#Web streaming app

[christyrdiaz]

In the growing world of digital media, podcasts have emerged as a powerful and engaging form of content. Live podcast streaming software is crucial in delivering content to a global audience. 

Podcast streaming software refers to the technology that allows the distribution and consumption of podcasts over the Internet. It facilitates the seamless streaming or downloading of audio content, allowing users to explore various topics, genres, and creators. 

[ekingston]

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

PLEASE check my later versions of this post via my main page to make sure you have the latest version of this post before you reblog. All the information I’ve been able to gather is in my reblogs below, and it's frustrating to see the old version getting passed around, sending people on wild goose chases.

Thank you all so much!

[maplemonarchy]

Also, like, I remember when phones couldn’t play complex apps, but they still had snake and breakout on them. (I think it was specifically my dad’s old blackberry? I just remember it was pre-2010.) Modern phones have apps, but older phones don’t have apps in that same way. Would that make older phones capable of playing video games, but newer phones only able to play adaptions of video games?

Another question would be if games that are cross-platform on phones, consoles, or PCs video games or phone adaptions of video games that connect to other video games. How would something like Among Us be classified in this case? What about Bejeweled? That started as a PC game and is very similar to Candy Crush. If Candy Crush was PC exclusive would it be a video game or an App that is a computer adaption of a video game?

I think BDG is right in his assessment, I’d only add clarifications for specificity. The New York Times crossword on the phone, old flash games like from the Veggietales and Lego websites, stuff like Wordle and some itch.io games I’d classify as “Web Games” even if they’re not being played on a website. Simpler experiences but they still have points and goals. You could debatably classify arcade games under here.

Stuff like Fallout: New Vegas, Temple Run, and Among Us would be something like the more traditional definition for a video game. It’s a game you can play on your video screen (tv, console, monitor, phone), but is more complex than web games.

Stuff like the original Zoo Tycoon and Day of the Tentacle I’d classify as “Computer Games,” you need to be on a PC or laptop to play these games. Games that require a mouse and keyboard. You could debatably also slot touch screen games here.

And the stuff like Fallout 76, Breath of the Wild, and Split Fiction I’d classify as something like, “High Powered Games.” Games that would probably not work to play on the phone, but will work on other higher powered devices. (Not a perfect term & definition, but it’s the best I’ve got right now.)

My suggested divisions are probs an exercise that is more distinction without difference, but that’s how I’d generally classify games. Honestly, better sub-definitions for what video games are would probably be based on how they’re played. (Controller, Mouse and Keyboard, Touchpad, Keyboard only, etc.) and then further subdivided by genre (another messy group of definition clusters)

What's a video game?

Watch the new episode now on Dropout

[rosiegames]

pretty annoying that you can’t watch someone’s twitch from psn app

[ibiixotechnologies]

Discover how artificial intelligence is revolutionizing the entertainment industry! In this video, we explore the innovative ways Epic Games, Netflix, and DeepMotion are utilizing AI to transform gaming, streaming, and animation. From enhancing user experiences to creating more immersive content, AI is at the forefront of entertainment technology. Join us as we delve into the future of entertainment and the incredible possibilities AI brings to the table. 🔍 Topics Covered: - AI in Gaming: Epic Games' Unreal Engine advancements - AI in Streaming: Netflix's personalized recommendations and content creation - AI in Animation: DeepMotion's AI-driven animation techniques

[tf-kinky]

The faint hum of Ninja’s streaming setup filled the air, a symphony of RGB lights and cooling fans casting an eerie glow across his room. It was late—too late for his usual audience—but this wasn’t a typical night. His chat buzzed with the usual fervor, though tonight, their hero wasn’t clutching a Victory Royale. He was clutching something far darker: a secret he’d kept buried behind his trademark grin.

Ninja leaned back in his chair, his fingers drumming against the desk as he stared at his phone. The app glowed on the screen, its icon a swirling vortex of black and purple. He’d stumbled across it weeks ago on some sketchy deep-web forum—a transformation tool, they called it. No one believed it was real, just another troll thread. But Ninja had tested it. A stray sock had become a mouse. A water bottle had morphed into a flickering candle. Small stuff. Harmless. Until tonight.

“Clix has been talking smack again,” Ninja muttered to himself, his voice low, almost drowned by the whir of his PC. The kid had been relentless—dissing Ninja’s skills, his age, his relevance. It wasn’t just banter anymore. It was personal. And Ninja had a plan to shut him up for good.

He tapped the app, its interface cold and minimalistic. A single input field appeared: Target. Ninja grinned, typing “Clix” with a deliberate slowness, savoring the moment. A second field popped up: Form. His fingers hesitated, then danced across the screen: Adidas Samba OG White Sneakers. Clean. Classic. Permanent.

The app pulsed once, twice, then a prompt appeared: Enhancements? Ninja’s grin widened. He wanted Clix to feel this. He typed: Heightened senses—extreme sensitivity. Full awareness. A final tap, and the screen flashed red. Somewhere, miles away, Clix’s world was about to unravel.

Clix had been mid-stream, trash-talking his chat with that cocky smirk plastered across his face, when it hit. A jolt—like electricity surging through his spine. His vision blurred, his limbs locked up, and a scream caught in his throat as the room warped around him. His body folded inward, shrinking, twisting, reshaping. Skin hardened into leather. Bones melted into rubber soles. His senses didn’t fade—they sharpened, excruciatingly so. The faint hum of his monitor became a deafening roar. The stale air of his gaming den stung like acid. And then—nothing. Darkness. Stillness. But he was awake. Aware.

He couldn’t move, couldn’t speak, but he could feel. Every fiber of his being screamed in silent horror as he realized what he’d become: a pair of pristine white Adidas Sambas, laces neatly tied, sitting in a sleek black box. The smell hit him next—packaging foam, faint rubber, and something distant, musky. Feet. Oh God, no. Clix’s mind recoiled. He’d always hated feet—sweaty, grimy, repulsive things. The thought alone made him gag, back when he could gag. Now, it was worse. He could sense everything.

A delivery drone dropped the box at Ninja’s doorstep within hours. No questions asked. The app had its ways.

Ninja peeled open the package, his eyes glinting as he lifted the sneakers out. “Well, well, Clix. Look at you now.” His voice was a mocking purr. He turned them over in his hands, admiring the craftsmanship. They were perfect—crisp white leather, black stripes, a faint sheen under the studio lights. He could almost feel the rage radiating off them. Good.

“Chat, check these out,” he said, holding them up to the camera. “Fresh kicks for the stream. Limited edition.” The comments exploded—Dope shoes, Ninja! Where’d you get those? He chuckled, slipping them onto his feet. The moment his socks brushed against the insole, Clix’s silent scream echoed in his own mind. Ninja’s feet—warm, slightly damp from hours in his gaming chair—pressed down, and Clix’s heightened senses erupted. Every crease of skin, every bead of sweat, every shift of weight was unbearable. He wanted to shrivel up, to die, but he couldn’t. He was trapped, forced to endure the stench, the pressure, the feet.

