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#fanfiction tips
thewatcher727 · 21 hours
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Writing A Review Tip: What To Look For When Writing A Review
More writing a review tips
Writing a review isn’t just a matter of saying, “Good job, nice work!” While it’s a nice sentiment, it’s not really helpful in terms of actual criticism. There are a lot of things to look for when you’re writing a review.
Spelling & Grammar:
This should be at the top of your list. Too many spelling and grammar errors can really take the reader out of the immersion. When you spot words that are misspelled or incorrect, point them out and suggest the correct form. However, also keep in mind that some words can be spelled differently depending on the language. For example, in the UK, "color" is spelled "colour." So, it’s not incorrect—just a different regional variation.
Descriptions:
A big rule in writing is to show, not tell. Check if the descriptions are clear and engaging. The amount of description depends on the type of writing, but generally, as long as they paint a clear picture without overwhelming the reader, that’s the way to go.
Pacing:
Pacing refers to how fast or slow a story moves. The pacing can vary depending on the context. For example, the story might slow down during a heartfelt conversation between characters, or it might be fast-paced during scenes of non-stop action.
Characters:
Are the characters acting consistently? For example, if John is always happy in one chapter but suddenly becomes constantly angry in the next without explanation, that would be inconsistent.
Dialogue:
There are two important things to remember with dialogue. First, it should be clear who is talking and who they’re talking to. Second, the dialogue should sound natural. If it doesn’t sound right when you read it out loud, it probably doesn’t sound natural on the page either.
Progression:
The story should flow nicely. While there can be room for filler depending on the context, you generally want to make sure the overall story is moving forward.
Tone:
Tone refers to how the story feels. Is it lighthearted, or does it tackle darker, more mature themes? You want to make sure the tone is mostly consistent. Sometimes a character may joke or make a quip to ease tension, but that shouldn’t disrupt the overall serious tone of the story.
Engagement:
Is the story keeping you engaged and excited to read more? As a general rule, if a story doesn’t capture interest within the first few chapters, there’s a good chance the reader won’t stick around for the rest.
Continuity:
Is everything consistent? For example, if the chapter begins in the morning and there’s only one scene, but by the end it’s suddenly night without explanation, that’s going to raise questions.
...
So, there you have it! When you’re writing a review, just keep these things in mind and you’ll be good to go!
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YOU— YEAH YOU! DO THIS THING WITH ME!
THIS IS YOUR AGGRESSIVE SIGN TO CREAT EVERY DAY FOR ONE YEAR.
Okokokokok so the goal is essentially what I said above. Write/draw something every day for a year. I know that sounds like A LOT but even if you can spare 2 minutes in your day to quickly scrible something into your notes app that's perfect.
Why should you bother with this?
You will end up at 365 pieces by the end of the year
you will improve your skills
you are bound to find some gold
even if you miss 1/3 of the days you will still have 243 things!!!
helps you be more in tune with your feeling (especially if you treat it like a journal)
you can try out different styles in a judgement free zone
uhhhh you love me
you will learn how to be more creative
you will have content to post on your blog/publish/submit to contests
you will have something to keep you going/motivated
you won't be alone
AND LOTS OF OTHERS I DONT HAVE TIME FOR
So this is your sign to write with me
(don't worry about starting on the same day just start making stuff)
I will be posting the things I write on @rheas-poetry-motivation
JOIN ME 🫵
Tagging people for reach and cause i love my moots:
@mister-dirty-hands, @bamb1fawn, @outromoony, @themortalityofundyingstars, @garden-of-runar
@ancientpokemonrock, @ang3lic-t3ars, @justiceforplutoo, @albatris, @gayafaaryn
@lorelangdon, @imastoryteller, @chaoticcandle, @gildy-locks, @jamespotterbbg
@seekmemystar, @tequilaqueen, @picklerab23, @a-k-oblackhat, @leahnardo-da-veggie
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promptsbytaurie · 10 months
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anything with wing clipping. i once tried to do research on it for a fic and,, it is SO angsty
i got u fam <333 (i have way too much brainrot on this bear with me LMAO)
tips for writing ✨wingfics✨
!!please credit/tag me if you use this!! i'd love to see what you write!!
physical differences:
area where wings connect to their back is insanely sensitive!!
feathers falling e v e r y w h e r e
wings are big!! if the wearer hasn't had them for long, or is younger/inexperienced, they're gonna knock shit over
~birb noises~
they're actually really good singers with insane lung capacity, a lot of them are/could be opera singers
thin bones, so they're super light and even though most think it's embarrassing to be picked up so easily there's always One Dude who's like 'carry me everywhere'
smaller birds = smaller people. most wings correspond to a specific species, and hummingbird varieties are notoriously short (though never say that to their face, they will probably murder you <3)
unless the avian is a kind of waterbird (penguins, sometimes eagles) going into water will clog their wings and they could drown!! adding onto this i imagine that avians have special bathtubs and brushes and stuff so that they can properly clean their wings
on the flip side if an avian does NOT clean their wings they can get tangled or matted which a) is super painful b) could impact their flying and c) could cause sickness !!
dislocated wings >:(( this happens about as often as dislocated shoulders do with regular people. this can be caused by a couple things like blunt force, trying to manuever/twist wings in ways they aren't supposed to go, or flying too often/straining wings.
psychological differences:
preening!! it's intimate, but doesn't have to be romantic/sexual. obv there is room for very fluffy and romantic moments but it can be either way
flock!!! it's kinda like a family or a pack
the urge to Make a Nest and Only Let the Flock In
once the Flock is In the Nest then the Flock Will Not Leave Ever
molting!! old feathers fall out to allow new ones to grow in !
molting is basically the bird version of a period except all birds have it once or twice a year. they're more emotional, super sensitive, and extra clingy during molting!!
if an avian gives you one of their feathers it's basically a version of marriage, except it doesnt have to be romantic. its essentially a promise, like a 'we're with each other forever' kinda thing.
just as humans have discrimination, i imagine that avians have it too. more common species like songbirds, ravens, or crows are probably valued in society way less than those like eagles, doves, or parrots, and there could also be stereotypes against species like vultures or condors.
on wing clipping:
in my mind wing clipping is a lot like trimming your fingernails realllly sloppily, except the difference is that you should NEVER clip an avian's wings.
