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sundrop-writes · 2 years ago

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My Bleeding Heart

Draco Malfoy x Fem!Reader

Summary:

When Draco finds out that you are pregnant, he can't bring himself to be happy about the news because he doesn't want to bring a child into this wartorn world just to be another pawn in the Dark Lord's games. So, then and there, he makes a very important decision to risk everything in order to protect you and his future child.

Draco Malfoy x Fem!Reader. Arranged Marriage. Angst (with a Fluffy Ending). Set during Deathly Hallows.

Word Count: 3,400

Harry Potter Masterlist | AO3 Link

This fic now has a prequel - Downhill. This fic can be read as a standalone oneshot, or you can read the prequel first and come back to this one.

Full list of warnings and author's notes below the cut.

Warnings: the reader is pregnant in this fic; this is set during Deathly Hallows and there are a lot of themes from that era - death, blood purity ideals, general violence, murder, mentions of Draco being tasked with killing Dumbledore; Draco and the reader live in an environment where they fear for their lives because they don't believe in Death Eater values completely and fear being killed for it; Draco and the reader are in an arranged marriage meant to carry on blood purity - but they have fallen in love in the marriage; the reader is a pureblood, but I have not mentioned her being related to any canon characters, so her appearance/race is not defined; general emotional angst - Draco fears for his own life, your life, and the fate of your unborn child if they are born into pureblood society; in the first half, there is some arguing/tension between Draco and the reader (but it's mostly due to the emotional tension of their situation); mentions of Dumbledore's death; non detailed mentions of sex (that's how we got the baby, duh) (sadly no smut); passing mention of abortion/pregnancy termination (they both want the child but fear for the child's safety in this environment); semi-graphic mentions of consensually inflicted injuries - Draco gets the reader to cut off the skin with his Dark Mark on it so that he can't be tracked or summoned with it; these warnings make it seem like a really dark fic but the ending is really fluffy I promise; toward the end, the reader and Draco have a toddler who refers to them as 'Mummy' and 'Daddy', and I think that is about it.

Author's Notes: The prompt of 'character finds out you are pregnant' was originally from the fluff prompts list, but because this is Draco, I couldn't help but to throw some angst in here. Because I imagine that if Draco was still living with his parents and surrounded by Death Eaters and the blood purity ideals, he would be very hesitant to want a child of his own because he wouldn't want a child to be tainted by all of it the way that he had been. Because at a certain point, the pride he felt turned sour. Anyway, I hope you guys enjoy because this does get fluffy toward the end.

...

Terror.

That was the very first thing Draco could tangibly say that he was feeling.

The last two years of his life had been a sickening rollercoaster of utter chaos, and quite frankly, he had become numb to it all. He had to force himself to be numb, otherwise he wouldn’t have survived. And currently, survival was his only feasible goal. But this - this news touching his ears was one thing that woke up his senses from that numbness and sent him rocketing into the harshness of reality. This made him feel again, in the worst ways. Suddenly he was nauseous, shaking, blood rocketing against his ear drums, creating a harsh thumping in seconds.

He wished that he had heard you wrong.

“Are - are you sure?” He stuttered out, feeling his hands becoming exceptionally clammy as he clutched them around nothing, his feet unsteady on the ground.

You saw him becoming remarkably pale for someone who was already so papery toned on a normal day, and you worried that he was going to faint. You worried that his harsh reaction meant that he hated the idea of you being pregnant - that he was angry with you. Of course, you realised that the fault wasn’t all on you, that was just nature. But part of you thought that he put the onus on you to take care of birth control, using potions or spells, because he had been worried about so many other things since the start of your relationship.

Up until now, you weren’t sure if you wanted what they wanted. You weren’t naive enough to look beyond the reason you had married Draco in the first place. You were there to produce the next pureblood heir with him. Originally, you had thought it was romantic, in a sense. But when you had met Draco’s family, the people he was surrounded with, the people who called themselves Death Eaters - you realised that it most certainly wasn’t an ideal environment to bring a child into.

Killing at the drop of a hat, torturing, murdering the innocent - those weren’t ideals that you wanted your child to be brought up on.

“Draco, sit down, please,” You put a hand on his shoulder, trying to usher him toward one of the expensive chairs sitting in the corner of his room.

You had stolen him away for a rare moment of privacy between meetings and Death Eaters traipsing around the house. These days, his parents always demanded that the two of you make good on appearances because you were supposed to be the sweet young couple, the future of the pureblood line.

“Are you sure?” He whispered the question much more harshly, the words hissed through his lips like pure venom as he desperately waited for you to confirm it.

He let himself be guided by you and collapsed down into the chair, sitting with his head in his hands, ruffling up his usually neat, slicked-back hair with rough, stressful fingers through it.

Your stomach twisted with your own unique stress as you watched him. You hadn’t seen him so distraught since his first failed attempt on the mission he had been given last year.

“I’m sure.” You said. “I went to the apothecary and got one of the test potions-”

“A store bought test potion?” Draco hissed.

He gave you the harshest glare that you had ever seen from him, which was saying something considering the looks of pure disdain he had given you upon first meeting. His jaw was set so tightly that it looked as though his molars were going to crush in on themselves at any moment.

Your posture shrunk back, desperately trying to hide from his invasive stare. You wished that you could have burrowed under the floorboards at that point.

You knew that it was fear and panic about the situation at large, all the death you had been surrounded with compounding onto him. But you hated that he was inadvertently taking it out on you.

After a moment of you not speaking, Draco continued.

“I should have made it myself, if you had just told me-”

“Yes, and nobody would have become suspicious if you were mulling around, gathering the ingredients for a pregnancy test potion.” You snapped back.

Draco’s face grew even more sickly at this, and you knew that you were both silently on the same page - nobody else in the house could know that you were pregnant. If they even suspected it, then it was over.

He heaved a sigh, gathering all of his thoughts before he chose one to bring to open air.

“Were you seen?” He asked, still tearing into you indignantly, talking to you as though you were stupid.

“No.” You told him, entirely certain. “I wore a large cloak with a hood, it was dark. Nobody recognized me.”

He gave you a distinct frown that said he was unsure of the truth in your words, and you rushed to trample over his potential sarcastic remark with your own.

“I suppose they don’t recognize me when I’m not on your arm, anyway.”

You scoffed out the last part, talking about this fact with distaste even though in actuality it was something you loved. You felt safe when you were with Draco. You couldn’t imagine facing the scowling faces without his arm around you.

But you knew that’s all you were in this society - Draco’s wife. That’s all you had been labelled as since you had been shipped over from America by your godmother.

You were the last of your noble pureblood family’s line. Your parents had been killed by Aurors in the name of Voldemort’s cause during the first war. After their deaths, you had been sent to live with your godmother in America, never truly understanding how your parents were killed or why.

The whole reason you had met Draco in the first place - an arranged marriage. Something that would have honoured your parents, apparently.

The Malfoys had been looking for a pureblood match around Draco’s age, and they had once known your parents, and thought of you as a good prestigious pureblood girl to marry their son. It didn’t take them long to find you, even though you didn’t mingle in pureblood society like they did. (Something they found to be a big shame and a horror upon your parents’ memory.)

Your godmother sold you out for a ‘dowry’ of two thousand Galleons, and from there, your life became a living hell.

Strangely enough, Draco had been the one anchor keeping you alive in it.

Most would say that it was because he was kind by comparison, but truly - he was easy to fall in love with when he was compassionate, sweet, loving in the smallest ways that made you feel safe during some of the most hectic times of your life.

Draco had never intended to get attached to you.

But like anything in his life - pining for the crumbs of his father’s approval, digging under all the proprietary for a single genuine gesture of affection from his mother - Draco’s heart kept beating as much as he tried to turn it off. He convinced himself that he was solid stone, but apparently, you were the pickaxe that made him crumble to pieces. After meeting him, you burrowed through the layers of snide coldness and dark humour that he used in an effort to put you off and you found that still beating heart. That soft thing that he hated so much about himself.

You dug that heart out of his chest, and - despite his best efforts to fight you off, you nursed that heart back to health. And you gave him the closest thing he had experienced to ‘love’ in years.

On the day the two of you got married, when Dumbledore’s dead body was barely cold, Draco said his vows to you with nothing but honesty in his heart. And that night, he made love to you with intense passion, held you in his arms as though you might slip away if he didn’t grip onto you tight enough. And only after you had fallen asleep in his arms, was when he allowed himself to cry. Because he knew that they now had one more way to make him hurt if they wanted to. They could kill him, they could stop the breath in his lungs, but he would die a million deaths through you being hurt in the smallest of ways before that happened.

And now - with this utterly horrifying revelation, they had new ways to hurt him. He should have died a lone man. He should have let them kill him instead of agreeing to any of this in the first place. He shouldn’t have learned to love - he shouldn’t have grown these new limbs that they could cut off savagely and tear apart in front of him.

“I got another one.” You announced when the room had grown too quiet, silent tears streaming down Draco’s face as he sat in intense contemplation. “Another test potion. An extra. I figured you’d want to see it with your own eyes.”

Even though the two of you had only met two short years ago - you knew him too well. You knew that he would want visual confirmation before his own eyes.

“Get it. Please.” He said, trying his best not to let his throat drown in these tears. He wouldn’t be reduced to sobbing.

You went to your cloak, which was hung on a hook in an opposite corner of the room, and grabbed the potion vial out of your pocket. Your shoes clacking against the floor made a terribly hollow soundtrack to the whole thing as you ripped off the small tag that was tied to the neck of the potion bottle and handed it to Draco. He read the instructions on it while you uncorked the potion.

It was simple: you put some sample of your DNA in the bottle - a hair, a small bit of blood, something like that. And then if the potion changed colours to glow white, it meant that you were pregnant. If it made no change from its original, soupy grey colour - then you weren’t pregnant.

He watched, holding his breath as you plucked a single hair from your head and then dropped it into the now open top of the bottle. When the hair made contact with the liquid, it bubbled slightly as it dissolved. Then - after only a moment, the bottle began to shake roughly in your hand as it changed colour, and surely enough - it glowed brightly white.

You were definitely pregnant.

Draco’s nausea increased. And then - in a moment, he felt a fierce sense of protectiveness wash over him. It was as though he had been slapped sharply across the face, woken up from the blind numbness he had been feeling. He knew at that moment that he needed to take action. He couldn’t simply stand by and let things happen around him anymore. He could simply sit around hoping for safety, hoping for some miracle to save the two of you.

“Happy?” You scoffed.

You took Draco’s lack of words as a negative - a sign that he was certainly unhappy with the news.

Not that you were entirely thrilled under the present circumstances - you were scared, stressed, and hating it because you had always wanted children, but not like this.

You placed the potion down on the nearest table and stormed off to the bathroom attached to Draco’s bedroom. He chased you, catching the door before you could slam it closed and lock it.

You conceded to his movements quickly and simply turned to face the sink, unable to look at him right now. You turned it on, splashing cold water on your face, trying your best not to freak out because clearly he was already playing that role. He walked up behind you, gently pressing his body into yours. Even under these circumstances, you found his presence so comforting. You found his body behind you to be nothing but a wall of safety, and you couldn’t help but to lean back into him, your eyes still tightly closed.

Draco reached around you and gently pressed his hand into your stomach - you held back tears of your own now. Clearly, you were both thinking the same thing. Thinking of the unborn child that you both needed to protect. You placed your hand over his, seeking comfort in his touch as he flattened a palm across your stomach.

It was a world shattering revelation to know that his child was resting under his hand.

“No one can find out about this.” He muttered quietly into your neck.

It was something Draco dreaded - them finding out about your pregnancy.

This is what they had been waiting for. This was the reason for the marriage in the first place. This was the pureblood heir - this was their chess piece.

Draco wouldn’t let his child become another pawn in their games.

“It’s still early.” You choked out quietly. “There are other potions. We could-” You choked on your own words, unable to even speak it aloud.

Draco dug his fingers into the fabric of your shirt protectively, quite insulted at the insinuation.

“No.” He replied, his voice rough with anger. “Unless the idea of being pregnant with my child is so utterly horrible to you-”

“It’s not that!”

You screeched, forcefully turning in his arms, wanting to face him. He kept one hand on your hip, and moved the other up to gently grasp your cheek, thumbing away your tears as they gathered. It was that gentleness that always got you. His natural instinct to comfort you.You leaned into his touches as you continued.

“I want this baby more than anything. I - I’m just terrified they’ll see that as a weakness.”

You knew it was the truth. Especially when Draco’s sullen face confirmed it. In this circle, loving anything or anyone was a weakness that could be exploited.

Draco leaned in and kissed your forehead. You closed your eyes, letting the single, solitary moment of peace wash over you.

“I’ll protect you.” He declared, his voice whisper-quiet, but nearly broken with the intensity of his words. “Both of you.” He added this on as he brushed his palm over your stomach once again.

Again, you laid your hand over his, uttering quiet assurances of love toward your unborn child.

“Draco, how-?”

He didn’t let you finish the question.

“We’ll leave. We’re leaving. Tonight.” He declared firmly.

It was something you had suggested before - to protests from Draco, many scathing comments poking holes in your plans. His parents would be killed if he left. At this point, he had to surrender to the idea that they could take care of themselves - that they had made their bed and they had to lie in it. But now that he had the Dark Mark, they would be able to find him, wherever he went. But he would find some harsh way around that.

Now that he had so much more at stake, he couldn’t care if his parents died because of his actions. He had so much more that he had to protect.

“I’ll cut off my bloody arm if I have to.” Draco mumbled quietly, and then turned sharply from the bathroom, leaving to pack.

…

“Daddy, Mummy’s not being fair! She won’t let me play with the jellyfish!”

“Draco, can you please explain to your daughter that jellyfish are dangerous and she can’t play with them?” You replied, trying your best to haul your toddler away from the rough rocks at the water’s edge where the creature had washed up.

“Love, why don’t you come and play with your toys over here?” Draco posed, trying to draw her attention toward something else. She was much like himself as a child - determined, stubborn, and wouldn’t do anything unless she believed it was her own idea first. “Come and show Daddy how to build a sand castle, hmm?”

She seemed to perk up at this. She was clever, and over-eager to show off her skills. More than eager to show her father how to do something properly if she felt that he wasn’t doing it right. This happened with everything from the way he spread marmalade on his toast to the way he tied his shoes - something she had just learned how to do that she was eager to show off her expertise in.

As she tore out of your arms and trudged across the beach to scoop some sand into her bucket, Draco had to be thankful as he watched you follow slowly behind. Purely thankful of the fact that the biggest danger your daughter had to worry about was something like a stray jellyfish washed up on shore.

Three years after escaping a life of servitude toward the Dark Lord in England, you and Draco enjoyed a quiet life with your daughter Aster in France.

You sat down beside Draco with a huff, picking up the book you had previously been reading. You flashed him a grateful smile as he listened to Aster’s detailed instructions about how they should build their castle. He gave you a wide grin in return, and you felt your insides tingle. His smile used to be something as rare as a Basilisk, but now he wore it proudly and more often - he wore his happiness without restraint.

With the short-sleeved, light linen shirt that he had on for the beach, the scar on his forearm was fully visible. It reminded you of the brave choices he had made on that night three years ago.

You had convinced Draco not to cut off his arm completely, but the two of you knew that the Dark Mark needed to go. Otherwise, the two of you could never run far enough, you would have nowhere to hide. So now he sported a large scar where you had held him down and cut the skin off with a sharp knife. That night, his parents had found his room empty, save for the flap cut-off skin in the middle of his bloody bedroom floor. Luckily, you had a talent for healing spells and Draco had been able to knick a few good potions from his family’s cupboards before the two of you left.

On the outside, it was jagged and ugly. But when he looked at it, it reminded him of nothing but freedom - of the love you had committed to him that day, to your unborn daughter.

With a couple thousand Galleons in gold taken from his parents’ stash, the two of you started a new life. You were untraceable and happy. And though there was intense relief when you read in the papers that Potter had succeeded in defeating the Dark Lord and that meant the war was over - the two of you didn’t have any plans to go back to England anytime soon.

Not when your new life was this good.

“-and see, you need to dig down until you find the sand that’s wet, that makes a good castle-” Aster drawled on, piercing her toy shovel into the ground frantically as she spoke.

Draco nodded, giving her a smile as he followed her instructions. “Yes, yes. I see. Very smart girl.”

He had gotten the two of you away from that life, and not for a moment had your daughter ever known the kind of pain or fear that you had.

“Daddy’s learning a lot today, isn’t he?” You remarked, giving Draco a sly grin.

“Good thing I’ve got this smart girl here to teach me,” He said, leaning over and giving Aster a kiss on the forehead.

That was another thing that made you fall even deeper in love with him - the droves of affection he gave to his daughter. Now that he wasn’t being watched so closely, now that he wasn’t expected to be the picture perfect son, he could love her exactly how he wanted to. He didn’t have to worry about propriety or appearing weak.

Aster giggled at this, and Draco blew raspberries on her cheek before kissing her again. She then rallied Draco up to go to the shoreline for a bucket of water. As you watched them walk hand in hand, you felt your heart ache from how overwhelmingly full of love you were.

Somehow, you found yourself endlessly thankful for the rocky road of fate that had brought you here.

#sundrop writes #draco malfoy #harry potter fanfiction #harry potter fandom #draco malfoy x reader #draco malfoy x you #draco malfoy fanfiction #draco malfoy x y/n

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thusspoketrish · 11 months ago

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Hiya, I'm Trish! Below you'll find a list of my completed Drarry fics + a gist of the story + a handful of tags. All of my stories are postwar, EWE, and rated E or M. I will update this list as I complete more stories! Wooo!!!

