like amusement, "do you think perhaps you are underestimating me?"
"Underestimating you?" You nearly choked on your own disbelief. "Jade, you are a B-Class Guide. I could literally snap you in half like a goddamn glow stick."
"And yet," he said smoothly, "I am still here."
Your eye twitched.
"That is not the flex you think it is—"
"Shhh," he murmured, pressing his fingers against your temple. "Relax. Just a little longer."
You wanted to argue. You really, really did.
But the second his touch deepened the guiding, your entire body sagged under the weight of exhaustion.
You hated how much you trusted it.
You hated that, in the end, you let him win.
Because as much as you wanted to fight him, as much as you wanted to break free and flee the room—
You needed this.
And he knew it.
Which was why he was smiling so much.
The absolute menace.
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Today, you did something very dangerous.
No, not fighting another Gate. Not risking your life for the safety of others. Not even getting guided by a man who was one unfortunate sneeze away from becoming a tragic obituary.
No, you did something far worse.
You asked Jade Leech what he wanted in return for keeping you alive.
It was a reasonable question! A necessary question! Because at this point, the man was essentially your life support, and it felt a little irresponsible to just assume he’d be happy with some gift baskets and heartfelt thank-you notes. If you were going to keep depending on him, you needed to know what he wanted.
So you asked.
And the menace smiled.
Which immediately sent your self-preservation instincts screaming.
That was never a good sign. Jade’s smiles were like sharks in shallow water—unsettling, unnatural, and a clear warning that something was about to go very, very wrong.
You braced yourself.
And then he said:
"A nature trail."
You stared at him.
And blinked.
And then stared at him some more.
Because surely you had misheard him.
“A nature trail,” you repeated slowly, because there was no possible way that was all he wanted. You had prepared for blackmail. You had budgeted for bribes. Hell, you had been willing to break the bank if it meant keeping him around (not to brag, but the government paid you stupidly well for constantly risking your life). And yet, out of all the possible insane, ominous, power-hungry demands he could’ve made—
He was asking for a casual stroll through the wilderness?
Jade nodded, the picture of serenity. “Yes.”
"That’s it?" You squinted at him, like maybe if you looked hard enough, you’d find some hidden, sinister agenda buried in his expression. "That's all you want? Not money? Not status? Not, I don’t know, government secrets?"
Jade’s lips twitched, his amusement almost palpable. “For now.”
For now.
For now???
You triple checked that he was being serious, eyed him with the kind of deep, unblinking suspicion normally reserved for politicians and people who ate their cereal without milk, but all he did was nod serenely.
And so, finally, reluctantly, completely aware that you were probably walking into some elaborate trap—
You sighed and muttered, "Sure. What the hell."
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It was almost alarming how much fun you were having.
For once, you weren’t dealing with the constant, soul-crushing sensation of your own mind and body trying to rip each other apart like two rabid raccoons fighting over a single McDonald’s fry.
For once, you could just exist without the underlying fear of accidentally exploding something—or someone—if you weren’t careful.
And as it turned out, existing was kind of nice.
You took the time to smell the flowers (literally, because Jade had shoved one under your nose and said, “Tell me, do you also detect the faintest hint of decay?” which was an incredibly alarming sentence but a nice flower).
You watched as little woodland creatures scampered through the underbrush, entirely unbothered by the fact that an SSS-Class Esper and a B-Class Guide were just casually strolling through their home like a scenic couple in a nature documentary. And honestly?
It was peaceful. Disturbingly peaceful.
But the real sight—the real discovery—was Jade himself.
You had never seen him like this before. Completely in his element. He had dumped the entirety of your picnic basket into your arms without hesitation and was now roaming freely, examining plants with the intense curiosity of a man who had just found Atlantis.
Every few minutes, he’d pause and rattle off some absurdly specific nature fact at you, like, “This particular plant releases a toxin that causes temporary blindness if ingested. Isn’t that fascinating?” or “Did you know that otters sometimes use tools to crack open shellfish? Much like humans, they have a preference for certain objects. Some even carry the same rock with them for years.”
You had absolutely no idea why you found this so entertaining.
Maybe it was the way he spoke, all smooth enthusiasm and quiet amusement. Maybe it was the way he moved, effortless, unhurried, utterly unbothered by anything except whatever flora had captured his attention next. Or maybe—God help you—it was just him.
Not that you’d ever admit that. You’d rather eat your own boots.
Still, you couldn’t help but watch as he suddenly stilled. His gaze snapped toward something in the distance, eyes gleaming with open delight, and you knew—instinctively, immediately—that something was about to go down.
And sure enough—
"Ah."
That single, quiet syllable was so ominous you had to physically fight the urge to take a step back.
Then, Jade turned toward you, expression eerily composed despite the unmistakable excitement in his gaze, and said, “Do you see that mushroom?”
You followed his gaze toward the completely ordinary-looking tree. And then you squinted.
There, just barely within sight, was a mushroom.
A mushroom that looked like every other goddamn mushroom you had passed on this trip.
And yet.
Based on the way Jade’s entire soul had just left his body in pure, unfiltered joy, you could only assume it was some rare, once-in-a-lifetime god of the fungi.
You watched as he immediately took his phone out, snapping so many pictures you were half convinced he was going to submit them to a mushroom appreciation forum.
Then he paused.
And the exhilaration on his face dimmed—just slightly.
Because, unfortunately for him, the mushroom in question was just barely out of reach.
And you—a fool, an absolute clown, an irredeemable dumbass—
Put your bags down.
Walked up to him.
And lifted him up.
For a single, terrifying moment, there was silence.
Jade froze. His hands hovered in midair, like even he couldn’t quite believe what was happening.
Then, slowly, he reached forward.
Plucked the mushroom from its resting place.
And you—practically sweating bullets at the realization of what you had just done without even thinking about it—lowered him back onto solid ground.
The first thing he did was examine the sample like it was the most precious object in the entire world. The second thing he did was glance up at you—not with his usual smug amusement, not with teasing mirth, but something else entirely.
A slow, quiet smile.
Warm. Gentle. Uncharacteristically soft.
And that was the exact moment you thought, “Fuck my life, I’m doomed.”
Without another word, you picked your bags back up and followed him to the next area.
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The Gate had been particularly easy to suppress today—by which you meant no spontaneous explosions, no sudden existential dread, and, most importantly, no feeling like your brain had been wrung out like a wet dishcloth. All in all, a successful day.
So when you spotted Jade afterward, you figured you wouldn’t need much from him. A little guidance, maybe. Some grounding. Nothing too serious.
What you did not expect, however, was to immediately slump against him like a Victorian maiden succumbing to the vapors.
At first, Jade visibly tensed. His muscles coiled, and he took a sharp breath—like he had genuinely thought you had just dropped dead in his arms.
But then he glanced down.
And instead of finding you on the verge of unconsciousness due to Esper-induced burnout, he found you…completely at peace.
Relaxed.
Asleep.
And oh.
Oh, this was interesting.
Jade stilled, the way a hunter does when something rare and unexpected steps into their sights. His lips quirked, amusement flickering across his face as he tilted his head, watching you with the same fascination he reserved for poisonous plants and particularly lively prey.
You had just…collapsed. Right into his arms.
Voluntarily.
Slowly—very slowly, like he was testing the weight of a particularly fragile glass sculpture—he adjusted his stance, shifting just enough so you could lean more comfortably against him.
And when you made a soft, barely audible sigh of contentment—an actual sigh of contentment—he almost laughed.
Jade glanced around, taking in the others in the vicinity. There were still a few agents packing up equipment, cataloging monster remains, finishing the usual post-Gate cleanup. No one seemed to be paying particular attention to your current predicament.
He debated waking you.
For about half a second.
Then, instead of nudging you upright, instead of rousing you from your accidental nap, he merely settled in more comfortably, adjusted his grip, and decided:
"A little while more wouldn’t hurt."
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The first time you met Floyd Leech was…an experience.
Not in the way people say, “Oh, yeah, skydiving was an experience!” or “That seafood buffet really did a number on my stomach, what an experience!” No. This was more of a “I just survived a category five hurricane with nothing but a pool noodle and sheer willpower” kind of experience.
You knew Jade's twin was an Esper, and you'd heard the rumors about Floyd’s personality. Some people said he was unpredictable, others called him a walking natural disaster with an attention span that could either last three seconds or three months. B Rank Esper Floyd Leech, SSS Rank Menace.
And then, by sheer misfortune (or fate, depending on whose side you were on), you both ended up suppressing the same Gate.
Hearing him laugh as he shredded a monster like it was nothing but a chew toy was unsettling even for you. You had seen horrors beyond human comprehension, had fought creatures made of shadows and teeth, had experienced the kind of pain that would make a lesser being crumble—and yet.
Yet.
The way Floyd’s eyes locked onto you in the middle of the battlefield, the way his grin stretched wider, wider, as if he had just found a new favorite thing to play with—your instincts screamed at you. Your fight-or-flight response hit so hard you almost accidentally activated your Esper abilities on pure reflex.
(And the worst part? You were technically stronger than him. That did not make you feel any safer.)
Then, as if to truly cement his status as an absolute enigma, he took one look at you, tilted his head, and said:
"Ooooh~! A shrimpy!"
A shrimpy.
He just…he called you shrimpy.
And the worst part? It was kind of funny. Actually, it was lowkey adorable.
So you just. Didn’t stop him.
Which he took as an invitation, apparently, because the next thing you knew, he was slapping an arm around your shoulders like you were old friends. And with zero hesitation, he dragged you along as you both exited the Gate, whistling a happy little tune as if he hadn’t just been reveling in combat two minutes ago.
You barely had time to process what had just happened before you saw Jade.
Jade’s gaze looked…sharper.
It wasn’t obvious—he was still smiling, still polite, still the ever-composed Guide who had saved your ass on multiple occasions—but there was a distinct flicker of something behind his eyes as he looked at Floyd practically draping himself over you.
He didn’t say anything. Didn’t frown. Didn’t tell Floyd off.
He simply stepped forward, placed a hand on your shoulder, and gently pulled you away.
And just like that, the weight of Floyd’s arm disappeared, replaced by the steadier, more deliberate touch of his twin.
And Floyd?
Floyd just looked between the two of you.
Then, he grinned.
Then, he laughed.
And then, with all the enthusiasm of a man about to cause absolute chaos, he threw his head back and cackled.
"Ooooh, Azul is gonna LOVE this~!"
And before you could even begin to ask what the hell that meant, he waved and walked off toward a Guide—one who was probably prepared to deal with his absolute insanity.
You barely had time to recover before Jade gestured for you to sit.
Guidance was nothing new at this point. Usually, he just held your hand, grounded you with a touch, let his presence stabilize your energy until you were back to normal.
But today.
Today, he touched your foreheads together.
Your breath caught.
His hand was light against your jaw, but firm enough to keep you still. His forehead pressed against yours, close enough that you could feel his breath ghosting against your lips.
Your eyes fluttered shut on pure reflex, your fists clenching as if that would somehow stop the sudden, ridiculous way your pulse spiked.
This was fine.
This was fine.
Your mind was clear. Your energy was balanced. You were not thinking about his breath on your lips.
You absolutely, one hundred percent, were not thinking about how his voice, so soft, so deceptively gentle, murmured:
"Breathe."
You were so, so doomed.
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The Gate had been massive—one of the worst ones in years.
It had opened with no warning, no telltale energy fluctuations, nothing. By the time the first responders had arrived, the battlefield was already drenched in blood.
A-class Espers, gone.
S-class Espers, gone.
By the time you had been thrown into the fray, the situation had spiraled so far out of control that your arrival felt less like a strategic decision and more like a last-ditch gamble.
Eight hours.
Eight hours of relentless combat.
Wave after wave, monster after monster, every time you cut one down, another two would replace it.
You had fought until your muscles felt like molten lead, until your vision blurred at the edges, until the very air around you burned with overuse of your own power—until the Gate finally stabilized just enough for you to close it.
And then, you stumbled out.
And everything hurt.
Everything was too much.
The sound of voices, the shifting of energy, the distant cries of the wounded—it all crashed into you like a tidal wave, scraping against your raw, frayed nerves. You were this close to losing control, to snapping under the pressure, to letting your Esper abilities swallow you whole.
But Jade wasn’t here.
Jade, your Guide, the one person who knew how to handle you when you reached your breaking point—wasn’t here.
Apparently, no one had informed him of your involvement in the battle. He was still on his way.
Which meant you were falling apart, and there was no one to catch you.
And so, the SSS-ranked Guide on standby stepped in.
The moment their hands touched you, you recoiled. Their presence was too much, too invasive, too overbearing, like someone trying to force a puzzle piece where it didn’t belong.
But you didn’t have a choice.
Their energy pressed against yours, crushing down, shoving your frayed emotions back into place like jamming a lid onto a boiling pot.
You wanted to throw up.
Your entire body screamed wrong, wrong, wrong.
But if you pushed them away, if you lost control, if you went berserk right here in the aftermath of this bloodbath—people would die.
So you clung to them, shaking, white-knuckled, letting them guide you as best as they could.
And you hoped—prayed—that Jade would get here soon.
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When Jade first stabilized you, he had thought of you as entertainment.
It was hilarious, really. The strongest Esper to ever exist, the one the government practically worshiped, the one whose very presence made monsters hesitate—completely helpless without him.
Oh, you could fight. You could tear through Gates like they were made of paper, you could reduce monsters to mist and regrets, but the moment it was over? The moment your power turned inward and tried to rip you apart? Only he could fix it.
Jade had never considered himself sentimental, and certainly not possessive. People were people. They came, they went, they lived, they died. He had met more than a few Espers in his life, had guided his fair share, and yet—none of them had ever needed him. Not the way you did.
And the best part? You were terrified of hurting him.
Absolutely adorable.
Your desperation to keep him safe was comedy gold. You were an SSS-rank nightmare, strong enough to turn city blocks into craters, and yet, the moment he touched you, you flinched like you might break him. You barely let him guide you for more than a few minutes, always watching him like he was made of glass, like he might shatter if you took too much.
Jade had never been one for attachment, so he simply dodged all your attempts at even a temporary bond. What was the point? He liked the little game you two had going on. You kept asking, kept trying to tie him down, and he kept laughing and evading, watching you get more and more frustrated. Too much fun to stop now.
Even when he invited you to the nature trail, it had been on a whim. A little curiosity, a little test. He expected you to sulk in the corner, maybe grumble under your breath about how boring it was, or sigh dramatically like you were suffering for his sake.
Instead, you had participated.
You had followed him through the trees, asked questions, even leaned in close to examine the plants he showed you. And when he couldn’t reach a mushroom, you had—without hesitation, without even thinking—simply lifted him up.
Like it was the most natural thing in the world.
That had been the moment something inside him had shifted.
Jade wasn’t sure he liked it.
It was unfamiliar, uncomfortable. Unsettling. A quiet sort of tug, deep in his chest, something that made him pause when he looked at you.
Before, it had been easy to laugh off questions.
"Jade, what’s the deal with you and them?" someone would ask, and he would smirk, deflect, change the subject.
Now?
Now, when people asked, he had to bite back the urge to say, “They’re mine.”
So when he heard about the Gate—eight hours, a battle, an ambush that had already killed dozens before you were called in—
He didn’t hesitate.
He had barely taken the time to grab Floyd, all but shoving him into the driver’s seat. "Drive."
Floyd, ever delighted by drama, had driven like a man possessed. Jade wasn’t entirely sure how they weren’t in a burning wreck by the time they arrived, but at least they got there fast.
And when he stepped onto the battlefield, pushing past medics, ignoring protocol—he saw you.
Sick. Wounded. Barely standing.
In the arms of someone else.
His stomach turned.
Jade had never experienced jealousy before, not in any real way. He was too patient, too controlled, too much of a sadist to truly be envious of anything. But seeing you there, shaking and exhausted, clinging to someone who wasn’t him—
Something ugly coiled in his chest.
For the first time in his life, Jade Leech felt like throwing up.
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The moment you saw Jade, it was over for the poor, unfortunate soul currently keeping you upright.
You shoved the deeply offended Guide off you like they were an inconvenience, a minor roadblock between you and salvation. You could apologize later. Right now, your legs were giving out, your head was spinning, and the only thing you knew for certain was that you needed him.
Jade barely had time to react before you reached for him, stumbling forward, barely coherent, barely standing.
And he ran to you.
Jade Leech—calm, composed, unshakable Jade—ran.
You collapsed against him the second he was close enough, clutching him like a man stranded in the desert clutching the first drop of rain. His touch was the only thing keeping you tethered to reality, the only thing that made the burning, suffocating feeling inside you ease just a little.
“Thank you,” you gasped, fingers twisting in the fabric of his uniform, voice barely above a whisper. “Thank you for coming.”
Jade stiffened.
You barely registered it. You were too far gone, too exhausted, too feverish. But if you had been paying attention, you would have seen something rare, something almost unheard of—
Jade Leech looking completely and utterly shocked.
Like he hadn’t expected you to say that. Like he hadn’t expected you to look at him like he was something worth holding onto.
And then, because you were nothing if not a disaster, you giggled—actually giggled, delirious and exhausted and overwhelmed by relief.
“Your face…” you murmured, the edges of your vision darkening. “You look so—”
And then you went completely limp in his arms.
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Jade was not panicking.
No, truly, he wasn’t. Panic was an unbecoming emotion, a pointless thing that only clouded one’s judgment. It was inefficient. Wasteful. Jade Leech did not panic.
So when you went completely limp in his arms, when your body sagged against him like a puppet with its strings cut, he did not panic.
He simply—assessed the situation.
He shook you gently, then not-so-gently, but you were completely unresponsive, your breath coming in short, ragged gasps. His hands slid over your back, fingers pressing against the pulse points in your wrists, your neck—too fast, too unsteady, too weak.
He tried guiding you, pushing that familiar, stabilizing force into you, but it was like pouring water into a cup that had already shattered—it wasn’t enough.
You needed something more.
Jade hesitated.
For the first time in years, he hesitated.
