#anon your MIND..

[bbynedtime]

We all know Ned is in diapers full time but just imagine Henry getting a very gentle intervention from McDonald (and maybe Blanky) about wearing some protection. He’s already having a bad time on this stupid boat and now his boss and his friend Harry’s coworker are telling him he should wear a diaper?? Mr. Collins’ no good very bad day!

Poor guy might even pee his pants during the conversation and McDonald offers to help him only to put a diaper on him. He gets his hair stroked and told that “lots of people have trouble sometimes, that’s why we have swaddles stocked on the ship” but it doesn’t help Henry feel any better when he feels like everyone can tell that he has padding under his trousers. (Although maybe then he notices that he’s not the only one with a soggy bottom on the expedition)

*lying passed out on the floor* im fine and normal about this.

Henry slowly getting to accept that it's okay. That somebody is willing to help and he doesn't have to face it alone. Getting used to the feeling of lying down and being so so so vulnerable and exposed, both literally and emotionally. *screams into my pillow*

Um- here's sad bebe henry

[qsmpconfessions]

”How will QSMP Info post all the lore about fighting the Federation if it’s ran by the Federation?” I think they should have segments presented by the players who ‘hack’ the channel. It’d tie in to the multilingual narrative if all players presented in their native language, and since they’re providing translated subtitles it wouldn’t hurt the experience. Also it would be really funny

-

[machveil]

Y/N: Simon what is that

Roommate!Simon, with a bite mark tattoo on his bicep: Thought it'd look cute :]

OUGH OUGH OH— RAAAHAHHA I’M BITING YOU BECAUSE YOU TRIGGERED MY BRAIN INTO OVERDRIV— [combusts]

Roommate!Simon Riley that has a couple days left before he can return to your shared apartment, return to you. the bite marks he came to base with have all healed and faded, his skin clear again - well, as clear as his skin can be. he wouldn’t admit it to anyone, but he does mourn the loss of those imprints

Roommate!Simon Riley that feels utterly silly, they’re not— it’s not like they’re supposed to be permanent. but he adores them, knowing you had physically changed him for a brief period of time. he’s not usually one to get sentimental, not as though he has much to be sentimental over. you, however, reach that part if him, makes him… god, he hates the word, but he yearns to have a part of you with him

Roommate!Simon Riley that snaps upright in his bed the morning he’s leaving, eyes bleary but heart thumping. he feels like a moron for not thinking of it sooner - a tattoo. your teeth, your bite, permanently decorating his body. it’s not as good as the real thing, but it’s pretty damn close. as soon as he comes in through the door he’s waiting for you to nip, bite, mark him

Roommate!Simon Riley that steps out of the apartment, says he’s off to get something and’ll be back soon. you figure he’s off for groceries, maybe he needs to fill his tank up at a gas station. instead, Simon’s off to the local tattoo shop - his favorite, the one that’s made his arm a piece of art. a fresh bite from this morning prominently sitting just beneath his shoulder, he marches into the shop. when he comes home? to say you’re floored would be an understatement - still slick with tattoo jelly, Simon bites back a smile when you stare at the new addition to his tattoo sleeve

[superhoeva]

need to be passed between jack and robby like a blunt at a party if i’m honest

tw: language, smut, threesome (mmf), dirty talk, bodily fluids (mentioned), f!reader, soft dom!rabbot, sub(ish)!reader, abbot and robby knowing each other really well, oral (m+ f receiving), riding, unprotected sex, creampie; please remember this is fiction <3 mdni/+18.

your attendings have had you like this forever, and you aren't sure how much longer you can take it.

jack sitting sturdy on robby's couch, cock out and stroking with one hand while the other wraps around your front to flick at your nipple. robby kneeling in front of you to bump his nose into your clit before sucking it with a spit-covered tongue.

and you–at the center, reclined against jack's middle, one of your legs thrown over robby's shoulders, and squirming every time either of them moans. lulling your head, you blink at the fat head of jack's cock and stick out your tongue.

jack grins for half a second, obliging you with a rub of the tip along your top lip before just barely lifting his hips to let you slip it further into your mouth. eyes soothing shut, you whimper at the salt that flashes across your tastebuds as your tongue snakes along the bottom of the his head.

the groan this pulls from jack catches the attention of robby, who grunts at the sight of abbot cock poking against the side of your cheek.