Ninja flexed his toes, smirking as he stood. “Comfy as hell. Might keep these on permanently.” He paced the room, each step a fresh torment for Clix. The kid’s disgust fueled Ninja’s glee—he could almost imagine Clix’s voice, whining about how gross it was. “Should’ve kept your mouth shut, man,” Ninja whispered under his breath, too quiet for the mic to catch.

Days turned into weeks. Ninja wore the Sambas everywhere—streams, workouts, even casual strolls outside. Clix’s awareness never dulled. The dirt from the pavement, the sweat from long gaming sessions, the occasional spill of energy drink soaking into the fabric—it was a nightmare without end. His hatred for feet, once just a quirky gripe, became his eternal prison. And Ninja? He never took them off. Why would he? They were his trophy, his silent victory.

One night, mid-stream, Ninja leaned down, brushing a speck of dust off the toe. “Still holding up,” he said to no one in particular. “Guess you’re built to last, huh, Clix?” The chat laughed, oblivious. But deep within the sneakers, a consciousness raged, helpless, drowning in the repulsive reality of its new existence. And Ninja kept winning.

Months dragged on, and the once-pristine Adidas Sambas began to fray. The white leather yellowed, the soles thinned, and a faint stench clung to them despite Ninja’s relentless wear. Clix’s heightened senses had cataloged every degrading moment—the scuffs, the sweat, the slow unraveling of his prison. Ninja barely noticed at first, too caught up in his streams, but one night, mid-rant, he glanced down and grimaced.

“These kicks are trashed,” he muttered, peeling them off with a flick of disgust. The chat spammed RIP shoes, oblivious to the weight of his words. He stood, holding the worn-out Sambas by the laces, their tattered form dangling like a defeated foe. “Time to retire you,” he said with a smirk, striding to the kitchen.

Clix’s mind raced—relief, dread, fury—as Ninja swung open the trash bin. The sneakers hit the pile with a dull thud, sinking into a mess of soda cans and takeout wrappers. The lid slammed shut, plunging Clix into darkness. The rancid stench of garbage replaced the torment of feet, but the reprieve was fleeting. His senses, still razor-sharp, drowned in the rot. Ninja walked away, already scrolling for a new pair, while Clix lay buried, abandoned, his silent screams lost to the heap—forever aware, forever trapped.

[mygaynesshasnolimits]

How to watch UCONN WOMEN'S BASKETBALL GAMES (streams added below)

NOTE: Watching via SNY or FOX, you will need to sign in through a tv provider/cable.

To watch SNY:

Source: https://sny.tv/info/live-faq

You must be in their broadcasting territory. you can't watch SNY outside of its regional territory, which includes New York, Connecticut, parts of New Jersey, and parts of Pennsylvania.

you must also be an SNY subscriber through a participating TV provider. List of providers: https://sny.tv/watch-now

If you meet these conditions, you're good to go!

To watch on FOX Sports (if you don't have SNY or live outside of tristate area):

Out-of-market fans (those who don't have SNY from tv providers and people who live outside broadcast region meaning other states) you will be able to stream UConn's SNY games at no additional cost to authenticated subscribers who have FOX as part of their television package. Users will need to sign in with their TV provider credentials at https://www.foxsports.com/ or in the FOX Sports app. The games can also be accessed at www.fox.com/sports or in the FOX Now app. Source:https://uconnhuskies.com/watch/search

Source:

About UCONN+ (website and app)

Unless noted UCONN+ (web and app) will ONLY have audio. This is because they do not have rights to broadcast games. And to my knowledge they also do not have rights to post replays either. They will live stream post game conferences though (not sure if for all games though.)

For everyone without access to SNY or FOX and international fans:

Theres no hope. lol just kidding. There is some hope. As of now (8am est) I've checked a few popular sports streaming sites(vipbox, methstreams, NBAstreams, sportsurge, crackstream, streameast and some iptv channels for sny) and unfortunately they don't have the game listed on their upcoming events but these sites do sometimes put up links under "basketball" and/or "NCAA" but those links only go up around game time (~30 min before tip off). unfortunately women's college isn't as popular as the men's 🙄 so it's hard to find. If I do find anything, I will post

Edit: stream links

This one has replay available:

Sidenote: please save and use the following uconnwbb's tv schedule to see which networks will air the games throughout the season

(thank you to the anons that shared the streams)

[aibidil]

I've decided I want to restructure my life to be as year 2000 as possible. Not fashion; everything else. So far I have the following, please reblog and add more ideas.

Buy CDs and DVDs (preferably from the grottiest little local shop you can find, run by a 60yo man who chain smokes and has an encyclopedic knowledge of all music/film), go to Blockbuster with friends on Friday night, for the rest, Napster illegally download

Start carrying the good camera again, not relying on the phone for photos

No subscriptions for delivery of basic items (Deodorant? Toilet paper? Electrolytes?). No, you cannot have a recurring transaction on my credit card, fuck off

Don't use AIM social media when out of the house (texting is ok, reading is ok)

Doctoring photos is ok but only if you use your illegally downloaded copy of Photoshop (and your self taught Photoshop skills) to do it

Web 1.0 supremacy; fuck apps. Bring back kitschy animated word art on websites

Insist that politicians like George W. Bush are the worst and do not allow relativism to make you forget or temper that basic truth

Amazon.com is a pretty cool website you might've heard of? For finding books you can't get locally, like books by indie authors who only publish there. It isn't anything else.

Browsing local bookstores and going to bookstore release parties whenever possible

The average amount spent on cable TV in the US in 2000 is $60/mo, and if you can afford it, that's what's reasonable to spend on cable/streaming, no more (video rental/DVD purchase not included)

Going to the movies (sneak in the snacks to save $)

Desktop setup: the ultimate computer setup involves a huge fucking monitor (ok if it's huge in width now, rather than depth as it was then), a computer that doesn't move around the house with you, a full size clicky keyboard with separate number pad, and components that never need charging. Ideally this is in a shittily renovated basement or even in the middle of the house/kitchen

Magazine subscriptions are sweet. Might I suggest Wired or Teen Vogue?

Queer rights: legal/marriage equality is important, yeah, but more important is challenging heteronormativity. Fuck it all up. Have you read Michael Warner's The Trouble With Normal?

