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misstrashchan · 9 months ago

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The Little Prince and the Ever After

So it was confirmed a while ago that Oscar's allusion is the Little Prince, which many Oscar fans and Rosegarden shippers in particular where theorising back in V6, with Oscar's crush on Ruby Rose being proof that she was the Rose that the Little Prince loved and cared for. Both @conehatcryptid and @chaikachi have written wonderful posts about Oscar's allusion to the Little Prince here and here.

However, after V9 I'm inclined to think both Ruby and Oscar interchangeably play the roles of the Little Prince and the Rose, in much a similar way that Blake and Yang both interchangeably are the Beauty and the Beast (Blake's surname means beautiful woman, and she likes to read like Belle, but she is also the Beast who wishes to redeem themselves, and is a literal Beast as a faunus "black the beast descends from shadows". Yang is introduced as the "yellow beauty burns gold" and wishes for a life of adventure like Belle, but she is also the Beast, being left by their Beauty and having a fiery temper).

This is in part theorising/speculation, as V9 obvious main allusion is Alice in Wonderland, and the similarities I see maybe coincidental, since both stories deal with similiar themes. Both stories have a child that travels to strange lands to meet characters that represent the misgivings and absurdity of adult society and the pressure to conform to these as you grow up, and the confusion as to who you are and should be that follows.

Alice's journey to adulthood is a path that takes her from a confused child changing size and unaware of her true identity to an assertive girl scolding the immaturity of the Mad Hatter and ends with Alice being brave and confident enough to confront the Queen of Hearts.

The Little Prince's story is about the importance of reconnecting with your inner child as an adult/someone growing up.

"No! I will grow up, but I'll never forget about being a child!"

In V9, Ruby must grow into an adult like Alice does, but also reconnect with her inner child as she does so like in the Little Prince.

RWBY is known for its multilayered literary allusions, and Oscar, the Little Prince, does introduce us to the story The Girl Who Fell Through the World in V8, which is Remnant's version of Alice in Wonderland. Not to mention Ruby and Oscar's arcs are intentionally foiled, so maybe it's not coincidence. It's entirely possible with how V9 also appears to be following the story of the Little Prince too. While Ruby is in the Ever After she travels through the different acres like the planets the Little Prince visits, meeting similar characters.

She is confronted with the question "what are you" on an existential level:

Little: What's wrong?

Ruby: Have you seen other people- humans- like me?

Little: Exactly like you?

Ruby: No, not exactly like me. We're similar, but different.

The Little Prince:

"Good morning" he said courteously.

"Good morning--Good morning--Good morning," answered the echo.

"Who are you?" said the little prince.

"Who are you-- Who are you-- Who are you?" answered the echo.

"Be my friends. I am all alone."

"I am all alone-- all alone--- all alone" answered the echo.

She meets Little (as in "Little Prince" as well as "Little Red Riding Hood" and "Alice Liddell") who is meant to symbolize Ruby's inner child, as the Little Prince reminds us of the inner child we have forgotten as we grow up. Both Ruby and Little "die" in a sense as the Little Prince does, but ascend and come back.

In fact the whole way ascension is described in the Ever After is on par with how the Little Prince and the Snake describe how they will leave their body as an empty shell behind to go back home, being "called back" home to the Tree.

"It'll look as if I'm dead and that won't be true, this body is simply an empty shell, I can't take it with me"

Purple Paper Pleaser: Then, the wisest of our village suggested breaking from our physical forms, so that the winds may carry us back to the Tree.

...Which leads me to how the Curious Cat and Neo are both the Snake who convince Ruby/the Little Prince to "die".

We get Cats and Snakes being linked together early on in the first episode of v9:

Mouse Leader: You have our sincerest apologies! Please understand that our kind is a bit skeptical of cats… and snakes… and cats.

This stuck out to me considering this is foreshadowing of the Curious Cat being the main antagonist of the volume, but we don't ever see any snakes in the Ever After.

The Curious Cat's first appearance is akin to the one of the snake in the Little Prince movie (2015) of two eyes peering out at the Prince

The Snake is a character who speaks in constant riddles and is confident they have all the answers to life's mysteries, similar to how the CC knows so much but is incredibly cryptic in how they speak. The snake is also meant to represent the inevitability of death, and part of the CC purpose is to help the inhabitants of Ever After to ascend, which is a process of death and rebirth.