"keep sucking him just like that," robby commands in a soft gravel, pulling away but kind enough to not let you steep in the cold of missing him for too long. he kneels on the couch, leg bending to slip inside you at the perfect angle.

robby bottoms out with a punched breath, head back and throat bobbing as he swallows to keep his composure. he can't look at you or jack when he starts to fuck you, every hit of his middle against yours jerking your mouth back and forth onto jack's cock.

"son of a bitch, she's tight," robby rasps to no one yet it still makes jack smile through his latest shuddering moan as the men ease into a sweet pattern. jack, pushing his member across your tongue whenever robby's pulls backward. robby, plunging himself as deep as you'll let him as jack draw out his cock until the only thing you can suck at is his leaking tip.

a noise–a single, muffled word–sounds out of you and robby doesn't stop when he tilts his head to hear you better.

"what was that, sweetheart?"

"harder," jack answers for you through a bitten lip. "fuck her harder, mike."

"happy to oblige," declares, a suave tint to his voice as he takes a moment to blow out a quick breath.

with one palm on your side and the other clutching abbots thigh, robby quickens his pace. the three of you gasp and pant at every buck of his hips that starts to slam into yours at a new vigor.

you're staring to forget how to think about anything else except the two men filling you full, and it's every thing.

"yeeeah, give me that pussy, baby. let me fuck my cum into you so jack can fuck it deeper."

you're drooling through your moans all over jack's girth, choking with a few gags when his head grazes the back of your throat.

"that's right," robby wheezes out at your wet coughs. "gag on it, angel. he likes it messy, don't you, dr. abbot?"

"oh, you know it, dr. robby," jack rasps back, nudging his cock a few inches deeper until robby can see the buldge in your throat. he lets his cock pulse for a few short seconds before pulling back and patting your cheek as you gasp for air. "fuck yeah. attagirl."

robby's hips falter just a tad and he releases a short wail.

"mmm," he hums out, resuming his rhythm with a flushed face. "'m almost there. this pussy's too sweet for an old man like me..."

popping his cock from your mouth, abbot plants a hand under your chin and tilts your eyes his way.

"use those pretty words and tell him how much you want it, gorgeous. how much you need him to fill you up so you're nice and ready for me... and make sure to use his first name, too. he'll bust quicker."

a sound seeps out from the back of robby's throat, and he throws a side eye at jack's wink. the look melts into hooded-eyes and a dropped jaw when his drags his stare back to you.

"fuck, i want it," you sob out, lids fluttering a little at the feeling of robby's cock still driving inside you, touching somewhere warm and deep. "want it so bad, mikey, please–"

"oooh," robby groans, softening into a round of shaking along with and clenched eyes as he comes cause that's just not fair. his cock twitches over and over again, hunching to spill out his load on unsteady legs.

robby doesn't slide out of you until he knows he's present enough to help lower onto jack. the maneuvering happens with practiced simplicity.

jack parts spreads his thighs in a backwards lean, while you clench and stand. robby grabs your waist as you tilt against jack, who plants a kiss on your shoulder before lining his tip with your slit.

"jesus, you weren't kidding, rob," jack breathes out as you sink down.

"well, it'd be rude to joke about somebody as pretty as her, wouldn't it?" robby teases, eyes big and soft while he stares into you. he waits until jack's cock is all the way inside you before once again leaning onto the couch, this time on both knees.

you groan while robby settles himself, smushing you between both of their bodies. he guides one of your arms to hang around his thick neck, and you hiss as jack wastes no time thrusting up into you.

"use me to fuck him, sweetheart. hold my neck 'n bounce on it," robby mumbles, hand placing over the one abbot has on your hip.

"he's big," you slur to robby, arm bringing him impossibly closer. his cock slicks between to two of you, half hard and already throbbing again. "feels good."

jack's hips flinch at your words, and he shoves his cock deeper. you meet his thrusts with determined bounces, groaning at the sound of your ass slapping back against him.

he might be a inch or two shorter than robby, but jack's thickness has him rubbing at your walls with a force that make you sound as cock drunk as you feel. robby swallows most of them with a feverish kisses.

"don't forget to breathe, j," robby reminds against your mouth.

"fuck, 'm trying," jack wheezes out with a huff not one second later, causing robby to smile. "she's just so fuckin' warm, man."

using robby as leverage you and jack form an almost brutal pace. you clench around him at the perfect time, and jack has found a curve of his hips that drag his head against a spot that makes you hold robby tighter.

you're creaming out something devastating around jack, robby's load blending with the juices as well as you ride the man.

