#everything here is wrong LMAO

[heresylog]

This post is a mess

I’ve trained my dogs to expect their dental treats when I offer them “the body of Christ”. Is this heresy or blasphemy?

A rare occasion where it's both! Animals can't receive communion/experience the sacraments because they have no souls. Additionally, I am going to safely assume you aren't a priest, so you aren't allowed to perform transubstantiation. Additionally, the Eucharist cannot be made of dental treats. Finally this whole thing is making a huge mockery of one of the single most sacred acts in Catholicism. Well done!

[doodleodds]

Still feel like always returning after 2 years? /pos

I'd love to see more of your art if you're still doing it, I love looking at your older art hope you have a great day✨️✨️

Haha yeah, I'm still around! Has it really been two years since I last posted?? Good lord. Here's something summery that I finished up as a thanks for sticking with me :) I hope YOU have a great day! ✨️✨️✨️

bonus image of how many times i had to export to make sure my timing was right lmao

[hinamie]

realized i never shared my new setup 🌱✨

[puppetmaster13u]

The Au is Ra has been using the Lazarus pits for so long that causes him to see Danny like a human or his normal Phantom form Ra the only one that sees Danny like that

I love the idea of Deadly Decision getting together but Ra has no idea that Danny is no human he just thinks that Danny has his own Lazarus pit hidden somewhere away from him

Like Danny is full blown glowing white hair, green eyes, Sharp Fangs, an electrical being

Ra point at tall being of Life And Death it looks like he's about to rip you apart: This Is My Wife Danny.

Like sometimes people just ask him if he sees anything unhumanly about Danny and

Ra is like: What Are You Talking About ?

Danny's in the background forming Stars into his hand I'm trying to make himself a new sword

Talia and Dusan we're raised by Danny and Ra they just gotten used to also considering getting to be a normal human they find it hilarious to play along with their other two siblings Dan and Danielle that Mom is human

Slade: I've been meaning to ask what about that monster Ra has locked up back there

Talia: You Mean Mother

Slade: that's your mother I didn't know Ra al Ghul was attracted to on human beings

Dusan: what do you mean unhumanly our mother is perfectly normal he's not even assassin

Danielle walking out of his shadow: Maybe Your Mother Was The Weird One

Dan floating near Talia: Get the hell out how dare you disrespect our Mama

All of them are girlboss, gatekeep, and gaslight people into believe Danny is normal

Damien will give warning that his grandmother does not look like a Human they were all expecting meta not electric being

Danny got so used to Ra al Ghul no his Husban treating him like a normal person when he's like this that he forgot that everyone might not that treat him like that

Honestly? I love this.

And you know what? Danny might need someone like that, who even as his humanity slips away still treats him as human, as not an eldritch creature of Space, of everything Between. Someone who treats him as well, him. Is his and Ras relationship healthy? Well maybe not in human terms, but do either of them count as such anymore?

The idea of the kids playing along is also amazing lol. Especially that Jordan and Ellie? Definitely same hat as Danny. Sure their forms still look sort of human, but that just makes it very uncanny valley. So others and siblings who treat them the same? They need it just as much- if nothing else than to not become so arrogant and uncaring of humanity that they could watch the world end without a blink.

Which, Damian! I bet Danny absolutely adores the grandbaby. I bet he crafts little ice bats and miniature planets to swirl above his crib. I bet he has a literal strip of space and stars on his ceiling. And Damian isn't the only grandbaby too- Dusan has a daughter in some timelines too. Not to mention Ras' adoptive daughter Nyssa, who he gave one of the Lazarus Pits to.

But speaking of Damian, I have to know what that would mean for Jason. Who was practically completely braindead before being thrown into the Pit. Who would have probably met Danny while there because I can't see Danny not also gently doting on another grandson.

Gosh I honestly am just really enjoying this whole thing lol.

[asgardian--angels]

mage viktor discourse again on twitter and all i can say in my little corner over here once again is, I don't know why the entire fandom takes it as canon that mage Viktor failed to save every world he manipulated.

Canon does not provide evidence of this. This is fanon speculation. It's a fine headcanon to have, but everyone talks about it like it's canon when it isn't. Canon is ambiguous about the outcome of the timelines mage Viktor altered. The little nods we are given point, in my opinion, towards the opposite conclusion, that he successfully averted destruction.