what i mean by fingernails is that the nails themselves don't hurt but if you do it sloppily there are Consequences: clipped too short -> irritated skin. clipped inconsistently -> sharp edges, snags on everything INCLUDING other feathers
huge violation of boundaries/self!! clipped wings -> can't fly. flying is integral to avian health and if they can't fly their mood and mental health will fall drastically.
clipped feathers take a long time to grow back, and therefore clipping has long-term effects. it also damages the feathers themselves (obviously) in ways that sometimes can't be healed
if an avian's wings are clipped their trust goes DOWN and their insecurity goes UP. its likely that if someone else tries to touch their wings they will freak out
clipped wings also make avians more jumpy and paranoid because they've lost their major way to escape/protect themselves: flying away.
angst potentials in wingfics (spoiler: there's a lot):
like i said, clipped wings -> can't fly. write about an avian's first time flying again. (not super angsty but still)
SUPER angsty: write about the actual act of wing clipping.
an avian is neglecting their wing care and tries to hide it.
relationship between a 'noble' avian (eagle, dove, etc) and a 'basic' avian (crow, raven, etc) and society's dislike of the relationship.
or maybe avians are a minority in a human world, and an avian has to hide their wings to be safe.
hope this helped!! <33
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blocksgame · 1 year
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Tips on character voices when writing fic
This is written in mind for people writing fic in MCYT/QSMP/DSMP/Life series/etc kind of fandoms. But if anyone finds it useful for anything else, well then, hell yeah.
Character voice is big in all, uh, fiction, and mimicking it in any fanwork is big. But I think it’s especially big in these fandoms where the voices are so distinct – it’s usually how a Real Person Somewhere (the streamer) talks, versus something very scripted that you’d see in a TV show or novel. And it can be a big difference in your character sounding generic versus really feeling true to the original.
Listen to a bunch of your subject talking. If you want to write a character well, watch vods from their point of view, or episodes where they show up a bunch. Take note of what they say and how.
2. If you don’t know how to start doing that: try literally writing down what they say. Transcribe an actual exchange in fic-format. You probably won’t want to publish a literal exchange from canon, but it will give you a sense of how to physically write what they say.
3. If you do this (or just pay attention to how they talk), you will get a lot of: Stumbling, pauses, repeating words, filler words, weird sentence constructions, fragments, etc. I love em! Here’s something that comes through in improv much more than in novels or movies: Most people, even very charismatic people, are not very eloquent when they speak. Writing out conversations or sentences will give you a sense of the unique and delightful way in which your subject is not eloquent. vvvvv way more under cut vvvvv
(People use a LOT of filler/etc when they speak. It’s reasonable to cut back on this if it’s interfering with a nice-looking or readable result. I believe this is the eternal struggle of people who write transcripts – you want the transcript to be accurate, but there are also a lot of things you can obviously simplify and not lose the meaning. So you’ll end up falling somewhere on this spectrum either way. But I do think a lot of mediocre/generic fic dialogue is very stylized – it doesn’t sound like your guy because your guy literally wouldn’t say that. They would say it worse and more confusingly.)
(I’m serious, if you’ve never sat down with a short non-completely-scripted clip or real conversation or whatever and just written out exactly what was said, do it. It will make you better at writing.)
4. Wonda-cat made a really incredible list [link] of characterizing speech patterns for the Dream SMP members. But you can also do your own reconnaissance and come up with your own patterns, common phrases, etc.
5. You do not have to get EVERYTHING right. You’re not going to, like, get so deep into the speaker’s brain that you can produce “exactly what they would have said if they were somehow in your fic.” That is impossible. You’re just trying to evoke a character, and if you get a few turns of phrase to ring true, you’re doing great.
6. A lot of these people are popular because they are hilarious. Include jokes. Yes, even if your thing is angsty or serious. A lot of the most serious lore I can think of from, e.g., the Dream SMP or 3rd Life or the QSMP - the really story-defining, life-and-death moments - were absolutely hysterical. If you’re writing characters who are usually funny, then add some humor. It can heighten angst via contrast and a sense of realism. Ask yourself what a funny streamer would make jokes about if they were possessing a character in this situation.
7. Some people have the mystical ability to “hear” character voices in their head, and read things in their voice. If you can, do this with all of your dialogue during the editing process. This won’t always get you there, but sometimes it can catch things that sound wrong by invoking "that's really hard to imagine them saying". If you don’t have this power, try recruiting a friend who does.
8. So there’s dialogue and then there’s narration that’s still from a character’s point of view. I’ve mostly given you tips about dialogue, but a lot of this is also true for narration. IMO, narration is less about phrasing things the way the subject would, and more about recreating the way they think. I don’t have concrete rules on how to do this, but here is my wisdom:
You can get eloquent again - narration is more of an abstract and artistic process than dialogue.
Spend time with your subject’s source material.
Pay attention to what they notice and care about. How do you think they think?
Don’t be afraid to get weird with it.
That last one also applies to all art ever.
9. MCYT tends to give you a great boon you don’t see in other media: what the speaker says to their chat/audience when nobody else is listening. This can be incredibly characterizing even if you’re writing a story where people don’t have chats. It’s your person talking about their thought processes and feelings! Mine that shit.
10. Some questions that might help guide both characterizing narration and dialogue (that you’d get from dialogue):
How open are they about their feelings?
How often do they lie? What do they lie about?
What kind of metaphors do they use, if any?
How quickly does their mood change?
How can you tell when they’re in different moods?
What kind of things do they pay attention to?
How formal is their speech?
11. Finally, this is a little odd, but I find it’s much, much easier to write a character that sounds good if I, the author, like them and am rooting for them at least a little bit. If a character needs to be there who you don’t love, try to love them. Or at least get a sense of what other people love about them. It just makes everything else easier. I swear to god.
Happy writing out there!
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toxicpineapple · 10 months
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writing tips masterpost
hello to my loyal tumblr followers... i am often asked to give writing advice but usually when people ask me this i'm nooooot completely sure what to say despite having a ton of advice to give. it's such a broad question when there are so many different things i can advise on, right? so i thought i'd make a sort of writing advice masterpost where i can compile the tips that i think people specifically in fandoms could benefit the most from hearing, OR that i wish someone had told me when i was still finding my footing as a writer.
hopefully this will be helpful to you. i am putting all of the advice under a read more since this is going to be a long one. let's roll!