And then, before he could think better of it, before he could talk himself out of it, he leaned in and kissed you.
It was not soft, nor was it gentle. This was not a kiss meant to be romantic, nor was it something he had ever done before. But kissing—intimate, overwhelming, all-encompassing kissing—had long been known as one of the most effective ways for a Guide to stabilize an Esper.
And Jade had never needed to put in this much effort before.
Your lips were warm beneath his, feverish and trembling. He could feel it the second it worked—your grip on him tightened, fingers twisting in his coat as you gasped against his mouth. A shudder ran through your body as you pulled him closer, kissed him back.
Jade felt something snap.
It was an ugly thing, this feeling in his chest. Sharp-edged and burning. He didn’t know if he was kissing you to help you, to save you—
Or if he was kissing you because he wanted to.
But then—oh, then—his lips curled against yours as a slow, unbearable sense of triumph unfurled inside him. Because you weren’t just kissing him back.
You were kissing him back in front of everyone.
In front of all the other Guides who had spent years chasing after you, aching for the chance to stabilize you, to prove themselves worthy of being your match.
And yet, it was his arms you had collapsed into. His touch that had soothed you. His lips you were parting for, grasping at like he was the only thing keeping you from slipping into the abyss.
Jade had spent months dodging your attempts at forming a temporary bond, laughing as you fumbled for something more than what he was willing to give.
Now, you were clinging to him.
And wasn’t that just the most delicious thing?
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Waking up to someone kissing you was new.
Waking up to Jade kissing you, though? That was absolutely not on your bingo card.
Your mind, sluggish from the near-death experience of the century, took a moment to catch up. There was warmth against your lips—soft, careful, lingering. A hand at the back of your neck, cool fingers threading through your hair. The faint scent of damp earth and saltwater, familiar, grounding.
And then, your body caught up with your brain and realized oh, holy shit, that’s Jade.
A normal person would pull away, maybe demand an explanation. Possibly scream.
You?
You wrapped an arm around his waist and pulled him closer.
Jade let out a noise—half a laugh, half a surprised hum—but he didn’t stop you. If anything, he melted into you, his lips curling into a smile against yours. His hand tightened at your nape, fingers splaying against your back, and when you deepened the kiss, he sighed into your mouth like he had been waiting for you to do it.
That was almost enough to send you straight into cardiac arrest.
When you finally pulled away, you were fully awake, body thrumming with energy. Not just from the guiding—though, yeah, that was part of it—but from the undeniable, inescapable fact that Jade Leech had just kissed you. That you had kissed him back.
Jade didn’t move far. If anything, he leaned in closer, forehead brushing against yours, his breath still warm on your lips. His gaze flickered across your face, taking in the flush burning its way up your cheeks, the way you were still holding onto him like you’d fall apart if you let go.
You wanted to say something, maybe tease him, maybe demand an explanation, but words weren’t exactly functioning right now. You could barely think beyond holy shit that was the best kiss of my life.
Jade, for once, wasn’t smug.
Or, no. He was trying to be. He had the smirk, the casual tone, the playful tilt of his head. But his fingers twitched against your back, his grip just a little too tight. And when he finally spoke, his voice was a fraction softer than usual, a little too careful.
"Would you," he said, "perhaps, be interested in permanently bonding with me?"
You blinked.
Jade Leech. Jade Leech. The same Jade who had dodged every attempt you made at even a temporary bond, who found it hilarious that only he could stabilize you, who treated your guiding sessions like some kind of ongoing game.
That Jade had just asked if you wanted to bond.
Permanently.
Your heart stuttered. His hand was trembling.
He swallowed, like he was waiting for you to say no.
You didn't answer. Not with words, anyway. Instead, you grabbed him by the collar and kissed him again.
Jade made a startled sound before melting into you completely, his arms locking around you like he had no plans of letting go. His lips curled into another smile against yours—this time, not smug, but genuine.
Like he had won.
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You had asked him eighteen times.
Eighteen.
And, frankly, Jade was getting impatient.
The first time, it had been endearing. You had looked at him with wide, wary eyes, like you thought this was some elaborate joke. You had stammered out a, "You—You're sure? Like, actually sure?" and Jade, who was in a good mood, had simply hummed and said yes.
The second time, it had been amusing. You had grabbed him by the wrist, pulled him aside, and, in a whisper like you were plotting treason, said, "Look, I won’t be mad if you back out. You know that, right? Like, this is a huge deal, and if this was just, y’know, heat of the moment, that’s totally okay. No hard feelings."
The third, fourth, fifth, and so on?
Infuriating.
Jade could not, for the life of him, figure out how to convince you that he meant what he said. Yes, he wanted to bond. Yes, permanently. No, he had not lost his mind.
And yet, here you were, pacing across his living room, your arms crossed, rambling for the nineteenth time about how he still had a choice, how you wouldn’t hold it against him if he didn’t want to go through with it, how he wouldn’t be able to guide anyone else ever again if he bonded to you, how that might be too much to give up.
Jade, stretched out on the couch, chin propped against his palm, sighed.
He had enough patience to last centuries.
But this?
This was getting ridiculous.
"—and I'm just saying," you continued, voice a little frantic, "I've seen Guides get really resentful about it. You could go from stabilizing a hundred people to just me. And you know how bad I get, how it hurts, and I'm not saying you can't handle it, but, like, are you sure? Like, really sure? Because—"
Jade leaned forward, grabbed your collar, and kissed you.
You stumbled, caught off guard, and his lips curled when he felt you tense up before relaxing completely. He kissed you slow, deliberate, like he was trying to make you feel the answer you had refused to believe.
And when he finally pulled away, he let his teeth graze your bottom lip just slightly, smirking when he felt you shiver.
"Does that answer your question?" he asked, voice smooth, teasing.
You opened and closed your mouth like a fish out of water.
Jade’s smirk widened.
"You're overthinking it," he said, reaching out, gripping your wrist, tugging you closer. "There’s no one who could entertain me quite like you do, you know? Maybe it’s time for a career change. I’ll be your Guide, and yours alone."
Something inside you lurched.
Something possessive.
Jade, yours.
Only yours.
His gaze flickered to your lips. Amused. Challenging.
"So?" he said, voice mocking light, but his fingers tightened around your wrist, his pulse beating just a little too fast. "Are we doing this or not?"
Your breath hitched.
And then, you grabbed him by his collar, yanked him down, and kissed him again.
This time, you bit his lip.
Jade laughed into your mouth—pleased, triumphant—before pulling you against him and kissing you so deeply you felt it in your bones.
And just like that, the bond clicked into place.
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Waking up with Jade curled against you was a rare privilege.
For one, he was a light sleeper. Most of the time, you barely shifted and he’d already be watching you like some creepy forest cryptid. But today, he must’ve been exhausted from the bonding because he was still tucked against you, his breathing slow and utterly unguarded.
It was… nice.
Nice enough that you felt unreasonably smug about it.
You shifted just a little, tightening your hold around him, and he hummed in contentment, pressing closer without fully waking up. Unfair. How was this the same Jade who deliberately guided you half the time by whispering things against your lips just to make you flustered?
You could get used to this.
And then it hit you.
You’d bonded. Permanently.
But you had never actually asked him to be yours.
As in, romantically.
Your eyes snapped open. Oh. Oh, you had fumbled.
You knew Jade had agreed to the bond, obviously, but—was he in love with you? Did he see this as just a Guide-Esper partnership? Did you just lock yourself into a lifelong working relationship like some corporate contract??
He slowly stirred and just as he blinked at you, before you could think better of it, you blurted out, "What are we?"
Jade went still.
Like, completely, horrifyingly motionless.
You felt him exhale sharply, his hand twitching against your side, as if physically restraining himself.
For a long moment, he said nothing.
Then, finally, slowly, he pulled back just enough to look at you, and the expression on his face was somewhere between fondness, disbelief, and the soul-crushing realization that he was in love with a complete idiot.
"...Are you serious?" he asked, his voice painfully even.
You hesitated. "...Yes?"
Jade closed his eyes.
He inhaled.
He exhaled.
He inhaled again.
Then, finally, he muttered, "God give me strength."
You frowned. "Look, I’m just saying, you never actually—"
"Do you think I would bond with you permanently if I wasn't in love with you?" he asked, voice slower, more deliberate, as if carefully handling a very stupid but very precious object.
You blinked.
Paused.
And then you felt heat creep up your neck.
"...Oh," you said, a little dumbly.
Jade sighed.
But before he could say anything else, you reached out and pulled him back into your chest.
You hid your face against his hair.
"...Love you too," you mumbled, voice muffled, but he could hear the smile in it.
Jade, after a long beat of silence, finally let out a breathless laugh.
And as you held him close, warm and undeniably happy, he thought, Yup. They’re my dumbass.
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Masterlist
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chaoticwriting · 6 months ago
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GOTHAM'S SWAT TEAM
Inspired by this post
For the longest time, the kids of Amity Park always thought that the police is a fictional job. Like, sure. They have a sheriff but it's like saying because there are knights there must also be wizards.
Well, there were real wizards. Danny accidentally encounters some of them while going around the Ghost Zone. Not like Freakshow type of wizard. A real wizard. The type that spends their day in their room reading and experimenting.
So that beg the question, is the police real? And Danny goes out on a hunt for a police ghost. And it isn't even that hard. Asking around the ghosts that are once human, Danny easily finds legit police officers and asks them questions.
That discovery blows his mind. Collecting enough evidence, Danny shares his finding with his friends. Everyone brushes him off saying he is faking it and is just trying to gain attention, even Wes doesn't believe him and he is supposed to be the crazy one.
It is until Mr. Lancer himself confirms that police officers are real that they realize Danny wasn't lying. After that, his focus immediately changed. From becoming an astronaut to becoming a police officer. And surprisingly, it is a lot easier to be a police officer than to be an astronaut.
Him being a "meta" also doesn't pose any problem as a new program from being pushed by the FBI. Danny is pretty sure the police and FBI don't get along that well but it's not his problem.
Danny is very good at his job. Almost all of his cases get solved or at least reached a very reasonable conclusion. No matter what job he gets assigned to, he easily solves them. Investigation, car chase, emergency. Literally anything.
But there is one single flaw about Danny. He hates politics. Like he would rather spend his summer with Vlad than take or give bribes. That makes it hard for him to rise in ranks and gain a higher position. Not like Danny is really gunning for it anyway.
But that also doesn't last long, Danny finds out about corruption in his police department and reports it immediately. Surprisingly, the head department himself is involved in the corruption. The head department tries to send people to assassinate him but Danny is Danny. He takes down all the assassins and manages to make them confess to their crime.
With them being caught, the head department also gets captured. But still, it is politics, so Danny is transferred away in the name of promotion.
And that is how he officially gets the position as the captain of the Swat team at Gotham. The first time he gets deployed is to stop a gang fight between someone named Two face and Black Mask.
That night, the Gothamites swear that the one in the SWAT suit is not a human. He rushes through the gun fires and avoids each bullet like they are some snowballs someone throws. 15 minutes. That is what some of the goons say. That is the amount of time for the SWAT team to take them down.
Their efficiency rivals even the bats. Except for the death that is caused by the earlier shootout, no one dies after the SWAT team arrives. Black Mask and Two Face are captured that night and for the first time, the police captures the rogues without any of the bats help.
The news goes around fast and soon almost everyone knows that there is a new SWAT team captain. For the first time, the reputation of the police department rose. But for GCPD, it is the busiest and most scary month for them.
All the police officers at GCPD agreed to one thing. If you catch the attention of the SWAT team, get ready to go to jail. So far, no one has managed to escape his sight except those that are truly clean. One after another, police officers get captured and replaced. At some point, there are even some rich people that are captured.
Commissioner Gordon stares at the list of police officers at GCPD. He is stunned since he doesn't even know how the captain of the SWAT team does it. Almost all the police here are the clean ones, while the rest are people with non major problems like lazy or incompetent. Gordon looks at the name of the SWAT team and stares at the name of the Captain.
Daniel James Fenton
A normal name for an extraordinary young man. Looking at his past records shows a young man with excellent work ethics with impressive capabilities. If Gordon is to retire one day, he hopes that Danny will take his place.
Suddenly, an alarm goes off. There is a breakout at Arkham. Just as he is about to order his team to move, the SWAT team van rushes out of the building with an impressive feat.
Danny is really having the time of his life. His core that is screaming for him to protect people has been nourishing in Gotham. From him removing the corrupt police officers, all the way to him taking down gangs. All of it is helping him. It does really help that he can speak to ghosts and be ghosts himself.
As Danny prepares himself for the imminent chase that is about to happen, a ring sounds from his phone. Picking up the call, a loud noise goes out.
Ellie: Daddy, the news says that there is a breakout at Arkham. Is it true?
Danny: Yes, honey. That's why I need you to stay home okay. You remember what you need to do if you are in danger right?
Ellie: Yes! Push the big red button. And the green one if super dangerous.
Danny: Good. Stay home until I finish my job okay?
Ellie: Okay!
Putting down his phone, Danny checks his gear one more time.
Jamal: Your daughter, cap?
Danny: Yeah. She has been trying to get me to bring him to work. You know the GCPD isn't a place I should bring a child to.
Jamal: Oh, for sure. If I had a child, I wouldn't even let them near there.
George: Pft, you don't even have a girlfriend. How can you have a child?
Jamal: Oi! Don't underestimate me. I can easily have a girlfriend if I want to.
Jennifer: Yeah, right. I'd give you 100 bucks if you can have a girlfriend by the end of the year.
Jamal: Aight, bet.
Hans: Cap, I get a report that Joker is nearby. Do we go after him?
Danny: Why do you even need to ask? Let's go bust some clown's ass.
Hans: Roger that.
Hans that is driving, makes a wild turn to the left into a smaller road. Hans is their best driver and knows Gotham roads like the back of his palm. Danny finds him when he busts out a robbery group and had a chase scene with him.
If not for the fact that Danny can fly faster than a car, he wouldn't have been able to catch Hans that night. After pulling some strings, Danny manages to convince Hans to join his SWAT team as the driver.
As the van flies through the road of Gotham, they finally see a white car with a green wig and red nose on the front.
Hans: Cap, we got Joker in our view.
Danny: Release a warning.
Hans taps a few buttons and a microphone falls down from the van ceiling.
Hans: To the car in front. You are ordered to stop right this instant.
Hans put away the microphone fully expecting the car not stopping. And true to his expectation, all he receives is loud laughter and a few gunshots.
Danny: Jamal, shoot them.
Jamal: Roger that.
Kicking open the backdoor, Jamal releases his drones into the sky. The drones fly and turn and suddenly, a barrel comes out of each drone.
Jamal: I got the visual. Firing in 3..2...1.
Ratatatatatatatata
Bullets fly through the sky towards Joker's car as the driver tries to avoid the bullets. Unfortunately, this is not a movie and soon the car crashes to the side as all four of its tires have exploded.
Hans stops the car by the side of the car crash and Danny and his team rushes out. Taking the Joker and his gang out of the smoking car, Danny makes a few calls and a few police cars arrive at the scene.
Danny strips all of Joker's and the gang's equipment down to their underpants and sends them away. Getting back inside the van, Hans continues driving towards the next rouge that has been sighted.
Danny: Strap up boys. It will be a long night.
Part 2
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artist-issues · 2 years ago
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Look I know Rapunzel paints and Tiana cooks, but if you guys don't think Mulan is the Most Creative Disney Princess, you're wrong.
She's literally introduced in this perfect scene that highlights her whole character, flaws and strengths:
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The first time you see her she's:
Cheating, which is totally the opposite of what honor-code General Shang would do.
Undisciplined, which is what going to the army fixes.
Problem-solving—by writing the recitation she can't remember on her wrist—
BUT LISTEN. That last one is the first hint you have that she's the Most Creative Disney Princess. Because guess what? She's not the first young woman to cheat at the matchmaker test. The Matchmaker specifically checks to see if she's cheating when the test begins. But the rest of them wrote their cheat sheet on their fans.
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The Matchmaker was prepared for the usual kind of tricks. But Mulan's full of her own ideas, not everyone else's.
You guys know the rest. She dresses up like a soldier—nobody suspects her because the idea that someone would do that never occurs to everyone else. She climbs the pole by tying the medallions around each other when none of the other recruits can figure it out. She lights the cannon by grabbing Mushu instead of searching for flints. She creates an avalanche instead of just taking Shan Yu out. She tricks the Huns by dressing her friends up as concubines. She defeats Shan Yu with his own sword and a bunch of fireworks.
But even beyond problem-solving, Mulan never does things like other people do. She doesn't even do things like other women do.
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She doesn't just walk across a bridge, she jumps from pillar to pillar. She doesn't just bring her father tea, she puts a spare teacup in her sleeve because she knows she's clumsy.
Mulan is creative. But you know what that moment proves? That she's not just a representation of all women-versus-men. Mulan is representative of a human, who sees where she has strengths, and sees where she has weaknesses. She uses her strengths to her advantage and works to improve or make up for her weaknesses. She doesn't try to be exactly like a man. She just tries to use what she's got to do the right thing. And finding ways to use what you've got, even if it's not like what everyone else has, is creativity.
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golden-redhead · 23 days ago
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Squid Game's Final Season & The Suspension of Disbelief Baby Problem
The more I think about it, the clearer it gets that the whole Baby Thing in Squid Game s3 was... maybe not the best idea. I can understand where the writers came from and I actually genuinely think that on paper it was a pretty interesting idea. I also realize that it was definitely meant to be largely symbolic and we shouldn't expect it to be 100% realistic. Squid Game never tried to act like it's about realism, it was always about the message and the commentary on human nature and the system we live in.
The thing is... Well, there's symbolism and then there's expecting the audience to ignore very obvious flaws that need to be overlooked for said symbolism to work.
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First of all, this whole subplot reeks of being written by someone who never had to deal with a newborn. Which, on its own, is fine. The idea that you should only write about things you are familiar with is, frankly, quite silly. Truth be told, I don't have any experience with dealing with newborns either. However, even if you don't have any first hand experience or knowledge about how newborns operate, common sense still makes it very difficult to buy the way everything played out in the story.
