#and reading her story

[heartstringgs]

robin cross. robin. i know something will come out of this if I was a person with the ability to form coherent original thoughts but for now I will let her potential stew in the back of my mind

[poorly-drawn-mdzs]

Penelope's final gambit, you will always be famous, no matter the subtext.

[occudo]

A fish out of water story I just remembered last year I did some siren!jon and selkie!martin, so here is some more of them, for the end of May

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[lunarwednesday]

Barely made it in time! Yoo Sangah is reading the english version out loud to them ^_^

[remcadll]

Thinking about outsiders 2003 #44-46 again. And just outsiders 2003 in general. Also this post happy pride month

Specifically had this panel in mind, look at them hanging out and displaying terrible trigger discipline <3 Jason is a reliable source :)

[theshadowrealmitself]

I think the first story I read about time traveling that takes the earth’s movements into account, I read back when I was a kid, and who knows how long before that it was published

But it was an anthology of short horror stories, and if I remember correctly, it was these 2 kids who befriend this scientist (or the boy was the scientist?) and the scientist is like “I’m pretty sure my machine works but idk why nothing I send to the future shows up”

And then the girl is like “I’m going to go into the way future, where I belong” (cause she was like the “I was born in the wrong generation” kind of person) and she does it as the boy realizes what’s going on, that the machine does work, but it really does transport whatever/whoever goes into it in the exact same spot in space, instead of moving with the earth

And the last scene was the girl floating in space, having gone so far into the future that everything had moved away, and the sun and planets were long gone

[rubyfunkey]

GitM => @venomous-qwille

bots on the brain (other gitm comics here if it pleases the court)

[bayetea]

I hate the "as a girl whose grandmother was a slave, can I just say not cool?" line from hazel in moa it's the worst line of dialogue rick has written in his life. But like what the fuck. what kind of insane lore drop is that. hazel's grandmother was an enslaved woman. marie levesque cast a spell to meet the god of riches so that she could finally know what it was like to live beyond the indigence and suffering of her mother. marie wanted to be a queen, not a slave like her predecessors. she wanted pluto to give her all the riches beneath the earth

and then the earth enslaved her body. gaea possessed her and through gaea's influence marie forced hazel for six months to overexert herself to the point of collapsing to raise and reanimate alcyoneus. gaea worked hazel like a slave

it's so explicit here. this is SLAVERY. gaea was using hazel's forced labor for material wealth and power. she was only 13. her grandmother was used and her mother was used and hazel herself was used, they were black women exploited for what their bodies could provide in service to the hideous intentions of monsters in power over them. hazel broke free from the cycle and saved the world all by herself by choosing death - it was the only way out

and even in her second chance at life she's actively fighting to die again. she's an instrument of the gods being used to achieve an end that is supposed to kill her. she was convinced that freeing thanatos would result in him taking her life. she didn't know throughout hoo if her father would kill her when the main quest succeeded. even nico didn't think hazel was going to live. she didn't WANT to die a second time. but she fought for the world and for her friends anyway

by the end of marie's life she was only skin and bones. gaea used her body until she didn't need it anymore. marie was the daughter of an enslaved woman who dreamed of being a queen and instead the earth goddess robbed of her life and dignity. and her soul would have been tortured further in the fields of punishment if not for hazel's unfathomable selflessness and bravery to negotiate for mutual asphodel. hazel never even saw marie again after that. what was it that doomed the levesque family? that marie asked the god of death and riches for too much? she deserved even more than what she asked for. I'm fucking sick no one talk to me

[inkedinserendipity]

one of the reasons i think that the murderbot diaries’ emotional moments hit so hard is because of a scarcity effect that the author has set up really, really well.

because, like—murderbot, as a character, is an answer to the question how do you “show and not tell” emotional moments from the lens of a character who point-blank will not acknowledge any affection directed their way. or, instead of overtly stating that characters are friends (“tell”), how do you demonstrate it with text (“show”)? well, most authors go ham on characters smiling at each other, laughing, joking, expressing reciprocal loyalty.

murderbot does none of those things. murderbot probably never smiled before preservation, and definitely didn’t laugh. (this is only partially an exaggeration.) telling jokes? hell yeah, MB’s funny as fuck. to other people? hell no. that would require conversations and it’d rather die, thanks.

add that to the fact that murderbot treats any expressions of affection toward it—internal and external—like being bit by a snake.

so you have this character + writing style that bars most conventional ways of establishing relationships between characters. you also have this character who is basically incapable of feeling any sort of reciprocated, positive emotion toward itself. so what do you do?

you work around your character. murderbot will never pick up on affectionate body language. it hates hugs. every sentence it hears passes through about fifteen different filters of self-loathing. so you make your relationships clear, and when you hit, you hit hard.

you summarize snapshots of characters panicking about the main character getting hurt. you drop your character’s performance reliability (and their walls) and have them banter. you have your character walk in on the tail end of conversations that expose concern for it.