"wanna come," you plead, legs becoming so tired that you have to stop. the pause is swiftly ended by robby, who clasps you tight with certain arms.

he and jack work in tandem to drag you up and down jack's member, and your hands reach out to clutch both of them. the two catch eyes over your shoulder, and neither find the will to look away. robby groans quietly, the friction of your stomach enough to have his own cock rock solid and leaking once more.

"taking it like a damn champ, gorgeous," jack praises behind you, sweaty and panting. "take both of us so well. how 'bout i paint your insides just like mike did for being such a good girl, huh?"

seeing that you're teetering on the edge, robby reaches to grab his cock and glides the head across your clit. the sensation is more than enough to yank your orgasm from you, and you wail out with pulsing walls.

jack is following you soon after, clutching you with ragged breaths, pumping you well and full with rolling eyes and a myriad of profanities. his grip wraps around your waist, forcing you to unhook from robby's neck and roll completely into his front.

using the space, robby takes a quick hand to his cock. his eyebrows pinch and his chest jumps, abbot using your pussy to out milking the last of his cum out just as robby finishes again with a grunt.

he presses his head at where you and abbot meet, spurting out impressive ropes of thick cum. robby continues to smear his load, abbot adding to the action by using his finger to rub what robby doesn't catch into your swollen clit.

when you try and squirm, jack's hand moves up to rest against your throat. he pulls you back even further this time, pressing as far as he can into the couch and keeps you still with a gentle grip around your throat. robby watches the scene with heavy silence and dark eyes.

"now, where do you think you're going?"

jack's question hits low and hot against your ear.

"if he gets two... so do i, doll."

© 𝐬𝐮𝐩𝐞𝐫𝐡𝐨𝐞𝐯𝐚

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[hyruling]

omggggggg 58 + 60 for the intimacy prompts mwah mwah mwah 🥰🥰🥰

60. sitting in their lap

—

“Dude. I know you heard me call seat check.”

Chim shrugs, tucked into Buck’s spot between Eddie and Maddie on the couch, smugly eating the popcorn that Buck and Eddie had been sharing before he got up to pee. “I heard no such thing.”

“You’re blocking the TV,” Ravi complains, but Buck ignores him. 

“Come on, you all heard me. I was only gone for like, three minutes.”

“Wife privilege trumps seat check rules,” Chim argues, tossing popcorn in his mouth with a shit eating grin. He wraps his free arm around Maddie, who’s focused on the movie and studiously ignoring them both. 

“That’s not a thing—”

“It is when it’s our first night out of the house since the baby was born,” Chim argues. “Or I could use the captain card if you prefer.”

“Abuse of power,” Ravi mutters, and Buck points to him excitedly. 

“Yes, exactly, thank you Ravi!”

“I think you should use it though,” Ravi continues to Chim, and Buck gapes while Chim does a stupid fist pump. “We’re missing the climax of the movie dude. Just sit on the floor.”

“Easy for you to say from your high horse in the comfy armchair. The floor is hard on my leg,” Buck says. It’s only half true, but he’ll use whatever excuse he can to win one over on his brother in law. 

“You sit on the floor all the time,” Hen interjects from her spot on the loveseat, curled up cozily with Karen, also ignoring them. 

“Irrelevant,” Buck says with a dismissive gesture. “The point is, I called seat check, and what kind of society are we if we can’t even respect the sanctity of—”

And Eddie, who until now had been silently observing with an amused grin, rolls his eyes and sighs, “Dios, come here.”

He wraps a big hand around Buck’s wrist and tugs until he has nowhere to go but Eddie’s lap. Buck falls limply down, trying not to crush him at the last second by throwing an arm across the back of the couch. Eddie situates him across his legs, his back against the armrest next to Eddie, and if he weren’t struck so dumb by the whole thing he would put his feet in Chim’s face just to be annoying. 

“Happy now?” Eddie mutters in his ear.

“Uh,” Buck says intelligently. 

Eddie’s hand settles on his knee, the other resting behind Buck’s back along the armrest. Everyone’s eyes are on them when Buck looks up, but Eddie’s are on the screen. His cheeks are a little pink, but otherwise he appears normal. 

“Wow,” Chim says after a minute. “An instant Buck-Off button.”

“Shhh,” Eddie hushes him before Buck has a chance. “Some of us are watching the movie.”

Chim shakes his head with a short laugh and finally turns his attention back to the screen, and the rest of the room follows suit.

