#babs would go with them

[geeky-nightphilosopher]

You really gotta appreciate Alfred and the fact that he knows better than Bruce anytime someone pulls the Wayne kids outta school for one reason or another.

Obviously, the first time it happens with Dick, Bruce loses his mind when he gets the call from the school that Dick got picked up by somebody that wasn't Alfred.

By the time Damian comes around, Bruce just sighs and asks if it was by a parent named "Clark."

All the while Alfred is serving tea and cookies

[aingeal98]

I think we're due for a comic where Cass just solos the entire family like I know that powerscaling isn't actually important in comics and that telling a good story is key but consider: dudebros are annoying and stupid and they're getting too misogynistic about her so I need someone to write one story where she just effortlessly slams the family including Bruce and then we can get back to telling the emotionally compelling and heartwrenching stories.

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[lena-thinks-too-much]

any steph brown headcanons??

omg so many

okay so first off the number one way to get steph to do anything is to emphasize that she should absolutely in no circumstance do said thing. The only people that take advantage of this are tim and Babs

steph keeps a pack of dum dum lollipops on her during patrol for any kids she might come across. she is very deliberate with what flavor she gives them and tries to perfectly match it to their "vibe"

steph has a blackmail compilation of tim falling off buildings and swinging into walls and other embarassing moments that she's saving for a special occasion. cass is the only one that is aware of this but has not seen any of it.

steph really likes messing around with hair styles. especially when it's someone elses. All the other bats have been subjected to her braiding their hair, but they don't really mind it because she has long nails and it's kind of soothing. Damian's the only one who puts up a fight but that's more on principle

if one of the batboys piss her off they will inexplicably find a large sparkly purple bow (we're talking jo jo siwa here) in their hair. dick is exempt from this because he actually likes it

steph convinced duke to join her in beefing with jason. they just start picking fights with him for literally no reason and jason is just horribly confused and a little terrified of steph

during her robin era, steph would hide cards with really stupid one liner jokes around the batcave because she was determined to make bruce laugh at least once. he did smile at quite a few but never while steph was able to see. there's still a few lying around in weird places and they all get a kick out of them when they find one

[vicontheinternet]

It will never sit right with me the way some of yall treat Talia vs Selena and Barbra vs Kory with Bruce and Dick respectfully in y’all’s fanfic it’s turned me off from those two ships almost completely

[robintherobiner]

male character gets turned into a female and it shows him the experiences his female friends go through and it teaches him to be better? incredible fic, i'd so read it.

male character gets turned into a female and everyone around him starts treating him gentler and fussing over him and he suddenly becomes super emotional? ew. what are you doing. thats a de-aging fic. not a gender-swap. being a women doesn't make you weaker or more emotional or more in need of protecting.

[batcavescolony]

Batman #189

Ah yes magnificent scientific equipment! A....What his that? IBM 360 Model 75 computer? Oh how the time changes, my phone has more computing power then that.

[bonemeal12]

Dick and Tim playing Ticket to Ride… in my Mind Palace… my special inner world…

[inamindfarfaraway]

I can perfectly picture a Batman: Wayne Family Adventures two-partner that properly introduces Harvey Dent, Two-Face, their relationships with Bruce and vice versa. But I can't draw in the slightest. So I'm going to script it and you'll have to use your imagination. It’s a little longer than the average WFA two-parter. But given how many thoughts and feelings I have about Harvey, I’d say it’s impressively concise. For me. If you like how I write Harvey, I recommend my fanfic spotlighting him as a teenager, compared to which I must warn you this script is positively fluffy. Read it on AO3 here! If you want to draw any of this, please tell me in advance and use the updated original post or the AO3 fic, not necessarily your reblog.

A Second Opinion

Part 1

[Panel one. Vertical rectangle, full screen. Nighttime. The exterior of an abandoned building that is notably more decrepit on the right side, Two-Face's current base of operations, from a distance and high angle. The Batmobile is parked outside. Bruce as Batman is seen on the rooftop from behind, striding stiffly toward the skylight. A speech bubble floats in the air above him.]

Barbara: Are you sure you don't want backup?

[Panel two. Barbara as Oracle watches with a frown of wary concern at her desk in the Clocktower.]

I know these confrontations are very personal for you -

[Panel three. Bruce leans over the skylight seen from below it, about to kick it in. His fists and jaw are clenched, teeth gritted and eyes narrowed sharply; even for Batman on a mission, he's in a bad mood.]

Bruce: I'm fine. I have him right where I want him.

[A speech bubble floats in the space below the panel.]

Harvey: I have him right where I want him!

[Panel four. Fade into a flashback. In stark contrast to the dull and dark blues, greys and blacks of the present scene, the flashback panels are full of light, saturated and warm colours. Harvey Dent stands at a round red table outside a café on a sunny day, beaming. He's a handsome, sturdy man with neat, short black hair, a semi-formal brown suit and wide brown eyes. He was seated, but has risen and slammed his palms down on the table in his enthusiuam. Slightly low angle, like the camera is on the table, and to the right so we have a better view of his left side. A gold wedding ring gleams on his finger. His introduction box reads: ‘Harvey Dent, District Attorney. Gotham’s best lawyer, technically and morally.’.]

And think of the implications! If the Salvatore Maroni can face justice, so can anyone.

[Panel five. He paces a little behind his chair, gesturing animatedly. Motion lines trail and curve around the other way behind him. His right side is now in profile. Same angle, but pulled back to see over the shoulder of a younger Bruce wearing a nondescript black shirt.]