✬ paragraph breaks are your friend
the fastest way to get me to stop reading a fic is if i click in and see that there are NO paragraphs made and the entire piece is in a huge block of text. no matter how good your work is, i just can't read it at that point. the giant paragraph makes me get lost, i can't focus on anything... it's a huge no.
the trick is you want your paragraphs to sort of act as a guide for your reader, taking them through the story, keeping them engaged. do not be afraid to do short paragraphs! i can understand wanting to shy away from one or two sentence paragraphs for fear of not having "enough substance" in your work, but the truth is, a thousand short paragraphs is ten times easier to read than a huge block of text.
realistically, you want to have a good amount of variety in your paragraph length. variety is key. readers will notice when your work gets formulaic, and some people will like that, but for others that can turn people away from your work. but don't force it! a paragraph should end at the end of a statement, or if the paragraph is getting too long then cut off the thought and continue in the next paragraph with a transitional phrase.
as a general rule of thumb, you want lines of dialogue by different speakers to be put in separate paragraphs. you also want to avoid doing huge chunks of narration or exposition in the same paragraph as you introduce a new speaker. just make a new paragraph! no big deal. i guarantee you your reader will be way more engaged and nobody is going to come at you for doing more rather than less.
✬ make sure the reader knows who is speaking and when
you don't have to end off every line of dialogue with "she said" and in fact i would really recommend you don't. but you ALWAYS need to have some kind of indication in the text as to who is speaking, otherwise the reader can get lost.
this doesn't necessarily mean that you always have to explicitly say who is saying what, though. if it is obvious in a scene who is saying something -- so for example, a scene where there are only two characters talking OR the dialogue has some kind of phrase, statement, etc that makes it obvious who the speaker is -- then in that case you can just let the dialogue speak for itself. sometimes in writing less can be more. you disrupt the flow of a scene if you start to exposit unnecessarily when the reader could reasonably work something out for themself.
✬ "said" is your friend too
related to the last piece of advice, here's another note: don't shy away from using the word "said".
don't overuse it, either. obviously, you don't want every single line to be "he says" "she says" back and forth, especially when they might be asking questions or shouting, in which case the word "said" probably isn't all that applicable at all. but it's a nice default. if you catch yourself busting out the thesaurus, my recommendation? quit it. just use said. it's not going to hurt you and the reader isn't going to mind.
but yeah, in the event that a character is raising their voice, whispering, inquiring -- there are tons of other words you can use in lieu of said and then an adverb. it's just context-dependent, and also, you don't really want to lean too far one way or another. like i said, variety is key. too much of the same breaks immersion.
✬ if you wouldn't say it yourself, probably don't use it in writing
another related tip. look, i get it. you want to spruce up your writing with synonyms. but the fact of the matter is that a lot of these words that "mean the same thing" on paper actually have wildly differing connotations and if you don't understand what those are you're going to look kind of silly whipping out a word you just found off the internet. we can usually tell, too.
your vocabulary will naturally grow and expand as you continue to read and learn. you don't have to try and force it to seem smarter in your writing. people who can write compelling prose and dialogue without throwing in fancy words they barely understand look a lot more intelligent than people who have a thesaurus at the ready 24/7.
✬ if there's a simpler way to say it, take it
this one can be sort of style-dependent, so if it's not your cup of tea then feel free to take or leave this tip, but in my opinion, taking a whole seven-line paragraph to describe a simple action wastes both your and the readers' time.
how many times have you read a fic where the main characters are having a conversation with these long rambling paragraphs between lines of dialogue? sometimes this makes sense! if you were writing a death note fic it would absolutely make sense for light or L to be pausing every few seconds to carefully analyse their opponent's move... but that's not always the case. sometimes characters are just making small talk.
i'm not saying you can't show off. you should show off where applicable. but there's a time and place. sometimes a scene benefits more from you taking the easy way to describe something and moving on. flowery language is great, but if you're meandering too much the reader will lose interest and attention.
✬ a metaphor is useless if nobody knows what it means
writing is subjective and highly personal. write for yourself first and foremost, and use the metaphors that feel right to you -- but the best metaphorical pieces, to me, are the ones that people can understand and identify with.
you've read a story like that, haven't you? with a reoccurring theme or motif that comes back into play at the end in a way that makes you feel so satisfied and complete? THAT'S what you aim for with literary devices like that. if you write a story that nobody can understand, with metaphors that just don't make any sense -- then you haven't really successfully told a good story, have you?
i understand wanting to have a magnum opus. i think it's easy to fall into the "misunderstood writer" mindset where you want your pieces to be so magnificent that only the likeminded will get it -- but writing is a form of communication. metaphor is just another means with which we can illustrate how we feel. you WANT your readers to understand what you're doing with the metaphors, you WANT the people who step away from your story to know what you were trying to say. you don't have to be obvious, just make it good. make it something that can be reasonably drawn from the text.
at the end of the day flowery language is just flowery language. that doesn't actually make your story good.
✬ grammar intermission
(.) period/full stop: used at the end of sentences. oftentimes not used at the end of sentences in dialogue, because lines of dialogue are considered a fragment of a larger sentence. use a period/full stop at the end of a line of dialogue if the dialogue is followed up by another complete sentence. example:
"i just went to the store," he said, scratching his head.
"i just went to the store." he scratched his head.
(,) comma: used in the middle or to separate different clauses (parts/sections) of sentences. used for incomplete clauses, AKA sections of the sentence that could not function as individual sentences. also used to indicate a slight pause. example:
she reached for the ripest banana, plucking it from the bunch.
a comma can also be replaced by a conjunction like "and" or "but". example:
she reached for the ripest banana and plucked it from the bunch.
(;) semi colon: used to separate different complete clauses in sentences, AKA sections of the sentence that are related but COULD function individually as their own sentences. example:
he sighed as he looked out the window; it had been so long since he stepped outside.
not to be confused with
(:) colon: used at the end of a line that leads into or introduces another line. example:
his fingers drummed restlessly against the window sill. it was finally happening: he was finally leaving this place.