Buck is, ostensibly, also watching the movie, but he has no idea what’s happening. Gun to his head he couldn’t name a single actor in it, despite having watched the last hour and a half before Eddie rewired his synapses. All he can focus on is Eddie, the feel of his chest rising and falling against his arm, his thumb rubbing unconscious little circles against Buck’s elbow, the heavy weight of his hand on his knee.

“You okay?” Eddie whispers after who knows how long, quiet in Buck’s ear. 

Buck turns. Eddie’s eyes are dark in the dim room, his face much closer than Buck anticipated. He nods and tries to get a grip, though Eddie must be able to feel the way his heart is beating with the arm tucked around his back. 

“Yeah, I’m great,” he answers softly. 

“Sure? I can sit on the floor, if you’d rather not—”

Buck is shaking his head before he can finish the sentence. “No, no, this is — yeah, this is perfect.”

Perfect? He cringes internally, but Eddie isn’t fazed in the slightest. In fact he smiles, soft and pleased and all for Buck, and his heart rate kicks up another notch. 

They finish the movie twenty minutes later. Buck’s had to pee for a good fifteen of that, but he refused to get up — he doesn’t have the kind of luck that will afford him a second chance at this. He doesn’t even get up when everyone else stands to stretch and refill their drinks, perfectly content to stay where he is for as long as Eddie will allow it. 

Similarly, Eddie doesn’t push him off the second it becomes acceptable to do so. In fact he encourages Buck to stretch his legs out on the couch with a silent pat on his thigh.

“Am I crushing you?” Buck asks when they’re the only ones still in the room. 

Eddie shakes his head and gives his knee a squeeze. “Nah. You’re kind of like a weighted blanket.”

Buck flushes and looks away. Feels ridiculous, like he’s fifteen again and being flirted with by Cassie McDaniel in homeroom — except they’re in their thirties, and Eddie isn’t flirting. He’s just being Eddie. The New Eddie, as Buck has coined it in his head; the one that came back from El Paso with a twinkle in his eye that Buck can’t quite parse. He’s the same old Eddie but lighter, somehow — more free with his touches and casual affection in a way that Buck very much enjoys, despite the way it’s slowly driving him insane.

Like now, for instance.

“Your ass is kinda bony though.”

Buck scoffs, affronted, and Eddie laughs. His hand tightens on Buck’s knee when he tries to shift his weight off Eddie’s thighs. “Didn’t say you needed to move.”

“Well I’d hate for my bony ass to dig into your perfect thighs.”

“Perfect, huh?” Eddie teases, and there’s that fucking twinkle again.

“Mediocre. Above average. I know you skip leg day at least once a week.”

“How many times can we have this argument?”

“It’s not an argument, it’s a healthy discussion.”

“Core strength is more important than having huge biceps, and as a firefighter, you should understand that—”

“Well those huge biceps have saved a lot of people, didn’t hear them complaining.”

“I’m definitely not complaining either, but my point is—”

“Are you two gonna cuddle on my couch all night?”

They look up to see Hen standing over them, hands on her hips and brow raised suspiciously. 

“Maybe,” Eddie says before Buck can come up with anything. “You got something to say about it?”

“Only that you have your own house to be weird in,” she says with an eye roll. “And that Buck promised to help clean after the fiasco with the fondue last month.”

“Shit, I did,” Buck says, gingerly getting up so he doesn’t hurt Eddie with his bony ass. Eddie squeezes his hip as he goes though and nearly sends him sprawling. He just blinks innocently up at Buck when he whirls on him, self-satisfied little smile on his face that Buck wants to—

Nope. Not going there. He trails off after Hen and decidedly does not think about it. 

He doesn’t think about it when Eddie comes in to help clean, hip checking him at the sink. Or when they say their goodbyes to everyone at the door, and Eddie presses little smacking kisses to Karen and Hen and Maddie’s cheeks that he pretends he’s not wildly jealous of. Or when Eddie leads him to the truck with a hand on his lower back, and keeps it there until Buck rounds the hood to the drivers seat. He doesn’t think about it on the drive home, Eddie quiet in that way he gets sometimes after one too many drinks, and he definitely doesn’t stare at Eddie’s ‘perfect’ thighs when he changes into his sleep shorts and sinks onto the couch next to Buck. 

“That was fun,” Eddie says, relaxing until his head rests on the back of the couch.

“Yeah. Super fun.”

