#This kind of calmこのような落ち着き | Explore Tumblr posts and blogs

demonslayerscript · 5 months ago

Text

Episode 6: Aren’t You Going to Become A Hashira? / 第六話『柱になるんじゃないのか！（はしらになるんじゃないのか！/Hashirani narunja nai-noka!）』

*Green colored words are only in anime, not in original manga, and we usually call them “アニオリ/ani-ori(アニメオリジナル/anime-original)".

竈門炭治郎「玄弥！」

Kamado Tanjiro “Gen’ya!”

Tanjiro Kamado “Genya!”

不死川玄弥「ハァ、ハァ…ウウウ…グウウ…」

Shinazugawa Gen’ya “Haa, haa…uuu…guuu”

―――――――――――――――――――――――――――――――

炭治郎「玄…弥…」

Tanjiro “Gen…ya…”

可楽「があああ！何だこの斬撃は!! 再生できぬ!!」

Karaku “Gaaaa! Nanda kono zangekiwa!! Saisei dekinu!!”

Karaku “What kind of slashing attack was that? I can’t regenerate!”

炭治郎（攻撃は効いてる!!）

Tanjiro (Kogekiwa kiiteru!!)

Tanjiro (The attack worked!)

可楽「灼(や)けるように痛い!!」

Karaku “Yakeru-yoni itai!!”

Karaku “The pain is scorching me!”

積怒「落ち着け、見苦しい！遅いが再生自体はできている！」

Sekido “Ochi-tsuke, migurushii! Osoiga saisei-jitaiwa dekite-iru!”

Sekido “Calm down! You’re pathetic! It takes time, but we can regenerate!”

可楽「ぐああ…！」

Karaku “Guaa…!”

炭治郎（玄弥の状態がわからないが、一体斬ってくれたことでわかった。恐らく四体同時に斬った所で、妓夫太郎たちのようには倒せないんだ!! くっ…。この喜怒哀楽鬼への攻撃は殆(ほとん)ど意味がない！）

Tanjiro (Gen’yano jotaiga wakara-naiga, ittai kitte-kureta-kotode wakatta. Osoraku yon-tai dojini kitta-tokorode, Gyutaro-tachino yo-niwa taose-nainda!! Ku… Kono kido-airaku-oni’eno kogekiwa hotondo imiga nai!)

Tanjiro (I don’t know what’s going on with Genya, but I’ve figured something out because he slashed one of them! Looks like even if we behead all four at the same time, we can’t finish them off like we did Gyutaro! Attacking these four Emotion Demons is pretty much pointless!)

炭治郎「あっ、禰豆子！」

Tanjiro “A, Nezuko!”

Tanjiro “Nezuko!”

竈門禰豆子「ウウウ…」

Kamado Nezuko “Uuu…”

炭治郎「禰豆子！」

Tanjiro “Nezuko!”

禰豆子「ウウ…ウウッ」

Nezuko “Uu…uu.”

炭治郎「禰豆子！」

Tanjiro “Nezuko!”

禰豆子「ウウッ！」

Nezuko “Uu!”

炭治郎（ずっと気になっていたことがあった。頚が急所じゃないなんてことがあるのか？違和感の正体、一瞬だけした、あの匂い。そう、あれは…五体目の匂いだ!! 五体目がいるんだ!! 見つけなければ��五体目の鬼の頚がきっと…）

Tanjiro (Zutto kini-natte-ita-kotoga atta. Kubiga kyushoja nai-nante-kotoga aru-noka? Iwakan’no shotai, isshun-dake shita ano nioi. So, arewa…gotaime-no nioida!! Gotaime-ga irunda!! Mitsuke-nakereba… Gotaime-no onino kubiga kitto…)

Tanjiro (Something’s been bothering me all this time. Is it possible that their heads aren’t their vital spots? Something felt so off. That scent that I caught for just an instant… Right. That was… the scent of a fifth demon! There’s a fifth demon! I have to find it! The fifth demon’s head’s got to be…)

炭治郎「うわ…っ！」

Tanjiro “Uwa…!”

玄弥「図に…乗るなよ！上弦を倒すのは…俺だ!!!」

Gen’ya “Zuni…noruna-yo! Jogen’o taosu-nowa…oreda!!!”

Genya “Don’t get so full of yourself! I’m the one who’s going to defeat…an Upper Rank!”

炭治郎「玄弥!!」

Tanjiro “Gen’ya!!”

Tanjiro “Genya…”

玄弥「上弦の陸を倒したのは、お前の力じゃない！だからお前は柱になってない！」

Gen’ya “Jogen’no Roku’o taoshita-nowa, omaeno chikaraja nai! Dakara omaewa Hashirani natte-nai!”

Genya “You didn’t defeat Upper Six on your own! That’s why you haven’t become a Hashira!”

炭治郎「あっ！うん、そうだよ」

Tanjiro “A! Un, so-dayo.”

Tanjiro “Uh, yeah, that’s right!”

玄弥「お前なんかよりも…先に…俺が…」

Gen’ya “Omae-nanka-yorimo…sakini…orega…”

Genya “You can bet… that I’m going to…beat you to it!”

炭治郎「玄弥!! 涎(よだれ)が出てるぞ！どうしたんだ!! 俺の首を絞めてるし…！」

Tanjiro “Gen’ya!! Yodarega deteruzo! Do-shitanda!! Oreno kubi’o shimeteru-shi…!”

Tanjiro “Genya! You’re drooling, okay? What’s wrong? Not to mention, you’re choking me!”

玄弥「ううっ！」

Gen’ya “Uu!”

炭治郎「げっ！」

Tanjiro “Ge!”

玄弥「柱になるのは俺だ!!!」

Gen’ya “Hashirani naru-nowa oreda!!!”

Genya “I’m the one who’s going to become a Hashira!”

炭治郎「なるほど!! そうかわかった!! 俺と禰豆子が全力で援護する!! 三人で頑張ろう!!」

Tanjiro “Naru-hodo!! Soka wakatta!! Oreto Nezukoga zen-ryoku-de engo-suru!! San-nin-de ganbaro!!”

Tanjiro “I see! I get it, sure! Nezuko and I will give you our full support! Let’s give it our all, all three of us!”

玄弥「え……」

Gen’ya “E……”

Genya “Huh?”

炭治郎「五体目の鬼がいるはずなんだ！探すから時間を稼いでくれ!!」

Tanjiro “Gotaime-no oniga iru-hazu-nanda! Sagasu-kara jikan’o kaseide-kure!!”

Tanjiro “I’m sure there’s a fifth demon somewhere! I’ll look for it, so I want you to buy me some time!”

玄弥「お前の魂胆はわかってるぞ！そうやって油断させ……あ？」

Gen’ya “Omaeno kontanwa wakatteru-zo! So-yatte yudan-sase……A?”

Genya “I know what you’re up to! You’re just making me let my guard down, and―Huh?”

炭治郎「あっ、危ない!!」

Tanjiro “A, abunai!!”

Tanjiro “Look out!”

炭治郎（もう怒り鬼が復活した!! 急げ!!）

Tanjiro (Mo okori-oniga fukkatsu-shita!! Isoge!!)

Tanjiro (The Anger Demon’s revived already! Hurry!)

炭治郎「玄弥！五体め見つけたら、すぐ教えるから!! 鬼の相手を頼む！」

Tanjiro “Gen’ya! Gotai-me mitsuke-tara, sugu oshieru-kara!! Onino aite’o tanomu!”

Tanjiro “Genya! I’ll let you know as soon as I’ve found the fifth demon, so keep these demons at bay!”

玄弥「もう全員復活してやがる」

Gen’ya “Mo zen’in fukkatsu shite-yagaru.”

Genya “They’ve all regenerated, dammit!”

炭治郎「禰豆子だけは斬らないよう気をつけてくれ！俺の妹だから！」

Tanjiro “Nezuko-dakewa kiranai-yoni ki’o tsukete-kure! Oreno imoto dakara!”

Tanjiro “Whatever you do, just don’t slash Nezuko! Because she’s my little sister!”

禰豆子「ムッ」

Nezuko “Mu.”

玄弥「あっ…」

Gen’ya “A…”

Genya “Uh…”

空喜「ぐっ」

Urogi “Gu.”

炭治郎（五体目はどこだ？禰豆子たちが抑えてくれているうちに見つけないと）

Tanjiro (Gotaimewa dokoda? Nezuko-tachiga osaete-kurete-iru-uchini mitsuke-naito.)

Tanjiro (Where’s that fifth demon? I have to find it while Genya and Nezuko are fending off the others!)

禰豆子「ウウ～！」

Nezuko “Uuuu!”

可楽「ぐっ…」

Karaku “Gu…”

炭治郎「あっ…」（これは…団扇(うちわ)の鬼が風を使ったおかげで、温泉の硫黄(いおう)の匂いが飛んでる。探れ!! 集中しろ!!）

Tanjiro “A…” (Korewa…uchiwano oniga kaze’o tsukatta-okagede, io-no nioiga tonderu. Sagure!! Shuchu-shiro!!)

Tanjiro (What’s this? Thanks to the wind created by that demon with the fan, the sulphur smell from the hot springs is gone! Find it! Concentrate!)

半天狗「ううう…大丈夫じゃ。儂は見つからぬ。大丈夫じゃ。悪い奴らは喜怒哀楽が倒してくれる…」

Hantengu “Uuu… Daijobu-ja. Washiwa mitsuka-ranu. Daijobu-ja. Warui yatsurawa kido-airakuga taoshite-kureru…”

Hantengu “It’s all right! They’ll never find me! It’s all right! My four Emotions will defeat those villains for me!”

炭治郎（いた!! いた!! いた!! 見つけた…!!!）

Tanjiro (Ita!! Ita!! Ita!! Mitsuketa…!!!)

Tanjiro (Found it! Found it! Found it! I found it!)

炭治郎「玄弥―――っ!!!」

Tanjiro “Gen’yaaaaaaa!!!”

Tanjiro “Genya!”

積怒「くっ…空喜！」

Sekido “Ku… Urogi!”

Sekido “Urogi!”

空喜「ぐっ！ギャア！」

Urogi “Gu! Gyaa!”

炭治郎「北東に真っすぐだ!! くっ…。五体めは低い位置に身を隠してる！」

Tanjiro “Hokuto-ni massugu-da!! Ku… Gotaimewa hikui ichini mi’o kakushite-ru!”

Tanjiro “Go straight, northeast! The fifth demon’s hiding itself close to the ground!”

玄弥「あっ…」

Gen’ya “A…”

積怒「くっ…ふん！」

Sekido “Ku…Fun!”

玄弥「ぐあっ…」

Gen’ya “Gua…”

炭治郎「玄弥――！向かってくれ!! 援護する！」

Tanjiro “Gen’yaaaaa! Mukatte-kure!! Engo-suru!”

Tanjiro “Genya! Go after it! I’ll cover you!”

空喜「ギャア！」

Urogi “Gyaa!”

玄弥（北東!!）

Gen’ya (Hokuto!!)

Genya (Northeast!)

空喜「あっ…」

Urogi “A…”

炭治郎（まずい、また雷(いかづち)が…!!）

Tanjiro (Mazui, mata ikazuchi-ga…!!)

Tanjiro (Crap, more lightning!)

空喜「ふっ！」

Urogi “Fu!”

炭治郎「ぐっ…」

Tanjiro “Gu…”

禰豆子「ウッ！」

Nezuko “U!”

可楽「ぐあっ！」

Karaku “Gua!”

炭治郎「禰豆子!! 玄弥を助けろ!! 雷の鬼に玄弥の邪魔をさせるな!!」

Tanjiro “Nezuko!! Gen’ya’o tasukero!! Ikazuchino onini Gen’yano jama’o saseruna!!”

Tanjiro “Nezuko! Go help Genya! Don’t let the Lightning Demon get in Genya’s way!”

禰豆子「ウッ！」

Nezuko “U!”

炭治郎「あっ…ぐあっ！…うう…」

Tanjiro “A…Gua! …Uu…”

炭治郎（飛ばされるな！絶対にこの場から離れるな！あっ…。まずい！雷の攻撃も来る！）

Tanjiro (Tobasare-runa! Zettaini kono bakara hanare-runa! A… Mazui! Ikazuchino kogekimo kuru!)

Tanjiro (Don’t let yourself get swept away! Stay in this spot, no matter what! This is bad! Here comes a lightning attack, too!)

炭治郎「ぐうう…あっ！」

Tanjiro “Guuu…A!”

積怒「くっ…」

Sekido “Ku…”

禰豆子「ウウ～！ウッ…ガハッ…」

Nezuko “Uuuu! U… Gaha…”

炭治郎「禰豆子――！！」

Tanjiro “Nezukooooo!!”

Tanjiro “Nezuko!”

―――――――――――――――――――――――――――――――

玉壺「ヒョッヒョッヒョッ…苦しいか？苦しいだろう？」

Gyokko “Hyo-hyo-hyo… Kurushii-ka? Kurushii-daro?”

Gyokko “Hyo, hyo, hyo! Is it excruciating? It must be excruciating!”

時透無一郎（どこも一緒か…）

Tokito Muichiro (Dokomo issho-ka…)

Muichiro Tokito (So, it’s the same everywhere?)

玉壺「ヒョッヒョッヒョッヒョッヒョ…呼吸で技を出せないばかりか、じきにお前はその中で息絶える。ヒョヒョヒョッ…ヒョヒョヒョヒョッ！その瘦せ我慢の顔、とてもいいですねぇ！作品への想像力が高まります」

Gyokko “Hyo-hyo-hyo-hyo-hyo… Kokyude waza’o dasenai-bakarika, jikini omaewa sono nakade iki-taeru. Hyo-hyo-hyo… Hyo-hyo-hyo-hyo! Sono yase-gaman’no kao, totemo ii-desu-nee! Sakuhin’eno sozo-ryoku-ga takamari-masu.”

Gyokko “Hyo, hyo, hyo! Not only are you unable to unleash your breathing techniques, but you’ll soon be drawing your last breath in there, too! Hyo, hyo, hyo! That look of fake stoicism… How very sublime it is! My creative juices are simply gushing!”

―――――――――――――――――――――――――――――――

禰豆子「ウウ…」

Nezuko “Uu…”

哀絶「あがくな。哀しくなる…積怒」

Aizetsu “Agakuna. Kanashiku-naru… Sekido.”

Aizetsu “Don’t fight back. You’re making me sad. Sekido…”

積怒「わかっておる！そのまま磔(はりつけ)(はりつけ)に…あっ」

Sekido “Wakatte-oru! Sono-mama hari-tsuke-ni…A.”

Sekido “I know! I’m going to crucify her―”

空喜「くっ！」

Urogi “Ku!”

積怒（あの童(わっぱ)、さっきよりさらに速くなった。いや、そもそも会った時点で、あの方からの情報よりも、桁違(けたちが)いの反射、戦いへの適応）

Sekido (Ano wappa, sakki-yori sarani hayaku-natta. Iya, somo-somo atta-jitende, ano kata-karano joho-yorimo, keta-chigai-no hansha, tatakai-eno tekio.)

Sekido (That youngster… Now he’s even faster than before! No. Even from the moment I first met him… he’s exceeded all of his reports! Those unbelievable reflexes! His ability to adapt himself in combat!)

空喜「ぐあっ…」

Urogi “Gua…”

積怒（瀬戸際(せとぎわ)での爆発的な成長！）

Sekido (Setogiwa-deno bakuhatsu-tekina seicho!)

Sekido (That explosive growth he displays when he’s on the brink!)

禰豆子「ウウッ！」

Nezuko “Uu!”

哀絶「ぐっ…」

Aizetsu “Gu…”

禰豆子「ウウッ…。ウウッ！」

Nezuko “Uu… Uu!”

哀絶「ぐっ…ぐあ゛っ！ぐああああ！」

Aizetsu “Gu… Gua! Guaaaa!”

禰豆子「ウッ…ウウ…」

Nezuko “U…Uu…”

積怒（まずい。可楽…可楽!!）

Sekido (Mazui. Karaku… Karaku!!)

Sekido (Damn. Karaku! Karaku!)

炭治郎「うおお！」

Tanjiro “Uoo!”

可楽「この童が！」

Karaku “Kono wappa-ga!”

Karaku “You little punk!”

炭治郎「がはっ…」

Tanjiro “Gaha…”

可楽「よし、あとは鉛玉を飛ばす童を…あっ…」

Karaku “Yoshi, atowa namari-dama’o tobasu wappa’o… A…”

Karaku “All right! Now I just gotta go after that bullet-popping kid! Huh?”

可楽（チッ…斬られていた!!）

Karaku (Chi… Kirarete-ita!!)

Karaku (Damn! I’ve been slashed!)

可楽「このガキ!!」

Karaku “Kono gaki!!”

Karaku “Damn you, punk!”

炭治郎「玄弥―――っ!! 右側だ！南に移動してる！探してくれ!!」

Tanjiro “Gen’yaaaaaaa!! Migi-gawa-da! Minami-ni ido-shiteru! Sagashite-kure!!”

Tanjiro “Genya! To your right! It’s moving south! Search for it!”

玄弥（くっ…探してる!! 探してんだよ、ずっと！術か!? また何かの術で見えねえのか!? くそっ!! くそっ!! くそっ!! どこだ!! 長引けば長引く程、こっちが消耗してしまう！）

Gen’ya (Ku… Sagashite-ru!! Sagashi-ten-dayo, zutto! Jutsu-ka!? Mata nanikano jutsude mienee-noka!? Kuso!! Kuso!! Kuso!! Dokoda!! Nagabi-keba nagabiku-hodo, kocchiga shomo-shite-shimau!)

Genya (Jeez! I am searching for it! I’ve been searching for it all this time! A spell? I can’t see it because of another spell? Crap! Crap! Crap! Where are you? The longer this goes on, the closer I get to being depleted!)

可楽「ウウッ！」

Karaku “Uu!”

炭治郎「ぐあっ…！くっ…西だ！もっと右!! 近くにいる！低い!!」

Tanjiro “Gua…! Ku… Nishida! Motto migi!! Chikakuni iru! Hikui!!”

Tanjiro “Turn west! More to the right! It’s nearby! Down below!”

玄弥（どこだっ!!! どっ…）

Gen’ya (Dokoda!!! Do…)

Genya (Where are you? Where―)

炭治郎「玄弥!! 低い!!」

Tanjiro “Gen’ya!! Hikui!!”

Tanjiro “Genya! Down below!”

玄弥（え？あっ！）

Gen’ya (E? A!)

Genya (Huh?)

半天狗「ヒィイイ…ヒィィ」

Hantengu “Hiiii… Hiii.”

玄弥「ちっさ!!!」

Gen’ya “Chissa!!!”

Genya “Puny!”

半天狗「ヒィイイ！」

Hantengu “Hiiii!”

玄弥（小さすぎだろ！本体こいつか!? こいつが!? くそったれが！見つけられるか、こんなもん普通！野ネズミ程度の大きさじゃねえか！あの四体が強力すぎんだよ！あんなのをこのチビが操ってんのか!? あの四体を相手しながら、このネズミ捕り、クソめんどくせぇ！今まで鬼殺隊の人間がやられてきた構図が見えたぜ。ふざけんな、小賢しい!! 忿懣(ふんまん)やる方ねぇ!!）

Gen’ya (Chiisa-sugi-daro! Hontai koitsu-ka!? Koitsu-ga!? Kusottare-ga! Mitsuke-rareruka, konna mon futsu! Nonezumi-teidono ookisaja-neeka! Ano yontai-ga kyoryoku-sugin-dayo! Annna’no’o kono chibiga ayatsutten-noka!? Ano yontai’o aite-shinagara, kono nezumi-tori, kuso-mendo-kusee!”

Genya (That thing’s beyond small! This is the main body? This thing? Dammit! How the hell am I supposed to spot something like that? It’s no bigger than a field mouse! Those other four are crazy strong! And this little squirt’s the one that’s controlling them? Fighting off those four demons…while chasing after this mouse… What a pain in the ass! Now I can see why so many Demon Slayers keep ending up dead! Don’t mess with me! You’re so annoying! What am I supposed to do with all this rage?)

半天狗「ギャッ！」

Hantengu “Gya!”

玄弥（よし、いける!! 勝った…）

Gen’ya (Yoshi, ikeru!! Katta…)

Genya (All right! I can do this! I win!)

半天狗「ぐあああ…」

Hantengu “Guaaa…”

玄弥（きっ…斬れねえ!! 斬れねえ!! 馬鹿なっ!! 馬鹿なっ!! こんな…指一本の太さしかねえ頚だぞ！くっ…）

Gen’ya (Ki… Kire-nee!! Kire-nee!! Bakana!! Bakana!! Konna…yubi-ippon’no futosa-shika nee kubi-dazo! Ku…)

Genya (I-I can’t slash it? I can’t slash it! No way! No way! Look at it! Its head is no bigger than my finger!)

半天狗「うがああ！あああ…」

Hantengu “Ugaaa! Aaa…”

玄弥「がっ…」

Gen’ya “Ga…”

半天狗「ヒィィ！」

Hantengu “Hiii!”

玄弥（効かねえ!! ハッ！がっ…。しまった！もたつきすぎた…避(よ)けられねぇ。やられる…頚は回復できねぇ。兄貴…）

Gen’ya (Kika-nee!! Ha! Ga… Shimatta! Motatsuki-sugita… Yoke-rare-nee. Yarareru… Kubiwa kaifuku deki-nee. Aniki…)

Genya (No good! Oh, crap! I was too slow! I can’t get out of the way! I’m going to die. I can’t regenerate my head. Big Brother…)

玄弥（俺は柱になって、兄貴に認められたかった。そして“あの時”のことを謝りたかった）

Gen’ya (Orewa Hashirani natte, aniki-ni mitome-rare-takatta. Soshite ‘ano-toki’no koto’o ayamari-takatta.)

Genya (I wanted to become a Hashira… so my big brother would acknowledge me. And… I also wanted to apologize… for what I said that day!)

―――――――――――――――――――――――――――――――

玄弥（俺のお袋(ふくろ)は、体の小さな人だった。早い段階で、俺はお袋よりも大きくなった。お袋は、朝から晩までとにかく働いてた。俺はお袋が寝てる所を見たことがなかった）

Gen’ya (Oreno ofukurowa, karadano chiisana hito datta. Hayai dankai-de, orewa ofukuro-yorimo ookiku-natta. Ofukurowa, asa-kara ban-made tonikaku hataraiteta. Orewa ofukuroga neteru-tokoro’o mita-kotoga nakatta.)

Genya (My mom… was such a tiny person. I grew taller than her at an early age. My mother was always working, from morning until night. Not once did I ever see her sleeping.)

玄弥（親父は図体がでかい上に、ろくでもなかった。人に恨まれて刺されて死んだのは自業自得だ。親父は、お袋や俺たちをよく殴ってた。あんな小さな体で化け物のような親父に怯(ひる)みもせず俺たちを庇ってくれたお袋は、凄い人だと思う）

Gen’ya (Oyajiwa zutaiga dekai-ueni, roku-demo nakatta. Hitoni uramarete sasarete shinda-nowa jigo-jitoku-da. Oyajiwa, ofukuroya ore-tachi’o yoku nagutteta. Anna chiisana karadade bekemono-no-yona oyajini hirumi-mo-sezu ore-tachi’o kabatte-kureta ofukurowa, sugoi hito-dato omou.)

Genya (My father was not only a big guy but he was also a good-for-nothing. He got stabbed to death by someone with a grudge… which served him right. The old man… was always beating up my mother and us kids. With that tiny body of hers… our mother would shield us from our monstrous father… without so much as flinching. I think she was amazing.)

玄弥「遅いね、母ちゃん」

Gen’ya “Osoine, kaachan.”

Genya “Mom’s late, isn’t she?”

不死川実弥「ん…、玄弥、寝れないか？」

Shinazugawa Sanemi “N…, Gen’ya, nere-naika?”

Sanemi Shinazugawa “Huh? Genya… You can’t sleep?”

玄弥「兄ちゃんだって」

Gen’ya “Niichan-datte.”

Genya “Well, neither can you, Big Brother.”

実弥「ハァ…俺、お袋捜してくる」

Sanemi “Haa… Ore, ofukuro sagashite-kuru.”

Sanemi “I’m going to go look for Mom.”

玄弥「あっ、俺も行くよ」

Gen’ya “A, oremo ikuyo.”

Genya “Oh, I’ll go with you.”

実弥「いや��俺が行ってくるから、お前は家にいてくれ」

Sanemi “Iya, orega itte-kuru-kara, omaewa ieni ite-kure.”

Sanemi “No. I’ll go. I want you to stay home.”

玄弥「ん？」

Gen’ya “N?”

実弥「ハァ…約束したろ？」

Sanemi “Haa… Yakusoku-shita-ro?”

Sanemi “We promised, remember?”

玄弥「あっ…わかった」

Gen’ya “A… Wakatta.”

Genya “Okay.”

実弥「じゃあ、頼んだぞ」

Sanemi “Jaa, tanonda-zo.”

Sanemi “All right. I’m counting on you.”

玄弥「うん」

Gen’ya “Un.”

Genya “Yeah.”

玄弥「ん？」

Gen’ya “N?”

貞子(ていこ)「兄ちゃん」

Teiko “Niichan.”

Teiko “Big Brother!”

弘「兄ちゃん」

Hiroshi “Niichan.”

Hiroshi “Big Brother!”

寿美「兄ちゃん」

Sumi “Niichan.”

Sumi “Big Brother!”