I've written meta on this before but in summary:

1) 'In all timelines, in all possibilities' is worded precisely, it's not 'out of all timelines'; the implication is that every time, Jayce brings Viktor back from the brink, not just in our timeline. 'Only you' doesn't refer to our timeline's Jayce, it refers to all Jayces. Jayce always brings him home. If Viktor continuously put the fate of each timeline in Jayce's hands and Jayce failed over and over, I don't think he'd say those words. And the way he says them matters. His words are tinged with wonder, not sorrow. As if over and over again, he is shown that Jayce saves him, and it continues to amaze him. He doesn't sound defeated, like this is the next in a long line of Jayces he's sending off to die. The feeling is that Viktor's faith in Jayce has not been misplaced.

2) If mage Viktor doomed every timeline, there would be hundreds (or more) mage Viktors. All running around manipulating timelines. I highly doubt the writers wanted to get into that kind of sticky situation. The tragedy of mage Viktor is that he is singular. Alone. Burdened with the responsibility of the multiverse. The emotional gut punch of his fate is ruined if other timelines led to the same outcome, and from a practical standpoint, having multiple reality-bending omniscient mages would rip apart the fabric of the arcane.

There are other points, such as there being only one corrupted Mercury Hammer and our Jayce is the only one to receive it, and the fact that if mage Viktor is as omniscient as he is implied to be, he could easily step back into other timelines and correct course, because it's highly unlikely he could sit still and watch things go down in flames. But these things can be argued elsewhere.

While I love conversations about mage Viktor's motives and selfishness vs altruism, the writers & artbook have expressed that Jayce and Viktor care greatly about Runeterra and want to fix their mistakes to save it, and that their reconciliation is symbolic of Piltover and Zaun coming together as well. Yes, they make disastrous decisions towards each other, making choices for the other or without the other, which has negative consequences for their relationship and for Runeterra - but I think fandom pushes their selfishness even past what's canon sometimes, as if their entire goal hadn't always been to selflessly help the world around them. Their final reconciliation is about bridging the gap that grew between them - the pain and grief and secrets, betraying themselves and each other - to mutually choose each other openly and honestly. Part of the beauty of their story, as expressed by the creators, is that in their final moments, they chose each other and took responsibility for their actions by sacrificing themselves to end what they started, together - and that choosing each other saved the world. TPTB have stated this - that Jayce and Viktor are the glue holding civilization together, and when they come back to each other, they can restore balance. It's when they're apart, when they hurt each other and miscommunicate, when they abandon their commitment to each other and their dream, that the greater world suffers. Their strife is mirrored in the story-world at large.

Mage Viktor is framed as a solitary penitent figure, damned to an eternity of atoning for his mistakes. He paid the ultimate price and now is forced to live his personal nightmare of exactly what he was trying to avoid for himself with the glorious evolution. The narrative clues we're given point more in the direction that he saves timelines rather than dooms them. If Viktor's actions kept killing Jayce, the very boy he couldn't bear to not save each time, it would undermine these narrative choices. Yes, Viktor couldn't stand to live in a world where he never meets Jayce, so he ensures it keeps happening. But in that same breath, he couldn't bear to see a world where his actions continue to destroy Jayce and destroy Runeterra. His entire arc in s2 is born of his selfless desire to help humanity, help individual people. He would not lightly destroy entire worlds. That's his original grief multiplied a thousandfold, and narratively it would lessen the impact of the one, true loss he did suffer, his own Jayce. It wouldn't make sense for him to be alright with damning other timelines to suffer the same catastrophic tragedy that created him. I mean, maybe I'm delusional here, but is that not the entire point? Because that's what I took away when I watched the show.

As I said, I love discussions about mage Viktor, as there's a lot to play with. All I wish is that the fandom at large would not just assume or accept the Mage Viktor Dooms Every Timeline idea as canon, when there is nothing in the actual canon that confirms this. Maybe people need to just, go back and rewatch the actual episode, to recall how mage Viktor is presented to us, and what it's implied we're supposed to take away from his scenes, and separate that from the layers of headcanon the fandom has constructed.

[vaggieslefteye]

ᴍᴀᴋᴇ ᴍᴇ ᴄʜᴏᴏꜱᴇ ↳ anonymous asked: HUSK and ALASTOR or angel and valentino?