Taxis and public transit and asking friends for a ride to the airport. Fuck the gig economy

Big pants

No ChatGPT. If you need help writing something, ask a friend

Reality TV can be fun, but only if you're watching with a group and being really unhinged about it together

The News is something that happens max twice a day (newspaper in the morning, up to an hour of evening news, preferably PBS NewsHour, which is free on YouTube)

There's no such thing as a weight loss drug

Going to a friend's house to play video games together

Things I'm keeping from 2025:

GPS

Tasty non-dairy options

Medical breakthroughs

Wearing a mask when sick or when illness is prevalent

High-rise trousers

Neurodiversity as a concept, and improvement in our understanding of disability

The limited strides we've made wrt fatphobia, transphobia, ableism, racism, homophobia, etc

Indoor smoking bans

[funkin-news]

ninjamuffin newgrounds post!

tl;dr

fuck ads!! use adblocker whenever you can!!

the crew tries to make fnf as ad-free as possible, not just the game but where you download it- it's why it's on itch/newgrounds and not anywhere that offers ad revenue

that being said, fnf mobile will likely have a free version which... will have ads. they will try not to make the ads too obnoxious

(there will be an ad-free paid version too!)

extra note from me, not the post: if you're an android user you totally shouldn't use youtube revanced and purpletv or anything for mobile youtube and twitch adblockers. it would be such a hindrance to the advertisers. ha ha

full post copied below ⬇️

greetings and merry xmas newgrounds

on my brain for a very long time has been advertisements. Something about ads that stick in my brain ever since I came across this little thing from Lichess.

In due time, unfortunately this post will become a bit hypocritical, as we will eventually publish FNF onto mobile, and that will very likely have a free ad supported version. Hopefully that doesn't undermine my thoughts too much, however FNF is more than just me and my brain! Not everything I say goes in terms of FNF decisions! So with all that being said, let me begin shouting about everything I hate about ads.

I use adblocker on everything, and you should too. UBlock Origin has been my reliable go to. Online ads are especially an insidious breed. I'll try not to be some tinfoil hat, but I do often wonder what the internet would look like if the online ad model *wasn't* fruitful back in the early days of the internet. Would Facebook, Google, etc. have an arms race to the bottom to get infinite amounts of data on every single person ever? Would social media algorithms optimize for a different experience other than *spend as much time as possible on our site*? Ads have existed before Youtube, Google, internet though. They exist on TV, on subways and buses, on radio, in newspapers. I think for the most part my deep hatred of ads is for online kind, I do think there can be "irl" ads that I find very unpleasant. Going on a subway or sitting at a bus stop, I think people deserve more dignity from their city public transit than to have something sold to them! I don't think an ad free life should be only reserved for those who can pay for spotify premium, youtube red, etc. I think everyone should be entitled to that DIGNITY.

X (the everything app, formerly Twitter ) has a Premium subscription that costs 10$/month (CAD), and they will only give you *half* the ads in your feed. How generous of them. I will be dramatic, and say that I look at ads with disgust. I hope to think I'm somewhat justified, as most ads look like dogshit, and are pretty worthless.

For a very long time (and currently, as of writing/posting) FNF has been entirely ad free. We did stand up to putting it on other web portals that offer ads and ad payments/rev share, because we do somewhat want to be part of the change we'd like to see in the world. We want to believe in a world where someone can put out a free game on itch/newgrounds, and have the development be supported purely off donations (which FNF was supported by that in the early days / first 6 months of development!). We definitely could have made much MUCH more money if we put FNF on websites that offer ad rev share, but we didn't, and I hope that doesn't fall on deaf ears.

However we do promote our own things from within the game, Kickstarter, merch, etc. I suppose I'm less upset or even thinking about that, I think there's a big difference if we had a lil Kickstarter trailer in-game that played, opposed to having an in-game advertisement for some fuckass mobile game or some cosmetics or somethin. We specifically are still curating what we are putting in the game with our lil links to merch, kickstarter, etc.

We also provide the soundtrack on Spotify / streaming services, which do indeed get money from ads. I think I'm so detatched from Spotify ads and being angry at them, since I've been spotify premium user even at the brokest poorest in my life... i need them album downloads!!! I do think that's an aspect where there is an adfree alternative, which is Bandcmap, where you can listen to the FNF OST as much as you want, and if you pay some coin, you can download it in high quality!

My thoughts on FNF mobile with ads is that they will make me very unhappy and deeply sad. I do sincerely apologize to those of you who would be unable to play FNF on anything other than a mobile device, and aren't able to get the full mobile version, so you become punished with ads. We do hope to not be obnoxious with mobile ads. If you have a computer, even a shitty busted one that runs slow, I personally hope you end up compiling the mobile version yourself to get past ads. The thought of that lets me rest easier just a little bit. The FNF will be proudly open source forever.

There will also be a paid version of FNF mobile, that will have no ads. Pay for that one if you please.

[maryellencarter]

YouTube Downloads through VLC: Step by Step

[EDIT: I've been receiving reports for some time now that this method no longer works. I suspect something about the switch to YouTube Music as a separate app, and/or YouTube's ongoing attempts to force Chrome use, broke the compatibility with the Github version of youtube.luac -- I haven't managed to look into whether there's an updated working version out there yet. Sorry!]

So this guide to easily downloading off YouTube is super helpful, but there's enough important information hidden in the reblogs that (with the permission of OP @queriesntheories ) I'm doing a more step-by-step version.

Please note: these downloads will be in YouTube quality. My test video download is coming through at 360p, even though the video I'm starting from is set to 720p. They're legible, but they won't look great on a TV. For high visual quality, you'll want to seek out other methods.

This guide is written for Windows 10, since that's what I can test on. It's been tested on Firefox, Chrome, and Edge (which is a Chromium browser, so the method should work in other Chromium browsers too). So far, I haven't tracked down a way to use this download method on mobile.

BASIC KNOWLEDGE:

I'll try to make this pretty beginner-friendly, but I am going to assume that you know how to right-click, double-click, navigate right-click menus, click-and-drag, use keyboard shortcuts that are given to you (for example, how to use Ctrl+A), and get the URL for any YouTube video you want to download.

You'll also need to download and install one or more programs off the internet using .exe files, if you don't have these programs already. Please make sure you know how to use your firewall and antivirus to keep your computer safe, and google any names you don't recognize before allowing permission for each file. You can also hover your mouse over each link in this post to make sure it goes where I'm saying it will go.

YOU WILL NEED:

A computer where you have admin permissions. This is usually a computer you own or have the main login on. Sadly, a shared computer like the ones at universities and libraries will not work for this.

Enough space on your computer to install the programs listed below, if you don't have them already, and some space to save your downloaded files to. The files are pretty small because of the low video quality.

A simple text editing program. Notepad is the one that usually comes with Windows. If it lets you change fonts, it's too fancy. A notepad designed specifically to edit program code without messing it up is Notepad++, which you can download here.

A web browser. I use Firefox, which you can get here. Chrome or other Chrome-based browsers should also work. I haven't tested in Safari.

An Internet connection fast enough to load YouTube. A little buffering is fine. The downloads will happen much faster than streaming the entire video, unless your internet is very slow.

VLC Media Player, which you can get here. It's a free player for music and videos, available on Windows, Android, and iOS, and it can play almost any format of video or audio file that exists. We'll be using it for one of the central steps in this process.

If you want just the audio from a YouTube video, you'll need to download the video and then use a different program to copy the audio into its own file. At the end of this post, I'll have instructions for that, using a free sound editor called Audacity.

SETUP TO DOWNLOAD:

The first time you do this, you'll need to set VLC up so it can do what you want. This is where we need Notepad and admin permissions. You shouldn't need to repeat this process unless you're reinstalling VLC.