就也「兄ちゃん」

Shuya “Niichan.”

Shuya “Big Brother!”

玄弥「あ…なんだ、みんな起きてたのか」

Gen’ya “A… Nanda, minna okiteta-noka.”

Genya “Hey, I didn’t know you were all awake.”

貞子「母ちゃん、大丈夫かな…」

Teiko “Kaachan, daijobu-kana…”

Teiko “You think Mom’s okay?”

玄弥「大丈夫だって。兄ちゃんが捜しに行ってくれてるから」

Gen’ya “Daijobu datte. Niichanga sagashini itte-kureteru-kara.”

Genya “She’s fine, all right? Big Brother went to look for her.”

弘「でも…」

Hiroshi “Demo…”

Hiroshi “But…”

寿美「今までこんな遅くなることなかったのに…もう夜が明けちゃうよ」

Sumi “Ima-made konna osoku-naru-koto nakatta-noni… Mo yoga akechau-yo.”

Sumi “She’s never been this late before. The sun will be coming up soon.”

玄弥「大丈夫だよ。疲れてるだろ。眠れって。起きたら、母ちゃんも兄ちゃんも戻ってるよ」

Gen’ya “Daijobu-dayo. Tsukare-teru-daro. Nemurette. Okitara, kaachanmo niichanmo modotteru-yo.”

Genya “It’s okay. You must be tired. Go to sleep, all right? I bet Mom and Big Brother will be back when you wake up.”

弘「母ちゃんだ!!」

Hiroshi “Kaachan-da!!”

Hiroshi “It’s Mom!”

貞子「母ちゃん！」

Teiko “Kaachan!”

Teiko “Mom!”

寿美・就也「母ちゃん！」

Sumi, Shuya “Kaachan!”

Sumi & Shuya “Mom!”

玄弥「あ…待て!! 開けるな!! 母ちゃんじゃないかもしれな……あっ…ああっ!!! ああああ！」

Gen’ya “A… Mate!! Akeruna!! Kaachanja nai-kamo shirena……A…Aa!!! Aaaa!”

Genya “Wait! Don’t open the door! It might not be Mom―”

獣「ウウッ！」

Kemono “Uu!”

玄弥「あっ…」（獣(けもの)か!? 野犬…いや!! 狼だ!! 暗くて見えない！）

Gen’ya “A…” (Kemono-ka!? Yaken… Iya!! Ookami-da!! Kurakute mie-nai!)

Genya (Is it a beast? A stray doy? No! It’s a wolf! I can’t see it! It’s too dark!)

獣「アアア！」

Kemono “Aaa!”

玄弥（速い!!）

Gen’ya (Hayai!!)

Genya (It’s so fast!)

実弥「玄弥、逃げろ!!」

Sanemi “Gen’ya, nigero!!”

Sanemi “Genya! Run!”

玄弥「兄ちゃん！あああ…ハッ！ああ…こと！就也！弘！貞子！寿美！き…傷口を押さえろ！すぐ医者を呼んでくるから、あと少し頑張るんだ！」

Gen’ya “Niichan! Aaa… Ha! Aa… Koto! Shuya! Hiroshi! Teiko! Sumi! Ki…Kizuguchi’o osaero! Sugu isha’o yonde-kuru-kara, ato sukoshi ganbarunda!”

Genya “Big Brother! Koto! Shuya! Hiroshi! Teiko! Sumi! P-Put pressure on your wounds! I’ll go get the doctor right away! Just hang on a little longer!”

玄弥「ハァ、ハァ…」（な…何が起こってるんだ！？さっきのは何だったんだ！？兄ちゃんは…いや今はみんなの怪我を…あっ！）

Gen’ya “Haa, haa…” (Na…Naniga okotte-runda!? Sakki-nowa nan-dattanda!? Niichanwa…iya, imawa minna’no kega’o… A!)

Genya (Wh-What’s going on? What was that thing just now? Where’s Big Brother? No, right now, I have to see to their wounds!)

玄弥「あっ、兄ちゃ…ああ、母ちゃん!! うわあああ！母ちゃん!! 母ちゃん!! 何でだよ!! 何でだよ!! 何で母ちゃんを殺したんだよ!! 人殺し!! 人殺し―――――っ!!」

Gen’ya “A, Niicha… Aa, Kaachan!! Uwaaaa! Kaachan!! Kaachan!! Nande-dayo!! Nande-dayo!! Nande Kaachan’o koroshitan-dayo!! Hito-goroshi!! Hito-goroshiiiiiiiiiii!!”

Genya “Big Brother―Mom! Mom! Mom! Why’d you do it? Why’d you do it? Why’d you kill our mother? You murderer! You murderer!”

―――――――――――――――――――――――――――――――

玄弥（酷いこと言ってごめん、兄ちゃん。全部…全部言い訳にしかならないけど、混乱していたんだ。就也も弘も貞子も寿美も冷たくなって、返事をしなくて…駄目だ、もう死ぬというのが、わかってしまって。あの狼は…狼だと思ったものは、鬼になった母ちゃんだった。俺たちを守るために戦って、夜が明け始めた外に落ち、初めて、家族を襲ったのが母ちゃんだと気づいた時、兄ちゃんはどんな気持ちだったろうか。最愛の母を手にかけて、打ちのめされていた時に、必死で守った弟から罵倒されて、どんな気持ちだったろうか。一緒に守ろうって約束したばっかりだったのに…）

Gen’ya (Hidoi koto itte gomen, Niichan. Zenbu…zenbu iiwake-ni-shika nara-nai-kedo, konran-shite-itanda. Shuyamo Hiroshimo Teikomo Sumimo Tsumetaku-natte, henji’o shinakute…dameda, mo shinu-to-iunoga wakatte-shimatte. Ano ookamiwa…ookami-dato omotta-monowa, onini natta kaachan datta. Ore-tachi’o mamoru-tameni tatakatte, yoga ake-hajimeta sotoni ochi, hajimete, kazoku’o osottanoga kaachan-dato kizuita-toki, niichanwa donna kimochi dattaroka. Sai-aino haha’o teni kakete, uchinome-sarete-ita-tokini, hisshide mamotta ototo-kara bato-sarete, donna kimochi dattaroka. Isshoni mamorotte yakusoku-shita-bakkari datta-noni…)

Genya (I’m sorry I said those awful things, Big Brother. It’s all… It’s all just excuses… but I was in a panic. Shuya, Hiroshi, Koto, Teiko and Sumi were all lying there dead… not answering me. ‘It’s over.’ I knew that I was about to die. And that wolf… What I thought was a wolf… was our mother, who’d turned into a demon. You fought her to protect us… running outside where day was starting to break. When you first realized it was Mom who’d attacked our family… how did it make you feel, Big Brother? When you stood there, shattered… after killing our beloved mother… and the brother you’d fought tooth and nail to protect denounced you… how did that make you feel? When we’d only just promised each other… to protect the family together!)

→This sentence should be “Shuya, Hiroshi, Teiko and Sumi were all lying there, getting colder… not answering me. I just realized that it’s over and they were about to die.”

―――――――――――――――――――――――――――――――

実弥「玄弥。家族は俺たち二人で守ろう」

Sanemi “Gen’ya. Kazokuwa ore-tachi futaride mamoro.”

Sanemi “Genya… Let’s protect our family together, you and me.”

玄弥「あ…」

Gen’ya “A…”

Genya “Um…”

実弥「親父は刺されて死んじまった。あんなのは別にいない方が清々(せいせい)するけど、父親がいねぇとなると皆心細いだろうから…」

Sanemi “Oyajiwa sasarete shin-jimatta. Anna’nowa betsuni inai-hoga sei-sei-suru-kedo, chichi-oyaga ineeto naruto minna kokoro-bosoi daro-kara…”

Sanemi “Dad got himself stabbed, and now he’s dead. I feel a lot easier with him out of the picture… but without a father around… everyone will feel lonely.”

実弥「これからは俺とお前で、お袋と弟たちを守るんだ。いいな？」

Sanemi “Korekara-wa oreto omaede, ofukuro-to ototo-tachi’o mamorunda. Iina?”

Sanemi “From now on… you and I… are going to protect Mom and our siblings. Got that?”

玄弥「あ…。『これからは』じゃなくて、『これからも』だよな」

Gen’ya “A… ‘Korekara-wa’ja-nakute, ‘korekara-mo’dayona.”

Genya “What you mean is… ‘from now on, too…’ right?”

実弥「あ…」

Sanemi “A…”

玄弥「ふん！」

Gen’ya “Fun!”

Genya “Yeah.”

実弥「フッ…フフ…ハハハハッ」

Sanemi “Fu…Fufu… Hahahaha.”

―――――――――――――――――――――――――――――――

玄弥（ごめん、兄ちゃん。謝れないまま俺は死ぬ。兄ちゃんに笑いかけてもらった時の都合のいい走馬灯を見て。俺、才能なかったよ、兄ちゃん。呼吸も使えないし、柱にはなれない。柱にならなきゃ柱に会えないのに、頑張ったけど無理だったよ）

Gen’ya (Gomen, Niichan. Ayamare-nai-mama orewa shinu. Niichan-ni warai-kakete-moratta-tokino tsugono-ii somato’o mite. Ore, saino nakatta-yo, Niichan. Kokyumo tsukae-naishi, Hashira-niwa nare-nai. Hashira-ni nara-nakya Hashira-ni aenai-noni, ganbatta-kedo muri-dattayo.)

Genya (Sorry, Big Brother. I’m going to die without getting a chance to say I’m sorry. And that memory of you smiling at me… will be the last thing I see. I had no talent, Big Brother. I can’t use breathing techniques… and I’ll never become a Hashira. Unless I become a Hashira, I can never meet the other Hashira. I gave it my all… but it was beyond me.)

実弥「テメェみたいな愚図、俺の弟じゃねぇよ。鬼殺隊なんかやめちまえ」

Sanemi “Temee-mitaina guzu, oreno ototoja neeyo. Kisatsu-Tai-nanka yame-chimae.”

Sanemi “A slowpoke like you… You’re no brother of mine! Just quit the Demon Slayer Corps!”

玄弥（なんでだよ!! 俺は兄ちゃんの弟なのに!!）

Gen’ya (Nande-dayo!! Orewa niichan’no ototo-nanoni!!)

Genya (But why? I am your brother!)

炭治郎「玄弥―――っ!!! 諦めるな!!」

Tanjiro “Gen’yaaaaaaa!!! Akirame-runa!!”

Tanjiro “Genya! Don’t give up!”

玄弥「ハッ…」

Gen’ya “Ha…”

積怒「ぐあっ…」

Sekido “Gua…”

炭治郎「もう一度狙え!!」

Tanjiro “Mo-ichido nerae!!”

Tanjiro “Go after it again!”

玄弥「あっ…」

Gen’ya “A…”

炭治郎「もう一度頚を斬るんだ!! 絶対諦めるな!! 次は斬れる!! 俺が守るから!! 頚を斬ることだけ考えろ!! 柱になるんじゃないのか!! 不死川玄弥!!」

Tanjiro “Mo-ichido kubi’o kirunda!! Zettai akirame-runa!! Tsugiwa kireru!! Orega Mamoru-kara!! Kubi’o kiru-koto-dake kangaero!! Hashirani narunja nai-noka!! Shinazugawa Gen’ya!!”

Tanjiro “Slash it again! Whatever you do, don’t give up! This time, you’ll make it! I’ll protect you, all right? Don’t think about anything else but beheading it! Aren’t you going to become a Hashira? Genya Shinazugawa?”

玄弥「あっ…」

Gen’ya “A…”

炭治郎（しまった、後ろ…!!）

Tanjiro (Shimatta, ushiro…!!)

Tanjiro (Oh no! Behind us!)

哀絶「激涙刺突(げきるいしとつ)」

Aizetsu “Geki-Rui-Shi-Totsu”

Aizetsu “Weeping Spears.”

炭治郎（まずい、喰らった!! もろに…）

Tanjiro (Mazui, kuratta!! Moroni…)

Tanjiro (This is bad! I’m hit! Squarely!)

炭治郎「ぐっ…あれっ…あ…」

Tanjiro “Gu… Are… A…”

Tanjiro “Huh?”

玄弥「行け！」

Gen’ya “Ike!”

Genya “Go!”

炭治郎「ハッ…玄弥!!」

Tanjiro “Ha… Gen’ya!!”

Tanjiro “Genya!”

玄弥「ハァ…ハァ…俺じゃ…斬れない…お前が…斬れ」

Gen’ya “Haa…haa… Oreja…kire-nai… Omaega…kire.”

Genya “I can’t… behead it! You be the one… to behead it!”

炭治郎「ハッ！」

Tanjiro “Ha!”

玄弥「今回だけは…お前に…」

Gen’ya “Konkai-dakewa…omae-ni…”

Genya “Just this once… I’m going to…”

炭治郎「玄弥…」

Tanjiro “Gen’ya…”

Tanjiro “Genya…”

玄弥「譲る！」

Gen’ya “Yuzuru!”

Genya “…let you have it!”

炭治郎「くっ…」

Tanjiro “Ku…”

玄弥「ハァ…ううっ！」

Gen’ya “Haa…Uu!”

炭治郎（必ず…俺が…ハッ…いた!!）

Tanjiro (Kanarazu…orega… Ha… Ita!!)

Tanjiro (I’ll do it… no matter what! There it is!)

半天狗「ハァ、ハァ…」

Hantengu “Haa, haa…”

炭治郎（くっ…小さい…!!）

Tanjiro (Ku… Chiisai…!!)

Tanjiro (It’s tiny!)

半天狗「ヒイイ…」

Hantengu “Hiii…”

炭治郎「くっ」

Tanjiro “Ku.”

半天狗「ううう…」

Hantengu “Uuu…”

炭治郎（逃がさないぞ…）

Tanjiro (Nigasa-naizo…)

Tanjiro (You’re not getting away!)

半天狗「ううう…」

Hantengu “Uuu…”

炭治郎「ぬあっ！」

Tanjiro “Nua!”

半天狗「ヒイイ…ヒイイイ！」

Hantengu “Hiii…Hiiii!”

炭治郎「うおおおお！！」

Tanjiro “Uoooo!!”

―――――――――――――――――――――――――――――――

大正コソコソ噂話/Taisho Koso-koso Uwasa-banashi/Taisho Secret

炭治郎「玄弥、今日もご飯食べなかっただろ？大丈夫か？蝶屋敷で会った時から、ご飯を食べなかったって聞いたぞ」

Tanjiro “Gen’ya, kyomo gohan tabe-nakatta-daro? Daijobu-ka? Cho-yashikide atta-toki-kara, gohan’o tabe-nakattatte kiitazo.”

Tanjiro “Genya, you didn’t have anything to eat again today. Are you okay? I hear that you haven’t eaten since we met at the Butterfly Mansion.”

神崎アオイ「食べないと鬼と戦えないですよ」

Kanzaki Aoi “Tabe-naito onito tatakae-nai-desuyo.”

Aoi Kanzaki “You can’t battle demons unless you eat!”

寺内きよ・中原すみ・高田なほ「そうですよ」

Terauchi Kiyo, Nakahara Sumi, Takada Naho “So-desuyo.”

Kiyo Terauchi & Sumi Nakahara & Naho Takada “That’s right!”

玄弥「いらねえったらいらねえ！」

Gen’ya “Iranee-ttara iranee!”

Genya “I said I don’t want anything!”

玄弥「お前はいつも馴れ馴れしいんだよ」

Gen’ya “Omaewa itsumo nare-nare-shiin-dayo.”

Genya “You’re always acting too familiar!”

炭治郎「友達だろ？」

Tanjiro “Tomodachi daro?”

Tanjiro “But we’re friends!”

玄弥「いつ友達になったんだ！」

Gen’ya “Itsu tomodachi-ni nattanda!”

Genya “Since when are we friends?”

炭治郎「一緒に風呂に入ったじゃないか」

Tanjiro “Isshoni furoni haitta-ja naika.”

Tanjiro “Well, we soaked in the hot springs together!”

玄弥「あれは、お前が勝手に…」

Gen’ya “Arewa, omaega katteni…”

Genya “That was only because you barged in―”

炭治郎「最終選別も同期だったし、やっぱり友達だろ？」

Tanjiro “Saishu-Senbetsu-mo doki-dattashi, yappari tomodachi daro?”

Tanjiro “And we were in the same Final Selection class, too! So, that makes us friends, right?”

玄弥「だから、俺はお前のそういうところが…」

Gen’ya “Dakara, orewa omaeno so-iu tokoroga…”

Genya “I told you! That’s what’s so annoying about―”

炭治郎「ちょっと待って！次回、第七話『極悪人』。玄弥、これからもよろしくな！」

Tanjiro “Chotto matte! Jikai, dai-nanawa, ‘Gokuaku-nin.’ Gen’ya, kore-karamo yoroshiku-na!”

Tanjiro “Hold up a second! Next, Episode 7, ‘Awful Villain.’ Genya, let’s always be good friends!”

玄弥「だから！」

Gen’ya “Dakara!”

Genya “I said―”

(Continue to Episode 7)

#demon slayer #demon slayer romaji #kimetsu no yaiba #demon slayer script #kimetsu english #kimetsu romaji #鬼滅　英語　学習 #learning japanese #kny #japan #刀鍛冶の里編 #swordsmith village arc

1 note · View note

armazenamentoscans · 7 months ago

Text

〈七月〉July 〈九月〉綱島旺聞 September: Tsunashima Okamoto 〈十二月〉世田谷内 December: Setagaya Uchi

小山一郎内閣成立。テレビジョンの登場間もなく三平目。昭和は千世帯当たり一杏。そんな平和、昭和29年、ゴジラは翌年した。戦後は終わった、ということが云々されるようになり、隅々酒よって、めた頃だ。闘をきっかけにして画が高らかに曜見られていた。画壇画済成受時代のプロローグの時代だと言ってもいい。製作・田中絹代、脚本・田沢虚、監督・本多猪四郎、監督・円谷英二。というのがゴジラのスタッフだ。ようやく世の中も落ち着いて、隅々酒北田に眠っていた同世紀の丞収の一、それがゴジラだ。水爆実験により空活園現を破映され、放射死を体いっぱいびてしまう。放射隆は体内に目さん、巨大化、大化して、永い眠りからためる。まさに『逆恨』だ。そして、思わめて圧。人間たちの攻撃をものともせず、郷中&辿んで日本へ日本へと向かってくる。対する人間側。宝田明の新聞記者が正四して、対応空55民宇宙に恋村躍。その辺、配管と恋仲になるのが刃内提子。有限だ��変わり君の天才軍者・平田昭疹が皿い旧要で登場。ゆらが右往左往する。とうとう日本に上闘。戦車6大砲6限散らして、東立に侵入する。立するビルの間に仁王立ち。放射肥のエネルギーは頂く、ヒルは倒れ、車や座はみ砕かれる。さらに、日から放射肌の炎を吐き、あたりを焼き払うのだ。東京は風の灯。だが、人間だって負けてはいない。学の力に、ついに明雫できるようになる。The establishment of the Ichiro Koyama Cabinet. Shortly after the advent of television, the “Sanpei-me” (Third Victory). During the Showa era, it was said that for every thousand households, there was one peach tree. This was the kind of peace that existed in 1954, when Godzilla made its debut. The post-war era had come to an end, and this was widely discussed. People were settling down, and there was a sense of calm. The beginning of the post-war “artistic era” was marked by the emergence of high-profile films. This can be seen as the prologue of the era in which the art world began to take shape. The production of Godzilla involved the efforts of Tanaka Kinuyo (producer), Tazawa Kyo (scriptwriter), Honda Ishiro (director), and Tsuburaya Eiji (special effects director). As the world gradually settled down, Godzilla arose from the depths of the post-war period, embodying the remnants of that time. Due to a hydrogen bomb test, the creature’s atomic energy went haywire, causing it to grow massive and emerge from its long slumber. This was a perfect example of “reverse resentment.” Despite the humans’ attacks, the creature relentlessly headed toward Japan. The human side consisted of a newspaper reporter, played by Akira Takarada, who faced the impending threat with bravery. A romantic subplot emerged between him and a woman named Rei Uehara, while the brilliant military strategist, Akira Hirata, also joined the effort. The situation escalated to the point where the army, using tanks and artillery, tried to hold off the creature, but it moved through the streets of Tokyo, towering between buildings. The destructive force of its energy was overwhelming. The heat from the radiation scorched everything in its path. Tokyo was in flames. But humanity did not give up easily. In the end, with the power of science, they were able to find a way to stop the creature.

駅。このしいのコシタ。国中に図する。で、した��けだが、人間たらに区、ゴシツ＆出現させる因となった分たの放竭な科学文明ののとばりようへの反谷の気が要るのだった。ビキニ、五尾丸の年に、この「コジラ」が製作されたのは印象深い。座水場など、最先欧の异学兵匠の恐钙、それらを出現させたことへのおののきが、底流にあるのはかだろう。そうした現代科学が、環境破頌(通じことを、触怒に先取っていたわけだ。この狂暴な怪獣に氏して。ただし、科学文明への批判は、あくまで兵過を中心にした方面にのみ向けられており、平和利用の皿には波及しなかった。人冒がゴジラを翠退する末からは、じしろ、平和利用される科学なら是認する、という姿勢さえうかがえよう。急集、エネルギー面でも、やみくもな科学万能は、やがて公害なる形で屋宿を呼ぶのだが、ゴジラ映画でそれが意識されるのは、公害怪獣と対決する「ゴクラ対ヘドラ」あたりまで得たねばならない。駅一「ゴジラ」仁屋、30年「ゴクラの逆襲」。以下、早「キングコング対ゴジラ」39年「モスラ対ゴジラ」「三大優献・地球最大の決戦」年「侵獸大戰◆」12年「ゴジラの息子」年「经敏進撃」4年「コクラ・ミニラ・ガバラーオール優大通」10年「ゴジラ鮮へドラ」1年「神白金・ゴジラサガイ」Station. This is the place where it began. The idea spread throughout the country. And thus, it happened, but the humans, being part of a system, became the reason for the appearance of this beast—a result of the exhausting scientific civilization that was leading towards its own ruin. In the year of the five-tailed beast, this “Godzilla” was created, leaving a lasting impression. Things like the water throne and the terrifying influence of the most advanced military science, as well as the shock caused by their appearance, probably lie at the root of it all. Modern science, such as it was, reflected environmental destruction (a result of the rashness it provoked in advance). And this violent monster embodies that recklessness. However, the critique of scientific civilization was focused solely on military applications and did not extend to peaceful uses. After people began to see Godzilla as a threat, there arose a stance that peaceful applications of science, if properly used, were acceptable. In the realm of energy, for example, blind faith in science would soon lead to public hazards, but it wasn’t until the movie “Godzilla vs. Hedorah” that this was clearly recognized. In the “Godzilla” franchise, from the 30th year of its release and “Godzilla’s Counterattack,” the series developed with titles such as “King Kong vs. Godzilla” in ‘39, “Mothra vs. Godzilla,” “The Three Giant Heroes: Earth’s Greatest Battle,” “Invasion of the Monsters,” “Godzilla’s Son,” “The Mechagodzilla Showdown,” and “Godzilla vs. Hedorah,” among others.

0 notes

yoga-onion · 3 years ago

Photo

The Quest for Buddhism (110)

Buddhist cosmology

Brahmaviharas - the meditation on compassion (Ref)

Appamanna (4 immeasurable minds) are part of the 40 Karmasthana (a total of 40 meditation objects). It refers to having a calm mind, without undue worry and without any animosity or enmity towards other lives. Also called Brahmavihāra or 4 Brahma practices.

The term appamanna refers to the 'innumerable number of sentient beings' or 'the complete fulfilment without reserve of compassion with regard to the individual sentient beings subject to it'.

The Buddhist usage of the brahma-vihara originally referred to an awakened state of mind, and a concrete attitude towards other beings which was equal to "living with Brahman" here and now. The later tradition took those descriptions too literally, linking them to cosmology and understanding them as "living with Brahman" by rebirth in the Brahma-world.

The brahmaviharas (sublime attitudes, lit. "abodes of brahma") are a series of 4 Buddhist virtues and the meditation practices made to cultivate them. They are:

Loving-kindness (Pali: metta, Skt: maitri) is the mind active good will towards all, the mind for the others' at ease.

Compassion (Pali,Skt: karuna) results from metta, it is identifying the suffering of others as one's own, the mind that wants to remove the suffering of others.

Sympathetic joy (Pali,Skt: mudita): is the feeling of joy because others are happy, even if one did not contribute to it, it is a form of sympathetic joy.

Equanimity (Pāli: upekkha, Skt: upeksa): is even-mindedness and serenity, treating everyone impartially.

