#its a fun show!! but it also just made me want to rewatch owl house..which i am doing

[daystarvoyage]

Hi! I read somewhere about someone not liking Luz's ending since she "didn't grow as a person" at the end of the owl house. They said that she only became more depressed or traumatized but she's still the same cheerful and helpful girl like in the first episode of season 1. Do you agree?

Hello Hope you have a great day from the brown sugar queen, I know it’s late by the time you get this so ima clear a lot,

time for the tea.

Now i have all the love and heart for my girl Luz Noceda but lemme me tell you her personality made me look at how she was handled gave me a SIDE-EYE besides that,

Yes, i agree on this, definitely,

I felt That the crew wanted to do so much with the show but felt they had no idea writing Luz, however they too had there drawbacks, Yes I LOVE LUZS CHARACTER AND SHE IS SELFLESS A GOOD FRIEND (even if it’s the wrong person) Loyal, and cheerful. How we get moments that

Luz's character can be bastardized!

i feel fans try to view her as this bubbly girl boss, we know and love, however we overlook her flaws cause of discourse. she’s this impressionable, unruly, explosive girl with self imaging issues & unresolved grief, that effected her lifestyle.

I truly do depict her as a girl failure which ill get to a list of reasons, I’ll be getting into

EDITED its Masculization

heres a term masculinization comes to her character writing, style-wise, cause this word has been used throughout the animation to the point it’s a trope.

Now let’s get down to reasons why, she gets to the way she is.

Luz wants to do so much for others, that she hasn't practiced learning about self-love and acceptance, it all backtracks in her past of her deceased father & trying to relate to earth kids with opposite interests that can be harmful.

I felt they truly had fun time to an extent how they can push her in a negative direction, (this goes for hunter which I’ll do a post/video soon.)

how they wanted her to be more of an edge lord along the series run, (and the proper writing of the show didn’t help.)

Heck to the point in season 3, she never interacted with anyone on earth in her school, which is concerning, cause that can lead to self-harm or failed relationships, also known people as kikimora or talking to her other friends in season 3 coulda gave her a wake up call.

ALSO CAN WE BRING UP LYING TO HER LOVE ONES OUT OF NO WHERE! Season 1

DRAGGING THEM THROUGH MORTAL PERIL IN SEASON 2!

AND NO NEURODIVERAGENCE DOESNT EXCUSE BAD BEHAVIOR OR BLACK FEATURES BEING MINIMIZED.

2.They should've let a POC (person of color) write Luz cause of how she turned out Personality-wise throughout the series, which I rewatched, along critic videos and yes even in season 3 they decided to make her some shonen wannabe edge lord,(A wannabe Pokemon Goh But more emo.)

Luz's is flawed, as a character & written wise, felt the show didn’t know how to write for POC, cause fans who are another ethnicity might view this, and say oh, where portrayed as this etc, but without our black features or even how where portrayed in society in social norms.

Yes I did a post on her fashion & wardrobe and how it affects a character, boy they got my girl looking a hobo at times. ( and the good so called hair symbolism could’ve made Luz even better.)

ALSO (I may be ranting but hope ya listen)

Hated how they tried to Mary Sue her at certain episodes when she's faced with problems or issues that can affect everyone in dire times, for example,

her willingness to learn magic, which she can be impressionable and wanting Praise for the wrong reasons, but To be loved I Understand.

She is a person wanting acceptance and tolerance ( which that whole wanting to be understood season 3 dialogue could've been for season 1), just to be liked by a new world, would have fleshed out her character more, and given the viewers and her friends reasoning why she does staggering things.

also when she wanted to get to learn magic from her sensei, Knowing Eda knew how unpredictable & reckless at times luz can be, but Eda has her issues. throughout 4 episodes I think its been dragged out she has done stupid things to put others in harm's way even OWLBERT.

3.she can act nonchalant & ambivalent in dire situations, (to the point her friends should've Gotten angry with her actions, GUS AND WILLOW PERIOD) But don't worry all that's being glazed with the Mary Sue trope, discourse, & her being submissive to amity,

which she can take many stabbings and hits for a cause you know all is well with a Good ship. INSERT SARCASM

tragically i do feel she ended up a girl failure, But they Try hard at girl bossing her up, cause she was put in situations where she didn't have dire punishments and consequences. plus excepting a power she had no choice accepting at the season finale,

Comment below for more, about how Luz should be improved or the fact the series could've written her better.

Hopes this answers all your questions, have a great starlight day. glad we can unlock the topic with a key, & sip some tea.

A VIDEO I DID DOWN BELOW FOR MORE ON LUZ.

[nerdgatehobbit]

5/16/24

It’s been a while since I’ve done one of these- well over a month, I think. Oops. Well, first off, I have finished the Belle Mirrorverse book; it was darker than I expected but I think it did a good job of putting a new twist on the 1991 film.

I’ll probably read my library books next, although for Reasons I’m going to wait until the 25th to read Night Watch. Lately, I’ve also been using the library to skim the ER TV series (AKA only watching the special features because I’m a wuss). I’ve taken a handful of screencaps that I might end up posting here.

Confession time: I skipped an episode of the new ATLA show because I’d heard about the changes to Bumi’s characterization and I did not want to see it. Which was extra frustrating because I like Utkarsh Ambudkar from his role on CBS Ghosts and I think he would have been great as a more cartoon-faithful version of Bumi. So I’ve scheduled a weekly Jay post for this summer. Back to the new ATLA show: it was a mixed bag for me but I will probably watch the next seasons.

While I have no plans to watch Bridgerton, I clearly have not been immune to the pretty gifsets, especially when they feature Simone Ashley’s character. Similarly, I’ve enjoyed some fan content of The Owl House but right now my media backlog is big enough I’m not likely to get around to it any time soon.

Movie-wise, I rewatched Love & Friendship on the 4th and BATB 2022 on the 5th. Because I needed some comfort movie content. I ought to watch some movies I haven’t seen, like Sense & Sensibility 2024 or Chess in Concert. Hopefully I’ll have made the time to watch them by the end of the summer.

I’m still greatly enjoying Static Shock, Leverage, and The Librarians. They’re all fun shows with great characters and interesting storylines. My posting priority has been Static Shock, but I might end up posting more The Librarians content over the summer. Side note: I’ve learned that ER actor Eriq La Salle directed an episode of The Librarians so that’ll be fun when I reach season 4.

There’s been quite a bit of overlap between Leverage, The Librarians, and Star Trek so far, with more on the way. I know Jeri Ryan is about to be a reoccurring character on Leverage, for example. There’s also some XWP overlap, which would be surprising given that XWP was filmed on the other side of the Pacific except I’ve already seen overlap between Disney-era Power Rangers & Stargate.

On the other hand, I’m not really into ST TNG despite being at the start of the third season. I guess I’m primarily a ST DS9 fan. I don’t know why the show isn’t clicking for me, but it isn’t. Maybe it’s just that I’m more into the other 3 shows and I don’t have the bandwidth for a fourth? I feel bad because I know it’s an important show to a lot of people but it’s looking like I’m not going to be one of them at this point. It’s extra frustrating because I do like the characters but the show as a whole just isn’t gelling for me and I don’t understand why.

With its upcoming 20th anniversary, I’ll probably schedule a daily SGA post throughout July. I might similarly get Power Rangers off my back burner for August. Part of me does want to check out the newer seasons, but my to-watch pile is massive enough without adding them. Especially since the end of August will see the return of The Rings of Power.