If his empire can crumble, so can any criminal organization or corrupt institution, no matter how powerful. This trial could be a beacon of hope for Gotham. Proof that the law can actually help people, that the spirit of it is alive.

[Panel six. Opposite Harvey, Bruce is sitting comfortably. He has notable eyebags and less light in his eyes than Harvey, but smiles in earnest admiration.]

Bruce: I think you're right. Maroni used to own the city, but ever since you, Jim and Batman started working together...

[Panel seven. Side shot of both of them from Bruce's right and Harvey's left, showing them down to their legs. Bruce leans forward. Harvey has sat back down. In the background, their memories conjure a vision of Batman and Harvey shaking hands before the Bat-Signal. The figures' lower halves fade to translucent above and behind their real counterpart's heads. That Harvey is smiling too and the one leaning forward, while Batman's mouth is a flat line but his eyes are soft.]

things have changed more than I could have imagined.

Harvey: I just hope we can keep it up. Maybe in a few years, Gotham won't need a Batman.

[Panel eight. Close-up on the right half of Bruce's face, a narrow vertical box in the upper left section of the screen. His expression is of shock and vulnerability, although he isn’t offended. He has simply never considered being able to end his crusade before. Panel nine. A bigger square containing his entire face and taking up the rest of the screen.]

Bruce: Do you really believe that?

[Panel ten. Closer front shot of Harvey at eye-level. We can now see that he actually does have bags under his eyes. He's more pensive and his smile drops.]

Harvey: Yeah. I mean, Bats is a great guy. I don't want him to just disappear. But his methods...

[Panel eleven. Deep shot. Two petty crooks run through an alleyway at night while Batman looms behind them atop a ledge, a huge, hulking silhouette crouched animalistically with piercing white eyes and clawed fingers raised to pounce. The scene is somewhat abstracted to highlight the criminals' emotions. The alley walls seem to be closing in on them and Batman's curling cape flows into the surrounding darkness. Angle is above the very small-looking criminals, but below Batman such that his striking, soulless eyes glare right at the reader. Harvey's speech bubbles are in the top left and bottom right corners, framed by the blackness.]

fighting violence with violence and terror with terror... they're hardly ideal, are they?

[Panel eleven. Harvey places his right hand on Bruce's left arm in pride, who is too busy processing to return his smaller, softer smile of personal affection. Side shot from Harvey's left and Bruce's right that cuts them off at the torso.]

In my opinion, the work you're doing with the Wayne Foundation does better at lowering crime rates in the long run.

[Panel twelve. Over-the-shoulder shot again, Harvey's this time to show Bruce full of love, relaxing and leaning into the touch.]

Bruce: Well, in my opinion, you're a better person than me or Batman.

[His second speech bubble descends into the empty space.]

And I’d love to see the day Batman can retire.

[Panel thirteen and fourteen occupy different vertical halves of the screen and the same horizontal space for half of their lengths, the former higher, the second lower. The first shows Harvey from the right cut off at the thighs, in a courtroom, delivering some kind of unwritten passionate declaration; on his left and in the background, the defendant, the aforementioned crime boss Maroni in a nice black suit, holds an opaque bottle labelled as cough medicine and smirks viciously. The second is a close-up of Harvey’s head on the floor. Only the right half of his face is visible, the left turned away, and he is howling in unfathomable agony, tears streaming down his cheek. The stem of his speech bubble reaches down to the top of panel fifteen. This is a straightforward frontal shot of Bruce in the present. He stands tense and grim, poised to throw a Batarang with his right arm. Silver moonbeams shine through the broken skylight. Layered in front of the panel’s top border and behind Bruce, Harvey’s scream appears to ring through the cowl’s bat ears and extends continuously offscreen in extra large, blood-red lettering. The bubble fades around it to make it stand against the background.]

Harvey: ARGHHHHHHHHHHHHHHHHHHHHHH

Bruce: Two-Face.

[Panel sixteen. Same angle of Harvey and Two-Face. The left half of their face is ravaged by raw, pink chemical burn scars and has a bloodshot eye with burned lids; even their right eye is sunken and shadowed with a menacing glint; their hair is the same on the right, but bleached white, longer and wild on the left; they wear an angular, elegant suit divided vertically in alternating black and white. They’re smiling smugly, posture calm, confident and commanding. Their right hand aims a pistol at Bruce, and the camera. The other hand, bereft of a ring, holds their two-headed coin. Their introduction box reads: ‘Harvey Dent & Two-Face. All the drive. Fractional sanity. Half the morals, or less.’. The outlines of their speech bubbles are smooth as usual on the right and rough and scribbled on the left when both alters in the system are in relative cooperation - a dual consciousness referred to as ‘H/TF’ in the script - completely smooth when the still goodhearted, but deeply troubled Harvey is speaking alone, and completely irregular for the much more merciless, callous Two-Face personality alone.]

H/TF: Bats! Let us guess: you didn’t bring any backup because you have a self-righteous hero complex about us in particular?

[Panel seventeen. Closer frontal shot of Bruce scowling and hunching his shoulders in shameful concession.]

Two-Face: Good. Those Robins are nothing but trouble.

[Panel eighteen. Long rectangle panning down the room. Bruce and H/TF are in the background as H/TF gesture with their left arm to two men dressed like high-level businessmen in the foreground, tied to chairs with a gun pressed to each of their heads by H/TF's identical twin henchmen. The captives are bruised, cut and slumped in exhaustion.]

