#and write something coherent

[multifandom-onigiri]

maybe I should sit down to write that mystic flour centric analysis but tbh over the past year I’ve been thinking about it and if I wrote it now it would probably just turn into an analysis about what Beast Yeast Realm of Apathy adds to Dark Cacao’s character arc and how Mystic Flour with her set of beliefs is the written to challenge his resolution.

[keferon]

So uh..I sure hope no one’s personality reshapes after that experience haha

[sluttypatrickstar]

[householdcryptid]

thinking about being best friends with bob reynolds with a twist

thinking about how bob, when he gets comfortable, has like. zero boundaries. and reader who is the Same.

'normal' best friends don't eat off the same spoon, or cuddle with their head up your shirt because it's 'safe' in there. but you and rob do.

'normal' best friends don't casually walk into the bathroom while you're in the shower to ask what you want for lunch and "oh hey, i'll join, we should conserve water :)" but robby absolutely does, and so do you.

'normal' best friends don't share chapstick by one of them kissing it onto the others mouth, but you and rob do that shit all the time.

i can't stop thinking about this PLEASE tell me im not alone here

[stuck-in-the-ghost-zone]

something something jay being indifferent to a father being unable to see his daughter because of his work obligation vs gillion being extremely bothered by it

[lxikobsd]

Since there's a decent amount of KNDZ talk due to the interview with Asagiri, I would like to show everyone my mental illness collage

[weaverofink]

oh shit metal stole tails' speak & spell

[voltsm]

low effort memes

[crystalizedbutterflywings]

Thinking about how Jon's relationship with Daisy and how important it was for both of them in season four. Tim and Sasha were dead, Basira was conspiring with Elias, Melanie hated him, and Martin was basically gone. And Jon almost dies saving Daisy's life despite the fact that she had very recently wanted to kill him. Neither of them are human. They're completely alienated from everyone else in this strange way that can't be fixed or changed. There's so much bad blood and horrific backstory between the two of them. Jon should hate her, he has every right to, but he doesn't. They're both trying to walk the line between humanity and becoming a monster and they're barely succeeding. No matter how much anyone else cares about them, there is literally no one else who can understand them. If Jon hadn't had Daisy during those few months, he wouldn't have had anyone who understood him. He would have been truly alone.

Not to mention how they basically speed ran their friendship. She wanted to kill him in season three, and just barely stopped. But when Julia and Trevor try to murder Jon in season four, she almost goes back on all her progress and her attempts to separate from the Hunt just to save him. She grows to care so much about him and they never even get to be proper friends. Their entire relationship is tainted by their past and the situation they're in. And then, just as they're both getting better together, she's gone. Jon never even gets the chance to forgive her.

[blue-likethebird]

Link can’t understand Fi anymore, but he can understand Hylia. Zelda can’t hear the voices of the goddesses, but she can hear the voice of the sword. These ancient divine figures -so inextricably linked to the heroes of old that it’s almost impossible to tell where one ends and the other begins- may not be able to commune with the spirits that bind them to the mortal world anymore, but they continue to guide and comfort the people who mattered most all those lifetimes ago

[hatsbuckets]

Horny asks or som'n som'n I saw earlier and just, my thoughts went sideways earlier.

So som'n som'n a) vampires when they yawn do it like snakes where their fangs come out and stuff

Som'n som'n b) vampires who need extra salt in the winter, cause good vamplings that don't hunt humans, can gorge on animals they find all they want and desperately need more salt intake. What better substitute then salt or cum. Their body would happily, and kinda really needs it anyways, absorb it from any possible source.

C) little fat gorged vamplings all too happy to be dicked/pussied down and suck off anyone the little bloody sluts.

D( no I don't know where I was going with this, just woke up from a nap but enjoy that idea. 🙂‍↕️

Reading this was like getting punched in a boxing match but in like a really good way. Like Wham. But also wham ! And it kept getting better. About to CoD and 141 ur idea hottie nonny 🙏 this was so fun to write up omg it just got longer and longer. I want more.