MOST RECENT FIC:

Netflix and Chills | E | 20K Halloween might be over, but the tricks, treats, and heat between the sheets are just beginning for our favorite dynamic duo! Humor. Post-Second Wizarding War. EWE. Drarry in the Muggle World. Established Relationship. Snarky Draco Malfoy. Muggle Technology. Slice of Life. Humor. Romance. Domestic Fluff. Pop Culture References. Shenanigans. Halloween Night. Netflix and Chill. Banter. Mystery. Idiots in Love. Light Dom/Sub Elements. Dirty Talk. Blue Ball Hell.

Summary: When Draco innocently asks what "Netflix and Chill" means, Harry simply can't pass up the opportunity to impart some knowledge while demonstrating a masterclass in the art of seduction. Now, if only those plans weren't constantly interrupted by trick-or-treaters—some of them far more trick than treat.

The Art of Getting By | E | 149K Recovery fic set in a psychiatric hospital. Mental health Issues. Trauma/Traumatic Experiences. Heavy Angst. Harry and Draco admitted to a psychiatric hospital. Therapy. Fastburn. Co-dependency. Falling in love. Draco's + Harry's POV. Please read warnings. Dead Dove.

This Year's Love| E | 84K. A Drarry slowburn inspired by When Harry Met Sally! Humor. Light Angst. Draco in the Muggle world. Lovable Disaster!Harry. Enemies to Best Friends. Modern Dating. Layabout!Harry. Medical Student!Draco. Draco Dates Zaddies. Harry Is Living His Best Heaux Life. Sex (or no sex!) Positivity. Idiots In Love. So Much Pining. Harry's POV.

Everything That Happens Is From Now On | E | 42K. A sensitive story that explores the aftermath and recovery from a stranger SA. Established relationship. Secrets. Supportive/Loving Partner. RTS. Living Together. Body Positivity. Enthusiastic Consent. Hope. Draco's POV. Please read warnings.

Lemon Colour, Honey Glow | E | 67K. A love story that takes place over a series of unfortunate nights at the Leaky Cauldron. Enemies to Lovers. Falling in Love. Auror!Harry. Potion Master!Draco. Secret Relationship. Emotional Hurt/Comfort. Possessive Harry. Flangst. Beer Gardens. The Leaky Cauldron. The Slytherin Trio. Bullying/Violence. Spoilers Left Untagged.

Super Rich Kids | E | 81K. True crime meets wild government conspiracies when Draco becomes a twisted sort-of Robin Hood, robbing the badly behaving rich to give to...well...you'll have to read the story to find out! Angst. Murders. Coverups. Enemies to Friends to Lovers. Bisexual Draco. Lush descriptions of glamour. Humor. The ULTIMATE Slytherin ensemble. Mental Health Issues. Drug Usage/Addiction. Pureblood Elitism. Social Season. Angst with a Happy Ending. Draco's POV.

On The Last Day | E | 53K. Draco's role as an Unspeakable, Harry's untimely death and ghostly return, and conspiracies bind them in a quest for truth and redemption. Mystery. Angst. Hurt/Comfort. Grief/Mourning. Horror Elements. Science. Neurology/Neuroscience. Slowburn. Memory Loss. Draco's POV.

My Best Friend, the Serial Killer | E | 37K. Ride or Die BFFL Draco finds he's tired of moonlighting as a serial killer's accomplice. No matter how much he loves Pansy, he draws the line at helping her dispose of a sexy, flirty Harry Potter. Dark Humor. Campy/Kitsch Elements. Serial Killer!Pansy. Healer!Draco. Femme Fatale Trope. Falling in Love. Self-Love. Jealousy. Everyone is seriously morally grey. Draco's POV.

A Ferret, a ScarHead, a Weasel, & a Baby | E | 91K. The ultimate bromance takes centre stage (alongside a sweet and tender Drarry romance) in this Three Men & a Baby inspired story! BAMF Auror Draco. Protective Draco. Healer Harry. Capable and Emotionally Intelligent Ron. Illegal Potions Ring. Orphaned Baby. Roommates. Nothing to Something to Everything. Draco's POV.

Seven Days | E | 8K. It takes seven days for the Malfoy-Potter family to unravel. Grief/Mourning. Child Abduction. Death of a Child. Implied Mpreg. Alcohol Relapse. Coming to Terms. Harry's POV. Please Read the Warnings.

Portrait of a Young Girl | M | 8K. Navigating the complexities of love, marriage, and child-rearing, Harry and Draco face a new challenge when they suspect that four-year-old Teddy might be transgender. Married Drarry. Young Couple. Inexperienced Parents. Marital Problems/Disagreements. Stay-at-Home Dad Draco. Fluff. Acceptance. Love. Family. Happy Ending. Harry's POV.

A Day at the Park | M | 6K. Draco discovers that love has its own timing, and sometimes, that means returning to the place where he once lost it all. Estranged couple. Flashbacks. Pining. Postman's Park. Exiled Draco. Draco's POV.

Long for Bliss! | E | 9K. A random night out takes a dark and thrilling turn when Harry, after taking MDMA, encounters Draco Malfoy, looking like something straight out of his wildest dreams – or nightmares. First Time Drug Use. Nightclubs. The Perils of Ennui. Mildly Dubious Consent. Rooftop Sex. Light Dom/Sub Elements. Harry's POV.

Idiot Boys In Love & More | Various Ratings | 18K. Here you'll find a collection of one-shots, drabbles, and poems about Harry and Draco that are all standalone pieces! Each story is centered on a prompt provided by @drarrymicrofic and said prompt will be listed in the summary of each story (Series I completed). Harry + Draco's POV.

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hd-wireless · 19 days ago

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🎶 H/D Wireless Fic 🎶

📻 My Favorite Liar

🎵 Explicit, 43,160 ❗ Warnings/Tags: Fake/Pretend Relationship, There Was Only One Bed, Forced Proximity, Former auror partners, Enemies to Friends to Lovers, Magically Powerful Harry Potter, They were roommates, Wedding Cruise Shenanigans, References to past Draco Malfoy/Oliver Wood relationship, Minor Luna Lovegood/Pansy Parkinson, Minor Hermione Granger/Ron Weasley, Minor Theodore Nott/Blaise Zabini, Minor Lucian Bole/Oliver Wood, Anal Sex, Blow Jobs, Mutual Masturbation, Mutual Pining, Rimming, Beach Sex, Humor, Jealousy, A few attempted murders, Happy Ending, Some Crack, Skinny Dipping, Smut, Top Harry Potter, Bottom Draco Malfoy, This is a rom-com 🎵 Song Prompt: My Favorite Liar by The Wrecks

🎵 Summary:

It’s Pansy’s fault, really, for inviting Draco’s Quidditch star ex and his new boytoy to her wedding cruise. Desperate times call for desperate measures, and nothing is more desperate than asking the only other wizard in England who can compete in both looks and fame to fake being in love with him for seven days. The fact that Potter is also his boss, roommate, and occasional friend should make it easier. So Draco has it handled. Everything is fine. Draco's an exceptional liar and Potter is…well, admittedly Potter is becoming a problem.

Read on AO3

#hd wireless #hd wireless 2025 #drarry #drarry fic #hd wireless fic

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dewitty1 · 3 months ago

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Fic Recs Wrap Up April 2025 (ノﾟ∀ﾟ)ノ⌒･*:.｡. .｡.:*･゜ﾟ･*☆

I’ll Be Seeing You by leevansalmon @meemoop

Draco Malfoy had been a picture-perfect, pure-blood wizard. Never stepping out of line, Draco had his whole life practically planned out for him. However, during the final parts of his third year at Hogwarts School of Witchcraft and Wizardry, Draco Malfoy had made a daunting discovery. Something was definitely wrong with him. It was on his fourteenth birthday that Draco had the first of many prophetic visions. Tents up in flames, a goblet, a dragon, a body of water, and more… In the event of a budding war, Draco Malfoy’s newfound psychic abilities interfere with his already increasingly complicated life. Navigating growing pains, family disputes, romance and war, Malfoy discovers who he is. Rec Post

The Love That Has To Keep Shouting Its Name aka Hero Harry’s Attention-Seeking Actions a Huge Howl for Help by twistedmiracle

In which Harry fights with the Wizarding press, befriends a Muggle role model, explores his political-activist side, and buys rather a lot of flowers. Rec Post

Lily’s Boy by SomewheresSword

Before his third year of Hogwarts has even begun, Harry faces three whole weeks of unsupervised time in Diagon Alley. In that time he takes a trip to Gringotts - and that changes everything. Burdened with the knowledge that Dumbledore has been blocking his family magic, and manipulating far more than he ever thought possible, Harry doesn’t know who he can trust; but he knows he can’t keep going that way. There’s a whole world of lore and politics and history to catch up on, and the more he learns, the more Harry realises his true place in the world, and how much is being kept hidden from him. All the while, Dumbledore’s twinkling eyes are constantly watching, and Harry can’t let on how much he knows. With help from unexpected places, Harry starts on a journey to end the war, and reshape the wizarding world. With how much he looks like James Potter, people have forgotten one important thing about him - he is Lily Evans’ son, and she was one hell of a witch. Rec Post

Hiding In Plain Sight by okydoky

When the pressures of fame become too much, Harry Potter disappears into the Muggle world. However, when a desperate Professor McGonagall begs for his help he’s dragged back to Hogwarts, for a more difficult set of circumstances than he has come across before. Rec Post

Harry Potter and the Welcome to the World of Grey by sobsicles @sobsicles

When Harry fails to keep his anger at bay and Voldemort possesses his mind, the events that follow lead him down a long road to realizing the world isn’t as black and white as it seems. Chaos, hilarity, and tragedy ensue with a Dark Lord being honest all the time, a rival becoming something else, and a world demanding to be saved. Featuring frightened Death Eaters, deep conversations with a monster, Pureblood traditions being ridiculous, and the fight to do the right thing with no true options. Harry’s life just gets more and more bizarre with each passing moment. Rec Post

Here are a few more fics I've read recently that y'all might like to check out as well!(੭ˊ͈ ꒵ˋ͈)੭. * ･｡ﾟ☆

In a Year’s Turning by hoko_onchi @hoko-onchi-writes

They’ve avoided one another for nine years. Managed not to run into one another during the week of Andy’s funerary rites. They’ve glimpsed one another several times. But they never came close enough to speak. Draco’s kept to their rules for most of a decade. Letters only. Plans for Teddy. Updates on Pansy’s gardens. No references to the Christmas of 2001. Draco spares a moment to grieve that he couldn’t have put this off another nine years. Then, he turns. “Hi,” Harry says. Draco’s throat aches. “Hello. It’s been a while.” Harry quirks a smile. "I wondered where that top went." -- Or: Harry is struggling to raise Teddy by himself. Enter Draco.

My Mate by maraudersaffair @maraudersaffair

Harry is a new Alpha and Draco is his Omega Healer. Draco wants to help Harry but Draco struggles to control himself whenever he is around. And Harry wants to breed Draco. Desperately so. Things come to a head when Draco and Harry become trapped with one another. Draco doesn't have his suppressant and it sends them both into heat. While they wait for help, will Draco be able to avoid being claimed by Harry? Does he even want to avoid it? Harry is gorgeous and strong, and Draco would love to have him as a mate. He just can't fathom a world where Harry Potter willingly chooses him.

( •ॢ◡-ॢ)-♡ I hope you enjoy these fics as much as I have! Happy reading! xoxo Carey (◍•ᴗ•◍)♡ ✧*💜💙💚��❤💗💕💖

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maxdibert · 2 months ago

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reread book 6 tom riddle was a psychopath and sociopath since childhood he tortured children in the orphanage they wanted to send him to a mental hospital. he was born evil.. rowling says nonsense that if merope was alive he would not have become such a psychopath. merope raped a muggle. good moral compass. dumbaldore is a fool that he did not tell at school about tom's behavior in the orphanage and also tom riddle is a thief. he stole the ring at 16 and at 20.

No one is born evil, people become evil. And the fact that someone becomes a bad person has a lot to do with their environment, experiences, and the ethical and moral references they’ve had. I don’t believe in villainizing people from birth, because then we’d be adopting a deterministic view of the human psyche, which is actually very complex and morally relative.

I’ve worked with people who thought it was totally normal to shoot up heroin at age 13 because that’s literally what they saw at home. Is a 13-year-old inherently an addict? Or is the normalization of drug use, addiction, and the crime involved in getting money to support that addiction simply the moral code they’ve learned and been taught to accept?

Going back to the story itself, Draco is a jerk and he has a lot of prejudices, but those prejudices don’t come from him being a bad person. An 11-year-old kid isn’t a bad person, an 11-year-old just parrots what they hear at home and acts according to what they see as normal. If speaking to others a certain way and saying certain things is normalized at home, that’s what he’ll repeat, especially if his parental figures are positive role models in his eyes, as is the case.

Leaving out the environmental factors that shaped someone’s cognitive development and judging everything by just looking at the tree and not the forest is the hallmark of an ignorant, narrow-minded mentality. You can’t analyze people based only on what’s visible at first glance, you need a bit of lateral thinking in that regard.

Coming back to Tom yes, maybe he had signs of sociopathy or psychopathy, but having an antisocial personality disorder doesn’t automatically make you a serial killer, much less a narcissist with totalitarian delusions. There are a number of factors that influence whether a person works on their behavioral issues, or that may actually exacerbate and reinforce them.

Clearly, Tom didn’t have the best environment to develop in a healthy way, and if he already had a behavioral disorder, then we can see where that led. The problem is that we always overlook the fact that the adults responsible for children are the ones who are supposed to ensure their well-being. Tom grew up in an orphanage at a time when children in such institutions were treated like garbage, lived through WWII, and Dumbledore basically gave up on him from the start. So if we accept that he had psychopathic tendencies and, on top of that, was raised in such a hostile environment where violence and marginalization were normalized, what do we expect?

I’m sorry, but I don’t believe in “individual problems.” I believe that individual problems are the result of collective problems that haven’t been solved. And if we don’t think collectively or carry out collective action and reforms, we can’t expect much from people on an individual level.

Man is not always a wolf to man if he has a good pack and resources in his territory. Just saying.

#voldemort #lord voldemort #tom marvolo riddle #tom riddle #tom riddle jr #harry potter meta #analysis

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iamnmbr3 · 1 year ago

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Drarry

3,6, and, 10

3. Which one outlives the other, and how they cope

Starting off strong with immediate pain I see. Why would you hurt me like this? I like the angst and thematic potential of Draco being the one to outlive Harry. No one expects it. Least of all Draco. Harry is everything, the Boy Who Lived Twice, a constant since Draco was 11, so energetic and unique and yes human and vulnerable in a way that the public forgets, but still somehow larger than life. He couldn't possibly do something as mundane as die. Draco can't even begin to fathom it. How could this be the thing that he finally beats Harry at? It can't be.

Meanwhile Harry doesn't fear death. He got over that a long time ago. When it's his time he doesn't linger. He probably even makes a quip about how Draco can finally get the last word in their arguments. Draco keeps going but he's never the same afterwards, though to him it's more that the world isn't the same - everything seems just a little less bright, somehow, than before. Until one day he finds himself in a place that looks remarkably like Kings Cross and there is an achingly familiar face waiting to greet him.

6. How they decorated their bedroom

Haphazardly. Mostly with gifts from other people because Harry doesn't really see the point and Draco grew up 1) having people to worry about things like that for him and 2) with an all white marble aesthetic so having a random collage of Quidditch posters seems entertainingly rebellious to him. Since most of their decor comes from their friends and family trying to brighten things up they end up with a very eclectic and rather clashing look - a flower Luna painted on the wall, a rather severe looking bedside table from Narcissa that has a nasty habit of growling at the cheerful area rug that Molly brought etc.

Draco does however start sneaking in some "random" decor that just so happens to have highly realistic snakes in it. This definitely has nothing to do with the fact that he finds it sexy when Harry speaks Parseltongue.

10. What TV shows they watch together, and which ones they hide from the other

They don't because the wizarding world has yet to discover the concept of television and Harry never got into the habit because mostly Dudley wouldn't let him watch tv so he never really developed a taste for it and also he associates enjoying tv shows with Dudley and consequently looks down on it a bit. The half remembered programs he occasionally got a glimpse of in his childhood aren't enough to compel him to go to the trouble of trying to find a way to get something set up without magic sending it haywire.

Draco of course had never even heard of a television till after the war when he ended up spending time in the muggle world during his probation and even after because for quite a while no one in the magical world wanted anything to do with him. He never really got into any programs but at least he now knows what a television is. Unlike Arthur Weasley who still refers to them as Teffle-Fissions. Draco is secretly rather proud of this though he'd never let on. He also wins Arthur over with his stories of the Muggle world.

Draco does however enjoy listening to several wizarding radio programs - mostly of the mystery genre. Nothing too heavy because after the war he doesn't want anything with too much violence or realism in it. Harry didn't grow up having stories read to him (as far as he can remember anyway) and can be a bit utilitarian in his thinking. He doesn't really see the point of getting invested in something make-believe. Draco of course makes a huge Thing of it and makes a point of imitating characters from the show and dropping overdramatic references just to get Harry to roll his eyes. Harry for his part starts listening along just to make fun of it. It becomes a bit of a routine and after a few decades Harry finds himself just the tiniest bit invested. (He would never admit it of course, but Draco can tell).