If VLC is open, close it.

In your computer's file system (File Explorer on Windows), go to C:\Program Files\VideoLAN\VLC\lua\playlist

If you're not familiar with File Explorer, you'll start by clicking where the left side shows (C:). Then in the big main window, you'll double-click each folder that you see in the file path, in order - so in this case, when you're in C: you need to look for Program Files. (There will be two of them. You want the one without the x86 at the end.) Then inside Program Files you're looking for VideoLAN, and so forth through the whole path.

Once you're inside the "playlist" folder, you'll see a lot of files ending in .luac - they're in alphabetical order. The one you want to edit is youtube.luac which is probably at the bottom.

You can't edit youtube.luac while it's in this folder. Click and drag it out of the playlist folder to somewhere else you can find it - your desktop, for instance. Your computer will ask for admin permission to move the file. Click the "Continue" button with the blue and yellow shield.

Now that the file is moved, double-click on it. The Microsoft Store will want you to search for a program to open the .luac file type with. Don't go to the Microsoft Store, just click on the blue "More apps" below that option, and you'll get a list that should include your notepad program. Click on it and click OK.

The file that opens up will be absolutely full of gibberish-looking code. That's fine. Use Ctrl+A to select everything inside the file, then Backspace or Delete to delete it. Don't close the file yet.

In your web browser, go to https://github.com/videolan/vlc/blob/master/share/lua/playlist/youtube.lua

Click in the part of the Github page that has a bunch of mostly blue code in it. Use Ctrl+A to select all of that code, Ctrl+C to copy it, then come back into your empty youtube.luac file and use Ctrl+P to paste the whole chunk of code into the file.

Save the youtube.luac file (Ctrl+S or File > Save in the upper left corner of the notepad program), then close the notepad program.

Drag youtube.luac back into the folder it came from. The computer will ask for admin permission again. Give it permission.

Now you can close Github and Notepad. You're ready to start downloading!

HOW TO DOWNLOAD:

First, get your YouTube link. It should look something like this: https://www.youtube.com/watch?v=abc123DEF45 If it's longer, you can delete any extra stuff after that first set of letters and numbers, but you don't have to.

Now open VLC. Go to Media > Open Network Stream and paste your YouTube link into the box that comes up. Click Play. Wait until the video starts to play, then you can pause it if you want so it's not distracting you during the next part.

(If nothing happens, you probably forgot to put youtube.luac back. coughs)

In VLC, go to Tools > Codec Information. At the bottom of the pop-up box you'll see a long string of gibberish in a box labeled Location. Click in the Location box. It won't look like it clicked properly, but when you press Ctrl+A, it should select all. Use Ctrl+C to copy it.

In your web browser, paste the entire string of gibberish and hit Enter. Your same YouTube video should come up, but without any of the YouTube interface around it. This is where the video actually lives on YouTube's servers. YouTube really, really doesn't like to show this address to humans, which is why we needed VLC to be like "hi I'm just a little video player" and get it for us.

Because, if you're looking at the place where the video actually lives, you can just right-click-download it, and YouTube can't stop you.

Right-click on your video. Choose "Save Video As". Choose where to save it to - I use my computer's built-in Music or Videos folders.

Give it a name other than "videoplayback" so you can tell it apart from your other downloads.

The "Save As Type" dropdown under the Name field will probably default to MP4. This is a good versatile video format that most video players can read. If you need a different format, you can convert the download later. (That's a whole other post topic.)

Click Save, and your video will start downloading! It may take a few minutes to fully download, depending on your video length and internet speed. Once the download finishes, congratulations! You have successfully downloaded a YouTube video!

If you'd like to convert your video into a (usually smaller) audio file, so you can put it on a music player, it's time to install and set up Audacity.

INSTALLING AUDACITY (first time setup for audio file conversion):

You can get Audacity here. If you're following along on Windows 10, choose the "64-bit installer (recommended)". Run the installer, but don't open Audacity at the end, or if it does open, close it again.

On that same Audacity download page, scroll down past the installers to the "Additional resources". You'll see a box with a "Link to FFmpeg library". This is where you'll get the add-on program that will let Audacity open your downloaded YouTube video, so you can tell it to make an audio-only file. The link will take you to this page on the Audacity support wiki, which will always have the most up-to-date information on how to install the file you need here.

From that wiki page, follow the link to the actual FFmpeg library. If you're not using an adblocker, be careful not to click on any of the ads showing you download buttons. The link you want is bold blue text under "FFmpeg Installer for Audacity 3.2 and later", and looks something like this: "FFmpeg_5.0.0_for_Audacity_on_Windows_x86.exe". Download and install it. Without this, Audacity won't be able to open MP4 files downloaded from YouTube.

CONVERTING TO AUDIO:

Make sure you know where to find your downloaded MP4 video file. This file won't go away when you "convert" it - you'll just be copying the audio into a different file.

Open up Audacity.

Go to File > Open and choose your video file.

You'll get one of those soundwave file displays you see in recording booths and so forth. Audacity is a good solid choice if you want to teach yourself to edit soundwave files, but that's not what we're here for right now.

Go to File > Export Audio. The File Name will populate to match the video's filename, but you can edit it if you want.

Click the Browse button next to the Folder box, and choose where to save your new audio file to. I use my computer's Music folder.

You can click on the Format dropdown and choose an audio file type. If you're not sure which one you want, MP3 is the most common and versatile.

If you'd like your music player to know the artist, album, and so forth for your audio track, you can edit that later in File Manager, or you can put the information in with the Edit Metadata button here. You can leave any of the slots blank, for instance if you don't have a track number because it's a YouTube video.

Once everything is set up, click Export, and your new audio file will be created. Go forth and listen!

[probablyasocialecologist]

YouTube says it will intentionally cripple the playback of its videos in third-party apps that block its ads. A Monday post in YouTube's help forum notes netizens using applications that strip out adverts while streaming YouTube videos may encounter playback issues due to buffering or error messages indicating that the content is not available. "We want to emphasize that our terms don’t allow third-party apps to turn off ads because that prevents the creator from being rewarded for viewership, and Ads on YouTube help support creators and let billions of people around the world use the streaming service," said a YouTube team member identified as Rob. "We also understand that some people prefer an entirely ad-free experience, which is why we offer YouTube Premium." This crackdown is coming at the API level, as these outside apps use this interface to access the Google-owned giant's videos. Last year, YouTube acknowledged it was running scripts to detect ad-blocking extensions in web browsers, which ended up interfering with Firefox page loads and prompted a privacy complaint to Ireland's Data Protection Commission. And several months before that, the internet video titan experimented with popup notifications warning YouTube web visitors that ad-blocking software is not allowed. A survey published last month by Ghostery, a maker of software that promotes privacy by blocking ads and tracking scripts, found that Google's efforts to crack down on ad blocking made about half of respondents (49 percent) more willing to use an ad blocker. According to the survey, the majority of Americans now use advert blockers, something recommended by the FBI when conducting internet searches.