It’s quiet again, only sound coming from the TV playing on low. Buck keeps his eyes glued to it, though he’s not taking in a single thing Mrs. Brady is saying. 

“You’re thinking pretty loud over there bud,” Eddie says during a commercial break. 

Buck chances a look at him, and it’s a mistake. He looks so soft, relaxed against the cushions, wearing a baggy tank and shorts that ride up well above what Buck would consider an appropriate length. Buck looks quickly away. 

“Hey. I didn’t make you uncomfortable earlier, did I?” Eddie asks.

“No,” Buck answers, and forces himself to make eye contact. Eddie looks a little unsure, and Buck quickly shakes his head. “No, I told you it was fine, I promise, I just. I’m tired, I guess. Karen’s sangria always sneaks up on me.”

Eddie nods. “Yeah I know. Wanna share the bed tonight?” 

Buck flushes, and this time it’s definitely not dark enough for Eddie not to notice. It shouldn’t be a big deal — they’ve shared the bed a few times since Eddie and Chris came home, usually after a particularly grueling shift where their exhaustion ran too deep to tolerate the couch, and it’s been fine.

Only the last time it happened, he woke up to Eddie curled around his back, hand curled possessively in the front pocket of his hoodie. And in his half-conscious state Buck had thought, this is how I want to wake up everyday. He’s avoided sharing ever since. 

“Nah, couch—couch is fine,” Buck stutters. 

“Buck. Come on, talk to me, what’s got you so freaked?”

“I’m not freaked,” Buck lies, and turns back to the TV. “I’m not. Just. Brain is too loud tonight, I guess.”

He sees Eddie nod in his peripheral. “Well, I wasn’t kidding earlier you know.”

“About what?”

“You feeling like a weighted blanket,” Eddie clarifies. 

Buck’s head snaps to the left. Eddie looks serious as a heart attack — which, incidentally, Buck may be currently having. 

“So…”

“So,” Eddie echoes.

He inches closer until their thighs are touching. Buck watches in a weird sort of trance as Eddie twists and swings a leg over, hovering above Buck’s thighs. “This okay?”

Buck unsticks his tongue from the roof of his mouth and says, “Yeah—yes. Yeah.”

Eddie smiles and sits fully, and then they’re just staring at each other. Buck keeps his hands firmly to himself, while Eddie’s rest comfortably on Buck’s shoulders. 

“See what I mean?”

Buck blinks, remembers the weird metaphor they’re operating under. “Um, sort of. You’re only—I-I mean there’s only weight on my legs.”

“Good point.”

Slowly, as if he’s anticipating Buck to call their game of chicken and push him off, Eddie leans forward and wraps his arms around Buck’s shoulders, pressing their chests together. Buck feels his chin dig sharp into his shoulder before he adjusts and lays his cheek against his collarbone. 

“How’s that?” Eddie asks, slightly muffled. 

Buck inhales, feels Eddie move with him on the exhale, and it’s — well, Eddie wasn’t lying. Eddie lets his full weight press against Buck and it's comforting, to say the least. Electrifying, because it’s Eddie, and yet as the minutes pass he can feel his heart rate slow, his breathing ease. He feels their chests rise and fall together, Eddie’s warm weight settling him in a way nothing has in a long time — maybe ever. His mind goes pleasantly blank, even when one of Eddie’s hands starts to comb through the hair at the nape of his neck. 

“It’s nice,” Buck answers belatedly, and Eddie chuckles at the sleepy timbre of his voice. “I see what you mean.”

“Right?” Eddie says, scratching gently at his scalp, and it feels so good he melts even deeper into the couch cushions. “You can touch me too, you know.”

“Oh,” Buck mutters, and picks his hands up from where they’d been resting awkwardly next to Eddie’s thighs. He wraps them tentatively around Eddie’s back; Eddie makes a contented humming sound in response. 

They stay that way for a long time, until the late night rerun ends and another episode begins. Buck’s hands drift after awhile, smoothing up and down Eddie’s back slowly, thumbs rubbing circles against his scapula and vertebrae. 

“Hey Eddie.”

He’s half asleep, and Eddie is so big and warm in his arms, and it makes him reckless. Eddie’s ear is so close to Buck’s mouth he can whisper what he hasn’t dared speak out loud. 

“Yeah Buck?” Eddie says just as softly. 

“I need to tell you something. No – don’t, don’t get up.” He wraps a hand around the back of Eddie’s neck to keep him still. 

