#hell yes... asks...
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chloesimaginationthings · 5 months ago
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I think your interpretation of Cassidy is one of my favourites.
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I love her so much.
I’M GLAD I love drawing Cassidy!!
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technically-human · 5 months ago
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Valentine's Day!!
The boys finally get a happy moment after going through the canon events
This was a commission for @i-am-as-normal-as-you-are so thank them for the cuteness!
The bonus is completely my fault though:
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hinge · 27 days ago
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Hinge presents an anthology of love stories almost never told. Read more on https://no-ordinary-love.co
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epiaphany · 3 months ago
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eddie being literal sunshine (from buck's pov)
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holyfruk · 22 days ago
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more like yaoi wang
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daily-odile · 1 year ago
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everything is the same except Odile is the one looping
oh. heheheheh. muahahahaha. hold on *digs through my pile of disorganized sketches*
Odile loops au; a sketch compilation!!
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Some old fic drabbles + associated sketches under cut (a6 secret spoilers):
hc: Since equipment carries over, as long as Odile uses her book in a fight, she can write down notes and have it carry over loops
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toxic doomed yuri (for a more fleshed out fic I highly recommend The Sweetest Thing by soreimoon, it's amazing)
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hellsquills · 9 months ago
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Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want
My thoughts below the cut! (this turned into a whole ass fic lmao)
Edit: timeline here!!
My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.
However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.
Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????
He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.
And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.
Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.
Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.
In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.
One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.
He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.
He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".
He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).
"Ya'lright, son?"
The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.
"Y-Yeah, yeah, no worries."
He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.
" 'lright then. Can I help ya?"
Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.
"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.
"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."
The man smiles lightly and nods. "Okay. Welcome to the town."
Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-
"Sweet Mother of God almighty."
Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.
"I'm sorry, I- Can I ask your name?"
The fuck?
"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.
"Son, leave him alone." The mother seems to have manners too, good to know.
The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.
"Are you Stanley Pines?"
Well, that's about it.
Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.
"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."
Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.
"I- I can't let you leave. Please. I know who you are."
This man is making it really difficult to believe he's not a cop.
"No, you don't. I'm new in town. Move."
"Listen, I-"
"Move out of my way."
"I know your brother."
The words are like a bullet between his eyebrows.
"You look just like him-"
Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.
The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.
"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"
It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?
Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.
"Hang up the phone, Clarisse, it's okay. Please."
Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.
He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.
"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."
Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.
"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."
Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.
Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.
"My name's Fiddleford McGucket, and I'm gonna help you find your brother."
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Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.
Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol
Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.
In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)
I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory
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okayninjago · 3 months ago
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whenever i have a bad day i remember lloyd had it worse that day..
do you also just burst into tears watching this scene? i do. like. he literally no kidding 100% canonically animated in old hunted gi right after the battle with his dad went to search for his baby girl? the guy who smiled when he won and saw his friends alive and well just ran off to look for her and didn’t find the body and thought she died and he failed her and-
AND ALSO REMEMBER THEIR LAST CONVO BEFORE SHE FRICKIN DIED I CANT BREATHE-
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cameforstuff · 3 months ago
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Ford becomes an opossum
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frudoo · 5 months ago
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I love love love your slasher!141 work and I know that reader is wifey and reader calls the 141 her husbands so I wanna know who proposed to who did reader decide to propose to the boys and then did they have a wedding ceremony and a honeymoon?? Did they do a traditional honeymoon where the like go on a vacation all together or was it like the 142 took a week off of killing people just to focus all their energy and attention on their new wifey??? (I’m sorry if this doesn’t make sense I’ve been drinking a lot to celebrate the end of the semester and finals being over)
I like to imagine that reader decided to take them all out for supper one night, which just so happened to be on the one year anniversary of the day her and Johnny started talking.
Warnings: Allusions to smut but nothing in detail. Fat-shaming, slut-shaming. A hateful, ignorant man gets what he deserves <3
Of course, there was one motherfucker in the restaurant who decided it would be fun to berate you and your boyfriends right to your faces.
"Damn. What, one freak wasn't enough to get you off? You need four of these bastards to satisfy you?"
You had to dig your nails into Simon's thigh to stop him from killing the dude right then and there. Somehow the dumbass couldn't see the rage in all of your lovers' faces, and he kept droning on and on.
"Guess it makes sense, with your size 'n'all. One to hold your cunt open and another to actually get it in, huh?"
