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jungkoode · 4 months ago

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𝐅𝐔𝐂𝐊 𝐌𝐄 𝐔𝐏 | 11

˗ˏˋ car literature ˎˊ˗

"Halfway across the country to escape your parents' expectations, only to find their voices still echo in your head. Maybe freedom isn't about how far you run, but what you choose to hear when everything goes quiet."

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⋆｡°✩ chapter details ✩°｡⋆

word count: 7.5k

content: jungkook being late, y/n offering him a ride, coffee mainsplaining, new friendships, jimin being a book nerd, jin reserving tables, professor namjoon kim having dimples and giving you a helping hand on your assignement

✧ author's note ✧

OKAY HI LOSERS!!!! Chapter 11 is here, right on schedule like the little miracle worker I am. I actually have ch11, 12, and 13 all done and ready to go but I'm sticking to my posting schedule because SOMEONE (me) knows she'll burn out at some point so you better savor this while it lasts.

Anyway, about Y/N having a car: yes, she has one because I said so and Jungkook doesn't because he's a whole-ass LOSER LMAO. I did love weaving in the reason behind the car though and connecting it to her messy complicated relationship with her parents. God I love how human she is??? Like, she's so conflicted—grateful for what they've done but suffocated by their expectations. THE COMPLEXITY. I'm obsessed with my own creation, forgive me.

I'll give Jungkook some credit here (GASP) because while he has the self-awareness of a potato, he IS observant and perceptive when he wants to be. Boy's too busy coping with humor and deflecting for his own good though. You'll see what I mean… eventually.

Also can we talk about how much I'm LIVING for Y/N and Jimin's growing friendship?? I love how Y/N makes friends for such different reasons—Yeji is the one who makes her feel like she doesn't have to have her shit figured out, Irya is the emotionally intelligent one, and Jimin?? They bond over their shared love of literature and books and isn't that just chef's kiss beautiful?

And I refuse to apologize for the text messages. REFUSE. The texts are staying because I love writing them too much. Deal with it.

FINALLY THOUGH!!! NAMJOON MAKES HIS ENTRANCE!!! MY KING!!! I've actually had him planned since chapter 3 (don't get it twisted), there are hints if you paid attention. But now he's finally here in all his dimpled glory and we love him. Jin, I understand you completely, babes.

ANYWAY. Chapter below. Enjoy bobs bobes and bobas!!!

⋆｡°✩ read on✩°｡⋆

ao3

wattpad

The sound of Jungkook stubbing his toe for the third time this morning is, objectively speaking, fucking hilarious.

You hide your smirk behind your mug, pretending to be deeply invested in your FYP as another muffled "shit—motherfucking—” echoes from his room. The apartment has been a symphony of chaos for the past fifteen minutes: doors slamming, drawers banging, what sounds suspiciously like a guitar being knocked over (followed by more creative cursing).

And okay, maybe you're a little evil for enjoying this so much. But come on. Mr. "I Pretend To Have My Life Together" finally overslept, and you get to witness the glorious fallout while calmly sipping your morning coffee. The universe gives you so few gifts. You're allowed to savor this one.

His coffee sits next to yours, made exactly the way he likes it—because yes, you've noticed how particular he is about his precious coffee routine. Two shots of espresso, a splash of oat milk (regular milk upsets his stomach, not that he's ever admitted it), and just a hint of vanilla syrup. You absolutely refuse to acknowledge how or why you've memorized this.

Something crashes in the bathroom. Griffin, lounging on the windowsill, barely twitches an ear.

"Has he always been this much of a disaster?" you ask the cat. Griffin's slow blink feels judgmental. Fair enough.

More thundering footsteps. A drawer slams so hard you feel it in your teeth. You scroll past a video of someone's cute dog, not really seeing it, too focused on tracking the hurricane that is your roommate having a morning meltdown.

"Fuck—where is my—" His voice cuts off abruptly.

You can practically hear him running his hands through his hair, tugging—that thing he does when he's stressed.

Your phone buzzes with a text from Yeji.

��𝐞𝐣𝐢🖤: 𝚜𝚝𝚒𝚕𝚕 𝚘𝚗 𝚏𝚘𝚛 𝚕𝚞𝚗𝚌𝚑?

You're typing back a quick 𝚢𝚎𝚊𝚑, 𝚞𝚜𝚞𝚊𝚕 𝚜𝚙𝚘𝚝 when Jungkook bursts into the kitchen like he's being chased. His hair is still wet from the shower, shirt only half-buttoned, and—oh.

Oh no.

He's wearing The Jeans.

The ones that make his thighs look like they were carved from marble.

The ones you specifically remember clawing off him that first night, back when he was just Hot Stranger From the Bar.

You take a very deliberate sip of coffee and absolutely do not think about that.

"Late for something?" you ask innocently, like you haven't been cataloging every crash and curse for the past quarter hour.

He whirls toward you, and for a split second, you catch him completely unguarded—flushed, disheveled, one hand still trying to button his shirt. Then his eyes narrow, landing on the coffee mug next to yours.

"Is that—"

"Just drink it, Rogue." You cut him off, rolling your eyes. "Unless you want to waste more time making your own."

The nickname slips out without permission. You blame it on the early hour, on not having enough caffeine yet. Not on how he looks with his hair still dripping, water darkening the collar of his shirt. Definitely not on how the morning light catches the silver ring on his hand when he reaches for the mug.

He takes a sip. His eyebrows shoot up.

"This is—"

"If you say 'perfect,' I'm dumping the rest down the sink."

The corner of his mouth twitches. "Actually, the extraction time on this is slightly—"

"I swear to god, if you start mansplaining coffee to me at—" you check your phone, "—eight forty-seven in the morning, I will personally ensure you never make it to wherever you're going."

"It's called sharing knowledge, Phoenix." He's already moving again, a blur of motion that somehow manages to look both graceful and completely chaotic. "And the optimal brewing temperature for espresso is—"

"Do you ever just hear yourself talk and think 'wow, I'm really like this'?"

"—between 195 and 205 degrees Fahrenheit, which you'd know if you actually paid attention when I—" He freezes mid-rant. "Wait, what time did you say it was?"

"Eight forty... eight now."

"Fuck. Fuck." He runs both hands through his hair, making it stick up even worse. "I can't be late to this one."

You can't help yourself. "Don't you skip Film Theory like, twice a week?"

"That's—that's different." He's practically vibrating now. "This is the one where we're presenting our—where the fuck is my phone?"

"The thing you set down right here when you grabbed your coffee?" You tap your fingernail against his phone, which has been sitting next to your elbow this whole time. "This phone?"

He lunges for it, and you definitely don't notice how he has to lean into your space to grab it, or how he still smells like his stupidly expensive shower gel. The screen lights up in his hand and—wait.

