#breaks for a few frames

[mystycalypso]

I love that this is something Venomous does, even before his mutation. I sadly don't have the screenshot rn (Maybe I'll edit it in when I have access to my computer)

But the face Laser makes seeing the donut shop get shrunk-teleported is a perfect example of this.

As for Venomous, some lovely examples for y'all

[wrongspacetime]

LOST RECORDS : BLOOM & RAGE (2025) dev. Don't Nod

[poorly-drawn-mdzs]

Fishing Interlude

[First] Prev <–-> Next

[tobi-smp]

you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot

and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore

and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.

but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.

because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).

and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.

and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.

but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.

and it's like !

when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.

but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.

out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.

the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.

mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.

what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.

but it's just not in the text.

not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.

it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.

meanwhile, we have the video above.

we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.

and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.

because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.

but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.

technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.

how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?

That's interesting. That's Compelling.

technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.

and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?

That Doesn't Quite Help Your Case.

technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.

that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.

"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.

and, importantly, it doesn't have to be anyone else's Fault.

by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.

and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.

and the answer to that is, often, vulnerability and accountability.

I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.

tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.

There's Something There, and it's already In The Text. it just needs to be expanded on.

and why not do that ourselves now?

[borealing]

been thinking about crowleys fall a lot. insp

[tohruies]

i'll give you a piece of your favourite candy if you can tell what happens next ! ! 🍬

um 🥹 . what happens next is that . we . um . we kiss . um and . and when we pull away from each other, i cradle his face in my hands and look at him in distress, “yao, i think we need to kill femi.” he nods slowly, a bit concerned, but still takes me in his organic arm and uses his bionic one to propel us out of his house and to femi's location (yes he breaks the roof in the process) (yes we are still half naked) (yes we time-skipped into your plane of existence). he sets me on my feet and i run and break down the door to your house and hold you at gunpoint. <- gun that shoots out heart-shaped bubbles (they will kill you from how cute they are). you grovel at my feet, tears in your eyes. “coco, it had to be done, there was no other way!” i don’t care anymore. i hold the barrel to your forehead and then... the scene cuts to black before anyone knows what happens next. christopher nolan style ambiguous ending. period exclamation mark justify paragraph save as pdf upload file. aaand submit.

there, i told you what happens next … MAY I PRETTY PLEASE HAVE MY CANDY NOW 😒 /SILLY

[if-loki-was-a-fox]

I am not a person who knows music. but like. the way malevolent has such a limited selection of background music, such that you can become so familiar with exactly what each one means, how the music interacts with the rest of the scene to set the emotional tone just as it's supposed to be. I didn't consciously realize just how much of an emotional foundation and anchor, stability, it provides until the part 52, when that's torn away in an instant to be replaced by Kayne's new and ever changing symphony of background music, ever shifting, and never something familiar to the normal background music. it's like the music equivalent of having a rug pulled from under you, like the very ground beneath your feet is no longer staying as it should. not to be dramatic about it, or anything. but it's so uniquely unsettling. that's what really makes that scene feel so much more intense than other scenes where things go horribly wrong, I think

[russell-crowe]

The Great Celebrity Bake Off for SU2C: S07E02

[sodrippy]

omg huge if true i think this medication is why ive not had any joint pain all month...

[o-sunny-day]

TOMORROW.

[amelikos]

Gibeon and Amethio key frames.

[comradecowplant]

so Ivanova is nearly killed off, saved by actually killing off sweet baby space legolas, and now she's left anyway? AND my boy lennier is going off to "find himself" too? mkay.

[softichill]

Wait wait okay why are we suddenly blaming Gwen for this?

[llitchilitchi]

Your watercolor piece is so BEAUTIFUL!!! its so hard to see fanart of traditional media and you absolutely *ate* with that one 🥹 the colors are so delicate and i love all the white space you left in between

aaaaa thank you!! always happy to see people be excited about traditional art :D

[lilmissjolly]

I've only read 4 stories so far, but I could make a bingo card out of the things I've seen reoccur in Lovecraft's writing.

[illeatyoursocksoff]

Perfection

"Passing curiosity", a Good Omens very silly comic.

I regret nothing.