[blaithnne]

CBS Ghosts is my new guilty pleasure so take my new OCs. The Blanchet family were distant French cousins of the Woodstones who visited the house in the early 1900s, only for a violent house robbery to take the life of their youngest daughter, Mercedes, and her loyal self appointed guard dog, Horse. Only 8 years old, it takes some time for Mercedes to understand her fate, and for some time she’d be very distressed that her family seem to be ignoring her. On the bright side, the other ghosts are there to try and make things easier, though the misfit collective have a hard time caring for a child given their circumstances, and conflicting ideas on how best to raise a little girl.

Of all the ghosts, she is closest with Thorfinn. He has a soft spot for the little girl.

[wilting-fl0wer]

The only correct form of caltam, as far as i am concerned

[sincerelyrf]

me: *seeing people yell about how they did Glintshore & Percy's death in the show*

also me: ..................anyway

[kaeyachi]

One of the probable reasons as to why Kaeya didn't arrive on time for Crepus and Diluc when they were attacked was because he, and the knights with him, had no vision, and thus, cannot use a teleport waypoint.

Him receiving his cryo vision when he was supposed to get scorched by Diluc was genuinely the biggest slap to the face given to him by Celestia. It arrived just in time to save HIM.

Even now, the vision only heals and shields him alone as a manifestation of his desire to keep living from that fight... but he can't use it to help others.

[vaguely-concerned]

just for fun this time during 'sea of blood' I counted out all the venatori corpses I think we can be pretty sure were lucanis' handiwork before we show up (not including the ones he kills in his initial cutscene, and with an assumption that he's been at work mainly up and down in the areas we move through until we find him, not behind the locked door -- I think that's mostly the work of rampaging undead and other venatori-hoisted-by-their-own-petard suchlikes). can thus happily inform you lucanis has killed at least 32 venatori before rook and company get there. at least one of them he's impaled on their own weird crystal spike things the venatori mages cast as an AOE attack and that they're trying to keep him contained with when we find him. so he's clearly been keeping busy lol. that's my boy dispensing poetic justice and claiming some enrichment in his enclosure while he's at it good for him!

[purgaytorysupremacy]

oh nuts. a life experience has given me a new layer of perspective on Cas's homosexual declaration of love to Dean.

recently I had occasion to tell a person I had feelings for them knowing full well they didn't feel even a twinge of the same thing for me. while the whole thing was a decidedly unpleasant experience, I kept laughing at myself internally bc I didn't want to say "the happiness is just in saying it" like fucking Castiel over here. (we don't need to talk about it, it's fine.) (I am happier having said it and it's kind of bullshit, but I digress.)

because the thing is, the happiness isn't in just saying it, right? the happiness is in the having. I made a whole TikTok "proving" that the Empty didn't come for Cas when he confessed his love, but rather when he realized Dean loved him back. even for Cas, the happiness was in the having, not in the saying, however brief it was.

and I've always been one of those people who rolled their eyes at the whole concept. why would the happiness be in just being, in just saying it, if it's right there in front of you to have. and then it hit me like a tonne of bricks (as I was washing my kitchen counters).

Cas really didn't think he could have Dean.

at all. in any capacity. he really, truly, and honestly felt to the depths of himself that Dean did not have any twinge of similar feelings, that this really was a Hail Mary shot-in-the-dark. and I think me, personally, really didn't understand that about Cas. that his belief in his love being unrequited was that unshakable.

something else I've been pondering is how audiences have so much more empathy for fictional characters who share traits that IRL they find objectionable and unappealing. but the thing is about fictional characters is that we follow them around in their most private, vulnerable moments. we see Dean mourning Cas when he dies, literally killing himself because he can't live without him, but it's so easy to forget that we're the omniscient ones here.

Cas never knew.

Dean's whole thing was pushing him away, keeping him at arm's length, making it seem like whatever heroic thing he does for Cas he'd do for anyone. he downplays how important it is for Dean to share the Deancave with him, to show him his favourite movies, share his favourite songs. he acts like the things Cas does for him don't mean that much to hide how much they do mean. he uses "we" whenever he even gets in the vicinity of expressing a feeling. "We were worried." "We're glad you're back." "We needed a win." "You're our brother." The audience knew the difference. We saw how he'd clench his jaw or swallow hard or make a face that said "God, I'm being such an idiot". Because we saw him in those little moments. We got to see the cracks in the mask.

but Cas never knew.

the self-hating angel of Thursday was never going to think it was all a way for Dean to protect himself. obviously, that's the delicious tragedy of it all, but what I think I realized at the end of all that is Cas confessing his love to a Dean who didn't love him back wouldn't have worked. Because the happiness really is in the having. If happiness was just in saying it, then The Empty would have come before Cas even finished getting the words out of his mouth.

so Cas's plan wouldn't have worked if Dean didn't love him back.

this is just me yapping on about my own nonsense, but I do think it's really interesting. there's contentment in "just saying it". there's freedom and relief and an unburdening. I think one can argue that it makes being happy in the being easier. there is certainly some joy in telling a person you think that highly of them. but true happiness?

nah.

true happiness is always going to only be in the having. Cas didn't understand the difference until he experienced it, and by then, it was too late.