"Is that Griffin as your lockscreen?"

"What? No." He shoves the phone in his pocket too quickly. "It's—shut up."

"Oh my god, it totally is. Is it the one where he's sleeping in the—"

"I'm gonna be late," he cuts you off, already halfway to the bathroom. You hear him banging around, probably looking for his cologne. The one that makes him smell like rain and...

You glance at the time again. At this rate...

"Want me to take you?"

His head pokes around the bathroom door, hair falling in his eyes. There's a bit of toothpaste at the corner of his mouth that he hasn't noticed.

"What?"

"My car?" You try to sound casual, like you're not offering to save his ass. "Unless you'd rather take the subway and definitely be late."

He stares at you like you've just started speaking in tongues.

“You got a—" His brow furrows. "Wait, you got a car?"

"No, I'm offering you a ride on my imaginary unicorn." You roll your eyes. "Yes, I have a car. Had it for like, two weeks now. How have you not noticed?"

"I've been busy!" He disappears back into the bathroom, voice slightly muffled. "And since when do you—why would you even—who has a car in New York?"

"People who don't want to deal with the subway at 2 AM after work?" You raise your voice so he can hear you over what sounds like him knocking over every single bottle in the bathroom. "Also, time check: eight fifty-one."

"Shit." More crashing sounds. "Okay, yes, fine, please drive me, I'll never make fun of your tea collection again."

"That's a lie and we both know it."

You drop your mug gently in the sink, leaving washing for later in the day, next to his. Then grab your bag, your sunglasses too—from where they're perched on top of your head. Walk to the door and wait for Jungkook to finish spraying his perfume before he’s darting out of the tiny room and positioning himself next to you.

Then you’re out, glasses sliding on as you lock the door. The movement is automatic, practiced—something you picked up during those long drives when the sun would hit just right and—

"Okay, Gossip Girl," he snorts, cutting into your thoughts.

"You haven't even watched Gossip Girl."

"Excuse you, I'm a man of culture." He's half-jogging to keep up with you, which is... something, considering his legs are approximately twice as long as yours. "Blair Waldorf is an icon and Chuck Bass is—wait, no, seriously." He catches up as you reach the elevator. "Why do you have a car? In New York? Who are you?"

The elevator doors slide open with their usual concerning screech. You step in, leaning against the back wall as he follows, hitting -1 with his thumb. The fluorescent lights make the shadows under his eyes more pronounced—definitely up too late gaming again.

"When I signed the lease," you say, watching the numbers tick down, "Miguel mentioned there was an unused garage spot included. It was actually one of my prerequisites."

"Prerequisites," he repeats slowly, like he's tasting the word. When you glance over, he's looking at you with an expression you can't quite read. "You came here on your own?"

You shrug, suddenly very interested in a scuff mark on the elevator floor.

"Yeah."

"Where from?"

The question hangs in the air between you. It's such a simple thing to ask, really. Basic getting-to-know-you stuff. But something about the way he says it, soft and curious, makes your throat tight.

"Small town," you say finally. "The kind where everyone knows everyone's business and the most exciting thing that happens is when someone paints their fence the wrong shade of beige."

He doesn't laugh like you expect. When you risk another look, he's still watching you, head tilted slightly.

"Must've been quite the change."

"That was kind of the point."

The elevator jolts, making you grab the rail. He doesn't move, somehow keeping his balance like he's got magnets in his shoes or something. Imbecile.

"So what, you just... packed up and drove to New York?" There's something in his voice—not quite disbelief, but close.

"I mean, I applied to NYU first. I'm not completely insane." You're aiming for light, casual, but it comes out a bit defensive. "But yeah, basically. Loaded up the car, picked a playlist, and..." You wave your hand vaguely.

"Just like that?"

"Just like that."

He's quiet for a moment, and you can practically hear him piecing things together. The way you never talk about home. How you tense up when anyone mentions family. The fact that your room is filled with things you clearly bought after moving in, nothing old or sentimental except—

"The bear," he says suddenly.

"What?"

"The stuffed bear on your bed. The really old-looking one." He straightens up, like he's solved a puzzle. "That's why you got it. It's from before."

Something uncomfortable squirms in your chest.

“Okay, Detective Kuko, maybe focus on not being late instead of psychoanalyzing my childhood toys?"

The elevator dings, doors sliding open to reveal the garage. He pushes off the wall, but you catch his reflection in the mirrored doors—that little half-smile that he always pulls when he’s being particularly insufferable.

"You know," he says, following you out into the dimly lit space, "for someone who claims to hate nicknames, you sure throw around a lot of them."

"I have no idea what you're talking about, Rogue."

His laugh echoes off the concrete walls. "Whatever you say, Phoenix."

The car beeps when you press the button on the key fob, its sound echoing off the concrete walls of the garage. It’s a rundown 2010 Honda Civic, the kind of car that blends into the background of every suburban parking lot.

The kind your father refused to buy you when you were eighteen and wanted to transfer to a college campus just a bit further away.

Funny how that worked out for him. You ended up buying this one yourself, and now you’re in New York City—a hell of a lot further away than that first suggestion.

But your chest tightens at the thought, like it always does when you let your mind wander back there.

What were you even aiming for?

Retribution?

Vengeance?

For what? Daddy not wanting to get you a car? When they’ve paid for your tuition all this time, made dinner for you when you stayed up late studying, and even sat through all of the Avengers movies with you despite hating superhero flicks. Your mom would always cut up fruit for you during finals season, leaving little notes on the kitchen counter that said things like You’ve got this! or Proud of you! in her neat handwriting.

A mix of guilt and frustration gnaws at you. Because what kind of ungrateful asshole feels bitter about something so small when their parents have done so much?

And yet, here you are. Feeling it anyway.

It’s not like they were bad parents—strict, sure, but not bad. They just wanted what was best for you, didn’t they?

So why does it still sting when you think about how they dismissed your creative writing journal as a “waste of time” or how they steered every conversation toward practicality and success? Why does it feel like every decision they made for you came with strings attached? Like love was something earned through achievements instead of something freely given?

You grip the keys tighter as if that’ll stop the spiral forming in your head. Because it’s not fair to them, is it? They did their best. They didn’t know how suffocating it felt to have every move scrutinized, every choice second-guessed.

And maybe—just maybe—you’re blowing it all out of proportion. Maybe they weren’t controlling; maybe you were just too sensitive. Maybe this whole mess is on

you.

But then again... wasn’t it their fear that kept you tethered to that small town for so long? Their insistence on safety and stability that made leaving feel like rebellion instead of growth?