I think I need to do these posts more regularly, otherwise they end up sprawling like this. This spring has been a Lot, though. Hopefully everyone’s summer will be calmer.

[spacedlexi]

so i caught up on amphibia,, i dont think i watched the same show as you guys

[carriagelamp]

Art of Aardman

I found myself a cheap copy of the Shaun the Sheep movie, so I was rewatching a bunch of Aardman films earlier this month and decided to hunt down some books too. For anyone that doesn’t know, Aardman is a British stop-motion studio that does fantastic work like Wallace and Gromit, Shaun the Sheep, Chicken Run, Early Man… tons of cool stuff. They’re always quirky and funny and warm-hearted. This was just a very nice art book for anyone that’s a fan of Aardman stop motion and wants to see a bit extra; it shows some cool concept art and blows up the neat details in Aardman work, especially in their intricate stuff like The Pirates! In an Adventure with Scientists!

Asterix and the Picts (Asterix and the Chariot Race, and How Obelix Fell Into The Magic Potion)

I decided to try a couple of the new Asterix comics that were done by the new team, just to see if they stand up to the old ones (that and How Obelix Fell Into The Magic Potion cause I’d never read that one before). They were pretty decent! Asterix and the Picts was my favourite of the two though I wouldn’t say either are going to contest for my favourite Asterix comic... but still! The art looks good and the stories felt like what I would expect, they made for a pleasant couple evenings of reading especially since it’s been so long since I’ve read a new Asterix comic. If you’ve never read Asterix it’s one of the biggest name French comic series in North America, as far as I know and very worth the read. It’s about a single Gaulish village that’s holding out against the invading Romans through sheer force of will, slapstick hijinks, and a magical super-strength potion brewed by their druid. Lots of fantastic visuals and cute wordplay, even in the English translations.

Bear

I found out about this bastion of Canadian literature via tumblr post that was losing its collective mind over the fact that some bizarre bear-based erotica novella somehow won the most prestigious literary prize available in Canada. Since I too found this hilarious and unspeakably bizarre I had to give it a read, obviously. And yes, the flat surface level summary is... a librarian moves out into rural Ontario and falls in love with a literal for-real not-supernatural-not-a-joke bear. And I have to say… it is actually worthy of an award, which I was not expecting given that I was there for a laugh. It has beautiful writing, and the subtextual story is pretty interesting… it kind of makes me think of The Haunting of Hill House actually in terms of themes. (Womanhood, personhood, independence, autonomy partially achieved through escaping the male gaze by claiming non-human lovers... listen if I were still in university I would right a paper comparing the two novels).

I dunno man, it’s fucking weird. Actually a well-written book, but sure is about a woman falling in love with a literal bear. Give it a read if you want something bonkers but like… high-brow bonkers.

Hunger Pangs: True Love Bites

Best book I have read in like… a while. A long while. I am not a fast reader, and I consumed 90% of this book over a weekend. It’s not at all like Terry Pratchett, but at the same time it scratched an itch for me that I haven’t had satisfied since Pratchett’s death. A very clever, hilariously funny poly romance between a disabled werewolf, an anxious vampire lord, and an incredibly powerful woman, with heaps of social satire, political commentary, and sinister undertones. The whole thing reads a bit like fanfiction and I say that in the most flattering way possible -- it is so easy to jump right in and be immediately taken over by the characters and the world and the plot, you never feel like you’re fighting to engage even though the world-building is fascinating and expansive. It welcomes you in right away, it was the book equivalent of a quilt and a hug which is something I sorely needed with all this pandemic bullshit. If you read any of the books on this list, go read that one while I sit here in pain waiting for the sequel.

Kid Paddle

I watched the cartoon of Kid Paddle as a kid and was thinking about it recently, so I decided to hunt down some of the original comics online. They’re fun and weird, with a cute art style and fantastic monsters designs. (My favourites are always about Kid either daydreaming or playing games that involve Midam’s weird warty troll creatures. It’s like a cross between Calvin and Hobbes and Foxtrot with the fun sort of quirks that I love in Belgian comics. Unfortunately, unlike Asterix, I’ve only come across these ones in French, but if you can read French it’s totally worth popping over to The Internet Archive and reading the ones they have available.

The Last Firehawk: The Golden Temple

The lastest Firehawk book. Despite being written for quite young readers, I did enjoy the early books in this series quite a bit. They’re about a young owl and squirrel who found an egg for a magical species that was believed to be extinct. With the newly hatched firehawk, the three of them head off on a mission to find an ancient firehawk magic that could save the entire forest. Very basic adventure story but a good intro to the tropes for children. Unfortunately the quality really feels like it drops with each subsequent book; this will probably be the last one I bother reading.

Lumberjanes: The Moon Is Up

I honestly think I enjoy these Lumberjanes novels even more than the comics just because it really gives time to delve into each story and examine how the camper are really thinking and feeling about everything. (Also I’m always weak for novelizations of anything.) The Moon Is Up is a book that focuses more on Jo, and takes place during the camp’s much anticipated Galaxy Wars, a competition between cabins that goes over several days. While the campers prepare for these challenges though, they also run into a strange little creature with a penchant for cheese and theft. Roanoke cabin needs to keep ahead in Galaxy Wars and somehow deal with the fearsome Moon Pirates that a closing in...

Lumberjanes v4 (Out Of Time)

One of the Lumberjanes comics, a cool, girl-focused, queer comic series. Honestly, this is just a fun series that I never got as into as I should have. My advice is honestly to skip book one because it gets better as it continues, and I’ve really been enjoying the later books now that I’ve given it another go. It follows five campers at Miss Qiunzella Thiskwin Penniquiqul Thistle Crumpet’s Camp for Hardcore Lady Types (Jo, April, Molly, Mal, and Ripley) as they handle all sorts of challenges, from friendship to crushes, camp activities to supernatural horrors, getting badges to not being brutally killed. Great if you liked the vibe of Gravity Falls but want it to be queer-er.

Mooncakes

Another queer graphic novel, but unfortunately not a very good one. It really looked appealing and I had high hopes, but the book itself really didn’t hold up… I actually couldn’t even finish it, the plot was just too… non-existent. The art is fairly mediocre once you actually look at it, especially backgrounds, and it feels very… placid. Not much conflict or excitement or even a very compelling reason to keep reading. If you just want a soft queer supernatural you may get more mileage out of it than me, but it didn’t really do it for me. There’s better queer graphic novels out there.

New Boy In Town

One of the worst books I have ever read. My girlfriend had ordered a very different book online but through a frankly stupendous error was sent this 1980s pulp romance instead. Absolutely nauseating on levels I couldn’t even begin to enumerate here. Naturally we read the whole thing out loud. Probably took us 10 times longer to finish than it warranted because I had to stop every two sentences to lose my mind. If you like bad decisions, baffling hetero courting rituals, built-in cultural Christianity without actually calling it that, and gold panning then boy howdy is this the book for you.

(seriously, you better have patience for gold-panning if you attempt this one, because I sure learn that I don’t)

Piggies

This was a picture book I enjoyed as a kid and had a reason to reread recently. Honestly it’s just very cute and simple, and the art is completely mesmerizing. Wonderful if you know a young child that would enjoy a simple goofy boardbook.

