#dream theory reference

[tortillaneedshelp]

FNaF explained badly

fnaf 1: some kids went missing and their bodies are stuffed in the robot suits.

fnaf 2: so it was a purple man who killed those kids, but a weird puppet thing stuffed them in the suits.

fnaf 3: the dead kids stuffed the purple man in his own rabbit suit, but now you're stuck in a building with him and he wants to stuff you. wait why is everything hazy and hard to see help i can't breathe-

fnaf 4: ...actually nothing was real and it was the fever dream of a dying child the whole time

fnaf world: *vague purgatory metaphor noises*

sister location: ACTUALLY it was all real, now there's this afton guy and his daughter accidentally got stuffed in one of the suits that he made. also some dude named michael.

pizzeria simulator: everything is not real again because it’s all a trap for the remaining people stuffed in suits. plus the you the player and mystery tutorial man. plus arson!

ultimate custom night: more metaphorical purgatory, now with all the things stuffed in suits

help wanted: so actually it was all video games the entire time and most of it wasn't real. no one was stuffed in a suit, nothing sketchy going on here, hey what's this weird rabbit thing--

fnaf ar: good news! now you can specially deliver the robots to stuff you into a suit from the comfort of your own home!

security breach: good news! now you can stuff yourself in the suit without being killed! also everything's real again, especially the rabbit. there's two now.

ruin: so this rabbit mask lets you see things that aren't real, and try to save your best friend (who may not be real), but at least no one's trying to stuff you in a suit! because they're already inside your mind. hey what’s this weird thing in the basement

help wanted 2: half your job isn't real and you're running from your past. now with cool collectibles! wait a minute what's that rabbit thing oh no you're stuffed in a robot. also you may have doomed your daughter

into the pit: NOTHING IS REAL AGAIN AND THE RABBIT THING STUFFS YOUR DAD IN THE PAST

[jjoneechan]

🍃Theftshrubbery Classics Collab🍃

My piece for @theftshrubbery #classicscollab thank you for hosting such a wonderful opportunity to grow my skills! 🫶

Alts and the original piece is ‘Chez le Père Lathuille’; oil on canvas (1879) by French painter Édouard Manet ✨

[cedric-k-rossignol]

I love how undertaker went from this serious, no nonsense guy with a fckin ribbon in his hair ( he is the original coquette girly🎀) to this dishevelled stinky man; he is so unwashed to the point that his white hair appears to be grey��and I don't understand how he is still the most beautiful male in the manga lol. Even grell says that he is attractive, but how?!! Anyways , now that he is in the manor I hope that tanaka will force him to take a bath after 23 years....

LMFAO not this Undertaker slander in my inbox 😂😭 my musty, dusty, crusty king, now and forever.

He was the original coquette girly - dude cleans up niceeeeeeee. I need more art, official or fan, of him in his reaper outfit - and him and his cunty ponytail 🎀

Also, is he wearing blundstones*???

King shit. Man never misses with his choice of footwear. I too exclusively wear blundstones and bdsmesque thigh-high boots. It's the uniform of the pnw 🤷

I maintain that when Claudia was around he bathed regularly, otherwise girlie would have been done in by a bladder infection pretty damn quickly. It was only after she died that his self-care went to hell. Grief-fueled depression is no joke 💔

I have so many thoughts on the Tanaka-Undertaker dynamic and omg the image of Tanaka hosing him down like a pitiful dog who hates bath time is 👌 manifesting this.

Also you don't understand how he's the most beautiful male in the manga?

Undertaker needs a bath but I think you need an eye exam anon. He might be stinky but he is STUNNING. Thanks for the ask!

* okay so evidently Chelsea boots were invented by fucking Queen Victoria's shoemaker. I AM TERRIFIED OF YANA TOBOSO.

[jorvikzelda]

getting the sense that it’s like…

deltarune is best played after undertale, but

undertale is best analysed in reference to deltarune—not the other way around

[herefortheships]

What is your opinion on the Beetlejuice 2 Dream Theory?

My short answer is that it's plausible, but not likely that that's what the writers or Tim intended. That said, every viewer is entitled to their own interpretation. When a piece of media leaves the author's hands, then it doesn't belong exclusively to the author anymore; the story takes on a new form when it falls in the hands of the audience ("the death of the author is the birth of the reader" etc).

I'd have to rewatch the movie with my brain prepared to point out references that may show that everything we're witnessing as the movie plays out is not real.