You shake your head, trying to shove those thoughts aside. It doesn’t matter now. You’re here. You made it out. You’re independent and capable and—

“Wow,” Jungkook’s voice cuts through your inner monologue like a knife, dragging you back to reality with all the subtlety of a sledgehammer. “This car sucks.”

Your head snaps toward him as he stands there, one eyebrow raised in judgmental amusement. He’s leaning against the passenger door like he’s too good to even touch it properly.

Without thinking, you slam the driver’s door closed with more force than necessary. “Changed my mind,” you snap, glaring at him over the roof of the car. “Go walk.”

He laughs, already folding his stupidly long legs into the passenger seat. "Aw, come on, Phoenix. I'm sure it has... character."

"Get out of my car."

"The duct tape on the mirror really adds something, you know?"

"I will leave you here."

"Is that a Fast and Furious sticker? Did you actually—"

"One more word about my car and you're taking the subway."

He holds his hands up in surrender, but he's still grinning.

"Wouldn't dream of insulting your..." His eyes dart to the dashboard where the check engine light has been on since you bought it. "Unique vehicle."

"I hate you so much right now."

"No you don't." He starts fiddling with the radio, because apparently personal boundaries mean nothing to him. "Oh my god, is this a cassette player?"

You swat his hand away. "Touch my radio and die."

"But—"

"My car, my rules."

"What are you gonna do, make me listen to your sad girl hours playlist?"

You turn the key in the ignition, the engine sputtering to life with its usual concerning cough. "Bold of you to assume I'd share my playlists with someone who butchers Mayer's solos every night."

"I do not—" He sits up straighter, actually offended. "That was one time, and the strings were new, and—"

"Slow Dancing in a Burning Room doesn't need your creative reinterpretation, Rogue."

And fuck. Why did you have to bring up that specific song? The one he was playing two nights ago, like it was just for you and him in the quiet of the night.

"Didn't know you were such a Mayer purist, Phoenix."

You check your mirrors, definitely not watching how he slouches in the seat, all long limbs and morning-messy hair.

"Seatbelt, Kuko."

"Is that your favorite Mayer song?"

God, why is he doing this? Making small talk about music like he didn't just watch you have a whole crisis about your car?

"I guess." You mutter, exiting the garage once and for all.

You merge into traffic, grateful for the excuse to focus on something other than how he's angled his body toward you in the passenger seat.

But then, because he can’t leave things alone…

"You know any others?"

You lick your lips. Two beats of silence.

“Some ring a bell." You finally say. Swallow. Change lanes. Don't think about summer evenings and vinyl records and— "It's just that one... brings memories."

Silence, again.

You can feel him watching you, that way he does sometimes when he thinks you're not paying attention. Like he's trying to solve a puzzle but keeps finding new pieces.

Then he sighs, a soft chuckle that does absolutely nothing to your stomach. Nothing at all.

“Guess I'll have to play some more for you." His voice drops slightly, just shy of teasing. "You know, expand your musical taste."

And what the fuck are you supposed to do with that? With the way he says it—like a challenge, like a promise? With how the morning sun catches his ring when he drums his fingers against his thigh, keeping time to whatever song is playing in his head?

"Bold of you to assume I want to hear more of your mediocre guitar skills."

It's weak and you both know it.

But he lets you have it, just huffs out another laugh and turns to look out the window.

And you absolutely do not notice how the sunlight catches the edge of his jaw, or the way his shirt is still slightly wrinkled from his rush this morning.

No. No, you don’t.

"Wait, you're telling me you've never read Donna Tartt?"

Jimin's scandalized whisper makes you grin as you both push through the library's heavy doors. There's something endearing about how genuinely offended he is by this gap in your literary education.

"In my defense," you whisper back, following him up the stairs to the second floor, "I was a bit busy reading whatever my parents deemed 'appropriate' until, oh, about six months ago?"

He glances back at you, something knowing in his eyes. It should make you uncomfortable—usually does, when people look at you like they understand. But with Jimin, it feels... okay. Maybe because he was there that night at your apartment, quietly positioning himself next to you like a gentle buffer against the chaos.

"Okay, but now you have to read The Secret History." He leads you to what's clearly his usual spot—a corner table partially hidden behind the Classical Literature stacks. "It's like... Dark Academia meets murder mystery meets Greek tragedy."

"You had me at murder mystery, honestly."

He pulls out a chair, dropping his bag with practiced ease. "I actually have my copy here somewhere. The spine's basically destroyed because I've read it so many times, but—"

"Let me guess—you're one of those people who annotates their books?"

His cheeks flush slightly. "Maybe?"

"Oh my god, you totally are." You slide into the chair across from him, already feeling more relaxed than you have all day. "Do you use different colored pens? Have a whole system?"

"...you're making fun of me."

"I would never." You scoff. "I'm simply appreciating your dedication to the literary arts."

He tries to maintain his pout, but you can see the smile fighting through.

"You know what? For that, I'm not telling you where the secret coffee spot is."

"The what now?"

"Oh, nothing." He starts unpacking his bag with exaggerated nonchalance. "Just a hidden corner where they don't enforce the 'no drinks' policy. But since you're so judgmental about my annotation habits..."

"Park Jimin." You lean forward, lowering your voice conspiratorially. "Are you telling me there's a way I can read and caffeinate without having to dodge the library police?"

"I don't know..." He draws it out, eyes twinkling. "Can you be trusted with such powerful knowledge?"

"I will literally annotate a book right now. Any book. Pick one."

His laugh is barely more than a breath, but it's warm, genuine.

“Okay, okay. But first—what's your stance on dog-earing pages?"

You gasp. "What kind of monster do you think I am?"

"Just checking." He grins, finally pulling out his battered copy of The Secret History. "Here. But I want detailed feedback on all my margin notes."

You accept the book carefully, noting the well-worn spine, the sticky notes peeking out from between pages. "Did you... color-code your tabs?"

"That's it." He starts gathering his things. "I'm leaving."

"No, wait!" You grab his arm, laughing as quietly as you can. "I actually love it. Really. Show me your system?"

He settles back down, mock-glaring but clearly pleased. "Fine. But only because you actually seem to care about books, unlike some people."

"Let me guess—Yeji ditched the second you mentioned the library?"

"'Sorry, babe,'" he mimics Yeji's voice with surprising accuracy, "'but I only enter buildings with books if they also serve alcohol.'"

You snort. "That tracks."

"Speaking of tracking..." He pulls out his phone. "Want to see my reading spreadsheet?"

"Your what now?"

"It's color-coded by genre, with separate tabs for—"

"Jimin?"

"Yeah?"

"I think this is the beginning of a beautiful friendship."

His smile could power the whole library. "Just wait until I show you my TBR organization system."

And you find yourself smiling back, real and easy, as he launches into an explanation involving multiple apps and something called "reverse timeline sorting." Because yeah, okay—maybe making new friends isn't the worst thing in the world.