Shaun the Sheep: Tales From Mossy Bottom

Related to my Aardman fascination earlier this month. I tried reading a varieties of Shaun the Sheep books — most of which are mediocre at best — but the Tales From Mossy Bottom Farm series is genuinely good. Just chapter books, of course, but the illustrations match the series’ concept art and each story feels like it could have jumped directly out of an episode. They’re just cute and feel-good! Kinda like Footrot Flats but more for kids, and from the sheep’s perspective moreso than the dog’s.

[leamy-world]

Some afterthoughts on The Devil Judge (spoilers for all the drama!)

Hello everyone! I hope you’re doing well!!

I wanted to write my thoughts after the finale aired because ep. 13-14 made me a mess and were too nerve-wracking! After these two episodes, i only wanted the week to go by fast to see how the finale unfolded (but at the same time, this drama entertained me sm i didn’t want it to end haha).

Watching this drama each week and reading your reactions and thoughts made me enjoy it even more, i’m glad i came back on tumblr! It was a really nice ride (more like an emotional rollercoaster haha)! It motivated me to write my thoughts and analyses on fictions i watched in the future, especially My Mister and Beyond Evil!! I forgot how much fun it was to do that and putting my thoughts into words gave me a little closure to my watch haha

These are just some afterthoughts & personal interpretations i had and were maybe probably already discussed, but i couldn’t get them out of my head haha

See you around and take care!!!

THE CAST. It left a strong impression on me and i can’t see other actors playing their respective roles!

—   Yohan portrayed by Ji Sung … i have no words, this devil judge left me speechless! His character, to his Devilish Smile (and hollow laugh in front of CKH and his son, or Gaon), his variating voice intonations (like damn, he’s a living ASMR like Lee Sung Kyung), his held back emotions and touch-starved and even desperate touches when it came to Elijah and Gaon, to his rage and unhinged moments! 

I winced seeing him contort in pain when Sunah revealed Elijah accidentally lit the church fire, and the two times he hugged Elijah totally destroyed me. His last scene with Gaon showed how gazes & micro-expressions alone could convey unspoken words as strongly. I’m weak for these kinds of scenes, My Mister for example did it and killed me haha

For this post, i rewatched some scenes and damn, Elijah and Yohan’s support of Gaon after Soohyun’s death was really emotional …

(They had no business in making Gaon have this kind of dream, those german scissors left a ... strong impression on him haha)

—   Kim Min Jung’s depiction of Sunah’s was hauntingly beautiful, a femme fatale who kept a broken child deep inside (and at the same time surfacing on her manners and personality) and a strong businesswoman. It’s a fascinating character i loved hating as a villain but still sympathized with. The scene where she murdered the former foundation’s president sent me chills down my spine (i still have her shot of her, sitting at his bureau and manipulating his speech video)! 

The melancholy slipping through her facade when she visited the mansion the first time in a while, as well as her devastation in front of the President’s scheme, by the young girl’s bed at the hospital were memorable. The tension between her and Yohan was incredible: they both managed to keep a very disturbing but enthralling aura, tangled with nostalgia at the same time each time they met.

(Looking at her reflection is a recurring pattern for Sunah’s character, i found this shot above interesting, divided in the two ends of the mirror, as if her self can’t be found on the other side anymore)  

—   This was the first time i saw a drama with Jin Young and i really loved his playing! Never thought I’d say one day i enjoyed someone’s tears and rage on screen, but his crying scenes stuck with me, especially in the prison yard and the last episode (he deserves therapy after all he went through, really) … And his letter to Elijah … (i’m glad nobody harshly revealed the truth to her, i’m really glad!)

I loved to see how his gaze evolved through this journey with Yohan. His endearment to Soohyun, Elijah and Yohan was very precious ;; Even though Yohan was the one who was first seen feeling lonely, Gaon’s loneliness since his parents’ death slipped through his seemingly fine world, i found that interesting! (And on a lighter note, i’ll always remember the truth behind Mrs. Ji’s cooking, Gaon’s epic reaction, and the pure comedy she gets to own a healthy food shop thanks to Yohan!!) 

I also enjoyed his supportive friendship with Jinjoo!!

—   Park Gyu Young’s acting was also on point! It’s really too bad she didn’t get more screen time because i wanted to know more about Soohyun!! I felt robbed haha, because when TDJ began airing, they introduced her as one of the ‘main’ characters of this story ;; The scene when she was on CKH’s suicide scene really left a mark on me + when she was confronting Yohan, especially after she took Elijah out!

—   Elijah. Just Elijah, our best girl!!! Apparently it’s one of Jeon Chae Eun’s first roles, she did so well!! Along with Ji Sung and Jin Young, she gave a whole new definition to the Domestic Scenes, i swear. These scenes will keep a special place in my heart for a long time! Her adorable smile and cheekiness were a refresher in this show!

(They could change TDJ’s concept in a second season and make us a domestic slice of life series, i wouldn’t mind AT ALL! Take my money!!)

Seeing her complicated relationship with her uncle unfold before us deeply moved me. The complete loneliness she silently depicted moving to her bed in the wheelchair, after Gaon left the mansion was heart-wrenching. And also the scenes after Soohyun’s death, hurting with Yohan seeing Gaon’s pain (the way she spoke her worry for the two of them, Yohan couldn’t let the words out properly to Gaon).

—   CKH’s character, played by Jang Young Nam, was amazing. Her acting already shattered me when i watched Nobody Knows! Her cold gaze, her harsh tone, she was badass i have to admit! 

The narcissistic rage was well depicted in her character, and even though i get where many’s opinions on her death come from (i share it too sometimes, but i feel it more for Sunah), i found this final decision fitting to the character, especially if you look how she treated her own son (each hold felt like a grip from rage eg. in ep. 3, as she maybe felt her son was the cause of her demise).

(HUGE SPOILERS FOR BEYOND EVIL BELOW!!!!) 

She reminded me of HKH’s ending: seeing his path to success was crushed with no way out of it except death on his own accord (in his eyes, because it was his absolute life aim, every single being, to his own wife and son, and means, even bending the justice independence, were his expendable ways to pave his path), HJW’s father was set on suicide before his son barged in. 

(Funnily enough, the filming spot for CKH’s house is the same for HKH’s house haha)

—   And also … Lawyer don’t-worry-i’ll-get-you-out-on-probation Ko deserves a round of applause for the best lawyer he is hahaha

THE STORY’S DEVELOPMENTS (AND SCRIPT). I feel like this story could very well have been developed on 20+ episodes! Even if i know some scenes in a script are sometimes (bound to be) cut in the drama, TDJ’s script leaks make me feel there was SO much more to be told, and so much more to explain some plot events in the airing drama!

Because the story was ambitious, both character and plot(twists which give you whiplash)-driven (and also the filming context with the pandemic), i feel like some choices were made.

The lines of thought about justice and the drama’s attempts at its ‘true’ definition are not lost on me. It was really interesting!

On a side note (there will be many, bear with me haha), the symbolic behind the app’s name, DIKE, which i’m pretty sure (correct me if i’m wrong, i only have some very rough basics in korean haha) is the korean romanization of Nikè, or in ancient greek Νίκη, the greek divinity of Victory ( ‘ㄴ’ in korean sounds like an ’n’ but its pronounciation is more abrupt/brisker, to the point of what could be sounding to ears like a ‘d’).

Nikè is most of the time represented as an attribute to other greek divinities who also embody the victory eg. Zeus or Athena, thus seen as a bestower of victory (in any domain, be it war, games = interestingly enough, the live court is set in a colosseum-like room, arts, …)  to the humanity on behalf of these gods (Nikè sometimes stands in her palm as an attribute of Athena, like the owl or the helmet). But sometimes Nikè was also revered an independent protective divinity.