[hypogryffin]

Your art is so flipping pretty, and I just adore how you style all of the persona characters! But my question is, are there any other fandoms/works of art that you want to post or start rambling about? I hope you have a lovely day! (o゜▽゜)o☆

you can have those?

[crowdusk]

One Piece Chapter 1132: Adventure in Elbaph (thoughts & predictions for the arc)

Part 2 here.

[These are the feverish autism-fuelled thoughts I wrote out after reading chapter 1132 because I was overtaken by the urge to connect some dots (I did edit a bit to hopefully be more coherent). I didn't engage with any other reviews or theories on Elbaph apart from quite general ones before reading this, so it'll be cool to see if other people have similar ones. Wasn't sure whether to post this but I wanted to put it somewhere before chapter 1133 came out and next week's break so it doesn't just sit on my laptop for me to forget about, and more importantly so I can refer back to it and see if anything I said was even vaguely correct. It's a monster and I don't have time to do a proper editing process so please kindly look away from any mistakes and poor structuring. One of the really fun aspects of serialised storytelling for me is theorising and analysis, even if it makes a fool of me more often than not. I'm not expecting to be right but it's fun when that happens!]

This also ended up being, uh, Very Long. There is a chapter review part with some thoughts on the arc, and then there are thematic sections where I got more into detail about what I think Elbaph will explore. This whole thing will be split into multiple posts because of Tumblr's limit, but there will be links to the different sections/posts. Ok, end of intro.

Overall thoughts on the chapter

Firstly, this chapter was so fun. It had all the familiar thrill and excitement of a new island and adventure, with some wonderful panels (rainbow-sailing, Bonney and Robin, the Elbaph village). We had ‘Adventure in the Land of Mystery’, and the suspense was interesting, but I’m sure I wasn’t the only one extremely confused (especially because of the mistakes). From what I saw the whole fandom was essentially the when ur whole crew doesn’t know a damn thing meme. But I’m glad Oda had his fun with the fake introduction to Elbaph, which also helped set up Luffy meeting Loki and the delay in receiving Vivi’s message amongst other things. 

1132 really feels like quintessential early One Piece where we’re off to a running start now that we’re finally sure we’re where we want to be. Love to see the Strawhats get somewhere, play around, and immediately cause chaos. It’s somehow packed with new information and fast-paced, while feeling like we get a bit of a breather from plot-intensity after Egghead. 

I’m also, of course, incredibly happy we’re finally getting to see Elbaph in all its much-anticipated glory. The natural features of the island – especially the landscape, the scale, elements like the rainbows and the giant tree as a living support–  make it feel extra fantastical and wondrous beyond what I, at least, had imagined. Hats off to Oda and especially his assistants for the gorgeous Rivendell-Zelda-Skyrim vibes in the village introduction spread. I love a fantasy-style nature-based environment, and I don’t think we’ve had that in a while. Wano and Egghead had some incredible settings too, of course, but the story felt a lot more people-centric once they got to the islands. Here, the landscape really becomes a character of its own in the same way it did in say, Zou (quite literally). In fact, Yggdrasil is both alive and ancient, just like Zunesha. I’m looking forward to seeing how that feeds into the story. 

I'm also very glad that Oda is leaning into that and giving us those wide-angle shots. He doesn’t always get perspective and scale exactly right, but I personally don’t mind – the man knows how to draw an impactful double-spread. I can’t un-know the fact that the Sunny is supposed to be more than twice the height of Goldberg, who’s carrying it, but it doesn’t ruin anything for me. I’m used to Oda just doing shit like that because he wants/needs the Sunny to be carried around like a toy. It would be such a shame if we got to Elbaph and we only got smaller views or workarounds in order to avoid the challenges of scale and perspective. 