Even if they are terrifyingly organized book nerds who probably alphabetize their bookmarks.

Also, the thing about being an English major at NYU is that you end up sharing a lot of classes with the Comparative Literature kids.

It's not really surprising when you think about it—you're both basically studying books, just from different angles.

While you're deep diving into English and American literature (thanks to your very traditional parents who would have probably had an aneurysm if you'd picked anything more "experimental"), Jimin's out here analyzing texts from all over the world, looking at how different cultures approach storytelling.

Which is how you end up in at least three classes together this semester.

Modern Literature with Professor Sullivan on Mondays and Wednesdays (where Jimin always has the most interesting takes on international influences), Contemporary Poetry Analysis (where he somehow manages to connect Emily Dickinson to some obscure Korean poet you can't pronounce), and that one Friday afternoon workshop that everyone dreads but somehow becomes bearable when Jimin starts drawing parallels between Western and Eastern literary traditions.

It's actually kind of perfect. Your English major foundation gives you the deep knowledge of Western canon that his program requires, while his Comparative Literature perspective opens up whole new ways of looking at texts you thought you knew inside out.

Like right now, as he's explaining how Japanese magical realism evolved differently from its Latin American counterpart, you're seeing 100 Years of Solitude in a completely new light.

Plus, it's nice having someone who actually gives a shit about books.

Yeji, bless her chaotic heart, thinks anything written before 2010 is "prehistoric," and your other friend from Modern Lit only reads SparkNotes.

But Jimin? Jimin color-codes his annotations and has strong opinions about Oxford commas.

Which is probably why, when he suggested studying together, you didn't even hesitate. Because yes, okay, maybe you've been a bit... selective about making friends since moving to New York.

But someone who understands why you got emotional about Woolf's use of semicolons? That's the kind of friend worth having.

"Okay, but consider this," Jimin whispers, sliding his Contemporary Literature notes across the table. "What if we compared Murakami's use of magical realism with García Márquez? Because I swear there's a connection between Kafka on the Shore and 100 Years of Solitude that no one talks about."

You lean forward, scanning his impossibly neat handwriting. Of course his notes are color-coded. "For the Modern Lit essay?"

"Yeah, Professor Sullivan mentioned wanting unique perspectives, right?" His eyes light up the way they only do when discussing books. "And since you're taking Modern Literature and I've got Comparative Lit Theory this semester..."

"A cross-course analysis?" You tap your pen against your notebook, mind already racing. "That's... actually brilliant?"

"Really?" He perks up, then immediately remembers to lower his voice when someone at the next table glares. "Because I was thinking, with your focus on contemporary Western literature and my background in Eastern literary traditions—"

"We could explore how different cultural interpretations of magical realism intersect!" You're probably too excited about this for a library setting, but whatever. "Jimin, you're literally a genius."

He ducks his head, but you catch his pleased smile. "I mean, you're the one who brought up the cyclical narrative patterns in class last week. I just thought maybe we could..."

"Collaborate?" You're already flipping to a fresh page in your notebook. "Please tell me you're not working with anyone else for the final paper."

"Was kind of waiting for the right partner." He gives you a pointed look. "Someone who wouldn't just make me do all the work."

"Unlike some people we know?"

"I'm not naming names, but..." He glances around conspiratorially. "Let's just say I've already witnessed Yeji's approach to required reading in our shared Literature and Gender class last week."

"Do tell."

"She showed up to discuss Virginia Woolf's A Room of One's Own and asked, completely seriously, if it was about interior design." He shudders dramatically. "Then tried to argue that her TikTok research should count as academic sources."

You have to stuff your fist against your mouth to muffle your laugh.

"She did not."

"Direct quote: 'But professor, this BookToker made some really good points about, like, the feminist undertones and stuff.'" He pulls out his laptop, already opening a fresh document. "So, partner? I mean, we're only two weeks into the semester, but I can already tell you actually read the material. Plus, I've got access to some really interesting papers on Japanese magical realism through the Comparative Lit database."

"Only if you let me buy you coffee at Jin's after this." You pause. "Wait, is that weird? Am I being weird?"

His smile is soft, understanding. "Not weird at all. But only if you let me show you my favorite translation of The Wind-Up Bird Chronicle. The annotations are chef's kiss."

"God, you really are a book nerd, aren't you?"

"Says the person who got excited about cyclical narrative patterns."

"...touché."

He starts typing, fingers flying over the keys. "So, structure-wise, I was thinking we could start with a brief overview of traditional magical realism in Latin American literature, then transition into..."

You settle in, watching him outline your shared project with the same methodical care he probably uses to organize his bookshelf.

And maybe it's the quiet of the library, or the way afternoon sun filters through the stacks, but something in your chest feels lighter.

Because this—this easy back-and-forth about books and ideas—this is what you came to New York for.

"Oh!" Jimin's whisper breaks into your thoughts. "We should definitely include the cat symbolism in both texts. Speaking of..." He glances up from his screen. "How's living with Griffin?"

"The cat or his stupid owner?"

The words slip out before you can stop them. Jimin's eyebrows shoot up, a knowing look crossing his face that makes you want to hide behind your textbook.

"Why? Wanna talk about his owner?”

"I meant—that's not—he is stupid!" You grab your water bottle just to have something to do with your hands. "Whatever. We should focus on the magical realism thing."

"Mhm." He's still giving you that look. "Whatever you say. But you know, if you ever want to talk about... cats..."

"I will literally throw this book at you."

"The annotated one? You wouldn't dare."

"Try me, Park."

His quiet laugh makes a few people look over, but you can't bring yourself to care. Because somehow, in the span of an afternoon, you've gained both a study partner and what feels like a real friend.

Even if said friend is now wiggling his eyebrows at you every time you try to redirect the conversation back to Murakami.

Your phone buzzes against the table, making Jimin glance up from his color-coded notes.

𝐊𝐮𝐤𝐨🖕🏻: 𝚠𝚑𝚎𝚛𝚎 𝚛 𝚞 𝚛𝚗

You roll your eyes, typing back quickly.

𝐘𝐨𝐮: 𝚕𝚒𝚋𝚛𝚊𝚛𝚢 𝚠𝚒𝚝𝚑 𝚓𝚒𝚖𝚒𝚗

𝐘𝐨𝐮: 𝚠𝚑𝚢

The three dots appear. Disappear. Appear again. Your screen lights up with his reply.

𝐊𝐮𝐤𝐨🖕🏻: 𝚠𝚑𝚎𝚗 𝚛 𝚞 𝚌𝚘𝚖𝚒𝚗𝚐 𝚑𝚘𝚖𝚎

𝐘𝐨𝐮: 𝚒𝚍𝚔 𝚕𝚒𝚔𝚎 𝟷𝟻𝚖𝚒𝚗?