Nikè is represented as a winged divinity in a long robe, flying above the victorious, assisting the humans in their works/challenges eg. handing them a laurel crown as a sign of victory, or a helmet, etc. Its mostly known representation is the Winged Victory of Samothrace (or The Nike of Samothrace) sculpture in the Louvre. The brand Nike also used it in its logo.

It calls back to Yohan’s line: « I make sure i win before the game starts », and in fact, since the beginning, unbeknownst to everybody witnessing the trials and participating to them, the app was his way to win. It foreshadows the ending of the story, Yohan finally taking down the foundation. It also adds to his god/devil image: he assumes the role of the intermediary/abyss of the « gods » (the Justice), taking in all the hubris of the society in order to bring the justice (well, guess we could say it put some hold to the cycle of the powerful culminating to chaos?) back, in some sort of catharsis through DIKE.

It might be a stretch, but Nikè’s winged representation could be found on Gaon’s tattoo (at first to me, it looked like a phoenix/winged angel, which symbolizes a ‘reincarnation’/new beginning for Yohan finding peace, a second chance to his past and Elijah thanks to Gaon & Gaon finding a new world even if his first crumbled ie. his parents and Soohyun’s death and professor Min’s betrayal).

(The whole virus plot by the end of the story made me feel a little uncomfortable given the actual context and the conspiracy theories that are spreading, but it wasn’t used carelessly and served the commentary of the powerful and how far they would go, i think? That said, a fiction, especially a dystopia like this, stays a fiction but when they used it, it gave me a forced laugh haha)

Now, if someone gets to translate some script bits, i’m really looking forward to:

K’s backstory!!!!!

Isaac and Yohan’s past!!!!

More about Elijah!!

Where’s the cat???

What was the script saying for Gaon and Yohan’s confrontation in ep. 12? When Yohan faced the window, waking up from a nightmare after Gaon left?

ABOUT SOOHYUN’S BACKSTORY. (Now, this will get long, i’m sorry but i needed to let my thoughts out haha) The drama introduced her as one of the four main characters with Gaon, Yohan and Sunah. I had so many expectations for her character! Especially from the three scenes we got of her:

➔ In the first episode, we see her save a young girl in the street from two men, looking up at the poster « A safe Korea will be realized from now on. »: it was a great introduction to the blatant lie of the ‘safe’ dystopian world that was being created in the story. It also showed how Soohyun felt in front of this insecure world. A side note, but seeing her hug the young girl like that reminded me the hugs she gave Gaon: she wanted to protect him from this unjust world with all her might (especially the scene in the restaurant where she hugs him). ➔ Her two confrontations with Juk Chang! ➔ Her dilemma and emotional turmoil when she erases Gaon’s presence in CKH’s office.

She was portrayed in the story as Gaon’s pillar since his parents’ tragic death and his moral compass. She’s the lawful citizen, despite feeling helpless to the world’s changes, who hopes it could be saved as long as the rule of law is preserved by everyone, and this begins by respecting it themselves. 

But she was not standing around and i kind of regret this was not shown more in the story: she kept doing her best in the « system », fighting from the inside the injustice hoping the little changes could make a difference someday. Because she couldn’t take Yohan’s path, in no way: the system/the law must be respected for it to be sustained. And i’m glad they addressed this point in the drama: Yohan chose to take on the role nobody wanted or even dared to assume, knowing fully well he became a criminal the second he began his plans (just as lawyer Ko said he was no longer a lawyer once he sided with him). 

This must not be glorified, nor vilified. As he said, it was a choice he decided to make. She mirrors his choices to some extent and i would have loved to see more of their interactions or her thoughts about that! And how she worked through the system to change things, her vision of the justice. They showed us the flashback of her career choice in high school, and it could have been interesting to learn more about her! 

A backstory about her saving the youth and meeting Sunah by accident would have been very interesting (given Sunah knew all about her since the beginning and ordered to kill her). Their meeting wouldn’t have foreshadowed Sunah’s plans, quite the opposite, and it would have given more ‘substance’ to her plans. We were robbed of this relationship haha! 

And of course, seeing her side with Yohan & Gaon for a short while (because seeing her team up with them all along the way could’ve been a little ooc) would have been dope. Her arresting Juk Chang while the two of them stop the gang was the closest thing we had to their teamwork ;;

Among the drama’s main focuses (the self-pity of the powerful and the never-ending cycle of their greed, the power displays it ensues which come in many forms in the system’s game), the conception of justice was developed all along the drama. It would have been really interesting to see whether Soohyun’s conception of justice could have changed in her own way!

And professor Min’s potential manipulation of Soohyun!!! Some scenes on their interactions could have been nice to see and explain why she focused solely on Yohan, the only side of the whole story she knew! Her reporting to the professor about her investigation (and him feeling she got too close to the truth) would have made sense because, as she saw Gaon growing apart from her as he was getting closer to the Kangs (especially since she saw him interact with Elijah when they invited her to the café, like Sunah saw how Gaon fit in their family at the dinner scene), she would’ve wanted to protect him without him knowing because she knew it’d have hurt him. It could have paralleled Gaon’s reports on Yohan to the professor at the beginning of the drama. And that could have explained (aside from the whole love triangle dynamics they had) her reluctance to tell Gaon Yohan was the one who told her his whereabouts when he was in danger in ep. 13 ; this scene also was one of the only moments addressing the lack of communication in their relationship. Seeing her feeling confused over Yohan could have been interesting!

(This also got me wondering whether in the script, Yohan’s injury was ever addressed.)

Also, i’m curious about her family, if the script mentions something about them: did they know Gaon?

About the loveline between Gaon and Soohyun: while the friendship could have stayed as is (it already felt pretty genuine in my opinion and strong friendships also deserve to be portrayed in stories), i’m convinced this drama wanted to set Gaon as the center of a subtext love & morality triangle between Soohyun and Yohan (and K and Sunah on Yohan’s part). I think i would’ve appreciated Gaon and Soohyun’s loveline so much more if they developed it more! And it had to develop in the very same episode she died: apart from the confession and kiss scene (i’m curious about the scene’s description in the script), the flashback of their moments, seen from Gaon’s pov, came just right in to ‘explain’ it! 

Of course it wasn’t the main focus of the story and there was already so much happening, but their new relationship development and her death almost had no impact on me even if it was set as a turning point for Gaon (and K for Yohan, as a cement to their respective decision to fight the system and how they would do it), and it made me really really sad! Of course it was a plot device (and i now wonder what would’ve happened if she or K wasn’t dead), but if it was bound to happen, the emotional impact was lessened!

Jinjoo’s character development and her relationship with Sunah happened really really fast, and i wonder how the script describes it!

Sunah’s involvement with the juvenile care center!!!  Her scene at the hospital left me really sad.

(Also, on the love plot, Gaon and Yohan jealousy bits weren’t used later as an expression of their envy towards the other’s status/life/etc. and were actually directed to people outside ie. Sunah/K/Soohyun in the plot, which makes me think they really wanted to set it as a love triangle!)