Eddie huffs but stays put. “You’re not about to tell me you’re moving, are you?”

There’s such an air of dread and petulance in his tone that Buck laughs. 

“No. Didn’t, uh, know you had such strong feelings about that.”

“Well. I do.”

“It’s not that,” Buck says, and Eddie exhales against his neck. “But you might, uh—you might want me to when I—”

“No I won’t,” Eddie interrupts, leaving no room for argument. “Tell me.” 

Buck swallows, hard enough that Eddie must hear it. But he waits patiently, one of his thumbs tracing figure eights on the back of Buck’s neck, and for some reason that is what finally breaks through his thinly guarded veneer.

“I think I’m in love with you.” 

The figure eight stutters to a stop, but Eddie doesn’t move an inch. If anything, he covers Buck with his weight even more, somehow, and Buck feels his nose brush his clavicle. 

“And you think I want you to move out because of that?” 

“I—well, maybe, I don’t want to make you feel—I don’t know. Actually, can we pretend I didn’t say anything?” 

“No,” Eddie says. And then nothing else. 

“I—Eddie you gotta—you gotta say something. Tell me to fuck off, or that it’ll never happen but you value our friendship anyway, o-or that nothing will change between us—”

“Hmm, no. None of those sound like me.” 

“You literally said that last one. Basically verbatim, less than a year ago.” 

“Yeah, but I was lying then. I don’t want to lie to you again.” 

“Eddie, come on, what does that me—” 

But in one swift move Eddie sits up, catches Buck’s face between his hands, and kisses him. 

It’s a short kiss, a dry brush of slightly chapped lips, but it manages to alter his entire worldview in the five or so seconds it last before Eddie pulls away. Buck gets a brief glimpse of his pink cheeks before he tucks his head back against Buck’s shoulder. 

“There you go sweetheart,” Eddie mumbles, voice drawling the way it does when he’s tired. “My knees have about another five minutes of this before I need to get up, let's not waste them.” 

“Okay,” Buck says in a ragged voice that doesn’t quite sound like his. A voice belonging to a mouth that has kissed Eddie Diaz, and therefore irrevocably changed. 

True to his word, Eddie continues to crush him into the couch for another five minutes, until his racing heart slows again and their eyes are half-lidded and drowsy when Eddie sits up. 

“That was nice,” he says with a smile.

“Y-yeah, it was,” Buck agrees, squeezing Eddie’s thighs. “Same time tomorrow?”

Eddie huffs out a little laugh, and though Buck was half joking, Eddie nods and presses his forehead against Buck’s shoulder. Buck drops a kiss to the crown of his head before he can quite stop himself, and Eddie makes that same happy humming sound Buck wants to chase for the rest of his life. 

“Yeah. I’ll see you there.”

—

[almondcroissantsandink]

for the anon who asked if i'd ever considered the parallels between Jayce and Odysseus. i descended into a feral fugue state

[brotherconstant]

Interview with the Vampire Gifset request -> Louis + Faceless

[madwomansapologist]

i really don’t like when writers give too much personality and backstory to y/n. isn’t it supossed to be a self insert?

not my fault you’re not imaginative + if you don’t like the way i write, you can read something else

[frenchublog]

Um hello. Hi sorry for absolutely flooding your notes with spam reblogging all over the place. Your absolutely gorgeous Treasure Planet art made my brain short circuit and melt into a puddle. Your art is great and I love it have a wonderful day

why are you apologizing when you've been so entertaining

[solarstranger]

bakugo growling and griping about your video game 'husband'

so you teasingly ask him if it's because he wants to be your husband instead

you were just joking! so you're kind of taken aback at how his eyes widen and he. just doesn't say anything

i should be asleep but instead i wrote this. thanks a lot, rachel nonie. thanks a lot 😒 (but fr though, thank you. i ran to write as soon as i got your ask. i rarely am motivated enough to do something on the fly. so). this one’s set a week or so after part 1.

navigation. part 1, (you are here)

you blink.

it all happens in slow motion—realistically, you know that’s virtually impossible and would require grossly violating the laws of physics—but it sure feels like it does.

the hitching of his breath, the stiffening of his muscles, and perhaps—worst of all—the almost imperceptible but sure widening of his bright, crimson eyes—

—followed by complete silence.

you wait with bated breath for him to say something—anything—but nothing comes.

fuck.

you shouldn’t have made that joke.