H/TF: Now, take one step toward us and the hostages get it. Don't go feeling sorry for them. They work for Oswald Cobblepot. His reform is fake -

H/TF and Bruce: Obviously.

H/TF: And they've already told us everything.

[Panel nineteen. Horizontal side shot from Bruce's left and H/TF's right, to frame the hostages between them.]

H/TF: But if you go after us, you'll lose your best lead on his criminal activities.

Bruce: And people will be dead.

H/TF: Yeah, whatever.

[Panel twenty. Close shot of H/TF from the left. They look left, contemplating their coin in their open hand. One face is corroded and blackened by acid, the other shiny and clean, both visible as it's drawn in a motion frame while spinning.]

You say that making our decisions based on chance is irrational and unhealthy, but believing in free will isn't all roses either. So many tough choices.

[Panel twenty-one is small box in the middle of the screen capturing the impact of the Batarang knocking the gun out of one of the henchmen's hand. H/TF's speech bubble floats in the space below it.]

There's never a win-win, is there?

[Panel twenty-two, a vertical rectangle. In the lower foreground and to the right, a gleeful H/TF bolt to the slight right of the camera, relishing both their escape and how unhappy their enemy is. In the background, Bruce restrains the armed henchman with a bolas while knocking the unarmed one out behind him with a backhanded blow. His cape billows with his rapid movement.]

At least the coin lets us be unpredictable!

[Panel twenty-three. Angle is essentially Bruce's POV. H/TF glance over their right shoulder, showing their unscarred features twisted in mockery, and sarcastically wave with their gun. They're just beyond the doorway.]

By the way, we're very good at getting two things done at once. You might wanna check your car.

[Panel twenty-four. Outside. Bruce's shadow falls from below the border diagonally over the Batmobile. Its tyres are slashed. Its fuel is leaking out into a puddle underneath it. In the next panel, we see him at eye height past the front end of the car. He has fallen to his knees, head hung.]

Bruce: Oracle? You were right. I need help.

[The black sheen of the Batmobile fades into a flat black background below. But then, within the darkness, floats a speech bubble.]

Barbara: You've already got it.

[Panel twenty-six. The first two sentences are in a bubble at the top, connected to the final sentence’s one dead in the middle. She's viewed from behind at a low angle looking up at her computer monitor. Her shoulders are assertively squared. Her security camera footage is split in two; Bruce and the crippled Batmobile are in the left window and H/TF's getaway car (also black on one side and white on the other) racing along a road in the right.]

We've been gathering intel. We know where Two-Face will strike next - and you know him as well as he knows you. Let's make a plan B.

Part 2

[Panel one. Distant establishing shot of a brightly lit black-tie gala in a vast, ornate hall, the tasteful decor dominated by white, light blues and silver. A caption informs us that this is 'The Cobblepot 'Charity' Gala'. Oswald Cobblepot is in the heart of the crowd, shaking hands with some official. Bruce Wayne is within earshot, but nearer the double doors. Panel two is a lower, tighter horizontal rectangle where Oswald and his guests are staring at the camera with tiny black dots for eyes in alarm at the doors slamming open. H/TF’s shadow falls over the floor. Panel three shows that Harvey and Two-Face have invited themselves, holding an assault rifle in both hands. Three smaller vertical panels on alternating sides of the screen show the doors being locked by pairs of Two-Face's minions in contrasting, complemetary outfits and wielding guns. The bird’s eye view of panel seven makes it clear that the guests are surrounded and trapped. Panel eight cuts back to H/TF.]

H/TF: Good evening, scum and enablers. We're -

[Panel nine takes us closer to focus on their - or rather, Harvey's - surprise.]

Harvey: Bruce? What are you doing here?

[Panel ten is a frontal shot of Bruce, like the camera's been reversed in the same position. His confusion is an act, but his concern is real.]

Bruce: I'm the richest man in Gotham and this is a high-society gala. What are you doing here?

[Panel eleven. Side shot that doesn’t show the scarring. Harvey lowers the gun, eyes softening as Bruce reaches out to him.]

I thought we agreed that you still needed treatment.

Harvey: I…

[Panel twelve. Frontal short. Remembering his mission, Harvey loses a degree of control and the two embittered alters lightly push Bruce away and point the gun straight ahead at Oswald with a glare. Motion lines trail from their arm.]

H/TF: That doesn’t matter! What matters is taking down the Penguin!

[Panel thirteen. Oswald presses a hand to his chest, somehow at once mortified and supercilious. You can hear the melodramatic sad violin. Beside him, his associates are cowering and aghast.]

Oswald: Why, everyone knows that I’m reformed. Attacking me when I’m doing good just proves how far you’ve fallen.

[Panel fourteen. H/TF snap at him furiously, and their speech bubble is large, spiky (still with the different texturing) and has a red outline for emphasis. Their eyes are stylized as flames; their right eye’s flame is orange and the left’s blue. Bruce is giving Oswald an intense sidelong glare. His lettering is smaller and his bubble's outline dashed to indicate that he's speaking under his breath.]

H/TF: SHUT UP!

Bruce: Shut up.

[Panel fifteen. Wide low angle shot up into the shadowy rafters. Damian, Dick and Tim are hiding in their vigilante identities and watching the scene below intently, at the ready. Their speech bubbles are dashed as they’re whispering. Damian is tense like a coiled spring, hand is on the hilt of his sword. Dick’s facial expression is blatantly disdainful of the villain in question, but his position and body language are calmer. Tim is all business.]