The birth scene itself was honestly silly if you know anything about how it works. And I assume it was even more silly for people who have actual experience giving birth or assissting someone during the process. Like, I can accept that it happened fast, even if it is a little unbeliavable, it is still within the realm of possibility. Some births are easier and faster than others, that's true, but even then, birth is messy regardless of how long it takes. There's blood, sweat, poop and all kinds of nasty stuff. And all that applies to a 'normal' birth, you know, in the hospital and with medical professionals around! Then, there's the pain and panic that would have only been made worse by the reality of being in the middle of a killing game. Not to mention how it was a non-sterile environment full of blood and dirt with no way to properly care for a baby that's born too early and to a first-time mother who's in a lot of pain from additional injuries and trauma. And speaking of the mother, even after giving birth, most people are too exhausted to keep going. Jun-hee didn't look even half as bad as she should have, considering everything her body went through in a small amount of time. She should be still actively bleeding and honestly, it's surprising that a potential infection or excessive bleeding didn't kill her first.
Even when you account for things like adrenaline and accept that some things had to be simplified in order to work on screen, there are just way too many elements other than the things related to the birth itself that don't make any sense. And that's all without even getting to the obvious issue of a newborn baby's needs, such as frequent feeding and diaper changes. Or the crying which would for sure drive everyone crazy, especially at night when the adrenaline of the games wears off and people are trying to rest. Or, you know, the serious risk of the hungry and dehydrated baby getting an infection, especially since it has basically no immune system to speak of.
And then there's the jumping rope game... Have you ever heard about SBS? The Shaken Baby Syndrome? Much older children are at risk of serious injury and even death from being shaken. I find it very hard to believe that that baby wouldn't suffer after being shaken, jostled and moved around like that. Oh, and then there's also SIDS. It's short for Sudden Infant Death Syndrome. We don't exactly know what causes it, but some babies die despite being perfectly healthy and taken care of. It's just one of these things that seem to be out of our control. If it can happen to children who have all of their needs met, imagine how much higher the risk was for Jun-hee's baby.
Honestly, I could keep going, but... No matter how you slice it, the creators expected A LOT from the audience by demanding that we overlook all of these issues. And that's assuming that you are even willing to overlook it in the first place. Which, frankly, I think is quite hard, considering how many lovable, actually well-developed characters had to die for the sake of that baby. The baby that not only very clearly didn't look only a few days old but also required some pretty bad use of CGI at some points.
Again, I realize that it's less about the baby and more about what the baby symbolizes, especially in Korean culture. It's pure, it's innocent, it's a representation of what could be a better future. I just think that all these things I mentioned above, along with a shockingly defeatist ending for Gi-hun, make it very hard to accept the way the final season ended. This sudden lack of realism taken to such an extreme doesn't help either.
In fiction, we often talk about suspension of disbelief. All fiction requires that to some extent, with some genres or kinds of media expecting more of it than others. The problem is, despite some of pretty unbelievable elements, Squid Game was always pretty deeply rooted in reality, especially when it comes to its characters. I think it's the reason why it resonated with people as much as it did. It's taken to the extreme, yes, but we all can understand the idea of being betrayed by the system. We know how it feels to be constantly beaten down and how one mistake can spiral out of control and ruin our whole life. We realize that life is unfair and that the uber wealthy prey on the poor and uphold a system that's designed to keep us in check.
So, by suddenly going out of its way to make a pretty unbelievable situation work against all odds and have that baby survive when no one else did, the creators demanded a lot from its audience. I think this is where a lot of disappointment and disbelief comes from.
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DPxDC prompt. Fae!Danny x Jason. Dead on main. Death of a Fairy Tale. or
"Oh no! This tricky hooman stole my heart! What should I do?" *becomes a leader of his court and, just in case, overthrows the tyrant Pariah Dark in order to allow marriages with representatives of other races and live happily ever after with Jay*.
~~~~~
 “You're not allowed to be here. This is not your territory.”
Jason barely had time to catch his breath after escaping from the hot dog vendor when someone noticed him hiding in the bushes.
There were no rides for children or food vans in this park, so Todd didn't understand why anyone would cling to this territory but the guy looked at him with obvious concern. And well, after the morning's adventures, Jay didn't have any energy for another conflict at all. This kid looked pale and thin, so it didn't look like fighting with him would get him anything.
“Calm down, I'm just passing by. What's your problem, dude?”
“I live somewhere ne...here.”
Jason rolled his eyes. It's clear that the guy lived nearby, but it's unlikely that he had a house. The lack of a T-shirt and shoes hinted that in front of him was also a street rat who most likely had not yet learned how to defend his belongings. Poor guy. But this is definitely not Jason's business.
However, did he really spend the night outside in the open air? Sleeping on the bench was a last choice even for Jason. This might be acceptable options in some quiet provincial town, not in Gotham.
“I mean, what are you doing outside?”
Young Phantom checks his glamour, but finds no flaws in it. This man in front of him must be very knowledgeable and experienced, despite his young age, since he immediately recognized him as not a human being. For Danny, who lived with other fairies in Fairyland all his childhood and came to this dimension for the first time, the outside always meant the world of human. Fae shocked and upset that he was discovered so quickly. Haven't people almost forgotten about their existence? The elders would swear a lot if they found out that he had failed. The boy carefully orders the vine and clover to cover the circle of mushrooms, hiding the front door from the human. He was the only one of the entire brood entrusted by Undergrowth to start a practice in a city where there are almost no plants and sunlight, and faeling did not want to let down the mentor who took him under his wing at all.
The old Fairies claim that people are mean and narrow-minded, but Danny himself is intrigued by these creatures and therefore hopes that he will be able to come to an agreement with the boy and to continue his research without obstacles. Danny intends to take the exam for the right to be called an adult fae this decade, which means he has no right to make mistakes. But still, forcing a guy to dance until he drops dead from exhaustion or make him wander along the paths of this small green area without being able to find a way out, as he was taught to get rid of pests at home, seemed too cruel. This boy, just like him, is still a cub and he is here by accident, not to encroach on their possessions. They need not quarrel.
“Don't banish me. I'm just trying to learn.”
“To do what?”
“To steal.” Danny blushes, realizing that such honesty was unnecessary. Stupid, stupid...People know that faeries can take their names, thereby gaining power over them. Now this cub will definitely decide that he has come to cause harm and he will not be able to learn anything useful and interesting. Phantom quickly makes excuses. “Nothing important! I only borrowed trinkets and fruits.”
“You're new to this, aren't you?”
“Is it that noticeable?”
“Pretty noticeable, yes.”
The boy looked at him almost pityingly. And the Phantom didn't like it.
That's how the spirits and other fairies used to look at him when they found out he was only halfa. Because of this fact, his abilities were belittled and not taken seriously too often. What's wrong with that? He's dead just like everyone else, even if not completely.
And now he's screwed up, not even because of his nature, but because of his sluggishness. It was especially unpleasant, as it was deserved. He should have spent his time more productively, but the flowers bred with the help of humans were so interesting and talked about their longing for the sun with such sadness that fae did not dare to interrupt them.
Jason finished both of the stolen hot dogs and leaved the park. The guy still follow him and stares intently, almost without blinking.
“Stop it. What do you want?”
“I study. You seem experienced. “
“People don't really like being stared at like this, in case you didn't know. Back off.”
“Really?”
Jason was ready to be outraged that the kid thought he was an idiot but the tramp from the park looked really puzzled. It seems that if he ever had parents, they didn't care about the boy, since they didn't explain to him that atypical behavior could add him problems. The boy is lucky that Jay is an asshole only when absolutely necessary.
“You're weird. Try to keep your mouth shut near others.”
“Okay.”
Jason took a few minutes to think and sighed. Todd could not leave this strange child alone, because damn conscience would not allow it. He can't survive alone. He will either wander after some other person and become a victim of trafficking or he will be at the beck and call of some assholes in the late afternoon. Jason cursed his bleeding heart once more and promised himself that he would keep the boy by his side no longer than necessary. Jay couldn't afford to be responsible for another mouth to feed. Summer has already come to an end and it was worth starting to save a little money and store things in case of early cold weather.
“If I teach you some of my skills will you promise to stay away from the places where I…work?”
“Maybe. Is this a deal?”
“Yes, if you'll agree, idiot. “
Danny nods and his new acquaintance continues.
“First of all, we'll get you shoes and some clothes. I don't need you to pick up tetanus and some viral crap.”
Danny smiles a little, trying not to make it too noticeable. Great trick.
He nodded to indicate understanding rather than agreeing, and the boy did not ask for verbal confirmation. It seems that he is not completely hopeless at deceiving people. Phantom couldn't wait to tell Clockwork or Frostbite about his success.
They wound through streets and rooftops for a long time until they reached other man's temporary shelter, and Danny had to admit that the man's decision to borrow more clothes was very clever. Strange sharp things and narrow bags of biological fluid were found between the houses disgustingly often. The elders are right about something? Danny must admit. Some people are nasty. They didn't even clean the settlement they live in properly.
A foul-smelling device for carrying things flew into the face of fae while he thoughtfully followed the boy telling him something about removing so-called tires from the iron inanimate horses.
“Dude, stop fighting with a trash bag. You'll stand guard while I give the customer the goods, okay?”
“Fine.” To be honest, the intern was ready to cry from the injustice of life and rush home, and he was only stopped by the desire to visit the observatory, which his new acquaintance mentioned when fae complained that because of the smoke and smog the stars would probably not be visible at night.
Danny realized that he did not regret his decision when, a couple of minutes later, he heard his human quarreling with adult specimen. Judging by the conversation, the man refused to pay the price for the things brought to him and even threatened to hit Phantom's guide. Danny was annoyed by this and decided to intervene a little. To his good fortune, on the balcony of this vile man there was a pot with withering petunias and they did not mind helping lil fae teach their owner manners. A slight whiff of magic and the pot falls on the deceiver's head and human begins to choke on the roots that climb right into his mouth. Danny giggles, congratulating his green comrades on their successful revenge. Other boy doesn't waste any time and grabs the bucks that fell out of the customer's hands and orders new boy to run.
Danny spent several days with human cub and really learned a lot about these creatures. Despite the fact that such a pastime was exciting, he needed to at least create the illusion of practice the fae skills.
It is dangerous to ask a person who knows who he is about this but teachers will be upset if he does not make an attempt. And despite the fact that the people around him seem scary, Nocturn will be much scarier in anger if he finds out that Phantom is such a loser.
“Ma- Can I have your name?” Danny muttered uncertainly and immediately panicked at his own impudence. “Sorry!”
“Jason.”
Todd was in a good mood, as luck had been with him for the last few days, and the new companion was not at all as useless as it seemed to him from the beginning. He was able to hide so well that no one could detect them, and managed to bring fresh fruits, vegetables and mushrooms to their safe house. However, there were problems with the last one, since this strange dude sometimes brought toadstools and satan's boletes to their apartment, which he managed to get from unknown places. Jason thought he was going to have a heart attack the first time he caught child happily eating raw fly agaric. Indeed, if Jay hadn't found him this boy would probably have died of poisoning in that park by now. Todd had to persuade him to bring only chanterelles, which he could confidently identify as edible and not fear for their lives every time the boy tries to help find food. And his padawan really managed to find them. In Gotham. Holy shit. Maybe this park, so fiercely guarded by the boy, was another secret area for Poison Ivy's experiments? However, poisonous specimens will not be wasted either, since you never know when you will need to defend yourself without entering into a fight, but acting more subtly.
“Real name! Real one!” The boy's eyes were as big as saucers and he became very worried and waved his hands as if trying to shake off invisible sticky threads from his fingertips. “You shouldn't say your actual name! Why did you do that? You shouldn't have given it to me.”
“There are a lot of Jason's around. Why do you care about that?”
“You're not just some Jason, you're my Jason, you're important to me. It's dangerous if someone has your name. Then that someone can make you do bad things.”
Tears began pouring down boy's face and Jason was surprised by such a violent reaction. Todd doesn't think there's anything to worry about, since he didn't tell the stranger his last name. He often introduces himself in different ways. Just, for some reason, something made him be honest this time. But how would this guy know that?
“Well…You're not just anyone. We're friends. I don't think you're going to rat on me to the cops or anything. So it's okay. “ Jay tries to calm the newcomer down.
“Friends?”
“Yes. Friends forever?” Jason teasingly holds out his little finger, offering a childish oath that he recently taught his padawan.
“Forever.” The boy supports the oath, and then, after thinking for a second, leans closer to Todd and whispers. "I'm Danny, just so you know."
“Good. I'll remember.”
The young fae is overcome with euphoria. He took the name! He did it! But that was all the other boy had, apart from a rusty tire iron, so it probably wasn't right or friendly to keep it. The human cub helped him. Danny couldn't keep such a gift. He didn't even really try to get his name. “Jason is your name.”
“That's right, buddy.”
“I won't call you that name.” Where I come from, even spouses rarely know each other's names. Danny wanted to assure his friend that he should not be afraid that he would abuse his power. “ I like you so I will take full responsibility for the possession of such a gift, don't worry.”
“Hah, in order to take responsibility, you already need to at least marry me as a moral compensation, given the number of brain cells killed by your antics. “
“Well, if I have to, then I will. When we're older.”
Jason snorts and shakes his head. It's probably not love, since they're just kids, but still, Jason thinks that if all autumn evenings were like this, he wouldn't mind spending his life with Danny, snuggling closer to the boy while they both bask under the same blanket. No matter how many times a day they managed to roll in the mud and fall into the trash can, the boy always gave off a light scent reminiscent of spring greens, which reminded Todd of something warm and cozy. Maybe a home? Although when his father was not in prison yet, his house smelled more like the stench of cigarette smoke and mold.  So Danny was more like a hope for a good home that they write about in books.
On their free evenings Jason usually entertained them by reading. Danny has always been an attentive listener, reacting vividly. After stroking the battered cover of a new book he found, Jason puts it aside. He's too tired today, and  just wants to listen.
Noticing this, Danny begins to chirp about his homeland. His stories are like fairy tales, too bright and colorful for the stone Jungle. Jay realized a long time ago that his friend had something like a defense mechanism. Todd himself snapped and fought when the world was too cruel, this guy escaped to his fictional world, where he was safer and happier. His friend could have been a great writer someday. The descriptions of Princess Dorathea and her cruel brother, pharaoh with an unusual passion for technology and ultra-recyclo vegetarian queen of plants were so detailed and vivid that they seemed true. Danny's imagination contained the whole world.
When the first snowflakes fall to the ground, Danny says that this means that his friend Frostbite will soon come to pick him up. Jason is honestly not ready for such a turn of events. He promised himself that he would not be around another boy for longer than necessary, but he managed to get attached. He hopes that this statement is just another one of his companion's fantasies and forgets about it for a while.
A snowstorm is raging in the city when Danny does not return home. The snowfall does not stop for several days, and Todd realizes that his friend left him, although all his belongings are left in their apartment. He hopes that someone really came for the boy, and not that in the spring his body will be found in one of the melting snowdrifts.  After a few months, when the canned homemade vegetables carefully cooked by Danny are coming to an end, and the mold, sitting alone  in a corner of the ceiling all winter, felt the first the warm rays of the sun, Todd decides not to waste energy on useless worries and hopes.
Soon, as Danny would put it, Batman steals Jason. Todd doesn't really trust the old man at first, but he teaches him to be Robin, and, well, Robin is cool. He's magic. Robin is an urban legend, a spirit worthy of being the hero of Danny's favorite stories. Robin is Jason's connection not only to the city itself, but also to his past. Robin does not need to think about whether he should grieve not only for his mother but also for his friend. Robin is more. There is not only strength and hope in this uniform, but also memories, nostalgia and  humanness. Therefore, Todd is not ready to give up the suit, even if he understands Grayson's displeasure. Because when he goes out on a patrol, the longing becomes less, and he feels that he is getting better and closer to something important. It helps.
No.
It helped.
And then he died.
And things are getting worse by the day, hah.
~~~A few hits with a crowbar later~~~
Jason learns about a new attempt of eco-terrorism relatively late, when he is officially called to help. Even so he stays at the place of the fight before the rest of the family. Firstly, because this time Ivy decided to start destruction from the closest to Crime Alley park, and secondly because Ivy's creations always pay little attention to him. Even the famous pollen has almost no effect on Hood.
Making his way through the furiously writhing vines, Red Hood notices the enemy and realizes that it is not Ivy, but decides that he will analyze the situation during the battle and rushes forward.
“Hey! Don't touch B, you.. “Almost flying into a guy with such a familiar face, the Hood slows down sharply “... pointy-eared.”
A guy with sparkling green energy in his hand and a vigilante with a pistols in each hand freeze looking at each other.
“Man, is it you?”
Snow-white hair, glowing green eyes, transparent dragonfly-like wings and razor-sharp claws are completely unfamiliar to Todd, but facial features, expressions and a bracelet with star pendants that Jay gave Danny for his birthday, adorning one of the impressive polished horns, allow to recognize him.
“Jay! It's been a long time, my friend.” Hearing Todd's voice, despite the sound changed by the helmet, the creature calms down. “You've grown up a lot.”
“And you're still so short. Wow. And, by the way, I can't believe you're still keep it.” Red puts the safety of the guns and then points one of them at the jewellery. “It's from a dollar store, nothing special.”
John says goodbye to the hope of a day off after the mission, cursing the manners of the bat and his offspring. Is a couple of days without the risk of interdimensional conflict really that too much to ask for?
“You gave it to me. That's why it's special.”
The creature smiles and Todd feels his face blushing. It's a good thing he's still wearing his helmet. Danny looks too…magical…in every sense.
“Do you know him, Hood?” Of course, Bat cannot stay out of the conversation when nothing is holds him back.
“No.”
“Yes.”  Danny denies the statement of Hood, proudly puffs out his chest and declares. “He was my first. He calls himself Hood these days? How strange.”