I wrote this for the entirety of the last basketball game. Quick and unedited.

18+ smut at the end.

Imagine like, a world where Vampires are integrated-ish, vampires make up about so about 3-5% of the pop. (250-300 million), more than enough that they become a regular part of society. (pretend all the legal/cultural stuff solves itself mostly womp womp)

In this world, attack dog vampires are favored. Vampires utilized for military, policing, PMCs, security. Vamps have other jobs in the world of course, the notable ones include being paid universal blood donors (this is an idea I've been obsessed with since I've discovered vampires as a kid but idk how to explain my reasoning. Like you only get turned vampy with bite and blood, but blood alone is good), sex workers who know their niche, dangerous/high risk jobs, and an all-vampire UFC type fighting ring where fights are crazy and so cool.

Important note, biting & the biting vampire's blood turns people. Not just a bite. It takes both.

Anyway, back to our boys. Price, who's as human as they come ("booooo Hat whyyy" shhhhhhh). He's been in long enough to have seen his fair share of Vamps. They get treated pretty rough in the military, blood lust can become an issue if they don't train 'em hard and keep 'em on a leash.

Vampire Ghost who got turned by Roba. (Roba didn't know what he created. Thought he killed Ghost, turns out he made a vampire. Something something Ghost as Roba's spawn eats at Ghost for years). Ghost comes out blood fuckin' thirsty and raging. Kills Roba and everyone. He gorges for days on the bodies in his wake before Price finds him. Price helps him fix it as best he can. But Ghost's days on fresh blood in his rage is near irreversible. He can live on animals, needs human blood to thrive. Price let's Ghost use what he needs. Ghost is near toxicly dependent on Price for emotional, physical, and sexual stability. It's a dangerous relationship. Price knows that. But no one's denying that Ghost, flaring his fangs like a damn demon, mask cut or modified so that when it happens it works, is a scary, terrifying fucking beast in the field.

Vampire Gaz who grew up a natural born vampire. His family is ancient. Well known family, renowned for their service and deeds to humanity, and vampires. He knows how to take care of himself. Knows what animals are his favorite. He's a balancing force on the 141. He has his moments, like any vamp, but Price knows that a good meal normally calms him down. Or a good fuck. Gaz'll take both. Flares his fangs when he's feeling threatened, but grew up with the vampire culture to know, when how, and what it means. (Unlike Ghost, who's just a scary, biting dog)

Human Soap (I'm sorry I couldn't help myself) who grew up around enough vamps to not be worried about it in the slightest. Joining the military only exposed him more. And as he understands it, it's only right to let your vampire brother in arms suck your cock to make sure he's okay in the winter. (*Cough* Whore.)

Then he gets the invitation from the Captain. And joining the 141, full of the most elite vampires in the world, is a crazy time. These bastards are fun. They snarl at the enemy when shit hits the fan. Gaz's lip twitches when Soap annoys him, exposing his left fang. They fight damn fuckin' good.

And at this point, Ghost has chilled tf out and leads his unit well. But Soap notices the tension after missions. Soap notices when Ghost disappears for a night or three with Price. Soap knows, eventually, what it means. (Price either hides the bites well, or Ghost isn't biting his neck. (thighbitesthighbitesthighbites).)

As time passes, the vamps do get protective of their humans on the 141. Gaz does not miss the opportunity to explain that it's an instinct: protect your humans because they're your source of life.

And Gaz is protective at worst. A little defensive, but he knows how to control it, what it is. Knows that when he exposes his fangs at Alejandro (and Ale does it back) there's no hard feelings, it's just posturing, just making sure Ale knows that Price and Soap are his.

Price lets it go. Soap adores and teases the affection from Gaz.