仏教の探求 (110)

仏教の宇宙論

四無量心 (しむりょうしん) 〜慈悲の瞑想（参照）

四無量心 (しむりょうしん、梵: ｱﾌﾟﾗﾏｰﾆｬ, 巴: ｱｯﾊﾟﾏﾅｰ) とは、止 (し、サマタ瞑想) の対象である四十業処 (ごうしょ、巴:ｶﾝﾏｯﾀ-ﾅ、梵: ｶﾙﾏｽﾀｰﾅ、全部で40種の瞑想対象のこと)の一部。他の生命に対する自他怨親なく平等で、過度の心配などのない、落ち着いた気持ちを持つことをいう。四梵住 (しぼんじゅう、梵，巴:ﾌﾞﾗﾌﾏｰｳﾞｨﾊｰﾗ)、四梵行（しぼんぎょう）ともいう。

無量 (ｱｯﾊﾟﾏﾅｰ)というのは、「対象となる衆生が無数であること」あるいは「対象とする個々の有情(うじょう)について、慈悲の心で余すことなく完全に満たす」という遍満無量(へんまんむりょう、巴: ﾌｧﾗﾅ･ｱｯﾊﾟﾏﾅｰ)の観点である。

仏教の四梵住 (しぼんじゅう、梵，巴:ﾌﾞﾗﾌﾏｰｳﾞｨﾊｰﾗ)は、元来、覚醒した心の状態や、今ここで「梵天 (ぼんてん, 巴: ﾌﾞﾗﾌﾏｰ)とともに生きる」ことと等しい、他の存在に対する具体的な態度に言及するものであった。しかし、後世の伝統は、その記述を文字通りに受け取り、宇宙論と結びつけて、梵天界 (ﾌﾞﾗﾌﾏｰ･ﾛｶ)に生まれ変わることによって「梵天とともに生きる」と理解したのである。

ブラフマーヴィハーラ (四梵住:しぼんじゅう、崇高な態度の意、直訳すると「梵天の住処」) は、仏教の四つの徳目とそれを培うためになされる一連の瞑想修行のことである。四つの無量心は:

慈無量心 (じ、巴:ﾒｯﾀｰ、梵: ﾏｲﾄﾘｰ) とは「慈しみ」、万物に対する積極的な善意のこと、相手の楽を望む心。

悲無量心 (ひ、巴: 梵: ｶﾙﾅｰ) とは「憐れみ」、慈無量心から生じ、他人の苦しみを自分の苦しみとして認識すること、苦を抜いてあげたいと思う心。

喜無量心 (梵、巴: ﾑﾃﾞｨﾀｰ) とは「喜び」、相手の幸福を共に喜ぶ心、共感的喜びの一形態である。

捨無量心 (しゃ、巴: ｳﾍﾟｯｶｰ、梵: ｳﾍﾟｸｼｬｰ) とは「平静・平常心」、相手に対する平静で落ち着いた心、誰に対しても公平に接すること。動揺しない落ち着いた心を指す。

#brahmaviharas #meditation #meditation on compassion #zen #mindfulness #buddhism #buddhist cosmology #wisdom #philosophy #nature #autumn #art

133 notes · View notes

momuse · 2 years ago

Photo

―― 外の世界で感じたことについてもう少しお話を聞いてもいいですか？佐藤優樹：世の中には本当にいろんな人がいるんだなって思いました。仕事を頑張りすぎて泣いちゃう人もいれば、つらすぎてお酒に逃げてしまう人もいる。そういうことを今まで知らなかったんです。ある日ごはん屋さんに一人で行ったんですけど、立ち上がったタイミングで隣の席の女の人にぶつかっちゃって。そうしたらすごい怒られちゃったんです。でもどう見ても普段からそんなことを言うような人には見えなかったので「どうしたんですか？大丈夫ですか!?」って逆に聞き返してみました。 ――すごい展開ですね（笑）。佐藤優樹：そうしたらその女の人が急にワッて泣き出しちゃって。「大丈夫ですか？　お姉さんおいくつですか？」って質問して。そうしたら「21歳です、もうすぐ22歳になります」って言うので、「きっと私たち同じ学年じゃないですか！」みたいな感じで返したらそこから会話が弾んでいきました。どうやらその女性は仕事がすごく大変みたいで。すごく頑張っているのに、それに見合ったお給料がもらえていないと。なのに、おうちまで火事になっちゃって、もっとお金がなくなっちゃったみたいなんです。 ――会話をしていて、佐藤優樹だということには気づかれなかったんですか？佐藤優樹：はい。でもそうやって話しているうちに、自分の話もちょっとしたりしました。もちろんモーニング娘。のこととかは言わずに。そうしたらその女性が「なんでそんなに変な話がいっぱいあるんですか？孤独っぽい感じですけど彼氏とかもいなかったんですか？」って言うから「そもそも今までいたことありません」って返したら「それは悲しすぎるー！」と今度は同情されて（笑）。そもそもぶつかっただけで人から怒られたことがなかったし、その怒りを探っていくと“悲しい”という気持ちに繋がっていくということをその女性を通じて知ることができました。そしてみんな気をつかって生き��いるんだな、私って意外と今まで何も気にしないで生きていたんだなと気づきました。 ――体当たりで世の中のことを知ったわけですね。佐藤優樹：はい。途中からその女性の彼氏さんが迎えに来たんですけど、そこで落ち着くのかなと思ったら「来るのが遅い！」ってさらに怒っているのも衝撃的でした。好きだから怒るんだとか、付き合うってお互い自分の価値観を壊して一緒に作っていくものなんだとか。そういうことをその二人の会話から知ることができましたね。

-- Would you tell us more about what you've experienced in the world outside show business? Sato Masaki: I've realized that there are so many different kinds of people in the world. There're people who work too hard and that makes them end up crying or quaffing liquor to escape from the stressful reality. I had never heard of such things before. One day I went to a restaurant by myself, and when I got up from my seat, I bumped into a woman sitting at the table next to mine. She got really angry with me. But she didn't seem like the type of person who would usually say such a thing, so I asked her back "What's wrong with you? Are you in any trouble?" -- I didn't expect the situation to develop that way (laughs). Sato Masaki: Then the woman suddenly bursted into tears. I asked "Are you all right? How old are you?" She said "I'm 21, soon to be 22". As I replied "I bet we're in the same grade!", we started a lively conversation. According to what she had told me, her job was pretty hard and she didn't get paid enough for it. And then, to make matters worse, her house caught fire. So she was left with even less money.

-- She didn't notice that you are Sato Masaki during the conversation? Sato Masaki: No, she didn't. But as we kept talking, I told her a bit about myself. Of course, I didn't say anything about Morning Musume. Then she wondered and asked "Why do you have so many unusual stories? You seem being kind of solitary. Didn't you ever have a boyfriend?" I said "I've never had a boyfriend so far". she responded "That's too sad!" and got sympathetic to me just like our roles got reversed. In the first place, I had never got yelled at just by bumping into someone. But as I looked into her anger, I understood that the emotion "sad" could lead to "anger". I've learned it thanks to her, and I also realized that everybody lives worrying about others, which I've never paid much attention to throughout my life so far. -- Now you've learned about the real world through your own experience. Sato Masaki: You can say that. In the middle of our conversation her boyfriend came to pick her up, and I expected it would help her to calm her anger. But she got even angrier telling him "You're coming too late!" I was shocked once again. Still I I've learned many things by listening to their conversation, such as, she gets angry because she loves him, you need to get rid of your own values to build up a common values between you and your partner, and something like that.

【佐藤優樹】ソロデビュー記念インタビュー後編　未知の世界と向き合うきっかけになった心の成長

#hello! project #Morning Musume #Sato Masaki

22 notes · View notes

antiquity1111 · 2 years ago

Text

BNHA 253-255 Kurogiri-Aizawa Japanese to English Translation Pt.I

In light of the latest chapter of BNHA, I thought I’d review and translate the Shirakumo chapters of the manga to give us all a refresher on who Shirakumo is, and I don’t just mean in relation to Aizawa and Yamada; I mean as a human. What kind of person is he? What kind of Hero is he?

NOTE: This post is LONG, so I had to break it into two parts. Part I covers No.253-254. Part II covers No.255.

もっとスピード出せないのか

= “Can’t you speed up some more?”

うるせーな落ち着けよ

= “Shut up and calm down.”

USJで戦った... そんな素振り... 微塵も———...

= “When we fought at USJ... the way he acted... I didn’t have the slightest suspicion...”

趣味が悪いにも... 程がある

= “There is a limit... even for poor taste.”

Contextually, Aizawa is saying, "Their evil knows no bounds.”

俺あ... 塚内さん達の勘違いに賭ける

= “I... bet Tsukauchi-san and the others misunderstood / have the wrong impression.”

二人も知っている通り

= “As you both know,”

脳無は人の手によって身体を改造され複数の“個性”に耐えられるようになった人間だ

= “Noumu are corpses that have been altered / modified / reconstructed by human hands to become capable of supporting / tolerating multiple Quirks.”

The literal translation for Noumu (脳無) is “no brain / brainless.”

ただし生きた人間じゃない

= “But they are not living people.”

脳みそから心臓に至るまでめちゃくちゃにされてる

= “Everything from their hearts to their brains has been scrambled.”

脳無とは正しく人形意思持たぬ操り人形

= “Noumu are just dolls / puppets, marionettes on strings without wills of their own.”

のハズだった

= “They were supposed to be [anyway].”

グラントリノさんこっちは授業卜ばして来てるんです

= “Gran Torino-san, I am missing class to be here.”

簡潔にお願いします

= “Please be brief.”

相澤

= “Aizawa.”

必要な話だよ順を追おう気持ちの整理をつける為にも

= “It is necessary that we talk through this step by step so that you are prepared as well.”

こいつは敵連合の中核

= “This guy / thing is central to the League of Villains.”

Gran Torino uses こいつ (romaji: koitsu) for Kurogiri. It can mean “he; she; this guy, this person; this; this thing.” It is impolite and can be vulgar (= highly offensive) when used to refer to someone with whom one does not share a close relationship, as is the case here. For context, as an interjection, こいつ translates into English as something like “hey, you!” or “you bastard!” or “damn you!” Gran Torino is disrespecting Kurogiri, and he is doing so even knowing that Kurogiri was created using a deceased Hero student as his base, or maybe because of it?

This is my first time translating Gran Torino, but I suspect he always speaks “gruff” like this. “Tough guy” talk and toxic masculinity—y’all know how it is. Fictional characters are significantly more likely to use coarse language than actual Japanese people are. It is more noteworthy when a character deviates from their standard pattern of conduct than when they act in accordance with it. Given Japanese culture’s emphasis on good social etiquette, whether and when a character chooses to use respectful or disrespectful language can tell us something about their personality (and motives in certain contexts), worldview, and how they think about themselves in relation to others, particularly when there are discrepancies between how they speak to and about some people compared to other people.

Take Hawks, for example. His language toward Heroes like Endeavor and Best Jeanist and even toward his abusive, emotionally unavailable parents is polite and humble. He has high regard for Heroes and at least in his speech shows basic respect for his parents, despite their flagrant mistreatment of him during his childhood. (Being polite to someone ≠ actually respecting them; for example, you would probably choose your words carefully if you had a literal or metaphoric gun to your head, but that wouldn’t mean you respect the person staring down the other side of the barrel; how many people think their employer is dumber than a sack of shit but talk to them as if they think they have a brain between their temples because letting slip how they really feel would cost them the job and their livelihood?). His language toward criminals, however, like Dabi and Ujiko, is abrasive. His poor opinion of and low regard for them, even as fellow humans, is evident in how he speaks to and about them, as if they are subhuman and inferior to himself, undeserving of basic respect and compassion.

口を割らせることが出来れば一気に大元を叩けるんだが

= “If we could make him talk, then we could immediately strike the head.”

Gran Torino believes Kurogiri possesses crucial intelligence that could be the deciding factor for the imminent war and it is essential Aizawa and Present Mic do their part to assist in the acquisition of that intel.

いかんせん肝心な事は一切話そうとしない

= “Unfortunately, he will absolutely not talk about anything important.”

下らない話はするが連合の不利になる情報については

= “He will discuss trivial matters, but [he] will not divulge information that could be disadvantageous to the League of Villains.”

電源が落ちたかのようにストンと無反応になるんだ

= “[That’s when] he becomes unresponsive, as if his plug’s been pulled and he’s powered down.”

... つまり?

= “... Meaning?”

あまりに精巧でそれと気付くまでに時間がかかった

= “He’s so sophisticated, it took us a while to realize it...”

複数の因子が結合され一つの新たな“個性”になっていたんだあらこせい

= “[But] his Quirk is a novel one created by the fusion of multiple Quirk factors.”

Hypothetically, this should mean that a vestige for each person whose Quirk was combined with Shirakumo's to create Kurogiri's Warp Gate exists somewhere deep inside him. The Quirk reflects the person as much as the person reflects the Quirk. Every Quirk carries the energetic "signature" of its host's personality. Maybe that's why Kurogiri doesn't read as a perfect 1:1 for Shirakumo?

そしてそのベースになった因子———...

= “And the base [Quirk] factor was...”

かつて雄英高校で君たちと苦楽を共にし

= “... [one that belonged to someone who] once shared joys and sorrows with you all at UA High School...”

ショータ

= “Shouta!”

若くしてその命を落としたとされている男

= “... a man who lost his life at a young age.”

白雲朧のものと極めて近い事がわかった

= “[This guy’s base Quirk factor] is a close match for Oboro Shirakumo’s.”

No.254 誰よりもおまえはヒーローに

= No.254 More Than Anyone [Else], You Are a Hero

俺たち3人なら何でも解決できると思うんだ!

= “I believe the three of us could solve [any problem]!”

白雲朧は俺と同じインターン先で亡くなった

= Oboro Shirakumo died during our internship.

3人で事務所を建てよう

= “Let’s build an office / agency for three people!”

そう言ってくれた矢先の出来事だった

= The moment he said that is when the incident happened.

さっきも言ったけどショータ細かいとこまで見てくれるし!

= “Like I said earlier, Shouta notices / is attentive to / [has a good eye for] even the most minute details!”

金で揉めんのはナシな!

= “[Sure], but only [if we agree] not to fight over money!”

倒壊する建物に巻き込まれ——... あっけない死

= [He was] crushed by a collapsing building——... [and] died quickly / suddenly.

嘗て俺たちは

= Before that...

共にヒーローを目指してた

= ... we were aiming to be Heroes together.

つまり

= “In other words...”

After that short flashback and summary of unfortunate events, Gran Torino resumes speaking with this line. His other comments have been laying the groundwork for the conclusion he has reached and is about to share with Aizawa and Present Mic.

黒霧は脳無で

= “Kurogiri is a Noumu,”

白雲の遺体がベースになっている———可能性が高いっつーことだ

= “[and] Shirakumo’s corpse became the base for this thing——or at least it’s highly likely.”

......「A組の3バカ」なんて呼ばれもしたよ......

= “...... We were even called the Three Idiots / Fools of Class A......”

馬鹿 (romaji: baka) means “idiot; moron; fool; stupid; etc.” Caleb Cook, Viz’s translator, seems to have tried to be witty by translating the phrase “the Three Idiots / Fools” as “the Three DUMBigos,” as in the Three Amigos, like the Three Musketeers, but the joke falls flat, at least for me. These characters are Japanese, live in Japan, and speak Japanese. They’re being written by a Japanese man living in Japan and creating for a Japanese audience (primarily; BNHA has had international success, but the target audience remains unchanged: Japanese people). It doesn’t make sense for these characters to use Spanish words like “amigos” or “adios.” It sounds out of place and weird because it is. It would be one thing if Horikoshi wrote his characters using borrowed phrases like that, but he didn’t and he doesn’t. Caleb’s attempt at a joke is more eyeroll-inducing than funny.

意味がわかんねェよ!

= “I don’t understand what you mean!”

Notice Yamada’s furrowed brow, the crease that has formed on his forehead, the stark stress lines around the borders of his eyes, his wobbly irises and shrunken pupils, and the beads of sweat on the side of his face. He’s distraught. It’s not that he doesn’t understand. It’s that it’s breaking his heart that he does. He understands, but he can’t accept it. This news has shaken him. He’s struggling to take it all in. He doesn’t want to, but he knows he has no choice because denying reality won’t make it go away.

優れた"個性"は雄英に収束する合理的な話だろ?

= “Outstanding Quirks converge / gather at UA [High School], so it’s [perfectly] logical [to use it as a hunting ground for strong Quirks], don’t you agree?”

「目立たず三ツ星レストランの残飯を漁るようなもの」だそうだ...

= “[He said], ‘It’s like inconspicuously scavenging for leftovers from a three-star restaurant...’”

恐らく遺体を火葬する過程ですりかえ...... 脳無という狂気の玩具に変え

= “I suspect [Shirakumo’s] corpse was secretly swapped for a substitute during the cremation process...... and changed into a crazy plaything called a Noumu.”

意味なんて...... 求めちゃいねぇよDJ

= “Something like meaning / sense [in this situation]...... don’t ask / look for it, DJ.”

そこには悪意があるだけだ

= “There is only malice / malevolence in [him, this / that].”

Japanese pronouns can be dropped when they are implied by context. Because Kurogiri’s face is highlighted as this line is spoken, I am assuming the omitted pronoun would be “him (referring to AFO, with Kurogiri as proof of his evil)” or “this / that.”

... わかんねえよ!

= “... I don’t understand!”

今は眠ってる“個性”を使おうとするからな

= “He’s sleeping now [because] he tried to use his Quirk.”

何で我々を?

= “Why [are] we [here]?”

「絆による奇跡」でも期待してるなら... 大衆映画の見すぎでは?

= “Were you hoping for a ‘miracle through the bonds of friendship’...? You’ve been watching too many popular movies.”

根拠がありゃあ「奇跡」は「可能性」になる

= “If there is a basis, then a ‘miracle’ becomes a ‘possibility.’”

根拠 can mean “foundation,” which I think could also work here. Gran Torino is saying that the close bond between Aizawa, Present Mic, and Shirakumo gives the Heroes as good a chance as any to connect with their former ally (and acquire that all-important information on the League of Villains that they previously mentioned they had been unable to pry out of Kurogiri; strategy, people!).

九州でエンデヴァーが倒した脳無報告では明確な人格を有し

= “[According to] the report, the Noumu that Endeavor defeated / killed in Kyuushuu had a distinct personality.”

強者への執着を見せたそうだ

= “It had a fixation with the strong.”

I hate the word “obsessed / obsession” and reeeeallllyyyy hate how often it is used by Caleb and some fan translators to describe the Villains. Horikoshi sometimes uses it or synonyms, but other people use it or similar words more frequently than he does and it’s almost always to make the Villains sound “insane” and hurt their credibility as victims of Hero society testifying to its ills. It’s so much easier to disregard their legitimate grievances with Hero society when we convince ourselves that they’re just a bunch of “uncaring, selfish lunatics” with a “grudge” who are “acting out” and “throwing tantrums” because they “didn’t get their way.” The Heroes peddle that narrative and would love nothing more than for everyone to believe it. Don’t. Those with power and authority do not hesitate to continue abusing their victims and making new ones. Very few people whose privileged position in the world’s social hierarchy affords them rights and luxuries marginalized and oppressed others are wholeheartedly denied would willingly surrender their status and influence for the sake of leveling the playing field to create equity. That being said, 執着 (romaji: shuuchaku) does mean “obsession; fixation; attachment; adhesion; tenacity; clinging (e.g., to old customs).”

焼死体のDNA鑑定の結果あれの素体は地下格闘で生計を立てていたならず者だと判った

= “The results of a DNA analysis of the burnt corpse revealed that [the base for] that thing’s body [came from, belonged to] a thug / hoodlum / miscreant whose livelihood came from underground cage fighting.”

These lines from Gran Torino are loaded with scathing judgment, a core belief that people who make a living by nontraditional means like underground cage fighting are criminal and lesser, or altogether worthless (Mirko???). He addresses the Noumu as “that thing” (あれ, romaji: are, usually used for objects, NOT people; EXTREMELY derogatory and dehumanizing when used for a person as it implies the speaker views them as more of a thing than a person), despite knowing the Noumu are alive (and so able to be killed), have human corpses as their bases, and retain aspects of their original personalities. He is simultaneously acknowledging that the High-End Noumu Endeavor killed in Kyuushuu had a personality the Heroes were able to match to a missing person and objectifying the Noumu AND that person by calling them “that thing.”

I’ll probably offend a few people by saying this, but oh well. In No.81, Dabi affectionately calls a Noumu with eight arms and several chainsaws, a high-powered drill, and a hammer built into its body “Neko-chan (Kitty-chan),” as if it’s cute and endearing, as if he were cooing at a kitten, not a “monster” or “thing.”

In No.350, Dabi expresses disgust with Ujiko and AFO for disrespecting the dead to bioengineer the Noumu.

Why has Dabi, a Villain, shown more respect and compassion for the Noumu than any of the Heroes or police ever have?

生前の人格を残してる... と

= “The personality [of the corpse] while [they were] alive remains...?”

残念だが雄英で一戦交えてます

= “It’s unfortunate, but I fought [him] at UA.”

口調も違ったし俺に対して何の反応も示さなかった

= “His voice and manner of speaking were different [from Shirakumo], and he didn’t have any reaction to me.”

そういう実験をしてたのかもな改ざん. 或いは消去した記憶が命令遂行に与える影響——... とか

= “That might be due to their experiments... altering / falsifying, or erasing, [his] memories so that [he will] obey orders......... or something like that.”

重ねて言うがこいつが口を割れば大きな進展につながる

= “Like [we, Gran Torino] said, getting this guy / thing to talk could be a great development for us / could give us a huge lead.”

Tsukauchi’s reference to Kurogiri (こいつ, romaji: koitsu, informal, implies contempt) is also condescending. Like are, koitsu can be used for objects, which makes using it and related words for a person a bit problematic. It is impolite but is sometimes used in anime and manga between familiars, especially among male friends.

Here, Tsukauchi is speaking with his colleagues about someone else (Kurogiri). He is not disrespecting his colleagues by speaking like this, but he is disrespecting Kurogiri by using こいつ for him.

Why did the Heroes and police ask Aizawa and Present Mic to meet them? The answer is simple and has now been stated by both Gran Torino and Tsukauchi: They are hoping to exploit their friendship with Shirakumo to use Kurogiri for information that will assist them in taking down the League of Villains. Again, they’re strategizing. They’re assessing the value of the pieces on their side of the board to inform their next moves. This is how war works. Both sides do this. Take AFO, for example. He has determined that Spinner, who had negligible value early in the game, has become a high value piece, while Touya and Himiko, who had great value early in the game, have become less valuable in the final stretch, hence his telling Spinner that it was “all right” to abandon Himiko because all that mattered is that Tomura’s body and Spinner successfully escape and his rather targeted remark to Touya comparing the individuals AFO forsakes and discards to a “cheap lighter that has lost its usefulness / stopped working,” knowing damn well that Touya was cast aside like so by his own family members and that one of the kanji making up his name (燈, romaji: tou) literally refers to a gentle light or flame, like that from a lantern... or lighter. War isn’t pretty, so let’s not (try to) pretty it up.

プレゼント. マイクイレイザーヘッド

= “Present Mic. Eraserhead.”

Notice that Tsukauchi addresses Yamada and Aizawa by their Hero names. He is calling on them to fulfill their duty as Heroes by confronting all that is left of their deceased friend and classmate (and their complex grief over losing him to a sudden, violent death) on the off chance that they will be able to derive worthwhile information from him.

白雲朧の執着を呼び覚ましてほしい

= “I / we want you to awaken / evoke / recall his [former] attachments.”

呼び覚まして is the te-form of the verb 呼び覚ます (romaji: yobisamasu), meaning “to wake up (someone, by calling out); to awaken; to bring back (e.g., memories); to evoke; to recall.”

Tsukauchi is instructing Aizawa and Yamada to remind Kurogiri of his past life as Oboro Shirakumo and appeal to the emotional bond the three of them had during his lifetime. His hope is that their doing so will jog Shirakumo’s memory, allowing the Heroes to communicate with him.

In the official translation Tsukauchi tells Yamada and Aizawa to “try to awaken any attachments [Shirakumo might still have to his old life],” but he is more direct in Japanese. Horikoshi’s Tsukauchi doesn’t ask Yamada and Aizawa to try to reach through to Shirakumo. He simply says “I want you to do it” and waits for them to deliver on his request.

思い出話でもしろってかァ!?

= “[You’re] even [asking us] to reminisce on childhood memories!?”

Present Mic has every right to be upset. He and Aizawa had their daily routines interrupted just to be devastated by the shocking news that their dead friend’s corpse had been stolen, tampered with, and used as the building blocks for a sadistic science experiment; were informed that their dead friend’s likeness might live on in that sadistic science experiment; were pressured by their superiors to sit across from that sadistic science experiment and have a conversation with him because the possibility that the “power of friendship” might summon their dead friend’s spirit from beyond the grave to feed the Heroes and police intel (at Yamada and Aizawa’s expense) is just too good to pass up; and as if all of that wasn’t enough to make today the Worst Day Ever for Yamada and Aizawa, now they’re being expected to revisit memories made painful by the traumatic loss of a loved one for someone else’s benefit WITH AN AUDIENCE! This isn’t for them or for Shirakumo. This is for Hero society. But for Yamada and Aizawa, it just hurts. It’s cruel.

頼むよ

= “I am / we are imploring you [to do it].”

頼む (romaji: tanomu) is a transitive verb that usually means “to request; to beg; to ask” but can also mean “to entrust.” As a colloquialism, it translates to “please; please do.”

よ (romaji: yo) is a particle that can be used in a variety of ways. At sentence-end, like it is here, it can indicate certainty, emphasis, contempt, a request, warning, etc. Ending a request or suggestion with よ carries the nuance of sounding pushy, even demanding, and could have nagging overtones. It implies a suspicion or awareness that the listener / recipient does not share your perspective and is opposed to doing something you are in favor of doing.

Tsukauchi knows that Yamada and Aizawa are uncomfortable and do not want to be doing this, but he is pressing them to do as he asks anyway. (Please don’t pressure people to do anything they are not comfortable doing. The absence of “no” ≠ “yes.” If it’s not an enthusiastic “yes,” it’s a “no,” period. “No” is a complete sentence, even when it is only implied by weak protests or silence.)

