#interested in seeing how this character trait develops

[kittyoverlord]

Something about Liv Skyler's character is resonating with me. I can't quite put my finger on it....

[youngpettyqueen]

you know I'd wondered if Janeway's motherly disposition was something she developed over the course of the series so its interesting to see that its there right from the beginning. she's VERY parental and speaks in a way a parent might, especially in her conversation with the Caretaker about the Ocampa

[greenleaf4stuff]

@theartofangirling love the tags she is the worst and i love her and i can't stand her and i'm obsessed with her this post is a joke but also kind of genuine bc you just don't get to have queer women with that level of complexity (esp complexity around their queerness) in tv even today like you can dislike her and the choices she makes but i do so appreciate how much thought went into her character arc black sails eleanor guthrie

the world was truly not ready in 2014 for eleanor guthrie as representation for girlfail bisexuals. terrible taste in men, fumbles the most beautiful woman in the world, makes the worst possible decisions at every turn. #progressive

[pensamentos-de-droides]

ngl im waiting for at least a few more aphra issues until i really criticize the run but i do kinda agree w/ this (lots of thoughts in the tags . positive and negative ones but all aphra related)

[morningmask27]

Hey so, do you ever feel.. Iffy? Bad? Disappointed? That the Fandom at large only became interested in whistlepaw thanks to faer ship with Frostpaw? I admittedly was feeling a bit like that when the ship first started popping up, although I understand that Whis is quite a background character aside from that (and up until then, more or less). So like I get why fae would gain more traction only now but Idk. I can't help but feel a little sad about it since you've made me develop an attachment to this cat. Just curious about your thoughts on the matter!

I get chronically attached to background nobodies, so I'm used to people not really caring about my faves and I honestly like it more that way because popular characters are A Mess of discourse and drama,

but yeah it is a bit sad that Whis is only really seen as a love interest for Frostpaw in the major fandom, but in a way that's also what fae is in the books. Whistlepaw does nothing outside of supporting Frostpaw (and that annoys me So Much for daily whis purposes, I want more material!!!) and I can't blame the fans for not latching onto background WindClan cat #78 and making up a whole world around them

in the end the fandom portrayal is kinda bland, but inoffensive at least. I made Whistlepaw my little silly and have never really cared about the fandom at large; Fae's basically my oc at this point and if a few people enjoy what I do then I'm content

[ratatattouille]

Why The Arcane S2 Finale Fumbled, Part I

arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.

Let's start with Vi:

Vi and Vander:

Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She took responsibility for the vulnerable, like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters).

Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. A big reason why Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Heimerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

Vander also passes on his sense of responsibility to Vi. He tells a repeatedly vengeful Vi how her ambition to show up her oppressors can overshadow the more pressing priority of looking after those more vulnerable than her i.e. Powder. Like Silco, his advice to his daughter is steeped in his own trauma of getting so zealous he didn’t stop to think what it would cost.

Vi and Caitlyn:

Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover (and getting revenge on Silco).

The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has also never fit into Piltover (and that's also shown in Season 2 act 1-2). She makes no connections with Piltovians besides Cait and (an already disillusioned) Loris who we see for like two seconds.

Vi and Jinx:

This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for The Lanes, she just wants to take Silco's creation--Jinx--out of the equation so it can work. Her priority, like Vander’s, is to keep the vulnerable of The Lanes safe, and both were willing to co-operate with Piltover to protect the people they loved. She believes, like Vander did with Silco, that Jinx (and by extension Zaun) is her responsibility. That the reason bad things happened to Zaunites (Vi’s and Powder’s parents dead on the bridge, Jinx’s mania) is their fault.

Vi blames herself for creating Jinx as Vander does for creating Silco. The only reason Vi agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to kill Silco, while Cait wants to kill Jinx to get her city (mother) back. Vi is still explicitly concerned about Jinx, who she has come to see as a threat to other people she loves (e.g. Ekko, Cait, etc). Vi became an enforcer to protect The Lanes and the (appearance) of peace. Vi internalized Vander’s words and doesn’t want war, even if it means Zaun never becomes independent. But she is doing it as penance for what she feels she didn’t do that led Jinx to become what she is.

The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers is ALSO ignored a lot by fandom, especially because her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx and her enforcer-arc is still centred around Jinx. This gets shoved aside for romance with Cait. All the time we could spend post-breakup focusing on the sisters, quickly circles back to Cait.

Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child.

Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. But we barely explore that. It’s just off to chasing Vander/Warwick only for it to not matter anyways!

(ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).

Summary of Fumbles:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for some (ahem military propaganda) epic battle between humans and robots is very telling about the writers and showrunners.

-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes and robbing Cait’s actions of their appropriate weight.

-(above is an excerpt from Amanda Overton's interview with TheGamer) The culmination of love for Vi's character ends with Caitlyn and not Jinx. Vi's character, whose love is explicitly centred on Zaun and her family, reaches its peak in romance with a Piltovian. To quote Amanda further: "If Vi had no one left to protect, she would fall in love." As if Vi had no ambition outside of protecting her family. As if her dream since she was a kid wasn't tied so much into Zaun. As if the reason she wore an enforcer outfit wasn't because of Zaun. As if Zaunites aren't suffering right under her nose. As if she was the only kid in Stillwater Prison and struggled to survive the whole time she was there. I can't pretend to stomach it. (Again, it's not that Vi shouldn't be happy, it's that the ship had to shove this aspect of her character aside for it to work). If they wanted to really commit to the Vi-in-video game origin story, they should have set it up better and stuck to it.

-Vi herself takes a back seat in most of season 2, and becomes a passive, guilt-riddled yes-man to Cait

-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite (and then separate) the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored during this time)

-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). I’m thinking it was kept because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative.

Yeah, yeah, Vi was overwhelmed by the breadth of love and forgiveness Caitlyn had in letting Jinx go, but that's bare minimum shit. Vi "always choosing wrong" because she *checks notes* keeps trying to reconcile with her sister instead of letting her go since she isn't Powder anymore? So she resolves her guilt by choosing her own pleasure and putting herself first for once. Okay, I don't have a problem with that except that Vi and Jinx were supposed to succeed where Vander and Silco hadn't--by reconciling! And you still won't get me to like the fact that so much of Vi's character arc gets held up in a Piltovian who encouraged her to do the worst shit to her OWN PEOPLE and then fucking turned on her when she couldn't kill her sister. It is frankly amazing how we're supposed to celebrate Caitlyn literally coming between the sisters. I'd rather Vi forgiving Jinx than Caitlyn. And if the whole appeal of Vi's relationship with Caitlyn is that she was overwhelmed with love for how Caitlyn forgave Jinx after she killed her mother, I don't see how a relationship with Cait automatically makes Vi feel less guilty, since Cait also makes her feel guilty for choosing Jinx (remember her accusation "you will always choose her" like sorry I don't want to kill my orphaned, traumatized sister who I ripped into for making an honest mistake as a child and who has carried that since). Caitlyn (as others have pointed out) got a whole ceremony for her mother and instantly turned on Vi's people. The Vi I know would have been like, "You really are all the same," and FUCKING DIPPED. And there's a little acknowledgement of this in act 1 where Vi accuses Caitlyn of acting like Jinx.

Both Jinx and Caitlyn are emotional labour for Vi. Vi still wants to protect Caitlyn from Jinx. There's not that much of a difference, lol, except that Caitlyn is a privileged Piltovian and Jinx is a victim of the abysmal childhood she suffered at the hands of enforcers. Yet the show is more or less saying Vi pursuing reconciliation with Jinx was a bad choice for Vi and the reason the cycle of violence continued (for some reason). The sister reconciliation was what I was here for, personally. Cute ships aside. But noooo, Vi should forgive Cait (not Jinx) to stop the cycle.

And having jail sex is a liberating act for her because it's where they had their meet-cute. (And we're all good bc Caitlyn gave up the Kiramman seat, lmao, like sure okay).

It's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).

Let's Talk About Victor:

Viktor and Heimerdinger:

Heimerdinger and Viktor were the most polar of opposites. Heimerdinger was not only a privileged, ulta-wealthy Piltovian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.

Viktor and Singed:

Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution," which the show hinted at from Season 1 when Singed explained his experiments to Viktor. While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. This is because of Sky’s death (which is partly why it is her who is in the Arcane with him).