As for my personal interpretation, I don't think that's the case. There was indeed a dream sequence at the end though; we have to decide, when does the dream start? Was it when Betelgeuse and Lydia were dancing in midair? (Betelgeuse does break the 4th wall to tell the audience "I love a good dream sequence", so that's possible). Or was it later after Lydia says her goodbye to Delia? I've only watched the movie once so far, so my thoughts may change when I rewatch it, but for now, this is where I think the dream starts:

I think the dream started with Lydia quitting her show. She may not have quit it at all, as a matter of fact, but her dream started with this because she's now hoping for a fresh start and quitting her show is part of what she has identified as her ideal life, going forward. She's dreaming about a perfect life, believing herself rid of Betelgeuse and Rory and her past, and starting fresh with Astrid, focused on being her mother and being there for her this time. Astrid and Lydia only have each other now after the loss of Delia and Charles, as far as family goes. All of that from that moment on is the dream. In truth, she isn't rid of Betelgeuse, and she is pretty isolated now. So she is shaken awake by the nightmare (I already made a detailed post about that, so I won't go into detail about the dream and what I think it means here). I think the dream ends when she hears/feels Betelgeuse in bed with her. Betelgeuse isn't gone and he's still very much in love with her, which may not be a very comforting thought to her just yet lol.

Now as I'm writing this, as a matter of fact, her little jumpscare when feeling Betelgeuse in bed with her might have a double meaning. Why was she dreaming about him being in bed with her? To be honest, when I first saw that in the theater I thought the wedding had gone through, since they were sharing a bed now! Lydia may be beginning to realize her feelings about Betel have changed, which understandably scares her right now. Then she wakes up again and he's gone. There is a question here, was he part of the dream or was he truly in bed with Lydia? Maybe he was there after all (which is what I personally believe).

Anyway, I am beginning to ramble, but Tl;Dr: There was a dream, but it starts when Lydia quits her job (or maybe after she quits, when she and Astrid are in vacation together).

Again, if it's the same theory I read (which I totally love and find super intriguing), it does make good points, so in short I would say it's plausible. Today I read a post about how the name "Richard" repeats in the movie in several instances, which may add to the "none of this is real, it's all a dream" theory. But to be honest, for me at least, there is more reason to believe that what we witnessed in the film did happen, and Astrid, Rory, Richard, etc are all real and part of Lydia's life.

That Lydia isn't married to Betel by the end of this film doesn't mean her feelings about him will remain as they are and that she will never accept him or even love him, though. This movie was SO a setup for a third film and I am sure of that. It was left open ended so in the event it didn't land well, the franchise could be set to rest with this sequel which was mostly a passion project for those involved, but now we know the movie was a massive hit, so it's very likely and I have no doubt we will get a final third part. There is a LOT of "the rule of three" around Betelgeuse, starting with the fact that you need to say his name three times to summon him. "Third time's a charm", you know what I mean? So I believe the final movie will see them married (yep, not just together or just friends, but married). Marriage is a very important theme in Beetlejuice, both for the series and the titular character himself, so that wedding will happen and it will go through next time, for better or worse (and I hope for better!) Again, rule of three applies here. I think the story is prime for either a soulmate story, or a tragic "true love will set you free" kind of story in which Lydia has to marry Betelgeuse in order to free his soul so he can move on (it was pointed out to me that this resembles the story of Corpse Bride, which is also a movie directed by Tim Burton). If he goes with the latter, then that doesn't mean Lydia won't love him and will just marry him to free him (as in she’s his true love but she doesn’t love him back romantically); she may still fall in love with him, but will find a way to break his attachment/curse to set his soul free and "let him go" for now (it could go either way tbh 😭), and they can still find each other in the afterlife. And wouldn't that be nice? If the two of them can move on to a better place in the great beyond in the finale? To spend eternity together in peace.

Anyway, rambling again! This is my answer. Sorry for replying a little late (and "yapping" so much lol), but trust me I was thinking about this question all day.

[jon-sedai]

It’s important that the first revelation of Nissa Nissa is accompanied by some level of skepticism from Salladhor Saan and aversion on Davos’ part. It doesn’t sound right that Azor Ahai chose to sacrifice his wife for a magic sword. It shouldn’t sound right.