Download NewPipe, it's what I use on Android

[toxic3mmy]

Star Struck

prompt: you get a message from alex on tumblr

hai lovely peeps <3

this is gonna be a short little book type thing with a few more chapters to come

i hope you guys enjoy!

ps- ill try my best to update this series at least once a week!!!

you mindlessly scrolled through tumblr. yes it wasn’t 2015 anymore but you still used the app religiously. you had a good number of followers, too.

you posted about all the emo and alternative music you were into and not to mention the youtubers who you loved.

your number one favorite youtuber was alexis quackity. you related to him in many different ways. he made you laugh on days you weren’t doing too well. he meant a lot to you, even if you didn’t know him personally and it was all most likely just an internet personality.

still, you found yourself talking about his latest let’s talk streams or even his random tweets. you loved having a community of online mutuals that felt the same way about quackity.

____

halfway across the country, alexis sat cross-legged on the floor of his cluttered apartment, surrounded by a sea of empty takeout boxes and energy drink cans. his eyes were glued to the computer screen, the glow from the monitor reflecting off his square-rimmed glasses. his mouse hand hovered over the keyboard, poised to respond to the endless stream of comments that flooded his youtube channel. his thumbs danced across his phone, scrolling through the notifications that seemed to never end.

it had been a wild ride for alexis since he started streaming games and posting videos under the moniker 'Quackity'. the fame had come quickly, and with it, the adoration of millions of fans around the globe.

sometimes alex would take the time and look through his community of devoted fans. he would use throwaway accounts to simply be unknown for once and just see what there was out there.

his fans were so unbelievably talented. many of them were amazing artists making portraits of him or even writing songs for him. some were even exceptional writers and the fanfiction stories he’d come across were actually pretty good.

amidst the digital chaos, one fan seemed to stand out from the rest. y/n, with her username 'Y/NIsNotHere', had caught his attention with her thoughtful comments and unyielding support. He clicked on her tumblr profile, and there it was: a fan account dedicated solely to him.

her profile was a shrine to his digital persona, filled with meticulously edited gifs, screenshots from his streams, and heartfelt notes about how his content had changed her life. Alexis felt a strange mix of flattery and curiosity. he hovered over the 'send message' button, his heart racing with excitement.

what did she look like? what was her voice like? would she be as amazing as she seemed? with a deep breath, he typed out a simple hello.

granted, he was using a secret throwaway tumblr account so he didn’t expect for an immediate response. and yet, the response still came rather quickly.

Y/Nisnothere: hi! whats up?

emoboy666_: nothing much, just surfin da web. so you’re a fan of quackity?

Y/Nisnothere: yeah im definitely a huge fan. there’s just something about him you know? he’s different, he makes me feel okay

alexis’ cheeks heated up after reading the compliment. he smiled softly as he continued to message you

emoboy666_: i totally get you! it’s nice to be distracted from things

Y/Nisnothere: for sure! so tell me about yourself

emoboy666_: well, im in my early 20s.. im mexican, i love video games and art….. oh and you can just call me A

Y/Nisnothere: well im 21, im also mexican, im also really into all things artsy and nerdy and well, emo lol, and you can just call me y/n :3

emoboy666_: i’m glad we have some things in common! your blog is really cool btw, it’s like a hidden gem amongst the cyber world

Y/Nisnothere: aw thanks! that’s really sweet of you to say <3

emoboy666_: no prob (: so, what are you doing right now?

Y/Nisnothere: oh not much, trying to do homework but getting distracted by tumblr and twitter lol. and u?

emoboy666_: oh same here, what do you study?

Y/Nisnothere: i’m studying art

emoboy666_: that’s awesome! maybe you should show me some of your work sometime

Y/Nisnothere: yeah! id love to (:

emoboy666: me too (:

Y/Nisnothere: (: <3

the two of you continued to message each other practically all night. you were happy to have made a new online friend and alexis was happy to get to know one of his fans.

neither of you truly knew who was on the other end of the phone but you still really enjoyed talking to one another. it was refreshing for the two of you.

you fell asleep with thoughts of your new friend, A

[midnight1nk]

⭐️A few days ago...⭐️

Wow, what a wholesome episode! "The rosemary to my bread", dude, I hope my future partner will say that to me one day. Now that I had my weekly dose of silly, time to check the Puzzlevision website! Eh, I bet it's going to be the same as...

[*SCREAMING*]

WOTFI 2024 PREDICTIONS REVISITED

⚠️ DISCLAIMER IN INTRO POST ⚠️

An eye for an eye...

How are we feeling, SMG4 fandom? It's that time of year and many have speculated about WOTFI as well as what might come afterwards. Myself included with my previous theory posts, suspecting that something big is guaranteed to happen. And we didn't have to wait long.

On the 14th of September, just a few days ago, the channel's latest episode, 'SMG4 and SMG3 come up with an episode' was released. But what truly made the fandom lose their mind was the sudden change of the Puzzlevision website. If you need a refresher, here is what it looked like before:

It had:

[puzzlevision.tv] being the site title and URL

Mr Puzzles' logo

A central image that transitioned between a webp to a gif file and vice versa on certain occasions

(after choosing Save As option) the image already labeled as Now Airing

Now, there was talk about this that wasn't left originally, stating that the image (that used to be larger) now had a black border around it. At least, at the time. As someone who has worked with web design, there's actually a number of reasons why this is.

Depending on the resolution/zoom setting on your device, it might alter the site's layout.

As said earlier, the image alternated between a gif to a webp. All websites require a background color underneath all of its assets so the change in image/file size may have shrunk than what was originally. Especially if you are attempting to make it look seamless between the transitions.

Long story short, It's simply how web layouts are: formatting gets a bit wonky from time to time.

Anyway, as I already mentioned, the website has changed to this,

(supposedly someone said the password was "carnival")

Then, to this:

Changes include:

The title "War of the Fat Italians 2024" with a similar URL [www.wotfi2024.com]

SMG4 logo

A whole new layout design (obviously) which just gives off 'Greatest Showman' energy

And now we've come to the present day: fans have already submitted their minigame challenges and preparing for a carnival-themed adventure. For me and other theorists, though, we're having a field day. From the clues I gathered on the website and a few past episodes, I might be able to put together what the channel has for us this year. Let's revisit my "WOTFI 2024 Predictions"!

I already covered a lot in depth in my "Puzzlevision 2: Now Airing" theory [link] and I'll be referring back to it here, so I recommend looking it over if you haven't already.

THE WEBSITE

I was honestly surprised that I was right about a couple of things. The main one being about the website itself.

The people behind SMG4 didn’t need to put this image in, they didn’t need to keep this website on. But they did.

Well, past Ink, you nailed it. And according to Cube (FM), this is the same website host.

"don't read into it too much"

Cube, with everything going on, I might as well interrogate a website for memes' sake.

Wait, what's wrong with it?

The fact that the website is used for WOTFI of all things is what's so strange. All the previous WOTFI'S asked the fans to submit their challenges through the comment section or social media. No other option was involved until now.