ご遺族には?

= “This isn’t his bereaved family’s burden / responsibility?”

Present Mic is desperately trying to escape this stressful situation.

Aizawa was doing more of that earlier on when he was snapping at the driver of the car and making a point to inform Tsukauchi and Gran Torino that he had sacrificed instruction time for this. At this point, though, he’s resigned himself to appeasing his superiors, but his hardened expression and defensiveness betray how anxious he really is.

君たちでだめなら——...

= “If you two can’t do it——...”

They’ll flip Shirakumo’s surviving relatives’ lives upside down again with all these horrific revelations. Yes, yes, the fate of Hero society—of “the world”—might depend on this, but can we at least acknowledge how unkind it is to these people—Shirakumo’s friends and family, the people who actually knew and cared about him—to be bothered with this? Retraumatized by it? To have their lives upended and their relationships with him exploited? A world full of individuals matters because individuals matter. People matter. All of them. Every. single. one.

こんな気持ち悪い話を親御さんに伝えてたまるか

= “[Then you will] burden his parents [with] such a disgusting story [about their child]?”

You might have noticed that Aizawa’s sentence did not end in a “?” and so appeared to be declarative rather than interrogative. Why did I frame my translation of it as a question? か is a marker of the unknown and commonly used at sentence-end in place of a question mark. Tsukauchi’s last sentence trailed off partly because he hesitated and partly because Aizawa interrupted his emotional pause by activating Erasure. Intuiting where he was going with it, Aizawa cut him off, having relented to doing as he had been directed for the sake of sparing Shirakumo’s parents any further heartache and discomfort. Aizawa uses sonkeigo (honorific or respectful) language to refer to Shirakumo’s parents (親御さん, romaji: oyago-san), as is customary when speaking of or to someone’s parents, including your own. Still, it’s nice of him to consider their feelings and want to protect them. It also shows maturity that he can (implicitly) acknowledge that although this situation is incredibly difficult for him as Shirakumo’s friend, it would probably be even harder for his parents.

ツー...

= Zzt...

ツ is katakana, isn’t a word, and doesn’t mean anything. It’s a sound. The hiragana equivalent is the smaller っ. At the end of a word it can indicate a glottal stop, an abrupt, dry, constricted noise in your throat, where your glottis is located, that kind of sounds like your voice suddenly giving out, dropping your volume down to a whisper or less. Here, it seems to be an onomatopoeia for the staticky hiss generated by the radio as Kurogiri stirs.

起きてます

= “[He is] waking up.”

始めてくれ

= “Begin.”

おや...?

= “Oh...?”

雄英襲撃以来ですかね... 珍しい客だ

= “[Didn’t we] last meet during the attack on UA...? [What] a curious / unusual visitor [I have].”

Present Mic was right. Kurogiri doesn’t talk like a 17-year-old. He speaks too formally to sound like anything but a posh butler and/or nanny for an exceptionally wealthy family. He’s like Tomura’s own Alfred Pennyworth or Jarvis.

イレイザーが視てもモヤが消えない

= Even with Eraser staring [at him], the haze isn’t dissipating.

身体そのものがもうこういうつくりってこった

= [It’s] like they said, the body itself was intricately bioengineered [to be] like this now.

Notice the on-the-verge-of-tears wrinkle in Yamada’s chin, the dark bags under his eyes, and the exasperated sweat drop running down the side of his face. Poor man’s going through it.

やっぱ間違えてんじゃねえのか!? こいつと白雲に共通点なんざ——...

= “See!? I knew you were wrong [about him]! This guy and Shirakumo are nothing alike / have nothing in common—...”

死柄木弔は元気ですか? 捕まったりしてませんか?

= “How is Tomura Shigaraki? Is he well / in good health? Has he been captured / arrested?”

知っらねーよ!

= “We don’t know!”

そう... 残念です

= “I see... How disappointing / unfortunate / vexing / regretful.”

I included all of these potential meanings for 残念 (romaji: zannen) because I imagine that all of them are applicable. For Kurogiri, not knowing if Tomura is safe is disappointing and unfortunate (because the Heroes are unable—actually unwilling—to update him), vexing (because it’s frustrating not knowing and not being free to return to his side), and something he deeply regrets (because he was programmed to protect and caretake for Tomura Shigaraki but has not been able to do so for some time).

残念 can also mean “sad; shame; pity,” so both the official (“What a shame”) and fan (“What a pity”) translations’ versions of this line accurately reflect the Japanese. If only that were always the case!

死柄木が気になるのか

= “You’re worried about Shigaraki?”

気になる (romaji: kininaru) means “to weigh on one’s mind; to bother one; to worry about; to be concerned about; to care about; to feel uneasy; to be anxious.” It can also mean “to be interested (in); to be curious (about); to wonder (about).”

The reason I mention these other definitions is to underscore how apprehensive and on edge Kurogiri is being separated from Tomura and not knowing how he is faring. It is also worth noting that Aizawa is able to recognize and empathize with him (because he frets about his students). Kurogiri’s genuine concern for Tomura’s safety and well-being humanizes both of them to a Hero who might (not does, but could) actually care enough to do something about it: Aizawa. This is a rare moment of connection between a Hero and a Villain. Their function on their respective sides is the same. They provide their wards with protection, guidance, and support along their journeys. They care for them. They lose sleep over them. In that way, Kurogiri and Aizawa are like two sides of the same coin: back to back and facing in opposite directions but more alike than they are different (at least in this!).

ええ彼の世話が私の使命

= “Yes. Helping / looking after / attending to him is my mission.”

クソみてーな使命だな

= “Looking after [that damned brat] is a shitty mission!”

あんな陰気くせーガキンチョの面倒見るのが使命だなん......

= “What a bothersome mission, [being forced] to take care of such a chronically melancholy / gloomy / miserable brat......”

Present Mic uses several words to describe Tomura in this sentence. The first of these words is 陰気 (“gloomy; dismal; miserable; melancholy”), together with くせ (“habit (usually a bad one); tendency; peculiarity; idiosyncrasy; mannerism; quirk”) and ガキンチョ (“brat; kid; urchin; little devil”). He also characterizes caretaking for Tomura as “bothersome; tiresome; a bother to do.”

The implication seems to be that Yamada believes Tomura’s frequent choleric and morose demeanor is the result of poor character or (bad) habit rather than a symptom of complex trauma and severe mental illness, or the cause makes no difference to him because [he imagines] the result (= Tomura’s sullenness) is a pain in the ass to have to deal with either way, which is an insensitive and unkind attitude to have toward people living with mental illness. Present Mic has no way of knowing Tomura’s background, but I don’t think it’s unreasonable to expect a Hero to have more sympathy and compassion for people with obvious mental health struggles—for people in general, really. It costs nothing to be kind. Shouldn’t Heroes be kind?

苦ではありませんよ放っておけない性質なんでね

= “It is not painful / bothersome / unpleasant for me [to do it] as it is not in my nature to abandon [others].”

俺が拾えないと... やりすごした子猫を迷わず拾ってくるような奴だった

= “Even when I walked past... the kitten without picking it up, you were the kind of guy who didn’t hesitate to pick it up / take it in.”

The kitten is either climbing Shirakumo’s body to perch on his shoulder or has slipped from it, as indicated by the two motion lines at its back and nervous sweat drops flying off his little head. Shirakumo is saying, “Hang in thereeee!”

話が見えませんね何をされにここへ?

= “I’m afraid I don’t understand what you’re saying. What are you doing you here?” or “I’m afraid I don’t understand what you’re saying. Why are you here?”

反応なし

= “No reaction.”

中途半端で二の足踏んでばかりだった

= “I was always hesitating and half-hearted / taking half-steps...”

Interesting. Shouto says the same thing about himself in No.352 after Touya accuses him of ungratefully half-assing his way through the life Touya would have given anything to have returned to him, which Shouto unabashedly confirms he is guilty of doing (I say unabashedly because as of No.352, Shouto has accepted who he is, defined his identity on his own terms, reconciled his troubled past with the bright future he envisions for himself, and made peace with both of his parents to the degree he is able to, concluding his arc).

相澤消太か俺白雲! よろしくなショータ!

= ‘Shouta Aizawa, right? I’m Shirakumo! Pleased to meet you, Shouta!’

ショータ! しょくどうせき食堂席埋まっちまうぞ!

= ‘Shouta! The cafeteria is going to be filled up / all the seats are going to be taken!’

そんな俺を

= “[Even though] I was like that...”

俺のゴーグル貸してやるこれなら目を守りながら近付けるだろ

= ‘I’ll lend you my goggles, so you can approach [Villains] while protecting your eyes!’

おそろいだぜ!

= ‘We match!’

いつも引っ張ってくれた

= “... [you] always pulled me along.”

This is also reminiscent of Shouto’s internal monologue in No.352 about how he always felt he was lagging but his classmates in 1-A “never left anyone behind” and always gave him a place to belong and feel unconditionally supported.

ここを教会か何かと勘違いなされてる

= “Have you mistaken this place for a church confessional or something?”

おまえはいつも明るくて前だけ見てた後先なんて考えず...!

= “You were always cheerful, only looking forward without thinking about the consequences...!”

死んじまったらぜんぶお全部終わりだってのに…!

= “Even though death is the absolute end for you / it’s all over when you’re dead...!”

Obviously, Aizawa is thinking about Shirakumo here, but given that he follows this line up by sharing that he has strict rules for his students intended to prevent another tragedy like the one that took Shirakumo’s life, I think it’s fair to assume he means that death is the absolute end for everyone, so everyone should take care not to be careless with their lives.

俺山田と先生やってるよ

= “Yamada and I are teachers now.”

生徒に厳しくあたってきた

= “I’m strict with my students.”

除籍回数がえげつないって話だな

= “I hear that the number of [students] he expels is obscene.”

書類上じゃな

= “On paper it is.”

ねぇさっきイレ先凄い形相で出てったの見た?

= “Hey, just now... [did you see] Eraser’s terrifying expression when he walked out?”

いっつも凄い形相じゃん?

= “Doesn’t he always look terrifying?”

いやいつも以上だったよ俺ら除籍した時並み

= “No, it was more disagreeable / unpleasant than usual, like that time he expelled us.”

じゃあ私らん時未満だ

= “So, it wasn’t as bad as then.”

今でもうなされるよ俺「終わったっ」... つって

= “I still have nightmares [about it]... I thought it was ‘over’!”

やけどそのおかげで私ら成長できたっちゃん

= “But thanks to that, we were able to grow.”

いや注意感覚でするもんじゃないからね!? 除籍!

“Oh, come on! There isn’t [a better way] to give someone a sense of caution!? Expulsion!”

おかげで2-A全員経歴傷入りだよ!?

= “Thanks to that, everyone in 2-A has flawed / stained personal histories / resumes / records!?”

イカレイザーヘッド!!

= “E-cRAZ-er Head!!”

I tried my best with that, y’all. Aizawa’s former student is making a pun out of the pronunciation of Eraser (イレイザー, romaji: Ireizā) and “crazy” (クレイジー, romaji: kureijī), which sound similar in Japanese. I tried to mirror the puntastic effect in English by translating the first half of the line, where the pun falls, as “E-cRAZ-er.” Try reading that aloud. E-raz-er. E-craz-er. They sound alike, right?

除籍と復籍の権限?

= “[You are requesting to be granted] the authority to expel and reenroll [your students]?”

はい———... 命の自己犠牲と命を捨てる事は同義じゃない履き違えた若者に

= “Yes———... self-sacrifice and throwing away one’s life are not synonymous. Young people confuse the two.”

望み通り一度"死"を与えます

= “I’ll give them just as they desire—a ‘death’ of sorts.”

その上で更なる向上に努めさせる

= “That will also [encourage them] to work hard to improve even more / reach even greater heights.”

自由な校風が雄英の売りなのさ...

= “Well, the selling point of UA is its flexible learning culture / customs...”

おまえに...... おまえのような誰かを引っ張っていけるヒーローに... 長く生長きてほしいから

= “[I want] for you...... for people like you to become Heroes who can pull others along... and live long lives.”

I haven’t been active in the BNHA fandom for anywhere near as long as I know some of you have. I’d never seen an episode or read a chapter of BNHA until a little over a year ago and I only ventured into the fandom some months ago on Twitter. I’ve been reading meta and translation posts on Tumblr for a bit longer than that, but I’ve never been brave enough to participate in extended discussions and the like, which I hardly think is Tumblr’s strength or purpose anyway. I’ve noticed a tendency among fans to assume that characters mean literally everyone—civilians, Heroes, and criminals/Villains—when they say “everyone” or something along those lines. If you’re familiar with my Twitter posts (hi!), you’ve probably picked up that I’m not in favor of that assumption and err on the side of “everyone” being a substitute for “people like [me]” until we have clear evidence (actions, not words) that a character truly means everyone when they say “everyone,” no exclusions or weightless arbitrary exceptions (that are quickly withdrawn, if they were ever sincere to begin with) for people they decide they like because they remind them of themselves (Hawks) or people they happen to share blood with (Endeavor).

In this case, Aizawa is saying “people like you (Shirakumo),” so to understand who it is he wants to “become Heroes who can pull others along... and live long lives,” we need to consider the lines before and after this one (for context) and ask, “What kind of person is Shirakumo?” We know that he is a person who cannot abandon others and cannot ignore anyone in need of help, human or furry friend. We know that he had a sunny disposition and optimistic outlook that was a source of comfort and inspiration for others. We also know that he was a student of Hero Academia and hoped to become a Pro Hero. So, who is it that Aizawa wants to “become Heroes... and live long lives”? Students of Hero Academia. This is not “I want everyone to be happy and die from old age warm in bed.” It’s “I want people like us to be happy and die from old age warm in bed.” There’s a difference, and it’s an important one because it speaks to Aizawa’s values, motivations, and worldview. We should be asking the same questions of every character.

白雲でもまだおまえがそこにいるのならなろうぜ... ヒーローに! 3人で!

= “Shirakumo, if you’re still in there, you can still be(come)... a Hero! Three people!” or “You can still be(come)... a Hero! The three of us [together]!”

That last sentence is a reference to two lines Shirakumo had spoken just before being killed by a collapsing building (俺たち3人なら何でも解決できると思うんだ! : “I believe the three of us could solve [any problem]!” and 3人で事務所を建てよう : “Let’s build an office / agency for three people!”). 3人 means “three people.”

This concludes Part I. Part II can be found here: https://at.tumblr.com/antiquity1111/bnha-253-255-kurogiri-aizawa-japanese-to-english/el63fj8fakj8.

29 notes · View notes

sunny-daze-ahead · 2 years ago

Text

Sunny Twst Dialogue brainrot

「アズール先輩は、得に嫌いではないよ。ただ、そこまで操作的なところが気にいらないんだ。そこを直せたらな…」 - "It's not that I dislike Azul, really. I just don't care for how manipulative he is. If only he could fix that..."

「誕生日、覚えててくれたの？ありがとう！なんだか、最高な誕生日になりそうだよ！」 - "You remembered my birthday? Thank you! I feel like today's going to be a great day!"

「僕が女子か男子かって？そうだな、どっちも特に愛着は無いけど… 好きなように呼んでいいよ！」 - "Am I a boy or a girl? I don't really know, I don't have any particular preference... Just call me whatever you're comfortable with!"

「ロスト校長、いつもがんばってるよね。そんなリーダーシップ、僕、ほんと感心するよ…」 - "Headmaster Lost's always working hard, isn't he? You've really got to admire that leadership..."

「ねえ、君、どんな動物が好き？僕、工作とか結構上手だから、折り紙で追ってあげるよ！」 - "Hey, what animal do you like? I'm pretty good with origami, so I can make you one out of paper!"

「ここに来た前…？好きな歌の歌詞とか、趣味とかは覚えてるけど、友達とか、家族とか人生の出来事は真っ白だよ…でも、君たちに会えて、嬉しいよ！…いつかは帰りたいけど…」 - "Before I came here? Well, I remember things like the lyrics to my favourite songs, or my hobbies, but things like friends, family or big events in my life all draw a big blank... But I'm glad I was at least able to meet you all this way! ...Though I'd like to go back some day..."

「オンボロ寮のユニフォームの色決めるのに、じつは結構時間かかったんだ。まだ時々ちょっと変わった色を着ている人がいるよ…やれやれ…」 - "It actually took a while to choose the uniform colours for Ramshackle Dorm. Sometimes I still see people wearing weird colours... Honestly..."

「僕って、結構影が薄いから気づかれないでプライベートな話聞いちゃうときもあるんだよね…どんな話かって？そんなこと言えるわけないじゃん！」 - "I don't have much of a presence, so I sometimes end up accidentally listening in on some private conversations because nobody notices me there... What kind of conversations? I couldn't possibly tell you that!"

「僕の左目、じつはここの時間にちょうどぴったりなんだよね〜右目はどこの時間か知らないけど。」 - "My left eye is actually perfectly synced up to the current timezone! I'm not sure what timezone my right eye's supposed to be, though."

「よくサバナクローにいるからって得にそこが一番好きだっていう意味でもないんだよ！じつはハーツラビュルやイグニハイドの落ち着いた感じが好きなんだよね…」 - "Just because I'm often over at Savanaclaw doesn't mean it's my favourite dorm, you know! I actually prefer the calm atmosphere of Heartslabyul or Ignihyde..."

「料理は得意じゃないけど、めちゃくちゃ悪いって言うわけでもないんだよ！ただ途中で気が散っちゃうだけで…」 - "Cooking's not my specialty, but it's not like I'm super bad at it! I just get distracted partway through..."

「多元宇宙の隅々から集まった素晴らしくて、才能があって、パワフルな人と一緒に住んでいると、ユニークに感じるのは意外と難しいな。少なくとも、たくさんのロールモデルがいるけど…」 - "It's hard to feel unique when you live with so many amazing, talented, and powerful people from all corners of the universe. At least I have a bunch of role models..."

「夜空って、すごくきれい��ゃない？いつまでも見てられる…」 - "The night sky's really pretty, isn't it? I could keep watching it forever..."

This is half practising my translating skills and half needless shitposting/infodumping

#twst oc #twisted wonderland oc #ccau #cryptid cottage au #cryptic cottage au #sunny daze

3 notes · View notes

soul-eater-novel · 2 years ago

Text

P160

18　悲しみを越えて Chapter 18: Surpassing Sorrow

グレミオの声が途切れてから、どのくらい時間が経っただろう。 How long had it been since Gremio stopped speaking?

光もなく、風もなく、時間の経過もわからない地下牢への通路で、ティルたち五人はひたすらに救いが来るのを待っていた。 It was impossible to tell how much time passed while they sat in the dark, stagnant passage leading to the dungeons, intently waiting for help.

一度だけ衛兵らしき者が二重扉の表側の扉を開けたようだったが、男の小さな悲鳴が聞こえただけで、それきり通路に物音が響くことはなかった。 Only once did one of the guards come to the first of the two doors. They heard him open it and his voice rose in a shriek that was abruptly cut off.

通路から流れ出た人食い胞子に、監視兵も皆やられてしまったのだろう。 The spores must have spread out into the passage and devoured him and all the other guards.

幸い地下に降りる階段の踊り場には倉庫があり、非常用の食料と蟻燭が貯蔵されていたので、しばらくは持ちこたえることができそうだった。 Luckily there was a storehouse one floor down that held a stock of emergency rations and candles. They could hold out for a little while.

しかしそれも、次第に残り少なくなっていた。 But after a time, those too dwindled to almost nothing.

ふう……。 Sigh…

静まり返った暗闇に、誰かのため息が聞こえた。 Sitting in the silence and the dark, one of them sighed.

ティルはそれを、何度聞いたことか。 How many times had Tir heard that sound?

そして自分も、何度ため息をついたことか。 How many times had he sighed?

右手の甲から腕にかけて、何度か激しい痛みが走ったが、今はそれよりも、脱出する方法を見つけることが先決だった。 Violent spasms of pain shot through the back of his right hand but he paid them no heed. His first priority was finding a way out.

それにティルは、グレミオの死を信じることができなかった。 Tir couldn’t believe that Gremio was dead.

p161

信じたくなかった。 He didn’t want to believe.

だからこそ必死になって、脱出法を探し回っていたのだ。 So he desperately hunted for a way to escape.

しかしあれこれと頭のなかで考え、蝋燭で照らし地下牢を探ってみても、脱出法は見つからなかった。 But it didn’t matter how he racked his brains or how closely he searched every nook and cranny of the dungeon by the light of the candle—no escape route was forthcoming.

ティルが深くため息をついた。 He sighed deeply.

ビクトールが、なだめるように言う。「ティル、まあ落ち着けよ。焦ったって無駄に体力を消耗するだけだ。監視兵も胞子にやられちまったみたいだし、今はじっくりと待っしかない」 “Just calm down, Tir.” Viktor said in a voice meant to soothe. “If ya run around like that, you’ll just waste all yer energy. Looks like the guard got done in by those damn spores too, so nothin’ we can do now but just sit tight.”

「うん……、そうだね……」 “Yeah… guess you’re right…”

「こんな辺鄙なところにある監獄に、偶然旅の者が通りかかってなかに入って、しかも暗い通路を通ってきて扉のレバーを引くなんてことは、あり得ないだろうしなぁ……」情けない声でそう言ったのはフリックだ。 “There’s no way anybody is gonna wander into this prison in the middle of nowhere… never mind come all the way down this dark passageway and just happen to pull that lever on the wall,” Flik muttered dejectedly.

「でも、なんとかならないかな……」沈んだ声でティルが言った。 “I’m sure we’ll manage somehow, though…” Tir replied automatically, his voice somber.

「リュウカン様、この地下牢に通気口のようなものはないでしょうか？もしあるなら……」 “Master Liukan, this prison doesn’t have air vents or anything like that, does it? Maybe we could get out that way…”

しわがれた声で、リュウカンが答える。「よくは知らんが、ないじゃろうな。ソニエール監獄は、あらゆる脱獄の方法を研究して作られた監獄じゃ。囚人に少しでも希望を持たせるような設備は、ないと言って��いじゃろう」 “I don’t know, lad, but I suppose it doesn’t,” croaked Liukan hoarsely. “Soniere was built expressly to prevent any kind of escape—to stop prisoners from having even a shred of hope.”

「そうですか……」 “I see…”

闇のなかで、ティルがまたもため息をついた時。 In the darkness, Tir sighed again.

[ «-first // previous // next // archive // Ramsus-kun Scanslations

#Suikoden #Soul Eater #Chapter 18

5 notes · View notes

kaialone · 5 years ago

Text

Official Kirby Personality Quiz - Results

The official Kirby website just added a special personality quiz one can take to figure out which of Kirby’s Copy Abilities they match!

Since it’s only available in Japanese, I’ve previously translated all 12 questions into English, for anyone who wishes to take this quiz.

You can find the questions here.

In addition, this post contains English translations for all 32 quiz results.

Head under the cut if you’re interested!

1. Meta Knight

あなたのタイプは…

メタナイト

Your type is...

Meta Knight

かれいな剣さばきで戦い、ときには敵となり、ときには味方になることも。

Showing a brilliant mastery of the sword during battle, sometimes appearing as an enemy, sometimes appearing as an ally.

人情深い孤高のカリスマ

A Compassionate and Charming Loner

「メタナイト」タイプのあなたは、決断力に優れたリーダータイプです。高い理想に向かって突き進む、強い信念を持っています。ものごとの本質や関連性を素早く見抜いて多角的に判断しますが、感情をあまり外へ出すことがないため、クールな人だと思われがちです。一方で、困っている人やなかまのことを思いやるとても人情深い一面を持っています。自分の信念や直感を大事にして、何事も思い切って取り組んでみるとよいでしょう。

As a "Meta Knight" type, you make for a good leader, with great determination. You hold strong beliefs about pushing for higher ideals. You are quick to figure out the nature or relevance of things, approaching them from multiple angles, but since you rarely let your emotions show, people tend to think of you as aloof. On the other hand, you also have a side to you that cares very deeply for those who are in trouble, as well as your friends. Whatever you might dare to try, you can safely rely on your own beliefs and intuition.

あなたと相性のよいタイプは… ビームライト Types you would get along with are... Beam & Light

2. Mike

あなたのタイプは…

マイク

Your type is...

Mike

ワオワオおえー　アイヤイヤ！ひびけ３曲　大ねっしょう！

Yeah! Yeah! Whooooa-oh-oh-oh! There are three songs to sing with resounding enthusiasm!

感受性あふれる表現者

An Expressive Artist full of Sensibility

「マイク」タイプのあなたは、どんなに嫌なことがあっても、ポジティブな考えで吹き飛ばしてしまう、とても前向きな性格の持ち主です。また、非常に感受性が豊かで、一人ひとりのよい部分や個性を大切に考えており、周りの人と良好な人間関係を築くことができます。一方で、自分の感情をなかなか表に出さない傾向があります。音楽や絵画などの芸術で内に秘めた感情を表現できれば、あなたの力がより発揮されることでしょう。

As a "Mike" type, you have a very optimistic personality, blowing away anything you might dislike with positive thoughts. You are also quite sensitive, cherishing the good qualities and characters of everyone around you, which allows you to foster good relationships with them. On the other hand, you also have a side to you that tends to not show your own feelings all that often. If you express your hidden feelings through art, like music or painting, you can demonstrate more of your power.

あなたと相性のよいタイプは… ライトビーム

Types you would get along with are... Light & Beam

3. Mirror

あなたのタイプは…

ミラー

Your type is...