Sky’s death is what makes Viktor beg Jayce to destroy the hex core, since he couldn’t do it himself. He is willing to die if that means no more innocent people do. But here’s where I get a little touchy. VIKTOR didn’t KNOW she was there. Viktor was simply desperate to live. Sky’s death was not malicious (even if it’s true to his character that he’d feel guilty anyways). It is at this point that Viktor has Jayce promise him to destroy the hex core (and by god is this where a lot of my contention with the finale comes from). Also, it is important to note that Viktor’s self-loathing is depicted only in regard to Sky’s death (NOT HIS BAD LEG). Now Viktor feels guilty not just for Sky’s death, but also necessarily for trying to live (AND PLEASE KEEP THIS IN MIND). TRYING TO LIVE is subtly treated as an AMBITION that, for Viktor, interfered with his ethics. (And please note that in the end, Singed, who repeatedly embraces unethical practices for reviving his dying daughter gets what he wants).

Anyway, in S2, Jayce blasts Viktor in the chest and all that conviction goes out the window. All this despite Sky (his conscience and “humanity”) being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (apparently because Jayce did it or something). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Because the arcane is corrupting him? That’s convenient for a certain political narrative. Especially because anyone would hesitate pressing a button (in Viktor’s case smashing the hex core) that would guarantee their death. Viktor was being human, not corrupt.

Viktor and Jayce:

Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore.

Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them.

Children dying of disease and violence in The Lanes was by Piltovian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell!

Like I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment.

Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Why does wanting progress equal wanting perfection? You are changing the subject and that is cheating!!!!

Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.

The Glorious Fumblings (A Summary):

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her enforcers “hunt us down like animals"). Cait knew the humanity of Zaunites was real. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes. AND THAT’S JUST IT. Why the Zaunites do what they do isn’t simply because of love and hate, but because of the desperate circumstances they are forced into by their oppressors. Why the Piltovians do what they do, isn’t because of love or hate, but because they are bread in luxury and affluence. Pretending that’s not the case is an insult to the work put into Arcane’s first season (and anyone with a brain and basic empathy).

-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced. Like most of the finale.

-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. I DON’T CARE if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.

-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.

-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.

And Then There's Jinx:

Jinx and Isha:

Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% I DON’T CARE. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Now Jinx sees herself as even more of a poison to those she loves (because she can’t protect them like Vi can and frequently kills them while trying to do so). Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter (and Isha’s surrogate mother). To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together and get Jinx to embrace all she is (both the Jinx that Vi rejects and the Powder that Silco rejected), but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Or perhaps, Isha was a commentary on the cycle of violence. But that this sub-plot really wasn't needed given what we'd already established in Season 1.

Why do I say this?

Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others. Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life. And most definitely NOT romanticizing her pain.

Jinx and Ekko:

Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others).

Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. All that’s ever kept them going is the love of their families. Jinx just doesn't have the same faith in her ability to be their hero as Ekko does, but Ekko manages to convince her for a moment anyways.

Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. I know people have gripes with this Jinx being the hero of Zaun when she literally killed Silco, opening the market for other gangs, but her most famous act is the bombing of the Council, which pretty much all Zaunites were unaware was about to grant them independence. To the average citizen of Zaun and Piltover, Jinx was the symbol of a revolution (even if Jinx didn’t see herself that way and didn’t really want to be). Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX WHERE HE SAID SHE COULD BE USEFUL TO HIS WORK. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)

Jinx and Silco:

This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose (someone to love and be loved by and protect) and nurtured her talent (one that many others scorned). Silco accepted Jinx even though he weaponized her (which backfired for him). As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it.

Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING, INSPIRING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!

I Wonder Who Put All Those Holes In You (Fumbling Summary):

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltovians instead of herself, which needed to happen to complete her arc.

-Isha and Vander misery porn

-(above is an excerpt from Amanda Overton's TheGamer interview) to paraphrase: "SO OUR GRAND CONCLUSION TO VI AND JINX'S ARC WAS TO CONFIRM THAT YES, JINX WAS INDEED A JINX (AND NOT PILTOVER OR ANYTHING HAHA) AND THE SISTERS WOULD ONLY HAVE PEACE IF THEY NEVER RECONCILED - JUST LIKE THEIR FATHERS BECAUSE THAT WORKED OUT SO WELL THE FIRST TIME! :D THE REASON THEIR LIVES ARE IN SHAMBLES ARE PURELY BECAUSE OF THEIR OWN PERSONAL FAILINGS AND NOT AT ALL BECAUSE OF THE SITUATION PILTOVIANS HAVE PUT ZAUNITES IN! XD WE THINK THIS IS ALSO A FANTASTIC THING TO TELL MENTALLY ILL PEOPLE." :)

-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Zaun should have been the completion of her arc, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!

Conclusion

If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.

These are where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover. The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.

But what, instead, do the writers brandish as this solution to the cycle?

Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.

TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.

And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.

P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.

EDIT: I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!

EDIT AGAIN: Here's PART 2.

[euphoria-looney]

Who Said Money Can't Buy Happiness?

"I want that new money. Crisp money, Straight-from-the-mint money. Fresh money. Young money. Push against the tide~" New Money from the Great Gatsby.

Yan?Batfam x Neglected!F!Reader

Pt. 1

Divider Creds: @selysie and @anitalenia

This plot was inspired by @niwaart, @mimiiiiiiiiisstuff, and esp @coldilikeit

You know I've never pegged myself as the type to be too careless and get hit by a truck, because I'm not, that truck rammed into me and I was on the sidewalk, so, if I wake up, I'm suing.

That's what I thought would happen if I woke up in my world. newsflash, and spoilers, I seemed to wake up in this cliche bat family story as the neglected girl. This is actually the story "I Stole the Loving Family of the Villainess."

We follow around a girl named Serena, a cute name, by the way. It fits her as the female lead. She has blond hair and blue eyes, and multiple love interests, from Connor Kent to Wally West, and so on. She is adopted by the royal family, the Waynes.

And do you see this cute portrait with her in the middle brothers to the left, sisters to the right, parents on each side of her, oh and how can I forget even the main bulter, and can you see that small blot of paint, if you squit a little more. Ah- there I am.

That blot of paint- that's me.

While I'm monologing this I'm PUSHING SERENA DOWN THE STAIRS.

You know you can't help but feel bad for me like I'm the legitimate daughter and I get nothing.

Yes, you hear this my bitches, bros, and non-binary hoes. I'm the Villainess. If you guys spent less time fondling over the basic y/n of a female lead you realize how miserable [name] is as a character.

Her mom is too busy caring for her other siblings that she finds it too bothersome to deal with the least talented or least intelligent that goes for Alfred too because, in this story, we're royalty meaning more than one maid and butler, so why waste your time when you can have someone else do it.

Doesn't help that [name] has ears so she hears every mocking word that is uttered by her servants.

And of course, the main family does not give a pinky toe if she dies so that's so cool.

So [name] being a cliche Villainess is exactly stupid and untalented but all she wanted was her family's love and affection which is why she kept sabotaging Serena, which led her to her death.

Getting her memories suck, I mean my ego that was skyrocketing got hit with a pebble which is not a lot but that's because my ego is huge, this girl put herself down so much that I swear if her self-esteem was a rock she'd be crushed by now.

I mean the size of her self-esteem was so low it would be the opposite of my ego.

I mean how can it not be high? I'm rich, pretty, intelligent, and I've had diplomas in more than one field, Mary Sue? More like Barbie. I'm perfect, in more ways than one, except for relationships I've lacked in that department but I've never had one before so does that count? No.

Did I mention I was rich?

So anyway got her memories, it's so... tragic, but don't worry snookums because even in this life there's one defining trait that I still have, I'm rich. Okay, so not rich out of my pocket, I am a princess umkay, but I wasn't a woman in multiple men's fields for nothing.

Anyway back to the case in point, before I "woke" up [name] was having an impulse, her hands were itching to shove this one good orphaned girl that stole her place in the family, what timing do I have to come back right when [name] decided to take action on the impulse.

Hey, at least a perk of being the main character is that you don't take any damage whether that be physically inside or out. But I don't think the family will let it slide they are yanderes.

Yandere is a term for a character who is initially normal but soon develops an obsessive-compulsive grip on the person they like.

