#glorious post

[notquitepublic]

it. it stack overflowed itself down through hell and back up to the pearly gates. hell did not possess the depths this house requires.

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

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[kyuyua]

Proud of my king 👑

[heartstringgs]

pre-tfc , extra content :

the raven king, chapter eight :

the king's men, chapter ten :

the king's men, chapter seventeen :

kandrew [ w/ neil ] + the 2 year quest

[nutsack90]

redrew my fav skybound panels

[fighto-art]

Happy belated birthday to the best episode in television history dayum

[charmwasjess]

I actually love the characterization that while Qui-Gon and Obi-Wan truly do love each other very much and end up having a successful working partnership, they are SUCH different people, and actually, really find each other fucking annoying when you get right down to it, while still caring deeply about each other. Qui-Gon is having a stratosphere-level theoretical philosophical conversation in his head while Obi-Wan is so present and practical and funny, and then Qui-Gon's reply when he snaps out of it is like "....stay in the moment, Obi-Wan." Live Obi-Wan Reaction Face: >:o

I think about two scenes I love in Phantom Menace where the film is establishing Qui-Gon and Obi-Wan's dynamic. Obi-Wan's great moment after the, uh, first attempt on their lives "you were right about one thing, Master - the negotiations were short" which is like, actually a genuinely funny observation? Qui-Gon's reaction to this? Nonexistent. We do not get a shot of Qui-Gon's expression, not even an off-camera Liam Neeson dry reluctant chuckle. NOTHING. Cut scene. Sure, this could be the fault of the scene transition, but I don't think anyone watching the scene was under the impression that Qui-Gon bellylaughed and said "good one, Padawan!" The mood is much more of Qui-Gon shaking his head, not dignifying the line with a response.

The other is Qui-Gon's "there's always a bigger fish" line after they've nearly died in another horrific way under the Naboo planet core, a scene that gives me a powerful new kind of combination of fatal levels of thalassophobia-claustrophobia. It could have easily been a "business on Cato Neimoidia" callback reference to some offscreen history together, but no. Qui-Gon just says it, incomprehensibly, while Obi-Wan scowls silently at the controls. And yet, Qui-Gon sounds contentedly amused. It's so fucking hilarious to me. He said that line for the benefit of one person in that ship: him, and he likes it.

They don't get each other's jokes, and yet, I think it's telling that they're both still making them after what, 12 years of Master Padawan partnership. They are both constantly thinking like “what are you TALKING about?” about the other one's core qualities. They both think their miscommunications are the other’s fault. It's incredibly good characterization to me, and it makes them so realistic.

[kikidews-scrapbook]

they're playing dti on mori's laptop

[bogdreamz]

the solar opposites go to the beach!

[cowboythewizard726]

this is the falin touden post gather around and look at her majestic beauty. i need you too look at her. please. i am begging. you need to see beautiful wonderful girl.

[moth-nocturna]

my fav twst event & my fav trio !

[sweet-little-tank-top-number]

Stargate SG-1 is the story of how one man with ADHD has to wrangle his team of three different flavors of idealistic autistics. Together, they save the world from cheesy 90’s ancient Egyptian aliens.

[noirandchocolate]

RICE Alzheimer's Research Institute

Terry died on 12 March 2015, having given his PCA a run for its money.  Open about his diagnosis, he has helped to unlock the secrecy and stigma that often surrounds dementia.  His legion of fans is undoubtedly grateful that despite the inevitable progression of the PCA he was able to fight his ‘embuggerance’ and continue to produce a number of both well-received and well-reviewed books.  Terry was also a great example to me in emphasizing how important it is that, in caring for people with any type of dementia, we always look for what people with a condition like PCA can still do, rather than what they can’t: by maximizing what is possible, a person can still live well with dementia for a significant time.