Send me a ship and a number

#cw death #cw major character death #drarry #Harry Potter #asks #ask game #drarry g

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sitp-recs · 7 months ago

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HP Rec Fest 2024

day 21: a fic rated M

many fics came to mind for today’s prompt but I picked one that holds a very special place in my heart, in hopes to celebrate one of my favourite authors: A Truth Universally Acknowledged (17k) by @sorrybutblog. I’m so very fond of this fic - I remember exactly where I was when I first read it, and the all-encompassing excitement of having found a little gem that pressed all my buttons. for those who enjoy some good old P&P vibes, this fic evokes the charming countryside aesthetics, the sharp humour and delicious UST that drives you up the wall. one thing I adore about this fic is how easily the plot comes together, including subtle P&P references and also adapting iconic scenes and quotes while keeping this very much a Drarry story. buff!Draco is an absolute wet dream and I loved drooling over him alongside Harry (the wall scene!!!! you’ll know when you read it). I couldn’t get enough of their sexual tension and chemistry, the banter is phenomenal and the pining is exactly my brand of soft angst, with both making a mess while figuring things out because they can never be normal about each other 🥲 it’s all deliciously cinematic and the plot line around real estate renovations is so cool, one of my favourite tropes!

like everything iota creates, this has become an instant comfort read, nice & smooth, sexy & fun with lowkey angst to make you ache for them. if you’ve read and enjoyed amid this warm and steady sweetness I promise you’ll love this fic! oh, and don’t forget to check the STUNNING artwork @bluebutter-art did for this fic. you’re welcome!

for @hprecfest

#hprecfest2024 #day 21

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brostateexam · 6 months ago

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ok, im well out of the loop with cassie clare, i havent read one of her books in at least 10 years, but i was big on her as a teenager. did she start off as a fic author? (that wouldn't surprise me) or did she just straight up plagiarise a bunch of shit?

The answer to this question is: both!

I will start off by saying: All of this is to the best of my recollection. This is not a perfect accounting of events. If you really, really want to know, I'm sure there are people who are like actual fandom scholars and archivists who will get it all right, but that is very not me.

And on the offchance that any lawyer is reading this: Please consider all of this as a recollection of events that happened. Not trying to defame anyone here, just talking about events that already occurred. Anything mentioned about the author in question that is not a recollection of past events is speculative and should be taken as such.

Cassie Clare did indeed start off as a fic author. She was decently prolific and wrote a lot for a very big fandom at the time, Harry Potter. She wrote a series (Draco trilogy, had names like Draco Dormiens) that was very, very popular. Presumably many modern readers are now reaching for rotten tomatoes or airsick bags as applicable, but this was circa 2000-2005(ish?), so the attitude toward HP was different back then, to say the least. Her stuff was put up on a fansite that was dedicated to HP only on like a featured page, which was basically reserved for decent writers and big name fans that the fansite runner knew and liked.

All of these people have names and are findable, but I don't remember them because it has been decades.

Draco Dormiens and or the others in the series were at the center of this controversy, and I think that with the benefit of time, it did not age well, but it was very of the time, and people loved the idea of Harry, Ron, Hermione, Draco, and Ginny as articulate, witty, hot older teens being rich and glamorous and magical and cool. Keep in mind, we gotta rewind the clock here. I remember the plagiarism controversy really gaining steam in early 2003, so at this time about 4 or 5 of the books were out and the main people reading them were teenagers and college kids, not the 30- or 40-somethings going to the theme park that you see on the internet now. So this was wildly popular and it's probably not hard to understand why.

Her popularity took a hit when she began to be accused of plagiarism, and when it didn't immediately recede it become a full on controversy. This was a big accusation to level, because she was very popular and very well-liked, and was friends with a lot of other authors who were also popular and well-liked, who largely speaking had her back. Finally, after the furor grew and grew, she acknowledged the controversy and made a statement that amounted to something like: "Okay, I thought it was pretty clear that I was just making references to popular TV shows by stealing dialog from episodes word for word, but I'll attribute everything I use in this way from now on, and I will also go back and add attribution for everything I used in this way."

This was a very savvy way of dealing with the accusations, because it was true that she was doing this (largely lifting stuff from Buffy and from Babylon 5, as I recall) and it was also true that if you were a fan of either show and read her fics, you could absolutely see that she was doing this and take it as a send-up or reference, not as plagiarism. This gave her friends and fans an out, a way to say to people "okay we get it, she acknowledged it and added attribution, can you shut up now?"

Except that wasn't actually the extent of it. Cassie Clare, well known for her super cool magical concepts she introduced in her Draco trilogy, was lifting those from a then out-of-print fantasy series by Pamela Dean. And it wasn't just ideas that she was lifting wholesale and not bothering to change the names of. She was also copying out whole paragraphs and pages, secure in the knowledge that you couldn't buy the books anymore, so it wasn't like she could get nailed by someone picking up the book at a Barnes & Noble and going "hey, wait a sec."

Except, perhaps not surprisingly, a lot of people who like fanfiction for Harry Potter also like fantasy as a genre, and people absolutely clocked some of her lazier plagiarism, because it was seriously word for word, sometimes for paragraphs.

This ultimately led to her getting banned for plagiarism from fanfic.net lol and the entire Draco trilogy was removed.

I think the lesson she took from this may have been the wrong one, and I fear it may have been that if you copy stuff and are popular enough, you can get away with it for years, so keep copying. Her entire career she's been accused of plagiarism, for both for her YA series and for her new series. I can't say if any of the subsequent allegations were true or not. Personally, I'm inclined to believe the claims simply because she has a history of doing it, doing it shamelessly, and lying about it or at least obscuring the full truth back in her fanfic era.

Anyway, I'd like to conclude this by saying if you really like her stuff and want to keep reading it or whathaveyou, I don't think that has a particular moral valence. I believe people in their 20s mostly know her for Shadowhunters, and from what I've gleaned it's about hot people in their 20s being glamorous and magical and witty and rich, and that's a winning formula now just like it was a generation ago. The person who should bear the burden of not being a plagiarist is the author, not the audience.

Hope this was informative, and thanks for asking!

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rainbow18 · 3 days ago

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Everything wrong with Chamber of Secrets.

The Stereotypes and Bigotries continue.

Myrtle is repeatedly mocked and criticized for being traumatized from being bullied and then murdered when she was crying in the bathroom. What’s ironic is that Hermione once cried in the bathroom. So you’d think Hermione would be more sympathetic.

Ginny is treated poorly and so are many other Fangirls.

There’s also Lockhart who is depicted as an idiot and antagonistic. Molly is implied to have used a love potion.

The Dursleys weights are still made fun of.

Also Not only are humans called “Muggles” which is an insult that means foolish/gullible, Ones that were born into Wizard families are called “Squibs” which is an explosive device.

Ambition continues being mocked. Rule following is also mocked.

The Series tells but fails to Show.

The series treats Muggleborns as though they suffer a lot of problems due to prejudice but they don’t. (Outside of How the Death eaters and their supporters want them gone.)

Muggleborns have the right to go to school, own wands, choose whatever career they want, have money exchanged at banks and visit any location they want without any reason to believe they or their parents will be arrested or hunted down by the authorities for it.

What more could they possibly want? “They get called dirty bloods!”. Whoever calls them that will get in trouble for it same as any other insult.

There’s also a derogatory term for Purebloods as well and Hagrid called the Malfoys dirty bloods before any of the Malfoys called anyone a dirty blood. No matter what status they have, there’s a derogatory term that people who don’t like them, will call them. (This is why Hermione used actual racist slurs in Order of the Phoenix. She had no idea what it’s like to be treated terribly due to the way she was born or her beliefs. Sure, Draco insults her but he insults everyone, he rarely specifically targets her.)

Compare Hermione’s treatment to Dobby’s. Elves aren’t allowed wands, money or education. They are forced to be servants and can’t run away from their masters, they will also be mistreated if they don’t conform.

Also Hagrid’s and Ron’s logic behind Draco being wrong is flawed. They use Neville is not good at magic while Hermione is to say the prejudice is wrong. However 1. Draco’s angry because Hermione performs better at school and his father scolded him. And 2. Even if Hermione was awful at school, that doesn’t mean anyone should be using slurs.

Another problem is that Draco happily cheers on the attacks and hopes for Hermione’s death but in Later books, he becomes upset with murder.

Also Ginny is implied to only like Harry because of his fame. Diary Riddle “She didn’t think Famous Harry Potter would ever like her”.

Interestingly throughout this book, Ginny seems to be speaking a lot like Draco. From her normally being talkative, her valentine using Lucius’s words “Dark Lord” and mentioned how Harry defeated him, to referring to Harry as “Famous Harry Potter.” Her fear of getting expelled and being told off by her father. Not to mention teasing someone about having a girlfriend.

While she has her visit to Hagrid, it can’t be taken seriously as it’s possible that Voldemort was possessing her. Her only uniqueness is liking cats, being shy around Harry and not liking Harry having the diary.

Here is the Slytherin Slander in this book.

This right here is the flaw with Having Draco and his gang be raised to support Voldemort. His parents think he’s gone, which is weird because Dobby heard of Harry facing Voldemort again.

Lucius Malfoy knows how things look and he scolds Mr Burke coldly when Draco became interested in the items and Mr Burke tried making a sale. So why on Earth would he raise Draco to support Voldemort and use slurs? Surely he knows how that looks? Additionally after the diary broke, He or Dumbledore should have warned Draco that Voldemort would be angry.

Harry claims that Snape tried framing them but he didn’t. Snape was not trying to claim they attacked Mrs Norris, he accused them of withholding information and he was right, they were not being entirely truthful. While Snape wanted to confiscate Harry’s broom, it was a way to get Harry to confess.

Hagrid claims that Lucius will be very angry at Ron for trying to attack Draco. However We never see him once going after the Trio for attacking Draco. (Though I don’t doubt that Lucius might try telling Arthur to teach his son manners and try adding it to the Weasley’s charges) However We have also seen Lucius doesn’t want Draco to publicly antagonize The Trio. If he heard Draco was using “Mudblood” we have no reason to believe that he would not tell Draco off for it. (Especially if Draco being bought on the team was his way of trying to get Draco to quit complaining.)

Speaking of which, Lucius Malfoy is retconned into being School Governor. (Likely to try to convince us that Draco is more privileged than Harry is, which does not hold well under scrutiny. )The reason why I don’t believe he was a school governor previously is because Hagrid threatened Draco with expulsion instead of listening during Philosophers Stone.

Lucius Malfoy and Draco Malfoy are bad for wanting Hagrid and Dumbledore gone. However Hagrid and Dumbledore started it back in Philosophers Stone; They were both fully aware that Draco was speaking the truth about There being a venomous dragon, which bit Ron, as mentioned Draco was threatened with expulsion for rightfully pointing out the detention was dangerous and threatening to tell his father. Then Dumbledore gave a last minute victory to Gryffindor after already telling the Slytherins that they won first and unlike the Gryffindors, they won fairly. However this does not get acknowledged in favor of making The Malfoys just look like jerks.

There’s also the double standards in morality.

Draco is bad for Bigotry and calling Hermione a dirty Blood even though the good guys also express bigotry and call people those. In fact, Before any Slytherin called any muggleborn a dirty Blood, Hagrid made a speech calling The Malfoys bad bloods first. Before anyone says “The Malfoys are villains though” 87% of the Ordinary people that Wizards heard about were abusers and attempted murderers. Sure, you can argue that It’s not what the villains are referring to, but still.

Not to mention Ron laughs at Filch not having magic and figures he’s angry. If this is justified because Filch is a jerk, Then Draco’s should be justified since both Colin and Hermione insulted and made fun of him first.

Ron also makes fun of the deaths of at least 3 different characters. Two of which, before Draco made even one comment about Hermione dying.

Hermione claims that The Gryffindors weren’t bribed onto Quidditch to insult Draco but that’s just not true. Harry was indeed Bribed on in the previous book and Draco’s complaints imply that The Malfoys were not always intending to buy Draco onto the team.

Snape supposedly favors his students but all he did was support Draco after Harry hurt half of the class and overrule Wood booking the field. However as Flint points out, There was plenty of room for everyone. Not to mention Harry and The Gryffindors was favored First.

Additionally as Harry narrated, The Gryffindors were there for a long time, Ron was even surprised they weren’t done. So It is reasonable to declare that Their turn is over. It’s not Snape’s or Flints fault the Gryffindors spent so long in the changing room.

Furthermore: Wood shouldn’t have been allowed to book the field for a whole day in the first place; He knew that the other teams didn’t practice yet and he wanted a full day over them and he implies that he plans to do it on more days. Yet Snape is bad for believing that the Gryffindors shouldn’t receive special treatment? Rather interestingly, later when The Slytherins booked the field and did what Wood was allowed to do, it’s treated as obvious Favoring and cheating.

Also as Dobby lampshades, Harry also makes threats to Dobby.

Draco Malfoy being a Red Herring doesn’t work well.

Draco is one of two red herrings of this book. However here is why him doesn’t work.

1. Draco made it no secret that he supported the attacks. If he were the one attacking students, wouldn’t he want to keep that a secret since he would get in trouble? While he did complain about Harry, The Wizard world generally supports free speech and strangers can’t punish him unless he does a bad action.

2. Lucius Malfoy knows Draco is a talker and doesn’t have good enough grades. So Why would he trust his son to succeed and be quiet about it within a couple months? Additionally it’s entirely possible that Draco was kept at Hogwarts during Christmas due to his parents not wanting him around during the raids and while Lucius was threatening people.

3. If Draco was descended from a Hogwarts founder, wouldn’t he have mentioned it? Like “I am descended from A Founder so I am in charge around here!”. (This actually could be interesting, If The Malfoys really were descended from Slytherin, yet it’s a surprise when they aren’t the heir that the writing is referring to.)

4. Draco never specifically targets muggleborns or has anything against Filch. While he complains about Hermione, she was an exception because she’s friends with Harry and His father scolded him about how he should be ashamed that she performed better. Or was favored. Draco complains about everyone, he insults the Weasley’s plenty of times.

5. Draco has no reaction to Harry’s ability to speak to Snakes unless it was to hide his jealousy as he probably wishes he could do it.

A better fit for a red herring is Percy who at least a couple times, was in suspicious spots, was present when Harry was shown with the diary, didn’t approve of them being near Myrtle’s bathroom or investigating and didn’t like it when Ginny knew something.

The Series Undermines Its messages again.

“It is our choices that show who we really are far more than our abilities.”.

Nice line. But Isn’t the whole reason why Harry has to be one to fight Voldemort because 1. He’s a Horcrux. 2. He’s got Lily’s blood protection. 3. He became master of the elder wand. All of which, saved his life and caused them to win.

Additionally isn’t the whole “Not marrying ordinary people will cause us to die out” and “They hadn’t invented a spell that Hermione can’t do” the logic used for why The prejudice against non Purebloods is wrong?

Now Look at Hermione’s parents treatment. They are never given names, are quickly sent offpage and have no on page dialogue. Why? Is it because they don’t have magic so they don’t belong? Isn’t the lesson supposed to be that your character matters more than your abilities?

Furthermore the headmaster shouldn’t be tolerating and encouraging house rivalries. I will give him a pass for not talking to Draco sooner about his prejudices since he had other stuff on his mind. However now, Harry is speaking directly to him and he already did a terrible stunt at the end of the previous year.

They blame the Slytherin’s for not going to the teachers or Dumbledore, but they regularly push the Slytherin’s away and isolate them.

Draco did trust the teachers in the first book but they pushed him away and punished him for Hagrid and Harry’s crime, then gave last minute points to Gryffindors for doing their hobbies. (It’s ambiguous at this point whether or not the school body knows Voldemoet was around.)

Snape was victim blamed and silenced while the marauders were terrorizing him in the exact same manner that the death eaters attack people.

#harry potter critical

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licorice-and-rum · 9 months ago

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On Fascism, DEs and Dumbledore - the actual essay lol

Hey, guys! Sorry it took me so long to write this one, I really had some themes to mature before I could put all of my thoughts in writing but I finally feel like I’m ready to talk about what I want to. Before I begin, however, I want to point out a few things:

First of all, I ask all of you to enter this with an open mind because not everything I’ll say here is exactly popular opinion in the HP fandom. And, although I recognize that my perceptions and interpretations are frayed by my own background and way of thinking, my literary analysis is still based off, on some level, of academical knowledge. It doesn’t make it true, of course, but I believe it’s a solid base to have.

Second, this is, in no way, an attack on people who like the Death Eaters (Barty, Regulus, Rosier, Draco, and so on). These people are not the problem I’m talking about here because, to begin with, the characters they like are not exactly the Canon version of them, and then, because a work of fiction doesn’t determine a person’s character.

It's completely normal for popular works of fiction — and that’s especially true in Literature — to have their characters remodeled to fit a better narrative to the time they are inserted in. It happens with Fairytales, it happens with classical books — Sherlock Holmes is one of the greatest examples I can give —, it just happens. And the new interpretations are an attempt to almost self-insert: is a mirroring of our interpretations and experiences in those characters we like so much.

That said, I still have a problem with how normalized it has become in our society to make a sad backstory to fascist-like villains and that’s where I would like to start this rant/analysis. This issue is not focused on the Harry Potter characters, however: it has happened in Star Wars (both with Anakin and more recently with The Acolyte), in The Hunger Games (with Snow, although it wasn’t the intention) and many other big films/books/series in the industry.

It has a reason: we’re living through late-stage capitalism, which means capitalism is in shambles and it needs a “emergency button” of sorts, something it can use to establish some kind of control back. That’s why we’ve seen so many far-right parties win elections lately: it’s a normal thing for people to be attracted to fast and simple solutions when things are bad, even though they might not be solutions at all.

Anyway, I digress: the point is, when fascism (capitalism’s emergency button) arises, it needs to have a cultural support so that people can assimilate it better, accept it better so it can maintain itself. Don’t get me wrong: I’m not, by all means, saying that a bunch of men sat down on a white room and decided that now they would start creating Art that endorses/romanticizes fascist narratives, of course not.

This is a natural process, it happens because we, as a general rule, already lean into right wing theorical thinking by living into a capitalist mode of production. So, when capitalism collapses, many of us pull our values farthest into capitalistic mindset because that’s what we understand as secure, as stable. And this translates into art through some favored tropes or classical narratives, such as the Chosen One or the “the system is not corrupted, the people running it are” narrative.

Both of those tropes fit into the Harry Potter series in obvious ways, of course. But lately, I’ve been noticing a really particular characteristic of these narratives/tropes that are used to endorse fascism, which I believe has to do with the time period we’re at right now and who the target-audience is, and that is what I called the “individualization of narratives”.