Curious Cat: Mmmm, when we break or wear out or simply finish what we were made to do, we’re called back. But Herb… his heart was too weak to listen, so I gave him a little bit of mine.

Blake: Is he… dead?

Curious Cat: (chuckles) No, no! Well, maybe a little bit, but not at all.

When it comes to Neo being the Snake, she manifests her illusions of the Jabberwalker to terrorise RWBYJ after killing it, the one being capable of dealing permanent death to Ever Afterans.

She's also the one who offers their "poison" to the Little Prince, (the tea made from the leaves of the Tree) which they accept.

Additionally the way the Curious Cat enters Neo is like that of a snake slithering inside her. Once the snake bites someone, they are described as becoming an "empty shell", and the CC is looking for an empty human vessel to possess, while Neo wants to destroy Ruby and make her feel empty.

Curious Cat: You’ve lost something most important, haven’t you? And now you have nothing left. How delightful! An empty host, perfect for me to fill.

Neo-Torchwick: You don't deserve to die Red! You deserve to be broken down... torn apart... wiped from existence.

And when the Little Prince believes their Rose has perished (Penny) or will perish (Oscar), because of them, they give themselves over to the Snake completely.

But, Neo and the CC also play into the Fox allusion as well. The Curious Cat's ability to give his heart and understand others is similar to the Fox's sentiment in the book, who tells the Little Prince the importance of taming, and of looking with the heart:

"Now here is my secret. It is very simple. It is only with one's heart that one can see rightly. What is essential, is invisible to the eye."

"Men have forgotten this basic truth. But you must not forget it. For what you have tamed, you become responsible forever. You are responsible for your rose..."

Curious Cat: I know, Your Majesty, it truly isn’t fair. You must play your game and win at any cost. It must hurt your heart. Let me help.

Curious Cat: But Herb... his heart was too weak to listen, so I gave him a little bit of mine.

He "tames" the Red Prince in managing to calm him down from executing RWBY to just exiling them.

He helps Herb to "see with the heart" when he becomes blind to how he has stagnated and forgotten his purpose in being overwhelmed by his work.

The Fox is meant to show us the importance of the patience and compassion that is needed to understand and connect with others, to reach out to them. This is part of the CC purpose in the Ever After in fixing those who are broken, but becomes the negative declination of this in becoming manipulative over time. (like him "taming" the Hawker to make him do his bidding)

Neo is like the Fox in that she dislikes hunters (huntsman and huntresses) and she has lost the person who has tamed her, who was "unique to her in all the world" with Torchwick. Part of what escalates Ruby's conflict with her is that she does not take the time to understand and empathize with her:

Ruby: Is that seriously what this is all about? You still blame me for what happened to Torchwick?!

Neo-Roman growls

Ruby: If you’re looking for an apology, you’ve wasted your time!

and much like the Fox points out here:

"One only understands the things that one tames... Men have no more time to understand anything"

And that it is only when Ruby takes the time to understand Neo towards the end that shows how she has started to grow, to understand the importance of looking with the heart, the very first step of "taming".

"You must be very patient. First you will sit down at a distance from me-like that- in the grass. I shall look at you out of the corner of my eye and say nothing. Words are the source of misunderstanding"

(...I believe this will continue on in Remnant with Mercury and later Cinder)

The idea of intertwined allusions of the Fox and Snake with the CC and Neo in V9 interests me. Because it makes me wonder if my theory/prediction on Emerald/Mercury both being the Fox to Oscar's Little Prince may not be entirely right, but that they will both be the Snake also. If they are it will likely be an inversion, with the Prince (Oscar, and maybe Ruby) helping the Fox (Emerald) realise the importance of "taming" (taming Mercury, specifically) while the Snake may play a more positive role in saving instead of killing.

After all, the baobab tree roots in the book are meant to consume and threaten to kill the rose if she is neglected too long, and while Ruby is consumed by the Tree in the Ever After that very much resembles the baobab, and she does "die" in a sense, the tree is a positive force that helps her to be reborn and grow into her true self. So, Emerald/Mercury could have a similar duality in alluding to the Fox and the Snake, capable of killing and saving the Little Prince.