𝐘𝐨𝐮: 𝚗𝚎𝚎𝚍 𝚝𝚘 𝚏𝚒𝚗𝚒𝚜𝚑 𝚝𝚑𝚒𝚜 𝚘𝚞𝚝𝚕𝚒𝚗𝚎

𝐊𝐮𝐤𝐨🖕🏻: 𝚖𝚊𝚔𝚎 𝚒𝚝 𝟺𝟶

𝐘𝐨𝐮: 𝟺𝟶????

𝐘𝐨𝐮: 𝚠𝚝𝚏 𝚠𝚑𝚢

𝐊𝐮𝐤𝐨🖕🏻: 𝚓𝚞𝚜𝚝 𝚍𝚘 𝚒𝚝 𝚙𝚑𝚘𝚎𝚗𝚒𝚡

𝐘𝐨𝐮: 𝚘𝚖𝚐

𝐘𝐨𝐮: 𝚢𝚘𝚞,𝚟𝚎 𝚐𝚘𝚝 𝚜𝚘𝚖𝚎𝚘𝚗𝚎 𝚘𝚟𝚎𝚛 𝚍𝚘𝚗’𝚝 𝚢𝚘𝚞

𝐘𝐨𝐮: 𝟺𝟶 𝚖𝚒𝚗𝚞𝚝𝚎𝚜 𝚝𝚑𝚘? 𝚝𝚑𝚊𝚝’𝚜 𝚜𝚊𝚍

𝐘𝐨𝐮: 𝚗𝚎𝚎𝚍 𝚝𝚑𝚊𝚝 𝚕𝚘𝚗𝚐 𝚝𝚘 𝚖𝚊𝚔𝚎 𝚑𝚎𝚛 𝚌𝚞𝚖? ��

𝐊𝐮𝐤𝐨🖕🏻: 𝚜𝚑𝚎𝚜 𝚗𝚘𝚝 𝚞

Your fingers hover over the keyboard because—what the fuck is he saying right now? What does he mean?

But then.

𝐊𝐮𝐤𝐨🖕🏻: 𝚗𝚘𝚝 𝚌𝚞𝚖𝚖𝚒𝚗𝚐 𝚒𝚗 𝟻 𝚖𝚒𝚗𝚜 𝚘𝚏 𝚜𝚎𝚎𝚒𝚗𝚐 𝚖𝚎

Fucking bitch-ass motherfucker.

𝐘𝐨𝐮: 𝚏𝚞𝚌𝚔 𝚘𝚏𝚏

𝐘𝐨𝐮: 𝚊𝚛𝚎 𝚢𝚘𝚞 𝚜𝚎𝚛𝚒𝚘𝚞𝚜𝚕𝚢 𝚝𝚎𝚡𝚝𝚒𝚗𝚐 𝚖𝚎 𝚠𝚑𝚒𝚕𝚎 𝚏𝚞𝚌𝚔𝚒𝚗𝚐 𝚜𝚘𝚖𝚎𝚘𝚗𝚎???

𝐊𝐮𝐤𝐨🖕🏻: 𝚗𝚊𝚑

𝐊𝐮𝐤𝐨🖕🏻: 𝚜𝚑𝚎𝚜 𝚒𝚗 𝚝𝚑𝚎 𝚋𝚊𝚝𝚑𝚛𝚘𝚘𝚖

𝐊𝐮𝐤𝐨🖕🏻: 𝚝𝚑𝚒𝚗𝚔𝚒𝚗𝚐 𝚊𝚋𝚘𝚞𝚝 𝚞 𝚝𝚑𝚘

𝐘𝐨𝐮: 𝚐𝚛𝚘𝚜𝚜 🤢

𝐘𝐨𝐮: 𝚍𝚘𝚗’𝚝 𝚢𝚘𝚞 𝚑𝚊𝚟𝚎 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚋𝚎𝚝𝚝𝚎𝚛 𝚝𝚘 𝚍𝚘

𝐘𝐨𝐮: 𝚕𝚒𝚔𝚎 𝚒𝚍𝚔 𝚖𝚊𝚔𝚒𝚗𝚐 𝚜𝚞𝚛𝚎 𝚜𝚑𝚎 𝚍𝚘𝚎𝚜𝚗’𝚝 𝚜𝚝𝚎𝚊𝚕 𝚖𝚢 𝚎𝚡𝚙𝚎𝚗𝚜𝚒𝚟𝚎 𝚜𝚑𝚊𝚖𝚙𝚘𝚘

𝐊𝐮𝐤𝐨🖕🏻: 𝚞𝚛 𝚜𝚑𝚊𝚖𝚙𝚘𝚘 𝚒𝚜 𝚏𝚛𝚘𝚖 𝚝𝚊𝚛𝚐𝚎𝚝

𝐊𝐮𝐤𝐨🖕🏻: 𝚊𝚕𝚜𝚘 𝚠𝚎 𝚛 𝚍𝚘𝚒𝚗 𝚒𝚝 𝚒𝚗 𝚖𝚢 𝚛𝚘𝚘𝚖

𝐊𝐮𝐤𝐨🖕🏻: 𝚒𝚖 𝚗𝚘𝚝 𝚊𝚗 𝚊𝚗𝚒𝚖𝚊𝚕

𝐘𝐨𝐮: 𝚍𝚎𝚋𝚊𝚝𝚊𝚋𝚕𝚎

𝐘𝐨𝐮: 𝚊𝚕𝚜𝚘 𝚠𝚑𝚢 𝚊𝚛𝚎 𝚢𝚘𝚞 𝚎𝚟𝚎𝚗 𝚝𝚎𝚕𝚕𝚒𝚗𝚐 𝚖𝚎 𝚝𝚑𝚒𝚜

𝐘𝐨𝐮: 𝚠𝚊𝚗𝚝 𝚖𝚎 𝚝𝚘 𝚐𝚒𝚟𝚎 𝚢𝚘𝚞 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚊𝚗𝚌𝚎 𝚝𝚒𝚙𝚜?