I’m not gonna be arrogant here and say that I’m the only one who noticed this, of course not, but I haven’t found any works on that, so I’m gonna describe, in my own words, what I think this phenomenon is:

The individualization of narratives, as I call it, refers to the details some characters’ backgrounds have when they are into the “dark side”, the side that is supposed to be the fictional version of fascist-like groups. And those details — or lack thereof — are done in a way the reader can fill in the gaps in such a way to identify and empathize with them.

Again, that’s is not the problem, this happens to every character ever, it even happens with celebrities. Our brains are wired to fill in gaps in a person’s personality or character when we don’t have all the information, it’s a natural reaction. Problem is that, as it’s becoming popular to write a villain with a purpose, a “morally gray” character if you will (although I take issue with how that’s portrayed, which I’ll treat more carefully when I talk about Dumbledore), the fascist-like narratives that became so popular with post-war people, gain a new meaning.

That’s not the doing of the Art itself, it’s just a reflection of political issues that are already here but that are also perpetrated and continued by Art and material cultural production, just like anti-socialism dystopian books were in the Cold War scenario, for example. However, it’s undeniable that this movement serves a purpose, a political purpose, and that is to endorse fascism and fascist narrative. Let’s not get over ourselves here: again, this is not the evil doing of some unknown entity, it’s just a natural process of the current political climate reflecting in cultural production.

But it still serves a purpose, and what I aim to do with this essay is to demystify a bit this movement in Harry Potter. But first, we have to understand what fascism is:

Capitalism, which begun more or less in the 1600s, is a mode of production (a mold to which our society fit to work within capitalism’s needs of existence). It is based on profit, which means our society is shaped to produce that profit, everything in a society is shaped to serve this purpose, from the industry to our perception of reality — it’s all a capitalism-based ideology.

Again, reminding: that’s not a secret plot to convince people, it’s a natural process of building identity within reality. It happened in feudalism, and before that with Ancient Empires, and so on and on. There’s nothing inheritedly evil in this process.

However, capitalism is a mode of production that demands, in order to continuing to exist, more than society can provide, so it collapses from time to time. The Stock Market Crash of 1929 and the following Great Depression is one of the most striking examples of capitalism collapsing, and it’s not by happenstance that fascism arose right after this collapse.

As I said before, fascism is capitalism’s emergency button: when systems collapse, that’s where they get more vulnerable to radical change, and the extreme hardships the masses had to endure after its collapse in the 1930s could easily signify a chance for a change in the modes of production throughout the occidental countries of Europe — something that couldn’t happen if capitalism was to survive.

What I mean by bringing all this to the essay is that I want to be very clear with what fascism defends and what it means: it’s the supremacy of not only a country, or exaggerated nationalism, it is also the management and upkeeping of a society’s very structure. And, to be even clearer: that society is white, rich, and patriarchal-based.

There’s a reason why fascism is considered a white-supremacy political movement: because it defends capitalism. And capitalism was built over the need of cheap work force.

Many of you may have thought slavery when I said that, and you’d be correct.

However, with the times progression, that changed into a new form of exploration: because of the past with slavery and exploration of resources of colonized countries, it became easier — and also a natural progression from the dehumanizing of non-white communities to justify slavery — to just cheapen the work force by making non-white communities poorer, more vulnerable and more desperate to fulfill their needs.

That forces those communities — and third world countries as a whole — to accept the money and the exploration of not only first-world countries (colonizer countries) but also big corporations. I could go on and on about all the effects this policy has in non-white communities, from police brutality until the banalization of the violence in large scale (such as the Palestinian genocide) but I want to stay within the scope here.

This justification of slavery, the dehumanization of non-white peoples, is one of the main pillars of capitalism, and as such, it’s the main pillar of fascism. In Harry Potter, the intention is that those characteristics don’t present themselves in race but in blood — not that Rowling is very successful with this, considering the amount of veiled and not-so-veiled racism in her books but whatever.

Now, as I see it, Harry Potter is not a good portrayal of fascism and that has a very clear cause: Rowling’s lack of understanding of what fascism is to begin with, or how the root causes of it affect the system of the wizarding society.

As someone who have studied it, I can say that the blood purity issue wouldn’t be present only in some rich people’s minds, it would be structural to the wizarding world, in a way that would present itself in hardship for muggleborns to get jobs, in jokes that are not funny, in opinions that are degrading, in isolation and discrimination in a day to day level. And of course, there is some of it in the HP books, but it’s not treated as a structural issue — it’s treated as an individual problem.

And that’s where the real problem begins: if we treat fascism as a problem that stems from a person’s own choices instead of a political and collective movement that elevates to a highest level the structural issues that are already there, we fall into the trap of minimizing the problem because, if someone is a fascist because they’re evil, the next question to make is: why are they evil?

Currently, what we’re doing with our villains becomes a problem in these situations: in an attempt to individualize our villains, we make them human. Human in the sense that we can empathize with them, we can understand them. And, for a fascist-like narrative, that’s extremely dangerous because it makes us unconsciously start to endorse their trajectories and choices when we absolutely shouldn’t.

Fascism is not equivalent to rebelliousness.

“Oh, the good side is not so good because they treated this character bad and now he had to turn to a fascist group and decimate people because he’s traumatized.”

See how, when I say it like that, it sounds ridiculous?

But of course, you probably know that. Again, I’m not accusing people who like those characters of endorsing fascism, what I am saying, however, is that the political climate of today is doing it and it’s reflecting on our art production. What I am calling for is for people to recognize that their view of those characters as they really would be if they were anywhere near reality is not only flawed, it’s entirely wrong.

Snape, Barty Crouch Jr, Evan Rosier, Draco, Bellatrix, the Blacks as a whole — they are not the abused little teenagers who had no choice but to join the Death Eaters. They are fascists, they have always been fascists, even when they suffered. And sure, to some of them, there is more to their characters than this but the truth remains that they, in some capacity, not only endorsed a fascist narrative, they actively perpetuated it to the detriment and the suffering of marginalized peoples.

And none of them had a good, believable, and more importantly, complete redeeming arc.

Our interpretations of them are cool, I love it, I prefer them to many HP characters, to be honest. But that doesn’t change the fact that, if HP was a little bit more real, a little bit closer to reality, those characters wouldn’t be bullied teenagers forced into fascism as a means to become powerful enough to escape their abuse — as if that makes it so much better —, they’d be incels, they’d be bullies themselves.

And that’s not an opinion: we, as a fandom, tend to forget that the DEs are the ones with real societal power in the wizarding world. Most of them are purebloods, most of them are rich, most of them are friends with rich and pureblooded wizards, and they are privileged. They are not ostracized as we like to imagine, they are royalty.

For them, to fight for blood purity is to fight for their own benefit, is to fight to maintain the pillars that keep them unaccountable for their behaviors and privilege whilst at the same time, pushing marginalized people — muggleborns, fantastical creatures, even half-bloods — to a dehumanizing condition. And they don’t feel sorry for this.

Now, the truth is that this is partially Rowling’s fault: her lack of understanding of how deep the issues she’s portraying really run makes it possible for her to interpret her own characters as redeemable because they somehow exchange sides when it fits them.

That’s mostly seen with the Malfoys: neither Draco, Narcissa, nor Lucius ever change sides because they see the suffering of others and think of it as wrong. They change sides when Voldemort’s cruelty starts to weigh on them — their change of loyalties are not coming from empathy for marginalized peoples or decency, it comes from self-preservation.

Kind of the same thing with Snape (I wrote some essays focused on Snape, so if anyone is interested, here’s the first, then the second).

Now, of course, that’s not to say those characters weren’t abused on someway or suffered but that’s the thing: no abuse in the world justifies the persecution, torture and killing of innocent people. To offer a counterpoint, the marginalized peoples the Death Eaters persecuted are also traumatized in some, they also can have had abusive parents and/or families but that is not taken into account when we talk about the Death Eater’s own traumas.

The narrative that the Death Eaters were abused their whole childhoods is so strong today in fandom that most people don’t stop to think that those teenagers probably were horrible people. Yes, maybe horrible because some of them were abused, I’m not denying that, but still horrible, which means they wouldn’t accept help. To hold them responsible for their own doings and their own privileges would seem for them as a persecution against them — just like fascist-like narratives often portray pro-LGBTQ+ or non-white policies and/or narratives.

It is also one of the reasons I take issue with the Slytherin portrayal of abused kids ostracized by the rest of the school. It’s really just isolating fascist narrative and only partially based on truth but I don’t think I want to stretch this conversation now (I can write more about it later if you want though).

So no, respectfully, I refuse to accept that those people — mostly men and rich people, I am forced to point out — would be anything but disgusting, and that’s where I take issue with some behaviors within the HP fandom. Because we’re being influenced by almost two decades of fan fiction and the current political climate, it’s very often that I find people who are sincerely incapable of dissociating fandom to canon.

Hence, the actually infuriating villainization of Albus Dumbledore.

Now, that’s a topic that makes me impatient AF. Not only because it is based on a strong fetishization of who Dumbledore really was, and what he could and couldn’t do, but also because it is a clear example of most people’s inability to differentiate between what they’re reading for fun and what they are internalizing from that media.

Let’s begin with that: Dumbledore is not some evil mastermind, and he is not equivalent to Voldemort. He is a flawed character, that’s true, but he is not a villain. And to think so is to play into the narrative that, because the “good side” fails, or makes wrong decisions, or even actively makes bad decisions, or immoral decisions in times of war, that is somehow equivalent to the “bad side”.

It is not.

That narrative is the same narrative that allows Israel to build an equivalence between Hamas’ violent acts and their own when in truth, as reproachable as some Hamas’ decisions may be according to various perspectives, their violence is a reaction to heavy and even more violent oppression.

What I mean is, even if Dumbledore failed in some of his decision-making in the Harry Potter books, even if we may believe we could do better, Dumbledore is a true morally gray character. But first, to make the point I want to make, we have to understand him:

For this, I will first separate his two identities as they appear throughout Harry Potter: as the story unfolds, it becomes clear that Dumbledore plays a role as a leader and role model, but he is also a person with flaws and mistakes like anyone else. These are the two main “faces” of Albus Dumbledore for this defense post, so now let's analyze them more closely:

The first "face" we see of Dumbledore is that of the leader, and this is primarily because of Harry who, at eleven years old, sees Dumbledore as the kind of man he would like to emulate. This also happens with many other wizards throughout the story: it's clear to anyone that most of the people within Harry’s personal circle like and admire Dumbledore, while those who despise him are often the “bad” characters (Lucius Malfoy is probably one of the earliest examples of this).

Although that doesn’t mean they are somehow starstruck by the headmaster: Sirius, Snape, the Weasley parents, Moody, even James and Lily, they all question Dumbledore and his decision making at some point in the books. They end up following through more times than not, that’s true, but trust in someone is different than blind-faith. Those characters accept Dumbledore’s leadership because they trust him, not because they think he’s some type of a god.

However, we see things through Harry’s point of view, and Harry is a child who has no parents, no model figures, no one who really supports that role to him until his eleventh year. It's easy, then, to see how the leader face Dumbledore presents is one of someone the characters (and readers) can trust not to fail, and even easier to view him as someone with great power. This is the fandom’s biggest mistake in viewing him.

Shall we now remember a bit of Dumbledore’s history and delve into his personal side?

As a young man, he met Grindelwald and, according to J.K. Rowling, fell in love with him, as well as with his goal of seeking the Deathly Hallows and becoming the most powerful wizards of all time.

In the last Harry Potter book, in the King's Cross chapter, Dumbledore himself confesses to Harry how the desire for power blinded him to what was truly important, how power was his greatest weakness, and therefore what made him unworthy of it. This is why Dumbledore remained as the headmaster of Hogwarts when he could have so easily become more important in the wizarding community (besides, of course, his love for the students): to keep himself away from power.

Here's the quote (It might be a bit different in the original, considering I’m translating it from Portuguese):

“‘I was gifted, I was brilliant. I wanted to escape. I wanted to shine. I wanted glory... Invincible Masters of Death, Grindelwald and Dumbledore!... The years passed. There were rumors about him. They said he had obtained a wand of immense power. Meanwhile, I was offered the position of Minister for Magic, not once, but several times. Naturally, I refused. I learned that I could not be trusted with power.’

‘But you'd have been better than Fudge or Scrimgeour!’ said Harry.

‘Would I?’ asked Dumbledore heavily. ‘I am not so sure. I proved as a very young man that power was my weakness and my temptation. It is a curious thing, Harry, but perhaps those best suited to power are those who have never sought it. Those who, like you, have leadership thrust upon them, and take up the mantle because they must, and find to their own surprise that they wear it well.’”

This is what the fandom most fails to understand: the admiration of wizards for Dumbledore makes him influential, but not powerful, and this becomes especially clear during the end of The Goblet of Fire and throughout The Order of the Phoenix.

One of the first signs of this in the fourth book is when Fudge refuses to believe Dumbledore about Voldemort’s return: let's remember that, until that point, Fudge sought Dumbledore’s advice for his decisions as Minister of Magic precisely because the headmaster had the respect of much of the wizarding population. But when Fudge, who has the actual power, puts his foot down and says that Dumbledore no longer has influence over the Ministry’s choices, Dumbledore lacks the power to deny it, to stop it.

If he did, it would be safe to say that he would have used his power over the Ministry to convince everyone that Voldemort had indeed returned, and more, to mobilize the Ministry against Voldemort. But none of this happens simply because Dumbledore does not have that power.

Thus, it becomes easier to differentiate power from influence.

It’s Fudge’s power that causes the Ministry as an organization and the wizarding media to turn against the Headmaster, and Dumbledore doesn’t have the power to stop it, but he has enough influence to still be heard by part of the wizarding population. It’s Fudge’s power that leads to Harry’s expulsion from Hogwarts at the beginning of Order of the Phoenix, but it’s Dumbledore’s influence that convinces the Ministry to agree to a trial, and it’s his influence that moves the people present to listen to his defense of Harry during that trial. If Dumbledore had power over these events, Harry wouldn’t even have had a trial — something the Headmaster categorically calls an absurdity.

Therefore, Dumbledore doesn’t have power; he has influence, and there’s a difference between what he can actually do and what the fandom seems to believe he can do. Dumbledore has no power over the Ministry; he can’t boss anyone around except, perhaps, the Hogwarts staff and the Order of the Phoenix, a group whose members agreed to make him leader.

What he really has are people willing to listen to his advice and thoughts, as well as inclined to follow him, but that doesn’t mean they’ll necessarily do everything Dumbledore says (Sirius, anyone?).

It’s important to separate these two concepts for this analysis to continue because it will make Dumbledore’s actions make much more sense in this discussion. That said, let’s now begin to analyze “The Life and Lies of Albus Dumbledore”:

The main criticisms I see regarding Dumbledore revolve around Harry’s life and the decisions the Headmaster made concerning him.

Before I begin, however, I want to point out that, despite Dumbledore’s flaws, he is still a leader (just like Harry), and as a leader, he bears responsibility for the lives of the people he has chosen to protect (just like Harry). It’s important to keep this in mind so that I can highlight a few things later.

So, let’s start with when the prophecy is heard and Voldemort begins hunting Harry instead of Neville. It’s important to emphasize here that, once a prophecy is made in the Harry Potter universe and the people the prophecy is about start acting according it, it’s going to happen; there’s no way around it, or at least that’s what we’re told as canon. That’s why, as soon as the prophecy is made and Voldemort actively choses to hunt them down, everyone knows that Harry (or Neville) will be the one to face Voldemort, and one of them will die — hopefully Voldemort.

Although he’s the one to whom the prophecy was made, Dumbledore has no control over it: there’s no way to avoid the fact that Harry (or Neville) would face Voldemort at some point in their lives once Snape overhears it and tells Voldemort. All he — and everyone else — can do is give the Chosen One the tools and knowledge necessary to face Voldemort with the best possible chance of winning — which he does later on by becoming Harry’s primary mentor.

Then the Potters are “chosen” and go into hiding in Godric’s Hollow, making Peter the Secret Keeper. Some more information on this choice: Dumbledore offered to be the Secret Keeper, but James and Lily refused and preferred to choose Sirius. However, they switched to Peter without telling anyone, not even Dumbledore. This is another thing I see the fandom complaining about a lot, but it’s explicitly canon that no one besides Sirius, James, Lily, and Peter knew about the switch.

This wasn’t because they didn’t trust Dumbledore, but because Albus was in the middle of the storm as one of Voldemort’s biggest targets. The Potters didn’t reject Dumbledore as their Secret Keeper because they didn’t trust him (they wouldn’t even be in the Order if that were the case, don’t you think?), but because they were thinking primarily of Harry’s safety, and placing their family’s safety in the hands of the second biggest target of Voldemort in that war simply doesn’t seem like a wise move.

So, there’s no reason, even up to the third book, for Dumbledore to suspect that Sirius is innocent and try to intervene to get him some kind of trial or chance to explain himself. There’s no indication that Dumbledore had contact with Sirius before he was sent to Azkaban, so how could the Headmaster be blamed for that?

Again, it’s important to emphasize that Dumbledore has influence.

Even if he wanted Sirius to have a trial, there’s no evidence that he could make it happen, since everything pointed to Sirius as the culprit — remembering that there’s a big difference between a trial for underage magic and the murder of thirteen Muggles, plus the whole Secret Keeper and high-profile situation. In fact, it’s also good to remember that as soon as Dumbledore learns the truth, he does everything in his power — even sending Harry and Hermione back in time — to save Sirius from being kissed by the Dementors.

But going back a bit, a week after Peter becomes the Secret Keeper, he reveals the Potters’ location to Voldemort, and on Halloween night in 1981, Voldemort goes to Godric’s Hollow and kills James, then Lily, then tries to kill Harry but fails.

This event needs to be broken down into two parts. The first is about Lily’s protection: when she chooses to die even though Voldemort gave her a chance to live, Lily protects Harry, and that’s the reason he survives that encounter with the Dark Lord, who also “dies.”