–Professor Roy Jones, Director of RICE (taken from “Terry Pratchett: His World”)

I wanted to post something for the Glorious 25th about the Research Institute for the Care of Older People (RICE) in Bath, where Sir Terry Pratchett received treatment for Post-Cortical Atrophy, the type of Alzheimer’s disease that eventually took his life. From the organization’s website:

RICE established one of the first memory clinic services in the UK in 1987 – a service which has since been widely replicated and is now considered standard and best practice by the NHS. In fact, RICE now runs the NHS Memory Clinic in Bath and North East Somerset on behalf of the local clinical commissioning group and local authority through a sub-contract with HCRG Care Group. To date, we’ve assessed, diagnosed, treated and advised 12,000 people with memory problems and their families in our memory clinic. 

Most of RICE’s clinical services and research activities take place in our own purpose built, specialist centre located on the Royal United Hospital site. The building of the RICE Centre was possible as a result of generous donations from major donors, trusts and foundations, and members of the public. RICE moved into the ground and first floor of the centre in 2008. Following the success of the DementiaPlus Appeal and further generous donations from major donors, trusts and foundations and members of the public, RICE converted the attic floor in 2019 to create more office space. This has given us access to much needed additional rooms and offices which will enable us to grow and run more services and activities. We’ve worked hard to ensure that the areas of the centre visited by our patients meets their needs and we regularly receive feedback on how much our patients enjoy their visit to our centre.

RICE not only provides clinical services to patients, but also conducts research into aging and dementia, including performing clinical trials for new drug treatments for memory-related diseases and developing other “techniques for diagnosing, managing, treating and understanding dementia and memory changes in older adults.”

Lady Lyn Pratchett is the patron of the organization, and the website includes a page about how people can donate funds or volunteer at the clinic and participate in fundraising events.

SO, if you’d like to help fund Alzheimer’s research on this Glorious 25th of May–or at any time–in honor of the Man in the Hat, take a look!

[hermitmoss]

Vetinari's Patricianate pulled it off, by the way. After the revolution, slowly, over many years of civil service.

The Times (truth), the remade Watch (justice),

“I'm sure we can pull together, sir.” Lord Vetinari raised his eyebrows. “Oh, I do hope not, I really do hope not. Pulling together is the aim of despotism and tyranny. Free men pull in all kinds of directions.” He smiled.

+ the directions things are going with golems, goblins and orcs (freedom), the Seamstress' Guild (reasonably priced love), and a hard-boiled egg.

[thoughtsboutem]

so we all agree that viktor tops right :}

[thesleepyhollows]

I like to think his Arkham knight design is a good mix of the three. Though admittedly leaning on the dead things and cyber. There is still rope and clear burlap. It’s probably one of my favourite looks for him because of that.

I've made an observation about how official Scarecrow designs tend to go and made a graph to demonstrate.

BEHOLD! SCARECROW DESIGN TRIANGLE:

"Straw-filled ragdoll sack man": Classic idea of what a scarecrow looks like. If you can see Jon in full gear and picture him T-posing in a field scaring away the local bird population or flopping about in the wind like a wet rag, he belongs here.

"Futuristic cyberpunk": The design has a more modern edge to it. Perhaps he's added tubing to circulate fresh fear juice, maybe he's installed a gas mask so he's not breathing his own toxin. Or, maybe he's replaced his arm with a cool robot one that fires syringes. Who knows. If the 'Crow has some obvious tech in his costume though he's closer to this category.

"Dead thing aesthetic": If it's got a macabre feel to it then the design belongs here. Anything between looking like a reanimated corpse, having a skeletal looking face or even some grim reaper inspiration going on are all at home in this category.

As for the hypothetical extremes in each category I pitch to you:

Though tbh I think most of the Scarecrow designs could kinda be the most extreme ragdoll sack man. It really is just the generic Scarecrow design...

The middle part of the triangle is the-man-of-all-time (least extreme of all) taking into account the designs that... Don't seem to lean as heavily into trying to appear anything other than a man in a costume/mask. Would love to see a design that hits a perfect middle of all 3 categories but I'm drawing blanks on that.

I could have also make a fourth category for "Shops at a costume shop/Hot Topic" that Year One or mayhaps Catwoman 'Crow would be the most extreme of, but then I realised that all Jons shop there so what'd be the point?

[tartppola]

happy halloweeeeeeeeeeeeen!!!!!!! yay!!!!!!!