(-) hyphen: used to connect compound words like three-years-old or hyphenated surnames like jones-smith.
(–) en dash: used to indicate ranges of time or distance, like 3–4 hours.
(—) em dash: a girl's best friend. slash j. but an em dash is used to indicate a few different things: an abrupt end to a thought or sentence, a "cut-in" where you interject something tangentially or unrelated before returning to the original thought, or a diversion in the sentence/thought. examples:
"no, listen, you don't understand—"
he scowled—an ugly look on his usually handsome features—and told her to be quiet.
it's not like she had wanted it to go that way—but when had it ever mattered what she wanted?
(()) parentheses: used to add additional context, information, or a semi-unrelated thought that would break the flow of an ongoing sentence without completely taking the reader out. example:
"no, i'm sorry. i just forgot to call you this morning," he said, looking away. (in truth, he'd sat by the phone for fifteen minutes trying to psyche himself into it, but hadn't been able to muster the courage.)
✬ show don't tell, and tell don't show
show don't tell is one of the classic pieces of writing advice that i do, often, think is correct -- but it's a little more nuanced than just never telling your readers what a character is thinking. you want the work to speak for itself without you implanting messages or themes into the reader's brain. at the same time though you don't want them to be doing too much work because it breaks immersion.
this ties into what i was saying above about simpler being better sometimes. you want to be concise especially in scenes that might call for it. a fight scene should be quick and snappy. no need to dig into the physical sensation of being enraged -- just say the character is pissed! but if a character is having a meltdown or panicking, you can get SO much more out of describing how that feels than just outright saying it.
✬ remember your perspective
another huge thing with show don't tell is that you don't want your character to be able to objectively say what everyone else is thinking and feeling -- unless that makes sense for them within the context of the story. really dig into it. DOES the character have a reason to know what their opponents, friends, etc are thinking? how well do they know the other characters? how attentive are they to the emotions of those around them?
it's better to focus on descriptions than labels in that case. say what face a character is making, describe their body language or tone. your character can have impressions, just make it clear that those ARE their impressions. and let your character be wrong! they do not have to be a completely objective source of information.
✬ when it comes to representation, if you aren't confident you can do it well, don't do it at all
i'm one of those people who's kind of of the opinion that white or cishet or otherwise systemically advantaged people have no place being the loudest voices in conversations about representation, least of all AS the representatives. if you are someone with systemic privilege and you choose to portray someone who is oppressed -- that's not necessarily a bad thing. but you need to be willing to do your research and have a sensitivity reader, and you have to be ready for people to say you did it wrong.
not much else to be said about that. your voice on the matter isn't actually all that important. there are people from the demographics involved who DO have stories to tell about themselves that will be MUCH more valuable than your perception of them, so it's honestly better to just let them tell it. that's how i feel.
✬ don't break the rules unless you know how to follow them. in other words, your rebellion should be obvious
a lot of times i see people breaking grammar or other rules and citing "stylistic" choices as their reasons why. which is all good and well, to an extent -- but you want it to be very clear that you ARE breaking the rules on purpose in a way that adds to the artistic merit of your piece.
if you don't know the rules, then it really just comes across like messy work. you both have to know how to apply the rules, and also how to break them in a stylistically significant way. if it doesn't make sense for the rules to be broken, if it says nothing... it's honestly better to just follow them. that's my take.
✬ don't be scared of names and pronouns
i said before that you want variety in your work, and that is very very true -- but it's also true that certain words like names, pronouns, etc will sort of blend into the background in writing. people don't notice them. that means if you're using a name or pronoun a lot in a scene to make it clear who exactly is being referred to...
hey. look into my eyes. breathe. it's okay. you do not have to resort to highlighting arbitrary characteristics of the characters. i know. just breathe. it's okay. use their names. they have them for a reason. it's all good.
this isn't to say that you SHOULDN'T do that, just do it when it makes sense to. if height is something the characters are noticing then use "the shorter boy". if age is relevant, eye colour, hair colour, whatever -- go ahead and use them. but don't be excessive with it. i should not be having to read the bluenette more than i'm reading shuichi's actual goddamn name.
✬ read
this is the huge one. reading other works informs your writing. it teaches you skills and tricks you can use. it helps expand your dialogue and your world view. it might even highlight to you things you do too much of in your own writing. read, all the time, whenever you can. it doesn't have to be books. it can be fanfic, articles, whatever -- just keep reading, because you will be passively absorbing knowledge during that time and it'll help you grow as a writer.
✬ practice
BOOOOOO TOMATO TOMATO TOMATO! SHE SAID THE THING SHE SAID IT!
but listen, it's literally just true. i write almost every day for at least a couple of hours and i have been on a trend of consistent growth for the past five years. go read my fics from 2019 if you don't believe me. i've grown fast and i've grown constantly. you just DO grow through constant practice, even if it doesn't always seem that way.
not only that, but you start to build confidence too. writing a lot helps develop those muscles to a point where you start to realise that you ARE that good and you DO have that dawg in you. or whatever. you just have to keep at it. you're not going to magically improve thinking for six months about how you want to be a better writer without practicing anything about it.
✬ yeah, betas are good
you want to have a good editor. i know that that can feel like having someone ELSE be the reason your piece is good, but that's genuinely not it. a beta reader is a second pair of eyes on your work, someone who can tell you about the issues and mistakes you're missing. they'll tell you when something doesn't make sense. they'll point out your punctuation errors. you don't NEED to have a good editor for every crummy little oneshot... but it's good to have one.
✬ numbers are fine and all but don't compare yourself to other people
i think almost everyone in some kind of creative pursuit wants to get some kind of acknowledgement for it. we want to be the best we can be, and it can be discouraging to receive utterly no validation along the way! i get it!!
just don't get caught up in crunching the numbers. you are not as good as your fanbase is. you alone know your skillset and you absolutely should not say "well this other writer got THIS much attention" because that'll just wear you down. it really will. external validation will only keep you going for so long, and you'll always end up needing more. you HAVE to build your own personal confidence first or you'll crash and burn.
✬ read your writing out loud
there is no quicker way to see if something is wonky in your prose than reading it out loud and seeing if it makes sense verbally. i highly recommend this to anybody who struggles with sentence flow. it's a good one.