Since the fourth book, there’s a very specific characteristic of this protection that’s seen many times but never explicitly stated, which is the fact that Lily’s protection has a blood-related nature. In other words, Lily’s protection is especially tied to blood, which is why Voldemort chose Harry’s blood to resurrect himself: because in that way, he also “has” Lily’s blood and, consequently, her protection, which frees him to harm Harry in a way he couldn’t before.

And this is the point I want to reach: Dumbledore chooses the Dursleys to raise Harry not because he wants him to suffer, but because Petunia is the only one who carries Lily’s blood and, therefore, the only one who can ensure that Lily’s protection — the thing for which her sister died — continues to work. The blood Petunia shares with Lily even prevents Voldemort, even after the resurrection ritual, because her blood makes Lily’s protection even stronger.

And it’s good to remember that this measure ends up saving Harry in The Philosopher’s Stone — Quirrell and Voldemort couldn’t touch him because of Lily’s protection, guaranteed by his living in the same house as Petunia — and keeps him safe in the Dursleys’ house for sixteen years, until Harry turns seventeen and the protection finally stops working, even though he still lived with Petunia.

Once again, people overestimate Dumbledore’s ability to act: he had no control over the nature of Lily’s protection; he acted to keep Harry as safe as possible within what he could actually control.

Unfortunately, the choices presented in that situation were either to leave him protected from Voldemort’s assassination attempts or spare him the suffering of growing up with the Dursleys.

Neither choice was ideal, but this is where Dumbledore’s leadership character comes in: Harry’s responsibility to face Voldemort was no longer a choice, even though he was only a year old, because of the prophecy. So, it makes much more sense for him to protect Harry from the greater threat (Voldemort) while ensuring that Harry would have more time to develop and grow before having to face him again.

Dumbledore didn’t make the choice to give Harry to the Dursleys joyfully, wanting him to suffer, but thinking about giving him more time and more opportunities to be a child than he would have had if Lily’s protection weren’t ensured. Obviously, this doesn’t work out very well because the Dursleys are especially cruel to Harry in a way that Dumbledore hadn’t really foreseen, something he himself admits in The Half-Blood Prince:

“‘[...] Harry, whom Lord Voldemort has already tried to kill on several occasions, is in much more danger than on the day I left him on your doorstep, fifteen years ago, with a letter explaining that his parents had been murdered and expressing the hope that you would care for him as a son.’

Dumbledore paused, and although his voice remained light and calm, and did not betray his anger, Harry felt a certain coldness emanating from him. He also noticed that the Dursleys huddled together almost imperceptibly.

‘You did not do as I asked. You have never treated Harry as a son. In your care, he has only known neglect and often cruelty...’”

But it’s important to note that Dumbledore didn’t have good options regarding Harry’s custody; he didn’t have the power to change how Lily’s protection worked; he was working with what he had, which wasn’t much.

The second part of this event focuses more on Voldemort and Harry and is probably the most controversial regarding Dumbledore: the creation of the Horcrux inside Harry and how this is somehow seen as Dumbledore’s fault — hence the famous phrase about being “raised like a pig for slaughter,” but... let’s be honest? What, exactly, could Dumbledore have done against the fact that Harry became a Horcrux?

Once again, here’s the exaggerated view of Dumbledore’s power that the fandom seems to have: he had no control over what happened to the Potters in Godric’s Hollow on Halloween night in 1981. He had no power over Lily’s protection or the Horcrux in Harry. He has no power over Lily’s protection, nor over the Horcrux in Harry. The only thing he has the power to do is to act in a way that ensures his plan guarantees Voldemort’s ultimate defeat and thus saves the entire wizarding world.

I hate it when people say Dumbledore “raised Harry like a pig for slaughter” simply because he knew that Harry would have to die for the Horcrux to be destroyed, as if he had any other option in the matter. Harry’s fate was sealed as soon as Lily’s protection saved him and a part of Voldemort’s soul entered him; Dumbledore bears no responsibility for what happened that night.

So what Dumbledore can do regarding Harry having to die is exactly… nothing. He literally has no power to change this fact, no matter how much he wants to — and he does, because he loves Harry, as he himself says in Order of the Phoenix. But Dumbledore is still a leader, and he still needs to think about the best plan of action to ensure that people continue to have hope and that they can truly see that hope — of being free from Voldemort and his reign of terror — come true. And if that meant Harry had to die to destroy the Horcrux, then that was it. Period.

But it’s also important to point out that Dumbledore didn’t force Harry into anything: by the time Harry receives the information that he needs to die to ensure the salvation of everyone and Voldemort’s mortality, all the people who know this — Dumbledore and Snape, in this case — are dead and unable to do anything if Harry decided to simply run away and leave everyone to fend for themselves because he didn’t want to die.

But, as I pointed out before, Harry is a leader. And he fully accepts the responsibility of this role the moment he decides to face death: he goes to Voldemort willing to die by his own choice, wanting to save those who matter to him, those who trust him to end Voldemort. Not because Dumbledore ordered him, but because he — Harry — is a leader, and a leader sacrifices himself for his cause when necessary.

Saying that Dumbledore was the “cause” of Harry’s death, besides being wrong, also takes away from the greatness of Harry’s choice in that situation. Harry is the protagonist of his own story, and he is always making decisions based on his own mind and beliefs (going after the Philosopher’s Stone, entering the Chamber of Secrets, sparing Pettigrew, going after Sirius in the Department of Mysteries, pursuing the Horcruxes, etc.), so it’s completely unfair for people to place the responsibility for his choice to die on Dumbledore’s shoulders just because the Headmaster gave him the information that Harry was a Horcrux. Harry always acted according to his own mind based on the information he had been given — why would it be any different with the Horcrux inside him?

It simply wouldn’t be. Dumbledore gave the information, but it was Harry who decided what to do with it.

Furthermore, it’s worth noting that Dumbledore didn’t tell Harry about having to die to destroy the Horcrux inside him earlier because (a) Harry was a child, and (b) Dumbledore didn’t want to take away Harry’s hope. Additionally, after the fourth book, there was still the possibility that Harry could survive because, by performing the resurrection ritual, Voldemort intertwined his life with Harry’s, thus giving Harry a chance not to die when allowing the Horcrux to be destroyed. So why would Dumbledore tell a teenager that he would have to die at some point in the future… if there was a chance Harry might come back? It seems (to me, at least) like an unnecessary cruelty to place that burden on someone for so long.

So the biggest issue I see with the fandom in relation to Dumbledore is the belief that he had power over things that were completely beyond his reach. Dumbledore was a leader doing the best he could with what he had, within the limitations presented to him and his own experience.

Moreover, it’s admirable that Dumbledore had such a dark and flawed past and acknowledged each of his mistakes, always acting to ensure that he wouldn’t repeat them. It was the events of his adolescence that led him to always remember to value what truly mattered: love and people. He grew through his own pain, through the consequences of his own mistakes; he never forgot or repressed what happened to Ariana — which would certainly have been much easier — but instead, he used that painful event to become a better person.

That’s a morally gray character, that’s someone who had been stuck between a rock and a hard place and did what he thought was best, that’s a character who did the best he could with what he was given. And I really don’t like how fascist-like characters are more often than not considered more complex because of trauma than characters like Dumbledore.

But I guess that’s a bit because we can actually empathize with them better by being convinced that they didn’t have a choice, or that they were somehow forced into those choices even if they really didn’t want to and that might be the case, but to be honest, after seeing what fascist narratives do to marginalized people, I can’t say I care much about it. Anyway, be my guest to comment on my analysis but please be kind, I won’t engage in rage baits nor Zionists, Free Palestine loves <3

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baradorable · 1 year ago

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Marvel is about to introduce a villain called the Krakoan, who is an X-Man gone rogue. It's pretty obvious that this villain is actually Hellion. And people are split on that. Some feel that it's out of character for him. Some prefer him as a hero, or don't want him to have his character ruined, ala Nature Girl or Beast.

But who IS Hellion? If you're willing to sit through my long-ass post about him, odds are you already know and love him. But let's pretend that you don't know who he is. I'll talk about where he started, what might have lead him to becoming a villain, and why everybody will be investing in #HellionWasRight stocks in a few months.

And if we're all wrong, and Hellion is not the Krakoan? Well, no one will give a shit about the Krakoan anymore anyway, so no big deal.

First off, what is a "Krakoan?"

We'll get to that. But for now, you just need to know that the X-Men had an island nation called Krakoa. Now it's gone and it's all because no one listened to Hellion, despite him being right about everything that has ever happened.

Who is Hellion?

I'm letting you all know right now: this is blatant Hellion propaganda. Everything I said is coming from a place of heavy, heavy bias. But there will be some objectivity, in that Hellion is objectively perfect.

It's tough to summarize Hellion, because who he is has changed over the years. Though some writers might forget this, he's actually a fairly nuanced mutant who has undergone notable shifts in his character.

Introduced in New Mutants (2003) #2, he basically starts off as Draco Malfoy, if Draco was trying to bang Harry Potter.

Julian Keller, AKA Hellion, was a spoiled rich kid from California with advanced telekinetic abilities. Something that will stick out immediate is that he was hilariously petty. Like he would take any opportunity to insult people he dislikes, often for no reason. Half of his dialogue is him choosing to be a jerk to anyone outside of his social group, starting drama, or otherwise being a generic early 2000's bully archetype.

And it was amazing. Seriously, he had some of the funniest lines in the book.

He was so over the top and crude that he ended up being hilarious. He was classist, exclusionist, and a little sexist. When presented with the option of Bullying Others, and Literally Anything Else, he would choose bullying.

Julian was Emma Frost's protege and star pupil, so naturally he shares a lot of that bitchy charisma. When the school was divided into Harry Potter house-style squads, Emma put Julian in charge of his own squad, the Hellions. She also let the Hellions pick their codenames. Guess which codename Julian picked.

Emma advised him to be humble after he and his squad won a school competition. What was the very first thing he did once he got the trophy?

You would hate him so much if he were real. He's every 13 year old boy in 2003. Look at him exposing Elixir's affair to Elixir's girlfriend, solely out of pettiness.

I'd post more, but I already hit the image limit. Which is a shame, because I wanted to share the panel of him making fun of Josh for his parents abandoning him.

Hellion's original creators had this to say about him.

Back when we were working on New X-Men, we had a message board called “The Grind Stone” on the site X-Fan. One of the fans there consistently referred to Julian as “shnasty.” That person defined it as a combination of sexy and nasty. Urban dictionary these days refers to it as shitty, hot and nasty. We think that works for Julian, except when we wrote him he didn’t look like shit - not ever. He just acted like it. Once we left, he got a little more disheveled for a while, and probably better embodied the full modern version of “shnasty.” Either way, we think that’s his secret. He can treat you like shit but then turn around and be a gentleman. He sometimes acts like hot garbage but looks fine doing it.

He's catchy, offensive, brutal and gross, but with youth appeal. And if his character was just that, then bravo. He's hilarious. He wouldn't need depth to be an icon. He'd just be this little gremlin of a being, showing up and delivering devastating one-liners like some proto-Chanel Oberlin. But that's not all to his character. Despite being a supporting character in a book about teen drama, he was actually a complex character.

He's a great leader and strategist. He could lead a team, he was willing to be pragmatic and bend the rules, and his plans helped his team beat out every other student during that aforementioned school competition. It was a team effort, but Hellion knew his friends' strengths and how to get them working well.

He has a natural charisma that draws people to him. He's the big man on campus for a reason. It's best exemplified in New X-Men (2004) #5, where he sees all the other students turning their backs on a mutant called Wither.

Wither had unintentionally killed his father when his death touch power first manifested. The authorities would come bearing down on the school, looking to arrest him and have him face the law for his actions. It was an accident, completely out of his control, and Wither has been wrestling with the guilt ever since. Now there was a chance that he would be thrown in jail for it.

Wither was vulnerable and in pain, but it seemed like so many people were turning against him. Hellion, who had previously been bullying Wither for his powers, saw the scorn, gossiping and scrutiny Wither had been getting from the rest of the student body. And he had to stand up and say something.

He gives a rousing speech to everyone in the cafeteria, pointing out how many of the people who were mocking him had caused others harm with their powers in the past. He derides them for not helping out of of their own, and that any one of them could be next on the chopping block if they let Wither go without a fight. If they're not willing to support each other, they're terrible mutants.

His radical speech gets one person comparing him to Magneto. And that's not entirely wrong.

Hellion and the Hellions (along with another mutant, Wind Dancer) would work together to try and bust Wither out of police custody. It was a stupid plan that would only create more problems for them, and it would ultimately be worse than what actually happened: Wither would face trial, where he would be found innocent in the murder of his father. Wither would be free and no longer be in trouble with the authorities.

But that's the thing with Hellion: he's passionate. He might will think with his heart over his head when it comes to mutant rights. Especially when it comes to those he cares about. He's quick to take the hostile and violent path if he thinks it's right. Despite being an asshole, he's a bleeding heart who will go to the extremes for those he loves.

Wither and Hellion would go on to have a life-long friendship spanning months, as Wither would leave the school, get statutory raped by an immortal vampire witch, become a villain and die shortly after M-Day.

Hellion was always looking down on humans - and why shouldn't he? They're not part of his social group, he's not really one of them. But while he'd call them apemen and flatscans, he didn't believe in killing. In fact, he was opposed to killing even in self-defense.

That last part would change over time. But that's only because this cruel world stole every last bit of innocence and joy out of him.

Or how about the time the villainous Kingmaker offered him and his friends all their wishes, in exchange for working for him? He and his friends would eventually chose to give up their dreams and stop the Kingmaker's plans, because that was the right thing to do. Because the Hellions are heroes.

Over the years, Hellion would mature as a person. There would be less emphasis on him bullying others, and more emphasis on him enduring tragedies, fighting for the sake of others, struggling with anger and abandonment, and be forced to make more radical moves against the world. While he doesn't look that jerkish spark of his (and some writers would roll him back to a generic bully character whenever the plot called for it), he would become a lot more mature than he was at his debut. He was no longer a high school bully, but an anti-hero of young man with a talent for leadership, a lot of charisma, and big heart that got him into trouble.

Since we're on the subject of friends, let's delve more into some of his relationships. A key part of understanding his character is seeing how he treats others.

Hellion and the Hellions

So New Mutants (2003) and its sequel book, New X-Men (2004) primarily focused on the New Mutants squad. Hellion and the Hellions would be so popular that they would get their own mini and eventually become main characters. But the early books were centered around the New Mutants.

The Hellions are antagonists, the Slytherins to their Gryffindors. Except their dynamic is a lot more complicated than you'd think.

The New Mutants are lead by Wind Dancer, who is also Hellion's first love interest. While Wind Dancer has a huge heart and a knack for bringing out the best in others, the team would fall apart over personal drama. Bitterness, resentment and insecurity would bubble for a long time, culminating in the group briefly splitting up. It would take a lot of work getting them to resolve their issues and be friends again.

This is where the Hellions act as foils. Sure, they might antagonize the New Mutants. Hellion might tease some of them. But the group functions way better as a unit, and they don't have the same interpersonal drama as the New Mutants. They're a cohesive team of friends who support each other.

The Hellions got to star in their own mini, and it delivered on the friendship. In the first issue, we see Hellion picking a fight with airport security for his friends' sake. Instead of going for a more peaceful route, he's quick to order his team and bust out their powers. When Dust chases security down to try and reason with them, he's annoyed that she put herself at risk.

The series is peppered with moments between the various Hellions, which is really nice. I recommend it not just for Hellion, but for the whole Hellions squad. Every one of them is a unique character, and I think they deserve love. There's a reason why New X-Men would revolve more and more around the Hellions.

You won't be surprised to know that Hellion doesn't make fun of fellow Hellion, Mercury, when she's feeling some heartache. Without any sense of sarcasm or irony, he sits down with her and has a heart to heart. No ulterior motives, no gotcha - Hellion is there to support his friends.

One fun thing about Hellion is that he's a huge hypocrite. He will regularly insult others outside his group of friends. But he would rarely hurt his friends, and he'd be the first to defend him. This is most evident in New Mutants (2003) #8, Surge's introduction issue. He's quick to accept his friend Anole's strange mutation and chides Elixir for not being as accepting. In the next couple of pages, he insults a homeless girl, tells her she smells bad and refuses to offer any sort of help.

When M-Day happens and Prodigy got depowered, Hellion kicked him while he's down and belittled the guy. He mocked him for being human now. But when he found out that his beloved Wind Dancer is depowered, he tried to comfort her and disregarded everything he previously said about Prodigy. Because Julian holds his friends to a completely different standard than he does others.

He has an incredible amount of loyalty and empathy, but much of that is reserved for his own inner circle. He might be slow to warm up to someone, but once you're in, you're in for the long haul. Unless you really mess up or your name is Josh.

Mutants as a whole are part of that circle, in a way. He won't be friends with every mutant, but he would defend them all with his life. Even though a lot of them don't appreciate his efforts.

Emma Frost

His relationship with Emma is pretty good: she encourages his rowdy behavior because she sees potential in him. He has that same spark, attitude and guile she does. She recognizes that he has the potential to be a great leader, and he does everything he can to meet her expectations. She tends to be lenient on him. She'll bail him out of trouble. When others write him off or turn their backs on him, she's standing with him. But in return, she makes it clear that she expects nothing short of amazing out of him.

Boy, I sure hope nothing ruins this bond.

Prodigy

Speaking of people who don't appreciate Hellion. David Alleyne, AKA Prodigy, was a frequent target of Hellion's bullying. Julian would mock Prodigy for having a lame power [Being able to temporarily absorb skills and thoughts from others around him], and sometimes it would get under David's skin. He really knew how to dig into Prodigy's insecurities and hurt him with them. In turn, Prodigy was always ready to fight back against Hellion and put him in his place whenever he could.

Here's Prodigy's then-girlfriend kissing Hellion, right in front of him.