"I-I don't know one second I was walking down the stairs and the next I f-fell... but the only person behind me was [n-name]" Serena whimpered, ah- yes the struggles of a female lead the stuttering.

"[name] I can't believe you shoved Serena! This is-" Meet Palmola, my mother.

"So what?"

"Huh?" Palmola's eyes widened.

No in fact the whole family's eyes were in shock.

Since [name] would always make some batshit crazy excuse like the ghost of Grandpa pushed her or something. But why lie, I did shove her, for a good reason too.

"She walks so slow and sloppy, does she have any etiquette? I hope she would, with the amount of time she likes to spend with you Palmola. Fast, efficient, but proper. You did drill that into my head since I was young, didn't you? You even got mad when I did it wrong, is it so wrong I treat her like how I was treated?"

"Young lady-!"

"We'll discipline her later, Serena are you alright? Here take my arm sweetheart." Bruce let Serena wrap her arm around his.

The siblings paired up with each other, and Palmola took one of her son's arms. Leaving me with no one. A normal occurrence, at first it did numbers in the social circles, and still does, so each time I was left embarrassed. How annoying.

"Announcing the Imperial Family, the Gotham Empire, The Waynes."

Everyone flocked to each of the family but mainly focused their attention on Serena, whether it be her face, jewelry, dress, or how sweet she was compared to me.

"Announcing the Imperial Family, the Metro Empire, The Kents." Meet two of the love interests that right she goes for the big brother and the little brother, originally I'm engaged to Connor, but tonight that would change, the engagement is getting annulled, and his reason to the court is "I have set my eyes on someone new, and with many competitors, I can't lose."

It wasn't hard for anyone to know who it was, I think the only one that didn't notice was Serena herself.

Actually, this was a huge arc in the story when all the love interests fight for her love, there was no victor as she did the poly relationship, which really confuses me doesn't she need to make many offspring for each of the families respectable titles, you can't just combine into one entire thing, can you? That be very messy, I guess you could just give away titles but then who gets-

Anyway, that had a lot of readers mad, usually the whychoose situation would be okay, but she mainly focused on Conner so there was actually no reason to choose this route.

Never mind, that's a conversation for another day that I'll just forget.

Connor approaches me grabbing both my hands, attracting attention.

"[name] there's something I have to confess..."

"You're breaking off the engagement"

"I'm breaking- wait what?"

"You've found someone new, that has many competitors and you can't lose a battle you haven't even tried winning, I get it. But I'd like a downpayment of 10,000 gold and you can give the 490,000 gold later to my personal account and we call it even. Deal?" Hustling, though it's a 50/50 shot with many deals with enough eyes on us I'm sure he'll give in.

"S-sure, right. Right- I'll get that to you immediately-" I gave his hand a firm shake before heading off to the...

If you guessed balcony you're wrong, I'm heading over to the food table.

"Did just see what happened?"

"Is she planning something?"

"500,000 gold?!"

"Sister, what are you planning?" Barbara came over.

Also, who calls their sibling sister, like sure, that works.

"What do you mean?"

"That marriage was meant to connect our kingdoms, you'd let that go so easily, and we both know your gaze on Connor, what are you planning." She spoke through her fan, in a hushed voice.

If I made a scene as to not let him go I'd be embarrassing you guys, but if I show that I'm okay with him leaving me I'm ruining a political standing that wouldn't even work out, I'd still do something wrong.

"Have some decorum sister, we haven't had a proper conversation in years, and this is the first thing you say to me? Typical Barbara you think you know everything since you're older and more "mature""

You could tell Barbara didn't take that lightly as she gripped the fan handle tightly, I literally didn't even do anything.

"I'll spare you from any more veins popping up on that face, don't be an ass, we both knew Connor is in love with Serena and that me begging him not to break the engagement would only bring shame onto our family, so I did us both a favor and ended it." I tossed my hair back before grabbing some croissants that were covered in chocolate, powdered sugar, and some strawberries.

Life really is great.

"What about the scandal that would break out."

"Again, it would break out either way, now do me a favor and go back to your group they're staring at me and it's ruining the snack that I have on my plate."

She let out a deep breath before heading off.

Speaking of which I'd rather have a place to place my food and eat it, pretty sure there's a table in the garden under the gazebo if I remember correctly and I don't but whatever.

Just to find a moping Jon.

"Should you be out here?"

"It's unfair once again he gets to have everything"

Oh? Do tell.

I raised an eyebrow at him cutting my croissant in half before placing a half in front of him.

He finally looks up his face turned shocked like I was a ghost or something.

"[name]?!"

I bit into my croissant, nodding.

"Why'd you have to go and break off the engagement, now I have Connor as competition."

I knew this happened in the novel but I just remembered how young he was he's around Damian's age and I'm about the same age as Serena so this was a cry for help.

"Why do you even like Serena?"

"I don't really, it's just... I wanted something that he couldn't obtain he was going to be the first in line, and he's just better than me in lots of things because he has training so I thought, at least I had Serena."

Sometimes I forget that back then age gaps had no restrictions.

"That just means fewer responsibilities anyway, aren't you a little too young to be worrying about any of that? Now, I brought over this croissant but since I'm nice I gave you half." I ruffled his hair and he tried to swipe it away.

"I guess you're right." He started gobbling the desert down.

Honestly, I don't even know why this was a love interest he's literally a minor, maybe that's why the author got backlash against that and the novel was an overall dumpster fire with a basic self-insert MC.

I don't know what's worse the fact that they kept dragging on the storyline or the fact that I'm now in the storyline.

I mean seriously he only liked her because of the plot, he got over this situation so quickly that you wouldn't even know why he was moping earlier.

-

Now back to the circumstance at hand I was at home and seems the family never forgot about me shoving Serena down the stairs, they almost forgot about me breaking off the engagement.

"... what if she got a scratch on her face? Or if the clothes ripped?! Are you listening to me?!" I zoned out for a good second.

See we had gone back to the castle and they kept rambling on and on about what could've happened to Serena had the fall been more steep or rough, but like does she even have even status to attend these events in the first place?

"Since you seem to not care about this we're cutting you off of money for the next month!" She hollered in my ear once more.

"What were you thinking at the ball?" Tim cut into Palmola's ramblings.

"Normalize giving contexts, Tim." He scoffed.

"I was sparring with Kon the other day and he made some bogus statement saying he was breaking off the engagement, I didn't think he would do it, but allowing him to? Have you any idea what this caused?"

"Who am I to stop Crown Prince Connor, Tim? He has a woman to chase, and wasn't going to give it up for this contracted engagement." I glanced at Serena who flinched and hid behind Jason.

"I still doubt that you'd let him go that easily, you've been obsessed with him since you laid eyes on him."

"And you know that because you're my caring younger brother or because you like to throw it in my face on the downfalls of my life?"

"[name]!" Palmola scolded me.

Bruce could only sigh at the scene.

"Palmola!" I retorted, bringing a tense atmosphere to occur.

Alfred arrived at the scene handing me a letter.

"To you, Princess [name]." I opened it to see the rest of the money that Connor promised me had been added to my account even with the 10,000.

I'm rich, but this is just the start.

"If that's all I'll be heading back to my room." I tossed my hair back before ordering the maids to prepare my bath.

"You're taking too long," I told the maids who were congregating among themselves instead of doing their jobs.

"Well, usually, Princ- I mean Lady Serena wouldn't mind-"

"Do I look like her?" I gripped the maid's chin.

"Don't worry, since it bothers you so much to draw me a bath you can pack your things up and leave tomorrow, you're fired." I pushed back my hair in agitation.

"What-"

"Did you not hear me, you're fired, don't make too much noise, go on." I shooed her away.

She just dropped to her knees and started begging me, but I made the other maids drag her out now all of a sudden they wanted to switch up and act proper.

"Now, with that out of the way, someone draw my bath." I rolled my eyes.

I do not condone maid abuse, but what's the point of working here if you don't do your job? So firing is the only option.

3RD POV

"That girl- I swear I don't know where she got that attitude from, did you see the way she talked to me?!" Palmola scoffed.

Duke could only think about how [name] seemed different actually the whole family could be thinking about that.

Damian kept stroking Titus' fur while thinking about how [name] didn't just keep her head down and take his insults. Wait- now that he phrases it like that, it sounds really bad.