✬ yippee hooray!
🥰 and that's what i've got for now. thank you if you made it this far, please take all these tips as you will, it is all subjective of course, these are just the tips that help Me the most when i sit down to write something.
please feel free to ask me for additional advice (on specific topics if you could!) at any time, i love encouraging new writers and i am passionate about writing so i will gladly offer support in any way i can, including beta reading works for anybody who might need that.
take care now 💖
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romanarose · 4 months
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"Show, don't tell"
Well sometimes, you just need to tell.
Writing is about learning when to show, when to tell, and when to trust your audience is smart enough to pick up on the subtext.
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From non-native speaker to non-native speaker: if you're having trouble writing Damian's dialogue because you mostly know contemporary English (like me) and he tends to speak like he reads a thesaurus for fun, watch the entirety of Bridgerton in the original English and write him like he's one of them.
It really helps lmao
Pros: accurate dialogues, you watch a cool show, you'll probably learn a few new words and listening to everyone saying "mama" in that funny intonation is great
Cons: you might develop a British accent (like me)
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hellfirecvnt · 4 months
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A Few Ways to Improve Your Writing (on Tumblr) from Somebody Who Has No Business Writing
*Specifically for writing fanfiction, though some of the tips are universal.
- Indenting. I usually only indent on mobile bc for some reason, it just throws them the fuck away on my laptop. To indent, I usually just do five "spaces." It just looks nicer (imo) and can help with readability.
Example:
This is a paragraph. In this specific paragraph, I'm showing you what an indention is. It's those five empty spaces at the beginning.
- Dialogue changes. When a character speaks, that's a new paragraph. When a different character speaks next, that's a new paragraph no matter how short the speech is. It's always a great storytelling device. You don't even have to label who is speaking every time if you properly use context clues in the rest of your story!
Example:
"I am speaking," said the man. He is a guy and he's totally speaking.
"Fuck you, Todd."
"Whoa." Todd was not expecting that.
- POV. It's easier said than done, but try to keep your story in the same point of view the whole time, or at least clarify when the POV is changing.
Example: Wrong
You smile at Dee. She's your best friend and has been since elementary school. You ask Dee to borrow a pencil and she happily obliges, passing her the pencil. She says thanks to Dee and the two best friends continue writing. (Confusing, especially for someone who isn't a native English speaker.)
Example: Right
You smile at Dee. She's your best friend and has been since elementary school. You ask Dee to borrow a pencil and she happily obliges, passing you the pencil. You say thanks to Dee and the two best friends continue writing. (Coherent and Cambria, baby.)
Additionally, to show an intentional change in POV, just announce it!
Example:
Dee's POV-
This bitch will not stop asking me for pencils.
Your POV-
Oh, fuck. I forgot my pencil again...
- Complete words. This may be a personal thing, but around the time that Stranger Things 4 came out, I noticed a TON of people just not using the first few letters of the first word of their sentences?? It's another one of those things that's unintentionally inaccessible for people who don't speak English as a first language.
Example: Wrong
"'m not tired yet," she said.
Example: Right
"I'm not tired yet," she said.
- If it's a reader insert, please do not describe Y/N. Pls don't mention hair texture, but a vague style is usually fine. Pls don't mention body size unless it's specified. Don't mention skin tone. Pleaseeee, don't take away from someone else's ability to see themselves in your work that's specifically meant for the reader to see themselves in. Lots of communities don't ever get to see themselves in media, don't take fanfiction from them too.
- Use bold/italics. Both of these things can breathe a whole new life into what emotion you're trying to convey.
Example: No bold/italics
"I told you not to go there. Now we're both screwed."
Example: with bold/italics
"I told you not to go there. Now we're both screwed."
- Reread periodically. When writing a story for a few days, take a moment to go back and reread everything you've put down so far. You'd be surprised by how many little details and storytelling devices you'd forgotten about between writing sessions.
- Hit "Save Draft" literally every 15 minutes or any time you set your phone down if you write on mobile. Speaks for itself.
- AI will fuck you over. Don't be a fuckin' loser.
- Your ideas are NOT bad. Don't water down your vision in hopes that more people will read it. There really is something for everybody. You're doing yourself and your audience a disservice by changing your storyline to be more "mellow" or "relatable." It can be big, it can be dramatic, it can be weird, it can be angst or fluff or smut or literally anything bc YOU made it! No matter what, there will be people who love it with all their flesh and bones and people who scroll past after the first few sentences. It's all about chemistry or something idfk.
(Drop more tips in the comments/tags/reblogs for the new writers of Tumblr ((and me)) to learn and grow!)
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hannawinchester03 · 10 months
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THE CASUAL MEET UP..
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Mob boss! Bucky X Fem Reader
The story of two people who shouldn’t be in love but they are, one of them know this already and the other is just lost, trying to make it through life.
Plot line..
(Y/n) runs into some trouble with the law, needs help getting out of the situation, so she uses a friend’s advanced and gives Bucky a call. A man with endless access to money and helps people in need, for the right price of course. Something that’s sounds strange to some, but perfectly normal to others.
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This chapter contains: family loss, grief, alcoholism, knives, guns, money, poverty, physical abuse, mental abuse, mental illness, and depression.
Word count: 2,000
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(Y/n) let out a small sigh as she leaned back into her seat at the bar taking another sip from her glass swallowing the last sip of her whiskey as she looked around at the vacant seats around the tables in her once very popular family restaurant.
It has been 3 years since the incident happened, for the last 36 months it had been eating her alive, watching her back everywhere and anywhere she went awaiting for the arrival of the people to come and finish off the job, waiting for them to kill her and putting her out of her misery but it seemed to never come.
“Why me..” she mumbled out as she slid off the seat standing up as straight as she could as she held onto the wooden bar countertop. As she stepped down she let the glass cup fall from her hand hearing it break as she let go of the countertop walking over to the other side of the room.
She made her way to the empty stage kicking an empty beer bottle to the side as she sat on the edge of the stage her feet dangled as she got herself situated, she rubbed her face a little as she let out a groan trying to wake herself up, but she had a little too much to drink so her eyes were glazed over even after trying to rub it away.