Damian: Shouldn’t we -

Tim: Not until the signal, remember? We don’t want to escalate and endanger the civilians.

[Panel sixteen. Close-up profile shot of Dick.]

Dick: Yeah, I hate Two-Face, but Bruce has got through to Harvey before.

[Panel seventeen. H/TF aim their gun with their right hand as their left reaches into their pocket to take out their coin. Their jaw is tight in composed ire. Diagonal angle to show Bruce on their right, overlaid by the gun. HT/F's speech bubble is near their head, but Harvey's is under the panel-dividing horizontal line of the gun.]

H/TF: You have the right to remain silent, forever.

Harvey: Bruce, get out of here.

[Panel eighteen, a square. Bruce is alone in the frame. He folds his arms, Batman's stern, steely presence creeping into his expression and posture.]

Bruce: Whatever you're willing to do to those people, you can do to me.

[Panel ninteen. Same composition with H/TF. They frown, the unscarred features looking regretful while the scarred ones look annoyed and disdainful.]

H/TF: Fine. Just stay out of our way.

[Panel twenty. Close up as they flip their coin. We get the blurring motion displaying both sides again. The next panel is a repeat shot where Bruce’s right hand snatches the coin in midair.]

H/TF: HEY! Give it back!

[Panel twenty-one. Extreme close-up, narrow horizontal parallelogram focused on Bruce's defiant stare. His speech bubble floats close underneath.]

Bruce: No.

[Panel twenty-two. He holds the coin out of reach. The camera is angled over and to the side of Bruce's left shoulder, to put as much visual distance between his outstretched right hand and H/TF as possible, Bruce's body in between them. H/TF’s left hand is balled into fist around the lowered gun while their right gestures like they’re arguing a case in a courtroom. They look resentful, but also coldly resigned. The speech bubbles can extend out of the panel. In the backgroud, some of the guests are depicted as simplified, featureless figures.]

H/TF: They aren’t worth sticking your neck out for. Nobody in Gotham is -

Harvey: I learned that the hard way.

Bruce: And I’ve learned otherwise. This won’t make things better, Harvey.

[Panel twenty-three. Two-Face fixes the gun on Bruce with a sadistic, unhinged snarl that’s distinctly his own.]

Two-Face: Listen, Wayne, I don’t care for you a bit. Give us our coin back or I’ll -

[Panel twenty-four. Bruce raises an eyebrow.]

Bruce: But what if it’s good heads?

[Panel twenty-five. Two-Face freezes. A ‘Twitch’ sound effect is at the corner of his right eye. Panel twenty-seven. A henchman aims his own gun with nervous eagerness.]

Henchman: I'll get your coin for you, boss!

[Panel twenty-six. The vigilantes leap down from the rafters. Dick's already thrown a Wingding to disarm him that flies downward rotating and seems to cut the shape of the panel, which has a tapering lower end.]

Dick: No!

[Large red 'BANG!' sound effect between panels. Panel twenty-seven is a small box in the middle of the screen showing the Wingding knocking the smoking gun away a split-second too late. Panel twenty-eight. Bruce and Harvey in the background and the bullet in the foreground are centred. Harvey slams into Bruce and knocks him down with his full weight, briefly putting himself in the path of the bullet.]

Harvey: Bruce!

[Panel twenty-nine. Long, vertical rectangle panning down from above the vigilantes standing in dramatic heroic landing poses at the top of the frame, wearing varyingly emotive expressions of shock, to Bruce lying propped up by his elbow and Harvey on his hands and knees at the bottom. The discarded assault rifle hits the floor between Harvey and the vigilantes with a 'Clatter' sound effect in yellow, uneven text. The coin slips out of Bruce's hand with a motion line to rest between him and Harvey. Panel thirty. Angle at eye level with Bruce and Harvey. Bruce sits up. He stares at Harvey with shining eyes and the beginnings of a smile as he processes what just happened, and what didn’t precede it.]

Bruce: You saved my life.

[Panel thirty-one. Angle is behind Bruce’s head. Harvey avoids eye contact, showing Bruce his unscarred profile. He’s solemn and though he too has a relieved hint of a smile, it doesn’t reach his eyes.]

Harvey: You never stop trying to save me. It was the least I could do.

[Panel thirty-two. Harvey’s POV. Low angle, tilted up at Bruce on his feet, offering his hand to help him up. We can tell that it’s Harvey’s perspective with both eyes because the left half of the image is dim and blurry due to the damage the acid did to his left eye. The speech bubbles are exclusively on the right.]

Bruce: It isn’t too late, Harvey. You can still heal. You can get better, be better.

[Panel thirty-three. Close-up on the right half of Harvey’s face, a narrow vertical box in the upper left section of the screen. His expression is of tentative, wary hope and raw vulnerability. He has wanted to end his crusade throughout its duration, but never been able to. Panel thirty-four. A bigger square containing his entire face and taking up the rest of the screen.]

Harvey: Do you really believe that?

[Panel thirty-five. Side shot that now only shows the side shot of Harvey’s face. Bruce kneels down be closer to eye level with him.]

Bruce: Yes. Always, I’ve been where you are. Feeling like you can never be more than all your pain and anger. But if you want a second opinion, I think you’re a better person than you know.