@aspoonofsugar I think has mentioned Emerald's design resembling a snake puts me in mind of this, plus Mercury's main allusion being, well, the god Mercury, whose symbol is this:

A staff with wings and two snakes entwined around it. His emblem also features wings, and like a snake he technically has no legs (in a symbolic sense too, his lack of semblance and agency, the freedom to be his own person) Alchemically I believe the mercurial character is meant to shift between life and death also? So there is something there in how the Snake simultaneously saves and kills the Little Prince. (also this is me really really stretching here with my red string but. The Curious Cat. Like Mer-curius. Mercury. Both the Snake for Ruby and Oscar.)

Depending on your interpretation of the stories ending, the Little Prince ends up dead because of the Snake's bite, or the Snake genuinely helped him return home and be reunited with his Rose. Mercury/Hermes is said to be able to travel anywhere, any plane of existence without limitations, which has lead to theories of Mercury's semblance being flight or teleportation, which, well, in relation to the Snake aiding the Little Prince:

"I can carry you farther than any ship could take you," said the snake. He twined himself around the little prince's ankle, like a golden bracelet. "Whomever I touch, I send back to the earth from whence he came," the snake spoke again. "But you are innocent and true, and you come from a star . . ."

This is of course just me going off on another theory for funsies, but it would be interesting if Mercury was placed in between a choice of killing or saving the Little Prince and helping reunite him with his Rose. How Emerald and Mercury would save Oscar/help him and Ruby is unknowable. They could be save their life, help delay the merge, or just helping assure him of his own personhood and agency (this could be explored through how both Mercury and Oscar lack semblances relating to the "curses" placed on them in relation to their father figures), or something else entirely, but either way I'm pretty confident they'll have a significant role to play in the Vacuo arc.

I am aware most Rosegarden fans are mainly theorizing Tyrian as the Snake, (I've even seen some say Ruby is the Snake as well as the Rose, with a similar sentiment of the Snake being capable of saving/freeing the Little Prince, not killing him) especially since the first scene Oscar is introduced is him waking up from a nightmare following Tyrian being sent to capture Ruby Rose, as well as like, him being a venomous scorpion faunus present in the desert right now. But even that only makes me more certain in a way since Tyrian is meant to be Mercury's dark foil (and the antagonistic mercurius for Emerald/Mercury) accompanying him into the desert. So like, it Could Be Both.

Ruby also meets a King/Narcissist like in the Little Prince (the Red Prince). The Narcissist demands to be complimented and coddled, much like the Red Prince. The King is drawn wearing a crown too big for him (in the 2015 movie adaptation it is constantly crooked and threatening to slip off his head), similar to the Red Prince.

The King claims absolute authority, that what he says will happen if he orders it so. However this is untrue, as he will only order what will already happen. The Red Prince claims he always wins his games, but the board game he plays with RWBY is already in his favour as the pieces on their side throw the battle so he can claim victory. Both cheat and find loopholes in order to maintain their superiority over others. The King symbolizes rulers who make a big deal about the power they have, but who in actuality are pretty ineffective as rulers and will cheat and find loopholes to justify their power. It also mocks their grandiosity and showiness, which is kind of funny because they think they are way more important than they actually are, all of which fit with the Red Prince (...and with two other characters that were significant during the Atlas Arc *points at Ironwood and Cinder* even moreso after episode 3 of RWBY Beyond)

The Lamplighter, whose job on his tiny planet is to continuously light and snuff out the single lamp, but because the night and day cycle is so short he essentially never rests and is caught in this loop, always stuck working and nothing ever changing. Jaune as the Rusted Knight is stuck doing the same jobs everyday in a Sysiphus task of preventing the Paper Pleasers from ascending, and rests very little. He is also the Geographer, who maps out other planets but can never travel himself (because he is too busy drawing maps) and suggests to the Little Prince to visit Earth (the acres that Jaune maps out but has yet to properly explore because he can't leave the Paper Pleasers, is trying to find a way back to Remnant, their "Earth").

Another interpretation is the Lamplighter as the Caterpillar, who similarly has a neverending and thankless task of helping the Afterans ascend, and has stagnated as a result.