Bat gasps and exhales indignantly.
Jason quickly connects the fact that his friend is definitely not human with the possibility that Danny's stories were true.
“Name!” Trying to fix the chaos that his friend is trying to involve them in, Red Hood hurries to explain. “He's talking about damn name. I'm the first one who gave...”
“Oh, come on, spoilsport. He almost believed me.” The fairy winks playfully and Jason has to do his best to focus on the mission and not on the guy. “You're my betrothed anyway. And, hey, I collected the library as a wedding gift.”
“Hm.” Hood rolls his eyes. This joke about their childhood promise would have been hilarious if he hadn't felt the old man's rising pressure behind his back. So, returning to the problem, he still needs to get these two away from each other as soon as possible. Neither Danny nor Bruce has a calm personality, and Jason didn't want to start Danny's acquaintance with Alfred by giving first aid to these dummies. “So what's all the fuss about? Are you like um.. Ivy's pet-pixie or what?”
Now John Constantine, who carefully watched the meeting from the sidelines, almost feels his blood pressure rising too. Compare faeries with garden pests. What was Batman's son thinking about, showing such disrespect? He wanted them to have more problems or what?
“Hm? Who is Ivy? I've never heard of her. To be honest, I'm only here because our gate was disturbed.” The fairy chirped angrily and, with a nervous flutter of his wings, flew up to the bushes. His finger pointed accusingly at the crushed mushrooms that John and Batsy had landed on when they unsuccessfully attacked Dr. Isley. “But even though your companions' behavior is inexcusable, I don't blame you, of course. I am glad that we met again because of this incident, Tagetes.”
The Faerie circle...John hadn't seen this in years. Damn Gotham. He difenetly doesn't want the problems of this crazy city to fall under his and Shazam's responsibility. Now it is clear why Rogue disappeared so quickly. She probably knew about it and wanted to make them someone else's problem. Damn it twice, John should have sent a message instead of coming to Gotham to discuss business with Wayne. Being uninvited guests of such mischievous and malicious hosts does not bode well.
“You are lucky that the Fright Knight is not on duty today. But someone will have to answer for it. Is it really so hard to look at your feet? Or is this a deliberate provocation? I demand an apology.”
“No, enough games for you. They're a little busy chasing someone, in case you didn't notice.” Jason starts pulling on his friend's hand, intending to take him out of the park. Next to these paranoids, it's better not to ask an old friend about anything. “Only good little fairies are invited to my safe house to taste my signature lasagna today, so stop trying to give my old man a heart attack, okay?”
“Wait. Is this Willis?” The fairy's eyes narrow and he looks at the cloaked dark figure with disapproval.
"No, another jerk. B has a problem with adoptions and that's the reason I'm now part of his brood." Jason reluctantly explains. "He literally dragged me off the streets without consent after I tried to take the tires off his car."
“Oh my Ancients, he did what?! But you're mine! He had no right to steal you.” Danny indignantly rustled the leaves of the closest trees.
“I prefer to be considered as my own man, thank you very much.”
“Riiight…but still, speaking absolutely one hundred percent theoretically, who would you rather stay with, darling? If only you were mine~”
“Ja-..Don't let yourself be fooled, Red Hood. You can't trust him. Ten or even fifty years spent on a prank don't mean anything to this creature.” Bruce doesn't look happy with how at ease Todd is with the threat, but frankly, he rarely looks happy at all, so the crime lord doesn't attach too much importance to it.
"Wow. Rude. This is partially true, but it still hurts. Jason is a friend. I won't do anything to him and I don't demand anything from him. I can't say that about the rest of you. I was preparing for a long-awaited vacation, and because of your fuss I have a new bunch of paperwork to do. What can you say in your defense?"
The boy with the snow-white hair didn't look really upset, but just because there was still a smile on his face, it couldn't be said that he wasn't furious. Next to fairies, all human senses became enemies, not allies.
Despite the deceptive good-naturedness of merrily fluttering his wings guy, John was on high alert. Short-tempered, playful and obnoxious temperament were both a blessing and a curse when working with these creatures. Fairies skillfully searched for loopholes in contracts and in general were the best deceivers among those who could only tell the truth. Faeries prefer to bend victims to their will with words, but they are skilled users of the magic of nature and chaos. They also, despite the business acumen as strong as the alligator's mouth closing strength, were willing to play cat-and-mouse with those who dared to turn to him for help or just walk near their possessions. And this specimen was also clearly not one of the fairies that Morningstar had taken over control, since his energy reeked of Infinite Realms. Unknown territory. John urgently needs to come up with some ingenious plan to get everyone out of this fighting safe and relatively unscathed and…
“Fuck off, B. I told you he already has my name. If he wanted to hurt me, he would have done it at any time. You should show more respect for your future son-in-law, you know.”
“Jason, honey, since when do street rats hang out with bats?” Danny obviously didn't have much sympathy for the Gotham vigilante before, but because of his story, their chances of getting along tended to zero.
“Oh, come on, don't even start this conversation. What is more important…Who would I rather stay with? Hm…Let's say, um, theoretically, of course…If your fiance was killed by one very very bad cruel clown, what would you do, Stardust?
"I would tear clown molecule by molecule."
“Yes, yes! Right!” Jason pats Danny on the shoulder and turns to Batman. “See, that's how you should have reacted.”
Constantine: …What an Addams family. I'm leaving. I've already seen enough. If you get kidnapped, don't call me. Damn freaks.
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Come with me now to see my world
Where there's beauty beyond your dreams
Strangers Like Me - Phil Collins
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utilitycaster · 3 months ago
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Others have noted this but there really is something so elegant about how Campaign 2 walked through undoing a lot of D&D players' assumptions about certain types of humanoid creatures that had often been declared evil by default (and, at the time, still were in D&D books), and running into a drow in the sewers is a good time to talk about this:
Fjord, Nott, and to an extent even Molly and Jester deal with this, though Jester's upbringing and the comparative attitudes of the Menagerie Coast make her less affected. Fjord is explicitly an exploration of someone who grew up with such intense racial prejudice he is engaging in self harm regarding his tusks well into adulthood. Throughout, we see multiple positive examples of orcs and half-orcs, and while Fjord himself entirely bucks the stereotypes as written in D&D lore, as a lawful good person who is considerably better talking through problems than through raw strength, the orcs we see in the Empire and Dynasty run the gamut, just as humans or elves do. Nott is of course complicated, as someone who was attacked by goblins, and it is understandable that she doesn't want to remain in a body that isn't hers, but her own prejudices are challenged by Wensforth and the various goblins and goblinoids in the Dynasty. Even the Dynasty, in which Drow are in no way seen as bad or evil and are indeed the "default", has struggled with how they see goblins as perhaps second class, and Skysibyl Mirrim has been said to have been fighting against that prejudice, having been consecuted and reborn as a goblin in this life. Prejudice isn't simply ignored or swept beneath the rug, but the idea that there are inherently evil races is directly challenged and disproven by the text and in-world.
And then of course there's the drow. The Mighty Nein go from the casual cultural references to them as "Cricks" and learning a book in which a romance between a soldier of the empire and one of the dynasty is illegal, even though the romance ends tragically, to learning that the beacons are important culturally and choosing to let a Dynasty soldier go, to eventually reaching Asarius and later Rosohna, and learning that there is an entire other country that is as flawed and complex as the Empire, and full of regular people living their lives, and even becoming people entrusted by both countries to end a war between them.
I think Critical Role has mostly done a decent job of avoiding the worst of the "orcs and goblins are MONSTERS" attitudes. It's not infallible: the curse of Strife remains, in my mind, a somewhat clumsy attempt to justify it, and Vox Machina's campaign had heroic half-orc guest PCs but little else - they did not for the most part have to kill hordes of goblins (I think the cast has even said that for the most part, they fought bandits early on) or kobolds, but the lore contained goblin raids and kobold servants of Thordak. Campaign 2 not only deepened this complexity but overturned a lot of D&D norms, and did so with aplomb.
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aspoonofsugar · 24 days ago
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The K-pop Musical I did not know I needed!
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I have watched K-pop Demon Hunters and it was such a pleasant surprise! I went into it expecting a fun, light-hearted and silly story about a group of girls happily killing demons. Well, the movie was all of this, but also much much more.
KOREAN MAGICAL GIRLS
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The premise is a twist on the classical "magical girl" story. As per usual there is a group of girls fighting demons. Of course they do so by being both stylish and badass and by using some kind of feminine magic. In this case, the feminine magic used is k-pop, as Rumi, Mira and Zoey are Korean idols. Well, I think this idea is brilliant and it lets the story combine two different storylines:
The idol storyline, where they have to write a song to win the Idol Awards against a dark-horse boyband
The saving the world storyline, where they have to create a magical barrier out of the hearts of people to defeat the Big Bad
All in all the merge is wonderful and it gives a surprisingly cohesive narrative, despite the medium being a movie rather than a series. In fact one of the things I appreciated the most is how the story sets up a coherent worldbuilding without making it too distractive for the audience: the golden Honmoon, the magical weapons and the demonic marks are all set up efficiently in the very first scene. Moreover, they tie well with the story and help pushing it forward, but are not overly complicated. The same goes for Mira and Zoey's characterization. They are well characterized (Mira is the badass hardcore one and Zoey is the adorkable one) and given little crumbs of background that help making them more human. Moreover, they do comment loosely on Rumi's story, as their respective insecurities mirror hers:
Just like Zoey, Rumi is a child of "two worlds" and struggles to reconcile her duality as a Huntress and a Demon
Just like Mira, Rumi is a "problem child" whose "jagged edges" could cost her Celine's love
So, Rumi combines Zoey and Mira's struggles in a narrative, which goes surprisingly deep and that made me love this story.
RUMI = THE HEART OF THE MOVIE
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Rumi's arc combines several ideas that work both as a commentary of the idol industry and as a broader existential exploration. In short, her arc is both specific and universal.
On the one hand you can see Rumi's struggle to be perfect aka "golden" as specific of the idol world. After all, she is expected to be the best idol ever, since she is "idol royalty" and is "meant to be a Queen". So, she must always shine and be without flaws. She must suppress her insecurities, her mental illness, her love life, her physical imperfections and never take a break. This constant pressure resulting in Rumi damaging her voice is a pretty clear metaphor.
On the other hand Rumi's story is that of an imperfect child, who wants to be loved by her parent as she is. And that is an experience everyone can relate to. Rumi trying to fix herself by suffocating a part of herself is heartbreaking. And yet, seeing her slowly accepting this part more and more until she is able to refuse her parent's damaging vision of the world is inspiring.
Rumi's final confrontation with Celine is probably my favorite scene of the movie. I liked the choice of Celine loving Rumi, but not being physically able to accept her. Her refusal to touch or even look at Rumi in her demonic form felt very very raw and you can also see Celine's own struggle. She clearly cares about Rumi, but is still not able to love her unconditionally. Her re-iteration of the anti-theme "Our weakness and flaws can never be seen" also helped humanize her for me. It is obvious Celine too is a victim of this same damaging world-view and that she has been repressing herself a lot. In the end, Rumi's choice to still love herself even if Celine won't felt incredibly powerful. You could say that's the moment Rumi truly becomes an adult and grows into herself.
In short, Rumi's story is about integrating your darkest parts, so it is by definition a narrative centered around the shadow archetype. This is why this archetype is explored in the most important bond of the movie.
RUJINU = FALLING FOR YOUR SHADOW
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Rumi and Jinu are love interests, but also each other's shadows. So, they represent what the other is repressing:
Rumi represents Jinu's humanity. She shows him that you do not have to just succumb to your shame. You can fight back not to let your flaws control you. You can choose which version of yourself you are gonna be.
Jinu represents Rumi's demonic heritage. He shows her that there is humanity and feeling in being a demon. Actually, he ended up a demon for his very human flaws (selfishness). He is also the first person who truly accepts Rumi for who she is as a whole. There is also the obvious idea Rumi is clearly projecting her family issues on his relationship with Jinu. After all, she is the child of a human and a demon, so she sees herself as a mistake. However, if Jinu is human enough for her to love him, then maybe her parents' love was right and she herself is worthy of existing.
So, Rumi and Jinu awaken different parts of each other and struggle together on the main theme of the story: how to deal with shame.
Rumi hides the parts of herself she is ashamed of. In a sense, she wants to cut them off completely. She wants to become "golden".
Jinu wears them on the sleeve and lets them define him. In a sense, he lets them spread as an infection he has no control over.
None of these approaches is right, which is why Rumi and Jinu's final confrontation before the final battle is so powerful:
Jinu: I left them! That's right. I lied to you. I only made a deal with Gwi-Ma to get myself out of that miserable life. (...) I left them. I left them. Rumi: But that's not all you are. This is just your demon talking. You have to fight it! Jinu: That's not how it works! Rumi: Yes, it is! Jinu: Listen to yourself. Is it working? You're a demon, just like me. All we get to do is to live with our pain, our misery. That's all we deserve.
Here, both are proving each other wrong. On the one hand Jinu betrayed Rumi because he was scared she would not have accepted his real self. And yet, the moment he tells her the truth (even after he hurts her deeply), Rumi doesn't give up on him. On the other hand Rumi keeps telling Jinu he should fight his demons, like her. Still, Rumi is deep down not behaving that much differently from Jinu. Jinu wants to erase his demons by forgetting his mistakes. Rumi wants to erase her demons by forgetting her origin. Both want to erase their shadows, but they can't, which is why they both fail just before the climax.
However, Rumi is able to come up with a new answer:
Gwi-Ma: The Honmoon is gone. Rumi: It is. So we can make a new one.
She is true to what she herself told Jinu:
Rumi: That't the funny thing about hope. Nobody else gets to decide if you feel it. That choice belongs to you.
Rumi chooses to love herself despite everything. She chooses to forgive herself and others and to stay hopeful. Thanks to this, she is able to reconnect with Zoey, Mira and her fans. She is able to reconnect with Jinu too and she inspires him to choose his humanity. Jinu sacrifices himself for Rumi and integrates with her, both as his love interest and his shadow. He becomes a part of her. Personally, I think Jinu's final sacrifice works because it is not punitive. In fact even after his betrayal, Rumi never wishes to kill him nor gives up on him. Rumi's final words to him were in fact her wish to set him free. At the same time, for Jinu to sacrifice for Rumi works because his major flaw is selfishness. Jinu is fully capable of love, but he is also selfish. It is actually the first thing we are told about him:
Gwi-Ma: I know you, Jinu. In 400 years, you've never done a single thing that didn't serve yourself.
He loved his family, but chose himself over them. He loves Rumi, but chose himself over her at the Idol Awards. In the end, he is finally able to choose another person over himself. And in this way, he is finally choosing his own self, as well.
A UNIQUE MUSICAL
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Of course the best part of the movie and the true key of its success is the music. They managed to make a musical out of the k-pop genre and I am all here for this!
Every song is used wonderfully, as it either pushes the story forward or adds dimension to the theme or both.
"How it's done" is used to introduce the characters, establish their personalities, fighting styles and how their powers work (they make weapons out of the Honmoon)
"Golden" starts exploring the theme of "No more hiding", but it does so superficially. The lyrics of the song seem to convey the theme, but the characters are not being true to them. Not only that, but the song only focuses on the best parts of our protagonists. Not on their flaws.
"Takedown" is the antitheme. It is about refusing your worst parts choosing to "rake them down". The way the composition of this song comments on the main story is also great. Rumi is the one who comes up with the idea, but she progressively grows more and more unsure about it. The moment Rumi's lies catch up to her and she is confronted with her worst nightmare as the fake Mira and Zoey sing the song is probably one of the best scenes in the movie.
"Soda Pop" and "Your Idol" are the two faces of the Saja Boys. "Soda Pop" basically says the same thing as "Your Idol", but with an upbeat and happy sound, which makes the demon boyband look harmless. When it comes to "Your Idol", it is the negation of the negation thematically. What is worse than repressing your worst parts? Well, giving it to them and letting them control you.
"What It Sounds Like" is the true theme of the story. It is a song about accepting your worst part and loving yourself regardless. Its lyrics also comment the girls' journeys like Rumi finally showing her "true voice" or Huntrix finally being able to write "the song they couldn't write". Zoey's reference to the different colors inside her head also ties visually with Rumi's marks becoming combination of different colors. Rumi herself and the Honmoon by the end are neither golden nor purple/black, but a whole rainbow.
Speaking of visuals, the animation and character designs were top notch. I am sure there are many many little details I missed about it. Still, one thing I noticed is how Huntrix's "golden outfits" commented on their emotional states.
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When Rumi launches Golden and the trio wear their costumes, Demon Girl is the only one with a white top and a dark blue jacket. Mira and Zoey's costumes have instead white jackets over darker tops. I think this may be because Rumi is the one who is hiding and repressing the most out of the three. After all, her blue jacket is used to cover her purple marks. Mira and Zoey are instead more open about themselves. However, they too need to integrate some hurting parts hence why they tops are dark blue.
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At the Idol Awards Performance, Huntrix's outfits have changed slightly. Both Mira and Zoey wear dark blue jackets over dark blue tops. Moreover, they added pads to their costumes. This shows how the accumulated tension within the group has taken a toll on them. Rumi's lies and inability to open up have been slowly piling up on Mira and Zoey emotionally. Rumi herself doesn't change colors, but she too adds a shoulder pad on only one side (in general, some asymmetry on her shoulders is a recurring visual motif with her). I think this shows that she is slowly accepting her duality and that she is not wearing a whole "armor" anymore. It is only half an armor because she has been slowly integrating her demonic parts.