Tim just thought about his friend Connor, he had been the one that Connor ranted to about how annoying his sister was but he didn't think [name] would take the cancelation of the engagement that easily, he thought [name] would least throw a tantrum at best. And since earlier he noticed how [name] looked at them at the stairway after. [name] looked at them like they were lower than her.

Dick was processing the whole thing, did [name] always talk like she didn't care for their approval? I mean [name] spoke like this could've been a letter delivered to her door instead of an important conversation. This conversation was important, [name] hurt Serena and canceled a political connection of a lifetime, he could feel a headache approaching.

Jason could only blink at the audacity, sometimes when this happened [name] at least looked like she gave a darn but not only was she okay with that Connor boy leaving her, but also being cut off [name] would at least beg for some forgiveness. But nothing...?

Stephanie would've had a jaw-dropping expression right now, but had her fan covering her mouth, holy lord did that really just happen? I mean [name] did not even try to bother her at the ball but she also gave up the man she bothered until her final breath and 500,000 gold?! That's an insane amount one and two when did [name] learn to negotiate?

Cassandra felt confused about what had just gone down, did she hear that right? That whole thing, just what occurred? [name] changed in two seconds, like she blinked, Serena tumbled down the stairs and then she just acted strange.

(What you're sticking up for yourself? That's criminally insane right there.)

Barbara had already dealt with how [name] did a 180 at the ball but she just thought that was because she thought she had a wedgy at the moment, though in general [name] had never done this so what happened this time?

Bruce well who knows what he's thinking he just looks constipated like isn't supposed to be saving Gotham in another life?/j

Bruce sat there, he didn't raise [name] like that, wait-. He didn't raise [name] at all... Is this his fault that [name] was acting out right now? No, he's been busy and with all the duty of the empire on his hands he couldn't pause it for [name], like yes, he does that for Serena sometimes- all the time but that's different she had a hard childhood growing up.

Serena, well, she gritted her teeth and clenched her fist. For the first time, something didn't go her way. And what was that attitude, who did [name] think she was? She shouldn't even act like that, at this point, everyone knows she's supposed to be in her position. I mean look at her.

So it's time to be the center of attention. Wouldn't you think?

Serena let out a few sniffles catching the attention.

"It's all my fault that she's in a bad mood, I'm sorry."

The family quickly came to comfort her. Never mind what they were thinking before, how could [name] be such a child in this situation?

After taking a nice bath and sneezing I was now changed into my nightgown. These things are nice.

I took [name]'s diary, so was not thinking, writing down her devious plans here, one of the reasons she was caught and executed, and she couldn't rebut it as they had proof.

So I'll do us both a favor and burn it.

Tossed into the flame I could only stare at the burning journal.

Another burning pile.

I should sleep I have a lot of plans tomorrow, and only a few months till school starts.

With a flick of my wrist, the candles blew out and the doors shut.

One perk about this world is the powers.

(H2O just add water)

So instead of actually writing the next part for any other series of mine I decided to make a new writing idea 🌝, I'm also making others in my brain as we speak but we're going to keep them there until I finish at least one of my series.

Anyway did you like it?

I'm going back to work now (writing), *le sigh*.

Happy early Lunar New Year though, I'm manifesting a lot of red envelopes to myself and many others!

If there's anything too cringy, plot holey, or grammatically wrong, do inform me!

[sphacelating]

i can’t say i’m surprised that these people will continue to twist canon, reject the core of the story and bastardize characterization to cling to their own piss poor interpretation of the source material, because it takes a special kind of willingly delusional to babygirlify andrew fucking graves even prior to episode 3: decay.

Okay, that's it.

If there's people still defending Andrew after playing chapter 3, then they're simply beyond saving.

Although I won't deny that I find it funny that it takes the game itself to say that Andrew isn't innocent at all for some people to understand it.

[flawseer]

Hi! I’m a big fan of your art and work over all

I’ve been wondering, since I’ve seen you give your thoughts on some other dragons, what are your thoughts on Clay?

On Clay...

Clay. I’ve talked about him for a bit in a previous post somewhere. He is the first protagonist in the entire series and thus serves as our introduction into this world. While he enters the story with his own emotional baggage, he pretty much resolves all of that within the first book and mellows out from then on, fading into the background as a quiet support character.

Because of that it is maybe easy to dismiss Clay as that big guy who talks about food a lot and doesn’t do much else. But I do think he’s a bit more complex than that and is a well-rounded character with things going on in his own right.

CW: Discussion of physical abuse.

Formative Years

Clays early years were molded heavily by his belief that he almost killed Tsunami while she was hatching. He believed this because his guardians, mostly Kestrel, insisted this is what happened. Of course at the end of the first book we learn that this wasn’t the case and that they were just misinformed about how Mudwings work.

To us, this may all seem absolutely ridiculous. We look at Clay and see this obvious gentle giant without a malicious bone in his body angsting about being a blood-crazed monster. But for Clay himself, this was a very real, very horrifying situation. Suspend your disbelief for a moment. His entire childhood was marred by the crushing guilt of almost having murdered his surrogate sister at birth, and he couldn’t remember why he did it. He understood nothing about this situation, and didn’t know if this secret violent side could even resurface one day. Basic things like going to sleep would become terrifying; he may have laid awake, wondering whether his body might act on its own as soon as he fell unconscious. Just like back then, when it acted before he could even form coherent thoughts. The fear of losing control to the monster and waking up on top of a loved one’s mangled body was always there.

This perception of himself as a violent killer was at odds with his social nature as a Mudwing. He loved his surrogate siblings with the same intensity that any Mudwing would love their own, and thus he hated the part of himself that threatened them. As a direct response to this dissonant view, Clay developed a desire to protect them. If he willed himself to shield them from getting hurt with all of his strength, he would never be able to harm them again. This was his way of coping with the fear.

It is pretty apparent from the text that at least Kestrel was physically abusive towards them. Dune was possibly too, Webs I don’t think so, but he also didn’t do anything to stop it. As Clay grew older I think he began to recognize the patterns. He would start deliberately acting in ways so that most of Kestrel’s ire would be redirected towards himself instead of the others. This is why all the Dragonets of Destiny have such deep respect for Clay; they remember him always standing between them and Kestrel, even as he ended up with more and more scars for it.

Luckily, he is able to reconnect with his Mudwing heritage at the end of book 1 and learns that he never was that blood-crazed murderer the guardians insisted he was. But even so, the scars and memories would never fully fade, and he’d never lose sight of the need to protect his loved ones.

Personality and Interests

Clay’s love of food and eating is well-established, to the point where it sometimes seems like it is his only character trait from book 2 onwards. This is normal; he’s got a big body and I assume the self-regenerative properties inherent to Mudwings burn a lot of calories, so he needs to eat a lot to refuel them. I think there’s a bit more to him still though.

Clay is at his happiest when he can either prevent someone else’s pain, or take it away. Conversely he becomes distressed when he sees someone suffering. I believe he is incredibly earnest and built close to water. He cries easily, though never in response to his own pain or suffering. He feels positive emotions very strongly and can get overwhelmed that way, especially when he sees his loved ones happy. When he cries, he does so openly and without shame. It is very unsatisfying to tease him because he will usually just take what people say to him at face value and thus make them feel bad.

He’s also very physically affectionate and huggy.

People who meet Clay often get the impression that he is book dumb, or just stupid in general. This is not the case, as Clay does have a capacity for learning even complex subject matter. I just think he struggles with subjects he can’t see a practical application for, or aren’t relevant to things he wants to do. He has little interest in memorizing ancient figures or learning how to measure the sides of a triangle

When Glory fights Deathbringer in book 3, she makes mention of a “dragon anatomy class” which I assume was taught by Webs. Clay, as much as he struggled with history and numbers, excelled at this particular class because its insight could be used to keep people safe. As such, whenever the need for it arises, Clay is usually quick to act as the group’s primary healer/medical advisor.

(Excerpts from WoF graphic novels 2 and 3, censored for blood.)

This notion is further supported by the fact that, once they all become teachers at the Jade Mountain Academy, Clay is the one to lead an anatomy class, just like the one he attended before.