Mirror

ふしぎなのうりょく　そのなもミラーうつせばぶんしん　まもればはんしゃ！

This mirror has odd powers! Deflect projectiles or project doubles of yourself!

ミステリアスな理想家

A Mysterious Idealist

「ミラー」タイプのあなたは、とても神秘的な一面があり、ものごとを深くまで感じ取る能力を持っています。そのため、周りの人の感情を鏡のように自分の中に映し出すことで、相手の気持ちに寄り添うことができます。また、控え目なところがありますが、自分の価値観や信念には自信を持っており、優れたアイディアをひらめく発想力があります。持ち前の共感力を活かして周囲をサポートしながら、積極的に自分の考えを発信していくとよいでしょう。

As a "Mirror" type, you have a very mysterious side, with the ability to understand things on a deep level. Because of this, you reflect the emotions of those around you within yourself, not unlike a mirror, allowing you to be considerate of other people's feelings. Although you can also be modest at times, you have confidence in your own values and beliefs, and your ingenuity can bring about outstanding ideas. In addition to using your empathy to support others, you should actively communicate your own thoughts as well.

あなたと相性のよいタイプは… ノーマルバブル

Types you would get along with are... Normal & Bubble

4. ESP

あなたのタイプは…

エスパー

Your type is...

ESP

ねんりき　ほうしゃで　電ゲキダメージ！いくぜOK、エスパー少年！

Release psychokinetic power for shocking electric damage! OK, let's go, psychic boy!

秘められし潜在能力

Hiding a Special Kind of Potential

「エスパー」タイプのあなたは、潜在能力を秘めており、本気を出したらスゴいことを成し遂げる力を持っています。ふだんは、自分から何かを話すというより聞き手にまわることが多いため、クールなイメージを持たれやすい一方で、周りの人を手助けしたい気持ちが強く、人から期待されると、それにこたえようといつも以上の力を出すことができます。ただし、知らないうちに自分の限界をこえようと無理をしがちなので、ときには、ひとりでリラックスする時間も大切にしましょう。

As an "ESP" type, you have a special hidden potential, the power to accomplish amazing feats when you get serious. You usually end up being the listener, rather than talking about things yourself, so you can easily come across as aloof. But since you also have a strong desire to help those around you, you tend to put in more effort than people might expect of you. However, since you likely tend to force yourself beyond your own limits without even realizing it, you should always remember to take some time for yourself and relax every now and then.

あなたと相性のよいタイプは… バブルノーマル

Types you would get along with are... Bubble & Normal

5. Doctor

あなたのタイプは…

ドクター

Your type is...

Doctor

ほうふなちしきで　科学をあやつるいろんなクスリを発明する　エリート！

An elite knowledgeable in science, inventing a variety of concoctions!

天才的な発明家

A Genius Inventor

「ドクター」タイプのあなたは、創造力がとても豊かで、常に色々なアイディアを思いつきます。知識欲にあふれ、ものごとの原理や構造をとことん知りたいと考えており、また、論理的にモノを考えることが得意なので、あらゆる問題をじっくり考えながら解決に導くことができます。いつも冷静でありながらも、目の前にある課題が難しければ難しいほど、やる気と集中力を発揮します。どんどん知識を吸収して、いろんなことにチャレンジしていきましょう。

As a "Doctor" type, you are quite a bit of creativity, always coming up with many new ideas. Having a great thirst for knowledge, you want to figure out the principles and structures of things. On top of that, you are good at logical thinking, allowing you to solve any problem by thinking about it thoroughly. Although you always keep your composure, the more complex the task before you is, the greater your motivation and focus will be. You should tackle a variety of challenges while increasing your knowledge bit by bit.

あなたと相性のよいタイプは… フェスティバルサーカス

Types you would get along with are... Festival & Circus

6. Artist

あなたのタイプは…

アーティスト

Your type is...

Artist

カラフル　絵ふでを　ひっさげてアートで　せかいを　すくうぞピース！

With a colorful paintbrush on your side, art has the power to save the world!

独創的なクリエイター

An Ingenious Creator

「アーティスト」タイプのあなたは、クリエイティブな芸術家タイプです。何かをつくるときには、どんどん発想がふくらみ、想定以上のものを生み出してしまう、そんな力があります。また、初めて出会った人と打ち解けるまでには時間がかかる傾向にありますが、一度親しくなった人には、とことん心を許す人懐っこい一面もあります。周りの人に対して、些細なことでもよいので、感謝の気持ちを伝えるように心がけてみるとよいでしょう。

As an "Artist" type, you are a creative and artistic kind of person. A power that you have is that when you're making something, you keep getting new ideas and end up producing more than you thought you would. Also, you tend to take a while when it comes to getting to know a person better after you meet them, but you are also quite trusting and friendly with people once you've gotten close. Remember to express your gratitude to the people around you, even when it comes to smaller things.

あなたと相性のよいタイプは… サーカスフェスティバル

Types you would get along with are... Circus & Festival

7. Ninja

あなたのタイプは…

ニンジャ

Your type is...

Ninja

カゲにしのび　ヤミにきえるニンジュツあやつり　にんむをすいこう！

Hide in shadows and fade into the darkness. Use ninja skills on your mission!

耐え忍びつづけるモノ

One with Unwavering Endurance

「ニンジャ」タイプのあなたは、何事にも効率を重視し、鋭い観察力を活かして戦略的にものごとを進めるのが得意です。目標に向かって長期的に計画を立て、可能性を信じてチャレンジできる高い思考力と行動力を持っています。また、どんなに苦しい状況でも、最後まで決してあきらめずに耐え忍ぶ心の強さを持っています。問題が起こると一人で解決しようと考えがちなので、たまには周りの人に甘えてみてもよいかもしれません。

As a "Ninja" type, you always focus on efficiency, being good at proceeding strategically, thanks to your sharp observation skills. You have great intellect and energy, allowing you to make long-term plans to reach your goals, taking on challenges while believing in your potential. Adding to that, you have the strength to keep going until the end, no matter how difficult the situation may be. You often try to solve any problems all by yourself, but maybe it'd be nice to let yourself rely on other people from time to time, too.

あなたと相性のよいタイプは… コッククリーン

Types you would get along with are... Cook & Cleaning

8. Cutter

あなたのタイプは…

カッター

Your type is...

Cutter

とおくへブンブン　ブーメラン！なんでもきりさく　カッターこうげき！

Throw a boomerang all over! This Cutter can cut anything in its path!

フレキシブルな野心家

A Flexible Go-Getter

「カッター」タイプのあなたは、とても計画的で、持ち前の洞察力で全体を観察しては、常に最良の一手を見つけようとします。ものごとを多角的に分析し、相手や状況の変化に適切に対応できる能力があるため、改善点を見つけて、よりよいものに変えていくことを得意とします。また、一人でも色々とこなせるので独立志向が高く、野心的な一面もあるようです。切れ味のよい感性を活かして、高い目標に向かって果敢に挑戦するとよいでしょう。

As a "Cutter" type, you are very plant-oriented, looking at the bigger picture with your natural insight, always trying to find the best way to proceed. You have the ability to analyze things from multiple angles, allowing you to properly respond to any changes to your peers or the situation. Because of that, you excel at spotting opportunities for improvements, changing things for the better. Adding to that, since you can do most things on your own, you have a highly independent, ambitious side to you. You could probably make use of your sharp senses to bravely tackle higher goals.

あなたと相性のよいタイプは… クリーンコック

Types you would get along with are... Cleaning & Cook

9. Sleep

あなたのタイプは…

スリープ

Your type is...

Sleep

あと…５ふん…… おねがいだから…ねむらせて…ZZZ… Just...five more...minutes... Please...just let me sleep... Zzz...

平和な明日の夢をみて Dreaming of a Peaceful Tomorrow

「スリープ」タイプのあなたは、争うことが苦手な平和主義者です。いつでも周りの人に対する思いやりの心を持っており、無意識のうちに相手を癒やす力を持っています。感受性が豊かで自分の価値観を大事にしており、内に強い情熱を秘めていますが、気持ちを表に出すことはなかなかありません。いざ情熱が目覚めてしまった時は、熱くなり過ぎる傾向があるので、一度落ち着いて考えてみることも大切です。

As a "Sleep" type, you are a pacifist who doesn't do well when it comes to fighting. You always hold compassion for the people around you, having the power to help them heal, without even noticing it. You have plenty of sensitivity, your own values mean a lot for you, and there is strong passion hidden within yourself, but you have a hard time showing your feelings. When your passion does awaken, you tend to go too far with it, so it's important for you to also take the time to calm down and think it through.

あなたと相性のよいタイプは… ファイターウィップ

Types you would get along with are... Fighter & Whip

10. Waddle Dee

あなたのタイプは…

ワドルディ

Your type is...

Waddle Dee

プププランドのいろんなところでくらすふしぎな生きもの、ワドルディ。最近はなかまとして活躍中。

Waddle Dees, mysterious beings that live all around Dream Land. Recently, they've been showing up as allies more.

自由気ままなみんなのアイドル（？）

Free and Unrestrained, Everyone's Idol (?)

「ワドルディ」タイプのあなたは、気ままに暮らすのが好きなのんびり屋さんで、心から平穏を望み、争いをさけます。また、のんびりしているようで、実は色々なことができる器用さがあり、周囲をよく観察し、困っている人を見ると積極的に助けようとします。ピンチな場面では心強い味方となるため、みんなからいつも愛される存在です。何事も最後までやり遂げる辛抱強さを持っているので、どんな環境でも柔軟に適応することができるでしょう。

As a "Waddle Dee" type, you are a laid-back person who likes to take it easy, wanting nothing more than peace and quiet, avoiding conflicts whenever you can. Adding to that, while you are laid-back, you also have a variety of skills, keep a close eye on your surroundings, and will go out of your way to help people in need if you see them. Since you're there for them when things get tough, you're well-liked by many. You have the patience to see anything through to the end, and thus are able to adapt to any situation you might find yourself in.

あなたと相性のよいタイプは… ウィップファイター

Types you would get along with are... Whip & Fighter

11. Parasol

あなたのタイプは…

パラソル

Your type is...

Parasol

上からふるもの　ガードするときにはフンワリ　空中さんぽ！

Guard against falling objects, or take a floaty stroll through the air!

縁の下の力持ち

An Unsung Hero

「パラソル」タイプのあなたは、人に尽くす性格で、人を喜ばせることが大好きです。また、なかま思いで、いつでも大切な人を守ろうとし、周囲の人が困っていたら手助けをします。物静かで控えめなタイプなので、フンワリとしたおだやかな印象を持たれますが、人の期待にこたえようとするがんばり屋さんで、最後まで��きらめないねばり強さを持っています。そんな多様性が魅力ですので、ギャップが強くなり過ぎないように意識してみるとよいでしょう。

As a "Parasol" type, you have a caring personality, and love to make people happy. Adding to that, you always protect those precious to you, and offer to help if those around you are in trouble. Because you are the quiet and modest sort, you give off a floaty and gentle vibe. But you're also someone who works hard to meet the expectations of others, with the tenacity to keep going until the end. There is a charm to that diversity, but you might want to make sure that gap doesn't grow too wide.

あなたと相性のよいタイプは… ホイールウィング

Types you would get along with are... Wheel & Wing

12. Cupid

あなたのタイプは…

エンジェル

Your type is...

Cupid

テンシのすがたで　アクマのように空からてきを　ねらいうち！

With the face of an angel, shoot from the sky like a demon!

天使のように人にやさしく

The Kindness of an Angel

「エンジェル」タイプのあなたは、まさに、天使のように広く寛大な心を持っています。どんな人にもやさしく接することができ、悩みや相談を受けると、親身になって相手の話を聞こうとします。いつも自分よりも他人を優先することを考えており、みんなで協力して目標を達成した時に、この上ない幸せを感じます。責任感が強く、人の役に立ちたいという思いから、みんなからの頼みごとをつい引き受けてしまいますが、無理し過ぎないようにコントロールすることも大切です。

As a "Cupid" type, you have a big and generous heart, almost like an angel. You treat everyone with kindness, and when anyone comes to you with their worries or asks for advice, they have your undivided attention. Always putting others before yourself, nothing makes you happier than seeing everyone work together and succeed. Since you have a strong sense of responsibility and want to help people where you can, you never refuse a request from anyone, but it's also important to keep a balance and not overwhelm yourself.

あなたと相性のよいタイプは… ウィングホイール

Types you would get along with are... Wing & Wheel

13. Bomb

あなたのタイプは…

ボム

Your type is...

Bomb

角どをキメて　ポイっとなげろゴロリころがし　ストライク！

Prep a huge bomb, aim it, and bowl a perfect BOOM!

スリルを楽しむチャレンジャー

A Thrill-seeking Challenger

「ボム」タイプのあなたは、フレンドリーながらも引っ込み思案。しかし、どこかで危険を楽しむところがあります。ルールにしばられることが嫌いですが、ルールをギリギリやぶらないラインを進むスリルを楽しんだりもします。また、興味のあることには実力以上の力を発揮しますが、熱しやすく冷めやすい性格ですので明日には気分が変わっている、なんてことも…？早い決断と行動が得意ですが、深く考える時とそうでない時の見極めを大事にしましょう。

As a "Bomb" type, you are both friendly and shy. But, there's also a part of you that enjoys a certain degree of dangers. You don't like being held back by rules, but you also enjoy the thrill of just barely playing by the rules as you toe the line. Adding to that, your strengths shine the most when it comes to things you're interested in, but you're quick to both get fired up and cool down, so who knows how you might feel tomorrow...? You're good and deciding and acting quickly, but it's also important to be aware when you should give something more thought.

あなたと相性のよいタイプは… ファイアハイジャンプ

Types you would get along with are... Fire & Hi-Jump

14. Archer

あなたのタイプは…

スナイパー

Your type is...

Archer

しゅんかん　ねらってヒット　アンド　アウェイ！カゲからてきを　ねらいうち。

Wait for the right moment, and open fire! Hide in the shadows, and become a Sharpshooter.

精密で正確な必中仕事人

A Precise and Accurate Professional, Who always Hits the Mark

「スナイパー」タイプのあなたは、好奇心旺盛で周りの観察をすることが好きな性格です。手先が器用で、何かをコツコツと作り上げたり、道具を使った作業が得意です。また、時には身を潜めるように静かなあなたですが、いざという時には大胆に行動します。目に見える成果に喜びを感じることができるので、試行錯誤する努力を惜しまず積極的にチャレンジしていきましょう。

As an "Archer" type, you are curious and like to observe your surroundings. You have skilled hands, and you're good at toiling away with tools. Adding to that, at times you are so quiet, it's like you're trying to hide, but you can also act bold if you need to. Seeing visible results makes you happy, so don't be afraid to try out different kinds of challenges for yourself.

あなたと相性のよいタイプは… ハイジャンプファイア

Types you would get along with are... Hi-Jump & Fire

15. Stone

あなたのタイプは…

ストーン

Your type is...

Stone

ステキにムテキ　重いワザらっかで　ドッスン　おしつぶせ！

Look cool, be invincible, you rock! Slide down slopes and squash your enemies in seconds flat!

意志は固く変幻自在

A Firm and Flexile Will

「ストーン」タイプのあなたは、目標に向かってコツコツと作業を行うことが得意です。一度やると決めたことは、時間がかかっても必ず自分でやり遂げようとします。強い精神力と固い意志を持ち、ルールや規則を大事にしながら、細かな部分まで目を配ることができる思慮深く繊細な一面があり、周りからの信頼も厚いです。一度スイッチが入ると集中し過ぎてしまう傾向があるので、力を抜いてリラックスすることも大切です。

As a "Stone" type, you're good at working hard towards your goals. Once you set your mind to something, you'll try to accomplish it on your own, even if it takes time. You have great mental strength and firm willpower, and while you value rules and order, you also have a thoughtful and delicate side, paying close attention to even the finest of details. As such, others put great trust in you, too. You tend to get too focused once your proverbial switch has been flipped, so keep in mind that letting loose and relaxing is also important.

あなたと相性のよいタイプは… ビートルソード

Types you would get along with are... Beetle & Sword

16. King Dedede

あなたのタイプは…

デデデ大王

Your type is...

King Dedede

ワガママなところもあるけれど、ときにはやさしく、ときには頼りにもなる、プププランドの大王さま（自称）

The (self-proclaimed) King of Dream Land may occasionally be selfish, but he can also be kind, and even quite dependable at times.

根はやさしい頼れるリーダー

A Dependable Leader with a Heart of Gold

「デデデ大王」タイプのあなたは、責任感が人一倍強く、何事も断固としてやり抜こうとする強い信念を持っています。また、周りから頼られることを大きな喜びと感じて行動することが多く、決断力もあるため集団をまとめるリーダーの素質を持っています。思慮深く、思いやりがある一方、面と向かって、相手に感情や愛情を表に出さないタイプです。ときには、自分の素直な気持ちを相手に伝えみてもよいかもしれません。

As a "King Dedede" type, your sense of responsibility is stronger than that of most people, and you firmly believe you can do anything as long as you try hard enough. Adding to that, being trusted by others often brings you great joy and gets you motivated. Since you also have determination, you're good at putting together a team and acting as its leader. While you are thoughtful and considerate, you're also the type to not directly show your emotions and affection to others. You might want to try expressing your honest feelings to another person some time.

あなたと相性のよいタイプは… ソードビートル

Types you would get along with are... Sword & Beetle

17. Fire

あなたのタイプは…

ファイア

Your type is...

Fire

メラメラもえる　火炎のちから！炎をはきだし　やきつくせ！

Burn bright with fire power! Spit out fire and ignite yourself!

情熱的なムードメーカー

Lighten the Mood with Passion

「ファイア」タイプのあなたは、情熱的で行動力があり、周りの人たちを魅了するカリスマ性を秘めています。また、会話においてもユーモアのセンスがあり、いつも話の中心になるムードメーカーです。他人に対して、柔軟に接することが得意でサービス精神も旺盛なので、人を退屈させることがありません。常に新しいことに熱くなれる特性を活かして、積極的にアクションを起こしていきましょう。

As a "Fire" type, you are passionate and motivated, with the kind of charisma that draws other people to you. Adding to that, you have a great sense of humor, always being at the center of the conversation and lightening the mood. Since you're quite flexible and also generous to others, you never end up boring them. You can always get fired up over trying new things, so you should try putting that trait of yours to good work.

あなたと相性のよいタイプは… ボムスナイパー

Types you would get along with are... Bomb & Archer

18. Hi-Jump

あなたのタイプは…

ハイジャンプ

Your type is...

Hi-Jump

ピュッと空とびハイ！ジャンプあらたなヒーロー　ここにさんじょう！

WHOOSH! Leap into the air with a Hi-Jump! A new hero has made his debut!

高みを目指す社交的なヒーロー

A Neighbourly Hero Aiming for New Heights

「ハイジャンプ」タイプのあなたは、何事にも好奇心が旺盛で、安定した生活よりも、自由を求めて外へ飛び立ちたいと思っています。また、社交的な性格なので、相手の悩みを聞いたり、アドバイスをしたりすることが多く、周りの状況や人の気持ちを察することが得意です。一方で、自分の悩みを内に秘めてしまいがちですので、抱え込み過ぎないように注意しましょう。

As a "Hi-Jump" type, you are curious about everything, and rather than seeking stability in your life, you yearn to fly away in search of freedom. Adding to that, you often listen to other people's worries or give them advice because of your social nature. You're good at figuring out the circumstances and feelings of those around you. On the other hand, you tend to keep your own troubles to yourself, so be careful not to shoulder too many things.

あなたと相性のよいタイプは… スナイパーボム

Types you would get along with are... Archer & Bomb

19. Beetle

あなたのタイプは…

ビートル

Your type is...

Beetle

エッジなヘッドが　キラリと光るツノで　つきあげ　たたきつけ！

A flash of light reflects off its horn as it grabs foes, and then tosses them around!

勇敢なポジティブリーダー

A Brave Spearhead

「ビートル」タイプのあなたは、いつもポジティブな感情を持っており、周囲を和やかにするムードメーカーです。集団において、自分の立ち位置をよく理解し、周りの人と友好的な関係を築くのが上手です。また、どんな相手にも恐れず果敢に立ち向かい、自分が信じていることを貫く勇気と行動力を持っています。持ち前の強いリーダーシップを活かして、なかまをどんどん巻き込みながらチャレンジしていくとよいでしょう。

As a "Beetle" type, you are always in a positive mood, lifting that of those around you as well. In a group situation, you understand your position well, and get along with the others easily. Adding to that, you have the courage and power to stand up for what you believe in, allowing you to face anything head-on. You should try to make use of your strong leadership, and get more help from your friends with the challenges you tackle.

あなたと相性のよいタイプは… ストーンデデデ大王

Types you would get along with are... Stone & King Dedede

20. Sword

あなたのタイプは…

ソード

Your type is...

Sword

きって　きって　きりまくる！剣をつかって　なぎたおせ！

Cut, cut, and cut them up! Use the sword to defeat enemies!

切れ味バツグンなカリスマ的先導者

A Vanguard with Sharp Charisma

「ソード」タイプのあなたは、先頭に立って人々を導くリーダー的な存在です。コミュニケーションを得意とし、どんな人とでも仲良くなることができます。また、周囲の雰囲気を察したり、他人を思いやる気持ちを持っている一方で、自分に対しては厳しく、強い正義感から社会のルールや秩序を大事にします。鋭い切れ味で、ものごとを素早く決断できるタイプですが、たまに楽観視してしまうことがあるので、ときには慎重になり立ち止まってみるのもよいでしょう。

As a "Sword" type, you are a leader who guides other people. You're great when it comes to communication, and can get along with just about anyone. Adding to that, while you can read the room well, and feel compassionate towards others, you're also strict with yourself. You possess a strong sense of justice, and value the rules and order of society. Since you're pretty sharp, you can make quick decisions, but every now and then you'll set your expectations too high, so remember to be cautious and stop yourself occasionally.

あなたと相性のよいタイプは… デデデ大王ストーン

Types you would get along with are... King Dedede & Stone

21. Fighter

あなたのタイプは…

ファイター

Your type is...

Fighter

オッス　オイラは　かくとうコピーっす！ワザも　めちゃんこ　あるっす！

Oh boy! It's the Fighting Copy Ability, complete with tons of techniques!

型にはまらない挑戦的な格闘家

A Martial Artist Who Defies Convention

「ファイター」タイプのあなたは、頭の回転が速くてコミュニケーション能力が高く、他人と意見を交わすことを楽しめる討論好きです。他人とは違った視点でものごとを見ることができるので、既存のシステムやルールにとらわれない独創的なアイディアを出すことが得意です。また、難しい問題にも、果敢にチャレンジする情熱を持っていますが、あまり熱くなり過ぎないようにしましょう。

As a "Fighter" type, you're a quick thinker, excelling at communication. You enjoy having fun debates, exchanging your opinions with others. Since you can see things from different perspectives than other people, you're good at coming up with original ideas, not bound by pre-established systems or rules. Adding to that, you're passionate and even take on difficult problems to challenge yourself, but try not to overdo it.

あなたと相性のよいタイプは… スリープワドルディ

Types you would get along with are... Sleep & Waddle Dee

22. Whip

あなたのタイプは…

ウィップ

Your type is...

Whip

長いリーチで　ムチをうつ！アイテムつかんで　てきなげつけろ！

With such a long reach, whipping is a snap! Grab and throw items and enemies!

革新的なトレジャーハンター

An Innovative Treasure Hunter

「ウィップ」タイプのあなたは、独自の視点と行動力で突き進む冒険好きなタイプです。好奇心が強く、型にはまらない自由な生き方で、常に新しいことを追い求めます。ふだんは一人で行動することが多く、好きなことに没頭している時に、特に幸せを感じます。一方、ものごとの本質や人との距離感を素早くつかみ取る能力があるため、リーダーとしての資質を持っています。協調性を大切にしながら周囲を引っ張り、未知の可能性を見つけていきましょう。

As a "Whip" type, you're an adventurer who presses onward with your unique perspective and zest. Being quite curious, and living your life unconventionally, you're always looking to try new things. You usually go about things on your own, and you're especially happy when you get to indulge in something you like. On the other hand, since you're able to quickly grasp the essence of things or your standing with other people, you have the qualities of a leader. You should try looking for yet unknown possibilities by treasuring cooperation, and pulling in others to do so.

あなたと相性のよいタイプは… ワドルディスリープ

Types you would get along with are... Waddle Dee & Sleep

23. Wheel

あなたのタイプは…

ホイール

Your type is...

Wheel

タイヤになって　モーレツダッシュ！トゲと穴には　ようちゅうい……

Turn into a wheel and put pedal to the metal! Beware thorns and holes...

走り出したら止まらないパワフルな指導家

A Powerful Guide Who Cannot be Stopped

「ホイール」タイプのあなたは、進むべき目標に向かってガンガン突き進むパワフルな性格です。無理だと思われることでも前進をやめない強い意志がある一方で、客観的にものごとを捉え、先を予測して動く冷静さを兼ね備えています。また、周りの人の意見をうまく取り入れることができるため、チームをまとめるリーダーの素質を持っています。勢いがよく大胆な行動をできるのが魅力ですが、キケンな落とし穴に陥らないように気をつけましょう。

As a "Wheel" type, you have a powerful personality that allows you to keep pushing onwards to reach your goals. While you have the willpower to not stop in your tracks, even if it seems impossible to keep moving, you're also cool-headed and can look at things objectively, planning your moves in advance. Adding to that, since you can work well with opinions of others, you make for a good leader that keeps the team together. Your strong point is the fact that your momentum often allows you to make bold decisions, but be careful not to fall down any dangerous holes.