𝐊𝐮𝐤𝐨🖕🏻: 𝚕𝚒𝚔𝚎 𝚞 𝚍𝚒𝚍 𝚜𝚞𝚌𝚑 𝚊 𝚐𝚛𝚎𝚊𝚝 𝚓𝚘𝚋 𝚕𝚊𝚜𝚝𝚒𝚗𝚐 𝚝𝚑𝚊𝚝 𝚖𝚘𝚛𝚗𝚒𝚗𝚐

𝐊𝐮𝐤𝐨🖕🏻: 𝟻 𝚖𝚒𝚗𝚞𝚝𝚎𝚜 𝚙𝚑𝚘𝚎𝚗𝚒𝚡

𝐊𝐮𝐤𝐨🖕��: 𝚝𝚑𝚊𝚝𝚜 𝚎𝚖𝚋𝚊𝚛𝚛𝚊𝚜𝚜𝚒𝚗𝚐

𝐘𝐨𝐮: 𝚢𝚘𝚞 𝙸𝙽𝚂𝙸𝚂𝚃𝙴𝙳

𝐘𝐨𝐮: "𝚙𝚛𝚘𝚖𝚒𝚜𝚎 𝚒’𝚕𝚕 𝚖𝚊𝚔𝚎 𝚒𝚝 𝚚𝚞𝚒𝚌𝚔, 𝚙𝚑𝚘𝚎𝚗𝚒𝚡”

𝐘𝐨𝐮: 𝚢𝚘𝚞𝚛 𝚠𝚘𝚛𝚍𝚜 🙄

𝐊𝐮𝐤𝐨🖕🏻: 𝚍𝚘𝚗𝚝 𝚊𝚌𝚝 𝚕𝚒𝚔𝚎 𝚞 𝚍𝚒𝚍𝚗’𝚝 𝚕𝚘𝚟𝚎 𝚒𝚝

𝐊𝐮𝐤𝐨🖕🏻: 𝚊𝚕𝚜𝚘 𝚜𝚑𝚎𝚜 𝚋𝚊𝚌𝚔

𝐊𝐮𝐤𝐨🖕🏻: 𝟺𝟶 𝚖𝚒𝚗 𝚙𝚑𝚘𝚎𝚗𝚒𝚡

𝐘𝐨𝐮: 𝚠𝚑𝚊𝚝𝚎𝚟𝚎𝚛

𝐘𝐨𝐮: 𝚑𝚊𝚟𝚎 𝚏𝚞𝚗 𝚍𝚒𝚜𝚊𝚙𝚙𝚘𝚒𝚗𝚝𝚒𝚗𝚐 𝚑𝚎𝚛 💅

𝐊𝐮𝐤𝐨🖕🏻: 𝚞𝚛 𝚌𝚞𝚝𝚎 𝚠𝚑𝚎𝚗 𝚞𝚛 𝚠𝚘𝚛𝚔𝚎𝚍 𝚞𝚙 𝚙𝚑𝚎𝚎

𝐊𝐮𝐤𝐨🖕🏻: 𝚗𝚘𝚠 𝚜𝚝𝚏𝚞 𝚊𝚗𝚍 𝚐𝚒𝚟𝚎 𝚖𝚎 𝟺𝟶

𝐘𝐨𝐮: 𝚢𝚘𝚞’𝚛𝚎 𝚕𝚒𝚝𝚎𝚛𝚊𝚕𝚕𝚢 𝚝𝚑𝚎 𝚠𝚘𝚛𝚜𝚝

𝐘𝐨𝐮: 𝚏𝚒𝚗𝚎

𝐘𝐨𝐮: 𝚋𝚞𝚝 𝚢𝚘𝚞’𝚛𝚎 𝚋𝚞𝚢𝚒𝚗𝚐 𝚖𝚎 𝚌𝚘𝚏𝚏𝚎𝚎 𝚝𝚘𝚖𝚘𝚛𝚛𝚘𝚠

𝐘𝐨𝐮: 𝚊𝚗𝚍 𝚌𝚕𝚎𝚊𝚗𝚒𝚗𝚐 𝚐𝚛𝚒𝚏𝚏𝚒𝚗’𝚜 𝚕𝚒𝚝𝚝𝚎𝚛 𝚋𝚘𝚡 𝚏𝚘𝚛 𝚊 𝚠𝚎𝚎𝚔

𝐊𝐮𝐤𝐨🖕🏻: 𝚠𝚑𝚊𝚝𝚎𝚟𝚎𝚛 𝚑𝚎𝚕𝚙𝚜 𝚞 𝚜𝚕𝚎𝚎𝚙 𝚊𝚝 𝚗𝚒𝚐𝚑𝚝 𝚗𝚒𝚡

𝐊𝐮𝐤𝐨🖕🏻: 𝚜𝚙𝚎𝚊𝚔𝚒𝚗𝚐 𝚘𝚏 𝚜𝚕𝚎𝚎𝚙

𝐊𝐮𝐤𝐨🖕🏻: 𝚜𝚠𝚎𝚎𝚝 𝚍𝚛𝚎𝚊𝚖𝚜 𝚊𝚋𝚘𝚞𝚝 𝚖𝚢 𝚖𝚎𝚍𝚒𝚘𝚌𝚛𝚎 𝚑𝚎𝚊𝚍 𝚐𝚊𝚖𝚎 😏

𝐘𝐨𝐮: 𝚍𝚒𝚍 𝚢𝚘𝚞 𝚓𝚞𝚜𝚝

𝐘𝐨𝐮: 𝚍𝚒𝚍 𝚢𝚘𝚞 𝚓𝚞𝚜𝚝 𝚞𝚜𝚎 𝚊𝚗 𝙴𝙼𝙾𝙹𝙸???

𝐘𝐨𝐮: 𝚠𝚑𝚘 𝚊𝚛𝚎 𝚢𝚘𝚞 𝚊𝚗𝚍 𝚠𝚑𝚊𝚝 𝚑𝚊𝚟𝚎 𝚢𝚘𝚞 𝚍𝚘𝚗𝚎 𝚠𝚒𝚝𝚑 𝚖𝚢 𝚊𝚗𝚗𝚘𝚢𝚒𝚗𝚐 𝚛𝚘𝚘𝚖𝚖𝚊𝚝𝚎

Read 4:47 PM

𝐘𝐨𝐮: 𝚒 𝚔𝚗𝚘𝚠 𝚢𝚘𝚞’𝚛𝚎 𝚛𝚎𝚊𝚍𝚒𝚗𝚐 𝚝𝚑𝚎𝚜𝚎 𝚊𝚜𝚜𝚑𝚘𝚕𝚎

𝐘𝐨𝐮: 𝚢𝚘𝚞 𝚋𝚎𝚝𝚝𝚎𝚛 𝚋𝚎 𝚠𝚊𝚜𝚑𝚒𝚗𝚐 𝚝𝚑𝚘𝚜𝚎 𝚜𝚑𝚎𝚎𝚝𝚜

𝐘𝐨𝐮: 𝙰𝙽𝙳 𝙾𝙿𝙴𝙽𝙸𝙽𝙶 𝙰 𝚆𝙸𝙽𝙳𝙾𝚆

Read 4:48 PM

𝐘𝐨𝐮: 𝚒 𝚑𝚊𝚝𝚎 𝚢𝚘𝚞

𝐘𝐨𝐮: 𝚜𝚘 𝚖𝚞𝚌𝚑

Read 4:49 PM

You shove your phone in your bag. Whatever. You've got actual priorities here—like making real friends who appreciate literature and don't judge your drink choices (does he?).