In conclusion

Clay is pretty much everyone’s big brother. While he isn’t as eccentric and colorful as the people he is surrounded by, his earnestness and general benevolence make him the backbone of the Dragonets of Destiny. Whenever anyone has a deeply-rooted, serious problem they are hesitant to bring up with others, Clay will usually be the first person considered as a confidant. Tsunami and Starflight know he would never judge or shame them no matter how ridiculous the thing they approach him with. Glory trusts him with her emotions whenever her stoic facade cracks. And Sunny has an incredibly strong bond with him.

I think that makes him pretty cool, even if he doesn’t really have much to do anymore once he overcomes his personal demons. I’m happy that he gets to be happy in the end.

[byoldervine]

Writing Tips - Character Strengths And Weaknesses

So characters need to have strong and weak points to keep them interesting and prevent them from seeming too stagnant; a character without strengths feels flat and boring, while a character without weaknesses feels overpowered and stagnant. So when it comes to character creation, how do we come up with good strengths and weaknesses?

1. Archetype. What role does your character fill in the story? Would any of the typical strengths and weaknesses for characters in that role apply to them? Could they be modified or altered to better fit?

2. Backstory. What was their childhood like? Do they have good relationships with their family? Have they worked in certain jobs or participated in activities that would lend themself to a certain skillset, or lack of? What struggles have they faced in the past that might have shaped who they are, for better or for worse?

3. Personality. What is this character like? How much of it comes naturally to them? Is any of it a learned behaviour or coping mechanism? Is any of it an act? How aware are they of this? Is it intentional or just a force of habit? Are the strengths and weaknesses you’re considering compatible with the person they truly are, even if they’re not compatible with the act they might put on?

4. Speaking of compatibility. Does it make sense that your character would have certain strengths or weaknesses depending on these other factors of their life? Are the strengths and weaknesses even compatible with each other? A patient character isn’t likely to be reckless or have a short temper, for example, though of course any combo has the possibility to work when approached with care and consideration

5. Double-edged sword. An easier and, in my personal opinion more interesting, way to approach it is to make the strength and weaknesses stem from the same character trait. A selfless character could struggle to prioritise themself. A loyal character could compromise themself or their objectivity in favour of supporting the people they care about. An overconfident character could get in over their head and underestimate the danger they’re in while taking unnecessary risks, but it would also lead them to taking on opportunities and challenges not many other people would, allowing them unique rewards for putting in the effort and courage. What character trait could you take to an extreme? Would it be good or bad for your character?

6. Character development. What about your character should be different from where they started? Think about the kind of person you want them to be at the end of the story, then inverse that to get them at the start of the story. What journey do they need to go through to develop into the new version of themself? If you want them to end as a responsible, patient and selfless person, they need to start off irresponsible, reckless and selfish. And don’t forget that you can build up negative character traits, and that even heroic characters who are objectively good can keep their less heroic qualities

7. Contextual strengths. Remember in ATLA when Katara couldn’t do much of anything in the desert and Toph was unable to effectively sandbend to the extent she needed to compensate for her blindness? Their strengths were turned into weaknesses, which they later worked to compensate for and improve on. What situation would put your character into the same sort of situation? Are their strengths actually useful in most contexts, or just the context of their environment or situation? Are their weaknesses actually useful, and they’re just not in a position to see this? When taken out of their current situation, would they fumble or thrive?

8. Types of strengths and weaknesses. Characters might have physical strengths and weaknesses, such as physical disabilities, additional features, powers or curses, literal physical strength, etc, but they also might have mental strengths and weaknesses such as intelligence, dexterity, balance, problem solving, a wide range of skills or obscure knowledge, memory, quick-thinking, resourcefulness, social skills, gullibility, etc. Beyond this, there are also separate emotional strengths and weaknesses, such as compassion, emotional intelligence, compartmentalisation, emotional range, self-awareness, insecurities, etc. There’s so much that could become a strength or weakness, and characters can have as many as you like from all three areas

9. Nature vs nurture. What your character has been taught or trained to think and feel and behave like does not inherently mean that this is who they actually are. Depending on their environment and the people around them, two people with the same strengths and weaknesses could end up diverging at critical points to become entirely different people, or two people who couldn’t be any more different could land in a position where they both become more and more alike as time goes on. Our environment and the people in it can shape us, both in our past and in our futures, so don’t leave the present as something stagnant; if a certain trait makes sense for them to have but you don’t want them to have it, have them unlearn it

10. External conflict. What literal journey will your character go on for the story? What strength might be useful for it? What weakness could hinder their efforts? Would these work for their character? If all else fails, make it practical or impractical as desired

[tiredandoptimistic]

What I think works so well about Clary and Isabelle's friendship is that they're very similar people, but they present themselves just differently enough to appear alien to each other. Both of them were the only girls in a group of boys (Isabelle was raised more or less isolated with Alec and Jace, while Clary doesn't seem to have any friends other than Simon and to a lesser extent his band), and they responded to this in very different ways. Isabelle basically committed herself to her role of "the girl" and always performs extreme femininity, while Clary attempts to sink into the background as "one of the guys." Both of these behaviors can be seen as rebellions against their culture. Isabelle comes from the very misogynist world of Shadowhunters, where women are respected as warriors but expected to act in a masculine way in order to earn that respect. She rejects this, and proves her place as a brilliant fighter while maintaining her fun and glossy feminine traits (compare her with Jessamine Lovelace, who was seen as silly and frivolous for her feminine interests). Clary on the other hand is a child of the nineties growing up in NYC. As a teenage girl in the early 2000s, she would have been surrounded by "not like other girls" philosophy, and hyperfemininity would be both pushed on her and demonized in popular culture. Because of all the pressure placed on gender roles and her lack of connection with other girls her age, it's no surprise that Clary would develop a certain bitterness towards people who perform gender in a way she won't.

With all of that out of the way, we get two teenage girls who have no fucking clue how to handle each other. They're both jealous of how the other one fits in with the guys in a way they can't. Obviously any friend group is made up of friendships which fit together in unique ways, but Clary and Isabelle both see themselves as The Girl, and thus are worried that the other one will make them redundant (Clary gets along with Jace, so will he still need Isabelle? Isabelle and Simon are getting along, will this take away Clary's place as Simon's most important person?) Of course this isn't something that will actually ruin their friendships, but Clary and Isabelle don't know that. Instead they need to learn how to engage with each other, and I enjoy that TMI actually shows them having those conversations. They're trying, but it doesn't all happen at once. Clary still has bitter thoughts about Isabelle's femininity, and she also looks down on other girls like Maia.

Speaking of Maia, there's a really good moment in COA where Clary starts grumbling to herself about how unfair it is that a werewolf can be pretty, and that Maia should be gross and hairy. She then catches herself, and literally thinks "this is exactly why I don't have any female friends," showing that thanks to Isabelle she's learning to recognize her internalized misogyny. She can hang out with other pretty girls, and it doesn't decrease her value as a person.

It's just so nice seeing a character whose internalized misogyny is actively acknowledged by the narrative and treated as a flaw she must overcome. So many female protagonists in the early 2000s (and other decades) had the hyper-femme "best friend" who they hated, but even though that's how Clary sees Izzy at first, she's able to look past it and see the ways they click together. The two of them don't become besties immediately, but they're at least able to get past that first layer of hostility.

[squidthusiast]

Ok, but why do I imagine Eight being the unofficial child of Pearl x Marina?

Because I imagine Eight was minding their business and all of a sudden, Pearl would slam the paper down and said “You’re adopted now”

Basically OTH at the start of their world tour haha, I love that they took Eight with them.

I have more detailed thoughts under the cut for those interested in my ramblings, analysis and interpretations of the characters.

Disclaimer: This is my own take on it, don’t let it ruin your fun!

I personally don’t really subscribe to the fandom’s ‘pearlina moms’ headcanon.

On the one hand, I am an absolute sucker for the ‘found family’ trope, and I definitely think Agent 8 and OTH fit in it!

On the other hand, I think people immediately put Pearl and Marina into the ‘parenthood’ box, a little too eagerly. Not saying this specific ask is that, btw, it just reminded me of some instances i’ve seen.

I personally think that the relationship between OTH and Agent 8 is a little more nuanced & sibling-esque, for the following reasons:

1. Within canon, we often see 8 being referred to as a friend by both Pearl and Marina.

Pearl does it more explicitly (see that one interview at her house), whereas with Marina it’s more insinuated (ex. In the Side Order dev diaries, she starts calling Agent 8 as ‘Eight’, which is stated to be a name used by their friends).