in your defense, your guard was lowered. probably lower than it should’ve been, knowing that it was only you and bakugou in mina’s living room, with everyone else in the kitchen busy going through the acid hero’s pantry; although you guess that whatever discomfort being alone with bakugou usually brought was dampened by your attention being divided—partly trained on your game that required more cognitive energy than older boomers would like to admit.

your game that you’ve noticed he’s been stealing secret glances of from where he typically sits beside you—in your assigned seats for weekly movie nights at mina’s.

you tried not to think much of it—after all, you’d rather shoot yourself in the foot than start deluding yourself about bakugou being interested in anything about you, even if it’s merely in a self-indulgent dating sim you play. you kept to yourself, stifling the giggles that fought to escape your lips at every cheesy yet heart-fluttering line.

that is, up until bakugou suddenly pipes mid-cutscene.

you can’t remember what exactly it was he said to you—something about how he can’t believe you invest so much time and energy into that ‘husband’ of yours.

you scoffed, attention admittedly still halved (a romantic scene with your fave was playing, for fuck’s sake), and ended up regrettably blurting out a half-baked comeback.

a half-baked comeback which might have been along the lines of: “you just wish it were you.”

you blink again, your gaze refocusing on the pro-hero.

“you, as in y-you being treated this way,” you finally force yourself to say, “by a woman. or man. whatever floats your boat,” you finish with a stilted laugh.

you then rip your eyes away from the frozen ash-blonde, staring down at your device.

yeah, you definitely shouldn’t have made that joke.

a/n. can't you just picture him staring at you with slightly parted lips and wide eyes and dusty pink cheeks and a heaving chest. gfjskfjskfj gnawing at my enclosures you are a genius, nonie

[tonycries]

House husband Gojo who sends you videos of him stroking his cock and moaning pathetically.

“Baby please come home. Can’t cum if it’s not you :((“

Ahaha *cutely explodes*

OHHH my god NGH- He soooo would knowing DAMN well he could just teleport to you but no he's gotta make you all hot n' bothered first.

[bennetsbonnet]

In that post about Joe Wright avoiding bonnets in p&p 2005 for being “too clichéd” (wtf), you said “and the disdain he clearly has for said author which manifests in various ways”. Could you elaborate on that? (asking only out of interest, not disagreement)

Absolutely (the post anon refers to) it's always a pleasure! Though I will say before starting, I'm not bashing 2005 for the sake of it and no one is "wrong" for enjoying it. For me, it's not about fan wars/arguing about which adaptation is best... I just really care about Pride and Prejudice as a novel and I get frustrated when the beautiful, timeless story is distorted!

My main problem with the 2005 adaptation is how much it misrepresents the characters and changes the speech from the snappy, witty dialogue that Jane Austen wrote into something entirely different. Not only do I believe that it does not need updating for C21st audiences (though it might sound a little strange to the modern ear at first,you quickly get used to it) but that dialogue is what really stood out to me and charmed me when I first read it and I don't care for it being rewritten into either something that is either worse than what is found in the novel, or entirely changes the characterisation.

The one that particularly irks me is Darcy's 'bewitched me body and soul' dialogue as, to me, book!Darcy's confession to Elizabeth of when he fell in love with her:

'I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.'

is so beautiful and romantic. Why change that? Additionally, this man is not awkward, he can make romantic speeches, he doesn't need to trip over telling her he loves her. And I've previously discussed here why I think Darcy saying he is bewitched by Elizabeth is out of character.

There are many such cases in the film, but that is amongst the worst to me, perhaps only alongside Darcy's first proposal and how much Lady Catherine's visit and confrontation was watered down (and why did it take place in the middle of the night???).

I suppose he didn't write the script so perhaps I cannot blame him entirely for that... but it goes beyond dialogue, to how the actors were directed and the contempt shown for the period it was set in, which is bizarre when making a period drama.

I think it's quite apparent that JW desperately wanted to make Pride and Prejudice into a Brontësque romance with sweeping landscapes and dramatic weather. I suppose you can argue he did that successfully, but it came entirely at the expense of it being the story that Jane Austen wrote. There are lighthearted, humorous moments too but very few of them feature dialogue actually written by Austen ('what excellent boiled potatoes' springs to mind).

He misunderstood and consequently misrepresented Elizabeth and Darcy's dynamic to the point that they are hardly recognisable to the characters Jane Austen created. 2005!Darcy is so painfully shy and pathetic, that when contrasted with such an impertinent and sarcastic Elizabeth, it just seems like she's bullying a smol bean who struggles in social situations. You cannot emphasise Elizabeth's sassiness while making Darcy such a pathetic specimen, it just doesn't work. She isn't the witty, charming character from the novel anymore.