(Y/n) looked around at the dimly lit dining room, observing as some of the back corner tables had chairs up on top of them as if to tell the customers to not sit there, she lightly shook her head as she looked at the other end of the restaurant seeing the street lights lighting up the inside of the abandoned looking restaurant she once called home.
(Y/n)’s mind was once filled with great memories of running around the restaurant with her mother greeting everyone of the customers as a child with a menu and looking up at her mom as she introduced herself and took their orders.
Memories of sitting in the kitchen listening to her father as he sang along to the radio and cooked all of his and his wife's family recipes, telling her how one day all of this would be hers so she better pay attention closely.
Not only was her mind filled with childhood memories but with her teenage years, walking customers to their tables, now her introducing herself and taking orders, bringing the customers anything they needed as she would make small talk long enough for the food to come out bringing it out watching as they smile happily sitting back with their families and enjoying their food as they listened to live bands play music.
These are all the good memories that (Y/n) liked to think about, granted there were a lot of memories trapped inside these walls, most of them were good but there were some bad.
She will never forget the time she walked into the kitchen seeing her father with a knife up to her mothers neck, threatening her for who knows what, she always pushed it aside as she didn’t like to think about it much, thinking it’ll get better but it only got worse.
The next time her mother was holding a gun to the back of her fathers head. “You know we couldn’t afford it! Why would you..” (Y/n) listened to her mom scream at her father as she watched from behind the door trying to hide so she could watch but she was spotted, she couldn’t help but jump as she watched her father turn and punch her mother watching as she fell onto the cold pavement.
(Y/n) always thought those were the worst moments of her life growing up, but as she got to her teen years she told herself it was normal, all families were like this she always told herself. She would fake a smile making sure all the customers were happy as she tried her absolute hardest to keep them coming as the food got worse and they began to lose business everything going down the drain.
All leading up to the day she will never forget. It was a normal Wednesday afternoon, a nightly band who were just a couple of high school kids that had instruments and would play their best music they could, each one already exhausted from their school day but they got as much free food as they wanted so they stuck around and played lousey music in hopes for some extra tip money.
(Y/n) worked the night shift, so they always came into work at 7:30 and would be there all night until 5 am. The restaurant had a bar and most of their business was from all the drunks coming to their bar once all of the other bars closed, so they stayed open as late as they could.
(Y/n) remembers it like it was yesterday, walking through the back door leading to the kitchen hearing a loud scream and a gun shot not long after. She remembers gently setting her keys down so she wouldn’t make noise as she looked around the corner to see what was going on.
The sight she saw was her mother on the ground with a puddle of blood forming around her as her father was backed up against a wall with a gun pointed to his head as an older gentleman stood in front of him without a mask or anything, (Y/n) always found that strange, she could never understand how someone could do something so hateful and still have the nerve to do it without a mask to hide their identity, as if they were above the law and their wouldn’t be consequences for their actions.
“Where is all the money, all the money you owe me!” Is all (Y/n) heard before she heard a loud gunshot watching as her own father got shot making her cover her mouth as she moved back around the corner going to run out of the back door they she had come in from but she stopped in her tracks as she saw the door swing open making a loud bang as a man with a gun in his hand standing in the doorway.
(Y/n) felt her heart drop as she watched the man take a step inside towering over her it seemed like as she fell to her knees holding onto her necklace her mother had given to her as she closed her eyes waiting for her doom.
All she heard was two or three shots making her flinch as she tightened her grip on her necklace. “this can’t be happening..” she remembered telling herself under her breath as she curled into herself.
For what seemed like hours she waited until she felt someone’s strong grip on her arm as she was pulled to stand up making her cry out in pain at the strong grip as she was holding her so she wouldn’t fall. “What do we do with this one?” She heard a voice say as she tried to look up but her eyes were full of tears she couldn’t see anything. “Take her to a hotel.” Another man said out as she watched the silhouette through her fuzzy vision as it got closer. “I’m sorry we didn’t get here in time, we were supposed to protect you from seeing that.” Was all (y/n) heard before she was unconscious.
The next thing she remembered was waking up in a hotel bed, wrapped in silk sheets as she looked around still in the same work clothes she had been in the night before. She rushed out of bed and looked out the window seeing she was nowhere she could seem to remember, which was strange since she knew just about everywhere around her.
As she ran to the nightstand to grab the phone to try and call someone she realized the phone was not there making her look around frantically opening all the doors to bathrooms and closets until she opened the main door and ran down the hallway getting to an elevator, once inside she pressed the main floor button.
She watched as the numbers went down and when the doors opened she ran out to the front desk. “Sir, where am I? What day is it?” (Y/n) said out to the man who was mopping the floor making him look at his watch and begin to speak in a different language making (Y/n) fall to her knees crying as she knew she was lost in a place she probably couldn’t get away from.
“Ma’am you’re okay, you are in upstate New York, the date is Friday, August 23rd,.” (Y/n) heard as she felt someone holding onto her shoulders as she wiped her tears away and looked at the woman in front of her as she was kneeling in front of her. “Thank you..” she mumbled out as she looked up at the woman and sniffled a little as she looked around.
“d-do you have a phone? I need to call someone.” (Y/n) asked softly as she tried to stand up but the woman handed her the phone so she stayed in her spot and dialed the number to her family restaurant, listening to it as it rang again and again. “Hello, little joe's Italian restaurant, how can I help you?” (Y/n) heard her best friend's voice making her let out a sigh as she couldn’t find her words.
“Damn prank callers..” was all (Y/n) heard before the phone was hung up.
(Y/n) doesn't remember much after that she chose to forget, after hours and hours of state provided therapy telling them what had happened and them just telling her she gots to accept the fact my parents retired and ran off to their dream vacation, leaving her some money to survive along with the family business, god she loved to wish that’s what happened but she was told it so many times she was eventually made to believe it.
(Y/n) leaned back, laying her back against the stage. As she huffed softly she rested her hands under her head looking up at the one busted glass light bulb for the spotlights thinking about how she’d have to fix it, soon dozing off.
“Hello! Wake up! Did you really sleep here?” (Y/n) heard as she felt someone kicking her foot making her sit up and let out a small cry as her back ached with pain from the way she had fallen asleep. As she blinked her eyes a few times she noticed it was Elizabeth. Her best friend since childhood was a girl whose family came to eat here frequently enough for the two of them to become friends.