[Panel thirty-four. A square in the middle of the screen. Harvey’s right hand reaches out to Bruce’s waiting one, but lingers, tense and trembling, above the coin. Panel thirty-five. Vertical rectangle. Harvey shrinks in on himself, hunched over with his face buried in his arms and hands clutching his hair; perhaps he doesn’t trust himself not to pick up the coin and give Two-Face a means to make harmful decisions, just can’t make another choice of his own or both. Around him blackness with spiky, scribbled inner edges consume the screen like reality is fracturing or dissolving, or some all-consuming destructive force is coming for him.]

Harvey: Just… just take us to Arkham. We deserve it. We need help.

[The black extends, replacing the white background. But then, within the darkness, floats a speech bubble.]

Bruce: You’ve already got it.

[Fade into panel thirty-six. Horizontal rectangle. Distant, high angle. The black lightens to purple and becomes the night sky, which is warming to pink at the first moment of dawn. Harvey is handcuffed, about to enter a police car on his right. A cop is escorting him. However, Bruce has his left arm around his shoulders and they’re both in relatively good moods, similar to how they were in the flashback.]

Harvey: When did you get so optimistic, Mr Gothic McBrooding?

Bruce: Someone has to be. And hey, I had a good teacher.

[geeky-nightphilosopher]

This may have been done before; but I'm gonna say it;

If Thomas and Martha Wayne were still alive I believe 100% that 1. They knew about Batman 2. Their grandchildren would come to them whenever their son was being "unfair," and definitely side with them.

---------

Dick: *at their door drenched from the rain* Grammy... Grappy dad won't let me out tonight.

Thomas: Come in my boy, your Grammy is already on the phone with him.

*Dick once Thomas turns around Cheshire grin on his face*

-------

Jason: Grandpa! Dad took my guns away!

Martha: *dials Bruce while giving Jason a cookie.* Alfred? Where's my son?

Jason: *happily munching on the cookie.*

------

Tim & Steph: Pop-Pop! Gram- Gram! Dad won't let us go after Harvey or Riddler tonight.

Thomas: *annoyed huff while he dials his sons name*

Tim & Steph: *grinning like a cat knowing full well that they are allowed, but it's funny to see Bruce scramble.*

------

Cass: *signs aggressively as she explains that Bruce is keeping her back because of a paper cut.*

Martha: *cooing and signing back that they will handle it*

Cass: *smiling with all teeth*

-----

Martha: You allow Barbara to hack into that system, Bruce!

Bruce: She's not even my kid!

Martha: Bruce!

Bruce: *sighs* Fine!

--------

Damian: Grandfather. Grandmother. I acquire that you speak with Father about his unruly treatment.

Thomas & Martha: *Not even battling an eye* What did he do?

Damian: He took my game console.

Thomas & Martha: Bruce!

------

Duke: Pop's! Dad won't let me drive the batmoblie!

Thomas: *glares at Bruce*

Bruce: That is not what I s- fine.

Duke: *bright smile on his face*

All the while Bruce is just like;

Bruce: 🫤

And Alfred is; 😏

[somecunttookmyurl]

Sorry to just drop into this, but another thing to consider with handmade good and the ‘overpriced’ idea is that you also have to factor in how much stock might sell at any given time.

For example, if you make 100 pairs of earrings in a month but might only sell 30 (because you need to give people options etc.) then the profit from those 30 should reasonably cover the time you spent making all 100.

Also, it should pay for the time you spend at craft fairs, replying to any commissions/ purchase requests, packaging time and going to the post office, any online marketing you might do (tumblr posts etc).

Peolle don’t often factor these in when thinking about the value of crafts they buy, which is a bit unfair.

yes there are other overheads but the thing is. basically all of those to some extent also apply to fibre arts

but sure. to be thorough. i spend 10h a week at my market stall and an hour... let's say 2 be generous with it... updating the shop

if i made 50 pairs of earrings and sold 15, the "materials" cost of 1 pair, to cover their unsold breathren, goes from 42p to £1.40

earrings are far from the only thing though, and account for less than half of the sales. so. we can say that about 5h of stall/shop time is covered by those

(plus the hour it took to make them)

sale price - materials cost but split over 6 hours of labour instead of 1.5 is still £12 an hour

[mercyking]

Sometimes...I live in a world where Gary King and Nicholas Angel are cousins.

And sometimes...SOMETIMES...Nicholas' uncle Derek is Gary's dad.

[goddess-of-graphite]

The Great Notes App Exodus: Gothic Dragons

Gotham has always been protected by a Dragon, even before it was ever Gotham.

There was a way about the land Gotham stood upon, that was all twisted magics and darkness and feral energy that never quite fit in man’s modern world. America had but one Guardian Dragon - except for Gotham, which was near a law and country unto itself.

Gotham was a sanctuary for the supernatural, but it was not kind. Those non-humans who risked its dark streets were the brave, or the foolish, or the terribly desperate. Gotham was a dark city, and it’s people adapted or were driven out.

(But should a threat ever come for her, all of Gotham would rise up in response.)

So Gotham had its own Guardian, but the Dragon guarded the world outside from Gotham’s brutality just as much as it shielded Gotham from those that would rend her apart.

But, of course, Dragons were only so many, and new blood must be brought in - human blood, as it often was, and so the trend of Dragon blood “skipping” a generation emerged.

And the bloodline of the Guardian Dragons of Gotham withered, bit by bit, because it is far easier to kill a human of dragon blood than it is to kill a Dragon of human descent.

(And Bruce Wayne has never hated this truth of the world more - because his parents had been Skipped, human, and if they had been dragons, they’d still be there with him.

But they weren’t.

It was just Bruce, a fledgling Dragon, and the butler left to care for him.)