On top of that, one of my favourite parts of the One Piece experience is finally having puzzle pieces and references fall into place after arcs and years – like the architecture and landscape we recognise from Big Mom’s flashback. We've been waiting for this for over 20 years! More than 1000 chapters! I love this manga. I love it here. The sequence of the rainbow bridge leading into finally getting to see the village was lovely, and as a huge Skypiea lover, I am having a great time. Seeing our experience reflected in Luffy and especially Usopp’s reactions was also beautifully moving. I’m glad they were highlighted and we had the flashback to Little Garden to really drive it home.  

On the plot side,  we’re slowly building a picture of the variation in how different giants feel about humans. We have Gerd and Rodo, who both have strong feelings in completely opposing ways. Where Gerd infantilises humans in her fascination with them, Loki and Rodo clearly seem to think they are inferior. It remains to be seen what other perspectives exist in Elbaph. Is there real resentment or hatred from those like Loki and Rodo, or do they generally just think giants are superior due to their strength and size? Regardless, it feels like Oda is slowly setting us up to understand that there are different groups of giants with different beliefs even within Elbaph (we already know Saul is not from there and considers them ‘barbarians’). Just as in any society there are surely faultlines and disagreements, and their relationship to humans – and maybe even the world at large – might very well be a point of tension within the kingdom. 

Speaking of points of tension, it’s obviously very ominous that Luffy has made a promise to Loki, particularly since we don’t know the specifics of it. Oda has cleverly given us only a glimpse of the very end of that conversation in relation to Luffy’s famous difficulty with lying and we’ll see how long he decides to tease us with it. He could definitely give us that information in dribs and drabs to keep us guessing, but I also think most of us are probably right in guessing that Luffy promised to free Loki, even if we don’t know if he wanted anything in return. Honestly, the first time we even saw Loki in chains I thought oh Luffy’s 100% going to free that man, and I know I’m not the only one. 

Regardless of exactly how and when we see that conversation, I imagine we'll see Luffy’s actions start to confirm and clarify our suspicions. For example, if he did agree to free Loki and needs to retrieve the key, then he might well start making moves to do that soon (although after the feast, of course – nothing comes before a metric ton of meat). I also think it will be very interesting – and comical – to see Luffy try and execute a stealth operation, because as we’ve seen time and time again, that is the opposite of his forte. He’s bad at lying, he’s bad at keeping secrets, and he’s bad at doing things with subtlety. So I’m looking forward to seeing how Luffy deals with that – whether he manages to keep it a secret from everyone or if, as I suspect, he ropes in at least one of the other Strawhats, even if by accident. Take your guesses! There’s a whole range of options ranging from experts (Nami, Robin, Brook) to the sneak mission equivalent of throwing a grenade onto a presidential lawn (...Zoro).

My more specific pet theory when it comes to Luffy’s meeting with Loki is that I would not be surprised if in one of the upcoming chapters up we get a sort of split screen set up with Hajrudin or an equivalent giant on one side, explaining more about Loki’s deeds and why they imprisoned him, and the flashback to Luffy’s conversation with him on the other. We know from DorryBrogy (yes I’m using that now) that Hajrudin wanted to come and retrieve the Strawhats from Egghead himself, but ultimately couldn’t because of “some (Loki-related) trouble back on Elbaph”. It would make sense to me if Hajrudin explains in more detail what happened that prevented him from sailing to Egghead, and tells us more about Loki himself. At the same time that Hajrudin is talking about the terrible things Loki has done, we get the penny-drop of Luffy flashing back to his agreement to free said evil man. 

It’s a perfect storytelling device in this medium, especially when it comes to revealing important (and in this case stomach-dropping) information to us as omniscient readers. We saw something slightly similar most recently during Vegapunk’s speech, which Oda used to clearly signpoint us to characters and their links to mentions of important information in the speech, (e.g. showing Shirahoshi, Vivi and Momo when talking about the ancient weapons). Of course that was very different in tone and intention compared to what the Loki reveal I’m hypothesising would be like, but I’m mainly just trying to highlight the use of the manga medium and how it lends itself to this kind of layering. I’m sure Oda’s done something much closer to what I’m thinking of before, but in all honesty I can’t recall an example right now. Regardless, I could be completely off the mark (I am just a little jester honestly), but we know Oda loves his dramatic reveals and drumbeats so I’m willing to put this out there. 