“Oh no, I just got here. Wanted to take a quick Power nap before our big rush..” (Y/n) mumbled out as let out a small yawn walking to go behind the bar turning the lights on from the control panel and heard the bell above the door ding as a customer walked in. “I hope y’all are open..” the older man’s voice said as he walked over to the bar, (Y/n) and Elizabeth showed the man a smile. “Of course, it’s 5 o'clock somewhere right.” (Y/n) joked as she grabbed a glass and went to pour him a drink.
“Oh I’m not here for that, I’m here with a business offer..” the man stated as he grabbed a card from his pocket and put it on the bar counter. “If you ever want to sell, or need help give my son a call, he’ll take care of ya for the right price sweetheart.” The older man said as he glanced between the girls before turning around and walked away toward the door.
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Hope you enjoyed! Tried to give y’all as much backstory information so you can feel more part of the story and understand the characters role, stay tuned for the rest!
Here is bucky’s backstory!
Feel free to message me with requests or other suggestions I'm all ears.
Bye, until next time!
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rougepancake · 1 year
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HOW TO WRITE FANFICTION
1) Pick a Hozier song that you like
2) Pick any fictional character(s) that the song makes you think of
3) BIG BANG THAT SHIT AND COMBINE THEM
4) Proofread
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thewatcher727 · 17 days
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Writing Description Notes:
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
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Oh no! My magic system has taken my soul! (why you are working too hard on your magic system)
I don't say this a lot, but the ideas around creating magic systems are way too strict. People will go to writing checklists and follow "writing experts" advice. It'll be something like "what is the cost of using magic?" or "who can use it", which are fine. If that helps you, continue doing it.
In my humble opinion—
YOU DO NOT NEED TO FOLLOW A DIFFERENT SET OF RULES FOR THIS PART OF YOUR STORY! Honestly, that's probably going to make it a lot harder.
What type of magic/supernatural occurrence works for the story you are telling?
Do that.
If you need less of a power imbalance, create costs of using magic. If you need limitations, add limitations. If your story works better without them, don't include them.
All you need to do is make sure you are consistent.
DO WHATEVER SERVES YOUR STORY, NOTHING MORE OR LESS IS NEEDED!
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foxhoarder13 · 7 months
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Now I love creepypasta fics just as much as the next guy.
But I wanna see more things that, if your keeping parts of the canonical character, show us those parts.
If you're writing a Jeff The Killer fic where he has his canonical appearance, then lord knows that's gonna affect some shit. I mean for gods sake this kid burnt off his eyelids.
Show Jeff having to take constant fucking eye drops since he CAN'T BLINK. Have him still after years, make the mistake of going up to rub his eye when he gets something in it.
And while we're on canonical appearances, y'all realize Nina Jeff and Toby all have serious mouth injuries right?
It would affect how they ate. How they talked. What they ate, how their faces moved. Show us that.
Toby has CIPA, Schizophrenia, Tourette Syndrome, PTSD, ADHD, Antisocial Personality Disorder, Bipolar Disorder, Depression, Eating Disorders, I mean this kid has a lot of shit going on. That is GOING TO AFFECT HIM.
And yes, you could write the characters as yk, not having these things. But tell us if you're not. Mark it as an au.
Because that's what it fucking is.
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ghl-osty · 9 months
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fanfiction
i’d like to talk about fanfiction real quick because there are some issues really frequently that can make or break a story. and they’re avoidable!! and it makes me so sad when i’m trying to read a good fanfic and there’s so many errors that i have to stop.
NAMES
so this is one i see surprisingly often… please make sure you know how to spell a character’s name when writing a fanfiction. it’s usually something small like damian vs. damien or lucas vs. lukas but to me it’s so distracting and disappointing when there’s a beautifully written story with a character’s name spelled wrong.
SPELLING
this is a big one, too. when writing, some people don’t always have a spell check or an editor built in to their platform. if that’s you, please triple check your work! and here are a few frequent ones i see-
-shook vs. shock
i shook his hand
i was in shock that she did such a horrible thing
-peaked vs. piqued
-he looked like he peaked in high school
-they piqued my interest
blonde vs blond
-she had blonde hair
-he had blond hair
blonde is a gendered word. i’m not actually sure how it’s used with nonbinary people, let me know!
their, there, and they’re
-it was theirs
-she’s over there
-they were scared, and now they’re not
remember that they’re is a contraction of they are!
quite vs. quiet
she tried to be quiet, not making any noise.
they were quite bored with this whole event.
(thank you to @nathaaaan for the suggestion)
SERIES VS. SERIE
i watched a really good series yesterday
serie isn’t actually a word…
BILINGUAL CHARACTERS
please, please, please do some research if you write a character who speaks another language. even if it’s reading other fanfictions to figure out how your character’s language fits in with the language you’re writing with.
-having a character to say that it’s ’hard to switch back’ is… unrealistic at best. i wouldn’t recommend using it.
-please gender the words correctly! in most of the romance languages, words are gendered. make sure to add that in!
REPETITION
unless you’re going for a gimmick, i’d be careful with repetition. having a character say something more than once, especially in the same sentence, can be annoying and makes the dialogue sound forced.
especially the word antics…. i literally had to put a fic down because ‘antics’ was in every other sentence.
ex: “Lily sighed, annoyed. She was so annoyed!”
(yes this is a real actual example with the character name changed. don’t let this be you.)
FORMATTING
i think this can be overlooked a lot but format is important!!!
-paragraph breaks!! seeing a huge chunk of words with absolutely no breaks is overwhelming. add some space!
-“the punctuation goes inside the quotations.” he said
-i know i’m being a bit of a hypocrite, but capitalization! names, beginning of sentences, and places!! if you don’t capitalize, at least be consistent with it!
“This is how fanfiction, or really any writing, should be formatted.” Eli said with a smile
“And every new sentence should be a paragraph break,” interjected Alex, “Unless you’re going for a certain style. In which case, you do you.”
Eli sighed. “That’s true, Alex. What OP didn’t know was that tumblr has a formatting issue, so that when she posts this, the paragraph breaks won’t show! She hopes she fixed it. But it might not work!”
“We can always imagine the bullet points as paragraph breaks.”