"Actually," you say, straightening up and pulling out your Modern Lit syllabus, "let’s go to Jin’s right now. Because I could use a caramel frappuccino, and I'd love to hear more about your take on Murakami's symbolism."

Jimin's whole face lights up. "Really? Because I have thoughts about the significance of wells as transitional spaces in—"

"Lead the way, book nerd." You start packing up your stuff, already feeling more centered. "But fair warning—I will absolutely judge your coffee order if it's anything boring like plain black."

"You order everything with extra whipped cream, don’t you?”

"It's called having taste, Jimin. And yes, I want the little chocolate sprinkles too."

His laugh echoes through the stacks as you both head out, earning a few glares that you can't bring yourself to care about. Because this? This is exactly what you need. Good conversation, sugary drinks, and someone who gets genuinely excited about literary analysis.

Your phone stays silent in your bag. You don't even think about checking it.

After all, you've got more interesting things to focus on—like whether Jin will let you convince him to add extra caramel to your drink, or finally having someone who understands why you cried over that one Sylvia Plath poem.

Because honestly? There’s just something deliciously satisfying about choosing exactly how you want to spend your afternoon.

And right now? That means ordering the sweetest drink on the menu and diving deep into a discussion about magical realism with someone who actually gets it.

Sometimes the best kind of freedom is just... doing whatever the fuck you want.

The thing about Jin is that he treats his coffee shop like it's a kingdom and he's the benevolent (but definitely judgy) ruler.

"Well, well." He quirks an eyebrow as you and Jimin push through the door, the familiar smell of coffee and old books wrapping around you like a hug. "Where's the demon child?"

"Yeji's allergic to studying." You lean against the counter, already eyeing the pastry display. "Breaks out in hives if she gets too close to academic pursuit."

Jin snorts, wiping his hands on his apron. "That tracks. Haven't seen you in a few days—were you actually at the library? Or is this some elaborate cover story?"

"Studying, actually." You gesture to Jimin, who's hovering politely beside you. "With actual books and everything. Jin, this is Jimin. Jimin, this is Jin, who makes the best coffee in the East Village but will definitely judge your order."

"I don't judge." Jin's mouth twitches. "I merely... evaluate life choices."

Jimin waves shyly. "Nice to meet you. Yeji's mentioned this place a lot."

"All lies, probably." Jin's already moving to the espresso machine, hands automatic in their movements. "What can I get you both? And Y/N, before you say it— no, I will not make you one of those abominations with eight pumps of syrup."

"Rude." You straighten up, pretending to study the menu like you don't order the same thing every time. "Fine. Latte with cold foam?"

He rolls his eyes, but there's fondness there. "Let me make you something better. Just got a new blend in—Ethiopian, hints of blueberry. You'll love it."

"Bold of you to assume I can taste anything beyond sugar."

"Trust me." He turns to Jimin. "And for you?"

"Just an americano, please."

You whirl around. "That's so sad."

"Shut up." Jimin shoves your shoulder lightly. "Not all of us need a sugar high to function."

"Your loss." You're already heading toward your usual spot—eyeing the different tables and settling for the corner one with the best lighting and a perfect view of both the street and the counter. "Come on, I'll show you where—"

"Ah ah." Jin's voice stops you. "Not that one."

You turn back, eyebrow raised. "What? It's empty."

"Someone sits there."

"I literally see no bag?" You gesture at the conspicuously empty table. "No books, no laptop, no nothing."

"Someone," Jin repeats, voice somehow both firmer and more amused, "sits there."

"But—"

"Y/N." He gives you that look, the one that somehow makes you feel like a kid being gently scolded. "Pick another table."

You glance at the mysterious empty table, then back at Jin, then at the table again. Because what the actual fuck? Since when does Jin reserve tables? And for who?

But he's already turned back to the espresso machine, humming something under his breath, clearly considering the matter closed.

"Come on." Jimin tugs your sleeve, pointing to another corner. "That one looks good too."

You let him lead you away, but not without throwing one last suspicious look over your shoulder. Jin pretends not to notice, but you catch the slight smile playing at his lips as he starts grinding coffee beans.

Weird. Very weird.

You sigh loudly, and woah okay you’re starting to sound like Yeji now. Her energy is definitely rubbing off on you. You take your stuff out along with Jimin and start chatting right away.

"All I'm saying is," you whisper-rant to Jimin, still bitter about this morning, "if someone makes you coffee, you say thank you. You don't launch into a TED talk about optimal brewing temperatures like some pretentious—"

The bell above the door chimes, and holy shit.

HOLY. SHIT.

The man who walks in is...

Well, first of all, he's tall. Like, unfairly tall.

And he's wearing these round glasses that should look dorky but somehow don't, perched on a face that belongs in one of those aesthetic academic Pinterest boards. His blonde hair is slicked back in a way that screams 'I definitely know about wine pairings', and his light blue dress shirt paired with navy pants is giving very much 'yes, I read Proust for fun.'

But it's the way he carries himself—confident but not cocky, with a laptop bag swinging gently by his thigh—that really catches your attention.

That, and how Jin's whole demeanor shifts when he sees him.

"Joon!" Jin's voice is different—warmer, maybe? "The usual?"

The man—Joon, apparently—smiles, and oh. Oh. That's just unfair. Because he's got actual dimples. Like, dimples dimples.

They chat for a moment, their conversation too low to hear from where you're sitting, but you catch Jin gesturing toward... wait.

Toward the table.

THE table.

The one you were just exiled from.

Namjoon nods, that devastating smile still in place, and heads straight for what is apparently his designated spot in Jin's kingdom.

You narrow your eyes. Who exactly is this mysterious dimpled giant with table-reserving privileges? And why does Jin look slightly pink around the ears as he starts making what is presumably 'the usual'?

"Hey?" Jimin waves his hand in front of your face. "You good?"

"Sorry, just..." You tilt your head toward the table-stealer. "Trying to figure out who managed to get permanent dibs on prime real estate in here."

Jimin turns, trying (and absolutely failing) to be subtle about it. Then he makes a small choking sound.

"Oh god," he whispers, whipping back around. "That's Professor Kim."

You blink. "Professor who now?"

"Namjoon Kim? From the English department?" When you continue staring blankly, he adds, "He teaches Literary Criticism in my major? Published in like, every major literary journal? Youngest professor in the department?"

"That's a professor?" You peek over again, watching as he sets up his laptop with methodical precision. "Why does he look like that?"

"Like what?"

"Like..." You gesture vaguely. "You know. Like that.”