I am also particularly interested to see how Luffy will react to the information about Loki. Will he dislike Loki but still go through with it? Will he disagree with Hajrudin and the other giants? Will it change nothing for him? I think Luffy won’t go back on his promise no matter what information is revealed, but knowing Luffy, he also might just not really pay attention or care what Loki’s done. It will mainly be for us as readers, and the rest of the Strawhats, to decide how we feel about it. We know that Elbaph has very strong values and rules, especially surrounding their warrior culture – ones like honour, strength, and probably truth/honesty. I’m waiting to see whether what Loki’s done is considered bad specifically within Elbaph culture, or whether they’re just terrible in general. This is why in my opinion Loki won’t be A Classic Villain, because I don’t think the central conflict in Elbaph will be as simple as just Loki vs the rest of the giants and Strawhats. There’s too much ambiguity present.

Plus, we haven’t seen Luffy’s instinct about people go wrong yet. The first time he met Blackbeard they immediately started fighting, even if it was about something as stupid as food preferences. He hated Doflamingo the minute he met him. Even Buggy couldn’t actually betray him, despite wanting to. If Luffy generally trusts someone, we know that means they’re trustworthy or at least even if not at the beginning, he wins them over or is able to deal with the untrustworthiness in a way that makes it irrelevant. 

Of course, Loki could prove the exception to the rule, but we know that part of Luffy’s strength is understanding and seeing through people. It would take a lot for Loki to fully trick or betray him, since Luffy just does what he wants and deals with the consequences as they arise. He’ll be more than happy to fight Loki if he threatens something/someone he cares about. To be clear, I’m not saying Loki is a threat at all – I do think his desire to “destroy the world” means mass violence, but Luffy doesn’t tend to care about larger villainous plans until they directly affect his loved ones. He’s also the first ‘evil’ character so far who’s been shown to have very obvious parallels and similarities with Luffy, so even if he is an antagonist, I expect it to be in a way we haven’t seen before (more on that later). 

Another possibility is that Loki and certain other giants have a strong dislike of humans, and therefore want them off the island as quickly as possible. This would also align with Louis Arnot’s warning about not overstaying your welcome. I imagine not everyone on Elbaph is inclined to be friendly to humans, and there might even be other people (other kinds of giants, or non-giants) living on the island. It feels like Oda has strongly emphasised that Warland is only a kingdom on the island of Elbaph, implying that there might be other groups of people – or even countries – sharing the land mass (perhaps on the Astral level?). To me, it feels like Elbaph is holding some kind of secret that makes it particularly dangerous. Maybe, like in Skypiea, there is a forbidden area in Elbaph that is off-limits to people (prime candidate being the Astral/Celestial realm) whether to maintain that secret or perhaps for spiritual reasons. Trespassing could incur serious danger or punishment, and we can probably predict exactly what will happen if a certain captain hears about it. 

And there are other ways I think Elbaph will parallel Skypiea. The Strawhats first connected with the Skypieans (Conis and her father) and were quickly thrown into conflict with both Enel and his forces (including the White Berets) as well as the Shandians who weren’t too happy about outsiders. They had to work with the different groups against Enel, and as part of that, prove to the Shandians that they were trustworthy. The Shandians, who had the crucial connection to the Ancient Kingdom and the poneglyph. We might see a similar situation in Elbaph where the Strawhats have to prove to a group of people (maybe outsiders to Elbaph’s society, maybe those who distrust humans) that they are trustworthy so that they can all unite to fight against a bigger foe like the World Government. It remains to be seen who that might be, but this would also be an opportunity for Oda to give the Strawhats even more people, groups and allies who believe in Luffy’s power. 

Additionally, both Skypiea and Alabasta were countries in the midst of internal conflict – specifically over natural resources – when the Strawhats arrived, and in both of those cases the actions of the crew helped end the wars. Elbaph might be similar. In both of those arcs the conflicts had roots in the secrets of the Void Century, be it because the Shandians were protecting their ancestral lands and the poneglyph after being persecuted by the World Government, or Crocodile’s desire to gain control of Pluton. The giants of Elbaph seem to be one of the only groups of people who have maintained a consistent sun god worship, probably not for lack of the World Government trying to wipe it out (their strength will certainly have served them in that regard). On top of that, I’m sure there’s other crucial information, not just from the Ohara library, that the giants have managed to protect regarding ancient history. If we think about their lifespans, the Void Century was only a few generations back for them, so there may be important oral histories that have been passed down from elders. It’s clear that this is a culture with strong links to the secrets of the past, like the Shandians and the royal family of Alabasta. Though the wars in those countries were exacerbated by many other factors, I wouldn’t be surprised if we see something similar in Elbaph – some tension that relates to events further back in history, and maybe even the Void Century.