-

Although Gotham had only ever had one Guardian Dragon, it had at one time had a whole lineage of Dragons capable of taking up the mantle. As the Dragons intermarried, however, more and more lines broke off with human kin, occasionally producing dragons.

But the Guardian Line had been reduced to one untrained hatchling. And that hatchling didn’t much care if it was a Dragon or a dragon that was Guardian of the city, just that there was someone to Guard it.

The problem is, of course, that the hatchling needs training - but he cannot get that in Gotham.

So he leaves.

He comes back ready to pull his city back from the brink, by force if (when) necessary.

Here’s the thing - Bruce is no Dragon, because for all that he is the last of the Guardian line he doesn’t adhere to the rules of that duty.

A Guardian’s duty is to the supernatural beings they protect.

Bruce has already decided that that is not enough. Human or Magical Being, if no one else will step in, then he will.

Bruce might have been the Gotham Dragon, but that didn’t mean he was the only dragon in the city.

The thing about dragon blood is that it tended to turn up dragons unexpectedly in families that had been mostly human. A dragon ancestor could have human children, and their children have human children, and then a dragon. It was a recessive trait when introduced into human bloodlines, and especially if it was paired with yet more human lines, but it also was tellingly stubborn - a human may only have a single draconian ancestor hundreds of years back, but they could still unexpectedly turn up a dragon hatchling.

It was just sheer dumb luck that a bunch of said unexpected hatchlings turned up within the span of the same generation.

[inbabylontheywept]

How does one contract scurvy from eating too many homemade pickles? And how many is too many?

when i first moved out and started cooking for myself i had a very poor diet. i think @lizardho has a picture of my fridge at one point, it was just various kinds of pickled things, and cured meats.

fast forward after like, three or four months of this, and i was at the dentist, getting my teeth cleaned, when the hygenist went ah, babs, your gums are bleeding. u need to floss more.

and i went i floss like, three times a day, and it always bleeds, and im always gentle, and you are lying bastard gum torturers. u can do what u need to, but dont stab my mouth and blame me when it bleeds.

the hygenist took exception to that. we didn't really shout at each other, but it was a tense exchange and i was just much more crabby than normal. eventually he left to get the dentist to sort things out.

cue the dentist coming back. he checked out my gums, gave me a lookover, then said hey. babs. are your joints kind of achey?

and i went yeah, i'm kind of hoping for another growth spurt, i'm 5'11 and it would be nice to finally hit the ol' 6'

and he went yeah, but you're 21, so that's not gonna happen. got any rashes? weird bruises?

and i had some decent bruises, and a weird rash on my leg, and he looked at them and we yeah you are quite vitamin c deficient. thats not easy to do in arizona. how much fresh fruit or vegetables have you had in your diet recently?

and i went does pickled count?

and that was his lightbulb moment. apparently pickling breaks down the vitamin c in things really well. he told me that i should just like, eat one or two raw bell peppers a day for a week and call him if that worked.

it did. my gums stopped bleeding, and my knees stopped hurting at night and my skin just felt smoother and nicer and i got a lot less crabby. no more mouthing off at dental hygenists.

i called him when the week was done, and i was embarrassed that i'd given myself scurvy like it was still the 18th century, and he said naw, not scurvy, but like. noticable deficiency. he said that it was a weird problem, but he'd run into it before - mostly with college students fresh out of the house. people trying to live off peanut butter and ramen for a few months at a time.

i took a multivitamin after that, but i also made an effort to try and eat like a normal human being. i failed occasionally but the effort made me feel a lot better.

my time in cross country gave me this sort of gnostic-feeling about my body. like it was a weak thing that i needed to overcome through will, and not like. me. at least not actually me. i think this was my first big wake up call that no, the body is not my enemy, i am my body, i am a physical object in this world, and if i don't take care of myself i am going to be worse at everything, including moral tasks, like not being a dick to the dental hygenist.

so. yeah. tldr, please don't spend months trying to live off pickles and salami. :/

[5rozebub5]

A canon compliant guide of Bruce Wayne’s officially adopted children

I noticed there has been some confusion about who all in the BatFam is actually legally adopted by Bruce Wayne so I thought I’d try and help clear some things up.

(Full disclosure you can of course headcanon whatever you like, I made this is strictly to help newer fans know what is actually canon💕)

Dick Grayson: Adopted

(Batman: Gotham Knights #17 and Batman #600)

Many fans argue over whether or not Dick is officially adopted, many saying it was never official and he is still just his ward.

Though he does admittedly usually spend the majority of his actual childhood as a ward, Bruce ends up officially adopting Dick as his son(as I have explained before here)in multiple timelines

Barbara Gordon: Not Adopted

(Batgirl and the Birds Of Prey Rebirth)

There was never a need for Barbara to be adopted because she still has a Dad. She is however still very much in the BatFamily and has trained under and with Bruce

Jason Todd: Adopted

(The New Titans (1988) #55 and Batman: A Lonely Place of Dying)

Now I couldn’t track down a comic where we actually get to see Bruce adopt Jason, but there are plenty of instances in which his adoption is referenced -including but not limited to these two- throughout several timelines and reboots

Cassandra Cain: Adopted

(Batgirl 2008 #6)

Now this one is a bit more debatable as aside from this one instance, Cass’ adoption is never really mentioned again even after the timeline gets rebooted. Still the general consensus is that Cassandra’s adoption is considered canon.