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Finally, when they sing "What It Sounds Like", Huntrix's outfits change again. On the one hand Mira and Zoey's costumes become completely white and golden after the three girls hug. There is no trace of blue left. On the other hand Rumi loses her jacket and dark blue parts during her "takedown". She does not cover herself up again. She actually refuses to be covered up again by Celine. Rumi's adoptive mother tries to cover her daughter's marks by using her own gray/green jacket. Interestingly, green is also the color Rumi wears as a child, when she and Celine are in front of the grave of Rumi's mother. Finally, gray/green is the color Rumi wears at the beginning of the "Golden" musical video:
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So, it is clearly a color associated with Celine and her philosophy. For Rumi to free herself from it is symbolic of her truly becoming "the queen she is meant to be". As a result, Rumi faces the final battle with no walls, but she is actually the one who exposes the most skin. This lets her marks visible as a symbol that she is not hiding herself anymore. By the end of the song, all three girls have fully embraced their true selves.
In conclusion, I really really liked this movie. It was clearly made with passion and managed to use its screentime very well to pull off some amazing character arcs and to convey a multi-layered theme. It also clearly let room for spinoffs or a sequel. After all, the final frame is literally a giant Huntrix poster which has "Comeback" written on it :P
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solxamber · 1 month ago
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Stake Through the Heart || Rook Hunt
You’re absolutely convinced your neighbor is a vampire. No evidence yet, but your gut—and your deeply flawed instincts—say yes. The investigation is underway. Nothing will stop you. Not even common sense.
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You were already suspicious of the building when you signed the lease. The hallway lights had a flicker that could only be described as "threatening," the elevator creaked like it had regrets, and your sink coughed before turning on. But hey—rent was cheap, and you had resigned yourself to coexisting with at least one minor ghost. Maybe two if they were a couple.
What you didn't expect was your upstairs neighbor dragging a human-sized trunk up five flights of stairs at exactly midnight like it was a perfectly normal time to engage in cardio and/or hide a body.
You were brushing your teeth—half-dressed and fully irritated—when you heard the unmistakable sound of wood scraping aggressively against tile. It was the kind of noise that said, "I am absolutely not supposed to be here, but I will make it everyone's problem anyway." You paused, toothbrush in hand, and listened. Another thump. Another scrape. A strained grunt, followed by—
"Ah! The climb is arduous, but so is the ascent of the soul!"
You spit your toothpaste directly into the sink and stared at yourself in the mirror like, Did I just hear a villain monologue in the hallway?
Curiosity won. You opened your front door just enough to peek out—and there he was.
Wide-brimmed hat. Floor-length coat. Boots that definitely cost more than your microwave. And a trunk. A massive trunk. The kind usually reserved for pirates or magicians or suspicious aristocrats who "don't go out during the day."
You watched, transfixed, as he slowly dragged the thing up another step, muttering something about "fate's heavy burden" and "destiny's ever-turning wheel."
Your brain, overworked and overcaffeinated, came to a single, definitive conclusion:
Vampire. 100%. No notes.
No human being talks like that. No one wears a coat that dramatic without drinking blood recreationally. The man radiated "I sleep in a silk-lined coffin and I know all the moons of Jupiter by name."
Still, you tried to play it cool. "Hey, uh… need help?"
He turned. Slowly. He reminded you of an NPC about to issue a side quest.
"Ah," he said, bowing slightly. "A kind spirit in the veil of night. May the stars illuminate your path, trésor."
You blinked.
He smiled. Too many teeth.
"…Right," you said. "I'm gonna go back inside now and pretend this conversation didn't happen."
You shut the door. Locked it. Double locked it. Briefly considered salting the threshold but remembered you were out of salt.
You pressed your back to the door and exhaled. That was fine. Everything was fine. You didn't need to know what was in the trunk. You weren't the main character. You had a day job and seasonal allergies and no time for undead drama. You were going to mind your business.
Until the next morning, when he knocked on your door holding a fruit basket, a poetry book, and a glass bottle that may or may not have been full of suspiciously thick, red liquid.
"Good morrow," he said with the confidence of a man who still used words like morrow. "I have brought tokens of neighborly goodwill."
You stared at him.
He stared back. Smiling.
"I, Rook Hunt, am most pleased to meet you."
You took the basket. You nodded. You said thank you like a hostage in a movie.
And in your heart, you knew.
You were absolutely going to get involved in whatever this man's dramatic, possibly blood-soaked nonsense was. Whether you liked it or not.
You did not, for the record.
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You didn't want to be that person. The kind who built conspiracy boards out of half-baked assumptions and circumstantial evidence. The kind who said things like "I just think it's weird that…" before launching into a theory involving aliens, lizard people, secret societies, or in this case, your neighbor being a vampire with a flair for the theatrical.
But then came The Curtain Incident.
It was the next evening. You had gone to the store for boring mortal things—dish soap, batteries, a very specific type of screwdriver that only existed in legend and IKEA manuals. You were minding your own business. You were trying to pick out lightbulbs that didn't hum when you tried turning them on.
And then, out of the corner of your eye, you saw it: the hat.
Wide-brimmed. Looming. Definitely not weather-appropriate.
You whipped around so fast you almost knocked over a display of lawn flamingos. And there he was, in all his nocturnal glory: Rook Hunt, your neighbor, standing in the middle of aisle seven like it was a catwalk at fashion week. Long coat. Gloves. That same calm, vaguely predatory smile. And in his cart?
Blackout curtains. Three sets. Jet black. Extra thick.
You stared. He made eye contact like a man who knew. Knew he was being watched. Knew he was being suspected. Knew that this was not how humans typically purchase home decor unless they were trying to turn their living space into a vampire's safehouse slash crime scene.
You tried to act casual. Failed immediately.
"Heyyy," you said, voice cracking like a out of tune violin. "Doing a little… home improvement?"
He inclined his head. "Mais oui. The sun—ah, how she burns with such cruel passion, non? I find her embrace a touch too… insistent." He lifted a curtain panel with one gloved hand. "To cocoon oneself in shadow, to drift in velvety darkness… c'est magnifique."
You nodded, as if that explained literally anything.
"That's cool," you said, backing toward the paint swatches like they could protect you. "Totally normal. Curtains. Love that for you."
His smile widened.
You were spiraling.
Because listen: you're not completely irrational. You know some people are just weird. You know blackout curtains are a thing. Maybe he works nights. Maybe he's just allergic to joy. But also?? His shopping cart contained no other regular item. No food. No tools. Just three sets of blackout curtains, a single red candle, and—swear to God—a hand mirror.
Why would a vampire buy a mirror?! Was it a decoy? A flex? A prop for when he practiced brooding dramatically at an empty reflection?!
You left the store in a daze, carrying a pack of AA batteries and a sense of unease. As you walked home under the streetlights, you made a mental list:
Never seen him in daylight.
Talks like he's auditioning for a Shakespeare reboot no one asked for, but with more French vowels.
Dragged a suspiciously heavy trunk into his apartment at midnight.
Blackout curtains.
Keeps bringing you gifts that feel like offerings before a blood pact.
Smiles like he knows how you die.
By the time you got home, you were pacing your kitchen whispering, "He's definitely a vampire," like it was going to summon help from the garlic gods.
You considered texting a friend, but how do you even phrase that?
hey quick question if ur neighbor owns a cape and possibly a coffin do u call the cops or the local priest or like, what's the protocol here
Instead, you sat on your couch, stared at the wall, and decided you had two choices: move out, or commit to this bit like your life depended on it.
Because if your neighbor was a vampire, then you were either going to die horribly or end up in some kind of ancient blood soulmate contract by accident—and if it was going to be the second one, you were at least going to get a dramatic entrance line out of it.
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You were having what could generously be described as a trainwreck of a day.
Your boss had decided to hold a mandatory team-building exercise that involved trust falls and absolutely no regard for personal space. Your lunch had been mysteriously replaced by someone else's aggressively spicy quinoa salad (you were not emotionally prepared for that level of chilli oil). And your phone had spent the entire afternoon at 3% like a drama queen begging for a charger and attention.
All you wanted—all you wanted—was to drag your exhausted corpse up five flights of stairs, collapse into your lumpy couch, and watch garbage reality TV until your brain leaked out of your ears.
But fate—unrelenting, nosy fate—had other plans.
You hit the third floor landing. Your eyes were on your phone, trying to Google "can you die from inhaling someone else's quinoa," when you looked up—and there he was.
Rook. Your neighbor. The cryptid. The probable vampire.
He was just casually coming down the stairs, like he wasn't the most suspicious person in a ten-mile radius. Still wearing a long coat, still dressed like a brooding poet about to duel someone over honor and a baguette. But this time…
This time he had a sunburn.
Just a little one. Right on the tip of his nose. Faint. Pink. But real. You squinted to make sure it wasn't some kind of trick of the hallway light—but no. It was there. Angry and tender.
Your brain slammed the panic button.
OH MY GOD.
IT BURNS HIM PHYSICALLY.
I KNEW IT.
The conspiracy board in your head lit up. Thumbtacks connected by red string. Newspaper clippings. Grainy surveillance footage of your neighbor dramatically pulling blackout curtains shut while whispering about "la nuit éternelle." It all fit. The signs. The trunk. The curtains. The sunburn. The French.
He caught you staring and—like a man who had just stepped into a spotlight and loved it—tilted his head, utterly unbothered.
"Ah! Bonsoir, my dear neighbor. I fear I was… overzealous in my ambitions today." He gestured vaguely toward the window at the end of the hall, where the last rays of the sun were beginning to fade. "Even the mightiest hunter is humbled by the cruelty of Sól."
Sól. He named dropped the sun like it personally betrayed him. You were one step away from calling the Vatican.
You cleared your throat. "So… you got burned? By the sun?"
"Indeed," he said gravely, touching the red spot like it was a war wound. "A careless moment. I was enthralled by a flock of birds and lost track of time." He smiled. "Still, I find the sting to be a reminder—ah, how fragile the flesh, how divine the dusk."
You nodded slowly. "Yup. Happens to the best of us. Just, you know. Skin melting in the light of day. Totally normal."
He laughed. Laughed. A rich, delighted sound like he'd just watched someone walk into a trap he set.
"Your wit is ever sharp," he said, and then—because of course he did—he pulled a tiny glass vial from his coat pocket and dabbed something that might have been cream onto the burn.
You turned and bolted upstairs before he could hand you an invite to a midnight blood tasting.
In your apartment, you slammed the door, leaned against it, and let your bag slide to the floor.
It was real.
He was burned by the sun.
This was no longer a hunch. This was evidence. This was Exhibit A in your vampire trial. You didn't know what you were going to do yet—alert the supernatural authorities? Start a blog? Join him in eternal night as his dramatic, overly caffeinated familiar?—but you did know one thing:
Your neighbor was a vampire.
And that burn was your smoking gun.
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The plan was simple.
Invite him over. Offer pasta. Load said pasta with enough garlic to stun a horse. Smile innocently. Observe. Wait for spontaneous combustion, bat transformation, or dramatic gasping followed by a monologue about curses, betrayal, and forbidden cravings.
It was a flawless trap. A garlic-scented bear trap of domestic hospitality.
You set the table. You dimmed the lights to a level you assumed would make him comfortable. You even lit a candle—not romantic, just for ambience. Everything smelled like garlic. The sauce, the bread, the air. You yourself smelled like you had crawled out of a room full of garlic-scented incense.
When he knocked on your door at eight o'clock sharp, you opened it with your most casual expression.
"Bonsoir, mon ami," Rook greeted, bowing slightly, because of course he did. "The moonlight suits you so exquisitely tonight."
You smiled like someone who absolutely was not trying to expose their possibly immortal neighbor through the power of garlic. "Thanks. I guess."
He stepped inside, gave a pleased hum at your lighting choices, and then—froze.
His eyes, usually sparkling with strange poetic menace, locked onto the garlic bread.
You watched in silence as his entire body tensed ever so slightly, like the baguette had just challenged him to a duel. Slowly, reverently, he walked up to the plate and looked down at it like it had personally wronged him in a past life.
"A classic," he murmured. "So bold. So… persistent."
"It's garlic bread," you said flatly.
He gave a tight smile, like a man at war with his own immune system. "Indeed. It is… not to my taste. The scent tends to cling, comme un souvenir unwelcome. It is difficult to hunt the wind when one's coat reeks of crushed cloves."
You blinked. "You don't like garlic?"
"I find it… overwhelming." He sniffed delicately. "Like a song sung off-key, but shouted."
Oh. OH.
He hates garlic.
He fears garlic.
He is one garlic knot away from bursting into flames and ascending to the underworld.
You knew it.
You were a genius. Sherlock Holmes WISHES.
But then—
He sat down.
And without flinching—he ate the garlic bread.
The entire world went silent.
You watched, slack-jawed, as he took a bite, chewed like a man contemplating the duality of pain and pleasure, and swallowed without so much as a grimace. Then he sipped the wine he'd brought—red for the record—and turned to you with a serene expression.
"Your cooking is divine," he said. "The flavor lingers like a haunting melody."
You stared at him, heart racing, mind screaming.
HE ATE IT
HE. ATE. THE. GARLIC.
WHAT DOES IT MEAN????
Was he lying? Was he in pain but hiding it because his honor wouldn't allow him to show weakness in front of a mortal? Was he so ancient, so powerful, so unknowable, that garlic simply didn't affect him anymore? Had he built up a resistance? Were you dealing with some next-level Nosferatu Final Boss?
Or.
Oh no.
What if he's a half-vampire?
What if he was born of both worlds? Doomed to walk the line between the night and the garlic aisle? Too vampire to bask in the sun, too human to fully reject pasta?
You looked at his elegant profile, the way he sipped his drink, the slight wrinkle in his nose that said he still hated the garlic but was choosing not to comment on it. The duality. The mystery. The drama. The tragedy.
You were spiraling again.
You tried to speak, but what came out was, "So… you're definitely not allergic?"
He tilted his head, smiling. "Non. I simply dislike being followed by the scent of someone's kitchen for a week."
You nodded. Sure. Totally. Not suspicious at all. Definitely something a normal human person would say. The whole garlic-aversion-due-to-personal-aesthetic thing was definitely not code for "I will turn into mist if I touch raw cloves."
He took another bite of garlic bread and made a soft noise of appreciation.
You were absolutely losing it.
Because you had no idea if you were in the presence of a man… a monster… or a fashion-forward night creature of immeasurable strength who had conquered his natural aversions through sheer will and seasoning tolerance.
And you still weren't ruling out the bat thing.
You chewed your pasta slowly, cautiously. He was either about to compliment your sauce again or turn into a cloud of smoke and vanish into the air vent.
Frankly, at this point, you weren't sure which option was more terrifying.
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You'd been holding it together for weeks. Weeks of tiptoeing around your extremely suspicious, extremely courteous neighbor who may or may not be a vampire, a demon, a historical reenactor, or some kind of poetry professor. You were normal about it. Chill. Totally fine. You only Googled "can vampires enroll in rent-controlled housing" once.
But today? Today broke you.
Because today, Rook complimented your socks.
"Exquisite pattern," he had said, eyes lingering on the tiny frogs doing ballet across your ankles. "Such expression upon so small a canvas. You are, as always, a delight of aesthetic paradoxes."
You blacked out for at least four seconds trying to interpret that.
And then, without waiting, he took your grocery bags. Both of them. Including the one you packed with canned goods like an idiot. Just carried them effortlessly up the stairs, whistling some baroque little tune under his breath like he wasn't actively enabling your spiral into conspiracy madness.
And so now here you are, pacing a cracked sidewalk outside the convenience store, holding an emergency slushy and waving your arms like you're about to summon lightning bolts. Ace and Deuce are sitting on a bench watching you with the exact expressions of two people who have absolutely heard this before and regret returning your texts.
"He complimented my socks," you repeat, wild-eyed. "Who even sees socks? Who notices frogs doing ballet unless they're training themselves to observe every detail of their next victim?"
Ace slurps obnoxiously from his ice cream cone. "Dunno, sounds like you just have a weird crush."
You point at him like you're about to smite him. "I will take that cone out of your hands and launch it into traffic. Try me."
He raises both hands. "Okay, okay, chill! Just saying. You're the one who keeps inviting him to pasta night and analyzing his cutlery use like it's a crime scene."
Deuce, bless his concerned little heart, tries to play diplomat. "Maybe he's just… a polite guy? Some people are like that. Maybe he was raised well."
You whirl on him. "No, Deuce. He's not just nice. That's vampire hospitality. They're known for being strangely polite before draining your life force."
"…Is that a thing?" Deuce asks, already regretting it.
"YES," you shout. "It's part of the psychological warfare. They lure you in with compliments and help carrying your bulk baked bean purchases, and then bam—next thing you know, you're waking up with two holes in your neck and an allergy to garlic."
Ace is now straight up cackling. "Oh my God. You think he's grooming you. For blood reasons."
"I'm not saying he's gonna drain me tomorrow," you mutter, offended but also a little flattered at the thought. "But I am saying I've been watched like a fine wine and I feel it. He called me a 'treasure of contradictions.' Who says that? No one normal. That's Dracula-core."
Ace, still wheezing, gestures with his cone. "You're insane. I love it. I'm not helping, but I'm definitely watching you go down in flames."
Deuce pats your shoulder gently. "I mean… if he tries anything weird, I'll beat him up?"
"That's sweet, Deuce. But he'll probably just evaporate into mist before you can land a punch."
At the end of the emergency meeting, which concludes with you scribbling "suspiciously aware of frog socks" under Rook's name in your increasingly unhinged spiral notebook, you realize something tragic.
You are no closer to solving the mystery.
Rook remains an enigma. A poetic, shadow-wearing, door-holding enigma.
He may be a vampire. He may just be French.
He may, horrifyingly, be both.
And so, you slurp your slushy. You stare into the distance. You prepare yourself for another sleepless night of Googling "can half-vampires enter your apartment without an invite if you leave the door cracked."
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This was for research. Pure. Intellectual. Unbiased. Definitely not emotionally compromised in any way. You had a theory to prove and a public duty to fulfill. You were a lone academic on the brink of a supernatural breakthrough.
This had nothing—nothing—to do with the fact that Rook Hunt had the kind of smile that made your lungs forget how to function, or that he said things like "Ah, your laughter—it rings like wind chimes in spring rain," and then meant it.
You were a serious investigator. You were hunting the hunter.
That's why, when he asked if you'd accompany him to an "exhibition of twilight-themed oil paintings" this Friday, you agreed.