"Please stop staring," Jimin hisses. "He's brilliant and terrifying and I have to present in his class next week."

"Terrifying?" You snort. "The man has dimples, Jimin. And his glasses are literally round. He looks like a very tall teddy bear who probably reads Keats for fun."

"He once made someone cry by asking them to explain their interpretation of a Emily Dickinson poem."

"Okay, but was their interpretation wrong?"

"Y/N."

"What? I'm just saying—"

Jin appears with your drinks, setting them down with more force than strictly necessary. "Stop gossiping about my customers."

"We're not gossiping," you protest. "We're... conducting academic observation."

"Mhm." He raises an eyebrow. "How's that new blend?"

You take a sip of whatever fancy coffee he made you, and... oh. Oh.

"This is..."

"Better than your sugar milk?" His smirk is unbearable. "You're welcome."

He walks away before you can argue, heading back to where Professor Dimples is apparently grading papers, judging by the red pen in his hand.

"Don't even think about it," Jimin warns.

"Think about what?"

"Whatever you're plotting. I can see it on your face."

"I'm not plotting anything!" You take another sip of your annoyingly perfect coffee. "I just think it's interesting that Jin never mentioned having a designated professor spot in his shop."

"No."

"What? I'm just being observant."

Jimin looks like he's regretting every life choice that led him to befriend you. "Can we please just focus on Murakami?"

"Fine." You pull out your notes, but you can't help stealing one more glance at the mysterious professor. "But just so you know, anyone who makes students cry over Emily Dickinson is definitely going on my list of people to investigate."

"I'm pretending I didn't hear that."

"Whatever helps you sleep at night, Jimjim."

20 minutes pass by. 20 minutes of Jimin humming as he searches articles on the web. 20 minutes of you two now doing your individual assignments for your different classes. 20 minutes of you nearly losing your mind over yours.

"Who," you groan, slumping over your laptop, "decided that writing a comparative analysis of post-modern narrative structures was a good idea for week two? Week two, Jimin. I still haven't figured out where half my classes are."

Jimin chuckles, leaning over to point at something on your screen. "Look, if you connect these two themes here—"

You lift your head just enough to glare at him. "I will literally pay you to write this for me."

"No you won't."

"You're right, I'm broke. But I'll owe you my firstborn."

"Still no."

"My soul?"

"Bold of you to assume you still have one after declaring an English major."

You're about to argue that your soul is perfectly intact, thank you very much, when you feel it—the weight of someone's gaze. You glance up and oh fuck.

Professor Dimples is looking right at you, one eyebrow raised slightly above those round glasses. Because of course he heard your entire breakdown about his colleague's assignment. Of course he did.

You drop your eyes back to your laptop so fast you probably give yourself whiplash. Maybe if you slouch low enough, you'll just... dissolve into the floor. That's possible, right?

Jimin swats your arm. "Stop being dramatic."

"I'm not being dramatic," you whisper-hiss. "I'm just saying, who assigns a five-thousand word analysis before we've even figured out the coffee situation on campus?"

"Having trouble with Professor Lee's class?"

You freeze. Because that voice—deep, warm, and definitely coming from right next to your table—belongs to exactly who you think it does.

Slowly, you look up. Professor Kim is standing there, coffee cup in hand, looking far too amused for someone who apparently makes students cry over poetry.

"I, uh—" Words. You know words. You're literally majoring in them. "No? I mean, yes? I mean—"

"She's struggling with the comparative analysis assignment," Jimin supplies helpfully, the traitor. "The one about narrative structures in post-modern literature."

"Ah." Professor Kim's dimples make an appearance. "Mind if I...?" He gestures to the empty chair at your table.

What are you supposed to say? No? To the professor who apparently has permanent dibs on the best table in Jin's? Who probably knows seventeen ways to destroy your GPA with a single red pen mark?

"Sure," you manage, shooting Jimin a panicked look that he completely ignores.

Professor Kim settles into the chair, setting his coffee down carefully. "The thing about post-modern narrative structures," he says, like he's sharing a secret, "is that everyone overthinks them."

You blink. "What?"

"It's actually quite simple." He gestures to your laptop. "May I?"

You turn the screen toward him, watching as he scans your document. His brow furrows slightly, and you resist the urge to slam the laptop shut and run away.

"See, here—" He points to a paragraph. "You're actually onto something interesting. The way you've connected the unreliable narrator to the fragmented timeline... that's good. You're just getting caught up in the academic language instead of trusting your instincts."

"My... instincts?"

"Mhm." He takes a sip of his coffee. "Tell me—without thinking about theory or criticism or any of that—why did this particular narrative choice catch your attention?"

You open your mouth. Close it. Because honestly? "It reminded me of those dreams where you're trying to remember something, but the memory keeps slipping away? Like, you know it's important, but every time you get close, it sort of... dissolves?"

His smile widens. "Write that."

"What, the dream thing?"

"Exactly that. In exactly those words." He leans back, looking pleased. "That's what post-modern literature is about—the messy, fragmented way our minds actually work. Not the polished academic analysis we think we're supposed to write."

From behind the counter, you hear Jin snort. "Are you corrupting my customers with your literary theories again?"

"Always," Professor Kim calls back, and something in the way they smile at each other makes you think of your earlier observations.

"Thank you," you say, already starting to rework your intro paragraph. "That actually helps a lot."

"Any time." He stands, gathering his coffee. "And Y/N?"

You look up, surprised he knows your name.

"Don't worry too much about Professor Lee's assignments. He likes to seem tough in the beginning, but..." He adjusts his glasses with a slight smile. "Let's just say I've heard his Emily Dickinson lectures. Man cries every time."

As he heads back to his table, you turn to Jimin with wide eyes.

"Did that just happen?"

"Yep."

"And did he just..."

"Give you permission to basically write your paper in normal human language? Yep."

"Huh." You look between your laptop and Professor Kim's table, where he's already absorbed back in his grading. "Maybe the dimples aren't so terrifying after all."

"Please stop talking about our professor's dimples."

"I'm just saying—"

"Whatever you're about to say, don't."

Fair enough. You turn back to your laptop, fingers hovering over the keys.

Maybe this assignment won't be so bad after all.

Even if you do kind of want to investigate why Jin keeps stealing glances at Professor Kim's table and thinking he’s being subtle about it.

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maxwell-grant · 9 months ago

Text

The Penguin: Episode 1 Breakdown

(Episode 2) (Episode 3) (Episode 4) (Episode 5) (Episode 6) (Episode 7) (Episode 8)

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

#dc comics #dc #the penguin #penguin #oswald cobblepot #oswald cobb #hbo #max #the penguin hbo #matt reeves #lauren lefranc #mike marino #colin farrell

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