“A hundred days and a hundred nights he labored on the third blade, and as it glowed white-hot in the sacred fires, he summoned his wife. ‘Nissa Nissa,’ he said to her, for that was her name, ‘bare your breast, and know that I love you best of all that is in this world.’ She did this thing, why I cannot say, and Azor Ahai thrust the smoking sword through her living heart. It is said that her cry of anguish and ecstasy left a crack across the face of the moon, but her blood and her soul and her strength and her courage all went into the steel. Such is the tale of the forging of Lightbringer, the Red Sword of Heroes.

“Now do you see my meaning? Be glad that it is just a burnt sword that His Grace pulled from that fire. Too much light can hurt the eyes, my friend, and fire burns.” Salladhor Saan finished the last grape and smacked his lips. “When do you think the king will bid us sail, good ser?”

[…] A true sword of fire, now, that would be a wonder to behold. Yet at such a cost … When he thought of Nissa Nissa, it was his own Marya he pictured, a good-natured plump woman with sagging breasts and a kindly smile, the best woman in the world. He tried to picture himself driving a sword through her, and shuddered. I am not made of the stuff of heroes, he decided. If that was the price of a magic sword, it was more than he cared to pay.

Not only does it not make sense that Nissa Nissa would agree to her husband’s request, it’s also telling how Salladhor Saan expresses relief in knowing that King Stannis didn’t actually forge Lightbringer. Because forging Lightbringer means human sacrifice. And why should one be deprived of their life, even if it’s for a magic sword? Davos is very right to be creeped out by it.

The theme of sacrifice shows up quite a bit in ASOIAF and Davos I isn’t the first or last time. The very first chapter in the series, Bran I, tackles this idea with Jon and the direwolves.

“Lord Stark,” Jon said. It was strange to hear him call Father that, so formal. Bran looked at him with desperate hope. “There are five pups,” he told Father. “Three male, two female.”

“What of it, Jon?”

“You have five trueborn children,” Jon said. “Three sons, two daughters. The direwolf is the sigil of your House. Your children were meant to have these pups, my lord.”

Bran saw his father’s face change, saw the other men exchange glances. He loved Jon with all his heart at that moment. Even at seven, Bran understood what his brother had done. The count had come right only because Jon had omitted himself. He had included the girls, included even Rickon, the baby, but not the bastard who bore the surname Snow, the name that custom decreed be given to all those in the north unlucky enough to be born with no name of their own.

Their father understood as well. “You want no pup for yourself, Jon?” he asked softly.

“The direwolf graces the banners of House Stark,” Jon pointed out. “I am no Stark, Father.”

Jon, though he may desperately desire to have his own piece of magic, would not sacrifice his siblings for it. He wouldn’t dare to deprave the girls, Arya and Sansa, of their own magic even when it might be very easy to do so. This is a pretty stark contrast (pun intended) to Azor Ahai and his Nissa Nissa. Azor Ahai’s first line of thought was to sacrifice his wife whereas Jon’s was to sacrifice himself. Sure Azor Ahai got his magic sword, but Jon’s self-sacrifice is not in vain either because he later earns his own wolf, who turns out to be even more special than the rest in the pack.

Bran IV kind of alludes to the idea of self sacrifice through Old Nan’s retelling of the last hero:

So as cold and death filled the earth, the last hero determined to seek out the children, in the hopes that their ancient magics could win back what the armies of men had lost. He set out into the dead lands with a sword, a horse, a dog, and a dozen companions. For years he searched, until he despaired of ever finding the children of the forest in their secret cities. One by one his friends died, and his horse, and finally even his dog, and his sword froze so hard the blade snapped when he tried to use it. And the Others smelled the hot blood in him, and came silent on his trail, stalking him with packs of pale white spiders big as hounds—”

Though the one we know is called the “last hero”, notice that it’s not a title but a mere descriptor; there were many heroes before him who died and he was the last one standing. There is a human toll in this legend, but it’s implied to be self sacrifice. It’s also interesting that though there is mention of a blade, it is the children of the forest’s magic that is key. This does kind of bleed into what we know about the Night’s Watch and its relation to the long night. The Night’s Watch victory was a group effort, rather than the actions of any one man.