Loki, Luffy, and the power of myth

My current theory on Loki is that he believes he is the new Joyboy, and/or an incarnation of Nika/the sun god from Elbaph’s myths (in the same way that King believed Kaido to be Joyboy). We don’t know yet whether Elbaph is polytheistic – Nika/the sun god might just be one of their deities – but if we use Rodo’s weird RPG cage world as a reference, he did create a bunch of different minor ‘gods’. Elbaph itself might have a similar system, with the Sun God being the most important deity. Regardless, we know that Nika is important in their culture, given Dorry and Brogy’s immediate recognition of Luffy in Gear 5 and the celebration of the Winter Solstice as the return of the sun in Big Mom’s flashback. We’ve also seen the painters being called sunstones, which is reminiscent of Vegapunk’s pursuit of solar technology and the Motherflame, and the giants live on the Sun level of Yggdrasil. On top of that, the Underworld – where people are sent for punishment – is specifically noted to lack sunlight. We already know that the sun in One Piece’s world is associated with Nika (liberation, joy), but in terms of general symbolism the sun is also linked to clarity, truth and perception. 

This is why I think questions of faith, belief and truth will be so important to answering what makes Elbaph’s giants such mighty warriors, what kind of devotion do they have, and how do their beliefs and worship link to collective liberation in the One Piece world, both historically and in the present? 

Oda is also going to get meta in this arc, I believe (even more obviously than he already does). I'll get into this more later, but the Lego kidnapping introduction already served to set up important questions. What is reality, and what is fantasy/illusion? Whose world are we in? Who are the storytellers and what are the different ways stories are lived and told? What is their nature, function and importance? There are going to be many layers in this arc and it's narration, encompassing past present and future, and I think Oda will play with form to achieve this (off the top of my head - the adventurer's log voice of Louis Arnot, to flashbacks, to legends told by the giants, to reading the texts of Ohara...). Contradictory stories, multiple perspectives on one narrative, and different but coexisting truths might well all come into play as important.

Speaking of one type of story, myths and legends are the vessels of belief, and it’s likely the Elbaph culture includes and centres many related to Nika and Joyboy. In fact, this was already mentioned by DorryBrogy (“they tell tales about this god in Elbaph”). I don’t think we’ve had direct confirmation yet, but I’m sure the giants had a connection to the Ancient Kingdom and may very well have preserved information from the Void Century by virtue of their fighting strength, passing stories down across generations, despite the World Government’s best efforts. I also think those stories handed down from the Void Century (maybe even from the first Joyboy, or Roger) may have included some kind of prophecy that Joyboy/the Sun God will destroy the world when he returns (similar to Madam Shyarly’s prophecy about Luffy destroying Fishman Island). If that’s the case, Loki could very well think he’s the chosen one to do so. 

Of course, we know that the final war will likely involve some form of physical destruction (Fishman Island amongst other things) – and there are many theories around that – but to me, the idea is most importantly metaphorical. The world as it is needs to drastically, fundamentally change (including materially), which requires the destruction of things as they are so that the dawn can arrive. Loki’s interpretation, in contrast, could very well be a literal and narrower one involving setting everything on fire Ragnarok-style, hence the other giants imprisoning him to stop him. The way they’ve referred to him as having “a few screws loose” also suggests they think he’s mad or maybe delusional, which makes sense if he’s claiming to be an incarnation of their sun god. His belief may in fact be so pure that it is extreme. As Oda is making clear over and over, you cannot choose to be a god – myths and gods are made by people’s collective belief. I don’t think we’ll ever see Luffy declaring himself to be Nika or even Joyboy for that very reason. 

Luffy is god-like sometimes, but he isn’t one (“Luffy’s not a god, he’s just an idiot!”) nor would he want to be treated as one. Luffy doesn’t even know he’s the new Joyboy, or who Nika is, and what his Gear 5 powers are. If the giants try to project any kind of divine responsibility or title onto him, Luffy will absolutely not care – he refuses to be anything other than himself in all his freedom. However, he does have a great amount of care for friends and is willing to go to any lengths to help them, so we’ll have to see which characters act as those anchors for his desire to fight during this arc. 