Not because he looked like he belonged in an oil painting.
Not because he bowed slightly when he said "It would be my honor."
But because, scientifically, museums are great places to see if a person casts a reflection in glass.
"Consider this a field study," you muttered to yourself in the bathroom mirror, fixing your hair for the fourth time. "Not a date. A field study."
The "not-dates" kept stacking up after that.
A sunset walk through the botanical gardens ("Ah, the dying light brings out the golden undertones of your soul," he said, and you nearly tripped into a decorative pond).
A late-night jazz café, where he sipped his wine and you absolutely did not spend the entire evening imagining what he'd look like with his hair down and a dagger in his teeth.
A poetry reading. Where the poet stopped mid-verse because Rook was clapping too emotionally.
He always paid. He always pulled your chair out. He always smelled like cedarwood and wind.
He called them dates.
You called it recon.
You brought a tiny hand mirror to dinner once. "Oh this? I just… use it for checking my eyeliner. And your reflection. No reason."
He didn't even blink. "Ah, how clever. But perhaps you'd see more clearly if you looked into my eyes instead?"
You choked on your breadstick.
Every time you tried to interrogate him—"So, what's your opinion on eternal life?" or "Ever wake up craving plasma?"—he'd laugh, then dodge the question with something outrageous like, "Only a fool seeks eternity when each moment with you is already infinite," and you'd have to physically reboot your brain like a crashed laptop.
You were flailing.
You kept trying to stay professional. Collected. Objective.
But it was hard when he looked at you like he was composing a sonnet in real time.
When he held your hand like you were made of porcelain.
When he picked a flower off a tree and tucked it behind your ear without asking and whispered, "Even the moon must envy you, mon chèr."
You were on high alert. Not because you liked him. No.
You were vampire watching.
That's why you kept a notebook titled "Behavioral Observations of Suspected Night Creature." Not because you were doodling little hearts around his name. That was for decoration. To, um, throw off suspicion.
And yes, you did Google "can you date a vampire if it's for science," and yes, you did find three different Reddit threads about people claiming their immortal lovers left bite marks shaped like the Eiffel Tower.
But that was research.
Totally. Entirely. Academic.
And if your heart skipped a little when he kissed the back of your hand and called you his "bravest flame in this dim world"—that was probably just heartburn.
You were on a mission.
You were not falling for him.
You were simply… emotionally compromised by how obscenely attractive his collarbones looked in candlelight.
It could happen to anyone.
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Dinner had been amazing. Which was kind of the problem.
You weren't supposed to be this charmed. You were supposed to be investigating. Your whole deal—the entire point of this increasingly suspicious series of encounters—was that you were gathering evidence. You were the lone voice of reason in a world of garlic apologists. You were the slayer. You were—
"You have a beautiful way of smiling when you're trying not to laugh," Rook had said tonight, eyes soft, head tilted like he was trying to memorize the way you looked with your mouth half-full of food and trying to hide it behind your napkin.
And you had smiled wider. Like an idiot. Like a fool. Like someone who was no longer on the hunt but absolutely being hunted.
He had pulled out your chair. Tipped the waiter. Paid the bill while you were in the bathroom. Walked you home under the glow of warm street lamps and murmured poetry under his breath when he thought you couldn't hear. He held your hand when you almost tripped on the curb like it was the most natural thing in the world.
You let him. 
You had, in fact, squeezed his hand back.
What the hell was happening to you.
When you finally got back home and closed the door behind you, still glowing with post-date buzz and clutching the flower he'd picked out of someone's garden "because it matched your joy," you stood in your dark living room and had a single, terrifying realization.
You hadn't looked for a single vampire sign tonight.
You hadn't tried to check his reflection in the restaurant windows.
You hadn't counted how many times he blinked per minute.
You hadn't casually brought up crosses or holy water in conversation.
You hadn't even offered him garlic bread as a passive-aggressive test.
In fact—
Oh god.
You had leaned in. You had laughed. You had flirted back. You had let him compliment your soul's timbre and hadn't even made a joke about bloodlust once.
You had been on a normal date. Like a normal person. With a man you liked. Who may or may not have been literally undead.
You slowly sat down on your couch, holding the flower like it was damning evidence and also maybe your new favorite thing. You stared blankly at the wall for a full minute before whispering, with great horror:
"Oh no. I'm into it."
You, the world's most paranoid supernatural truther, had let your guard down. You weren't even wearing your emergency clove of garlic necklace. You had become everything you swore to destroy.
Worse—you hadn't even noticed.
And now you were spiraling.
Because he was so weird. And so poetic. And so suspiciously strong when lifting heavy objects with no visible strain. And he knew so many historical references and always seemed to know when the moon was full and probably didn't even own a full length mirror, and yet—
He made you feel like you were the center of the universe.
You buried your face in a pillow and screamed for three seconds.
Then you picked up your notebook of vampire observations, stared at it, and quietly flipped it closed.
For now.
Not forever. You were still reasonable. You were still observant.
But maybe… maybe you could let yourself enjoy this.
Maybe, just for tonight, you didn't need to know if he slept in a coffin.
Maybe he was a vampire.
Maybe he wasn't.
But tonight he kissed your knuckles like you were made of starlight and promised to write you a poem, and honestly?
That felt a lot more dangerous.
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It started with a cough. A sniffle. A minor ache in your bones that you absolutely ignored, because you were a functioning adult with deadlines and a very real fear of your boss showing up in your nightmares wielding a spreadsheet.
You told yourself it was fine. You were fine. You could survive on four hours of sleep, three cups of coffee, and the sheer force of spite.
By day three, you were half-delirious, wearing two mismatched socks, and attempting to microwave a cold compress while muttering "this'll fix it" like some kind of cursed wizard. You were not, in fact, fine.
And that was when Rook showed up at your door.
Unannounced.
With soup.
"You did not reply to my messages," he said, like that explained how he somehow knew you were dying. "I feared you had succumbed to some terrible affliction of the soul. Or perhaps a particularly villainous flu strain."
You tried to smile and failed. It came out looking like a grimace. "It's not that bad," you croaked, clutching the doorframe for stability like gravity had become an optional setting that you'd accidentally toggled off.
He gave you a look. One of those devastatingly fond ones. The kind that made your insides do cartwheels despite the fever.
"Mon pauvre cœur," he murmured, brushing hair off your forehead with all the delicacy of a man who absolutely did not know what personal space was, "even your aura looks congested."
You were too weak to argue. Too feverish to care. You let him in.
He floated around your apartment like a very helpful, very beautiful hallucination. He made tea. He changed your blanket. He hummed something suspiciously like an 18th century lullaby while rearranging your cluttered living room into a sickbed worthy of a fever-ridden noble, which you had definitely not asked for, but you were too busy dying and blushing to stop him.
And then he brought the soup.
It was… soup. Probably. You couldn't taste it. You could've been drinking warm mop water for all you knew. But he was feeding it to you with this maddening look of gentle amusement, like he was taking care of a wounded dove he'd found by a pond and had already named and written a sonnet about.
He knelt next to you on the couch, one hand holding the bowl, the other carefully tilting the spoon toward your mouth. His voice was low and tender.
"You must eat. Even if only to give your immune system the dramatic support it deserves."
And you—
You just looked at him.
Hair pulled back, those ridiculously green eyes crinkled with worry, coat sleeves rolled and he was feeding you soup and calling you mon cœur and—
Oh.
Oh no.
You were in love with him.
It hit you like a falling anvil. Right in the heart. The full Looney Tunes experience.
You were in love with Rook Hunt.
Weird, dramatic, possibly-a-vampire Rook Hunt.
Who once described your laugh as "a forest waking in spring."
Who carried around obscure herbal tinctures and had once given you a bouquet that included a flower used to curse kings in the 1400s.
And you did not care.
You were flushed from fever and feelings, you looked like a raccoon that had been hit by a truck, you hadn't washed your hair in a shameful number of days, and yet this man was looking at you like you were the embodiment of a love ballad—and for once, you believed it.
Garlic, sunlight, potential bat transformation—none of it mattered anymore.
You'd fallen. Hard. Unrecoverably. Irreparably. Ridiculously.
You swallowed the next spoonful of soup with the gravity of someone accepting their fate, and Rook smiled so warmly it was unfair.
"…Can I ask something?" you mumbled, voice a little hoarse.
"But of course," he said, setting the bowl down gently.
You looked into his eyes. "If I die from this fever… will you write me an epic poem and read it dramatically at my funeral?"
He blinked. And then laughed. Soft and breathless, it felt like sunlight through curtains.
"Mon amour," he said, like that was a thing you both had agreed on, "I would do so even if you were merely five minutes late to brunch."
You sighed. Leaned back. Let yourself fall fully into the pillows and into this moment. Feverish, exhausted, helplessly enamored.
Vampire or not.
You were doomed.
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You woke up to warmth. You shifted under your blanket, eyes squinting against the morning light filtering through your curtains, and that was when you noticed it:
Rook was sitting beside you.
Still holding your hand.
You blinked at him, groggy and confused and still crusted in the aftermath of a full immune system breakdown, and the first thing your brain offered up was:
He was warm.
Which, scientifically speaking, meant he wasn't technically a full vampire.
You lay there, fever-free but still dumbstruck, staring at his hand in yours. He wasn't wearing gloves. His palm was pressed to yours like it belonged there, fingers curled so gently it was like he was afraid you'd vanish. And his hand was warm.
Your inner conspiracy theorist made a brief, tired attempt at logic:
"He's warm. That means he probably has a functioning circulatory system. Which means he probably doesn't sleep in a crypt or consume Type O-Negative on toast. Probably. Probably."
But the part of you that still had soup breath and eye gunk and emotions just went, Shut up. He stayed.
Because he did. He had stayed. All night. Sat by your couch with his coat thrown over the chair and a book he never got around to reading and a cup of tea that went cold. And he was still there now, sleep-rumpled and beautiful, watching you like you were more fascinating than the rise and fall of empires.
When he noticed you were awake, he smiled, slow and soft.
"Ah, bonjour, petit trésor," he murmured. "You look slightly less haunted. A triumph."
You made a noise somewhere between a laugh and a dying toad. "How long…?"
"All night," he said, like it wasn't a big deal. "I could not leave while you burned like that. It would be a crime against romance."
You tried to sit up.
Your body politely declined the request.
Rook tsked like a disapproving aunt and pressed you back down with one hand—still gentle, still infuriatingly poetic about everything.
Then he placed the back of his other hand against your forehead, checking your temperature.
"Much improved," he said, beaming. "Your internal sun begins to rise again."
And in that exact moment, with his hand on your face and his eyes glowing like the sunset in a prose-heavy novella, you realized something extremely stupid.
If he leaned down right then, bared fangs, and whispered "May I bite thee, my precious bloom?"—you would have said yes.
You would have said yes so fast.
You would've thrown your neck back and exposed the vulnerable curve of your throat like you were in a Twilight reboot. You absolutely would have gone down in history as the idiot who looked at their maybe-vampire crush and thought, Take a nibble, king, I trust you.
He wasn't even doing anything. Just sitting there. Holding your gross, clammy hand and looking at you like you hung the stars.
And somehow, that was worse. That was so much worse.
You'd completely lost. He could be a vampire. He could be a wizard. He could be a really enthusiastic barista. You did not care.
Because last night, you had been miserable and messy and borderline incoherent, and he had stayed. He made soup. He hummed lullabies. He called you his heart's ember and meant it.
You were in love.
Utterly, helplessly, stupidly in love.
And as Rook gently brushed your hair off your face and offered you a glass of water with all the reverence of a man presenting the Holy Grail, you decided you'd deal with the vampire thing later.
Preferably after he kissed you.
Or after you asked if he was free for dinner again next week.
You know.
For research.
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You ended up taking another nap. 
You were floating somewhere between sleep and soup-induced delirium, the kind of half-conscious state where time didn't exist and the laws of physics didn't exist either. Vaguely, you were aware of warmth—sunlight, probably, or maybe just the lingering fever turning your body into a baked potato. But then movement caught your eye. A silhouette crossed your blurry vision, elegant, composed, and way too vertical for this hour.
Rook. He'd stayed again.
Then he did the unthinkable.
He walked to the window.
He reached for the curtain.
You blinked. Once. Twice.
He said, casually, as if it were normal behavior, "You must receive a little sun, mon trésor. Even a flower must bloom."
You made a sound. It was supposed to be words. It came out more like a blender choking on gravel.
Because no.
NO.
You watched his fingers brush the curtain, and something in your barely-functioning brain screamed, "HE'S GOING TO COMBUST."
You didn't even think.
You launched.
With the coordination of a squirrel on Nyquil, you hurled yourself across the couch, staggered upright, and threw your full weight into him just as the sunlight began to stream in. "NO—YOU'LL BURN," you shouted, with the certainty of someone who'd done zero research but had watched two vampire movies once in high school.
The two of you hit the floor in a pile of limbs, your fevered body sprawled dramatically across his chest like you were shielding him from a grenade.
There was a pause.
A long one.
Rook blinked up at you.
Then—like you'd just told him the funniest knock-knock joke in history—he started laughing.
Loudly. Joyfully. Like a man who had just been tackled by his crush and decided it was the best day of his life.
You were still clinging to him like a paranoid marsupial, blinking in confusion. "What? Why are you—? You were in the sun!"
He wheezed. "You thought—mon dieu—you thought the sunlight would incinerate me?"
"Yes???" you said, still on top of him, still wildly unsure about the rules of nature. "You—midnight moving, blackout curtain buying, garlic bread dodging—you showed so many signs!"
He laughed harder. "Oh, mon trésor, I gave you those signs. You were so adorably suspicious."
You froze. "You what."
"I knew from the first moment you side-eyed my coat like it was made of coffin lining," he said, beaming. "You were so serious. So intense. So endearing. I could not help myself—I wanted to see how far you'd go."
You stared down at him, horrified. "You knew I thought you were a vampire and you played into it?!"
"Mais oui," he said cheerfully. "You were like a curious little owl—staring, theorizing, leaving garlic on your balcony. I was enchanted."
You felt your soul attempt to leave your body via cringe teleportation. "Oh my god. I'm an idiot. I'm an idiot raccoon caught with both hands in the garbage bag."
"You're delightful," he corrected. "And very creative."
You groaned and flopped forward until your face was smushed into the side of his neck, which, to your horror, was warm and pulse-having and distinctly not vampire in nature. You could feel your dignity dissolve molecule by molecule.
"So you're human," you muttered.
"Yes," he said, "Entirely human."
You made another noise of despair. It sounded like a dying fax machine. "I tackled you."
"You did. With great passion."
"I thought I was saving your life."
He tried very hard not to laugh again. "You were magnificent."
You sighed into his neck. "This is the worst thing that's ever happened to me."
"It's one of the best things that's ever happened to me," he said brightly. "I got tackled by someone who cares. How very romantic."
You lifted your head just enough to glare at him. "You're enjoying this way too much."
"And yet," he said, cupping your cheek with a hand full of laughter, "I did stay all night with you. Even made you soup."
"…You did do that."
"And if I had been a vampire," he added,  "I assure you, you'd be one by now."
You groaned again. And then stayed where you were, because honestly? You were still kind of in love. Vampire or not.
Even if he was the most dramatic man you'd ever accidentally tackled.
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You told them over milkshakes.
Because if you were going to admit to wildly misdiagnosing a man as a nocturnal bloodsucker and then also falling stupidly in love with him, it needed to be over something cold and full of sugar. Preferably in public, so they wouldn't scream.
Ace was halfway through slurping his chocolate shake like it owed him money when you said, in your best casual voice, "So… turns out Rook's not a vampire. He's just French."
Deuce blinked slowly. "What?"
"Yes," you sighed. "Like baguette and poetry and politely opens doors French. Not sleeps-in-a-coffin French."
There was a beat of silence.
Then Ace let out the longest, most dramatic groan known to man, dragging his hands down his face like you personally had caused his suffering. "Oh my god, DUDE."
Deuce, meanwhile, turned to Ace and, with the unshakable calm of someone who had been waiting for this moment, said, "Pay up."
"What," You snapped, "you bet on this?!"
"Yeah," Deuce said, deadpan. "I bet you'd fall in love with him. Ace thought you'd just spiral into full conspiracy and get arrested trying to break into his basement."
You squinted. "Rook doesn't have a basement."
Ace gestured wildly. "AND YET YOU WOULD HAVE FOUND ONE."
You groaned and covered your face. "This is the worst."
"No," Ace said. "The worst was you texting us at two in the morning like 'what if he's half vampire and garlic only makes him stronger.'"
"I was being thorough!" you cried.
Deuce helpfully added, "You also asked if vampire sunscreen exists."
"I WAS SICK," you yelled. "ON MEDICATION. MY BRAIN WAS BARELY FUNCTIONING."
"And yet," Ace said, sipping his drink loudly, "you tackled him. You physically tackled a man because he tried to open a curtain."
You made a noise that could only be described as internal combustion.
"Oh," Deuce said suddenly, "by the way—I almost called an actual mold inspector? Like, to check your house? Because your vampire theory was so intense I thought you might be hallucinating from spores."
You gawked at him. "You thought I had mold poisoning and your solution was not telling me and just… calling a guy?!"
Deuce shrugged. "I was trying to help."
Ace pointed at your milkshake. "You don't deserve that."
You flipped him off.
"Anyway," you grumbled, "I love him."
Ace choked on his drink.
Deuce blinked. "Wait. You what?"
You sank lower in your chair, hands over your face. "I said I love him. Okay? Because he took care of me when I was dying and he's warm and nice and has cheekbones like a fantasy novel villain and I'd let him bite me even though I know now he has a working circulatory system."
They both stared.
Then Ace said, "You are so weird."
And Deuce, bless his heart, just patted your shoulder and said, "That's kind of romantic. In a fever-dream, garlic-bread, public-health-incident kind of way."
You sighed into your straw.
Ace, of course, was already texting someone. "I'm telling Rook he better marry you before you accuse him of being a merman next."