We have several legends surrounding the long night that work, but only one involves the cost of sacrificing someone else (that we know of). This might be where GRRM is headed with Stannis and his creation of Lightbringer. Sure Azor Ahai did get his magic sword, but it doesn’t negate the steep human cost. GRRM has lowkey confirmed that Stannis is sure to burn Shireen. And rather than this sacrifice not working, I think it’s more likely that it does work. Stannis does indeed create the flaming sword. But this will be directly weighed by other (self) sacrifices made for the same purpose. Stannis’ sacrifice of his daughter won’t work any better than other characters who choose to sacrifice themselves even when knowing that they are not going to go down as individual legends; I think Jon Snow will once again be the prime example of this, as he has already resigned himself to being a shadow in history despite initially wanting the opposite. Maester Aemon was right in saying that

[…] all deceive ourselves, when we want to believe. Melisandre most of all, I think. The sword is wrong, she has to know that … light without heat … an empty glamor … the sword is wrong, and the false light can only lead us deeper into darkness, Sam

The sword is wrong. Azor Ahai is NOT one to be emulated. Rather, he should be a cautionary tale. He is not any more special for his sacrifice than what the last hero or the men of the Night’s Watch did, even though we know his name but don’t know theirs. GRRM answered the question regarding sacrifice before he even posed it. To make someone else pay the price is flat out wrong. The only true and worthy sacrifice is really that of the self.

[bloofbloofbloof]

I see all these fan theories about ENA being a war criminal or soldier but I generally thought ENA became a communist or was like a reference to communism when I saw the teasers 😭

[summertimemusician]

Linktober Day 9

Deity

*sneezes after downing coffee* Well irl stuff got in the way so I'm way behind my original schedule for these and for Linktober but here we go with another arguably short one, fuelled purely by self indulgence, headcanons, spite against my linguist essays that kept me from keeping to schedule, severe sleep deprivation, a shout out to the Ender Lilies soundtrack and Majora's Mask soundtrack, and Nintendo for not clarifying anything about the lore so I'm snatching what I can and making it my own lol. Look, when you fíxate so much on details the Zelda team doesn't elaborate on you have to fill in the gaps with what you can.

As always can be read as romantic or platonic, technically in a LU context but not explicitly in it by itself.

The Lord of the Mountain liked hearing people sing.

In a way, it wasn’t a surprise, Hylia and the Golden Three each had their ballads and symphonies and minuets, each splendid and with cuts of their divinity in it, Farore was fond of lightning and forest alive minuets, and you could swear Farosh sparked just a bit brighter when one would him the beginnings of the Minuet of the Forest near their spring, Din was fond of boleros, fiery and alive and howling with the echo of flame touching earth that made a shine run through Dinraal’s scales, Nayru, in contrast, was much fonder of blizzard and river quiet serenades, the songs of contemplation at first snow ringing clear when Naydra curled around it’s spring, content to be free of Malice.

And of course Hylia had her ballads and lullabies, perfectly fitting to her display of divinity, of honey days and vast bird like wings, of ambered summers to come and to pass and dazzling solar storms of starlight and sunlight sparking through the human form of her descendants and heroes. So in a way, you weren’t surprised at all that the Lord of the Mountain – Satori, with a familiar touch of londsleite divinity, the hunt of the woodland beasts and diamondscar adoration for the Hero of the Wilds, similar in glory to the Light Spirits petrichor and vermeil fondness for the Hero of the Twilight – liked to listen to people sing. What you were surprised was how it attempted to follow along, it’s head across your lap the second you sat down in the clearing, a gentle hum on back of it’s throat, an owl’s cry and a cicada’s humming and faintly, chirring purring as presses it’s faces into your hands, a gentle request for petting.

It was adorable, even with the faint notes of the chill of clear spring water on winter and the livewire feeling of magic, like holding your hand too close to a flame but not quite touching it.

A low chuckle brushes against the back of your mind, a feeling like biting on ice, the prowl of a wild beast and the build up of lightning and light used to create his blade, the amused affection of a warrior reconvening with their brother in arms, you think you see the bone ivory of the Deity’s hair on the side of your vision, though you know he’s not physically there, ‘He likes you.’

You hum, gently patting behind it’s ears, pushing through the chill, gracefully not mentioning the burning with a smile at the mythic being’s faint chirring, birdsong and the wind through cherry blossoms that sparkle like rose quartz, “Well I quite like him too, I can see where it’s gentleness comes from.”

The ghost of a touch over your hair, the caress of lightning striking over your skin and the hair on the back of your neck pricking up and the crisp cold of winter, the chill of the ending and the flame of a new dawn, of new days, the phantom of magnolias and spring water on your tongue. The fragrance of pine, daffodils and blood soaked lilies on ashen fields on your senses, gentle and careful, marking but not claiming, ‘Only because it’s you, beloved. It’s not something easily given.’