I think we’ll see a lot of complex and interweaving traits with Luffy and Loki, as characters who have many similarities but also fundamental differences. Luffy pretty much can't lie, whereas I'm guessing Loki is pretty good at it. Luffy is selfish in his words but his actions help the collective, whereas I could see Loki causing widespread harm but claiming selflessness and doing collective good (e.g. cleansing the world via Ragnarok). Loki claims his godhood fully, demanding respect and imposing obedience, believing fully that he is fit to command others. Luffy doesn’t demand faith, he inspires it.

Indeed, Oda has clearly set up Loki to parallel Luffy in the past few chapters. They had very similar childhoods where they spent a lot of time alone in the wilderness and befriended beasts – in Loki’s case, in the frozen outcast space of Elbaph. This is particularly interesting given he’s a prince – we have to wonder why. Like Luffy, he seems to have humorous and silly traits like getting people’s names wrong, which is an exact copy of what Luffy does. He also has an older brother in Hajrudin, like Luffy with Ace and Sabo, although we don’t know the nature of his relationship with Hajrudin. Were they close growing up and then there was conflict later because of Loki’s actions? Were they always at odds? I wouldn’t be surprised if Loki’s strength wasn’t in his physicality but more so in his cunning and intelligence, which might not have been celebrated or seen favourably as what was expected of an Elbaph prince, in contrast to Hajrudin better fitting the mold. This theory is mostly based on Norse mythology, where both the god Loki and the jötnar Utgarda-Loki are associated with trickery and illusions. It would also mean Loki flaunts the rules of Elbaph warrior culture, making use of strategy, intelligence, language and mischief to win his battles. If Loki was seen as strange or not quite fitting into society and expectations, he may have just chosen to isolate himself and spend time in the Underworld with his animal friends. Alternatively, maybe he was sent down there by his father to get stronger, in the same way Garp threw Luffy into the jungle. 

With all that said, I’m particularly interested to see what his devil fruit is – initially I thought it could be a mythological zoan, which I believe is still very possible, but I could also see it being related to these themes of magic and illusion. The one thing I’m unsure of in this regard is Loki referring to himself as the strongest in Elbaph. Is it because of his devil fruit? Does he mean something different to strength in combat? Was he just lying? That remains to be seen. 

We also don't know what Loki did yet, but I think a lot of the themes of this arc are going to be about the values of Elbaph and how different people come up against them. I’m particularly interested in our dear captain Luffy, of course, and how he relates to those rules, because Luffy’s whole character is about pure freedom regardless of what’s happening around him. The only form of bond that Luffy accepts is those of love, friendship and connection with people (often conveyed through food, as we know). Of course, it could be that Luffy doesn’t particularly come up against Elbaph’s rules (we didn’t really see him in tension with the samurai code in Wano) but I have a feeling that the challenges of this arc will be a complex set of tensions – buried information, the overarching evil of the World Government, the consequences of history, the values of a war-based society, and how those have shaped the people of the island they’re on. 

Even Luffy’s embodiment of something Nika-like in Gear 5 goes against stereotypical expectations of a ‘warrior’. He is a warrior, but the epithet isn’t complete without the liberation aspect. He doesn’t follow any rules but his own when he fights – in his freest form he can literally bend the rules of space and material (maybe even time). He is so strong not just because he can smash things, but because he is completely unpredictable, silly and joyful – only limited by his own imagination. I also think it will be really interesting to see what Elbaph’s version of Nika is like, because people and societies shape gods, and they can evolve over time. It would be fascinating if Elbaph’s version of Nika is more of a stereotypical kind of war(rior) god. We’ve had mentions of their warrior god before, with the belief that the winner of a duel is the one chosen by that deity, so fighting itself – and the glory of victory – is clearly sacred to them. It may well be that their warrior god is a separate being to Nika, but I wouldn’t be surprised if it turns out to be a version of Nika that has been shaped by their society’s dominant values. And maybe that is also the version that Loki thinks he is or has warped to fit his desire for violence and destruction.

Part 2 here (ft. strength???, summoning a princess, gay technology and shadow the hedgehog)

[crystallizsch]

every now and then i decide to do the most inane shit (to avoid responsibilties) bc guess who just switched back yuuna's emoji from 💝 -> 🩷 and added last names to my yuu oc tags and retagged ALL of my posts with them

[opens-up-4-nobody]

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