Tim Drake: Adopted

(Batman #654 and Red Robin #4)

Though Tim declines Bruce’s offer of being adopted at first, we get to see Bruce adopt Tim as his son about a year or so later. His adoption is also referenced across multiple reboots

Stephanie Brown: Not Adopted

(Batgirls #13, Robin (1993) #174, and Robin (1993) #126)

Now the main reason Stephanie is not and probably will not be adopted is because both her parents are alive. While her Dad is a villain and out of the picture, her mother is a nurse and fully capable of taking care of her.

Bruce does however train her during her brief stint as Robin and much like Barbara she is no less apart of the BatFamily, she’s just not in the Wayne Family

Duke Thomas: Not Adopted

(All Star Batman #1 and Batman & the Signal #3)

Now Duke is never officially adopted because technically his parents are alive just insane due to Joker’s toxin of which there is no cure. However Bruce does take him in and let him stay at the manor and it is heavily implied he may have been Duke’s foster parent until his mom was very recently cured in Batman Urban Legends so do with that what you will

Damian Wayne: Not Adopted/Biological child

(Batman and Robin (2011) #0)

Damian is Bruce’s one and only biological child -of the main canon- and therefore does not need to be adopted because you don’t need to adopt your own child

And that’s all of Bruce’s official and unofficial children in the main canon!💕🖤

[somnoir]

Little star's favorite

It all started when Talia came to Gotham with a gift.

The gift in question was a twelve year old boy.

Bruce stared at the boy who was almost the exact replica of Damian if not for the blue eyes and longer hair. He looked utterly perplexed at the sight of Bruce, tilting his head before frowning at his mother with a visibly displeased look.

"Beloved, may I introduce you to Danyal, our Damian's twin brother. He was... Away... On a mission until recently." Talia hummed, a hand on Danyal's back.

"You... You didn't think to tell me about him when you told me about Damian?" Shutting his eyes and pinching the bridge of his nose. He looked down at the boy who looked a little more like him than Talia and felt himself softening. "Hello Danyal."

"Hello."

Talia smiled, before her expression fell. "A little warning, beloved. The twins do not get along. Damian is quite the competitive child and Danyal... Well, he's the nicer one if I must say." She shrugged, running her fingers through her son's hair before pressing a kiss to his forehead. "Go on now, Najmi As-Sagheer (my little star)."

"Ummi... Must I join them? I am perfectly fine with remaining in the league." Danyal muttered, eye twitching but his expression was quickly schooled into neutrality.

"Yes, Danyal." She sighed, "I have no intention of letting father keep you."

Bruce raised a brow at her words.

"That is a conversation for another time, habibi." Talia lazily insisted, gently pushing Danyal towards Bruce.

Bruce, for all he's lived, immediately recognized a feral cat in the form a child. Yep. Another Damian. That was seemingly the nicer one.

But he was scruffy little thing who was being called little star by his mother. Bruce blinked, offering his hand to Danyal (like how a person would do by letting a cat sniff his hand to see if they were safe).

Danyal, more twitchy and annoyed than his brother, looked at the hand like it had personally offended him.

And that is how Batman brought home another child while holding him by the scruff.

(Danny hated everyone except for Alfred—both cat and butler)

Danyal was a much quieter person compared to Damian. Unlike his brother who had practically came into their lives guns blazing and declaring that he was the rightful heir to the bat, Danyal mainly ignored them. He would glare, snarl, and scowl, but not in the way Damian did. The kid was obviously threatened by them, but more for his own safety rather than inheritance.

He avoided them like the plague, only welcoming the company of Alfred and occasionally Cass.

He didn't join in on the vigilante business, opting to stay back with Oracle and just quietly direct them on their missions. It was strange in all honesty.

They didn't know much about Danyal, aside from the fact that his mother called him little star for his natural love of space. That he liked to tinker with gadgets and make his own weapons. That he really liked fudge.

Aside from that, the kid was quiet and was usually hiding out in his room.

Tim wasn't particularly thrilled to have another demon brat in the family. He avoided Danyal as much as possible expecting for the boy to be just like his brother and attack him.

But apparently not.

It's one of those unfortunate times that Tim's sleep deprivation and overload on energy drinks gets him benched by Alfred and not Bruce. No one particularly wanted to argue with their beloved butler/grandpa so Tim was stuck in place. It was a much quieter night than usual, almost peaceful (as much as Gotham can get).

Babs was relieved of her duties to have a night off, rest and relax and such, while Tim manned the bat computer in Oracle's place. He almost didn't notice the mop of black hair that suddenly appeared beside him.

Tim didn't want to admit it, but he flinched at Danyal's presence and how he was quietly standing there with a tray of coffee and cookies. Blue eyes blinked at him, silently pushing the tray forward to offer Tim the lone cup (most likely for him) and the plate of cookies.

Suspicious, Tim narrowed his eyes. "Alfred wouldn't make me coffee after benching me for this kind of thing."

Danyal shrugged, "Made it myself. Thought you'd need it since the others will be gone for a while."

"That's poisoned."

"It's not." Danyal frowned, immediately taking the cup and taking a couple sips himself before once again offering it to Tim.

Now, Tim wasn't stupid enough to ignore the possibility of Danyal having some tolerance to poison. But Tim was also tolerant to a lot of poisons so might as well.

When taking one sip, he was already feeling weird. One, there was no poison. Two, it was actually pretty good.

Danyal just sat there and stared at the screen, munching on cookies and pointing at the screen whenever Robin started to stray from the patrol route. Tim had a lot of fun reportingtattling to Bruce about it.