You sigh, shakily composing yourself, you let yourself relax into the phantom sensation. Of hopes and dreams and healed suffering, of the divinity of hunt turned into protection and lightning given form, of tangled timelines and crystalized memories, “I know. It does not change my opinion, either way.”

To be the subject of a god’s care and regard was dangerous, after all. For the human and the deity in question, you know the stories from your world well, of the effects of Hylia on First and Sky, of Twilight and the personification of the Twilight Realm and the spirits of his land, of Wild and clawing from death’s embrace into that of the wilderness.

Knew how the fact the Fierce Deity’s mere proximity causing pain on those who changed him into hunting for hunt’s sake into protection for the sake of someone else cut deeper than even the ever encroaching entropy all beings must one day face. It was no wonder the Song of Healing was his creation, to want to ease the burden.

You gladly grant him some peace, in turn, even if it wasn’t much. It’s the least you can do, for always having his ways of watching over your heroes.

“Join me? We can make a duet.”

You feel more than see him shift, ephemeral, fleeting, gentle against the edges of your existence, as foreign to Hyrule as your own, sparking over your spine as you feel ozone and rust on your teeth. Satori is humming again to match the rumble of thunder in the man’s voice, the heralding of songs of war and elegies for the dead, ‘Of course, though I’m afraid I do not know many songs, besides…’

“It’s alright,”, you smile faintly, there’s a white ocarina in his hands, as he leans, a spectre against your side, “I’ll teach you some of my own, though you’ll have to forgive me if I don’t remember all the lyrics.”

‘It would be my honor to learn.’

You think he smiles, from the fluttering of something ancient and long forgotten against your side.

You sing to Satori and the Chain, a small respite of familiar and forgotten tunes, the Lord of the Mountain hums along. The Fierce Deity’s song cutting through any nightmares that may ail your heroes for another night.

When the dawn of a new day comes, the feeling of divinity against your skin feels just a bit more obvious, sinking into every crack of your being like a shroud, falling over your boys like a veil, reflecting the breath of eternity over Hyrule.

(First gives you a look that’s half exasperation, half understanding. Sky pointedly sticks to your side as Time looks you over, markings deep with vibrant color. You shrug with a helpless smile as you feel the lightest brushes of Hylia’s fond days of gold and starlit summers days against the Lord of the Mountains warm, luminous affection and the Fierce Deity’s smug, but content lonsdaleite smile.)

[npdbenrey]

brainrotting over this SO HARD RN.

so maybe it might be possible that ???

what if.

[thepandalion]

the TA of this class that I'm taking (for points in "other majors" classes) gave me feedback on a paper that I'm "showing an understanding of what we learned in class". this class is one of those online only classes. I haven't read a single infographic since the first week of this class. what understanding of the class is she talking about

[evilneo]

had a dream where we got really into terrorism???? with Gwen from spiderverse. what the fuck. hello????

[ind1c0lite]

Im still reeling from the fnaf movie is this how marvel fans feel

[bbyboybucket]

I haven’t finished yet but one thing that keeps grabbing my attention in the fnaf movie is that the book “dream theory” is so emphasized, it’s shot so clearly again and again. I know it has movie significance but come on, we all know there’s no coincidences in fnaf and another title could have easily been picked if it was just for the movie storyline

[jesse-cosay]

AO3- mostly book 2 one-shots, and a collection of my older works

Insta- mostly do story requests, I don't post, but it is easier for me to talk there

Tiktok- mostly book 2

Sideblog- for all my other fandoms 🫡

About me

enby/queer

he/they

aro/acespec

autistic

24

Don't send chain messages/chain mail please

Feel free to @ me under posts regardless of how close we are

bad at consuming media but oh boy when I do

also love sk8 infinity, pokespe, and W2H: I could talk about any of these for hours

pls use tone indicators

love talking to ppl I'm just bad at it

an open book, ask what you want and there WILL be an answer

Putting tags for my content below so they're easier to find when needed. I may edit this as time goes on, thank you.

[torgawl]

do we think fontaine is a mirage (people being hydro eidolons for example) and the flooding already happened way back then and furina will find a way to turn back things by sacrificing herself? do we think she'll fake a calamity to fool fate and fabricate a sense of loss, sacrificing herself so it doesn't happen in the first place? i'm so intrigued about the flooding in the trailer aaa

[meowing-at-u]

it's just Vibes atm, but I'm not unconvinced something Bad happened at the lake in Hometown while Dess was still around.