This is horribly out of context, I just thought it was funny to bring up.

The two would butt heads constantly. Over the years, more tragedies would be thrown at them. They'd mature and function better as a group, but there would always be tension between them, for one reason or another. Both of them are opinionated, and their opinions tend to differ.

Why am I bringing Prodigy up? Prodigy will be a main character in the upcoming NYX book, which is where the Krakoan will debut. The two don't have the most meaningful relationship, but it could easily come into play at some point in the book.

Wind Dancer (Sofia Mantega)

Sofia Mantega was the primary character of New Mutants (2003) and much of New X-Men (2004,) She was the Harry Potter that this Draco Malfoy wants to bang. Sofia was the newcomer to the world of mutants. She was confident, outgoing and stuck to her principals. Despite being very gentle, amiable and friendly, she was strong-willed. She knew how to stand up for herself and others.

Julian and Sofia flirted throughout New Mutants. There was an instant rapport between the two. But that doesn't mean it's all smooth sailings. One of my favorite examples of this comes from issue 3. Julian reached out to Sofia, and she says she liked dancing. As they made plans to go somewhere, Laurie Collins (Wallflower) passed by. While Sofia eagerly makes lunch plans with Laurie, Julian dismissed Laurie and called her a freak.

Sofia responds by hitting Julian's ear with compressed air, making him lose his balance. She and Laurie walked away, leaving him behind.

Sofia knew Julian was a bad boy and a jerk, and she'd stand up to him when she saw him doing something she disapproved of. But she still liked him. She was never afraid to give him a taste of his own medicine, and he loved her for it.

From their first meeting in issue 2, we saw what there were similarities between them. The most obvious would be their powers: they could both fly, and Sofia's power lets her manipulate objects with the same precision as a telekinetic's psychic force.

Like Julian, Sofia was great with people. Unlike Julian, she wasn't one to discriminate. While Julian was quick to brush off and demean Wallflower, Sofia was quick to befriend her.

During class, Julian was quick to tell newcomer David Alleyne (Prodigy) to stay away from Kevin Ford (Wither,) because his powers were dangerous. Meanwhile, when Wallflower worried about how lonely Wither was, Sofia invited him to hang out with them. She dismissed Wither's concerns about his powers. She wasn't afraid to be his friend.

Josh Foley (Elixir), a former Purifier recruit, came to the school after previously turning them down. While Prodigy was quick to turn against him, Sofia listened to how Elixir's own family turned against him for being a mutant. She related to him and gave him a second chance.

While Prodigy and Sofia would be co-leader of the New Mutants squad, Sofia was the glue that held them together. However, her caring side did get her into trouble: she followed Julian and the Hellions on a mission to bust Wither out of police custody; she wanted to help, but didn't know what to do and needed some guidance.

Speaking of the Wither incident, it briefly took a toll on Julian and Sofia's relationship. She at first helped the Hellions, but Sofia would ultimately side with her squad and turn against the Hellions, feeling like it was the right thing to do. Julian saw it as a betrayal. It soured their relationship for a bit, though the two would make up in a later arc, when a protective Hellion helped the New Mutants deal with a ghost. He was there for her, even when they were not on speaking terms.

Imo, this was the crux of Julian and Sofia's relationship: they were both popular, charismatic and and good with people. They were passionate about helping those they care about. The difference was that Sofia opens her heart up to more people, while Julian cares more about his inner circle.

The relationship helped to humanize Julian and show that, despite his attitude, there was a lot of good in him. Even if most people couldn't see it. This girl saw that he was a good person and she stuck by him, but she also didn't let him get his way or take advantage of her kindness. And that helped make him a better person.

Conversely, Julian was a fun foil to Sofia. He could give her advice, be there when she needed someone to talk to, and he'd never treat her like he treated her squad. He was a jerk, but he had the purest intentions with her. He was the first student she met at the school, and he was there for her through the good and the bad.

Julian also has a pet name for her: Beautiful. He uses it a few times. And yes, it's important to mention this fact.

It was a very pure, wholesome relationship. Two high school sweethearts who were also on rival teams. Sofia brought the best out of Julian, and Julian bettered himself for her. They butted heads, had their ups and downs, and would let their emotions blind them. But in the end, they loved each other.

Gee, I hope some witch doesn't swoop in and ruin everything with a magic spell.

The two would end up falling out, but they weren't really over each other. After Sofia left the school, we'd see her still dream about being with her friends and kissing Hellion. Meanwhile, Laura would catch Julian muttering Sofia's name in his sleep.

Wolverine/X-23 (Laura Kinney)

"You were dead the second you touched Julian Keller." - Laura, to Lady Deathstrike

When it comes to Laura romances, there are two that are popular with fans: Jubilee/X-23, and Hellion/X-23. Opinions on Laura's other ships tend to range from decent-ish, to mid, to terrible. Hellion/Laura (also known by their combo name, Helix) is, by far, the most popular ship. To this day, 13 years after the pairing was torpedoed, it retains an active fanbase. And they were never officially a couple!

So when Laura first came to Xavier's School of Witchcraft and Mutantry, she wasn't in a good place. She was a former child soldier who was only taught to kill. She was a former teen prostitute who was constantly being abused by others. She had and lost friends. She was forced to kill her own mother. She was barely allowed to feel her own emotions. And right when she meets Wolverine - her father/the man she was cloned from - she's dropped off at a school full of strangers. In the middle of a crisis, where students were being hunted down and killed. Everyone treats her with suspicion and fear, and Emma Frost is doing everything in her power to get her out of the school entirely.

And then there's the school bully. Right off the bat, he was dismissive of her, cracked jokes at her expense, and even teased her a bit. He lets her hang out with his group, but he's not very sympathetic to her trauma. Of course, he wasn't projecting images of her dead mother into her head, so he was better than Emma here.

Things turned around when the students were asked to fight against each other, in order to determine who is strong enough to be on the New X-Men team after M-Day. Emma used this opportunity to try and have X-23 taken out of commission. She wanted Hellion to ensure she got hurt.

Instead, Hellion ended up protecting her. Emma was furious. She picked Surge as team leader over him out of spite, and made it clear that he was very disappointed in Hellion.

Over the course of New X-Men, their relationship would evolve into a close connection. Julian would be protective of her. He would risk his life for her. He pushed his powers to the absolute limits and had Emma break away any mental restraints on them, so he could use them to save her life.

Through her crush on Julian, Laura began to truly experience many of her emotions. All her friends at school helped her process and grow, but the growing romance between these two kids was especially endearing. Despite being partly scared of her, Hellion would stand by her. He'd even go on to call her his best friend. When everyone else treats her with suspicion, or they suspected her of falling back to her violent ways, he was the first one to jump to her defense and see the absolute best in her.

Let's not forget the time Laura was ready to kill her arch-enemy, Karima. She knew Karima was to dangerous to let live, and she told Hellion that they had to kill her. But Hellion declined. He wanted him and Laura to be better than that. Hellion wanted to help break her out of that way of thinking.

Their dynamic sort of shifted as things went on. In that Hellion becomes this sort of damsel in distress who gets horribly injured and needs to be saved by Laura. She even went to Hell with a demon in order to save him. The most notable example of Hellion's Tragic Love Interest-ification is the time Lady Deathstrike shanked Hellion.

Laura totally lost it and beat Lady Deathstrike's ass.

These were two broken people. They suffered so much throughout their short lives. But then they found each other. They were broken together, but they found happiness. They bought out the best in each other, and showed the other that they are more than the tragedies they've endured.

There are a lot more nuances to the relationship, such as Hellion being more accepting of Laura's quirks and insecurities, how some fans interpret their dynamic as a play on traditional gender roles, how Laura was portrayed in their dynamic, how it styles over every other Laura romance. You can ask pretty much any Helix fan about the relationship, and they'll all have different aspects on the pairing. Some I haven't listed or even considered. I'm really just covering the barest essentials.

I just hope no writer comes in and ruins their relationship.

Other Loves: Ships that Pass in the Night

Hellion dated Shark-Girl for a bit, and once flirted with Armor. He also took three of the surviving Stepford Cuckoos to the school dance, at the same time - though he immediately ditched them for Wind Dancer. However, years later, one panel had one of the girls casually mention that they were going on a date with him.

Remember Prodigy's blue-haired girlfriend? She was the homeless girl Hellion had previously bullied. The two would have some animosity over the years, largely due to them being two stubborn, strong-headed individuals. Neither of them liked to take the other's crap, though to be fair, Hellion was usually the one causing trouble. The two would eventually be the New X-Men team together, and they would come to respect and care for each other. While there wasn't an actual romance between them in the main continuity, the two were shown to be married in one future, in the non-canon Battle of the Atom mobile game.

There was also that time he and Diamondback briefly flirted.

Fun fact: Hellion has a thing for powerful women. Women who can take charge, or are outspoken, are in control, or otherwise strong. If they can kill him, he can bed them. While all of his love interests have different personalities, they're all powerful women in one way or another.

Also, Wind Dancer and Shark-Girl are both Latinas. Laura (at the time) and the Cuckoos were also clones, of Wolverine and Emma Frost, respectively. (Well, I SAY clones, but technically none of those characters are clones in the strictest sense. It's a whole thing, but oddly enough they still share that in common.) Point is, the man has a type.

Ready for yet another fun fact: Hellion went on a date with all three Cuckoos at once. At best, Quentin Quire got with only one of them. He managed to officially date that Cuckoo, as opposed to just going on dates. But Quire was also responsible for another one of the others Cuckoos dying, which I feel cancels it out.

My favorite Hellion ship, you ask? Thank you for asking, reader. And to be honest, I don't know. On paper, the tragic romance of Helix is compelling and dramatic. It's very easy to see why the ship endured nearly 20 years later. It'd be a slam dunk... if Hell-Dancer wasn't so compelling, charming and sweet. For me, these two ships are usually neck and neck.

I'm also partial to Surge/Hellion, and a bit of Hellion/Rockslide. There was also a fake leak going around back in the day, claiming something along the lines of Emma hooking up with Hellion and getting impregnated by him. Fans on Tumblr were going mental over it, even if no one took it seriously. I love that for us. I love that for them. Sometimes you don't want a good romance. Sometimes you want to see nuclear fallout. It's like watching MILF Manor, but it's even more gross. You know it's bad and it's not something you would even enjoy watching. But you still want to see the mess it creates.

The Keller Family

What kind of people would create Hellion? Looking at how their son turned out, they must have done a great job. Only super-parents could have crafted perfection, right?

Actually, no. It turned out that Hellion is perfect, amazing, and the best character in all of fiction, DESPITE them.

We got the first red flag when Parents Week rolled around. Julian manipulated his teacher Northstar into getting him out of work duty. He gave a sob story about how his parents don't want to see him, though as Anole pointed out, his parents really didn't come to see him. Julian casually waved this off, stating that his parents were busy skiing in the Alps.

Hellion was not only bragging about manipulating someone, but he was bragging about his parents blowing off their own son to have fun. He only focused on how they're doing something cool and elitist. At that point in time, they had likely not seen or spoken to their son in months. He was aware how the situation would be seen as unacceptable by others, but was seemingly incapable of recognizing it on a personal level.

In the past, his parents spent 10 thousand dollars on Julian's 12th birthday party. Hellion casually stated that L.A. parties hard to compete with, meaning that this type of excess was normal for people in the area. Considering he mentioned "competing" and his parents would be shown to care about their image, I wouldn't be surprised if all this attention was not just about Julian having a great birthday, but also making the Kellers could look good. Hell, when you get to know his parents more, you could argue that his parents only cared about looking good.

They were powerful and had connections, to the point where Hellion was able to casually call up the Department of Homeland Security to help him out. Hellion clearly got his Trust Fund Baby attitude from.

Hellion's parents would debut in the 2004 mini, New X-Men: Hellions. (That's right. Hellion's Hellions book walked so Krakoa's Hellions book could run.) They were immensely disappointed in their son causing a scene at an airport, using their connections to get out of it, and bringing his friends to their house without telling them.

Julian's father was shown to dislike his son's mutation. He didn't like that his son had to go to the Xavier Institute, and he was glad that his son mutation was easy to hide. While he was angry at his son for using his powers and making a scene, it was clear that he only cared about how it affected the Kellers' image.

Hellion's mother was a little more understanding. She was softer spoken. While she compared him unfavorably to his older brother James, she was fine with her younger child walking his own path. But she also sided with Daddy Hellion, because they worked too hard and didn't want their son to risk their assets.

Hellion's parents had cut Hellion out of the will. The family business and all of their money would go to James. Hellion and his friends were welcome to stay at the house, and Hellion was still family. But no way were they letting their twerp kid make them look bad or endanger their comfy lifestyle.

Then they left Hellion and his friends to go on vacation.

The moment Mama and Daddy Hellion left, Julian enlisted the help of his friends to root through their personal belongings to find something to use against his parents. Despite originally telling his friends that his parents were self-made billionaires, he made his thoughts clear to them once they cut him off. No one could make so much money, so quickly.

We got a rough timeline how things went down: they were making about 30k a year, 18 months before Hellion turned 12. Around that time, their company went international and became incredibly profitable. Considering Hellion was stated to be 16 at this time, this means that they became international moguls and billionaires in less than a decade.

So what was the source of their success? It turned out that they used magic to perform a dark ritual, summoned an evil being known as the Kingmaker, and then formed a sort of Faustian bargain with him for all their wealth and power.

Hellion and the Hellions summoned the Kingmaker, at first not actually thinking it would work. But nah, it worked. Kingmaker would offer all of them their hearts desires. But as we covered earlier, the kids eventually chose to give up on their wishes to stop his evil plans.

Hellion's parents were extremely pissed at Julian for running afoul with their benefactor. Mama Hellion reminded her son that they couldn't protect him from someone as powerful as the Kingmaker. But Hellion dismissed him and pointed out how his parents were the ones who got in bed with a villain, and the Kingmaker would more likely go after them, since Hellion and his friends were strong enough to beat him up.

Yet despite being disinherited, being treated like the family shame for being born a mutant, and finding out his parents teamed up with bad people for their own personal gain, Hellion still wanted to be there for them.

Despite Hellion's loyalty, his family would never return it. In fact, this would be the last thing he would ever say to them. Because they would eventually cut him off completely, sell their house and not even tell him where they moved to. They would abandon their son when he needed them most.

At least the other guardians in Hellion's life weren't letting him down, right?

Abandoned!

We have a character who thrives through his connections with others. But what happens when we take them all away?

Just after the Hellions' big summer blow-out against the Kingmaker, M-Day happened. M-Day - also known as Decimation, which should give you a good idea of what it entailed - saw the Pretender (AKA the Scarlet Witch, AKA the Scarlet Bitch, AKA the Harlot Witch) saying, "Haha no more mutants, eunh 😜" and depowering the vast majority of mutants. Their numbers, previously in the thousands (being in around the millions before the Genosha genocide) were now in the very, very, very low hundreds. Cerebro clocked a 91.4% remaining reduction in the mutant population.

To be fair, Wanda was going through some things at the time, and it's not like she was in the right mindspace after others were taking advantage of her mental breakdown for their own personal gain. She was a victim. But to be unfair, it's also the start of everything going wrong for Hellion.

Xavier's school was absolutely wrecked by this. The vast majority of students were depowered, some of them dying as a consequence.

Among the depowered students was Prodigy, and Hellion was quick to swoop in and make fun of him for it. Including stating that Prodigy didn't belong with them at the school, now that he was human. He assumed Prodigy was ready to abandon the mutants now that he could be "normal."

Unfortunately, Wind Dancer overheard what Hellion said. As it turned out, she'd also been depowered by the Pretender. She turned the situation back around on Julian and asked if she was less "Beautiful" to him now, and not worthy of being loved in his eyes. Angry, Wind Dancer stormed off and stopped talking to Hellion.

Once again, hypocrisy. Julian would think that about Prodigy, and he was ready to make things harder for him. Hellion would never see Sofia as anything less, whether she be human or mutant. The thought wouldn't even occur to him. Julian loved Sofia. He'd never hurt her on purpose. But through his own attitude and carelessness, he ended up hurting her the most.

At that time, Wither was also going through some things. He accidentally mangled his crush's arm with his death power, and that drove her further into the arms of Wither's rival, Elixir. Already heartbroken that over the torment his powers had brought him, Wither became more withdrawn.

Hellion was stuck trying to reach out to both Wither and Wind Dancer, but he couldn't be fully there for both of them at the same time. He was unable to reach out to Wither and stop him from running away from the school. They would not see each other again until Necrosha, half a decade later in real time. By then, Wither would be their enemy.

Sofia also quietly left without telling Julian. The two would never even see or speak to her for over 14 years IRL.

But that wasn't the end of it. Tag, one of the Hellions and Julian's best friend, also felt hurt. Julian was so worried about Wither and especially Sofia, he completely neglected to see Tag's pain. He had also been depowered, and was worried he didn't belong with them anymore. Tag, along with most of the other depowered students, would leave the school. He and many other kids boarded a schoolbus and prepared to leave their old life behind.

And then a missile hit the bus, killing all inside. Hellion and his friends would get injured in the attack, trying and failing to save the other kids. Julian was just about to reach Tag and save him, only for the bus to explode and severely injure Hellion for his troubles.

42 children died in that attack. 15 of them were buried in the X-Men's own backyard because even their families didn't want them.

Well, at least the Marvel universe had a ton of heroes who could help out during these trying times. In fact, here comes Carol Danvers to... Oh no, wait. She's just here to try and get the mutants to help her side in the Civil War event. All the other heroes are too busy fighting each other to protect these kids. That's a shame.

At least the government stepped in with Sentinels, who would stand guard outside the mansion and protect the kids. And by that, I mean that they did absolutely nothing and completely failed at their jobs. Because assassins managed to sneak into the school and kill even more kids.