and then you do things so overt that even your shit-self-esteem character can’t talk its way out of. you have its friend tell it directly that it can’t lose it too. you have its friends accommodate it and understand it without it directly expressing a single need. you have its friends stand up for it in conversation when it is too tired to do so. and then, when you really want to hit, you have your character pretend to be physically compromised rather than have to feel one (1) positive emotion toward itself.

positive emotions toward itself can’t really pass through murderbot’s walls. so you have to establish relationships by beating your main character over the head with them. and it can’t be all the time—because that’s not how relationships and emotional recovery, yknow, works—but it can be sometimes, and it can be very powerful, and that is why i think murderbot diaries in particular is very, very effective.

[clj-art-blog]

DFQC (Yuezun Daren), XLH (Goddess Xiyun), SQ (just sweet puppy Shangque as always) and very insignificant YZ Fanfiction from @bellesdiaries

"Repatriation"

For the @lbfad-minibang

[spicyraeman]

Goot morning, have a cozy sketch

[violecov]

((Finwe and Feanor (and baby Nolo) go on a long walk)).

This took me way longer than expected :00 . Anyway, here is a slightly ~Winter~ themed story.

Hope you guys like it!!

[margaretkart]

*angst emerges again* (tw SA)

A particular character from Greek mythology i often see gets overlooked is Cassandra from Homer's Iliad. Particularly how her story showcases a very flawed, deeply in pain character that went through a lot, her most brutal moment being her assault from Ajax the lesser. Inside Athena's temple no less which caused a massive uproar for the hubris he committed

His end was justified. Both Athena and Poseidon delivered his doom for his crime. Still Cassandra's pain wouldn't be so easily healed because the internal scars would run deep. This is an unfortunate and raw mirror to the damage war causes to the civilians that are caught inside of it. How much war brings out the worst of humanity seeing through the eyes of the victim.

[comfied-chriterature]

IT IS SO IMPORTANT TO ME THAT HYUNA, who was presumably forced to be an Idol for the alien stage and definitely suffered in her past for it, stills wants to sing for other humans even after escaping. She wants to spread music purely for music's sake, to get people hyped up and cheerful, because she loves singing and wants her audience to love singing and see it as smth fun and not just a talent the aliens abuse for sadistic entertainment. She's redefining singing despite how it's treated her and it's kinda beautiful and wholesome.

[heyimkana]

kana are u just making a multiverse of jinwoo's at this point?? how many do you have???? - 💸

Literally what I listed in the last ask you sent me LMFAOOO maybe around 20???

There’s also Homewrecker!Jinwoo actually, though not in the way you think 😏

It’s about reader who’s married and has a four year old daughter, but both of them are being abused by her husband.

One night, when her daughter got sick, she took her to the hospital to make sure she was okay. Coincidentally, that was the same night Jinwoo visited the hospital to give the Elixir of Life to Jinho’s dad.

Jinwoo, reader, and her little girl stepped into the elevator together. But then, the lights flickered and suddenly everything went dark. They were trapped inside the elevator.

The little girl started crying, scared of the dark. Let's say her father (reader’s husband) used to lock her in the bathroom whenever she misbehaved. She kept sobbing, “Mama, please! I’m scared! I was good, Mama, I didn’t do anything wrong!” Reader tried to calm her down (she was close to crying herself from watching her little girl broke down like that), but her daughter wouldn’t listen. She was too scared.

Then, Jinwoo suddenly did something with his magic (maybe he created a little orb of light with his mana) and crouched down to show it to her. He smiled, so gently, and asked, “Hey, you wanna hear a funny story?”

The girl sniffled and nodded.

“I have a friend who used to be a giant ant. Really scary. Sharp claws. Big wings. Thought he was the king of the world.”

The little girl looked at him, eyes still watery, but now curious. "Giant ant..?"

“Mm-hmm. But now he wears a tiny cape and thinks he’s a stage actor.”

Then Beru appeared—floating in the air, small enough to fit in Jinwoo’s palm—and dramatically declared: “Verily, ’tis I! Destined from the womb to smite all foes, conquer dungeons, and rule o’er all creation! And yet—oh, cruel twist!—I now spend mine hours painting yon royal sister’s fingernails! What devilry is this? From dark lord to dainty manicurist—fie, what a fall!”

The little girl giggled. “He talks funny.”

Jinwoo rolled his eyes. “He thinks he’s in a drama. But honestly, I think he just likes attention.”

The girl stepped closer, wide-eyed. “Is he your friend?”

“One of the best ones I’ve got.” He held out his fist. “Wanna bump?”

She did, bumping her small knuckles against his and Jinwoo smiled, gently patting her head. “And now you’re one of my best friends too.”

The girl smiled—like genuinely smiled—and reader wanted to cry because it had been months since she’d seen her little girl smile like that.