Pearl seems to be an accidental-duck-parent of sorts who haphazardly collects octoling teenagers & young musical talent. It goes in line with her whole mentor-esque leader personality, and i’m sure these disoriented teens find relief in an idol who seemingly knows what she’s doing (she really doesn’t).

However she doesn’t act in a parental manner. More-so like your estranged gay cousin who hit it big in another country and is down to show your queer little butt the ropes.

Marina on the other hand seems to have a more empathetic approach with Agent 8 (opposite to Pearl’s brashness). Marina clearly connects with Agent 8 through their shared experience as defected octoling soldiers, and probably sees her younger self in them. She’s already caring as it is, but this is accentuated during octo expansion given the circumstances.

I feel however that, unlike Pearl, Marina has a bit of a harder time actually forming a bond with Eight at the beginning. Their similarities (seemingly) end at their shared experience, and probably leaves Marina awkwardly wondering how to approach them further. What we can assume though is that they become closer friends during OTH’s world tour, given the events described in the Memverse Dev Diaries.

Meeting Eight during difficult circumstances (OE) and helping them get out creates a sense of camaraderie between them, which probably devolves into genuine care, established friendship and a strong bond amongst the three overtime.

2. Pearl and Marina are very career-centric both in Splat 2 and 3.

It is reasonable that the two young idols, who see their fame and musical recognition rise spectacularly & fast, are not particularly interested in settling down at this point in their lives.

Now entering her late 20s, Pearl is most definitely still interested in keeping the ball rolling with Off the Hook’s international success. Her character often points towards restlessness, freedom and discovery. There has definitely been character development in regards to her maturity in Splatoon 3, but these aforementioned traits are still ever present in her demeanour & decision-making.

Marina on the other hand can be seen slowly blossoming from a supporting character to being her own person. She definitely develops more self-confidence by Splatoon 3, but is still naturally bashful. It’s clear that she is allowing herself to explore & open up to new things for her own sake. She remains a caring and somewhat nurturing individual, but she is at a stage where she’s learning to live for herself and not for others.

Parenthood (and all the responsibilities and sacrifices it entails) at this moment of their lives would probably freak Pearl out, and stunt Marina’s personal growth.

3. The age gaps between OTH and Agent 8 are too close for it to create a parent/kid bond.

This makes their relationship a little hazy in regards to roles; 8 is still young enough that they may seek out rolemodels and mentors (still relatively influenceable), but they’re also nearing their 20s. By this point they are fairly self sufficient, have a sense of their personal values & identity, and they are relatively responsible & mature.

Pearl and Marina are 8’s seniors by approximately 4-6 years. However, in Splatoon 2 they’re entering their early 20s and their career has just begun to take off.

They are both still relatively youngsters, albeit older & more mature(? glancing at Pearl) youngsters than 8. This places them in a position where they can guide 8 and offer certain support and resources, but lack the maturity and experience of a full-fledged adult. This would approximate their relationship closer to that of siblings in a family setting.

Pearl & Marina are also less likely to feel a duty towards Eight as an adult would with a child. Instead, the latter’s circumstances are more likely to incite feelings of rapport and compassion as a fellow young inkfish.

Now, with all of this said, I will acknowledge that friendship/found family is MUCH more nuanced than a strict binary.

From personal experience in my last years of college, I did find myself caring for my fellow freshmen as though they were my kids, in certain ways. Hell, I called them my kids.

I acted as a proud parent whenever some of them achieved something, attempted to pass down my knowledge to them, and was protective of them to a certain extent.

They also annoyed me sometimes, like younger people do haha. And i’m sure I annoyed them too!

So I wouldn’t put it past OTH to call Eight their kid and have this mentor/parent-esque rapport with them in certain circumstances.

This is all based both on canon & my own interpretations of it, but still closely aligned to what has been shown in-game.

So if you have a different interpretation of Agent 8 and OTH, that’s great! I love to see people’s personal headcanons. Ultimately, Agent 8 is meant to be somewhat of a blank slate for the players to mold, with some hinted-at personality traits of their own.

As long as you have fun with these characters, that’s all that matters. This is just my personal opinion on their relationship in-game.

If you read all of this, you deserve the biggest golden star for listening to my incessant yapping 🤲⭐️

Feel free to bother me about this or other opinions you may have in my inbox, just be kind please!

[astrobydalia]

Aquamarine. Gold. Lavender.Colors of summer... Astro Observations

work by astrobydalia

Your 9th house rules your gandchildren! 9th house is 5th from 5th so your kids' kids.

Also, if you are any of your parent's first kid look at their 11th house to get a glimpse at how they will perceive your fs. (11th house is 7th from 5th, so your first kid's spouse)

^^these are derivative astrology methods so you gotta use whole sign system

The scorpion actually represents the underdeveloped/young version of Scorpio while the developed version of Scorpio is represented by the eagle which to me is analogous to the phoenix. That's why you see an eagle representing Scorpio in the The World card (cause this card signifies fulfillment or completion in tarot)

I think the song 'Part of Me' by Katy Perry really illustrates developed Scorpio energy. Is not resentful or vengeful but rather transformative and empowering, you can't end their spirit just like you can't end a phoenix. Underdeveloped Scorpio energy allows pain, trauma and resentment to ultimately k!ll their soul which turns into self-destruction, think how scorpion's stinger actually points at them (and fun fact: scorpions can actually k!ll themselves when they feel cornered)

Being "different" or an "outcast" is not an Aquarius trait, it's a Leo trait. Leo is all about being yourself, being unique, the one and only and main character energy. Aquarius rules inclusivity, equality, social cohesion, FRIENDSHIP (aka people who get you) and public validation, that's why it is a strong fame indicator. Aquarius energy is relatable to others, its new and fresh, Leo it not relatable because it is unique, it shines among the crowd and burns just like the Sun. Aquarius can be unique too but the main difference is Leos feel ultimately they only have themselves while Aquarius will always have people.

Leos are meant to experience feeling "different" or outcasted because they need to learn to accept and express themselves no matter what, that's why it rules bravery and courage. They often either feel alone in their "greatness" or feel like nobody accepts their real self. Either way its more common for them than for Aquarius to experience loneliness and rejection just like the sun can't never have anything come too close to it

Aquarius does not rule uniqueness per se it rules innovation, authenticity and detachment from the ego. Aquarians that try hard to be different and separated from "most" people are underdeveloped because they're still attached to their ego and this is the n1 thing that kills their innovative potential. Aquarius doesn't do things to validate the self like Leo, it generates ideas on how humanity can better express itself and develop, that's why it rules over technology, science and activism and that's why they're known to be trend setters. Air signs are all about finding common ground, aquarians are not meant to be different from communities or groups but rather find new and authentic new ways to represent them (hence the inclusivity).

All the Gemini Venus I've met were very loyal in their relationships idk what you guys are talking about. They are the golden retriever person that is head over heals obsessed with their partner. It's not easy to get them to commit cus they need someone who has that perfect blend between goofy and mysterious, too much of either bores them quickly. They love in a playful and child-like way so I see how they can be flighty and non-commital sometimes but if they're genuinely intrigued by you oh boy they'll be ALL over you in every way pretty consistently

Harsh aspects (esp square) between Mercury-Mercury in synastry are a no-go when it comes to compatibility. The two people can get along well and like each other if the rest of the synastry supports it but they likely have NOTHING in common. Efforts to try and find shared interests or ideas might be misunderstood or feel forced because there's none 😭. Even if you do have shared ideas or interests, you will have vastly different ways of looking at them because the way in which you both think/communicate always clash so you never really see eye to eye. You can get away with having unharmonious connections between venus or mars in synastry but mercury? Nah.

When it comes to predictions specially, you need to have AT LEAST three indicators for an energy to stick. For example, having just one planet at 29º doesn't mean you're gonna be famous, you need to have at least three fame indicators to even consider fame in chart. Also, I can't stress this enough, you REALLY shouldn't need to dig too hard to find the indicators, they're usually evident and fit into the context of the chart, meaning there are no other things contradicting or neutralizing said energy.