The remaining X-kids would go on to have several misadventures, including getting themselves involved in X-23's life when her old enemies come knocking, fighting a time-traveling Nimrod robot from the future, fighting alongside the adults to save a mutant messiah baby, and getting kidnapped by a demon (NOT the same demon that would go on to stab Hellion, who had already been stabbed by someone else before. Hellion wasn't even involved with this demon adventure.) I won't go into detail over all the horrible things that happened to Hellion and his friends, but know that a lot happened to them.

The kids were technically under the care of the X-Men, but the X-Men were too busy, were spread too thin, and were fighting the world from all fronts to focus on the kids. So the kid were largely left to defend themselves. This is best exemplified when, after the X-Men failed to protect the kids from several attacks, Surge dismisses their help. "We already know how to die."

One issue was dedicated to the kids trying to find out which among them was the youngest. They believed that the youngest of them would become a target, and therefore more likely to be killed. They singled out the youngest kid, but they truly believed that they were all going to die.

I bring this up because this was what the X-Men tragically considered a good day. At that point, a good day was one where nobody died, nobody was tortured, and nobody's soul was torn apart.

And this isn't me exaggerating. The X-Men were openly remorseful about how they failed these kids. They explicitly stated how the kids had serious emotional and psychological trauma. But despite everything, the X-Men cared for their students. They couldn't always be there for them like they should, but they were still their guardians. They would do anything in their power to make the world a better place for them.

So anyway, Cyclops disbanded the X-Men and shut down the school. The kids they previously failed were now scattered to the wind.

Emma left Hellion. As much as she loved him and wanted to keep him safe, she knew she had to keep him away from the X-Men. He needed to be kept away from the fighting and wars for as long as he could. Maybe now he could find some semblance of a normal life and keep himself safe? At the very least, Angel paid for his hotel and food for the time being.

Anyway, Hellion found out that his parents abandoned him, so he had nowhere to go. He was now homeless and had no support system, putting him in more danger than ever.

Hellion would seek out Magneto (not in hero mode at the time) to team up with him. Magneto calls him arrogant, but desperate to please. He refused to take him in and went on to say this:

"Everything you thought you were is gone, and the only thing you had left, the only thing you held on to so tightly was that you were an X-Man. Your teachers abandoned you. Your friends died. Your heart broke. Your beliefs shattered. The X-Men failed you. So, you find me, their greatest enemy. You love them so much that you want to hurt them. But I won't use you, and I won't kill you."

He says that Cyclops had given Hellion the gift of time. He had a moment of peace and a chance to be away from all the trouble, before war would come for mutants once again. At least for now, Hellion was safe.

Then Hellion was injected with the Legacy Virus (mutant AIDS) and used as a hostage in a wicked supervillain plot. Don't worry about it, it was just a small addition to the tapestry of suffering that is his life.

Hellion Was Right

After the X-Men disassembled and anti-mutant sentiment was on the rise, Hellion took a more radical approach to dealing with issues. He'd openly protest on the street, belittle and even attack mutant bigots and haters. He had enough of the X-Men kowtowing and trying to create peace with people who wanted them dead. No more worrying about the silent majority minority of well-meaning humans, no more trying to police their own or trying to achieve co-existence. Hellion was coming more radicalized.

Hellion's radicalization was bad. He resorted to extremes, violence and anger to hurt anyone who got in his way. His actions, while meant to help mutants, were sabotaging relationships between humans and mutants.

But let's be real: there will never, ever be co-existence between humans and mutants. In real life, the drama, threat and isolation mutants face are a big part of the mutant narrative. Take that away, and the franchise seems a lot less viable.

So Marvel will constantly throw in threats of violence and extinction at mutants. It ramped up to insane degrees by the 2000's, to the point where mutants were facing extinction for over 20 years real time, and things have only been escalating. Society will only grow to hate mutants more and more.

While Hellion's radicalism isn't necessarily right, Xavier's dreams of peace are objectively wrong. If anything, the X-Men are indirectly upholding the status quo. Yeah, they also prevent things from getting worse (Days of Future Past), but much of their strides end up being undone.

Mutants would almost achieve coexistence with mutants via their nation of Krakoa, in that the mutants basically bribed the world into tolerating them and attacking them less. While Krakoa would reach out and help humans with various matters, and the books would rely much less on extinction events for stories, things were nowhere close to perfect.

I'm going to say it: Hellion was right. The X-Men were wrong. Humans can't be reasoned with so easily. They need to force their view onto others. They need to fight humans for their rights. The only reasons why they don't? Aside from status quo, it's because the X-Men and other superheroes would step in and give some speech about peaceful co-existence being the right path, even though it's hard. Not knowing that things will objectively never get better because Marvel civilians are irredeemable.

Hellion wouldn't have helped mutants with his actions. But he couldn't make things any worse at that point, because the world turned against him long before he was even alive. No matter what, mutants were fucked.

But hey, it's not like mutants can live without humans. Coexistence is necessary for their survival. It's not like they have proof that mutants would thrive without the presence of humans. Yet.

Anyway, Hellion protested and Emma & her Dark X-Men arrested them. Emma betrayed the evil fascist government run by Norman Osborn, blah blah blah, it was all cool because Emma helped him. She also punched him in the face and put him through a lot of shit, but let's ignore that. It's island time.

The Hands Job

So the X-Men decided to make an island nation, where they gathered all the stray mutants they could and offered them sanctuary. This time, was Utopia. Next time, it would be Krakoa.

Hellion would return to the field. He'd fight the good fight alongside the X-Men, protecting mutants and humanity because it's the right thing to do. Despite everything that had happened to him, he still believed in the X-Men's cause. Or at the very least, he wanted to protect those he loved.

Anyway, a Nimrod Sentinel ended up blowing off his hands.

It really messed him up. Hellion got metal prosthetic hands to and made due by puppeting them with his telekinesis. He had the option of getting mechanized hands he could control more easily, but since he was deeply traumatized by machines, having little robots at the end of his forearms was the last thing he wanted.

To be fair on Rogue, she reached out to Hellion to try and help him. She'd offer to have him go on a trip with her and others to India, though he'd decline. He wasn't in the mood to have people gawk at his missing body parts. Which, fair.

Also, Hellion got stabbed by a demon-possessed Wolverine and Laura had to save him. It's only worth mentioning because Laura peaced out after this.

He was pretty pissed off that the X-Men could always come back from the dead one way or another, yet they couldn't fix his hands. He lashed out at the mutant messiah, Hope, for doing jack shit when it came to miracles. Really busting her balls.

So the X-Men got involved with rebuilding San Fransisco after the whole... everything that had been happening these last several paragraphs. Rogue decided that Hellion should come along and help them with reconstruction. And let's get something out of the way: the X-Men were sending Hellion on a mission while he is was, self-admitted, still on painkillers following his double-amputation. Rogue meant well; it was meant to be a safe, no-action mission where Hellion could get some fresh air and put his troubles aside. And hell, maybe he could have refused the mission at any time. But like??? This child, trained to be a soldier by the X-Men, just had his hands chopped off and was thrown into work while hopped up on drugs.

Just keep this in mind. Hellion had no business being there, but the X-Men thought it was a good idea.

So Hellion was pissed off, bullied Hope for being a shitty messiah, and wantonly blew up debris, endangering everyone around him. Before he could accidentally hit anyone, Omega Sentinel (some human lady with evil robot programming that makes her turn evil sometimes, whatever who the hell cares) turned evil and started beating up all of the X-Men. Just absolutely wrecking them. They had no chance.

She would turn on Hope and a little human girl in the area. Just as Omega Sentinel was about to kill them, Hellion intervened. A miracle happened, and he got a powerup (implied, but never stated or followed up on, from Hope.) He was strong enough beat the robot lady's ass.

And he did. Repeatedly. He lost his temper and just kept viciously attacking her, all while yelling about his hatred of the machines who ruined his life and took his hands. Omega would return to her senses, but she knew it wouldn't last. She begged Hellion to finish her off. She asked him to kill her, before she could turn against her friends and harm them. She wanted to die human.

And Hellion obliged. Omega Sentinel would be left comatose.

At any rate, he saved Hope's life. Considering she would be integral to the very foundation of Krakoa, Krakoa would not exist if Hellion were not around. Hope was also the key to saving the mutant species multiple times. Mutants would have been doomed to extinction if not for Hellion. Yeah, others saved Hope and had way more of a direct impact in restoring their species. But still.

It was a tragic affair, and as Julian recounted the events of the mission to Cyclops, he was clearly shaken up and unsteady. He insisted that he had no regrets and said that he wasn't going to apologize for what he did. But he was clearly not doing well.

Cyclops was pissed because he felt that Julian's level of violence was unacceptable. Also Omega was still a good person, despite being overwritten at the time. She was a victim in all this, too. Yet Hellion didn't even consider any other option but violence and death.

Though it's not like he actually had the luxury of options, considering Omega was annihilating senior X-Men, he only had a split second to save Hope and the girl from danger, and even his victim supported his actions with her dying breath. Hellion lost his temper and was flippant about his actions, but he did the right thing.

Hellion then delivered this take-down to Cyclops, basically saying how Cyclops is a hypocrite who did shit (including killing people!), but apparently it was okay when he did it? Things aren't all black and white, it's not like Cyclops was some crazy psycho who killed and always got away with it. But like... Hellion was right. Cyclops had a very "ends-justify-the-means" attitude at the time. He was a revolutionary who was fed up with the way mutants had been treated. It's just that Cyclops had main character privilege and Hellion didn't.

So yeah, the X-Men were shitting all over Hellion for saving them, an innocent child and the fucking mutant messiah, because he wasn't sad enough about it.

But wait, it gets better.

Hellion Was Right: Omega Sentinel

Hey, remember how everyone shat on Hellion for killing Omega Sentinel? How he refused to apologize for doing what needed to be done, when no one else would? Yeah, the X-Men really chewed him out for being so cool with killing for the sake of protecting innocent lives.

Anyway, Karima would come back as a major antagonist in the Krakoa era, after a future, fully-roboticized version of herself would travel to the past, take over her body and dedicate her life to ending the mutants and humanity. Something she nearly succeeded in, when she helped create the terrorist organization known as Orchis.

Rogue especially took this hard. She crapped all over Hellion for attacking Omega Sentinel in a fit of rage while she was down. She would later assault him over it.

Here's Rogue in 2024, after the X-Men finally defeated Omega Sentinel.

Hellion's only mistake was not finishing the job.

But despite all this, Hellion had morals. He would spend some time debating if he felt sorry for what he did to Omega Sentinel. Which goes against him confidentally telling Cyclops that he wasn't sorry about it. Coupled with this, Rogue going on to say that Hellion felt guilty and wanted to atone, and later stories showing him wrestling with the incident and verbally trying to justify his actions to himself, it's implied that Hellion did, in fact, feel guilty after all.

Also, Hellion would not talk to his friends and classmates about what had happened. After his battle with Omega Sentinel, he briefly passed by his friends. He didn't reach out to them, they didn't acknowledge him. Later, fellow classmate Blindfold would straight-up call Hellion a monster. Hellion was all alone.

Fractured But Whole

Before we continue, let's circle back to Hellion getting a power-up earlier. I said it was implied to be from Hope, performing some sort of miracle. But either she gave him a permanent power-up, or Hellion just unlocked his own natural talent. Because the same run later showed Hellion using his powers to remove an explosion out of someone's body, showing he can mentally manipulate heat and energy on a cellular level. Yeah, fellow X-Man Rachel used her telepathy to spot him, but for those keeping count: Hellion could move energy through people without harming them, move at subsonic speeds, create force barriers, shoot telekinetic blasts, control heat and energy, and work on a cellular level at minimum. Laura once told Julian to create a telekinetic bubble inside of a villain's brain or heart to kill them. Hellion was against this on principal, but he doesn't say he can't do it. Considering he could weave his energy into someone's body and remove a fucking explosion, I'd say it's a pretty safe bet that Hellion could bubble some jerk's brain.

Now keep this all in mind. The X-Men had one of the most powerful telekinetics alive. He was hurt, vulnerable, and becoming increasingly isolated due to the mistreatment and trauma he had been enduring. Which was largely made worse by the X-Men just being inconsiderate assholes. And despite everything that had happened, despite his growing cynicism with the world and his disillusionment with the X-Men, he still worked to be a hero. Surely this is the type of mutant the X-Men would want to nurture, help and encourage.

Anyway, Hellion was probation unless they needed to use his powers for missions.

Okay, Cyclops and friends were a bust. They treated Hellion like shit and degraded him when he needed help. Maybe he could find help from somewhere else?

So Cyclops and Wolverine broke up over (among other things) the ethics of raising child soldiers and letting these kids kill. Cyclops is pro child soldier, and Wolverine was against it. You'd think this might be in response to them letting down their students and helplessly watching as they got gunned down. But they go back to using them once this event is over, so it's kind of pointless when you think about it.

Hellion choose to side with Wolverine during the Schism. He joined the school Wolverine has built. He was still a brash bully, but he was supporting the more idealistic and good-natured path of righteousness Wolverine is offering. Despite Wolverine treating him like shit and his daughter breaking his heart, he believed in what Wolverine has to say.

Wolverine was suspicious of him and threw him into a special class with other troublesome kids, so Spider-Man could spy on them and see which one might be a traitor. Still better than being with Cyclops though. And Hellion even got to go on crime-fighting adventures with Spider-Man, protecting New York!

But then this was ignored and never acknowledged again. Hellion would never talk to Spider-Man again and this whole thing might as well not have happened.

Hellion would become a shut-in. Trapped in his smelly room, he pretty much cut off all contact with everybody. He made it clear to a belligerent, antagonistic Wolverine that he didn't want to be there anymore. But he couldn't leave, since people saw him as a threat and would come after him the second he stepped out. Wolverine takes the opportunity to antagonize the disabled child soldier war hero with PTSD, whose life he helped demolish. Wolverine even said that he didn't give a damn about Julian's troubles, and was only getting involved because people were complaining about Hellion being a ticking time bomb.

One day, Laura came to visit him. Julian was quick to forgive her for leaving him on read for several months after he became an amputee and had his life destroyed. And to be fair, she was going through a lot of stuff on her own, which Hellion recognizes. He did briefly lash out at her in his anger, but quickly corrected himself and apologized. He also grabbed her arm when she tried to leave him without an explanation again - uncool, but he at least checked himself and let go when she told him to.

Gambit got involved to try and protect Laura... by threatening to blow off Hellion's arms and legs, to match his missing hands. Hellion was being an asshole, but keep in mind Hellion is a child soldier who had his arms blown off in the line of duty, and has spent the last few months being mistreated by pretty much every X-Man he has come across.

Hellion was also jealous of Gambit, but also worried that he was a groomer who was trying to put the moves on Laura. He was wrong, of course. But maybe he heard about a certain student named Foxx (aka Mystique,) who tried to frame Gambit a banging one of his students.

Hellion stalked Laura asked around and located Laura at the Baxter Building, where she would be spending the night babysitting Mister Fantastic and the Invisible Woman's two kids. They would get attacked and abducted by the Collector, leading to this whole adventure. It was a thing. Julian helped save her and the kids from dying in the cold recesses of space. Also Julian made fun of the Collector to his face multiple times.

But while this was going down, Hellion showed his insecurities to Laura. He knew she had her own issues, but he didn't know the extent of what she'd been going through. She didn't talk to him about them, and he would have liked that. He felt abandoned, and wondered if him being disabled now was one of the things driving her away from him. But she assured him that she didn't abandon him, and kept watch over him when he was injured and recovering.

When all is said and done, Laura was ready to part ways with Julian. But he didn't want to go without talking things out. He still loved her and wanted to be with her. But she didn't feel the same way and rejected him. Julian lashed out and accused her of being an unfeeling machine - something that would hurt her. She still cared for him, but her feelings for him had changed as the two of them had changed.

This whole debacle is very controversial with fans. Who was right? Who was wrong? How justified were either of them? Was Julian abusive? Was Laura unnecessarily cruel? Generally, people will agree that they both messed up. But who was more in the wrong usually depends on which character you stan more. Hellion's behavior near the end is never really justified, though many people at least understand where he's coming from.

Despite being a Hellion stan, I lean more towards Laura. Despite their mutual feelings for each other, she wasn't obligated to put her feelings aside to take care of him. Her life was also falling apart and she had her own struggles. Yes, she could have handled the situation better. But I don't blame her for focusing on her own life when she was drowning. And it's not like this girl, raised from birth as a tool and still coming to terms with her own humanity, pain and emotions, was capable of dealing with him in the best way, even though she wanted to.

But I can't be mad at Hellion because he suffered way more these last couple of months, didn't have the support Laura would come to have, and, oh yeah, he had his hands blown off by an evil robot. That didn't entitle him to lash out at her the ways he did, but he absolutely didn't deserve to be brushed off. Which is what Laura did, even if it was unintentional.

It was a failure to communicate. They both wanted different things. They had their own issues and that kept them from being there for each other. They were hurt by other people and situations, those warped them and made it harder for them to reconnect. Ultimately, the Laura and Julian we were seeing now, were not the same people they were when they met and fell in love.

I see the vision, but it still feels kind of abrupt and it looks like largely happened just to write out the romance, while not really doing anything to address their issues. It's a story about them growing apart, but not really making it feel like they grew apart. It just looks like Laura is avoiding Hellion even after he explains that her how her behavior also hurt him, but only Hellion's behavior is treated as heinous. And to be fair, grabbing onto someone the way he did, lashing out at them and poking at their insecurities around their humanities, is arguably worse than anything she did to him. But shutting yourself off from someone without explanation, ignoring them when they're begging for help, not showing much concern for their suffering and ignoring multiple pleas to be honest about their problems, is also pretty nasty.

Again, Laura wasn't obligated to deal with his baggage. And it's not like she was in the right headspace to help. But she was involved with Hellion's life and problems, and he was with hers. To ignore this connection was very insulting. Neither of these traumatized, PTSD-ridden child soldiers handled this complex emotional situation well.