The period inaccuracy is absolutely baffling in ways beyond costumes, beyond the lack of bonnets and that one scene where one of the sisters is having her corset tied so tightly. For me, the worst offences are:

The bleachers at the Meryton assembly. Not only wildly historically inaccurate but makes Elizabeth look like a gossip and an eavesdropper, rather than an innocent party insulted by a rich snob.

The pig running through Longbourn and generally everything about Longbourn itself. The Bennets are not on the same level of wealth as Darcy and Bingley but they are not some poor farmers, with a scruffy house. Elizabeth is very much of the same class as Darcy.

Chatsworth is absolutely, definitively NOT Pemberley. It is explicitly mentioned in the text as featuring in their tour of the Peaks so consequently it CANNOT be Pemberley. It's far too grand an estate for an untitled gentleman. Darcy is rich but Chatsworth is another level.

I care about this because the landscaping is not at all correct as it's very artificial, whereas Pemberley is renowned for its natural beauty. It might not seem like much but it really is a huge part of why Elizabeth fell for him!

Another reason Chatsworth shouldn't have been used is because Elizabeth seeing a portrait of Darcy and looking into his eyes rather than a bust with holes is crucial, as I explained here.

This is all disappointing but I do feel like I could get over it if the characterisation was adequate. Unfortunately, I barely recognise any of them.

Mr Bennet is not a cute fatherly figure. Him not accompanying them to the Meryton assembly is a plot point to underscore his bone idleness. Yes, his relationship with Elizabeth is very sweet and he loves her a lot... but that does not a good father make!

The total character assassination of Mr Bingley... who is not a clueless himbo. As if Jane Bennet would ever fall for a man like that, or Jane Austen would ever write a character like that (except to be the object of ridiculue).

I do not know in what universe Charlotte Lucas, the pragmatic voice of reason would say 'we are all fools in love.' And the 'I'm 27 years old' monologue is just not something I can ever picture her saying... she wasn't a frightened, timid little creature whatsoever.

Wickham isn't bad enough. What he did to Georgiana is blink and you'll miss it, and when he returns with Lydia, Elizabeth glares at him a bit and that's it? The elopement is also resolved very quickly, there is no real tension with it.

The key story beats are butchered too. Especially the letter, not just in how short it is but in the way Darcy hands it to Elizabeth. I think I remember reading something about how JW couldn't imagine how Darcy would be in the room with her, so he just made it like a dream sequence... aka he put his own creative desires over what's in the novel, when Darcy seeking Elizabeth out to hand it to her is very important. Not least, because it shows the length he's prepared to go to in order to set the record straight as it was breaking social convention for a man to write a letter like that to a woman he wasn't related to or engaged to.

That quote, among others, just shows he had a desire to do things differently and it seems to be because he thinks he can do it 'better.' It's bizarre because why bother adapting a classic which is anchored to its time when you blatantly have disdain for it? It's like doing a war film without army uniforms and guns.

Everything I've read from him, he just seems like a smug film bro that believes that he got it 'right' and people had been Missing The Point the entire until he came along. No, you weren't onto anything new. There are certain things, like bonnets, that tend to be in period dramas. And Jane Austen is very literal with her meanings, for the most part. There isn't a new way to interpret her works.

For a film entitled Pride and Prejudice there isn't a great deal of pride or prejudice... it's really just a poor shy boi, who stands there and fidgets with his gloves while not saying anything, and his girlboss, who uses towels that have been getting wet on the line outside to dry herself after coming in from a rainstorm.

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[aaeeart]

if you want requests how about you draw some original lasat ( idk how to spell it the same species as zeb ) get creative out of the 3 we see in rebels plus cals master they very a lot in design

Hey. That's IT 👁️

I at first only wanted to sketch Chava and Gron but

and then

and while at it

it's too bad as Lasat OCs they don't have too big of a lifespan haha ... ha

[nightwonder7]

I love your Norton and Ithaqua's beefs so much XD thank you for making those!!!!! Your artstyle is so expressive and moveable, the comics are a joy to read! :D

Aww thank you so much!! ;//W//; I'm so glad to hear! How this beef came to be was actually so random cause it's such an unlikely duo. But they are fun to draw, and I love it whenever people are referencing the comic where it all started XD