Ghost, on the other hand, doesn't know better, well logically he knows, but damn if logic isn't stronger than his blood instinct. Damn if it isn't Price who keeps him fucking alive so any threat to Price is a direct threat to himself. (But also hnnnggg ghostprice)

And then, eventually of course, Johnny happens. In this universe, after an event like Alone in Las Almas, Soap and Ghost are exhausted. Ghost hasn't seen Price in at least 2 weeks, maybe more, he's itching for blood, for something. Soap's bleeding wound doesn't help at all. Ghost can smell him the entire truck ride. Hear his heart hammering to keep up. Can see how much calmer and dazed Soap is and something in him screams prey.

He can't, he won't. But Soap knows, and Soap might not understand it but he'll be damned if his lieutenant is suffering and holding on by a thread. He lets Ghost patch up his arm. Lets him lead and lead and take back the Vaqueros (or something) (haha slowburn). And when it's over. When they get someplace truly safe. When Ghost begins to retreat but Price has shit to take care of and paperwork to do before they meet with Kate later...

So Soap follows, and pesters. He's rough on Ghost, scolding for not taking care of himself.

Ghost is quiet, half flaring fangs just to warn Soap to fuck off.

But Soap won't. Of course not. But Ghost isn't going to drink Soap's blood. He won't. Refuses.

That's how John "Soap (whore)" MacTavish ends up braced against a wall getting his cocked milked for all it's worth.

He's come three times already, just Ghost's mouth around him, wet and hot. He's shaking, crying, whining, begging Ghost just to fuck him. To fill him. To finish this.

Ghost's only reply is lick from the base of Soap's cock to swirl at the tip. He knows his fourth orgasm is on its way, one thigh lifted on Ghosts shoulder. And when he shatters, not an ounce left to give, balls sucked dry, Ghost lets him collapse into his arms.

Ghost carries him to his own quarters. Lays him in bed. And holds the quivering, shaking, crying Scotsman in his arms. He can't offer much warmth, doesn't know how, doesn't know that Soap wants to hear they're both okay. That he's better. That Soap is an angel and more than Ghost deserves. How could he?

...

Soap wakes to an empty bed. But the nightstand holds a note from Price, just a "thank you" scribbled quick, and his favorite alcohol, the expensive kind.

...

note: this absolutely takes some inspiration from @/bluegiragi 's Monster AU. If you haven't read it FUCKIN GO READ IT. >Tumblr link< It's my favorite fan comic rn ngl

[kortac-sweetheart]

tumblr. you’re fucking killing me tumblr i just want to talk about nikto, tumblr and you’re not letting me reblog things i hate you tumblr

fine i’ll say it here then

big fan of snow leopard hybrid nikto and snowshoe hybrid hare you idea, like huge fan

typical predator prey idea is nice and all but im more in love with the idea that he’ll be willing domesticate himself and lay himself at your feet

file down his fangs and claws because there’s no need for such things around you, he trusts you intrinsically deep in his soul and he’s more than willing to bare it to you

when someone’s trying to snatch you away from him however? those fangs and claws come out full force, maws bloody with whatever poor sap thought it’d be a good idea to try and take you from him

begs you to look away from him, so your image of him isn’t tainted any further but you love him regardless, soft and sweet little you who’d willingly brave his sharp maw because he loves you too, nikto who’d rather kill himself than ever hurt you

no matter if there’s blood splattered all over him and his fangs and claws have just sunk into someone, he’s still yours, ALL of him is yours, and you wouldn’t have it any other way

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[firefly-suite]

the way 'leola's fall' and 'leola's last wish' are two pieces about the same moment and are so very different

like the absolute contrast between retelling this moment in season six and seven respectively absolutely sends me because not once do we actually see anything from leola's perspective UNTIL her last wish is revealed and then when we do it's beautiful

and you can hear this in the music

so, 'leola's last wish' is, by name, about her last wish

I wish that even in the dark Sad Afraid Alone that every child should know… You Are Loved

and it's this beautiful lyrical melody (that makes me cry every time i listen to it)

this melody is new, we've never heard it before and it's a solo violin with strings because yes, she's alone but she is loved