Even though we often look at 7th house for marriage, you are most likely to consider marrying and settling down with people who have their placements in your 4th house and/or 10th house, or you just see them as marriage potential in general. 4th house creates a sense of home, security and familiarity while 10th house synastry points to shared goals, seeing a future together, etc. That's how you'll feel tho, to see if that would happen you gotta check composite chart

If you have fire in your big 3 I just know you love being unhinged and a little wild once you get comfortable

Natives with Venus-Chiron aspects tend to have... questionable taste in lovers or get in relationships that are not so promising (forbidden love, etc). Their love life is always a struggle, they feel like they can't find someone that truly loves them and when they do it's always "complicated". With hard aspects they tend to date people who blatantly suck (abusers, psychos, players, etc). With easy aspects this can happen too but I've noticed they are more prone to attracting people who are alright however deep down are very troubled and/or unavailable individuals so the native tends to be the one to heal or sooth their lover.

Scorpio Mars can have sadistic tendencies... It obviously does NOT have to go that far for everyone, in fact most of them are pretty tame but this placement really gets off on the reactions of others I've noticed. Their n1 superpower is catching you off guard and poking at you psychologically. They know exactly what strings to pull and are very aware of how anything they do or say can trigger and affect others. This can manifest as smart and punchy humor, teasing... or really toxic behaviors. Oh and you do NOT wanna see them genuinely angry 😶 If you have this placement im gonna kindly ask you to please use your powers for good 😭💀

Females with Libra placements could have experienced being 'the other woman' I've seen this a lotttt. Either that or they constantly attract situatioships. They have a tendency to not be taken seriously by the opposite sex, only being seen as a trophy or a pretty face kinda vibe. Unless they also have Cancer energy

Which is interesting to see cause even though Libra rules marriage, the kind of women who are mostly perceived as marriage material by men are Cancer placements not Libra. If you think about it, it makes sense tho cause cancer rules family and motherhood

Water venus people have a very approachable and understanding aura. Very diplomatic and tactful, they'll effortlessly make you feel comfortable around them. Equally accepting of others both in public and in privet, but you'll automatically lose them if you make them feel invaded

Fire venus motto is "it's impossible to impress me.... but let's see you try😏". They purposefully market themselves as hard to get cause they want to see what you got. Will constantly crave interactions with some fun and friction

Earth venus are a lot more harsh, they haven't even talked to you yet but somehow have already decided you didn't make the cut 🥱 Silent observers, they'll have a mental spread sheet of what they like and don't like about you

With air venus you don't want to come off too strong otherwise you'll activate their fight or flight response 🏃‍♀️ You'll never know where you stand with them but if you wanna get closer you need to keep it playful and give them space

Virgo Sun/Mars/ASC like to help others but they do it in such way that is also indirectly self-serving to themselves. Virgos are sidereal Leos, they secretly want recognition for their modesty and want their actions and efforts to ultimately shine back on them

Underdeveloped Pisces Moons are selfish and out of touch. I’ve noticed this placement is painted in a way too innocent light but they can have a nasty shadow too. They will not accept anything that does not conform to their delusional expectations about life and when things don't go their way they’ll isolate in melancholy and victimize themselves using the ‘misunderstood’ card. They can have a really twisted perception of reality, confusing the lines between right and wrong to accommodate their own narrative. Think Thanos from MCU, that character is a perfect example of underdeveloped Pisces Moon fr!! They tend to be very aloof and weaponize their empathy to appear innocent . Can use the “I can understand the world but the world doesn’t understand me” mentality to justify everything they do without ever feeling bad about it.

Another Return that brings a lot of karmic lessons aside from Saturn Return is your North Node return which happens every 18 years (Ages 18, 36, 54, etc)

Gemini risings have a fabricated or fragmented personality. They're often attracted to things like astrology, personality stuff, psychology, etc because it helps them make sense of themselves through abstract concepts. They also tent to define themselves through imitation or comparison like "I do that too", etc. It's very easy for them to convince themselves they're something they're not (gemini rules lies and deception), that's why they're often good actors (Pisces 10th house). They come across as very air-headed cause who they present themselves to be is based on who they THINK and SAY they are vs. how that translates in reality

Based on my life experience and also the responses in astro/observation posts, I've observed Scorpio placements respond relatively well to criticism. Not saying they don't care, but they can handle being villainized quite well because when developed they can have a really healthy acceptance of their shadow side and toxic traits. They also don't mind being misunderstood cause that means people can't pry on their business

CANCER, Libra, Leo and Virgo placements on the other hand are the most sensitive to criticism.... They can't handle not being seen as "the good one" all the time

Most Pisces suns I've met gave off huge xNTJ vibes for some reason like very deep thinkers, silent, sarcastic with a low-key threatening and unapproachable aura. Also VERY elusive and protective their personal stuff, they embodied the "mysterious" Scorpio stereotype fr.

However Pisces sun+pisces venus combo gives much softer vibe, more quiet and doormat-like, you'd think they're high 24/7.

The other bunch of Pisces suns Ive met had a very bubbly and dramatic personality. Can be emotional in a really performative way

Libra Mars people are SMOOOOOTH. Not only with their words but also their mannerisms, how they move and do things in general. You'll never see them triggered or stressed, they make everything look so effortless

The Pluto in Scorpio generation (millennials mostly) were the ones who started this mental health awareness wave. All this concern with anxiety, depression, mental and personality disorders was started by them. They’re the ones who started putting focus on the deeper effects of the dark psychology (Scorpio).

All the people that have scared me and traumatized me deeply for life had planets in my 12th house with no 8th house synastry in sight whatsoever…

>>> In my experience 8th house synastry is only intense in the moment but eventually you get over it fast once you stop entertaining the person/situation. It might be hard to let it go tho cause the connection is intense and this person will leave a lasting impression, but once it’s done that person is forever dead to you. 12th house synastry on the other hand is giving "I fight with you in my sleep", 12th house feels harmless at first but it deals with themes of sorrow and shame. It lingers and haunts you fr. Let’s remember that Saturn, the planet of permanece and lessons, finds its joy in the 12th house…

8th house venus/juno is NOT a sugar baby indicator imo. As per my observation, it is actually the 8th house native that ends up making a lot of money and their spouse/partner benefits from the native's income and success. I swear every person I've seen with these placements had "we could hang out in my yacht if you want😉" as their main flirting technique LMAO. Their own power (8th house) is their main source of seduction and attraction (Venus/Juno)

I believe 2nd house Venus/Juno is more indicative of sugar baby energy. They want that spoiled good life with little effort even if that means being financially dependent on someone else or using family's money

In contrast I've noticed 8th house placements are not really like that, they have a HEAVY entrepreneurial spirit. Super ambitious individuals

With that being said, be careful if your have natal 8th house placements (specially Venus, Moon, Juno, 7th house ruler), cause the people you bond with WILL benefit from YOUR income and success. That's why these natives are prone to experiencing betrayal, cause if you surround yourself with the wrong people they'll take what they want from you or cause chaos in your life and then leave, so use your intuition!!

With 2nd house energy you are good at keeping your resources and income safe, but this means they can lose value if you don't use or invest them eventually just like food goes bad if it just sits in the fridge. With 8th house energy you are prone to loss, debt, loans and other financial risks where you either lose it all or gain lots and lots of money, the all or nothing nature of plutonic energy.

I bet any virgo placement can relate to being a little bit of mess but something I’ve seen in particular with Virgo risings is they are surprisingly sloppy?? You really wouldn't in a million years think so given how they always end up presenting good results but once you know them deeply you notice they often miss out on important details in the process or get so caught up with short-term things that they miss the big picture. Either way, they often look like they got it all together but they constantly improvise a lot more that what it looks like in the surface

Aquarius Mars is a placement I've seen A LOT in celebrities, specially well-liked ones. They attract people to them just by existing, they don't even have to try too hard

I’ve noticed a lot of critically acclaimed actors have air moons

Sagittarius Part of Fortune have a vibrant and fun spirit, you can’t never kill their vibes but they can tend to be immature. It’s like they’re completely oblivious to anything serious 

Libras are people pleasers due to a hidden inferiority complex (sidereal virgo)

work by astrobydalia

[prezaki]

One core trait of Phoenix Wright as a character that I rarely see discussed is how utterly evasive he is about his private affairs. It sticks out the most in AA4 when we see Phoenix from the outside, but "Phoenix won't tell anyone anything important unless he absolutely has to (and even then, he probably won't)" is by no means a new development for him.