John was nearly at his breaking point. Kyle was just about there with him.
"Bet they enjoy fuckin' each other more than you. Don't seem like the kinda guys to marry a broad, 'specially such a whore."
The decision to shove him into the back of the truck wasn't a difficult one, nor was the way they each took their turns making love to you right in front of him as he was hanging from the wall. You bathed and tried to ignore the man's terrified screams as your beloveds dragged him to the barn and the silence that followed. When you left the bathroom, all four of your lovers—drenched in blood—were waiting for you, with Johnny on bent knee.
The cheesy bastards took turns proposing to you (except for Simon—you were his wife no matter what your answer was) and each presented a ring that they'd been saving, souvenirs from previous victims.
There was no wedding, no honeymoon, nothing traditional by any means, just a normal home-cooked meal, a fuck ton of cuddles with their favorite girl, and the simple fact that you're theirs forever.
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technically-human · 5 months ago
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Reverse Verse Kashi (Night Nurse?) and Asa!
This is as good a moment as any to confess I ship them
Kashi was thrown into the lake and swallowed by Angie. Inside, he found Asa, who had been trapped there losing her mind for a while! Kashi was in no hurry to leave (a break is a break) but he ended up asking Angie to let them out for Asa's sake. Feeling like she owes him, Asa decided to follow him. He wasn't expecting that, but took it in stride! And now they can be a comedic duo
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tales-from-the-hexlab · 4 days ago
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Viktor: Jayce... Why did you draw a pentagram on the floor?
Jayce: Your text told me to satanize the lab before you returned.
Viktor:
Viktor: I wrote sanitize, Jayce.
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erandraws · 8 months ago
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Bright star
When I first laid eyes upon you
I was filled with such a longing
to be with you in the dark
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time-woods · 2 years ago
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I love prismo making scarab so flustered but man. Imagining it the other way around is so good too. I feel like it’d hit prismo like a truck if scarab showed any sign of forward-ness towards him, even just subtle touches on his waist or holding him closer I feel like would make the poor guy malfunction!
yes ! ! he would ! ! mainly cause its like 'oh ! hes like- getting better ! hes getting more comfortable expressing himself !' hed be extremely proud n also a mess cause oh wow
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like here for example when scarab kisses him first hes just like 'WOW'
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blueskittlesart · 2 months ago
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love your rabbit comic! How invested were you on warrior cats or watership down as a child?
clocked me instantly 😭😭😭 this was literally my inspiration page from the cottontail pitch
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interoteme · 9 months ago
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My part of an art trade with @kolbasos
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batfambrainrotbeloved · 9 months ago
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it is so not my year but we gotta gaslight gatekeep girlboss our way out like a true Tim kinnie 😌✊✊
Still no computer so have some trad doodles :D
You can not tell me Bruce haven’t even consider the possibility of Cass and Cardinal’s relation…
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HELL YEAH ya got this!! Girlboss it is because this is such girlboss level excellence <333
As always I am blown away by your art and shall hoard it like Tim hoards his birds AND To each- (My ramblings below)
1.YESS- I love the fact that Wisp isnt even visible its just the mask from the shadows and the money is all this poor worker has to go off of. I like to imagine handing the taco out they just see a clawed hand emerge from the shadows and then slowly pull away.
2. Bruce conspiracy stance?? 10/10- and this man kept a VERY close eye on Shivia and Cane, but when he tried asking about any sons he almost got stabbed- three times (the third time by cass)
3. HASGASKD His lil MASKK and Wisp looks like one of those fancy greeting cards. But yes he releases her and is like "Cause some chaos, but for good" and Wisp (sorta) listens as long as its convinenct for her
4. Ultimate transportation, and REALLY adding onto his "pathetic wet cat" vibe even in the mask which is perfection
5. The birds crave their fathers embrace (The father cannot feel his limbs, and is 80% sure hes being activly pick pocketed)
6. Many things have changed in the new time- Tims height definency has not. (Though since they're always so far away and Cardinal 100% has a booster in their shoe- they're tiny but not TINY- and to be fair everyone is small to Bruce)
7. THISSS I love how you managed to portray three different versions all in one, Timothys mask, Tim showing himself having pulled away, and the shadow of Cardinal just behind him. Because in reality Alan is the ONE identity Tim feels free, because Timothy & Cardinal are masks, and Tim is alone.
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