You scowled. "That was one time and he was very wet."
"You were following him around with a seashell, bro."
You groaned and started googling "how to fake your own death with dignity."
Somehow, they still paid for your milkshake.
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Rook had taken you out to some quaint little garden bistro.
He'd spent the entire evening being charming in that completely effortless way he had—holding the door open like it was an art form, ordering in lilting French, complimenting your laugh like it was a rare wine, and absolutely ruining your ability to think straight.
And you—foolish, once-misguided, now-fully-delirious you—had melted for all of it.
You'd laughed, and blushed, and kicked his foot under the table like someone who hadn't once sincerely believed he was going to transform into a bat mid-conversation.
Now, you stood outside your apartment under the stars, the night cool and still. Rook faced you, hands behind his back like he was either about to recite a sonnet or present you with a rare bird. You were prepared for either. What you were not prepared for was what came next.
"Mon cœur," he said, gently, "would you allow me the honour of calling you my partner?"
Your brain static'd. Just—flatlined.
You opened your mouth. Closed it. Stared at him like he'd asked you to solve a riddle in a collapsing building. And then you did the only logical thing your brain could come up with.
You kissed him.
You kissed him like your life depended on it, like you'd never get another chance to make up for all the garlic bread and wild accusations and crime-scene-level suspicion. He made a quiet noise of surprise—pleased, delighted—and kissed you back, one hand moving to cradle your cheek like he was holding something deeply precious.
When he pulled away, he was smiling.
The smile was resplendent. The kind of smile people wrote poems about. The kind of smile that had absolutely no business being that sweet or that bright or that heart-wrenchingly warm.
It didn't matter that he wasn't a vampire.
Because with that smile?
He drove a stake through your heart anyway.
You stood there, dizzy, in love, fully emotionally slain.
He tilted his head, as if waiting for you to say something, but all you could manage was a breathless, "Yeah. Yes. I'd—yeah."
"Ah," he said, eyes twinkling. "Alors, it is official."
He twirled you like a ballroom dancer in the middle of the sidewalk.
You let it happen.
Because honestly? Your first impression may have been unhinged. You may have staged an entire fake investigation and tackled him in broad daylight. But this?
This was it.
He was your person.
Not a vampire. Just tragically French. And unfortunately perfect.
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jules-ln · 1 month ago
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I thank every God that I'm both Mexican and brown so I don't have any white guilt lmao
Because I see people saying things like "Oh my God! I can't believe people are making Jayce violent just because he's brown! That's so racist"
And I'm here like "You mean the character with the giant hammer? the league of legends character with the giant magical hammer that shots lasers? that's the character you call non-violent?"
Because seriously, what do you think he's doing with the hammer in the game? Giving away flowers and candy?
And you might say "but that's only in the game"
And I'm like: his fight with Vi, his 2 fights with Viktor (though the second one was more like Viktor kicking his ass), that time he killed Salo, that time he shot Viktor while Viktor's guard was down
But my point is, while it is true that Jayce isn't inherently violent; saying that Jayce ISN'T violent at all is also just wrong
Because it's funny that I've seen people going to extremes with Jayce and Viktor lmao
Like Jayce isn't a Himbo, but he is naive in a lot of ways; he's kind, but he isn't exactly soft; he's harsh but not merciless; he's smart, but a lot of times he misses the forest for the trees; he's aggressive, but not in a brutish way
He's a complex character that is very similar to a real man, and I don't think you can fit his whole personality within a post on Xwitter or Bluesky lmao
That's why I love JayVik, because these two are two very complex characters, very flawed and contradictory and yet, they still managed to fit with each other; because Jayce is capable of looking at Viktor with all his flaws and love him, not despite of them, but because those are also him. And I think for Viktor is the same, he loves Jayce with all his flaws
But then people just say: "it's racist to say that Jayce is violent" and I'm here like
Listen, you need to recognize that at some point in your need to not make something accidentally racist you've gone 360 and are completely back at basically saying that brown people aren't capable of the complete range of human emotions, ergo, brown people aren't as complex as white people. Which, this goes without saying, that is bad
And while it is true that there's a stereotype about brown people being more aggressive, in Jayce's case being violent is not his entire personality, like I said; he's a complex character, if his only characteristic was being violent then yeah, that's a problem, but violence it's just something that he does depending on the context. Like, you know how human beings are known to be violent at times
And see, I think that's the problem with the fandom's characterization of both Jayce and Viktor
Because, for example, when I say "Viktor isn't mean" I don't say it in a "Viktor will never be mean towards anyone" way, but more in a "there are very specific circumstances under which Viktor will be mean, and interacting with Jayce in an every day scenario isn't one of them" but I wholeheartedly believe that Viktor could be mean if the situations called for it. Just look at how he basically deadnamed Jinx, you can't tell me that wasn't Viktor purposely being mean lmao
So, with Jayce, I don't believe that his first reaction would be violence on most occasions, but say, if someone was harassing Viktor, would Jayce punch them without thinking? Yeah, probably
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asidian · 1 year ago
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Alright. It is time. Buckle up.
Why you should be watching Dead Boy Detectives: the targeted-specifically-at my-readers edition.
Meet the leads, our two ghost boys:
Edwin Payne: Fussy, repressed intellectual type from the Edwardian era. Exceedingly gay for his partner and best friend. Tortured in hell for seventy years on a technicality because he was ritually sacrificed as a prank gone wrong. Endearingly awful at people and dealing with emotions or his own wants.
Charles Rowland: Impulsive, people-pleasing wildcard from the 80s. Heart eyes 24/7 at his best friend but has zero self-awareness. Badly abused by his asshole of a father. Beaten to death because he saved a kid from bullies. Endearingly awful at sorting his own emotions or talking about his problems.
Some highlights:
/slaps hood you can fit so much trauma in these two
Both leads get sobbing breakdowns that happen on screen. The actors are incredible at crying
Both leads get much-needed hugs
The absolute devotion between the two of them. The shared history that lives in their dialogue and how they work together like people who have been each other's Most Important Person for literal decades
I mean, I'm talking in-canon Orpheus and Eurydice reference level of devotion here
The protective way Charles puts himself physically between Edwin and damn near every threat in the show
They're just fun together. Their interactions and banter and how they work as a team is a delight
Their shared plot arc literally involves them learning to talk to each other and communicate more so that they can be there for one another about their respective issues
The symbolism. God. They are metaphorically and literally one another's light in the darkness
But what about stuff that isn't the main duo? Just wait, there's more:
This show is unabashedly, unapologetically queer. It's there in the text and the subtext. The whole show lives and breathes it
So many good, complex, well-written female characters. The Bechdel test gets blown straight out of the water in episode one and they never look back. Headstrong amnesiac psychic learning to be a better person! Quirky meta commentary matchmaker! Cynical lesbian butcher! Delightfully sadistic witch! They are all amazing.
[audience voice] But I'm here for the hurt/comfort. How can I whump ghosts? Worry not, my friends. Canon has you covered. Not only are there ways, there are ways that happen on-screen. The hurt/comfort and rescue are also on-screen. Yes, it is amazing
Absolute chaos, really cool supernatural cases and creatures, a surprising amount of humor, charming writing, and a cast that absolutely nails it on the acting and chemistry
There is an extremely suggestive trickster type who is also the king of cats. He's a cat in human form. He hits on Edwin nonstop. Charles gets blisteringly jealous
All of the leads have well-thought-through, fully developed, emotional character arcs. They're all messy and flawed and sometimes lash out in their pain, but at turns can be incredibly supportive and kind and loyal
A character who is a crow who is also a boy, who is tortured by his witch/creator and also is crushing hard on one of the leads
There are so many incredible details in the setting, costume choices, prop decisions, etc. that you only catch after you know what it's laying the groundwork for. The level of care that went into this show is phenomenal
It's only eight episodes. The time investment barrier to entry could not possibly be lower
Anyway, tl;dr, if any of this sounds appealing to you, you should give this show a watch.
Dead Boy Detectives is well worth your time. It's easily my favorite show in years.
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youvebeengalindafied · 6 months ago
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This is all @polyarmy and @fiyeroba ‘s fault for making me sad about Glinda again so now I’m posting my whole Glinda Meta here (originally an obnoxiously long dm sent to @gamorahww who is a patient saint)
You’ve asked for it, and now you get……The Glinda Meta™
First: I have been obsessed w/ Glinda's character for like 15 years. She is my roman empire. But I also really LIKE her as a flawed character - something that the fandom has always seemed to be a little uncomfortable with.
She is, to me, what Jane Austen once wrote about Emma:
“I am going to write a heroine whom no one but myself will much like.”
Full meta character analysis under the cut. Uh. Strap in.
(This gets a lil long sorry, but PLEASE HEAR ME OUT -)
To me, the interesting thing is what actually - ACTUALLY - motivates Glinda to act the way she does is so much greater and deeper than a simple desire for success/fame/popularity.
Like obviously in literature/critique of narrative, we have this idea of protagonists vs supporting characters. Supporting characters might have philosophies or goals that drive them (think Nessa and Boq) but those philosophies and goals are usually not developed into self-contradictory nuance the way a protagonist's motivations are. They’re just facts about the character.
And in my option, a big problem in the wicked fandom is that everybody seems to treat Glinda as a supporting character whose motivations are easy to digest. To most fans, she's either the girlfriend who is there to support Elphaba's story by being "loving but conflicted." Or to critics she's entirely selfish and cruel (even as she's fun and interesting), and therefore a semi-antagonist
But if you step back and treat Glinda as a true antihero protagonist of Wicked (for the sake of the mental character study), you see that she's not actually motivated by love or popularity or even success....what drives her is desperation.
Glinda sees her world as a place that cannot be changed and will only work to destroy those who cannot correctly operate in it. And she is SO DESPERATE to avoid that. Elphaba's fate is actually her worst fear - she cannot break away from society and leap to a new fate, because she is the ultimate cynic who thinks there is no way that could possibly work. In fact, it's an enormous testament to her love (however you want to intepret that) of Elphaba that she's even willing to consider leaving during Defying Gravity. For a brief moment, her immense, incredible faith in Elphaba is almost enough to overcome her complete desperation to survive the horrible world she thinks she's in.
And that obviously means that she's not as noble as Elphaba or as brave as Fiyero as a character - she cannot make the choice to leave when both of them do at different points - but that's because she's the most "human" character in the story. Most people are not brave enough to become international terrorists, even in the face of great evil. We might join in a developed cause, but to knowingly walk towards what is likely one's death to change a system you know you’ll actually have very little effect on...that takes a very special kind of person. And while Glinda is a GOOD person, she is too much a cynic and too desperate to survive her crazy world to become that impossible standard of the Rebel or the Hero. She's just a flawed, scared girl, in circumstances she never dreamed she’d be in.
And then the craziest thing happens:
Rather than showing Glinda that she should have been brave and done what E and F did, the narrative instead goes and basically confirms all her darkest fears: Elphaba rebels...and her revolution fails, and Glinda loses her best friend to bitter hatred and insanity for most of Act 2. Fiyero decides to leave and do the right thing by going with Elphaba....and he is almost immediately murdered in a horrible, violent way as punishment for it. This can only reinforce for Glinda that the State/the System/the World is all-powerful, and she must bow to it.
But that's the most fascinating moment for her character, because the very moment she realizes the absolute overwhelming power of the system (March of the Witch Hunters) is also the very moment that chooses to die rather than perpetuating it. She leaves the City to approach Elphaba - whom Glinda thinks POSSIBLY WANTS TO KILL HER - and BEGS Elphaba to not die. Begs Elphaba to stop her self-sacrificial madness. Begs Elphaba to allow Glinda to sacrifice herself instead ("Then I'll go, I'll tell everybody the truth!" "No! They'll just turn against you!" "I DON'T CARE!" - this girl who is entirely motivated by survival is straight up throwing it all on the line ready to walk to her death at the hands of a mob with wide open, unblinking eyes)
And obviously, in doing so, she is making the same choice that Fiyero did earlier in the story, But the huge difference is that Fiyero is a classic case of a "dead from the beginning" character, and he does not have the same motivations as her. He starts as a nhilist already embracing death in Dancing Through Life and his character is not somebody who is desprate to survive - his character is driven by a desperation for a faith. And Elphaba (and her cause) is his faith that he happily martyrs himself for.
By contrast, Glinda is terrified of the system that is trying to kill her, and she is desperate to survive it. She sees the way it takes everything form her, again and again, destroying everything she loves - Elphaba, Fiyero, her own sense of goodness…
(And she is extremely genre-aware that she is in a tragedy: her world isn't fair, and she knows that Elphaba will fail. She knows this will all go wrong.)
But Glinda still has such strength of character that she - in the end - overcomes all of her fear, all of her weaknesses, and humbles herself at the pyre to join the people she loves so much in their fate. She both offers to die for Elphaba and she takes up Elphaba's work and dedicates her entire life to it, consequences be damned. And that comes from a place of ultimate love and goodness, despite all of her flaws and all the temptations dissuading her.
Because Glinda is not Elphaba or Fiyero - she isn't a starry-eyed optimistic rebel or a man with a obsessive, loving faith. She is just a girl. Just Emma. And she is extremely flawed, and has so many fears that push and pull at her in a way the other main characters do not experience. But despite being so painfully, humanly defective, her goodness allows her to do the right thing in the end.
tl;dr - the greatest thing about Glinda’s character is that she is flawed, and she is weak and makes all the wrong choices. But in the end, she humbles herself completely - to the point of offering her own life for Elphaba and taking the whole weight of the world on her shoulders despite all her fear - because she is ultimately good.
And thus in the end, she becomes the person that Elphaba so clearly sees her as throughout the story: good, caring, and able to make real change in the world. She will now try desperately to fully live up to Elphaba's incredible faith in her. And it's so heartbreaking and tragic, but also one of the best character arcs ever.
So I guess it's less "wants to stay safe in her bubble" and more "she sees no option other than to stay safe. The State/System is all-powerful and there is nothing she thinks she can do to change that. But the beauty of the character lies in her decision to step out of that bubble anyways."
BONUS: Glinda’s flaws in relation to her relationship with Elphaba
(Or why Gelphie is a devastating ship (romantically or not) but not in the way you think)
This section dedicated to the SJB/AA performance that just BREAKS ME.
Elphaba basically sees Glinda through some WILDLY rose-tinted glasses (which is just. such a fascinating insight into elphaba’s character). Which is why a good chunk of the fandom accepts it as fact that Glinda is ~not actually all that flawed~ or is somehow being forced to make the decisions she is (she is not. the narrative point of Fiyero’s character is to prove that lol)
Glinda is very much complicated and does make some truly terrible decisions. Elphaba just sees and believes the good in her, despite everything she does (because it’s also a fact of the story that - either platonically or romantically - she’s clearly a little in love with Glinda. (The passes she gives that girl…)). I don’t think her weird thing about Glinda is particularly rational, but it is undeniably all-consuming.
And that makes their relationship feel VERY human. Their flaws don't make them unworthy of each other’s love and respect and friendship. Elphaba's love of Glinda is pretty crazy in light of how much Glinda’s morals and choices differ from her own, but that’s the kind of love that real, sometimes illogical people have. Anybody trying to prove the logic or compatibility of the characters is kinda missing the point - it doesn’t make sense, and THAT’S how you know it’s love.
(Brief aside: similar to Elphaba’s obsession with Glinda, Fiyero is also irrationally obsessed with Elphaba. I mean, she kinda sucks at the whole revolution thing (she's trying!!) and he's clearly starry-eyed ignoring a LOT of her flaws lol. In contrast - for better or worse, Glinda does see Elphaba's flaws and calls them out, just as Elphaba sees Fiyero's flaws and calls him out. It’s a nice little circular relationship)
But…but….is it gay???
Sure. I think so - but I’m a lesbian who has shipped it since I was a preteen lol. But that’s also NOT THE POINT, and focusing on only the romantic angle of their relationship REALLY ignores just how layered and complex it is.
Taking off my squee shipping glasses for a minute: they’re fundamentally just two people in some version of an EXTREMELY intense relationship. I honestly think Glinda reads as a little terrified of how insanely intense her relationship is with Elphaba. She fears walking down that road and fully falling into that intense, all-consuming love. (And we literally learn why later through Fiyero’s ‘death’ and Elphaba’s insanity - love makes you do some crazy things, and Glinda can’t afford that in this world.)
Regardless of whether you interpret them romantically or not - it’s clear they’re very intense about each other and Glinda is very afraid that Elphaba is her weakness. Unfortunately, Elphaba is also her soulmate and the love of her life, and she’ll always come back again. That fact will ruin Glinda’s life in the end, but it will have been worth it for all the love that was there
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darnmand · 4 months ago
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A Postcolonial analysis of Marius
(Disclaimer: This is not me trying to fight with anyone, this is just my own analysis of Marius. He’s an extremely complex and difficult character and so I have a lot of thoughts about him. I don’t 100% hate or like Marius. But more importantly, I don’t make moral judgements about how OTHER people feel about Marius because at the end of the day these are fictional characters.)
~
I think a big part of what I am going to call the Marius Problem (which I am not gonna take pains to describe here bc iykyk) is that Anne herself didn’t really seem to see a huge problem with him, and that affects his portrayal in the narrative.
There is of course the obvious way he treats Armand, and anyone who is familiar with Anne’s corpus of work knows that that relationship dynamic is something she revisits a lot and often in the context of erotica which is like a whole other bag of worms but…
The thing I feel like we don’t really talk about with Marius enough is his very Western Eurocentric view of the world. From a postcolonial perspective Marius’s philosophy is deeply unsettling. The way he polarizes the “east” and “west” and the modern and medieval, reason and superstition, are very insidious ways of defining things, as is his idolization of the Enlightenment, which was at its heart a positivist, Eurocentric, and deeply prejudiced school of thought which managed to convince the world that social constructions like race and gender were “scientific” in nature.