From AA1 onwards, we see Phoenix dodge people's questions about his personal life time and time again. In part, this is by narrative necessity - Phoenix knows more than the player is meant to know in order to achieve the optimal tension curve. But AA takes his narrative shortcut and turns it into a real character beat.

Phoenix Wright is the most cagey fucker on the planet.

At the end of 1-1 Mia asks him how he came to befriend Larry and Phoenix dodges the question with a vague promise to tell her later - this also means that in all of his time working with Mia, he's never actually disclosed his full motivation for becoming a lawyer to her.

In 1-2, Maya asks him how he knows Edgeworth and he dodges, because of course he does. The same song and dance repeats at the end of 1-3. And despite Maya's repeated prodding by 1-4, Phoenix still has not told her a thing about his past. That's from October until December that Maya is left going ??? and her questions go nowhere.

Then, between AA1 and AA2, Edgeworth is presumed dead by suicide. Does Phoenix tell Maya about this? Absolutely not. He does not tell her in letters nor is he clear about it when they see each other again in person, months later.

What Maya gets once it's inevitable to talk is a vague 'he's gone' and no elaboration other than the request to not speak about him again.

This is Phoenix's default coping mechanism.

In AA3, there are numerous instances where he mentions forgetting Dahlia, not speaking her name again, etc. Edgeworth is 100% getting the 'person who hurt me too deeply to think about' treatment here.

But to not even tell Maya a vague overview on the matter, when Maya knew him too? Rough. And it just keeps going.

It's six months between telling Maya that Edgeworth is 'gone' in 2-2 and her finding out that 'gone' seemingly means' dead' in 2-3.

Maya complains about it, too. This isn't a matter of 'she never asked again', it's a matter of 'Phoenix is dodging all questions'. Gumshoe has to intervene in order for Maya to finally find out.

And finally in 3-5, does he tell anybody why he's going to Hazakura temple and why he seems interested in Iris? Absolutely not!

At this point we get Edgeworth openly acknowledging that Phoenix keeps his emotional cards extremely closely to the chest. When he states that he wants confirmation on whether or not he has met Iris before, this exchange happens:

Even as Edgeworth directly calls him out on being evasive and never actually speaking to people, all Phoenix can do is acknowledge that this is how he is by apologizing - but he won't change his ways.

AA4 Phoenix is really just a natural evolution of Trilogy Phoenix - Trilogy Phoenix is already evasive, already hates telling people about his struggles or accepting help... It's really no wonder that he'd isolate himself instead of reaching out once he gets disbarred.

[fatphobiabusters]

People say weight loss is for sure possible...but no one agrees on how to do it.

Dieting works...but there's now an "ob*sity epidemic" despite people lining the pockets of weight loss corporations more than ever.

Weight loss products work...but weight loss corporations are making the Exact. Same. Claims. about their products that they did in 1910 with the products that were sold and then discontinued over a century ago.

Humans are all meant to be thin...but there are families of fat people who stay fat no matter how much "willpower" they muster and have fat ancestors going back generations.

It's about health and not looks...but people who are losing weight due to smoking, cancer, illness, mental disorders, and other health conditions are praised for their weight loss and told to keep going.

Fat people aren't oppressed...but fat people have no positive representation, no proper access to clothing, face a wage gap, endure deadly medical neglect and abuse, have their deaths by police brutality excused with their fatness, and countless other aspects of oppression that they deal with every single day.

Fat people are all fat because they overeat...but you can point to any fat person on the sidewalk and there's an extreme likelihood that they're on their 30th diet attempt in the past 10 years while there's thin people who eat whatever they want, however much they want, and don't exercise yet never gain a single pound.

Fat people are privileged because they gorge on unnecessary food...but fat people are overwhelmingly living in poverty, are not paid the same amount of money for the same work as their thin peers, are not chosen for promotions, are turned away from jobs that an employer wants more than a "pretty face" for, are at major risk of workplace harassment, and endure oppression even beyond just that.

Fat people aren't treated badly...but people use the word "fat" as a metaphor and synonym for "ugly," "unlovable," and "unworthy," while at the same time believing "fat," the most basic term for a specific body type, is a dirty, taboo insult you should never allow to leave your lips.

Professionals agree that fatness is inherently bad...but almost any weight-related research study that people, especially weight loss corporations, use to justify demonizing fat people has the worst methodology imaginable with validity errors and logical fallacies galore as well as conflicts of interest due to how many of these studies just happen to be funded by the corporations that make millions and billions of dollars off of the demonization these studies promote.

All health conditions a fat person has are caused by their fatness...but there is not a single health condition that only fat people obtain, many fat people developed the health condition in question when they were thin or thinner, weight gain is often a symptom of said health conditions, fat people are not given the same amount or quality of healthcare as thin people, and repeated starvation attempts (also known as "yo-yo dieting") have been shown to worsen a person's health.

Fat people can't have eating disorders...but fat people are the group encouraged to partake in disordered eating by this fatphobic world the most and then are not given any support to recover.

Thin privilege doesn't exist...but thin people who see the way fat people are treated in society do their absolute damndest and take whatever drastic measures they have to in order to prevent themselves from ever becoming one of "Them."

Fit and fat are mutually exclusive...but there are fat athletes as far up as even the Olympics, and sports are intentionally made inaccessible to fat people to the point of fat children even being turned away when trying to join a sports team.

Fat people are ugly...but all we grow up ever seeing in media are thin, conventionally attractive people painted with layers of makeup next to fat characters who were intentionally designed with an ill-fitting outfit, matted hair, and all other traits that fit the "ugly" stereotype that the character designer could manage to slap onto a single person.

Fat people are big, bad bullies...but studies show that weight is the number one excuse that children use to bully their peers, outcompeting a multitude of other oppressed identities considered.

Fat women are just men and vice versa...but sometimes they're androgynous, and sometimes they're basically nonbinary, and sometimes they're just things, and sometimes they're nothing at all depending on what labels a fatphobe decides will hurt a fat person most that day.

Fat people are subhuman...but fat people deserve the same love, respect, compassion, and support that all people are born inherently deserving.

Fatphobia isn't real, but—

-Mod Worthy

[arcanemarion]

Honestly, I think it's grounding when some of your favorite creators do put out work you don't particularly like every once in a while. Sure, it can be frustrating and annoying and disappointing, but to the tune of "I know you can do better so I'm still interested to see what else you got". And if they somehow don't get any better or make any more stuff that you like, well, you've still got that other thing - and frankly, it's perfectly natural and okay and dare I say it even good to move on and find something else.

It also helps you develop taste, preferences, and discernment as a consumer of art and media. Just because a creator put out something you really love doesn't oblige you to heap praise on everything they create, especially when it's mediocre or bad, and in fact being able to recognize that creators don't make good work 100% of the time is a good way to help keep you from putting them on unnecessarily high pedestals.

I can't help but wonder if people are sometimes hesitant to put out critiques of things because there's been this pervasive idea in fandom (all of them, everywhere) the past, idk, decade or so that if you're going to dislike something you have to do it on some kind of weird moral justification as part of your supporting arguments, and if you don't do that you leave yourself open to being called some kind of epithet based on whatever attributes of the thing or character you've dared to analyze (which isn't to say that people don't write shit analysis like that ever, because they do, but so often fans of said thing don't practice enough discernment or reading skills to actually be able to tell the difference, or flat out don't care, because how dare you not like their favorite and write about it on your own space) -- which is all to say, how many people have allowed themselves to not develop discernible taste or allowed themselves to avoid picking apart why they don't like x story element or y character or z trait because general consensus appears to be that unmoralized critique is "mean"?

Not everyone enjoys picking apart their reactions to media, or analyzing the elements in said media. Many people, especially these days, just want a break for their brain and to escape the world for a little while - and I get that, I really do. But I also believe that everyone needs to develop a baseline level of discernment that you can tune into every now and again to check your own biases, and any that are potentially being presented to you, whether in the media itself or in analyses. It's a good skill to have, and ever increasingly a necessary one, to look at something and ask yourself "what is this, what is it saying, who is saying it, and where does it come from?"

Being able to understand what drives your preferences helps you identify your own biases and blind spots, and makes you better equipped to recognize when something is actually fucked up instead of just meekly accepting everyone else's opinion. Then, you can decide for yourself how to engage with it. Not only does this help you find other things you are more likely to legitimately enjoy (taste), but can also help hone your instincts when something feels off (discernment).