ABOUT SUNAH’S DEATH. I feel really really conflicted on this point. Her story was a parallel to CKH (and of course Yohan, i’ll talk about it below): two women — coming from totally opposite backgrounds — climbing their way up by their own means in this power circle. And despite all their accomplishments unnoticed (because they were the ones seeing through their plans while the others were mainly seen tearing each other into pieces), they could still be ruthlessly ejected from this world any day, part of it because they were belittled as women all the same, and chose to end her life on her own accord, still having agency over it. 

As someone else pointed it out, it also acts as a « poetic » retribution for her murder of Soohyun and K. BUT her exiting the scene in some other way staying alive could have contrasted with CKH’s suicide (especially since she overthrew the president who was the only one on her side getting in her way and even killed him in the end). Especially in a show that deals about how the justice can be carried out!

Of course, Yohan and Sunah were a foil to each other in their respective fights and traumatic past: the drama showed us how having someone to reach out to and protect (Elijah, Isaac and Gaon to Yohan ; Soohyun, Yohan and Elijah to Gaon) can become a driving force. Sunah, despite thinking this could be a weakness, also longed for companionship (from Yohan mainly, but also from Jaehee), and had no one to stop her crossing the line and preserve her from herself and the world. At least someone hearing her story, staying by her side and trying to understand her. 

Each time she said ‘can you be a little nicer to me?’ to Yohan made me feel for her (and also that one call with Jaehee), it was the only cries of loneliness she silently let out!

On a totally random note, i would have loved to see her interact more with Gaon (especially by the end of ep. 15, when Yohan was arrested)!

The story gladly didn’t end Yohan’s traumatic past and growth in death, but what about Sunah? In any case, Sunah was a really good and complex character, i enjoyed her character!

What about Jaehee? How did she react to Sunah’s death???

What about CKH’s family after her death???

I would have loved to hear more about Sunah’s plans as well! Scenes where she would play with Gaon for example (in Yohan’s presence or not, like at the photoshoot)! 

(This comment above foreshadowed, along with the dinner scene in ep. 11, she used him all along!)

Her involvement behind the scenes was only exposed in ep. 15 but i wanted to know more about her (motivations aside from her focus on Yohan, what did she plan to do before finding out a look-alike to Isaac, ...)! Given the elements in the plot, i get the idea she planned this whole business with the foundation first to reach the top and wanted to bring Yohan up with her (eg. leading the foundation or becoming the president) or down without her along the way, because she wanted his companionship. Maybe the script expands on it more? Did she really believe in the Dream Home project? Because as we saw her speech in the juvenile care center and her strong reaction to the youth being harmed in these schemes, i believe she kinda wanted to protect them as the best revenge on her past, because nobody could do it for her?  

THE ENDING SCENE. The ending was pretty good and didn’t give us an all-out tragedy, so i’m really glad! I still can’t believe Gaon was ready to blow his life away once he learnt Yohan’s death AND wanted to die with him (falsely) realizing Yohan wouldn’t change his mind, dead set on his decision (no pun intended!). And Yohan’s reaction to this ............... Now, their last scene is left to the viewers’ interpretation, but it felt to me like a new beginning to Yohan and Gaon’s relationship! As it was already said by many people on tumblr, Yohan wasn’t sure if Gaon would still be by his side despite it all, and he didn’t expect Gaon to feel this way. They’ll definitely meet again, it’s a promise of more in the future (especially Yohan’s nod, on the verge of tears and Gaon’s two relieved/endeared smiles, full of forgiveness). Gaon will join his new world once he’s done or they’ll come back to him once Elijah’s recovered.

And this game of hide and seek/hunt reflected their relationship development: Yohan felt unattainable at first, but he chased after him in the maze that was his devilish game, symbolized by the crowd, chasing him motivated by his suspicion, curiosity, anger and hate, disbelief and disappointment, empathy, worry, affection, desperation and love, until he finally reached him and they understood each other among all the crowd, living metaphorically in the same time, facing each other on the same (ground) level.

(A scene in the first episode, Gaon seeing a maze of Yohan’s reflections, maybe symbolizing he could not see through his facade in the beginning, being an enigma to him at first sight ; the choice of the reflections in the mirrors through the drama is interesting and reflects the story: depending on the angles, a story can hold as many meanings as there are points of view, the complete image surfacing once everybody’s story is told)

(Just like how, in ep. 4, Yohan shows Gaon the wicked system right under their noses, Gaon’s enraged and confused gaze directed right at Yohan after they all block his view by clinking glasses ; Yohan hoped he would understand what lies beneath but Gaon understands it fully through his own past in ep. 7-8)

(The crowd is cleared from their/our view in the final scene, leaving the two of them facing each other without any obstacle/reflection on their path)

Gaon kept Yohan’s watch all the time even in moments of doubt, sorrow and rage (the best PPL in drama history so far haha), Yohan finally got to Gaon and entered his world as Soohyun did, reaching out when he needed it the most, to stop him doing something he would regret deeply. It was symbolized by the scar he got on his left hand from preventing Gaon from stabbing him (that’s also why he caresses his scar in a bittersweet way, lost in thoughts, reminding him of their last meeting).

As @i-guess-it-rains said + according to the BTS’ editing (it passed off as a joke but i can’t erase it from my brain now haha),  the way the scene where Yohan defused Gaon’s bomb was framed looked at the same time like Yohan was also carefully handling Gaon’s heart (the bomb countdown clock radiating a red glow on his chest), on the verge of exploding. Now i have The Nights lyrics in my head haha (« My heart is going back to you, i just don’t know »)

On another note, i realized that in ep. 12, after Gaon left, he’s seen trying to call Soohyun in order to reach for her since their last confrontation, but right before, his finger glides over his contact, hesitating on Yohan’s contact before choosing to call Soohyun.

While in ep. 8, he only reaches out to Soohyun after his breakdown in the prison yard (without thinking to call Yohan because he was in the core of his doubts and pain at that time and needed space to reflect on all the events):

And it parallels to Sunah attempting to reach out to Jaehee in her loneliness at the top, hesitating before deciding to call her.

Now i hope TDJ will be on Netflix! It’d be very nice to get to watch the drama in high quality and have more people to see it!

I heard it got a webtoon adaptation so i also look forward to it once it will be translated!

A SECOND SEASON? When i first saw the ending, i thought it got wrapped up nicely and didn’t « need » another season, but it also left some parts open and laid out a new background for further developments (the system repeats itself but in another form, Yohan leaves the scene with his signature smile, maybe up to something else again, saying metaphorically or irl to Gaon he’ll come back if he doesn’t do well), kinda like Stranger/Forest of Secrets s1 or The Guest ending (the corruption doesn’t end there). I also heard it got high viewing rates in SK, so maybe it will be taken into account? And well, i’ll miss the cast so i would welcome the idea haha

THE SOUNDTRACK. The whole OST was stellar (and their titles are on point really!)! Getting to hear it without voices or noise over and with my headphones on made me realize it was even more beautiful! Because I Have You, Warmth That Melts Loneliness and If Only… are the end of me (especially If Only aaaaaaa)! Don’t get me started on Enemy of Truth’s title to the OST playing for the church fire because it’s devastating ;;;

If Only’s title … It leaves us filling in the blank space, the dots to Gaon’s thoughts when he learns about Yohan’s past and how it impacts him to this day.

The 4 songs were amazing (there’s also Different from the Outside but i still didn’t get its lyrics). Tempest was definitely etched in my mind as TDJ’s main theme haha And The Nights was my favorite!  