Maybe they wanted to try something different like what they did for WOTFI 2023?

That's a good point. It was stated that they wanted to be more experimental with their episodes. But even then, the '23 stream they hosted was on their channel, on Youtube.

Maybe they didn't want it to go to waste? After all, sites can be expensive.

Again, it's a good point. Depending on the domain they used and the apps connected to the site, it can be costly. However, I do want to iterate what I said earlier: they didn't need to keep this website up. Better yet, if they didn't want to raise any flags, why not keep the site how it originally was with the "That's all folks!" image? Why the change? Which brings us to our next point,

WHO IS THE REAL SMG4?

Let me explain...

After the change of the website, we got this post,

This brings up a lot of questions:

Who sent the letter?

If we can assume that's Four's hand, why did the post say "you" as if there is a narrator?

If Four had no idea about a carnival coming to town, then why would he ask us to submit challenges for a carnival he's supposedly hosting?

Well, they're pretty easy to answer. We already established that Marty would come back to be the most likely antagonist for WOTFI. I mean, this cardboard cutout managed to own a pizza shop, a casino, an airline company, and a spaghetti sauce brand. It wouldn't be a surprise if he also happened to own a carnival. But as I said in previous theories, Marty isn't working alone.

He's working with Mr Puzzles.

Mr Puzzles was the one who sent the letter to SMG4 just as he did for Wren in Western Spaghetti (indirect or not). It hasn't exactly shown if the letter had his seal on it. Not that it needs to anyway, they would recognize his logo and know they can't trust what's inside this envelope.

Remember how I said in my previous theory that one of the ways Mr Puzzles could control SMG4 was for our blue meme lord to be his eyes and ears? In the latest episode, SMG3 comes up with the idea of a carnival coming to the showgrounds for a week, and SMG4 wanting to go on the baby teacup ride.

Mr Puzzles was there, listening to every word they said to each other. He has been since "SMG4: Inside Out".

Could it just be purely by coincidence and just something out of improv? Sure, the SMG4 & SMG3 side episodes aren't really connected to canon. But like, c'mon, the channel knew what they were doing. Everything has to be put into consideration.

If that's true, the narrator could be Mr Puzzles, the second voice inside his head. Or, for those who love the goop!4 theory, the voice could be the demonic goo slowly taking over.

Now, back to the post!Four and site!Four. If we can assume the Four from the post is our Four, then the one impersonating Four would be Mr Puzzles, once again controlling the events in WOTFI. This time, using his website. Like Cube said, Mr Puzzles is the same website host as before. Also, look at these two:

It would be too obvious if we see a PNG of Mr Puzzles on the website again so why not impersonate his narrative foil. Well, at least look dapper while you're at it.

Or, even better, Four does know about the carnival but either the goo or Mr Puzzles are erasing certain memories.

A GAME OF WITS

Speaking of the website, let's analyze the description:

Step right up, WOTFI is coming to town and we need your challenges but this time...WITH A TWIST! We're doing a carnival theme this year and we want challenges named like a minigame and a description of what they are! For example "Whack a Bob - Who can smash bob with a hammer first?" OR "Pizza Pie Peril- Survive giant pizza's raining form the sky' Guidelines - Please only 1 challenge per person - Nothing inappropriate - Please add your internet profile name in the 'name' field below Thank you and see you soon!!! -SMG4

Carnival theme, huh?

Well, last year's theme made sense. Three's notebook was stolen and was risked of getting leaked. With the casino being heavily guarded, Four and Three had to sneak in. A secret mission to take back a secretive object.

If this WOTFI has Marty and Mr Puzzles working together, then It would make sense for a businessman and an entertainer would come up with something like a carnival. The best of two worlds: fun and capitalism. Besides, the Showgrounds would be a perfect place to host it since it used to be an abandoned carnival and Mr Puzzles having something to do with the land ownership.

[SMG4: Our New Home // timestamp: 5:38]

Now, what is peculiar is the use of the term "minigame".

Ink, it's a carnival. You have to stick to the theme of carnival rides and games.

Fair, but this is WOTFI we're talking about here. If you win a challenge, you get closer to the end and win a point for your side. For WOTFI '23, every choice impacted the story and therefore the ending. If the SMG4 crew plays and wins these minigames, what do they get in return? And if they lose, would there be a punishment?

It will entirely depend on how WOTFI would play out, in three scenarios:

Marty is revealed to be behind the carnival at the beginning of WOTFI and the Crew learns that, in order to reach him, they have to win some mini-games.

Marty isn't revealed until the near end. The Crew only came because they wanted to have some fun for the day but learned that this was a sort of trap created by Marty (along with Mr Puzzles but they don't know that yet).

OR BONUS SECRET OPTION

Both Marty and Mr Puzzles revealed themselves to be the ones hosting the carnival, meaning it's less likely that Puzzlevision 2 would happen unless something else happens.

Then, there is the phrase "WITH A TWIST". Sure, it could mean that it would be different than our regular old WOTFI, just as it happened in 2023. But WOTFI 2023 also revealed the twist that Mr Puzzles was actually the one orchestrating the whole thing, sending the fax to Marty about the secret recipe and his theme scattered in the background in multiple episodes. We might get a twist by the end of this year's WOTFI as well. Bonus points if we hear a version of his theme again.

Back in my Puzzlevision 2 theory, I predicted that the final battle with Mr Puzzles would happen back where it all started. With the carnival coming into the Showgrounds, it comes back full circle.

ONE STEP CLOSER

There isn't much to change from what I predicted:

Karen would be a key character for WOTFI this year. Maybe Karen just wanted her kids to have fun for the day, or even the corporation, her former workplace, gave her a tip that Marty would be there.

The Crew would have to find Marty's absolute weakness since he's technically invincible.

And possibly Pedro coming back to assist the Crew somehow.

But now I have a new prediction, based on the latest episode:

SMG4's and SMG3's relationship would change to a whole new level. That Four may need Three for something or if Three realizes something about himself, it would change their dynamic regardless.

It's really similar to how it was for WOTFI 2023 with small bits here and there all coming back to a single episode. (The notebook, the duo's meme guardian powers, Four's forklift, Three moving out of the Internet Graveyard, etc.)

It's still too early to confirm anything, but at the very least, we now have some idea what WOTFI may be about as well as evidence to back up some of my theories.

Will we get goop!4? God, I wish. I was listening to "Friends on the Other Side" and I was just imagining scenarios of Mr Puzzles taking complete control of Four with the goo. If it doesn't happen for whatever reason, I'll write it myself.

Oh well, we would just have to wait and see. In the meantime, that’s just a theory…

AN SMG4 THEORY

🎶Thanks for dropping by🎶

[saturdaynightspecialpresentation]

Let's Watch Libertarian Propaganda for Children for Some Reason

Hey everybody, look, it’s the Tuttle Twins!

Yeah, there they are. Zooping around on their time machine.