あなたと相性のよいタイプは… パラソルエンジェル

Types you would get along with are... Parasol & Cupid

24. Wing

あなたのタイプは…

ウィング

Your type is...

Wing

空中回てん　シャトルループはばたき　たたかえ　空のおうじゃ！

Do a Shuttle Loop! Flap, fight, and rule the skies!

空をはばたく自由な挑戦者

A Free-spirited Daredevil Flying through the Sky

「ウィング」タイプのあなたは、大胆な行動力で人々を導くリーダーの才能があります。ユーモアを交えた会話が得意で、面倒見がよく気配りが上手なので、周りの人から頼りにされます。また、好奇心が旺盛で、チャレンジ精神を持っており、新しいことに取り組むのが好きなタイプです。目の前にどんな困難が立ちはだかっても、常識にとらわれない独創的で自由な発想で突破することができるでしょう。

As a "Wing" type, you have the makings of a leader, who guides people with bold actions. You're great at bringing humor into conversations, and since you take good care of others, the people around you find you reliable. Adding to that, you're very curious and like to challenge yourself, so you're the sort who likes to work on new things. Whatever difficulties you might face, you can overcome them with your unconventional thinking that's not bound by common sense.

あなたと相性のよいタイプは… エンジェルパラソル

Types you would get along with are... Cupid & Parasol

25. Festival

あなたのタイプは…

フェスティバル

Your type is...

Festival

ドンドンパフパフ　おまつり　のうりょくおまつりダンスで　はじけちゃえ！

Honk, toot, and bammity-bam! Bust out a festival and break into a wild dance!

刺激を求めるエンターテイナー

A Sensation Seeking Entertainer

「フェスティバル」タイプのあなたは、自分も周りもワクワクさせる情熱的なエンターテイナーです。刺激的で楽しいことを追い求め、他人も巻き込んで分かち合うことが最大の喜びとなります。また、観察力があり、人の感情に敏感なため、いち早くアドバイスをしたり手を差し伸べることができます。どんなことにも前向きに取り組む姿勢によって、ふいに訪れるピンチもチャンスに変えることができるでしょう。

As a "Festival" type, you are a passionate entertainer who delights both yourself and others. Your greatest joy is pursuing fun and excitement, especially when you can get others involved and share the experience. Adding to that, since you're perceptive when it comes to other people's feelings, you're quick to reach out and give advice. The way you keep your positive attitude in any given situation can even let you turn a sudden pickle into an opportunity.

あなたと相性のよいタイプは… ドクターアーティスト

Types you would get along with are... Doctor & Artist

26. Circus

あなたのタイプは…

サーカス

Your type is...

Circus

火のわくぐって　トランポリンアクロバットに　ワザをきめろ！

Jump through a flaming hoop, and show off your finest Acrobatics!

大胆不敵なパフォーマー

A Fearless Performer

「サーカス」タイプのあなたは、生まれ持ったユーモアとセンスで他人を励ましたり、勇気づけたりできるコメディアンタイプです。社交的で、友人たちと過ごすひとときを心から楽しみます。また、今を感じる豊かな感性を持つ一方、未知なものに対する興味が強く、考えてから行動するまでの判断が早く非常に大胆です。いざ大事な決断をせまられたときは、冷静さを忘れずに、一歩引いてみるのもよいかもしれません。

As a "Circus" type, you're a comedian who can cheer up and encourage others with your natural sense of humor and intuition. You're a social butterfly and sincerely enjoy spending time with your friends. Adding to that, while you're great at understanding situations you find yourself in at the present, you also have a strong interest in the unknown. Your fast and daring judgement lets you put your thoughts into action quite quickly. You might want to take a step back and keep your cool in cases where you have to make an important decision.

あなたと相性のよいタイプは… アーティストドクター

Types you would get along with are... Artist & Doctor

27. Cook

あなたのタイプは…

コック

Your type is...

Cook

きょうのこんだて　なにかしら？グツグツにこんで　ハイできあがり！

What's on today's menu? Let it simmer, serve, and voilà!

おもてなし上手なマジメな料理人

A Serious Chef with Great Hospitality

「コック」タイプのあなたは、面倒見がよく共感性があり、おもてなしの精神にあふれています。人の役に立ちたいと日ごろから思っており、みんなが笑顔になれるような気配りも忘れません。また、争いのないように、周囲の意見をまとめて進行することを得意とし、みんなを支える影の大黒柱として活躍することが多いでしょう。一方で、他人を第一に思うあまり、がんばり過ぎてしまう傾向があるので、たまにはひと息ついてみることも大事です。

As a "Cook" type, you are caring and sympathetic, full of hospitality. You want to help people on a daily basis, and you never fail to make people smile with your consideration. Adding to that, you're great at keeping everyone's opinions in mind when proceeding to avoid conflicts, so you often end up being the unseen glue that holds everyone together. On the other hand, you tend to push yourself too hard while trying to put everyone else first, so it's important to let yourself take a break from time to time, too.

あなたと相性のよいタイプは… ニンジャカッター

Types you would get along with are... Ninja & Cutter

28. Cleaning

あなたのタイプは…

クリーン

Your type is...

Cleaning

はいて　とっ風　まきおこしホウキで　ハキ��キ　せいそうかつどう！

Sweep up a breeze, and scrub around good with your broom!

献身的な片付け名人

A Dedicated Cleaning Wiz

「クリーン」タイプのあなたは、とても献身的で、人の役に立つことを生きがいとしています。他人との交流を何よりも楽しむ社交的な性格で、場の雰囲気や相手の気持ちを察することができるため、やさしく温かな心で相手に寄り添うことができます。また、几帳面で繊細なところがあり、部屋をキレイに片付けたり、整えたりするのが得意です。几帳面であるがゆえ、ものごとをハッキリさせたい傾向がありますが、ときには曖昧な状況を受け入れることも大切かもしれません。

As a "Cleaning" type, you dedicate your life to helping people. You're outgoing and enjoy nothing more than interacting with others. Since you're good at reading the room and understanding other people's feelings, you're kind-hearted and easily get close with people. Adding to that, you can be meticulous and delicate, great for cleaning and rearranging your room. Because of that, you also tend to be very particular about details, but it might be important to handle a more vague situation from time to time.

あなたと相性のよいタイプは… カッターニンジャ

Types you would get along with are... Cutter & Ninja

29. Beam

あなたのタイプは…

ビーム

Your type is...

Beam

ムチのように　しなるビーム！ビリビリはなつ　電ゲキこうげき！

This beam's like a whip! This crackling attack unleashes a ton of energy!

エネルギッシュないまを楽しむ冒険者

An Energetic Adventurer Living in the Now

「ビーム」タイプのあなたは、平凡なことが苦手でスリルのある人生を楽しむ冒険者タイプです。何事も自分の目と耳で感じたことを大事にし、聞くよりも先に見に行くことを好みます。また、柔軟性が高く、他人が気づかないような小さな変化を敏感に察知できるため、状況に応じて、すばやく的確に対応することができます。活発で行動的なタイプなので、持ち前のエネルギーを持て余すことがないように、上手に使っていきましょう。

As a "Beam" type, you're the adventurous sort who doesn't do well with the ordinary, seeking a life of thrills. It's very important to you to experience things with your own eyes and ears first, rather than just hearing about them. You also have a great deal of flexibility, perceiving small changes that others don't even notice. This allows you to respond quickly and accurately depending on the situation. Because of your lively and active nature, try to make good use of that, so that you don't build up too much excess energy.

あなたと相性のよいタイプは… メタナイトマイク

Types you would get along with are... Meta Knight & Mike

30. Light

あなたのタイプは…

ライト

Your type is...

Light

くらいところを　パッとあかるく１回かぎりの　はなびをあげよう！

Brighten those dark corners, by setting off fire-works, but only once!

周囲を照らすきらめく光

A Light that Brightens All around It

「ライト」タイプのあなたは、周りから注目されることが好きで、ユーモアのセンスに満ち溢れています。今この瞬間を楽しもうとする前向きさで、人を笑顔にさせて場の雰囲気を明るくします。また、理論的に状況を判断する冷静さを持つ一方で、自分の決めた信念を貫くために非常に大胆な行動を取ることができます。どんな環境の変化にもフレキシブルに対応し、その場を楽しめるタイプです��で、積極的に新しいことにチャレンジしてみましょう。

As a "Light" type, you enjoy attention and have a great sense of humor. With your positive attitude towards enjoying the here and now, you brighten the mood and make people smile. Adding to that, while you have the composure to judge situations from a logical standpoint, you can also take bold actions to stick up for your own beliefs. You have the flexibility to adjust to any changes in your environment and enjoy yourself, so maybe try using that to actively challenge yourself with new things.

あなたと相性のよいタイプは… マイクメタナイト

Types you would get along with are... Mike & Meta Knight

31. Normal

あなたのタイプは…

ノーマル

Your type is...

Normal

すって　はきだし　星がた弾てきをのみこみ　のうりょくゲットひめたパワーは　むげんだい！

Inhale and spit out stars, swallow enemies to copy their abilities, your power is infinite!

なんでもこなせるオールラウンダー

An All-Rounder Who Can Do Anything

「ノーマル」タイプのあなたは、どんなことでも器用にこなせる万能タイプです。なんでもすいこんで自分の力に変えてしまう吸収力があり、ピンチの時は、はっきりと決断する能力にも優れています。また、責任感が強くとても几帳面な性格なので、周囲の人からの信頼も厚く、みんなの手本となることが多いです。真面目さゆえに硬くなってしまいがちですので、力を抜くことも意識してみるとよいでしょう。

As a "Normal" type, you are the versatile sort who can handle just about anything well. You have the receptivity to absorb anything and add it to your own power, and when you find yourself in a pinch, you can easily make swift decisions. Adding to that, since you're responsible and quite methodical, those around you trust you greatly, and you often end up being a role model. Because you tend to tense up when things are serious, know that you can allow yourself to relax, too.

あなたと相性のよいタイプは… ミラーエスパー

Types you would get along with are... Mirror & ESP

32. Bubble

あなたのタイプは…

バブル

Your type is...

Bubble

あわわ　アワワワ　ふしぎなシャボンてきをアワに　閉じこめちゃえ！

Bubbly, foamy, mysterious bubbles trap enemies in soap bubbles!

用意周到な努力家

A Well-Prepared Hard Worker

「バブル」タイプのあなたは、周囲の状況をよく理解して適切な行動を取ることができるオールラウンダーです。一見、複雑に思えるものごとでも、冷静に分析し、分かりやすくまとめる能力があります。また、強い責任感と高い計画性をあわせ持っており、一歩ずつ着実に進むのが好きな、とても堅実なタイプです。将来に備えて、予期せぬ出来事が起こっても対応できるように、足りないものをストックしておくとよいでしょう。

As a "Bubble" type, you're a jack of all trades who understands your surroundings well and can respond appropriately. Even when something seems complicated at first glance, you're able to calmly analyze it, breaking it down in an easy-to-understand manner. Adding to that, you're a very steadfast person, responsible and plan-oriented, preferring to tackle things step by step. It would be good to stock up on things you're missing, in order to prepare for potential unexpected events in the future.

あなたと相性のよいタイプは… エスパーミラー

Types you would get along with are... ESP & Mirror

#kirby #kirby of the stars #kirby personality quiz #my translations #kirby translations

155 notes · View notes

magicalgirlsandcerulean · 4 years ago

Text

Ep. 10's blog post

This blog post, with Hori's second entrance, is dated 15th June 2021. Spoilers below, as always!

Notes before we begin:

For those of you who didn't check out ep. 9's blog post, see tweet 2 on that for more info about one of the characters of the day.

Due to the unintended delay on this post, I've tried to translate more completely than usual and that caused the release of this post to be postponed by another day...Sorry. Even still, consult the actual post for proper placement of emojis, coloured text etc.

This time, just for efficiency's sake, I skipped a lot of the honorifics because Hori refers to Takara, Tina and Tsumahara as -san. I've only left it in for "Balle-san" (a one-off) and when other people refer to Hori as "Hori-san" (as opposed to when Hori calls himself "Hori" with no honorific).

Also, an advance note that you'll probably want to cry when Hori pulls out the crying kaomoji. (I wanted to cry at two points when he did, at least.)

CR translations were used where I could chase them up.

Post title: バリバリのバリの禁忌其の拾！

The Very Vigorous Taboo No. Ten! [T/N: バリバリのバリ (baribari no bari) has some obvious repetition in Japanese, so I had to try convey that in English as well, even though small!Takara is more "working hard" than "vigorous". The final "bari" is a Hakata dialect thing - we already know Hori is from Fukuoka, so that fits. I had to translate the title because this phrase appears later on.]

皆様、お世話になっております。

Everyone, thank you for taking care of me. Fairy蘭丸〜あなたの心お助けします〜で雅楽代寶を演じております、堀曜宏と申します。

I am called Akihiro Hori, who voices Takara Utashiro in Fairy Ranmaru ~We Will Help Your Heart~. 又の名をジャガイモ堀堀です、本日は何卒よろしくお願いします。

Also known as "Potato Digging Hori", please kindly take care of me today. [T/N: "Potato digging" = jagaimo hori, so "potato digging Hori" = jagaimo hori Hori. It also makes reference to the ep. where the kids dug up potatoes.] 禁忌其の拾『快楽』熱かったですね！！！

Episode 10, "Hedonism", was passionate, wasn't it?!!! 今回は寶さんの二回目のお当番回ということで、本編を見返しながら楽しめるような感想を主観ですが、勢いと共に書かせて頂きたいと思います。

This time was Takara's second focus episode. Although we see [elements] that recur from the original story [ep. 5], the impressions we are able to enjoy are subjective and so I will write with fervour. 開幕は女王チームとの密談からSTART!!

We START by opening the curtain on the queen team's private talk!! [T/N: "Queen team" = Queen + Houjou (+ sloth).] シリウスについて女王からせっつかれている寶さん。

The Queen is pestering Takara about Sirius. 座長…誰の台詞が麩菓子じゃい！！！！

Leader...whose lines are fugashi!!!! [T/N: Fugashi are a type of Japanese sweet. There are sweet potato fugashi, so I assume this is either a typo or a pun on a similar word. If it's a pun, the word is likely to be おかしい (strange, suspicious, unbecoming).] [T/N 2: The line below suggests "leader" (zachou) = Ranmaru, so this sentence would be referring to Sakata.] でも生配信で話している時の堀からは想像できないと思いますが…実は普段の堀は、どうやら寶さんの女王様に対する話し方くらいのらりくらりでみんなと通話しているらしく、このシーンをみんなで見てる時、ざちょ「堀さんだ」草「堀さんだねぇ」なんて言われながらみんなに笑われておりました。

However, while the stream was happening, I couldn't imagine this, but...to tell the truth, the way I usually speak to everyone is like Takara's non-committal way of speaking to the Queen, so when everyone saw this scene, the leader [Sakata] went, "That's Hori-san," and Kusano went, "That's Hori-san, isn't it?" without saying anything and so everyone laughed. 電話が切れた後の豊穣さんと女王の会話から、寶さんのお父上が夭聖界にとって如何に大事な存在だったかがわかります。

After the call was cut, we learn how important Takara's father is in the fairy world from Houjou and the Queen's conversation. そんな豊穣さんからの厚い信頼に応えるように、どこかのお姉さんへお誘いをかける寶さん…

While proving worthy of Houjou's kind confidence, Takara is asking a girl out somewhere... お相手の名前、ayakoさんって面白い名前だなぁと思ってたら、堀気づいちゃいました。[T/N: The source text, as you can see when you pause the ep. at the right time, is meant to say "[at sign]yako", but the at sign was tripping the "mention a user" function in Tumblr, so I had to swap it out with a lowercase A where it appears in this post.]

His partner's name is "ayako", which I thought was an amusing name. これ、あやこって読むんですね！！！（アハ体験）

This is read "Ayako", isn't it?!!! (a-ha moment) そしてはい、きました、バリバリのバリのショタカラさん！！！！（人間体）

Also, we got to see him, the very vigorous sho-Takara!!!! (human form) [T/N: Literally "we got to see him" was "[he] came", LOL.] [T/N 2: Sho-Takara = shota (prepubescent boy) + Takara.] あまりの可愛さにコメントも騒然としましたね。

There was an uproar in the comments that he's excessively cute. 回想シーンでは以前も登場した、弁護士さんと寶さんの関係も明らかになりました。

The relationship between the lawyer, who's appeared before this flashback scene, and Takara is also made clear. 弁護士さんも元夭聖、しかも寶さんのお父上とただならぬ関係だったみたいです。

The lawyer was also from the fairy world and had a strong relationship with Takara's father. 幼い寶さんは弁護士さんからどんな風に人間界の生き方を仕込まれたんでしょうか…

What sort of way of living in the human world did the very young Takara learn from the lawyer...? 半裸シーツで肌に傷をおった姿のショタカラさんが、窓の外を見上げながら「いつかきっと… 」と呟く様子にその壮絶さを感じます。

The half-naked and wounded sho-Takara, looking out the window and whispering, "Someday, surely..." [gives off a] heroic feeling. [T/N: I couldn't use the CR quote for this because that's translated more in context, as just "someday".] 寶さんのエセ関西弁は、この弁護士さんに仕込まれた影響だったんですね。

Takara's fake Kansai accent is acquired from the lawyer's. そして現代に戻ったと思ったら、飛んで火にいる子猫ちゅわん！

Also, when we think we've returned to the present, a kitten jumps into the flame! [T/N: This translation builds off the CR version of the line, "Like a kitten to the flame!"] 今回の依頼人、ティナさんの登場です！！

This time's client, Tina, appears!! 「ちょっと何言ってるかわからないんだけど！」

"Oh, please! That's the stupidest thing I've ever heard!" 寶さんこの時のっけから飛ばしまくっていたので、堀はこの台詞がツボに入って笑いを堪えるのが大変でした。

Takara, at that time, couldn't help but send her flying from the beginning and it was difficult for me because I was trying not to laugh - there was "tsubo" in my lines. あいも変わらずスマートに名刺を渡すも、「世界で一番惚れてる男のところに連れてって！」とピシャリ。

Even after [Takara was] as smooth as ever and [handed] over the business card, she refused with "Take me to the man I love most!" [T/N: The word for "smooth" here is literally "smart", but "smart" doesn't seem to have the right connotations.] …どうやら今回の依頼人も、一筋縄ではいかないみたいです。

...apparently, this time's client seems very straightforward. 『快楽』ﾁﾘﾘﾘﾝ

"Hedonism" *ring ring ring* 寶さんはティナさんをお子さんのお迎えに連れて行き、そのまま2人を仕事場へと送り届けます。

Takara brought Tina to her child and, without a pause, brought those two to [Tina's] workplace. 仕事場ではみんなでティナさんのお子さんをあやしていたり、同僚の方のティナさんのダンスへの信頼に、思わずいい職場だなぁと感心する堀でしたが。。。

At the workplace, everyone comforted Tina's child and Tina's colleagues had confidence in her dance, so I admired, without thinking, how good of a workplace it was... そこに現れる父親、妻原さんですよ！！！！！（ﾌﾝﾇｰ‼︎）

Then the husband, Tsumahara, appeared!!!!! (Barbarian!!) [T/N: There is no confirmed reading of this name, so it might be "Tsumabara".] 前回のうるう回の久二さんも相当でしたが…勝るとも劣らない圧倒的なそれ…っ！！

He's equivalent to last time's (Uruu's episode's) Kyuji...but [Kyuji] overwhelmingly compares favourably to that guy...!! お子さんの顔も見ずにお金をせびるのみならず、ティナさんの一張羅のコートまで…！！

Not only does he demand money without seeing his child's face, but he also goes as far as taking Tina's one good coat...!! ちょっと申し訳なさそうにして受け取るのがまた、なんかもう…っ！！

The fact he looks a little apologetic as he receives it is just...!! だのにティナさんは、頑張って稼がなきゃって…″家族″のためにって(′つω；｀)

Despite this, Tina must try her hardest to make money...for her "family". (′つω；｀) その言葉は、お子さんに対してだけじゃなくて…うわぁああああ！！！

Those word aren't just for her family...uwaaaaa!!! 次のカットで妻原さんは貰ったそのお金をギャンブルに突っ込んでました（遠い目）

In the next cut, Tsumahara pushes the money he received into gambling. (distant eyes) この時の寶さんのモテポイント、「姉さん、そろそろ出番でっせ」は何も見なかったように落ち着いて投げてあげて、それでも見られたくない所を見られちゃった、というニュアンスが返ってきたら「こういうことする俺、格好ええやろ？」と冗談まじりに茶化しながら優しさを渡す。

This is the time Takara is popular. He says, "Dearie? I think you're on." He calms down and gives up as if he never saw anything, but even still, after he returned [from seeing her exchange with Tsumahara] with a nuance of "he saw what he did not want to see", he would joke gently, "Aren't I cool for doing this sort of thing?" and poke fun at himself. この機微がモテる大人のテクニックなんですよ…！！

This subtlety is a technique popular with adults...!! 見てくださってる男性の皆さんにも是非取り入れていただきたい…なぁみんな！！？

Any men watching should certainly take in this [advice]...yeah, everyone?!! 堀は後十年は修行させてください(′・ω・｀)

Please train me [in the art of love] for another 10 years. (′・ω・｀) はい、一方BAR Fは今日もカレーです。

Yes, at the same time, there's curry at Bar F today too. 前回のラストが熱い…！展開だっただけに、皆さんあれからどうなったのか、眠れない夜を過ごされていたと思います。

The conclusion last time was intense...! I'm sure everyone had a sleepless night wondering what happened after that development. 何気なく水をうるうくんに渡す焔くん、何気なく焔くんを気遣ううるうくん、照れながらも返事をする焔くん、嬉しそうな蘭丸樹果バックン。

Homura, who's casually giving water to Uruu,

Uruu, who worries about Homura,

Homura, who blushes while responding,

Ranmaru, Juka and Bakkun, who seem happy. てぇてぇが過ぎてぇ堀は平身低頭（てぇとう）ですありがてぇ…ありがてぇてぇ！！！！

They're excessively precious and I was prostrating myself, thanking them...thanks, precious!!!! [T/N: Hori slurs several of his words in this sentence, typically てぇてぇ = toutoi (precious/noble), 平身低頭 = heishin teitou (prostrating oneself) and ありがてぇ = arigatou (thank you). He then combines てぇてぇ and ありがてぇ, hence "precious".] それから所変わってお出掛け中の寶さん、いつも通りキスのおねだりを茶化しながら交わしていきます。

Then, in the meantime, Takara was out, as always, begging for kisses and teasing a woman. 聞こえないくらいの声で憂うように、「わいが欲しいのは、なんやろなぁ」とポツリ。

In a voice that can barely be heard, he mumbles, "I don't know what I want..." この台詞は後の展開にも効いてくる凄く大事な台詞なんですが…。

This line is very important in terms of later developments... コメントで「（カレーには）ナンやろなぁ…」って書いた人怒らないから正直に言いなさい（ﾋﾟｷﾋﾟｷ）

In the comments, there was a person who wrote, "I don't know what (curry) I want..." - please say who you are, I won't be mad *veins snap* Aパートおしまい！

That's the end of the A part! ブログでもCM入ります！情報いっぱいだよ！

This is a blog, but I'll still insert ads! There's a lot of info! ・山野ホールでライブします！（9/18だよ！）

- The live show at Noyama Hall! (On the 18th of September!) ・特典盛り沢山のBD、DVD発売します！（第1巻は６/16発売！）

- The BD/DVD is being sold, with lots of bonuses! (1st BD/DVD sold on the 16th of June!) ・キャラソンアルバムHEAVENS DOOR発売します！（同じく6/16、遂に艶歌が全部聞けるよ！）

- The character song album HEAVEN'S DOOR is being sold! (On the same day [as the BD/DVD], the 16th of June, so you can finally hear the whole enka!) てつえーさん「Nice Pole Dance…ﾀﾞﾝｽﾀﾞﾝｽ」（ええ声エコー）

Tetsuei [Sumiya]: "Nice pole dance...(dance dance)" (nice voice echo) Bパートいきます！！

To the B part!! 開幕ティナさんのキラキラポールダンスからスタート！！

The curtain opens on Tina, who starts with a sparkling pole dance!! お子さんを膝に乗せて馴染んでいる寶さん。

The child, who's on the lap of and [now] accustomed to Takara. お子さんのママ～！の声、可愛いですねぇ(´,,･Д･,,`)

The child's cry of "Mama~!" was cute, wasn't it? (´,,･Д･,,`) やはり彼のためにも、家族の為にも頑張るというティナさん。

Of course, Tina will try hard for his sake, for the family's sake. 自身の生い立ちから、家族という存在をいかに大事にしているかが伺えます。

From his own background, we can see how much he values the existence of his family. 5話の寶回の時の依頼人の恵夢さんもやはり家族のために身を粉にして働いていましたし、今回のティナさんも…。

From episode 5's Takara episode, the client, Emu, also worked assiduously for her family, so this time's Tina also... 寶さんにも金鋼族の復興のため、寶さんのため、痩せ細った体で自分の食べるものすら譲ってくれたお母さんという存在がいたからこそ、家族のために自分を犠牲にして頑張る方に複雑な思いを抱いてしまうのでは無いでしょうか。

In order for Takara to revive the Metallum Clan, for Takara's sake, Takara's mother even gave over her own food and it is precisely because of that that she became a victim of trying hard for the sake of her family and that's why Takara has such complicated emotions, is it not? しかも今回はその″家族″が不義を行っているなんて…。

Moreover, this time, this time's "family" is unjust... そしてそして！！！！！

Also, also!!!!! お待たせしました！銭湯ノルマ達成ですありがとうございます！！

Thanks for waiting! Thanks for fulfilling the bath quota!! この時流れてきた「みんなストローは持ったかァ！！」ってコメント、爆笑しました。

At this time, the comment that came about was "Everyone's holding straws!!" and so there was uproarious laughter. [T/N: It's not clear if there's just one person laughing or many, hence the intentional vagueness.] ですが今回の銭湯の中身はすっごくシリウス…じゃなかったシリアス。

However, this time's bath [scene] is amazingly serious...not (Sirius). [T/N: Hori inserts Sirius's name at the end of the sentence as a pun on "serious", so if it seemed like the translation said "serious, not serious", I did my job.] みんなの顔を眺めながら、豊穣さんと交わした特命の話を回想していきます。

After we gaze at everyone's faces, we go to a flashback scene where [Takara is] given his directive from Houjou. その中には女王に内密の話まで…そんな重たいものを背負いながら、寶さんはみんなに毎日カレーを作っていたんですね。

In that it's to the point it's kept a secret from the Queen...Takara makes curry for everyone everyday while burdened with those heavy things, huh? でも、これまで毎日みんなでカレーを食べて、銭湯に入って、愛著を集めて、日々を過ごして。

However, until now, every day everyone's eaten their curry, gone to the bath, gathered attachment and spent their days [together].