➔ Tempest was Yohan’s iconic theme and depicted his lonely path to revenge after the tragic events in his life, and his (fated) encounter with Gaon, how deeply it will change him in this journey in ways he didn’t expect. It perfectly introduces (with Chet Faker and Flume’s Drop the game) and concludes the drama!

➔ What you gonna do was THE revenge epic song making everyone revel in the ‘bad guys’ despair and Yohan’s badass moves! 

➔ The Nights felt like it was both Yohan and Gaon’s theme and Gaon’s sorrow after Soohyun’s death: at first i thought it was only Yohan’s, but his revenge and the last episodes proved me wrong! The song’s lyrics mirrored themselves (‘my/your night shines on you/me’), as if a complete understanding between Yohan and Gaon was found on their dark road. Yohan’s night shines on Gaon: Yohan’s broken past and all his misunderstood or hidden sides, his dedication to Elijah. Yohan’s rage (almost wrath since the biblical and god symbolism are there haha) and desire to take the inique system down waked Gaon’s own rage, buried deep inside, and made him move forward too. Gaon’s night shines on Yohan: all the time he spent with the Kangs, Gaon’s deep empathy and understanding, helping him reconnect with his niece, their dinners at night, his rage exploding when the truth about his parents was revealed, his desperation on the last two episodes (in ep. 15, seeing Gaon’s realization everything was a lie and Yohan was innocent, and in ep. 16, Gaon wanting to die by his side). Gaon’s night also shined on Soohyun, who wanted to protect him with all she got each time she saw him crumbling down.

There was still light on their dark road (which looks like a callback to Nightmare’s lyrics, « Save me from myself / Save me from this darkness that has lost its light »).

➔ Nightmare felt like it was Yohan and Sunah’s theme. When it last played when Sunah’s death happened on screen, it left me speechless (and if i remember correctly, the ‘save me from myself’ bit was played right when she shot herself … o u c h)!

[sepublic]

I managed to watch Infinity Train Book 2 finale!

I mean, everyone else has already said it, but... goodness what a phenomenal finale. What an amazing season, absolutely superb in EVERY respect! After Book 1 introduced a setting, Book 2 went out of its way to further expand on it! It... it’s like after Book 1, Owen and his team got the hang of what they wanted to do with the show even more and we got Cracked Reflection as a result!

Lake! Lake is free! She can see her reflection now! SHE GETS TO BE WITH JESSE AND EVEN MEETS NATE!!! Her emotional breakdown and anguished declaration of personhood at the end of the Tape Car lowkey gave me chills... That was powerful, watching her just break down in frustration at the pure, inherent unfairness of it all and even destroying robot workers minding their own business in her pain.

Really, that whole sequence in the Tape Car was nightmarish. Its name REALLY doesn’t quite cover what it’s like, and I felt like I was watching the Matrix with that scene of all of the pods lined up on a wall, robot tentacle-arms, people asleep and floating in murky liquid...

Also, that scene felt like all of the passengers were inside an even bigger, larger nervous system of sorts. And with how weirdly-organic it was for such an otherwise mechanical, sterile environment, I half-expected to see some horrific organic thing at the end of all of it, acting as the brain and nervous system for the Tape Car and potentially the entire Infinity Train! Goodness this train is so eldritch.

Seeing more of how the process works was also neat, as well as new robot workers! I kind of already expected the “Didn’t care about Lake and Dracula” bit but it was still neat, and on an unrelated note, we see what the point of the squiggly red-line vocoder is for on the pods; It’s apparently where the audio of One-One’s video comes from!

(Side-note, but that kid being messed up from accidentally killing a pet... That kind of hit close to home and honestly I felt that.)

And seeing the Steward again... FINALLY! Someone else suggested that the Steward is created to defend the Infinity Train’s mechanisms if they’re attacked, and this episode seemingly confirms it; It also makes the Steward’s preprogrammed command for passengers to ‘return to their seat’ also make more sense when you realize that the voiceline is probably meant for situations where passengers are in areas they really shouldn’t be (especially parts of the Infinity Train’s anatomy).

Everyone called it, but we FINALLY get to see One-One inside the Steward, piloting it as intended! And also, I’m glad to see I was correct in One-One now acting as a Lawful Neutral character due to his power and authority putting him at odds with people who are struggling with the Infinity Train’s system. Seeing him again is so weirdly nostalgic, and I love how we get to see the darker side of him as he struggles with what to do with Lake. Him popping out of the Steward to roll around in stress is amazing, too.

I love the idea of the Infinity Train struggling to quantify an ‘issue’ it can’t deal with by producing non-integers (many of which have no actual mathematical meaning, like ;P). It’s interesting that One-One talks about solutions to people’s problems, and how said problems are shown through numbers. And the solution to the problem is zero... It’s all like a complex mathematical pun and it’s incredibly clever. Also, him explaining that the train ‘fixes’ passengers... It makes me wonder if the Infinity Train is meant to be, like. A maintenance robot for humanity as a whole? A powerful machine built to ‘fix’ people’s malfunctions, a very specific kind of malfunction, an emotional one. This perspective and the Infinity Train’s mathematical, computer-like approach to everything (down to Lake fooling it as if by hacking) makes its nature and unknown origin all the more fascinating. 

Sieve isn’t happy... Big surprise there, but I didn’t expect him to get through the situation by suggesting a ‘solution’ to One-One’s problem that the latter darkly considers. He was always the more clever of the duo and good at dealing with/convincing people, and it shows. Not gonna lie, seeing him die by getting zapped by Dracula’s lasers and exploding from it in gorey fashion was... I should be more shocked, but after the Wasteland I’m not. God I love this show.

(Also, Sieve should show a little more respect to the Conductor and not PUT HIS FOOT ON HIM- He’s lucky One-One didn’t sic the Steward on him!)

Jesse having a second tape showing his experiences with Lake, all as memories building up to his newest problem, no Lake, was also great and I love how the show elaborates that tapes are specifically imbued with the memories related to and leading up to the issue that causes a passenger to board the train. Also, when he and Nate were talking about freeing Lake, I half-expected that joke theory about Jesse yeeting Nate down the stairs to get in trouble again was, like, going to happen, with Nate even voluntarily helping for it. But luckily the Infinity Train recognizes Jesse’s emotional distress of not having Lake as enough of a problem itself, and Nate doesn’t get any more broken bones.

(And can we appreciate how the FIRST thing Jesse fixates on after waking up is Lake? I LOVE THESE TWO)

I love in particular how Lake figures out how to cheat the system by reflecting Jesse’s number on her... And upon realizing this solution as well, Jesse’s number immediately goes to zero because he realizes it’s practically been solved! This kind of clever thinking and exploitation of the rules of a setting and using it to one’s advantage is one of my FAVORITE things to see in media, ever. It’s way more fun and clever than just a generic ‘Hero gets an emotional power boost’ that most stories have, and it’s part of what makes shows like Fullmetal Alchemist: Brotherhood and Jojo’s Bizarre Adventure so endearing to me! Glad to see Infinity Train joining the list of shows that use galaxy-brain thinking to save the day!

I was really worried for a second that Sieve would stop Lake as she and Jesse escaped, and for a moment they seemed safe... But SOMEHOW he got a hold of Lake’s foot, genuinely surprising me after I sighed in relief when she arrived in the ‘regular’(?) world. At that point I was wondering what Alan Dracula was even doing, when LO AND BEHOLD Lake uses grass to beckon him!