-friendly neighborhood reminder that paragraph breaks happen when introducing a new idea as well!
-bolds and italics are important.
“I told him not to go,” acceptable, a bit dry.
“I told him not to go,” exquisite, flavorful.
and as always. please make sure they’re talking like people. not disney sitcom characters.
PAST, PRESENT, AND FUTURE TENSE
you would not believe how much i see this messed up. and it’s easy to get wrong. remember, you can always look something up if you aren’t sure. but stay consistent with your tenses!
past tense
She walked up to the drab, grey building, trembling. As she pulled the door open, a bell rang, signaling her arrival.
this one’s probably the most used. notice that it’s almost like we’re retelling the story, after it’s already happened (hence past tense)
present tense
She walks up to the drab, grey building, trembling. She pulls the door open, and a bell rings to signal her arrival.
we have to change quite a few words for the same sentence to make sense in present tense.
future tense
She’ll walk up to the drab, grey building, trembling. She’ll pull the door open, and a bell will ring to signal her arrival.
i honestly don’t think i’ve ever seen future tense used in a novel unless it’s used in dialogue. but it’s almost as if you’re speaking hypothetically about an event.
but please make sure you’re consistent with these! don’t use one and then switch to another!!
now of COURSE writing is a form of creation, and you can ultimately do whatever you want! if you want to write something, write it. this is just a little guide for some of the mistakes i see most often!
but all in all just double check your writing, always!!! there are so many good works out there that could be great.,… if you don’t have someone to beta read you can always send it to me or put it in word <3
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skiter-cat-slaying · 1 year
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Hermitcraft fans. I’ve seen a lot of fics where they have a rule of “no asking for backstory” and it’s always taken so *seriously*. These are the Hermits. They joke about e v e r y t h i n g.
They would totally joke about it like
(they are playing detectives)
Detective Ren: Where were you last night, miss Joe Hills
Joe Hills, the most open man ever: Xisumaaaa!! He’s asking about my paaaasst!! Rule breaker Ren!
or something like
“Dude wtf were you doing in your life that made you refuse to build castles scar”
and scar would get all fake solemn: “well.. at a very young age, castle’s ate my parents……”
or angsty!
“lmao why are you so secluded all the time”
“… I-”
“oh crap sorry I didn’t mean to upset you–”
Thosr are wayore fun than the writer just stating the rule and only touching on it when it’s important to the main character! And I’m not saying I hate the “no backstory unless person gives the okay” rule, it’s a solid rule, but it could be way more fun.
I might just want more silliness in angsty times….
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whackacole3 · 1 year
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do you have any tips for new writers? you write fast and your fics are pretty damn good so i thought it would be good to ask you!
omg yeah, i can try! here’s a few things that come to mind. this stuff is mainly for writing fanfictions, but i guess it can apply to books as well?
reminder this is just what i suggest, if you think differently that’s okay! every writer is different.
and if anyone has any more suggestions, feel free to either comment and/or reblog with your suggestions.
(also idk what speed has to do with anything but that just comes with practice and motivation 😭)
1.) stop caring and stop worrying. i know this might sound counterintuitive but it's really not when you look deep into it. once you sit down and decide to just have fun is when your best work comes out, at least for me. writing is supposed to be fun, you’re supposed to enjoy it. if you find yourself stressed and dreading writing you’re doing it wrong. remember to take breaks if you need it to refresh yourself. writing is extremely hard, but i believe in you. just try to have fun!
2.) find more ways to come up with ideas. i think most people would agree that prompts are hard and many people don’t know how to come up with them. personally, i use quotes. if you know anything about me, quote fics are my fucking life, man! you can use lyrics from songs, a funny moment that happened in your life, a saying your parent always told you while growing up, literally anything! go wild.
3.) find your unique style. when it comes to writing, everyone has a style just like when it comes to any other art form. i write in a more casual, organic style because that’s what comes naturally to me. don’t try to mimic other’s styles because you think yours isn’t “good enough” or something of the sort. you can take inspiration, but don’t forget to be true to yourself and your own style.
4.) write how you want. piggy backing off the last one, don’t let anyone tell you something is “improper” or whatever. if you think adding a million commas best suits your story, then so be it! i use dashes, ellipses, and semi-colons like my life depends on it. it’s an important part of how i write and that’s that’s okay.
5.) make sure to commit to it. while it is important to not push yourself too hard and to take breaks if you need it, don’t forget to commit to it. try and write everyday. whether it be only a paragraph or the entire story in one go, every little bit helps. it gets you into the groove, basically! i’ve heard some people say that 250 words should be your daily minimum, but personally mine is 100. so it’s whatever works for you.
6.) don’t expect it to be easy. writing is hard, that’s just the case. you are making up your own stories (with already set in characters or not) and coming up with things is hard! it’s going to get confusing at points, it’s going to get frustrating, it’s going to make you want quit sometimes. this will happen especially if you write longer form content.
7.) don’t give up and always believe in yourself. feeding off of the last one, no matter how hard it is, don’t ever give up. take breaks for however long you need, but never give up. you can do this. and if no one else believes in you, believe in yourself. you are what matters.
8.) don’t forget to edit and revise. you don’t exactly need to go over your work once you finish, but it’s a very good practice. if look through it at least once or twice: you’ll find mistakes that you maybe didn’t notice; you’ll notice scenes/sections that you can elongate to better serve the purpose/narrative; you could find things don’t matter and can be removed; and so much more. you don’t need to go crazy over it, but it’s definitely something you should do.
9.) don’t forget/be scared to ask for help. everyone needs help from time to time, even the best authors/writers need guidance from others. ask your friends to help with a scene/part or two if you need it, if they’re willing ask them to edit/beta for you, and so forth. you’ll never get anywhere without the help of others, you can’t do this on your own and that’s okay. you might want to be independent and get there by yourself, but that will be ten times harder than if you just ask for a little bit of help.
10.) write for you and nobody else. i would say this is probably the most important one. don’t worry about what others think, story telling is for you! yes, you might share it with others (directly or by posting it online) but at the end of the day, it’s for your enjoyment and no one else’s. if you want to write an OC and canon character, do it! doesn’t matter if no one cares about your OC other than you. YOU ARE WHAT IS IMPORTANT!!!
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