The Tuttle Twins is a streaming show from Angel Studios, the independent studio behind Sound of Freedom and various Christian and Christian-Adjacent movies. They’ve got some movie about Jesus out right now.

No, you can’t- The Buddy Christ thing isn’t- You don’t- 

Anyway, although I first heard about this cartoon from a youtube channel called “Fundie Fridays” The Tuttle Twins isn’t a Christian propaganda cartoon, it’s a Libertarian propaganda cartoon.

One that teaches kids how to buy Bitcoin!

After watching just the episode about Bitcoin, I wanted to watch and talk about some more episodes. And I sketched out a bit of an intro explaining what Libertarianism is in the minds of the people who created this show, but then I had a second thought.

“Am I just describing a straw-man libertarianism? Am I just paraphrasing these ideas in a way that I find easy to refute? Have I become the very Tuttle Twins I was trying to defeat?"

And then I watched the very first episode and their description of what they believe is pretty much word for word how I was going to explain it.

And hey, they put that episode up on youtube, we can watch it together!

(You can also watch season 1 and 2 and most of 3 for free on their slightly wonky app or web site, but there are a few full episodes on youtube as well)

Or you could skip it and read my amazing summary below!

Anyway, after a brief cold open that sees the twins hurtling through dimensions, and a pretty cute gag we cut to our entrepreneurial twins selling lemonade. The science-minded Emily is using it fund a trip to science camp, and Ethan is using it to fund his purchase of an enormous gummy bear. 

Until, that is, they are confronted by Karinne.

Likes: Fiat Currency, Communism, sweater vests. Dislikes: Freedom

I gotta be honest, I don’t totally get Karinne, she’s kind of a foil or frenemy for the main characters, and she comes off kind of preppy coded, sort of the snobbish rich kid used to getting what she wants, but y’all are libertarians, you shouldn’t be shaming her for the fact that her parents are Randian producers. 

Honestly I am eternally fascinated by kids show characters whose job is to be constantly wrong, but after watching a few episodes I don’t really have a clear read on her. Sometimes she tags along on an adventure and acts as an ideological foil for the kids, but so far I've seen her argue for fiat currency, religious intolerance, the NSA, and using the power of the president for self-enrichment. So... Uh... Not the raging communist I was lead to expect, put it that way.

Also there is a running joke for the first season where people keep pronouncing her name “Karen” and I don’t know if the joke is she’s supposed to be kind of a Karen in the slang sense? But honestly when I picture the kind of mother who would show this show to her kids… People who live in glass houses shouldn’t throw stones, that’s all I’m saying.

Anyway, it turns out Karinne is the president of the “Cul-de-sac Kids Club” and last night she held a meeting to amend the laws of the kids club to allow the president to have as much lemonade as she wants, so she has some lackeys just cart away all of the lemonade, leaving our heroes without a way to earn money in the glorious American free market economy, what with the means of production having been confiscated and all.

The good news, though, is that Grandma is moving in! Along with her pet, and very specifically not tame raccoon Derek, who was banned from her previous dwelling by the HOA because, quote, “HOAs are full of communists”. Someone should put that on a shirt and sell plush toys of that raccoon.

I do enjoy the fact that her first impulse on hearing that Karinne is going to confiscate the lemonade is to slingshot a bar of soap at her head:

Don’t worry, she doesn’t actually assault a child.

Anyway, that night as the twins are lamenting the loss of they hear the noise of an acetylene welding torch coming from their grandmother’s room.

It turns out she made her mobility scooter into a gadget-laden time machine, so our show has a premise now. Huzzah!

After a series of actually pretty good gags, the kids end up in France, 1848 to meet with Frédéric Bastiat, who I was not previously aware of but who appears to be one of the founding figures of modern libertarian ideology.

Apparently American politics these days are all your fault you french son of a gun. Also wow they drew your hand wrong in this frame.

And he describes what I was going to describe about the libertarian moral foundations of this show.

“My book is about the idea that laws should protect our God-given rights or ‘Natural rights’. Having rights means there are some things you can do, and nobody is allowed to stop you!”

Specifically, rights to life, to liberty (Meaning the right to do what we want so long as it doesn’t take away another person’s rights) and to own property.

And to be clear, and this is explained later in the episode, these are very negative rights. The role of the government is not to ensure that you have any specific amount of property, liberty or life. Rather, you have to gather as much as you are able by your own lights, and the government’s sole role is to prevent other people from taking whatever property you have or abrogating your liberties or killing you.

Does that mean that taxation for the public good is the same as theft?

You betcha, which is what we learn in the next part of the show. A part which is largely so boring that I can't be bothered to screencap it.

The time machine runs out of “Knowledge Juice” and strands them in an Old West Town. Knowledge Juice is the fuel for the time machine, it’s a green goo that goes down when they travel through time, and up when they explain that they’ve learned something. And it’s a plot device that I think they eventually get rid of just because it gets kind of redundant.

Actually I’ll just sort of go over the formula of the show. 

The kids have some more or less relatable real world problem;

Grandma takes them back in time to meet a historical figure who tells them about some libertarian principle;

On the way back the time machine runs out of knowledge juice in some fantastical situation;

The kids solve the situation using their new libertarian knowledge;

They refill the knowledge juice reserves by explaining what they learned;

They then go back home and use what they learned to solve their ordinary kid problem.

Just from a story structure perspective the part where they refill the knowledge juice is extremely redundant; It would be more elegant to just have them explain the lesson to the other kids when they solve their problem at the end of the episode. I think eventually they figured that out.

Arguably, if you really wanted to condense things you’d have the kids go on a historical adventure with the historical figure, then come back to the present and explain what they learned and apply it to their current situation, but the reason they have sections 3 and 4 is because those are usually where the crazy cartoon stuff comes in, they end up in some alternate fantasy dimension or shrunk down and fighting a worm war, or something fun like that.

Except for this pilot episode, where parts 3-5 just take place in a generic old west town. Not really starting with a bang honestly.

Basically, the Sheriff fights off two cattle rustling bandits, who then return in the guise of tax men, taking cows away from an innocent rancher to use for business subsidies and charity, which isn’t fair because the law is supposed to protect her property, and anyway the rancher gives cows to charity sometimes already.

Since taxation is theft, the kids lobby to get the laws changed, and after an amusing title card that says,

The whole town has voted to repeal the taxes and they capture the rustlers, huzzah!

Anyway, the Tuttle Twins go back home, and call an emergency meeting of the Cul-de-sac kids club to hold a vote to repeal the law that allows the President to have as much lemonade as she wants. Of course, the vote goes their way…

Which is when Karinne reveals her trump card, which is that the club by-laws allow the President a unilateral veto over any proposed amendments to the club rules.

Furthermore, she points out that the Kids Club is not a government organization, but a private one which is simply a contractual relationship that the twins entered freely. And since the government’s job is to enforce contracts and protect private property, the twins will be arrested if they try to violate the contract by taking any of Karinne’s honestly earned lemonade.

Yeah kids, that’s right. Have grandma teleport you back to talk to Murray Rothbard, he’ll explain it to you.