So I get it. But the story was written in a way that downplayed Laura's faults and felt like it had to force the issue in order to make it work.

Anyway, Laura would get into a poorly-received, crappy romance with a time-traveling teen Angel from the past. She would also spend hundreds of years in a Vault with Synch as her only companion, where they'd fall in love under dubious circumstances, largely off-screen. She'd forget all this and Synch would accept this, then get back together with another version of Laura, who is also the "real" Laura, and an old MILF. But most fans don't care about old Laura or accept her as the "official" Laura, and she ends up dying, living inside of Synch's head and then dying again. So this whole paragraph means nothing.

But at least we would get a couple shots of Hellion looking at Laura through some bushes like a creeper, just to twist the knife and make sure that the ship was properly killed.

The Fart Cloud

Remember that time the Inhumans unleashed a stupid fart cloud onto Earth in the hopes of activating latent Inhuman genes in some humans? But the fart cloud was poisonous to mutant and started killing them? The X-Men had to hide their numbers in a Hell dimension for safety.

So Julian was poisoned by one of those clouds, and the X-Men totally failed to find and save him when he went looking for their help. Thanks again, X-Men. You're always there when Hellion needs you.

Hellion would visit the Inhumans on their Earth turf. Now dying from the cloud, he was determined to be a martyr. Let the Inhumans witness a person they'd harmed with their actions.

His powers wrecked New Attilan as he lost control over them, endangering everyone around them. Luckily, an Inhuman named Synapse was able to turn off his powers and stop him.

Synapse argued to the ruler of the Inhumans, Medusa, to help Hellion despite the damage he caused. Medusa didn't need convincing though; they were not going to persecute the infirm, and they were going to help this poor, suffering mutant as best as they could. He was going to get the best medical care and they would work tirelessly to see him recover.

Yes. The Inhumans who nearly gassed him to death treated him better than the X-Men. Hellion would be so grateful for their help, he would volunteer at their hospital as an orderly.

Not much would happen to Hellion after this. Despite being told (by everyone) that he was a dangerous mess they didn't want to deal with, Hellion... never really did anything beyond sometimes teasing classmates sometime, briefly date Shark-Girl, and help the X-Men whenever they asked. Many of his cameos consisted of him being in the background, having been beaten up by whatever villain the X-Men were facing.

Also, another fun fact: The X-Disassembled event saw the adults chiding the students as young, inexperienced kids who should stay out of real missions. Which was disrespectful to the kids who rose to the challenge when the X-Men failed them. But at least they weren't interested in using them as child soldiers.

Except one of the adults telling them this was Jean, who has their fellow student Laura as a member on her team. AND she had Laura's 12 year old sister, too. Hellion was notably absent from the majority of this conflict, since his very existence would undermine the adults' message entirely.

Also the school got blown up. It got blown up quite a few times while Hellion was a student. It got blown up so many times, the kids were cracking jokes about it. Surprisingly, none of those explosions were caused by him.

But just because Hellion wasn't active, doesn't mean he wasn't still pulling out Ws.

Hellion Was Right: Etc.

Hellion was right about a lot of things, but I can't sit here and list every single one of them in great detail. So here's a bulletpoint list of his other truths.

During the Utopia era, he knew that humans would eventually round up mutants and put them in camps. We know that happens in a few bad futures. This would also happen during the fall of Krakoa.

He knew the Brood were irredeemable monsters and hated Broo on sight. And in the end? Their only "redemption" was the X-Men to use them as weapons against the terrorist organization, Orchis. They could never truly be saved.

He ended up siding with Wolverine during the Schism, despite him and Logan hating each other. Guess who won the Schism in the end?

Right away, Hellion knew Wind Dancer was a catch. He also had a thing with Laura, dated Shark-Girl, and in an AU he married Surge. The man just can't stop picking Best Girls. He has a supernatural sense that allows him to figure out which girls are superior.

Remember that school competition, and Hellion bragged about how none of the other squads could ever hope to win it again? Shortly after Hellion and his squad won it, the school was hit by the mass depowering event known as M-Day. The majority of students were depowered and many were subsequently massacred by anti-mutant terrorists. Even when the school recovered, they never had these school-wide competitions again. So yeah, no other students would get to win that trophy.

Hellion had been open about his dislike of robots, after they took his hands. Who was behind Orchis? Omega Sentinel. Not only that, the group was primarily run by robots, and they wanted to wipe out all organic life - especially mutants, but they had plans to kill all organic life to preserve themselves. Humans would be their next target, after they finished killing off mutants.

Hellion thought it was weird how Wolverine kept picking up teenage girls as his sidekicks. He joked that Wolverine was a perv, of course Wolverine isn't a predator, he has no ill intentions with those girls, and some of them just dropped into his lap. But it's still pretty sus, even if no one else wants to point it out.

Northstar thought Hellion was making a mistake, picking Emma as his advisor over him. He thought Hellion needed the discipline. Considering Hellion thrived under Emma, she stood up for him when no one else did, and Northstar abandoned him just as the others did anyway... Yeah, Hellion made the right choice in picking Emma.

New Edit: I just saw this post. So you know how Hellion thought mutants should ignore past incidents and accidents, because they need to look out for each other and humans wouldn't judge them fairly? And then the X-Men were all, "NO, we need to listen to human laws!" Yeah, so anyway, the X-Men would basically say the same thing Hellion did, in the Krakoa era. Except now they had the power to enforce their will.

Hellion hated Quentin Quire and beat him up. No explanation needed.

The Gays Love Hellion (And Hellion Loves Them)

So weirdly enough, Hellion has a big LGTV fanbase. Which is weird, because he's from Academy X, not Fraternity X. Why would gay fans gravitate towards a straight, cis, masculine jock who regularly dominates others an- Oh.

Well, it goes beyond that. The X-Men in general have a huge queer audience. But Hellion has multiple factors working in his favor: he's sarcastic and has great quips, he takes after Emma Frost, he's canonically ripped, and he's had his moments of fanservice.

Most importantly, there was that one arc where he was on a beach for a mission. He thought the mission was casual, so he was the only one in swimwear, and nobody told him because they wanted to see him in short-shorts. He's smart, but that scene would go on to imprint himbo energy into the minds of many readers.

Also, he spent the entirety of the Age of X event with his tits out.

I don't find Hellion sexy at all, personally. He's not my type. But he IS a sex bomb. I can see the appeal regardless.

I'm iffy on the femme-y himbo depiction among fans. It's amusing, but I feel like it tends to paint a shallow picture of an otherwise manly, cool, intelligent and tragic character. But Hellion is perfect even if he's a himbo, he's perfect no matter what. I stan the alternate universe black Hellion who was like 5 years old and only appeared in the background of one panel, who may or may not be Hellion at all. He had metal hands, so I like to think he's meant to be Julian Keller.

Krakoa

So the mutants formed a mutant nation, an island paradise called Krakoa. It was this whole thing, it was great, I loved it. I recommend reading House of X/Powers of X if you haven't already. But the tl;dr is that mutants were able to resurrect the dead and give depowered mutants their powers back.

Hellion was given a sanctuary in paradise. The X-Men who had abandoned him had finally given him protection and safety. He had every single one of his deceased friends back, and they were there with him. The days of M-Day were a bad memory, there would be no school attacks, and he wouldn't have to live in fear of M-Pox. If he wanted to, he could die and come back with his hands, fully restored through the Resurrection Protocols.

You know who else came back? Wind Dancer. After fourteen real-life years, the two were finally reunited.

Hellion had regained almost everything he'd lost. All of his suffering was worth it, because he finally reached the light at the end of the tunnel. All the work he put into helping the X-Men, saving Hope and working tirelessly to protect others has paid off.

But if this post has taught you anything, it's that Hellion isn't allowed happiness.

Krakoa would fall through the machinations of an evil organization called Orchis. Lead by such villains as Omega Sentinel and Nimrod, Orchis would frame Krakoa for crimes in biological warfare and sabotage, wanton murder of humans, and plots of world domination. The whole world stood back and did nothing as the mutants were attacked, scattered across the world and hunted 'till near-extinction. Many people even cheered Orchis on. Some governments even assisted them in making life more difficult for mutants. Mutants were rounded up, jailed, put under inhumane conditions, forcibly injected with "cures," and even murdered.

Where was Hellion during all of this? Well, he was in another dimension. Xavier had sent mutants through portals, per Orchis' demands. They wanted Xavier to telepathically force every mutant off the planet, or Orchis would use biological warfare to wipe out millions of humans. Wanting to spare humans, Xavier forced the majority of mutants through portals, which would end up leading them to the White Hot Room. The strugglers were left to deal with Orchis.

Hellion either went through those portals, or he had been killed during the Orchis genocide and gone through the Resurrection Protocols in the White Hot Room. He'd be there for several months, struggling to survive in a desert with 200,000 other mutants.

Hellion and most other named mutants would return to Earth, thanks to the X-Men. But also the X-Men and the ruling leaders of Krakoa were kind of to blame, since they failed to strike down Orchis earlier, despite them being a known threat. They tried some things, sure. But the plot basically forbade them from making any real progress against them until now. So yeah, the adults let Hellion down again. If they stopped playing by the rules and killed Omega Sentinel, they'd be happier.

Also, Krakoa would still exist beyond this point. Or rather, a splinter of the island nation would exist in the White Hot Room. It was shown that, without any humans or other groups coming down on them, they could thrive and grow as a healthy, enlightened and thriving nation. Mutants had the option of giving up life on their home planet to go to the White Hot Room's and have sanctuary, or stay in the trenches and spend their lives under constant threat of humans, aliens, demons and robots.

Look at Hellion at the start of his journey, and look at him now. He lost his friends, his loves, his wealth, his family, his identity as a leader, and any confidence he had from his body. The only thing he has left is his telekinesis.

The Villainous Path

Little hellions, kids feeling rebellious Embarrassed, their parents still listen to X-Men

So now we have a better picture of Hellion. He's a person with a big heart and a huge sense of loyalty, but he's been constantly let down by people around him. He's been kicked while he's been down, treated like a monster, and had the people he loves most walk out on him. His own insecurities, ego and attitude have held him back. And just when everything seemed to be turning around, just when he had everything he had lost... his home is taken away from him and he's left alone all over again.

You can see why Hellion wouldn't want anything to do with the X-Men after all of this. They took him in, but they treated him like shit and failed him constantly. He was constantly pointing out the truth, but they punished him for it and insisted that he was wrong.

But you can also see why he would have a grudge against a world who supported his peoples' genocide and the destruction of his nation. The same world that largely stood by and ignored his plight during those 2 other genocides he directly endured, and several others he would have been witness to.

Marvel's also on a sliding timescale, where their time passes much slower than ours. So bear in mind, he has probably been active in-universe for 2 to 4 years. 5, if you want to be generous. Everything you have read has been happening non-stop in a very short span of time.

Almost everyone around Hellion is terrible. He literally cannot count on anyone to help him out, because they are either grossly incompetent, unequipped to deal with things, or outright trying to kill him.

If everyone just listened to him, everything would have been fine... Or humans, machines and other heroes would have wiped them off the planet, and things would be even worse. But I choose to believe that Hellion had the right of way. After all, he'd been right about everything else.

Hellion proved himself to be a real hero, despite everyone doubting him. But he has also done things you wouldn't see most traditional heroes do, because he's cynical and willing to do harsher things if it means helping others. At the very least, he's firmly an anti-hero.

There is precedence for having him taking on an antagonistic role and going against traditional heroes. The context was always him doing what he thought was best.

So he could easily work as an anti-villain or antagonist; someone who will take the role of the heel, but still be sympathetic and have the capacity to be redeemed.

Right now, many fans are worried that that Hellion won't be portrayed sympathetically. That he'll be suddenly and drastically changed into a villain, solely there to cause trouble, do despicable things and be defeated. To be a strawman of what he once was. And to be fair, that's a fair worry; we recently saw a mutant, Nature Girl, go from a mild-mannered student supporting character, to a genocidal villain at the drop of a hat. Her character was irrevocably warped to facilitate a story. Anyone who liked her original characterization would be turned off by this change.

Or how about Benjamin Percy's take on Beast? The loveable furball was now a vile, manipulative, genocidal villain who would torture his friends for his own gain.

There was room for these characters to become darker figures - let's not forget how Nature Girl had a small story dedicated to her being painfully aware of the torture Christmas trees go through before they're tossed aside by humans, unaware of the pain they have caused. But these characters went from A, to B to Z. Things jumped wildly and they became extreme caricatures that barely resembled their original selves. And even if Beast did some questionable things in the past, no way would he naturally fall as far as he did under Percy's pen, much less so abruptly.

There's also worry that the Krakoan will be used as a strawman against Krakoa. He'd be used to portray the worst aspects of Krakoan culture and somehow prove to the audience that no, Krakoa was actually really bad and you should be glad that it's gone.

The Krakoan is specifically twisting the dream of Krakoa to rule the masses. I'm not paying too much attention to these, since preview blurbs are known to be inaccurate at times. But at the very least, they make it clear that what he's doing is not meant (out-of-universe, at least) to be an accurate representation of Krakoa. He's an in-universe example of Krakoa being misused and represented.

Despite this, if the Krakoan is Julian, I think he will be respected a bit. One of the writers of NYX, Jackson Lanzing, was asked about Hellion. He had this to say.

I think that's a pretty fair take on him. Lanzing acknowledged that he's not some simple character. Hellion has the potential to be a big player for mutants - for good or for ill - and that stems from him being somewhere in the middle of the Xavier-Magneto spectrum. He has some desire for peace and co-existence, but he's also not shying away from the reality he faces. If they're writing him, I fully expect them to portray this depth and nuance, even if it's on a small level.

They acknowledged his ties to David and Laura. The latter is important because there's a lot they could mine here beyond their romance. Hellion was there to show Laura a life outside of the darkness. He wanted her to be a better person and break free from her past as an assassin. While the writers might focus on the duo's romance, they should at least be aware that it's built on a foundation of seeing past the bad side of someone, and getting to the real, good person underneath.

Further, both writers are now on record as being big fans of Hellion. They not only like him a lot, but they clearly have a grasp on his character. I doubt they'd do something that would destroy his potential for future stories.

I'm cautiously optimistic about Hellion's villain era. I could be wrong and the writers could totally flub it. But for now, things are pointing towards him being treated with respect.

And if not? Well, he'll probably be right anyway. He's the new Cyclops/Magneto. As the saying goes, they were right. And Hellion has already proven that he has been right this whole time. If Hellion is reduced to some baby-eating monster, I would defend him. That baby was probably racist and had evil vibes.

From the Ashes

That's telekinesis, Kyle. How 'bout the power to move you?

The new relaunch will see other books release alongside NYX. And yes, they're going to be notably less popular because they don't have Hellion in them. But with Hellion's new role, who says he can't be a key figure in the world of mutants going forward?

Exceptional X-Men will feature Kitty Pryde and Emma Frost mentoring three new mutants. They'll be protecting these kids and guiding them through a world that hates and fears them, ensuring that they grow up to be heroes. Meanwhile NYX's main villain is likely one of their previous kids they trained, who they failed, mistreated and abandoned several times, who was explicitly stated to be unstable after his experiences on the field and under their care.

These kids are fucked. Hellion needs to come in and save them from the X-Men, before Kitty Pryde ruins their lives with her "help."

X-Men will feature Cyclops and his band of heroes (plus Quentin Quire), acting openly and proudly as mutants. They won't return to their evolutionary era, but they will still but heads with the government and are in a place that might put them in opposition with the mainstream opinion. From the looks of it, they will fight for their rights and do what they feel is right, even if it makes humans uncomfortable, because they need to be heard and- Oh wait. Hasn't Hellion been doing all of this from the get-go? Hmm.

Don't worry, I'm sure Cyclops will tell the Krakoan that his methods are super wrong and go too far, and that the X-Men are fighting for their rights the right way. Hurting innocent people to promote your cause is wrong! Then Cyclops and his team will get a few more innocent children killed before moving on to their next project.

What about Uncanny X-Men? Rogue's leading that team, and Gambit and Wolverine are on it. All three of them owe Hellion an apology. Jubilee's also there. She always busted Hellion's balls for how he handled his relationship with Laura... when she wasn't ogling his ass on the beach. Which was fair, but maybe she could apologize for not being a little sympathetic after his hands got blown off by an evil robot while fighting for their cause.

X-Factor will apparently pit the titular team against an underground mutant revolution, lead by Polaris. Hey, you think the Krakoan might want to get involved with that down the line?

Wolverine has a solo book. He can use the 5000 issues he'll get to beg Hellion for forgiveness. That's almost enough time to make up for how he treated Julian.

Dazzler's getting a mini. And guess who's going to be part of her crew? Hellion's exes, Wind Dancer and Shark-Girl. Wonder how they'd feel about him breaking bad?

And Now?

We wait see what comes next. We hope for the best, expect the worst, but know that this book will be the best of the From the Ashes era, simply because Hellion is gracing us with his presence.

I recommend reading more Hellion stories when you can. This post only touches on the basics. There are a lot of things I had to cut out. There are a lot of things that I missed, or didn't include because I they weren't as important to be as they might be to you. You might read things completely differently, even though I am objectively right because Hellion is perfect and could never do wrong. I might have purposely skewed things to favor Hellion because this post is Hellion propaganda. But whatever the case, you absolutely should follow my boy.

I had a whole section about Hellion's telekinesis. He's a telekinetic in a world filled with telekinetics who ALSO have telepathy and other powers. But he was able to stand out with how he varied in its use - he could create energy blasts and projectiles, fly at subsonic speeds, make things combust on a molecular level, and blast through just about anything. I cut it because I hit the image limit and didn't have enough space to show them, and they need to be shown because his powers are visually distinct. It was either keep them and cut out the tiddy pic, or keep the tiddy pic and cut out the displays of power. And I think I made the right choice.

#Marvel #x-men #hellion #julian keller #nyx #nyx 2024 #hellion was right

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