Eventually, it became a routine.

Danyal always sat beside Tim. Quiet and just offering random stuff, either food, some little gadget he made, or just the most bizarre stuff he found while at school.

Tim learned many things about his weird little brother. How cameras go crazy around him. How he had his reasons for not being touched. How Danyal was more silent than Cass. How Danyal vanished and reappeared at times.

(The glowing green eyes were the most concerning.)

He never really took notice of how Danyal started to gravitate to him. Always with him, barely without.

(Tim refused to admit that he was just the same.)

"Can I go on patrol with you?" Danyal asked, tugging at his Red Robin suit with a curious look. "I wanna meet Poison Ivy and Harley Quinn."

And Tim didn't really see much of a problem with that. Danyal was a highly trained assassin that Ra's apparently trusted to go on a solo mission while Damian had to be whisked away from the league. It wasn't too absurd for Tim to just shrug and let his kid brother tag along.

He was also very sure that his baby brother was an eldritch being with how the shadows seemed to rise around him. Yeah, the baby was a cryptid amongst a family of supposed cryptids. Very fitting.

It's a nice night. With Danny running amok with Tim, clearly having fun. But that one looks of sadness didn't escape Tim when Danny paused and looked to the sky with longing.

Tim remembers how Danny rambled about the stars in their shared moments, where it's just them.

Tim remembers how Danny would describe the sky in Nanda Parbar and how he often snuck out just to see it.

Tim remembers how much his little brother likes space and turns to the cloudy sky of Gotham that hides the stars.

Tim remembers how he was often depraved of the brotherly love he wanted. How he didn't get the full experience of having an older brother.

"You okay, little star?"

Danyal snapped his head towards Tim, eyes blown wide and flashing green (he knows that wasn't normal but he ignores that in favor to the way Danyal visibly softens at the nickname).

"'m okay, akhi." Danyal muttered, following after Tim after adjusting his own hood.

And it's like his heart stops.

Yep.

Tim has had Danyal for barely a year and he was willing to throw hands with Ra's, Talia, and Bruce for him.

"C'mon, qalbi(my heart). Batburger's still open."

He barely noticed the shift after that. But others think it's a glaring change that often made them stop and stare.

Danyal went to Tim whenever he needed anything.

If Danyal wasn't in bed, you'd find him snuggled up to Tim.

Danyal hated it when people touched him... Except for Tim.

Danyal liked Tim the most.

The day Dick thought it was a good idea to call Danyal 'Danny' (a nickname that was only used by Tim and Alfred), he almost got stabbed. Well, that's where all the stabbiness went to.

Safe to say, Tim was Danny's favorite.

And Danny was Tim's.

"Drake! What have you done to my brother?!" Damian pointed a katana at Tim, who lazily glanced his way before turning back to Danny who was comfortably snuggled up to him and watching Blue while Tim scrolled on Tiktok.

"I haven't done anything to Danny, demon brat. Now shoo!" Tim's irritation could be heard from a mile away, shamelessly shooing Damian away with a flick of his wrist. Then the next second, he was combing his fingers through Danny's hair and listening to his younger brother make a purring noise.

(Another point of investigation because that is not fucking normal, Tim. Cute though!)

"I refuse to believe that Danyal would prefer you over me!"

"You're just salty that he stabs you like you stab me." Tim waved him off again, watching as Danny yawned and continued to ignore everyone else.

The click of a camera immediately alerts him and he's tugging Danny down before the much younger boy lunges at Dick.

"Woah! What's up with him?" Dick nervously asked, instinctively raising his phone above his head.

"Delete that!" Tim snarled, pulling Danny closer and guiding his brothers face to his shoulder. "You know he hates it when people take pictures without consent!"

(Tim doesn't tell them that something goes every wrong with the footage if Danny was ever in the picture.)

"Dick." Tim warned, effortlessly picking up Danny, because yes, his seemingly cryptid baby brother could become weightless, and snatched Dick's phone. Yep. Instead of Danny, there was a very strange figure, a glitching silhouette of black and green. He deletes it immediately.

Dick was pouring, "I don't have any pics of Danny—"

"Don't call me that, Richard." Danny scowled, clinging to Tim like a koala. He was strangely more child-like than Damian, muttering about annoying people who interrupted bonding time. (Dick was just forced to pout.)

"Danyal." Damian crossed his arms, scowling at Danny who was still comfortably cuddled up to Tim. "It is not appropriate to cling to Drake in such a way! You will embarrass our mother and father if you are seen acting like a petulant child!"

Tim wanted to argue that no, he wouldn't embarrass Talia and Bruce by being a kid, but Danny just grabbed a cookie from nowhere (note to self, add possible teleportation powers to cryptid baby) and shoved it into his mouth.

Danny just yawned, fixing Damian with a lazy glare.

"Tuhali, can you shut up?"

Damian stood stock still, while Jason and Bruce choked on their own spit. Jason slapping a hand over his mouth and Bruce just staring at his twins like the apocalypse was about to return.

"What did you just call me?"

Danny yawne again, "My spleen."

Tim knew what Tuhali meant. Of course he fucking knew Arabic! But to think that his cryptid baby brother was straight up calling Damian his spleen?

The spleen that Tim doesn't have.

The spleen that's important to the immune system but you can survive without it?

Tim grinned, grabbing his cryptid baby and made a run for it.

Yep.

Danny was definitely his favorite.

Credits to: @strangergraphics for the dividers used.