Okay okay I made all that up. I'll stop arguing politics with a children's cartoon.

They successfully overturn the rule but give everybody in the club a glass of lemonade on the house anyway to show there’s no hard feelings.

So, this episode is not that out there. Something I can’t get across in summary is that there are a lot of classic cartoon gags, and a lot of them land. I’ve watched a few episodes of this show now and smiled at a lot of gags and laughed out loud once or twice. As much as I don’t agree with a lot of the ideology behind it it’s not something that was tossed out there.

The animation quality of any given shot varies quite a lot, but there is some attention to the animation, visual gags and comedy timing as well as some funny writing. This isn’t a half-assed scam or complete amateur nonsense, this is clearly made by people who are trying to make something genuinely good outside of its propaganda purpose.

That said, I obviously have some issues with the show.

Honestly going in I thought my biggest problem with this show would be ideological disagreement. And don’t get me wrong, there’s some stuff in this show that I strongly disagree with, but there are quite a few episodes with perfectly fine messages. There’s an episode where they get into a prank war at science camp and eventually it starts wrecking the science projects so Ghandi teaches them about de-escalation. Rosa Parks talks about civil disobedience and how sometimes you should disobey unjust laws, but you should always be aware of the consequences beforehand and think carefully about how and when you should do it. There’s an episode where they talk about respecting different religious traditions and how the government shouldn’t mandate or prevent any religion.

I agree with all of that, even if some of that is something that kids won’t really get to put into practice much.

My big problem is that even though there are gags in the historical parts, this show suffers a problem that a lot of educational shows do, which is that it feels like it stops dead to lecture you about something and you have to just sit through that until the fun bits start up again. The historical figures tend to be heavily simplified in a way that some people might object to, but I think the bigger issue is that this simplification makes their stories less compelling.

You’re not so much living through a recreation of the exciting things the historical figures did so much as listening to them talk about what they did. It’s a real “tell, don’t show” approach that makes about a third of every episode really kind of dull unless it’s one of the episodes where what they’re telling you is batshit crazy.

So if you’re going to watch it for camp value, I really don’t recommend starting with the first episode or trying to watch it in order, I’d just scan the episode summaries and watch one that sounds crazy to you. There are at least two that try to sell Bitcoin to children. There’s a few genuinely bananas episodes and ideas to gawk at if you’re into that kind of thing like I am, but there’s a lot of fairly bland episodes.

And talking about how viewers will view the show…

I have had to accept in my heart that I have no idea who this show is made for.

It has a lot of parallels to American Christian pop culture programs, but like, okay, so right-wing American Christians have built this entire parallel media ecosystem because they’re paranoid that Hollywood secularists are going to corrupt their kids with secularism and paganism. I knew a guy once who said when he was a kid his parents made him stop watching Tiny Tunes because they saw one of the characters meditating, but that’s okay, he could still watch McGee and Me.

Now, I don’t agree with that kind of strict parental thought control, it is at least internally consistent. A lot of parts of the Bible are about devout Godly people being corrupted by worldly concerns or religious apostasy, going at least back to the worship of the Golden Calf in Exodus. And the right wing Christians who are worried about media corruption think any deviation from their theology is a threat to a person’s immortal soul.

So the impulse to shield your child from any media that even slightly questions or contradicts your own views isn’t good, but at least it’s theologically consistent and in keeping with the Bible.

Meanwhile, if you find yourself saying, “As a staunch libertarian and tireless advocate for personal freedom, I believe in strictly controlling what my children are allowed to watch or think.” Like…

You know come on and think for a second about what you’ve just said.

The kind of paranoia about controlling your children’s worldview that would make someone want to watch this really doesn’t seem to me to be in keeping with, well, uh, the actual values espoused in the show.

So I kind of don’t know how to feel about it. Personally, I would never expose a child to this on purpose unless they were old enough to ask some very critical questions about what they were hearing.

On the other hand, when I imagine the kind of person who is going to show this to their kids… I kind of almost wonder if most of the other stuff those kids are seeing is a lot worse. I can kind of imagine a very earnest child taking this stuff seriously enough to start questioning some controlling parent or religious authority.

So I really just don’t know. If anybody has any insight into the culture of the people who watch this kind of thing, I’d be really curious.

[skekthesilly]

i cant wait to go home and download(?) those thingies yoy showed me. huzzah!!!! now i can make horrible music. also another question. can i. is it possible to make music in the same style as uhhh lets say... roly polys no nanakorobi or dave and bambi golden apple edition the big dingle. like yknow that style mhm yeha. we love those kinds of musics and that style. its consuming us god please bless us with the fl studios text to speech synthesizer voice sobs starts clawing at the walls -🏙️

BARKS AT YOU BARKS AT YOU BARKS AT YOU ROLY POLYS NO NANAKOROBI YAOKI MENTION??????????? /VPOS AUGUARGARUGARUARHRGHARGAURGH

anyways!

you don't have to download anything! unless you decide to use bandlab and you're a mobile user - there's an app for bandlab on mobile. but other than that, everything's web-based!!! yaaayyy!!!

oh it is absolutely possible to make rpnny/dnb type music. on bandlab, probably, since you can upload your own audios. beepbox? more complicated, since every instrument has to be made from scratch - but it is absolutely possible! it's really not a question of IF it's possible, it's more of a question of if YOU can do it. because it is absolutely possible but you've gotta really know what youre doing. i would know i tried to remake bandu's verse in applecore in beepbox. not exactly rpnny style but yaknow. a showcase of what can be done:

casually shows off my scratch. please dont look at anything else this account was made during our "edgy phase" we regret everything on here. because its cringe. shivers in fear

theres a program with the funky voices!!! its free and completely safe!!! also very fun to play around with. not the EXACT same but close enough. and has the same vibe methinks:

hope this helps 😁😁😁😁😁

[demifiendrsa]

The ongoing "Egghead Arc" of the One Piece TV anime will be going on hiatus until April 2025.

The live-streamed "One Piece News #1" special confirmed that the television anime is changing what will air in its regular Sunday timeslot until March 2025 to "recharge." The Jump Festa 2025 event will announce more details on December 22, 2024.

The One Piece Fan Letter special will instead air on October 20, 2024, followed by a special edited version of the Fish-Man Island arc starting on October 27, 2024.

The special edited version will feature retouched art, detailing, color shading, lighting, and special effects to previously animated scenes, as well as a Dolby Atmos soundtrack.

A secret "special guest" will sing a new version of the "We Go!" opening theme song for the special edited version. BE:FIRST, a boy band whose members are all self-professed huge fans of One Piece, is contributing the ending theme song "Sailing."

One Piece Base, a smartphone app with a manga viewer and other content from the entire franchise, is launching on Sunday within Japan, and is slated for release outside Japan in 2025. Fans who scan bar codes from select One Piece merchandise into the web version of the app will receive points for unlocking chapters to read. The app's Nigaoe Maker (Portrait Maker) service will turn fans' facial photographs into art in the style of Oda.