家族として一緒に過ごしてきたみんなの顔を見回した時の寶さんの顔は、優しさに満ち溢れた顔でした。

As family, when spending time together and looking around at everyone's faces, Takara's face is full of affection. この時の「楽しい時間は長く続きまへんな」という台詞。

At this time, there is the line: "The fun times never last, do they?" 寶さんのみならず、堀自身もF蘭の最終回の近さを意識しておりましたので、言葉にした時に込み上げるものがありました。

Not only Takara, but I personally realised F-Ran's final episode is near and so, while I'm bad at putting this into words, [emotions] welled up inside me. そして明らかになる妻原さんの別の家族の存在。

Then, it becomes clear Tsumahara has a different family. ティナさんと妻原さんの会話が始まります。

Tina starts a conversation with Tsumahara. もうここの妻原さんのクズっぷりが真骨頂！！！

Already, the Tsumahara from this [point in] time's true worth is basically scum!!! ティナさんがあまりにもあまりにも可哀想で…

Tina is really, really unfortunate... 「お前も俺を見捨てるんだな！！」

"So, you're abandoning me too!!" あんた、別のところでも同じようなことしとったんか…？

Aren't you the same, even though it's from a different perspective...? 絶望のあまり、倒されたゴミ袋の上で笑うしかなくなってしまうティナさん。

Without much remorse, Tina has no choice as she's left collapsed on the rubbish bags and Tsumahara laughs. そこに夭聖は現れるんです…！！

Then, the fairies appear...!! 「美人さん、お持ち帰りしてええか？」

"Lovely lady, might I walk you home?" ほんと、全人類言ってみたい台詞トップ5にランクインする台詞です…！！

Really, that's going to rank in the top 5 lines that all of humanity wants to be said to them...!! チャイルドシートを携えたいつもの車でティナさんの話を聞く寶さん。

Takara listens to the story of Tina, who's always carrying a child seat around with her. 「わかってた、利用されてるだけって」

"I knew...some part of me knew he was just using me." 「なのに、あいつがポケットに手を入れた時にさ、指輪かなって思ったんだよね」

"But when he reached into his pocket, I honestly thought it might be a ring." 「笑顔で溢れるあったかい家庭、作りたかったの」

"I wanted to create a happy family, full of smiles..." この台詞が悲痛過ぎて…。

These lines are too sorrowful... 堀は最初、思わず拳を握りしめて返す台詞をかけてしまいました。

I, at first, clenched my fists without thinking at these lines. ですがこの時、製作陣から、何より真摯に優しさを向けてあげて。

However, this time, I felt sincerely affectionate for this cobbled-together group. 頑張っている人は報われるんだよ。ってティナに伝えて欲しい、というディレクションを頂いて。

I received the direction that I should convey to Tina, "Hard work will be rewarded!" このシーンの台詞は寶さん自身の言葉で、その思いが乗らなきゃダメなんだと何度もトライさせていただきました。

This scene's dialogue is in Takara's own words and I had to try repeatedly to convey his thoughts on it. 「あなたの心、頂けますか？」から大自然の流れでジャ…変身の時間だぁーーー！！！！！

After "Could I take your heart?", the scene changes and...it's transformation time---!!!!! 思わずナイスバルク！と声をかけたくなる惚れ惚れする筋肉。

Without thinking, I was charmed by [Takara's] muscles and wanted to call out, "Nice bulk!" 画面いっぱいに広がる肉体美と拳、地面をぶっ壊しながらあげる名乗り。

The physical beauty of his body and fists filled the screen, he broke the ground and called out his name. 格好よさが臨界点突破して美しいに昇華しとるんですよ！！！！！！！

His coolness has broken through the critical point and sublimated itself into beauty!!!!!!! 妻原さんはティナさんとあんな会話をした後だというのに、魂が昂りながら「夢も愛もどうでもいい」なんて曰いながらギャンブルに興じていらっしゃいますねぇ…。

Tsumahara, even after he had that conversation with Tina, happily spends his days gambling, arousing his spirit as he says, "What do dreams and love matter?" バレさん、技を借りるぜ…！！

Balle-san, I'll borrow a technique of yours...!! ふざけんにょ！！！！！

Stop screwing around!!!!! [T/N: reference to Balle-san's ep. 9 post] そして始まる艶歌、五話もそうでしたが、歌詞が今回の話とのリンクして、絵の美しさも合間って没入してしまいます。

Then the enka begins - it was in ep. 5 as well but the lyrics are linked to this episode and I was immersed in the beauty of the visuals for a moment. 早くフルで聴いてほしい！！！皆様、是非HEAVENS DOORを！「愛の勘定」も勿論ですが、みんなの艶歌をフルで聴けばストーリーとのリンクが増して、よりグッと来るはずです！！！

I want you to hurry and listen to the full version!!!! Everyone, please listen to HEAVEN'S DOOR! There's "Payment of Love" of course, but if you listen to everyone's full enka, you'll [be able to make] links with the story and it will hit you in the feels!!! 艶歌が終わり、ドアが開けば今回のヘブンズ空間はまるで屏風の中に入ったかのような和風の世界。

After the enka ends, the door opens to this time's Heaven's Room, which is a Japanese-style world quite like that on a folding screen. そこに雷神と雷神を模したかのような敵が現れます。

Then, enemies that look like the well-known thunder god and a thunder god's imitation appear. [T/N: referring to Raijin] 毎回のことですが、ヘブンズ空間も本当に趣向を凝らしてあって…ど緊張のバトルシーンのはずなのに、思わず堀の魂も昂ってしまいます…！！！

It happens every time, but these Heaven's Rooms are really ingenious...there should've been a hugely nerve-wracking battle scene, but without thinking, my spirit was unintentionally aroused...!!! なんと今回の鍵穴にはティナさんとお子さんの2人が！

What? This time Tina and her child are both behind the keyhole! なぜわかったノルマに愛らしい声が混ざる日が来るとは。

I never thought I'd see the day where a charming voice would be mixed in with the "What? I got it!" quota. そしてもう一方の鍵穴からは妻原さんの極悪な声が…

Also, in the other keyhole is Tsumahara's heinous voice... 「人はなあ！快楽には勝てねぇんだよ！」「酒！タバコ！セッッッ！！薬物！！特にギャンブルはなぁ！！」

"A person can't conquer their hedonistic tendencies! The pleasures of drinking! Smoking! Sex! Drugs! And gambling especially!!" [T/N: Hori censors the word "sex" by "stuttering" over the final syllable but CR doesn't, so I've sided with the latter.] 座長が現場でハッキリ言ったぁーーー！！！ってツッコんでたのを覚えていますw

"The leader put it clearly at the time--!!!" I remember joking. ですが、言葉のパワーはもうネタの領域を超えた、狂気の世界のそれです。

However, that is a mad world where the power of words is beyond the realm of stories. その言葉に促されるように敵から酒の玉攻撃が、そしてもう一方の敵からはヤニの煙の攻撃が。

With those urging words, the enemies send bubbles of alcohol and then from the other side comes a tobacco smoke attack. この時のうめき声のディレクションは、堀くん今○○kgの重りが乗ってるよ！！と言われながら、体にそれに合わせた負荷をかけるように声を出していました。次の日筋肉痛になりました。

At this time, when the direction, "Groan and pretend you have a __ kg weight on you!!" was given, as I shouted, it was like a corresponding load was being added. The next day my muscles hurt. なんとか持ち堪えた寶さんですが、「なら、これならどうかしら…」その言葉と共に現れる寶さんのお母さんの幻想。

Takara's able to hold out somehow, but then an illusion of Takara's mother appears with the words, "Well, what will you do?" 前回もうるうくんのお母さんと焔くんのお父さんが現れましたが、まさか今回は寶さんのお母さんが…。

Last time, Uruu's mother and Homura's father appeared, so surely this time Takara's mother... しかもこんな形で痩せ細っていないお母さんの姿を見ることになるなんて…！

Furthermore, to see his not-so-skinny mother in this form...! あの優しかった声で、こちらに攻撃をかけてきます。

This is the attack that's given with that gentle voice. 押し倒されて首をしめられる寶さん。

Takara is being held down and strangled [by his mother's illusion]. この時の台詞の色気も相まって、まるで2人が繋がっているような…

Coupled with the sexiness of the dialogue at this point, it's as if the two are connected... 更に畳み掛けるようにチェリーの入ったグラスから液体を口に含み、そのマッマ寶さんの口に流し込みます。

Furthermore, as if pressing for answers, Takara's mother uses her mouth to pour liquid into Takara's mouth, from a glass with a cherry in it. 苦しさのあまり悶絶絶叫する寶さん、これは先の妻原さんの「酒、タバコ、セッッッッ、そして薬物」それらの快楽を暗喩しているのでしょうか。

Is Takara, who's about to scream and faint in agony, [being subjected to] metaphors for hedonism Tsumahara was mentioning earlier? そしてシリウスの登場です。

Also, Sirius appears. す○ざんまいのポーズって言うのやめーや！！！

Stop doing the Su___zanmai pose!!! [T/N: referring to the dude who stands with his hands outstretched from Sushizanmai] しかし今回の句には堀は思わず確かに…と頷いてしまいました。

However, this time I couldn't help but nod and say, "Indeed..." 人は何故ほんの刹那の快楽のために沢山のものを犠牲にしてしまうのか…

Why do we sacrifice so much for a fleeting moment of pleasure? むしろ刹那だからこそ、それを追い求めてしまうのかもしれませんね（哲学）

Rather, it's because it's momentary that we chase it and seek it out? (philosophising) 苦しみながらも、「俺が欲しいものはこんなんじゃない」と懸命に耐える寶。

Even in agony, Takara eagerly bears it [and says], "This isn't what I want." しかしそれも、「あなたが欲しいのは、母親からの豊満な愛情でしょう？」と、肥大化した幻想に押しつぶされる寶さん。

However, in addition to that, the illusion becomes fat [with the words], "What you want is the full-bodied love of your mother!" ニコニコのタグにもありましたが、確かに快楽要素全部乗せプレスは重い、重すぎます。

As the tag on Nico Nico said, it is true that all the hedonistic elements being pressed are heavy, far too heavy, イきかける寶さんですがなんとか力を振り絞り、幻想を押しのけます。

Takara is about to have the life choked out of him, but he comes to his senses and pushes the illusion away. しかしそれが最後の力だったのか、体が動かず追撃をかわせそうにありません…！

However, that was the last of his strength and so he's not able to move...! これで終わりか…と思ったその瞬間ですよ！！！！！

This was the moment...I thought it was the end!!!!! 最高に勇ましい掛け声と共に焔が敵の攻撃から寶を守ります！！

With a shout, Homura, who's the best and heroic, comes and protects Takara from attack!! そのまま蘭丸とうるうが雷神と風神を倒し、樹果が「オン・アユス・ヴァルタ！」の掛け声とともにペロキャンを振って寶さんを回復してくれます。

Similarly, Ranmaru and Uruu bring down the thunder gods and, with his tongue stuck out and his lollipop, Juka yells, "On ayus valta!" to heal Takara. ここ、さいっっっっっこうに熱かったです！！！！！

This was the most intensssssssssssssse [moment]!!!!! 寶のピンチに駆けつけるファミリー達、初めての全員集合、初めての共闘！！！

This is the first time they've [run to Takara's aid and] fought as a family when Takara was in a pinch!!! 台本を読ませてもらった時は、遂にきたか…！くらいの興奮だったんですが、現場でこのシーンを録った時、こーすけの「はぁあああああ！！」って勇ましい声が聞こえてきた瞬間、鳥肌がブワァーって！体がカァーッて！熱くなったことを強く覚えています。

When reading the script, I was exhilarated to the point of going, "Finally, they came!" and now that this scene is recorded, I strongly remember the moment Kohsuke [Tanabe] valiantly can be heard going, "Haaaaaaaaaaa!!" I got goosebumps from the passion. 蘭丸とうるうの声も頼もしくて、樹果のたからぁ～！って呼び声に癒されて。

Trustworthy Ranmaru and Uruu, and Juka healing Takara by calling out his name. こんなに頼もしい仲間達が揃って、負けるわけがないですよ！！！！

With trustworthy friends like these, you won't lose!!!! この後の飛び上がるシーンも、月を殴りつけるシーンも、高まったボルテージを思いっきりぶつけさせて頂きました！

After this is the flying scene, the moon-breaking scene and I was able to use my heightened [emotions] to the fullest! [T/N: Hori calls his heightened emotions "voltage".] そしてGO TO HEAVEN!!!!!

Then, GO TO HEAVEN!!!!! 「またすっからかんかよぉ～！」なんて言いながら、トドメを刺された時の勢いで手持ちをオールインしてしまう妻原さん。

Tsumahara, for some reason, said, "I'm broke again?!" as he's finished off while playing everything he has with an all-in due to his leftover momentum. [T/N: the all-in in poker] ティナさんの「寶さん、あなたと結ばれたかった…」

Tina: "Takara...I wish we could've been together." 依頼人からこんなに純粋に好意を向けられるなんて…寶さんも罪な人ね。

The client has this kind of pure affection [for him]...Takara's also a wrongdoer, isn't he? ですがそれは叶わない、ティナさんもわかっているからこその過去形なのでしょうか…。

However, that can't be granted, since Tina understanding him is now past tense, isn't it...? こんなにも切ないワンシーンなのに、もう1人の堀が「あなたと結バレッタ裕…」って囁いてきてもうダメです（現在朝4時）

In this one heartrending scene, too, another Hori whispers to me, "You and Yutaka Balletta ..." but it's already no good (currently 4 in the morning)

全てが片付き、夭聖体のみんなが寶さんに声をかけてきます。

Everything's wrapped up so everyone calls out to Takara. なんだよお前ら、ちくしょー、まじで、お前ら…(′つω；｀)

What the hell, everyone, damn, really, you guys... (′つω；｀) しかもうるうくん、「僕たちは、ファミリーなのだから」それってさ、焔くんのことも、みんなのことも引っくるめて″ファミリー″なんだよね…？

Yet, Uruu goes, "We're family, in case you've forgotten." That means Homura and everyone are 'family', huh...? 万感の思いを込めて「サンキュ」と一言だけ返す寶さん。

Takara returns that with a single word full of emotions: "Thank you." 寶さん、あなたの欲しかったものって、きっと…

Takara, what you really want is certainly... そして後方家族面の蘭丸、その視線の先には様子を見ていたチルカが…。

Then, from behind Ranmaru, Chilka, who was watching him out of the corner of his eye... かつて愛していると言っていた蘭丸に対して、「Go to Hell!!地獄に落としてやる！」と言い残してその場を去ります。

As opposed to [when] he said he loved Ranmaru in the past, he leaves as he [yells], "Go to hell!!" …何故和訳してくれたんだ…。そこに不穏な空気が残ります。

Why did this Japanese translation come up? This left a disquieting atmosphere. [T/N: Hori translates "Go to hell!" (ENG) as "Fall into hell!" (JPN).] 豊穣さんの「いいファミリーになりましたな」

Houjou: "They've become a fine family indeed." この一言、嬉しかったなぁ。

I was happy with this one brief comment.

第一話の時、「君たちは今からファミリーだ」なんて言われて戸惑っていた5人ですが、今では声を大にしてファミリー蘭丸って叫べます。

In episode 1, he says, "From now on, you are family," leaving the 5 of them bewildered, but now they can yell about how they're "family Ranmaru". いや、ファミリー蘭丸ではないけどね！？山本さんのプリティミス（伏線）だけどね！？笑

No, not "family Ranmaru"?! Is this a pretty mistake from Yamamoto (foreshadowing)?! (LOL) [T/N: This is referring to Bakkun's VA Kazutomi Yamamoto. Also, yes, it does say "pretty mistake", but it's likely to be "printing mistake".] そんな中改めて十訓を厳守させよと戒める女王。

In that [part], the Queen once again demands rigid adherence of the 10 Laws. あのような過ちとは…過去の因縁はまだ根が深そうです。

A mistake like that... it seems that past fates are still deep-rooted. そしてここからが怒涛の展開ですよ皆さん。

Then, everyone, the surge in developments [happens] from here. なんとあのシルク・ドゥ・マーズから合格通知が届いたティナさん！

Tina's somehow received a notification of acceptance into Cirque de Mars! 相当頑張ってきた努力が遂に実って、ニューヨークから熱いラブコールをかけられています。

The hard work she put in has finally pulled off and she's receiving passionate calls from New York. 喜んでいたのも束の間、そこに現れたのはなんと妻原さん！！？

It was a short moment that she could be happy, and then, who would arrive but Tsumahara?!! あんたって人は、懲りずにまだティナさんに…と持ったらなんと勝ちすぎちまったから命を狙われている！？

He's still trying to teach Tina a lesson, but...he won too much and they're gonna kill him?!

それもしかして、GO TO HEAVENされた時のオールインで…！？

On top of that, what about the all-in from the GO TO HEAVEN...?! すっからかんかよォー！！じゃなかったのかよォー！！

He's not broke anymore?!! 費用も全て持つから連れて行ってくれ、なんて、うーん、ティナさんとしては助かるけど…。

He'll come along, pay for everything and, yeah, sorta help Tina out...? まぁ、イケメンだからいっか……よくないわい！！！！

Well, he's handsome...but no!!!! [T/N: reference to ep. 5] 改心して今度こそ家族になるのか、それともニューヨークでまた悶着を起こすのかはわかりませんが、なんにせよティナさんとお子さんの先行きが明るくて良かったです。

I don't know if the family has reformed properly or if they're going to New York to quarrel again, but Tina and her child's future is bright. その様子を微笑ましく見ていた寶さんの元に、一本の電話が。

After seeing the smiling child's face, he receives a call. シリウスの事を伝えていた弁護士さんから、大変なことがわかったぞ、と。

The lawyer uncovered some [information] about Sirius and it's something unbelievable. 女王の過去や！と言いながら見せた一枚の写真には…、あ、あ、あ、あ、あアイドルユニットぉ！！？

"...the Queen's past!" he says as we're shown a photo of an...i-i-i-i-i-idol unit?!! かつて一大ブームを巻き起こした、ウィンタートライアングル。

Winter Tri-angels, who created a sensational big boom in the past. シリウス！？ベテルギウス！！？プロキオン…？

Sirius?! Betelgeuse?!! Procyon...? シリウスとベテルギウスは恐らく…でも姿が…！？

Sirius and Betelgeuse are probably...but that form is...?! そして女王の過去というのは、この写真とどう関係してくるのでしょうか…。

Also, what does the Queen's past have to do with this picture...? 女王の過去や、チルカと蘭丸の確執、夭聖界のことや、寶さんの言っていたもう一山、更にここに来てまた新しい謎が…！！！

The Queen's past, Chilka and Ranmaru's antagonism, the fairy world, all the stuff Takara said - on top of that, another mystery...!!! 本編もいよいよクライマックスに向けて、盛り上がりが止まるところを知りません。

At last, we're approaching the climax of the main story and I don't know if [the tension] will stop rising.

いよいよあと二話ですが、最後までみんなで大騒ぎしていきましょう！

Finally, there's two episodes to go, so let's get really excited until the end! Fairy蘭丸～あなたの心お��けします～次回『憎悪』もお見逃しなく！！というわけで、禁忌其の拾『快楽』堀の感想ここまでとなります。

Don't miss the next episode of Fairy Ranmaru ~We Will Help Your Heart~, "Hatred"!! That's it for my impressions on Taboo No. 10, "Hedonism". ここまで長い文章に付き合って頂き、ありがとうございました！！

Thanks for keeping me company [as I write] these long sentences!! 余談なんですが、大体メインキャストは一緒に録るんですが、この回の収録は実は堀が1人ブースに籠って先に録られた皆様の声を聴きながら台詞を当てておりました。

As a side note, usually the main cast would record together, but this time, I was alone in the booth, listening to the voices of those who recorded before as I added my lines. 収録が終わってからブースのドアを開けて、誰もいないだろうなぁ、と思ってフッと休憩スペースを見たら、なんと5 to HEAVENのみんなが残ってくれてて、映像が流れるディスプレイをずっと見守ってくれてて、こっちを向いて堀さんお疲れ！とか、メッチャ汗だくじゃん！とか笑いながら言ってくれて。

When I finished recording and opened the booth, I looked at the rest area, thinking no one was there. Surprisingly, everyone from 5 to HEAVEN was there, watching over a video display. They turned to me and said things like, "Good work, Hori-san!" and "You're so sweaty!" so I laughed while I talked. その瞬間、堀の頭の中に寶さんのサンキュ。のシーンがリフレインして、なんかしどろもどろになるくらい嬉しかったです。きっとあの瞬間は忘れられないです。

In that moment, the scene where Takara says, "Thank you," played again in my head and although I was [in a state of] confusion, I was happy. I will surely not forget that moment. はい、余談終わり！笑

Yes, I'm done with my side note! (LOL) 話が進むにつれて、SNSで#F蘭丸であげてくださってる実況や感想、ファンアートや、写真など、盛り上がっているのを実感しております。

To continue the conversation, use #F蘭丸 on your real-time impressions, fanart, photos etc., which will give a real feeling to your excitement. そしてそれを見ている時、堀はスマホを握りしめるくらい嬉しくなります。

Also, when I see those, I become so happy, I grasp my phone tightly. いつもF蘭を応援して下さり本当にありがとうございます。皆さんの声が僕らの力になります！

As always, really, thank you for supporting F-Ran. Everyone's voices will be my strength! 引き続きFairy蘭丸を応援の程、何卒よろしくお願いいたします！！！

Please kindly take care of me as you continue to support Fairy Ranmaru!!! このブログ書くの頑張ったからな！

I tried my best with this blog [post]! 読んでくれてメチャクチャ嬉しかったからな！

Thanks a lot for reading! 雅楽代た～から！役の堀曜宏でした！

This has been Akihiro Hori! who plays the role of Ta~kara Utashiro! スネークバァーイ！🐍

Snake-bye!🐍 [T/N: "Snakebite Hori" joke.] ワイの魅力、皆にも伝わったかな～？

Takara: Did I convey my appeal to everyone~?

Update: Fixed the note regarding "Yamamoto". Thanks, @blankie-greenie-anon.

Update 2: Missed a sentence, improved a sentence and fixed some pronouns and other minor things.

Update 3: Improved a sentence.

#Fairy Ranmaru #Fairy Ranmaru spoilers #Akihiro Hori #Takara Utashiro

9 notes · View notes

starfirexuchiha · 5 years ago

Text

P5R: Akechi Confidant Dialogue Choices guide

🎇 HAPPY NEW YEAR! 🎇 I give you this long guide! This information comes from my P5R Guidebook!

This guide will help you know which dialogue choices are the best choices when doing Akechi’s confidant. I will bold the dialogue choice that has the most Confidant Points.

I am aware that there are ways to boost Confidant Points but these are the initial results without the boosts

英語の翻訳は間違いがあったら、直してくださいね！ 🙏 (If there are any mistakes in my English Translations please correct me!)

NOTE: There are some dialogue choices where ALL of the choices give out the same result so I will SKIP those because those choices don’t matter.

+0 Confidant Points = no music notes

+5 Confidant Points = ♪

+10 Confidant Points = ♪♪

+15 Confidant Points = ♪♪♪

Rank 2

Akechi: ちょっと時間空いちゃってさ、相手が欲しかったんだ。(I have some free time, and I wanted an opponent)

★ 忙しそうだけど (You seem busy) [ ♪ ]

- 友達がいない？(You don’t have any friends?)

Akechi: 右手も箸が持てるぐらいには使えるし、まさかそこを見抜かれるなんて。(I also use my right hand when holding chopsticks, but I’m surprised you saw right through me)

- 探偵になれる？(Am I able to become a detective?) [ ♪ ]

- 次は真剣勝負で (Next time, we’ll have a serious game) [ ♪ ]

★ 視力は良いほうだ (I have keen eyesight) [ ♪♪ ]

Phone Convo

Akechi: 君からはいい刺激を受けられそうだ。よければ、また付き合ってくれないかな？(It seems that I’ll have an invigorating time with you. Do you want to get together again if that’s okay?)