(begging for arc three because if we don't get a callback to this I will cry - think about the potential, miyana to her children, rayllum with any future kids etc.)

the music reflects her wish, for in the end, her last moments were of her father reaching out to her, of her father who loved her, loves her even, and telling her so

and her, as a child, only wished the same for others

and it is beautiful and so so full of love

and the piece and scene itself is the last of season seven - revealing a secret barely mentioned beforehand, but it's interesting with aaravos' themes of truth and history - that he never had the full truth - as we've spent a season or so discovering his plans and motivations but despite it all, all he has said, truths and half truths are only his. for all he doesn't lie, he doesn't tell, doesn't even know the truth about her and that's what this piece is and it's just so GOOD the way it contrasts to aaravos' perspective and consequent themes

to leola, her death and wish is full of love; in the dark, her dad told her that he loved her and always would

but in 'leola's fall' it's dark and tragic and desperate because no matter what aaravos tries, leola is going to die

this is aaravos' perspective of her death - being punished for helping, for giving magic out of kindness - and when recalling this moment, he can't see past his grief and anger and then his 'wish' is to have the cosmic council and order suffer for his daughter's death

(side note, there is something to be said about how even in this 'court' aaravos doesn't seem to like the council much anyway, and frowns when they mention the cosmic order. also at the start of this scene you can hear bell tones, like in a funeral - leola's death is a tragedy to him, and due to his grief he can't celebrate how she lived and what she did, only mourn her death. what she did - giving magic to humans - only becomes an instrument upon which he can hurt the cosmic order by twisting what she did. corrupt over compromise, indeed.)

so the piece starts; dark, sad and tragic - the strings make me think of funeral music and is reminiscent of 'the last sunset' from season one:

both pieces are string heavy with the cello as the main melody, the cello which is played by three times on screen by corvus - one of those being 'a song of love and loss' - something that could reflect leola's last wish and death

but then around 2.00, you get this shift to something far darker and angrier and at the end of 'leola's fall' you hear aaravos' theme come back - 'i see you' from season two - solidifying this moment as the root of his motivation + plans against the cosmic council and order

this theme is on the piano, almost as a solo part and the instrumentation of this really contrasts the string section from earlier and then again, earlier from 'i see you'

the piece begins with love played by the cello, a tragic love, but love nonetheless. and then at the end when 'i see you' is heard again, this is the loss, now played on the piano

this is furthered later, on the cello this time, when in 'why are you doing this?' the piece that plays when aaravos tells claudia the full truth, remembering again leola's death and expanding on his hate against the cosmic council/order. in this the strings take a backseat on the melodies which are played with other solo instruments and voice, and to me, this shows that like claudia, aaravos insists that he's the same, that he's done all of this for leola and in her name but even when the strings come back, the cello plays the 'i see you' motif and with an even darker tone to it and now his motivations have gone past his love for her and it's now his hate for the council

but back to 'leola's fall',

the piece itself is of aaravos telling claudia about leola in an effort to further her into freeing him, starting with emphasis on how much he loves his daughter but by the end there are hints to something darker, no longer driven by love instead hate, but he doesn't tell claudia this - terry is right, that even in the music it starts off as a story of love and then became one of hate

the piece starts off with love and then by the end we have his solo theme showing him as alone (wHICH i think is really interesting and @raayllum made a really interesting meta yonks ago about tdp's antagonistic isolationism which is the coolest phrase i've ever heard -also this meta is super cool check it out!!)