Really, I love how in these last two episodes, Lake has figured out how Dracula operates and has grass and solutions stored accordingly. It just goes to show how well she (they? him? Lots of trans/NB coding with Lake) knows him. Also, I was lowkey anticipating some dramatic reveal about Alan Dracula, what with the foreboding foreshadowing in the minisodes and One-One’s confusion... But no, hilariously, he’s just like that. And that’s amazing, alongside the fact that One-One just treats him as... A particularly unusual creation of his, even by the train’s standards. (I should rewatch Dracula’s minisode cameos under the context of One-One having made him). Also, apparently One-One DOES design train inhabitants? Or is Dracula just the one? How many does he design? All of them? SO MANY QUESTIONS-

Finally, we get our happy ending, and Lake FINALLY gets her true name, which I’ve been looking forward to all season! Wonderful, phenomenal, amazing, brilliant season and amazing ending! Now I already miss Jesse, Lake, and Alan Dracula. I was a bit disappointed we didn’t get to check up on Tulip or Atticus, but perhaps that’s for another season.

This DOES make me wonder what Book 3 could be about, because there’s so much potential! We still have that blue-haired girl that was shown at a panel, whom an animator was excited to show off... Considering her distinctive trait I think she may be the next protagonist. Others have also suggested the old man that Lake scared off, and that’d be neat as well (Why not both? Perhaps we could have two passengers in a season, or one after the other!). There’s also the issue of the Apex, which as I expected, would be brought up in Book 2 to probably be resolved in Book 3. It’s like how Lake and her storyline were introduced in Book 1, and seemingly ended, only to be revealed that Mace and Sieve are still after her, and THAT storyline is truly resolved in Book 2.

I’m just excited, man. Between The Owl House’s premiere and the Book 2 finale, I’m just blown-out and exhausted. It’s been a wonderful train ride and I can’t wait for the next stop!

[korra-the-red-lion]

Let’s Talk About Cartoons.

Hey people, Korra is back with yet another long post, so be prepared.

Recently, I’ve found myself watching more cartoons again. So I just wanted to talk about some stuff on cartoons. So, the one thing I need you to keep in mind while reading this post is that these shows made be enjoyed by all audiences, the targeted age range is children. Children between the ages of 8-12 most of the time. So yeah, keep that thought.

I love Avatar, Korra (my username sake lol) Voltron, She-Ra and so many others. I would say these shows are some of the ones aimed at a bit of an older audience. But I also enjoy the Owl House, W.I.T.C.H., Ben 10, the Loud House, and others. I would say these shows are roughly aimed at that 8-10 range. What is it about these shows that I love? Hmm, there are many different reasons for as to why. But there are a few things that come to mind. Good representation, dark topics dealt with in a mature way, funny and lovable characters, silly buffer episodes, and endings that fit the show.

Voltron Legendary Defender had its issues, but I’m not focusing on that just yet. What the show did well is having a group of diverse characters. Lance, Hunk, Shiro, Allura are all PoC. Most of the characters in the show are in fact PoC, which is really awesome to see. The show dealt with themes of loneliness, war, colonization, loss, and found family. I think for the most part, everything was well done. Was the queer rep done pretty poorly? Yup, I think it’s fair to say it was. But it doesn’t outweigh the other things the show dealt with in a great way. Keith saying “I love you” to Shiro in a completely platonic way was SO IMPORTANT. Men saying I love you and crying and hugging and being able to be emotional and still considered strong is something that still needs to be normalized. It’s still one of the few shows I’ve seen this happen, and since the show is considered to be aimed at “boys” makes it even more important to me.

I could go on for days about how amazing the queer rep in She-Ra is. Adora and Catra was teased and I was worried for a little there that it was going to happen, but then IT DID. THEY KISSED. But not only that, we saw Scorpia have a crush on Catra, Mermista had a crush on She-Ra, Perfuma showed interest in both Bow and Scorpia. Seahawk is such a bi disaster. Double Trouble was one of the first non-binary characters I’ve seen on not just kid’s tv, but in all of tv. Queerness was the norm for She-Ra, it was more strange that Hordak was straight. Now, She-Ra also dealt with themes of identity, abuse, war, love, loss, and more. She-Ra isn’t perfect, but damn it is one of my favourite shows I’ve watched in a while. It’s really amazing.

There’s a reason why Avatar and Korra have a legacy. ATLA holds up. I just finished my rewatch and it still holds up. Are there some stinkers in s1? Yeah, haha. The Great Divide is a pretty rough episode to get through. But these two shows were things I watched growing up. I was the targeted age when Avatar first aired. The themes of abuse, colonization, genocide of a culture, misogyny, and like a billion other topics are addressed in such a mature way, but in a way that kids can understand without it being spoon-fed to them. Master Pakku is such jerk and it’s clear that people know this. The show doesn’t shy away from the damage caused by the Fire Nation. The Legend of Korra has a bit more of darker tone and mature themes, and I feel like they’re dealt with really well. And let’s not forgot that all characters are PoC and and Korrasami was a canon couple, the first of the time. Also, please remember that Korrasami was a BREAKTHROUGH FOR LGBTQA diversity for kid’s television. Respect, big respect.

Kipo and Owl House are two new shows I just started and I’m really enjoying them a lot. The Owl House s1 was so good and I loved all those goofballs. I think I would die for Eda, and Amity is such a dork. Kipo has been really fun and it’s got a great diverse cast of characters, hope it gets a s3! I’m enjoying the Dragon Prince as well, though I do find myself not enjoying it as much as some others are.

Now, after all that has been said. It’s okay to dislike an aspect of a show, or point out the flaws. But at the end of the day, it is aimed at kids. I’ve had people say to me “it’s aimed at kids but they know the audience are adults” and “kids aren’t watching this stuff, they’ve got other stuff to watch.” Yo, that attitude needs to stop please. Kids are watching this stuff. My younger siblings watched all those shows mentioned above, most of them before I even heard of them. My youngest sister LOVES Kipo, she thinks it’s amazing. All media has flaws. It’s silly to think that it doesn’t. Even ATLA has it’s issues, but they’re not large enough to take away from the show. We as the older audience need to stop gatekeeping and acting as if children aren’t watching, because they are. So remember when pointing out the flaw or tearing into something for whatever reason, maybe take a step back for a minute. Shows aimed at kids, regardless, have more constrictions. There are jerks out there who think kids shouldn’t have LGBTQA characters, people who think shows shouldn’t deal with heavy topics, that silly buffer episodes ruin the show for them.

You love these shows, but remember that kids out there do too. Themes that we are used to seeing are so much more nuanced and mature, because they have to be able to showcase it in a way that a kid may understand it, but not in a horrific Game of Thrones style gorefest. Themes that kids should see. I can’t imagine the emotional impact Catra and Adora finally leaving their abuser had. Or Zuko standing up to his father. Or Luz’s mother not understanding her quirkiness. Or so. much. more.

So yeah, I love cartoons. So do my siblings. Love them for everything they are, and be critical of them for sure, but don’t ruin it for the ones that it’s aimed at. Those kids are going to grow up and be amazing humans, and they’re going to create even more awesome things they wished they had when they were young. Remember that.

[ducklingdraws]

My Idea for a Scooby-Doo! Reboot

So a while back, after noticing that Scooby-Doo: Mystery Incorporated was on Spectrum On Demand, I decided, "Hey, I'm gonna rewatch this show." I don't know why I did it, because I rarely ever rewatch shows. I'll watch reruns, but never have I actually decided to rewatch a television series. But, I did it for Scooby-Doo.