- いいだろう (Sure thing)

- 考えておく (I’ll think about it)

★ ライバルとして？(As a rival?) [ ♪ ]

Rank 3

Akechi: あ、見つかっちゃったか。(Ah, they found me.)

★ さすがだな (Not surprising) [ ♪♪ ]

- 大変だな (That must be tough) [ ♪ ]

- 追い払おうか？(Should I get rid of them?)

Phone Convo

Akechi: 君の前で、迂闊なことを言ったらどうなるか、身をもって知ったよ。(I’ll know what will happen if I ever speak carelessly in front of you.)

- 迂闊なこと？(You were being careless?)

★ 面白かっただろ (But it was funny) [ ♪ ]

- また変装しょう (Let’s do another disguise)

Rank 4

Akechi: ただのジャズクラブだよ、いい演奏が聴ける。(It’s just a Jazz Club. They do good musical performances in there.)

- コーヒーもある？(Do they serve coffee too?) [ ♪ ]

- 未成年だ (But I’m not old enough to drink)

★ 楽しみだ (I’m looking forward to it) [ ♪♪ ]

Akechi: それじゃ、何か飲もうか。(So, what should we drink?)

★ おすすめは？(What do you recommend?) [ ♪♪ ]

- なんでもいい (Anything’s fine) [ ♪ ]

- とりあえず生 (I’ll have alcohol for the time being)

Akechi: フゥ、落ち着くね。やっぱり僕は好きだな。(*sigh* Calming isn’t it? I really like this kind of music.)

★ いい店だ (This is a nice place) [ ♪ ]

- 緊張する (I’m feeling nervous)

Akechi: そう言えば、君って料理とかするの？ (Come to think of it, do you cook or anything?)

- かなりする (I cook quite often) [ ♪♪ ]

★ レンジは使える (I can use the stove) [ ♪♪♪ ]

- カレーがあればいい (As long as there’s curry, I’m good) [ ♪ ]

Phone Convo

Akechi: *gets all nerdy explaining about Jazz music*

- なにを言ってるんだ？(What are you talking about?)

★ 分かる気がする (I think I understand) [ ♪ ]

- 楽しそうだな (That sounds fun)

Rank 5

Akechi: ふぅ、指が疲れたよ。よく出来たゲームだよ。(*sigh* My fingers are tired. This is a good game)

★ 撃ち慣れてる？(Are you used to shooting with a gun?) [ ♪ ]

- 目つきが違った (The look in your eyes was different when you were playing)

Akechi: それでヒーローごっこしてたのを思い出したよ。(I recall those days when I pretended to be a hero)

★ ヒーローに憧れた？(Did you want to be a hero while growing up?) [ ♪♪ ]

- 興味深い (That’s really interesting) [ ♪ ]

- 想像できない (I can’t imagine that)

Rank 6

Akechi: ああ、気持ちいいね… 久しぶりだ。(Aah, this feels good... it’s been a long time)

- いい湯だ (The hot water is nice) [ ♪ ]

- 似合わない (It doesn’t suit you)

★ 久しぶり？(It’s been a long time?) [ ♪♪ ]

Akechi: 水商売の母が男性を家にあげる時は、たいてい僕を銭湯に行かせてたよ。(I usually go to the bathhouse whenever my mother brings home a man from the nightlife business)

- ひどい話だ (That’s terrible)

★ 苦労したな (You must have been through a lot) [ ♪ ]

Akechi: というか、のぼせてない？大丈夫？ (Aren’t you getting dizzy? Are you okay?)

★ 余裕だ (I’m fine) [ ♪♪♪ ]

- とことん付き合う (I’ll leave when you leave) [ ♪♪ ]

- そっちこそ平気 (What about you?) [ ♪ ]

Akechi: っと、少しクラクラするかな。(Ugh, I’m probably a little dizzy)

★ 同じく (Same here) [ ♪♪ ]

- 余裕だ (I’m still fine)

- 勝ったな (Then that means I won) [ ♪ ]

Akechi: 君も僕も、大人の理不尽で人生を狂わされた被害者だ。(You and I are both victims of disgusting adults who has tampered with our lives.)

★ そうかも (Yeah true) [ ♪♪ ]

- どうだろう (I wonder)

- 服を着させて (Let me put on my clothes) [ ♪ ]

Phone Convo

Akechi: 今日の僕の姿を見たら、一部の人間は探偵王子らしくないっ��言うかもしれないな。(If they were to see how I was today, they wouldn’t think that I am being the “detective prince”)

- そうだな (I guess so)

- 逆にそれがいい (It’s fine to be like that)

★ 悪かったな (Sorry to hear that) [ ♪ ]

Rank 7

Akechi: 狙った球を落とすのに、直接は撞けなくて、わざわざ手球をぶつけて落とさなきゃいけない。(Even when you target a ball, you can't directly strike it. That's because you have to strike the cue ball for it to hit and move the targeted ball.)

- めんどくさい (It’s such a bother) [ ♪ ]

★ それがいい (And that is what’s great about it) [ ♪♪ ]

Akechi: 右手とは言え、僕に勝つなんて、大した成長だよ。(You beaten me even though I was using my right hand. That was a great development from you)

- 明智のおかげだ (It’s thanks to you) [ ♪ ]

★ 負けられないと思った (I thought that I couldn’t lose) [ ♪♪ ]

Akechi: どうかな (How about it? Will you stay with me and leave your friends?)

**THIS IS ACTUALLY IMPORTANT**

- 考えておく (I’ll think about it)

- それは無理だ (I won’t do that)

★ 明智は好敵手だ (But you’ll make a good rival) **This dialogue choice is the 1ST Condition to make Akechi obtain Hereward**

Phone Convo

Akechi: ねえ、君がそこまで僕との勝負にこだわるの故かな (Hey, I wonder why you’re so fixated in competing against me)

- 別に (No reason in particular)

- わからない (I don’t know)

★ ライバルだから (It’s because we’re rivals) [ ♪ ]

Rank 8

Akechi: …ちなみに、さっきの戦いだけど。最後までやったら、僕に勝つ自信ある？(...By the way, that fight we had a while ago... are you confidant that you’ll win against me if we had fought to the death?)

★ 負けない (I won’t lose) [ ♪♪ ]

- わからない (I don’t know) [ ♪ ]

- たぶん勝つ (I’ll probably win)

Akechi: 僕は、君にだけは負けたくないんだ。(I... don’t want to lose against you)

★ お互い様だ (I feel the same way in that regard) [ ♪♪ ]

- 負けず嫌いだな (I hate to lose) [ ♪ ]

Akechi: 相手が手袋を受け取れば、決闘は成立だ。(If the opponent accepts the glove, then the duel has been made)

**THIS IS ACTUALLY IMPORTANT**

★ 受けてたつ (I’ll accept your challenge) **This dialogue choice is the 2ND Condition to make Akechi obtain Hereward**

- 考えさせて (Let me think about it)

After Rank 10

**IMPORTANT** While Ren is laying in bed, thinking about Akechi’s promise, choosing to FULFILL that promise (★ 約束を果たしたい) is the 3RD (and final) Condition to make Akechi obtain Hereward

#p5r spoilers #p5r #persona 5 royal #guide #goro akechi #confidant #ren amamiya #akira kurusu #shuake #akeshu #p5r guidebook #translation

401 notes · View notes

jokertrap-ran · 5 years ago

Photo

[Memory Piece] 5★ 美しい青空の中へ Within the Beautiful Blue Sky Translation

元の世界へと戻る手がかりを集める中島敦、太宰治、澄快は、とある高層ビルの屋上から街を見下ろしていた。抜けるような青空の中で彼らの瞳に映るのは、美しいダテンの景色か、それとも…―。 Nakajima Atsushi, Osamu Dazai and Sky, who had been searching for clues to find their way back to their original world are atop the roof of a certain skyscraper, looking down at the streets below. What's reflecting in their eyes under the calm, relaxing blue skies? Is it the breath-taking scenery of Daten; or is it…?

抜けるような青空の中で、彼らの瞳に映るのは… That which is reflected in their eyes under the calm, relaxing blue skies...

*Spoiler free: Translations will remain under cut

そびえ立つ建物のガラスに、抜けるような青空が反射している…。 The clear blue sky is reflected on the glass panes of the towering building.

中島敦「綺麗な景色ですね………！街並みを落ち着いて見下ろす機会なんて、今まで無かったから新鮮です」 Nakajima Atsushi: What a breath-taking scene this is! I've never had the chance to take a look at the streets below so peacefully like this till now..

澄快「ここら辺は特に見晴らしがいいからな。祭事の時は、あの辺りから花火が上がったりするんだぜ？」 Sky: The view from up here's pretty good. Fireworks will start from that area over there whenever it's the festive period, ya know?

澄快の案内に従って視線を動かす敦は、ビルの縁に手をついて目を輝かせる。 Atsushi placed his hands on the edges of the building, eyes gleaming as he turned his attention to where Sky had pointed out.

太宰治「花火か。空に咲く花だ。此処からの眺めはさぞ美しかろうね」 Dazai Osamu: Fireworks, huh. Flowers that bloom in the sky. They must be a pretty sight from this high up.

澄快「おう！特別なライトアップなんかもされるんだぜ。見せられねえのが残念だ」 Sky: You bet! There are even special light-ups when it comes down to that! It's such a pity that I can't show that to you now, though...

ひょんなことから夢世界へと迷い込んだ敦と太宰。 Atsushi and Dazai, both people who had suddenly turned up in the Dream World without rhyme or reason.

彼ら元の世界に帰す手助けをすることになった澄快は、二人を街のあちにちへと案内しながら情報を集めている最中だった。 Sky was helping them both find leads on ways to return back to their original world while guiding them around the city.

澄快「治安がいいとは言えねえ街だけどさ、こうして見ると悪くないだろ？」 Sky: I can't say for sure that the streets in this place are safe, but it isn't all too bad when you look at it from this height.

中島敦「はい、まるで物語の中の世界みたいです」 Nakajima Atsushi: Yeah, it's like something straight out from a book.

太宰治「よいしょっと」 Dazai Osamu: Up we go.

強く吹いた風が、ビルの縁に座った太宰の外套を舞い上げる。 The ends of Dazai's coat fluttered in the air as he sat on the edge of the building.

太宰治「天気好し、視界良好、高度最適」 Dazai Osamu: The weather's great, the view's brilliant and the height of this place is the best I could ever ask for.

澄快「けどよ、オレからすれば、オマエらの言う世界の方がよっぽど……ん？」 Sky: But I'll have to say, the world you guys came from sounds loads better than this pla- ...Wha-

晴れやかな笑顔を浮かべた太宰の体が、ビルの縁の外側へと傾いていく。そのあまりに自然な動作に、敦と澄快は一瞬遅れて…ー。 Dazai had on a bright smile as he leaned over the edge of the building. Atsushi and Amy both had a delayed reaction as he fling himself off the edge, as if it was totally natural to do so.

中島敦・澄快「……！！！」　 Nakajima Atsushi / Sky: ……!!

なんとか、無防備に投げ出される太宰の体を掴むことに成功した。 They had somehow managed to catch a hold of Dazai as he threw himself off the edge without so much as a bat of an eye.

中島敦「太宰さん！まだ諦めてなかったんですか！」 Nakajima Atsushi: Dazai-san! Haven't you given up on doing that already by now!?

太宰治「花火のように、私も一瞬の煙めきを残して夢く散りたい！」 Dazai Osamu: I want to shine for a split second before disappearing into smoke, just like how dreamy fireworks are!

中島敦「こんな高さから落ちて、もし下に人が居たら如何するんですか！」 Nakajima Atsushi: What if there are people below!?

中島敦「太宰さんの座右の銘って何でしたっけ！？」 Nakajima Atsushi: What's your motto in life again!?

太宰治「私の座右の銘は『清く明るく元気な自殺』…ー。ううん、人に迷惑をかけるのは本意じゃあないなあ…….」 Dazai Osamu: My motto in life is "To have a bright, cheerful and energetic suicide!" ...Hmm, but it isn't my intention to cause trouble for anyone...

澄快「なんにせよ、一緒に飯を食ったャツの顔がトップニュースを飾るなんてオレはごめんだぜ！」 Sky: In any case, I really wouldn't appreciate the face of someone I've gone to get food together with turning up on the news headlines!

傾く太宰をなんとか手元に引き込もうと、二人は息荒げながら彼の外套や腕を引っ張る。 They were both out of breath as they hauled Dazai back up to the roof by his cloak and arm.

太宰治「やれやれ、そんなに怒る事無いじゃあないか……世の中には、ただ安全な場所から眺めたのでは知り得ない事があるのだよ」 Dazai Osamu: Really now, you don't have to be that mad...There are some things out there in the world that you cannot experience if you're comfortable with only looking on from a safe place.

ふと、太宰の顔が真剣さを帯びる。 His face switched into one of utter seriousness in a split second.

太宰治「権力を持ち高みに上る人間ほど、足元の些事には目を向けなくなる。この国で今、一番の高みに立つ者は……安全な場所から何を見ているのやら」 Dazai Osamu: The higher someone is, the more power they wield, the less likely they'd look and bother about trivial things. I wonder what's the person in the highest position in this country looking at now…?

澄快「それは……」 Sky: Well...

魔法科学の国・ダテン…ー。少し前まで王制を敷いていたこの国の政治制度は、王の側近が起こしたクーデターにより大統領制へと変わっていた。 The Country of Magical Science, Daten. The political system of this country had always been run by the Country's royals, but they had recently switched into a presidential system due to a coup d'etat by their aides.

含みのある太宰の言葉に一瞬、澄快の動きが止まる。 Sky froze for a moment as the weight of Dazai's words sank in.

中島敦「澄快さん……？」 Nakajima Atsushi: Sky-san…?

太宰治「……来訪者たる私達が出来る事など、たかが知れているがね。部外者だからこそ、気付ける事もあるはずだ」 Dazai Osamu: ...I'm aware that there's nothing we can do; but there are things one should come to realize and understand. Precisely so if one's an outsider.

澄快「太宰……」 Sky: Dazai...

惑うように揺れた澄快の瞳を、太宰は優しく見つめている。 Dazai watched with kind eyes as Sky's own wavered with uncertainty.

太宰治「却説（さて）、私が何を云いたいのかと云う話だけど…」 Dazai Osamu: Now, as for what I'm trying to say...

太宰治「……君達もいつか、私の心を理解してくれると信じているよ！」 Dazai Osamu: ...I'm sure you two will finally come to understand my way of thinking one day! I believe that you will!

中島敦澄快「良いからこっちに早く戻ってこい！」 Nakajima Atsushi: Alright, alright. Just hurry up and come back over here already!

真白の雲が、視界にほど近い場所を流れていく。 A pure white cloud floated into the edges of their field of vision.

近代的に発展した街の片隅で繰り広げられるささやかな喧騒は、澄み渡る青空の中へと溶けていった…。 The hustle and bustle of the modernly developed city was enveloped by the ever-reaching, endless blue skies above.

おわり The END

#夢100 #yume100 #translations #yume oukoku to nemureru 100-nin no oujisama #夢王国と眠れる100人の王子様 #otome #Memory Piece #Nakajima Atsushi #Osamu Dazai #Sky #Uemura Yuuto #上村祐翔 #Namikawa Daisuke #浪川大輔 #Miyano Mamoru #宮野真守 #BSD #bungou stray dogs #bungo stray dogs

47 notes · View notes

nanigma · 5 years ago

Text

Blue Lions Translation Chapter 2

I’m still doing this guys. Things just got a bit hectic for me, but it’s cleared up for now.

Going forward, I am going to rely on the Datamine website a lot, so I’ll be using screenshots from it as well. Having the portraits next to it should help put things more in context as well.

Again, I gotta mention that things are tight for me financially, so if anyone can spare anything, I kindly direct you toward my Ko-Fi Page.

Anyway, without further ado, let’s continue:

My comments in italics

Scene 1 Discussing the Fugitive Bandits

Seteth: Anyway, as has been discusses before, this time your task is the suppression of bandits.

Seteth: For students currently studying battle only as theory, experiencing actual combat will prove a valuable experience.

Seteth: Of course, the suppression will be handled under the guidance of the Knights of Seiros. The battle ought to further prepare the students.

Seteth: That being said, this is no mock battle. Be prepared to face an appropriate amount of danger.

Seteth: Wait to receive a message from the knights and then depart. Until then do not be carelss in your preparations. That is all.

Dimitri: This will be our first real battle. We are counting on you, Professor.

[Choose: Same to you] or [Choose: I am worried]

Dimitri: During the mock battle, your commands were precise. With you there, professor, we should be able to handle the suppression well.

Dimitri: There still seems to be some time before our departure. Right now, we have to do whatever we can to prepare.

Exploration

Dimitri

Dimitri: Seems we have been entrusted to suppress a group of bandits just after enrolling at the academy.

Dimitri: ... Hearing about the objective makes it sound all well and good, but it will mean fighting to survive. It's the same as war.

Dimitri Even with the support of the Knights of Seiros, we must brace ourselves.

The next section isn’t in the Datamine. Or at least not in the part I checked, so I got the script from elsewhere.

ディミトリ: 大修道院での過ごし方や戦闘について、まだ何か聞きたいことはあるか？▼

Dimitri: Is there anything about spending time at the monastery or battle that you wish to hear about?

[選択可: 教員研修]

[Choose: Faculty Training]

ディミトリ: 先生が俺たちを指導するのと同じように、先生方も互いに指導し合っているそうだ。▼ もしも興味があるなら、ハンネマン先生やマヌエラ先生から指導を受けてみるといい。▼

Dimitri: Just as the professors instruct us students, they also offer guidance to each other. ▼ If you are interested, you should accept instructions from Professor Hanneman or Professor Manuela. ▼

[選択可: スカウト]

[Choose: Scouting]

ディミトリ: 生徒の所属する学級は出身によって決まるが適性も、学びたいことも人それぞれだ。▼ そこで、生徒が希望し、かつ教師が許可した場合には、他学級への転属が許されている。▼ 修道院での活動を通じて生徒と仲良くなればそういった話も出てくるかもしれないな。

Dimitri: Though a student's affliation with their house is decided by their country of origin,each of them have their own strengths and interests. ▼ Meaning that if a student so wishes, while having their professor's permission, they can be allowed to transfer to another class. ▼ This might come up should you spend more time with students during monastery activities.

Back to better business

Dedue

(……近寄らんほうがいい )

(Speech Bubble: ... It would be best not to get close.)

Dedue: It would be best not to get close to me.

Dedue: ..Associating with someone from Duscur might lead to rumours and the like.

Felix

(気をつけることだ)

(Speech Bubble: You need to be careful)

Felix: Me and that boar prince have been inseparable since birth... no, even before that.

Felix: That's why I am warning you. ... That guy harbours a beast in his heart.

Felix: You can trust in his skill and animal strength, but you cannot put your faith in this man as a human being.

Felix: You need to be careful, so you don’t end up getting gobbled up as well.

Ashe

(僕もあんな大人に…… )

(Speech Bubble: Becoming an adult like that...)

Ashe: It is all thanks to my adoptive father, Lord Lonato, that a commoner like me was able to enroll at the monastery.

Ashe: He is strict yet kind, the very model of a knight... I like to think I'll be just like him someday.

Sylvain

Sylvain: So our first mission is about taking down some bandits, I see. Makes you think just how Lady Rhea values human life, right?

Sylvain: For example, there's my estranged older brother. That guy lost himself to bandits...

Sylvain: is something that could have happened at some point. Ahaha, well, I was joking though.

Mercedes

(ここは落ち着くわね～)

(Speech bubble: This place is so calming~)

Mercedes: The cathedral is so nice and quiet.~ Whenever I am here, I can let go of my worries.~

Mercedes: By the way, have you come to offer your prayers to the goddess as well, professor?

[Choose: That's right] (+Support with Mercedes)

Mercedes: My my, just the same as me. Shall we pray together, professor?

[Choose: I had no reason for coming]

Mercedes: My my, is that so? Since you are here already, let's pray together.

Annette

(甘いもの、辛いもの……)

(Speech Bubble: Sweet food, spicy food...)

Annette: To prepare myself for the day I'll be assigned cooking duty, I have to learn everyone's favourite and least favourite foods.

Annette: Professor, do you prefer sweet food or spicy food?

[Choose: Sweet food] [+Support with Annette]

Annette: Ahaha, just like me! I'll be sure to remember it!

[Choose: Spicy Food]

Annette: Spicy food... you really are an adult, professor! I'll be sure to remember it!

Ingrid

Ingrid: Me, Felix and Sylvain are childhood friends. His Highness too.

Ingrid: ... Felix and Sylvain are the worst kind of problem children. Please be careful with them.

The exact phrasing she uses is “Problem children among problem children” xD

Ingrid: Since I can remember, the second I take my eyes off of them, they're off to goddess knows where doing whatever they please.... haah..

The First Real Battle – Blue Lions

Dimitri: Professor, just now a message from the Knights came in. They have managed to gather up the bandits.

Ingrid: They seem to have cornered them just as planned. The location is the Red Valley, Zanado.

Ashe: We mustn't let such immoral bandits escape. Let's all work together and do our best!

Dedue: ... Whatever enemies we face, they will not lay a single finger on His Highness.

Felix: What a pain... We are facing simple bandits. I doubt any of them will pose a challenge.

Sylvain: Don't talk about it so indifferently. I am actually excited. I mean, hey, there could be a pretty girl among those bandits.

Annette: ... At any rate, this a great opportunity to see how we perform in a real battle.

Mercedes: That's true. We already did well in the mock battle, so if we act like before, we should be fine.

[Everyone besides Byleth and Dimitri leaves]

[Choose: Everyone seems to be having fun] ot [Choose: I wonder if we will do well...]

Dimitri: They are bit too excited, but... since we have the knights' support this time, it should be fine. ...

Dimitri: Ah, speaking of the knights, I heard Sir Jeralt had returned to the Knights of Seiros.

Dimitri: If we get close, I might be able to see him and you fight alongside each other again.

[Choose: It's not that exciting.] or [Choose: It's not really strange]

Dimitri: Is that so? ... That might be the case for you, professor.

Dimitri: To tell the truth, I am a bit jealous of you. My parents are gone after all.

[Choose: What do you mean?] or [Choose: They are gone?]

Dimitri: They died. Both of them. ... I was the only one to be left alive.

Dimitri: ... I am sorry for talking about something so dull. Let us depart now, Professor!

[Byleth nods]

Before the Battle

Dimitri: The Red Valley... This is the first time I've come here. I can see some kind of ruins, but...

Dimitri: ... No matter, let's begin, Professor. The bandits must have already been driven into the valley.

Kostas: ... Damn! It's the knights? I can't believe I let myself get chased this far.

Bandit: Boss, let's make a break for it already! There is no way we can win against them!

Kostas: ... You goddamn moron, where are we gonna run at this point? How can you call yourself a bandit when you’re scared to die?

The bandits have a pretty rude way of speaking, but I am not about to embarass myself by repeating it in English. They sound like thugs, okay?

1st Turn

Dimitri: According to our information, there is a short cut along the west side. How about we split into groups, heading both west and forward?

Dimitri: If we move correctly, I think we should gain the advantage in the fight with a pincer attack...

Dimitri: I will of course leave you to decide our movements, Professor. Either way, first we have to cross this bridge.

First time killing an enemy

Dimitri: No matter if they were bandits, this is something I can never get used to.

Dedue: ... I hope His Highness is all right.

Felix: You guys aren't worth killing. What, finished already?

Sylvain: Well, it couldn't be helped. Don't hate me for this.

Ashe: Had we hesitated, we'd be dead. ... So this is what a battle is like.

Mercedes: May you at least find rest at the goddess' side...

Annette: Thank goodness, I managed somehow.... Even I can fight... !

Ingrid: I mustn't drop my guard here. I have to prepare for the next enemy...!

Kostas vs. Dimitri

Kostas: You sheltered noble brat! You better shut up and die this time!

Dimitri: Unfortunately, I cannot do that. ... You will regret your actions.

Winning the Battle

Dimitri: We successfully dealt with the bandits. From here, we should listen to the knight's orders.

Dimitri: You did well, Professor. ... Your commands were excellent.

After Battle

During Sothis’ Memories

Dimitri: Professor? It's about time we returned to the monastery. The others have already assembled.

After the First Mission

Dimitri: We've finally arrived. Professor, I'll entrust you with reporting to Lady Rhea.

[Byleth nods]

Dimitri: .......... Over there, is that... Edelgard?

[Edelgard and Manuela appear]

Dimitri: Are the Black Eagles headed for their first mission? You can never tell what is going to happen in a real fight.

Dimitri: Even the worst case might happen. Take care of yourself, Edelgard.

Edelgard: No need to tell me. I wonder why you insist on worrying so much about me.

Edelgard: Could it be you are looking down on me? If so, I am disappointed in you.

Dimitri: ... That is not what I meant. If I offended you, I apologize.

Edelgard: ... Well, no matter. Professor, everyone is waiting. Let us go.

[Edelgard leaves]

Manuela: Oh my... Anyway, I shall be off as well. No need to worry, Dimitri.

[Manuela leaves]

Dimitri: .......

[Choose: Why are you so worried?] Instantly skips to the end

[Choose: Are you in love...?]

Dimitri: Haha, no way. Looks like even you can tell a joke sometimes, Professor.

[Continuing]

Dimitri: I will explain the circumstances later. ... Later, okay?

#3H #nanigma translates #blue lions

29 notes · View notes