in the music, we can hear how leola's death is the moment aaravos was left alone to become corrupted by grief and corrupt leola's gift of magic with his own and then twisting it into his mission to destroy/hurt the cosmic council and order

i think its a semi well established fact, or at the very least within the fandom, that leola gives humans primal/deep magic (me personal opinion is that she gives them deep magic and aaravos was developing primal magic idk lol aNYWAY) but aaravos gives them dark magic and then manipulates those mages to him by promising knowledge and wordly things that are pratically child's play to him

this is slightly more plot related than the score but as he says 'it's only fiting that I deliver their fear' - aaravos wants the cosmic order and council to suffer, notably not with the magic they were afraid of, to show to them leola didn't have to die because he could break the order himself

the contrast between the two made me think of that african proverb 'the child who is not embraced by the village will burn it down to feel its warmth' and i feel like that's what 'leola's fall' is to 'leola's last wish' which is like the light in the dark

two sides of a coin: the sun-fire if you will

(also similar to stars)

frederik wiedmann when i catch you-

[hadesknockedupintheunderworld]

Sorry I can't get them out of my brain.

Movie!Sonic waking up movie!Tails at dark o'thirty. Tails groans and rubbing at his eyes, starting to ask Sonic what's going on before Sonic cuts him off, holds out a hand, offers to go on a nighttime race (no one will find out). The two race up to the highest point in Green Hills (Sonic wins, of course, but Tails is getting faster), but instead of running home afterwards, Sonic reveals to Tails that he was actually bringing him up to show him something. Sonic, woke Tails up, raced him to the peak, all so they could take in the sunrise on earth together.

Sonic and Tails curling around each other, cuddling in Sonic's racecar bed while Maddie and Tom are out of the house.

Thinking also of the first time Movie!Tails experiences a thunderstorm on Earth (early into his friendship with movie!Sonic). Tails instinctively grabbing onto Sonic for comfort, trying to apologize initially, but becoming too scared to do anything more than hold on. Sonic getting the instinct to push Tails away, not expecting the sudden physical touch, but ultimately (tentatively) wrapping his arms around Tails and pulling him close. He's no good at things like this, but he does his best, telling Tails that everything will be alright, trying to talk about things that may he scarier to the fox than the thunderstorm in hopes that that'll lessen his fear. And by the time it's over, Tails is apologizing for latching on to Sonic so suddenly, for probably making him uncomfortable. And, sure, Sonic won't lie that there was a level of awkwardness to it, he wasn't fully comfortable. But, despite this, his heart is warm, and his arms feel...empty now that Tails isn't in them. Strange, right? In the end, Sonic tells him it's no problem, just to try to warn him next time before he just suddenly latches on.

Or even...Sonic running to the kitchen to get a midnight "snack", only to get stuck in the doorway, staring at Tails—who's leaning against the kitchen counter and staring off into space, absentmindedly sipping on some hot chocolate. Maybe Tails notices him eventually, and as Sonic rushes to make his snack, trying to avoid the fact that he'd been caught staring, Tails prepares another round of hot chocolate (for the both of them this time)

Idk I just need them soft I need them domestic I need them navigating their weird friendship I need them feeling warm around each other and being embarrassing about it

[fallen-goldfishcracker]

Still on my Ulder & Wyll bullshit but like

I keep thinking of Ulder Ravenguard, sending away his only son at seventeen, and years later hearing of a hero with a fine rapier and mismatched, kind eyes and manners from a storybook, and thinking, demanding surely not. that cannot be my son. my son is a devil's servant. it cannot be. i have no son.

and then after seven long years meeting Wyll again, at Wrym's Rock through a mindflayer's thrall, and feeling something like relief, not at seeing him but at this cold surety that this boy, this man, this hero of the frontiers could not be his son, because his son was not this tall and old and sure-footed, and did not have curling horns and a devil red eye, and the rumors must be wrong, and this Blade must be a stranger.

And then Wyll looks at him, with such kind eyes- his mother's eyes still, even devil-tainted- and calls him "father", and he knows, he knows, and his son is here, so much older and wearier and stronger, too, and he's a hero and a man and by gods he's a monster and by gods he's his son.