And frankly, I had forgotten how good the show was. It's honestly really dark, while also being absolutely hilarious; and in its humor, the show actually does really unique things with the Scooby-Doo gang, with the biggest example being this show's version of Fred Jones. It's wild. But in my opinion, the thing that really makes this show what it is...

...is its story. I feel like the story and characters are fuel for this show in a way that feels different from other shows, somehow. I don't really get it, but that's the way I see it.

So, seeing as there's all these serialized cartoon series nowadays, and Scooby-Doo is always getting rebooted in one way or another, I figured... what if I rebooted Scooby? If I had the opportunity to reboot Scooby-Doo and the only Warner Bros requirement was "just make it," what would I do with it?

Without further ado, this is To the Future, Scooby-Doo!

First up: The Premise

To kick things off, I'll discuss how the show is set up. This version of Scooby-Doo is set in the future. Technology has become more holographic and stuff like in the movies, but fashion hasn't evolved to be nothing but latex bodysuits yet. Flying cars are real but not very widely used, and clothes can tell the time.

On the biological side of things, prosthetics are holographic as well, and incredibly easy to attach. It's almost like having your original limb. Food is healthier while also being more environmentally friendly, and animals have been genetically modified for a very long time. They have been allowed to mate, which has eventually lead to many domesticated animals being able to speak!

The main setting is a large port town known as Port Intrigue, where all sorts of goods are traded, and many people lead peaceful lives. It's a nice place, and a lot of the economy is structured around it. There are other important trade cities like it, but Port Intrigue may be the most powerful.

It's also probably the weirdest, because in true Scooby-Doo fashion, no one can just "be a criminal." Heck no! Where's the fun in that?? If you're gonna try and get money through illegal fear tactics, you've gotta do it in style!!

And for some reason or another, the police get a little help with solving a lot of the more, uh... colorful mysteries. Help from a group of kids attending Intrigue High...

Next up: The Scooby Gang!

So here's the big part! All of my redesigns of the classic gang! Let's kick it off with:

FRED JONES

So this version of Fred is definitely toned back from various recent versions of Scooby-Doo, particularly the DVD movies and Mystery Incorporated. He's a lot more laid back, and has a sort of "cool guy" persona.

One day a long time ago, his parents, 2 great scientists, didn't pick him up from school, and apparently they mysteriously disappeared. So since then he's been living with Shaggy. At Intrigue High, he is in the theater program as a Tech, so he's good with pulleys and ropes and other various behind-the-scenes theater things, which makes him really good at making weird Rube Goldbergs - and traps, whenever the need arises. But when would Fred ever need to build a trap?

NORVILLE "SHAGGY" ROGERS

...Y'all can excuse the scribbles in the lower corner, right?

Anyway, this version of Shaggy is just as uptight as he always is, but instead of that only being attributed to mystery solving and creepy ghoulies, it's evolved into some much, much greater!!!

He's the mom friend now.

Y'know, telling everyone to watch their eating habits and be careful of opening soda cans because so help me if you scratch yourself...!

Long time ago he lost his arm so now he has one of those cool prosthetics. The trauma of losing it though has made him extra cautious, and a bit of a scaredy cat. Of course, he's willing to do whatever it takes for his friends, just like the Shaggy we all know!

He still likes to eat and is a bit of an amateur chef, participating in the culinary club at Intrigue High.

VELMA DINKLEY

This is my rendition of Velma Dinkley. She's still the smartest one of the group, and good at technology, but is also a boxer! She's not just strong, but also strong willed!

The Dinkley's have a long, long history of scientific endeavors, and Velma's father is a great scientist as well! Though really, it's more of a hobby for him.

Velma lives with her younger sister Madelyn (who some of you might remember from Abracadabra-Doo) and her father, Victor.

This Velma is snarky, yet quirky. She's got a real go-getter mentality, which everyone can't help but to respect.

DAPHNE BLAKE

Daphne Blake is a bit of a softie. She was never very forward with making friends, but developed a clique of her own with Fred, Shaggy, Scooby and Velma.

Her house used to be the gang's main hang out spot, but after the kids moved on to high school, they haven't been over to her house at all.

Daphne likes to draw, and really wants to be a fashion designer. In fact, she's a part of Intrigue High's costume design team for the theater program!

SCOOBY-DOO

Scooby-Doo has been part of the Rogers family ever since he was a puppy, and Shaggy was a little kid. The two have been basically inseparable their whole lives, with Scooby even attending school with everyone else.

He likes belly rubs, scratches behind the ear, and food. So in other words, he's the same Scooby we all know and love! Still fearful, but dedicated to his friends, including...

MEASLES

Shaggy and Scooby may have been buds since they were little kids, but before Shaggy, Scooby had Measles.

Since they're both GMO animals, they both have the ability to speak human language, which they would use to try and get food. Eventually, Measles was able to get Scooby into a good home with the Rogers family. Unfortunately, Mr and Mrs Rogers couldn't afford to take care of Shaggy, Fred, a dog, and a cat, but Measles promised to visit Scooby whenever she could, or that they'd at least see each other around. And she's kept that promise! Even to this day, the gang will sometimes find her in random locations, like... the Theater Program's costume box?

Measles has a lackadaisical, yet somewhat snarky personality, but definitely cares for her friends. It just may take a while to show it.

Last up: Everything Else

Uh, hm. I guess this is the generalization of the show.

Well, it's a giant celebration of Scooby-Doo. The gang wears different outfits, rarely wearing the same one in consecutive episodes. And each outfit would be pulled from a previous Scooby series (yes, including *shivers*... Get a Clue).

Also, other characters from previous series and Scooby media are not only in the show, but play decently sized rolls. For example, I already mentioned Madelyn Dinkley, but there's also Red Herring from A Pup Named Scooby-Doo, or Mayor Nettles and Sherriff Bronson Stone from Mystery Incorporated (they're married from the start this time!). Even the dreaded Scrappy Doo makes his return at (what I imagine to be) the start of Season 2, hopefully to redeem himself and not be relegated to a tired joke about "lol Scrappee sux XD"

Flim-Flam is back too, but is rebranded as Frida McScam, the fast talking troublemaking free spirited girl who takes everybody's crap and spins it in her favor (and also might be psychic).

Scooby's family tree is mentioned, and his parents even have a major role in Season 1.

Just a whole lot of Scooby-Doo trivia and stuff. Stuff that I imagine the people working on the show would be way, way better at remembering and putting to use than I am!

As for the overarching plot?

Well, what futuristic setting would be complete without aliens? I imagine the aliens would be a race of owl creatures known as the Willawaw (another Scooby reference because I hope this show is FULL OF THEM). Basically, these aliens are the bad guys, both in the show proper, and in a lot of the show's backstory. They're like myth villains, or greater scope villains, or something.

I was even thinking like, when the gang ends up running, rather than using a recyclable run cycle from a side view, everyone could have brand new running animations, like to distinguish them all as unique. Although I guess that's what the running cycles were... but the chase scenes are a lot like Mystery Inc, where they were a lot more action packed. It could be great! And of course, everyone would use the classic running style at some point throughout the show, because that seems to be tradition for Scooby-Doo.

This was a really big post! But if you read all of it, thanks a million! I hope you liked the small amount of art within, or just the idea in general! Maybe I'll even draw my reimagined takes on the other characters some day. But for now, I'll leave at this.