Marius is basically the embodiment of imperialism, not because he’s some malicious Big Brother twirling his moustache but because he is a very powerful, very privileged, and deeply misguided man who is takes his experience of the world as a universal truth, and who mistakes his own subjective feelings and desires for objective morality.
One of his greatest crimes against Armand that no one talks about is that he tries to force him to conform to a culture that goes against Armand’s own nature and history, and discounts Armand’s view of the world as fundamentally flawed and wrong just because it doesn’t align with his. In the book the conflict of ideologies is between classical humanism (Marius) and Eastern Orthodoxy and mysticism (Armand). In QotD, Marius even laments his failure to “perfect” Armand. Even as he showers them with gifts and affection, Marius treats Armand, Pandora, and even Akasha like dolls. Due to the changes made to Armand’s character in the show, I imagine the dissonance will be even more intense and the suppression of Armand’s selfhood will feel even more disturbing, because it will register on the level of race as well as other forms of identity.
But regardless, the most difficult part of this is that Marius is not doing this out of malice. Marius genuinely thinks he’s doing the right thing. He thinks he’s helping Armand. He thinks he is liberating the subaltern subject from the dark shadows of superstition and oppression. He thinks he is educating a being who must not know his own self and his own rights because he is fundamentally ignorant. He does not realize that what he is trying to do is efface the Other and absorb it into himself. And he eventually abandons Armand, in part, I think, because of his failure to succeed at this mission, and so facing Armand means facing the Other in himself which he wishes to repress to be the ideal enlightened western man. Marius is not even aware of his own need to dominate.
(But please please remember that Marius’s need to dominate is not likewise reflected by a need to be subjugated in Armand. Armand is equally able to move in spheres of dominance as well as submission because Armand does understand much of what Marius does not about the nature of power. Marius does not have this kind of mobility.)
This is at the heart of imperial discourse. This is what gives it momentum, what immortalizes it— the idea that we (the West) occupy some moral high ground from which we can liberate and speak for the subaltern subjects which we ourselves have locked into oppression and victimhood.
And sadly, I don’t think Anne wrote all this into the books consciously. She herself said in an interview that her own philosophy of the world aligns more with Marius’s than with Armand’s, and I think that is part of why Marius is a fundamentally sympathetic character. She made him that way. And I don’t necessarily blame her for it because these kinds of discourses are epistemological and extremely tricky to parse out. Power is that which we cannot name. So yeah, I don’t think Anne was intentional or malicious in it either.
And I don’t think all of us who look at Marius and probably feel somewhere deep down to be like him, to have his power, are doing it because of a fundamental flaw in their humanity or their politics. It’s a flaw in the epistemological system, and I don’t think it’s a flaw anyone can really see unless they’re the Armands in that equation, or they’ve been extensively trained to see it.
And before anyone gets defensive, this is not an attack on anyone or a criticism of any individual. It is a criticism of a system of knowledge and knowing which we likely cannot escape. And it is also a call for people to look at this story differently than they might have before. A call for lovers of Marius to try to begin to understand things from Armand’s perspective, and a call for lovers of Armand to remember that he is far more than just a victim, and that it would be very dangerous and reductive and harmful to his existence as an autonomous subject to understand him in that way. And if you feel the same as I do about these things, please talk about it, don’t get stuck in the surface level dynamics of the Armand/Marius relationship.
And if you’ve stayed with me for this long, I applaud your patience and thank you for your commitment.
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lullabyes22-blog · 7 months ago
Text
Arcane Fandom drinking game.
tw: racism, misogyny, classism, ableism.
tw: fandoms in general, ig?
Take a shot if:
Sevika is reduced to this exoticised, hypersexualized, sub human caricature with no exploration into her motivations, her family, her issues as a disabled woman or her experiences as a working class person who grew up in a literal slum - and instead serves as a sex toy with body heat, who exists solely to get the reader off.
Take two shots of she is neutered instead of oversexualized, and reduced to the Mammy stereotype wherein her only purpose is to roll her eyes and provide commentary on the (white) characters/readers' antics, the latter of which drive the plot.
Take a shot if:
Mel Medarda is reduced to a living example of the Jezebel stereotype: oversexualized in the most dehumanizing and demeaning language possible, made a literal receptacle for other characters' desires with no attempt to engage with her motivations as a politician or her feelings as a woman, or else blamed for every single problem in the show, because apparently an ambitious woman is synonymous with 'The face of pure evil,' a woman who has sex and uses it to express agency is an insatiable slut, and a black woman is literally the devil incarnate.
Take two shots if she's taken the other extreme, and her ambitions, flaws, and sexuality have been wiped away completely, leaving only a hyperperfect husk of a character behind, for us to rally around with empty cries of 'Yaas Queen!' and no attempt to critically examine a) the problematic nature of the praise and b) the essence of what makes her human, and what drives her forward, in the first place.
Take a shot if:
Ekko is reduced to his crush on Powder/Jinx, with no attempt to engage with the complexity of the fact that his best friend warped into a monster, nor the ways in which he himself is a product of Zaun's poverty and his relationship with his community, the impact of trauma on children, his complex relationship with violence and his own moral compass, nor the fact that he is an activist, a freedom fighter, an artist, and an engineer, all at age eighteen.
Take a double shot if the characterization veers the other way, and he is portrayed as 'Forever Alone' because black men cannot have healthy relationships, do not deserve to have a full range of complex emotions, and should be punished by having their most deeply held wishes, friendships, and loves crushed to dust before their eyes, for daring to dream of a better life and a world that loves them.
Take a shot if:
Jayce Talis is not even acknowledged in fanworks as a mixed race man, nor as a person of color, with no attempt to engage with the complexity inherent in his experience of privilege, and the ways in which he is a product of his upbringing, and where these factors intersect with class commentary. Take a half shot if the character is whitewashed, and turned into the kind of bland, boring, vanilla caricature that we're used to seeing in media in perpetuity, who exists as a foil to the villains, a symbol of virtue, and a blank slate on which the viewer is meant to project themselves and their own beliefs.
Take a full shot if the character is the epitome of the white savior trope: a smug, paternalistic, know-it-all white man, whose self-assurance in his own superiority allows him to walk in and take over a conflict, then tell people what to do.
Take two shots if characterization veers the other extreme and he's just a sweet, dumb, himbo puppyboy with no personality, no goals, no desires, and no motivations of his own, save for making Viktor happy and doing his best to be a good boy.
Take three shots if Mel is the one leading him by the nose, because nothing says 'nuance' like making a black woman the villain for the sin of having agency and not existing solely for vilification.
Drink the whole bottle if:
Caitlyn, an Enforcer and a Councilor's daughter, is portrayed as a sympathetic sweetheart angelcake, without being forced to confront the actions of the state and the institution of which she is a part, without being forced to face the consequences of her complicity in the system that oppresses others, nor without being forced to recognize the fact that her actions and her words are not, in and of themselves, inherently just, and the fact that her privilege does not automatically grant her moral authority.
Drink another if she is portrayed as a damsel, an innocent, a child who needs to be protected and cared for, rather than a full person with agency and a complex emotional landscape of her own.
Drink again if the characterization leans the other way and she is turned into a classist caricature, an entitled bitch who doesn't even realize she's the bad guy, or gets turned into a literal Nazi because, once again, folks cannot engage with complex topics such as classism, racism, ableism, etc. and instead resort to infantilizing, simplistic, and reductive portrayals.
Stop drinking and switch to cyanide if her characterization hinges on her relationship with Vi, within which Caitlyn is the dominant top here to 'tame' this feral subhuman, with no understanding of the uncomfortable and undeniably harmful implications of such a power dynamic.
Drink the rest of the alcohol stash if:
Vi, an adult, a former convict and a street savvy survivor, is reduced to an angsty, moody, petulant puppydog off her leash, unable to take responsibility for her own actions, and her trauma is treated as an excuse for her behavior.
Drink another bottle if she is portrayed as a hypermasculine, toxic, violent, and Cait is the one forced to tame her, make her behave, and bring her into line, and her relationship with Vi is portrayed as inherently parent-child, or worse, caretaker-charge, without any regard for Vi's autonomy and right to be flawed as a human being.
Drink a fifth if Vi is portrayed as a hypersexualized aggressor for the audience's titillation, with no attempt to engage with the fact that butch lesbian women have more complex emotions than 'sex starved nymphomaniac', nor the ways in which Vi's abuse, abandonment, and trauma have impacted her relationship with intimacy and sexuality. Drink another if the characterization shifts the other way and Vi becomes a sexless robot who has no personality or wants, nor is given room to grieve for her family, her home, or her own trauma, and is instead expected to bounce back, get over it, and move on as nothing more than Caitlyn' Brave Buff Gf (tm).
Drink the entire bar if:
Viktor, a disabled man, is depicted as a neurotic, fragile, jittery wreck. Take two bottles if his disability is treated as a punchline, or the defining characteristic of his existence, and the only time we're meant to consider his body or his physical pain is when he's having an episode and collapsing, or having a coughing fit, and it's treated as a joke, rather than something which affects him and his ability to function.
Take three bottles if he's taken the other extreme and he is twinkified and babygirlified, and his sexuality and his love life are the only thing we're meant to care about, and his romantic relationship with Jayce is the only thing he's allowed to have, lest the audience think too hard about the ways in which he and his work might benefit Zaun, or how the Council might respond to a disabled person from an underprivileged background.
Take a fourth if the characterization shifts and he's reduced to a hypersexualized toy: a broken doll to be pitied and fetishized and cared for, and Jayce is his Daddy, his owner, his caregiver, his knight in shining armor, all in one.
Take a fifth if, in the midst of all this, his relationship with his disability, and the ways in which it has impacted his life and his choices, is completely glossed over.
Take six if his relationship with his disability is not even acknowledged.
Switch to cocaine if:
Jinx, one of the most complex characters in the show, and the only one with any sort of internal consistency, is reduced to a whiny helpless brat who just wants a hug and an explanation for her widdle feewings from a big strong grownup.
Take an eightball if her relationship with her sister, her trauma, and her mental health is reduced to the 'Hot Psycho' trope: an excuse to play up the 'cool' aspect of her personality while completely ignoring the trauma at the heart of her actions/behavior. Take another if the characterization swings the other way, and she's reduced to a one-dimensional villainess, a demon, an amoral monster, and the only motivation for her actions is the fact that she is a crazy bitch, and the only reason for her existence is to serve as a foil for Vi's goodness and the audience's own hangups re: mental illness and critically engaging with the more unpalatable aspects of human behavior.
Switch to crack if her relationship with Silco or Vi is not even mentioned.
Pour a glass of absinthe if:
Silco, a single parent, a survivor of violence at the hands of a loved one, a victim of systemic abuse, and a revolutionary, is portrayed as the ultimate villain, and his desire to fight for a better life for his community is somehow worse than the Council's decision to literally silence everyone in the undercity via chemical runoff, political neglect and police brutality.
Pour two if he is a cartoonish, hamfisted boogeyman, with no sense of his humanity, nor the ways in which he is a product of the same systems that hurt every undercity character, and the ways his actions replicate the cycle of abuse and hurt the ones he seeks to save in turn.
Pour a third if he becomes an unrepentant sadist, a child abuser and a sexual predator, and there is nothing loving or fatherly about his relationship with Jinx.
Pour four if the character is taken to the other extreme and he's sanctified as a literal martyr and hero, and all his wrongdoing is glossed over because he's just a ~victim~, and everything he does is justified, no matter how terrible, because he had a traumatic childhood or his abusive ex didn't die soon enough. Eat the sugarcube if his bond with Jinx is suddenly a wholesome Disneyfied gag-fest wherein he calls her "Pumpkin" and babies her like a toddler, and their relationship has zero codependent overtones, and she's suddenly a sweet innocent who doesn't have blood on her hands, same way he's not the one who sanctioned it.
Eat the bottle of absinthe if Silco is given the tumblr sexyman treatment, and suddenly he's just a walking Daddy Kink, with no regard for the ways in which he is a complex person, nor the ways in which he and other characters might actually interact, or his history or his trauma or the way it impacts his life.
Drink the whole liquor cabinet if:
Zaun is portrayed as a dystopian hellscape rather than a robust, vibrant, diverse community, with a wide range of experiences and a deep and nuanced relationship with authority, power, and violence. Break into the cellar if, instead, it's just a shitty stereotypical ghetto, full of criminals, addicts, and victims.
Light a cigarette if Piltover, a technological juggernaut that also has a diverse immigrant population, and a vibrant and rich cultural identity, is reduced to a bland, generic, vanilla utopia, and is full of pompous blowhards who have never engaged with the undercity outside the scope of the narrative.
Light a molotov cocktail if it swings the opposite direction and Piltover is turned into an neoliberal nightmare, a soulless, shiny, hollow, plastic, faceless wasteland, populated only by vapid, shallow, self absorbed stooges and shills who have no depth or personality of their own.
Throw the molotov and light the house on fire if:
'Piltover and Zaun' is not even mentioned, and there is no acknowledgement of the way these two cities shape the cast of characters who reside within these systems, much less a mention of the ways in which the characters might not be fully representative of the communities they are a part of, and the fact that they are still very much human beings with individual experiences.
If you didn't get alcohol poisoning, a whopping hangover, or a charge of arson: congratulations.
You win.
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drdemonprince · 9 months ago
Note
ENM/Poly circles explicitly discourage real talk around jealousy, and practical considerations around nonmonog in ways that routinely exclude and excise POC and disabled people.
ENM/Poly expects everyone involved to act as though “love” is the reason for every relationship choice. Cliche #1: love isn’t finite. Which… sure. Maybe love isn’t finite, but attention and time sure are— and those are at a premium.
Cliche #2: Love is all you need/love is what makes a family. I am familiar with criticism of this from a family abolition, anticapitalist standpoint, but I have seen this be uncritically repeated by ENM/Poly people. It’s not true that love is what makes a relationship work or not work. It’s also about dumb shit, like geographical proximity and practicality. Good luck being ENM if you can’t regularly host because you have roommates or live at home. Good luck being the gold standard of ENM (out to everyone, including family and maybe even the workplace!) if you are any kind of marginalized. Love is simply not enough. There’s real world shit to consider.
Most ENM/Poly people are white gen x’ers and older millenials for a reason. It’s a framework that works awesome if you have abundant spare space, disposable income to blow, and free time. Plus most ENM/Poly people are heavily in therapy, and just have a fuckton of time to deal with their various baggages… or at least like to posture as though they are doing those things.
Non monog can be liberatory— disabled polycules caring for one another. QPRs! Multiparent households! But ENM/Poly is very lodged in a liberal, hyper-independent Super Good Boundaries Thank You Very Much world of its own, and so most of the “resources” like More Than 2 or Polysecure have hella flaws in that respect.
COME OFF ANON SO I CAN FOLLOW YOU! Because you just said a whole word.
I find "ethical nonmonogamy" and polyamory circles to be viscerally unpleasant and alienating to be in as a crazy, chaotic antipsych person who does not always make choices for carefully therapized, restrained reasons -- and who doesn't believe that most other people do either, no matter how much they claim to.
I don't fuck multiple people to serve some higher purpose; I do it because I'm horny, impulsive, and have a variety of niche fetishes that are really difficult to satisfy.
I didn't choose to be openly nonmonogamous because I nurtured my soul and found that it was abundant with love that I just had to give -- all my relationships already were nonmonogamous at one point or another, either because I cheated or the other person did or both, and I eventually decided to move with my feelings rather than against them, and to stop denying all that is inside me -- all of the hunger and darkness as well as the light.
And I can't say that my nonmonogamy is inherently "ethical" either -- just like my monogamy sure wasn't! I'm a human being, and a crazy one at that, I get jealous, I have emotional blowups, I lash out and fuck other people to make myself feel better or to affirm that I am desired, I make big demands of the people I date, I fail to show up for people consistently, I get hurt, and I hurt others, and I will continually have more to learn. I will also continually have wild animal emotions and triggers, and I won't always deal with them in the way my partner(s) might want me to. I try to avoid hurting other people needlessly, of course, but sometimes your own needs are incompatible with another person's, and hurt is inevitable.
When there is only so much time and attention available in our lives, it's true that somebody's often going to come up short. And ultimately the person that I choose above all others is me. And so, no, I can't say I'm always doing nonmonogamy in some caring yet dispassionate way, or that love is the solution to all problems -- I am driven by passion and need, and sometimes being alive in those ways means getting hurt, or hurting in turn.
I would echo essentially all that you've said. We need time and resources and spaces to enjoy privacy with other people, and if you're not some rich work-from-homer, that shit's all in short supply. I hate the sheen of calm positivity that "ENM" and polyamory folks tend to place on everything -- as if no choices they make are fueled ever by bitterness, dislike, resentment, or hell, fucking white hot irrational DESIRE. With how fair and measured so many of them make their polyamory sound, I don't even see what's fun about any of it.
Sometimes you want to upend your whole life because you're so down bad for a person. Sometimes you hate the shit out of your partner's partners and you say and do little manipulative shitty things to convey those feelings, or to try and blow the relationship up. Sometimes the hours just don't add up and somebody gets shafted. Sometimes you make a promise and then you can't follow through, or just don't WANT to anymore because you have changed.
These are real human realities whether we like it or not, and I find it terribly unrealistic AND unsexy to refuse to acknowledge all the darkness and frustration that comes out in any relationship. I think a lot of the ENM/poly crowd that is white and middle class and heavily therapized is so averse to naming anything edgy or prickly in themselves that they make their spaces actively hostile to anybody who openly expresses negative feelings. That means Black & brown people get tone-policed a ton, "mad" people like me get no-true-scotsmanned out of "ethical" nonmonogamy for ever doing anything messily, and all the romance and sexiness of relationships gets sanded down into a Canva-graphic beige blandness of weekly polycule meetings and processing sessions.
In this world of self-optimization, even fucking and loving other people has to be cast as therapuetic -- our desires must justify themselves by somehow making us better, more capable, more controlled people, But fuck that. Sometimes sex or love is worth exploding your whole life over. The ENM/poly crowd says their way of loving makes them more even-keeled but it seems like a kind of death to me.
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