The Stars are not a character in the book perse, but they do come up a lot both in RWBY and in the Little Prince, especially when it comes to the theme of death and rebirth, and grief. In V9 in the Ever After we meet the Paper Pleasers (origami stars) that Jaune is desperately trying to stop from ascending, essentially keeping them trapped as he monitors them. There is a character in the Little Prince that obsessively monitors the stars and keeps them trapped, the Businessman. It is pointed out by the Little Prince that while the stars make him rich, the Businessman is of no real use to the stars.

In much the same way the Paper Pleasers do not need Jaune as much as he needs them to prove his own worth.

The climax of the Little Prince movie (2015) adaptation is the stars being freed from their entrapment, ascending into the sky, free from control, by the protagonist who is a young girl trying to break free of the expectations placed on her by adults as she grows up, is like one of the stars herself, rising into the sky.

The paper pleasers ascending, while initially seen as tragic, in actual fact allows them to grow and be more, and the Genial Gem that appears to once have been the Paper Pleaser called Ruby is the one who explains this process to WBYJ as they are worried about Ruby and how the process of ascension will affect her.

The Pilot is likely WBY, as for them Ruby is like a younger sibling to all of them who helps them reconnect with their inner child early on in the story, much like the Little Prince does for the Pilot. For Weiss, Ruby helps her connect with her inner warmth and heart. For Blake, she helps reignite her lost idealism. For Yang, she is her inner child to nuture, the one who lost her mother. The author Antoine Saint-Expury based the character of the Little Prince on his own younger brother who died, and that the Pilot as the narrator of the story is himself as an older sibling remembering and grieving for them. When WBY all watch Ruby drink the tea, it mirrors the scene where the Pilot watches the Little Prince give himself to the Snake, and is too late to intervene, particularly for Yang.

Their body disappears, and it is uncertain whether the Little Prince has died or found their way back home to their planet, and to their Rose. For Ruby, it is both. She dies and was reborn, literally reclaiming Crescent Rose and regaining her Rose emblem, she reunites with her Rose, her own sense of self. And in her ascension is able to come back to defeat the Curious Cat, and return home to Remnant with everyone. (coincidentally I think this is how Oscar's story will go, he will sacrifice himself to the Merge fully and "die" in a sense, momentarily, but return fully to himself later on, reuniting with both his sense of self and his Rose, Ruby Rose).

Oscar is also Ruby's Rose in a sense, someone she has tried to protect and care for. Even the pattern on the back of his outfit can be seen as the stem and thorns of a rose, like Ruby's hood can be seen as the petals of a rose. The Little Prince believes that if the Rose is left alone, then it will be his fault if they die:

“If some one loves a flower, of which just one single blossom grows in all the millions and millions of stars, it is enough to make him happy just to look at the stars. He can say to himself, 'Somewhere, my flower is there...' But if the sheep eats the flower, in one moment all his stars will be darkened... And you think that is not important!"

"He could not say anything more. His words were choked by sobbing."

When Ruby cuts down an illusion of Oscar, killing him, it is foreshadowing that Ruby is afraid she will not be able to save Oscar from his fate. This is the final breaking point for her (along with Little's death) that leads to her drinking the tea.

...But as much as I am a Rosegarden shipper, it's actually her mother Summer Rose and Ruby's identity that is the main "Rose" to her Little Prince in V9 that she becomes separated and united with, imo.

She learns that their Rose (Summer, and themselves) are not uniquely one of a kind, but "like any other common rose" the same as all the other hunters represented through their weapons in the Tree with the blacksmith. Like the Little Prince in the Rosegarden:

"Good morning" said the roses.

The little prince gazed at them. They all looked like his flower. "Who are you?" he demanded, thunderstruck.

"We are roses" the roses said.

And he was overcome with sadness. His flower had told him that she was the only one of her kind in the whole universe. And here were five thousand of them, all alike, in one single garden! ... Then he went on with his reflections: "I thought that I was rich, with a flower that was unique in all the world, and all I had was a common rose."

Not in the sense of being a SEW who believes they are the only one of their kind, but that like her mother Summer Rose, or any other huntress or huntsman that has lived (represented through the weapons she looks at, and her saying they all have the same weight to them) she is not perfect, or unique in always knowing the right thing to do and being a flawless shining hero. Ruby thought the ideal of the hero Summer Rose she carried and tried to emulate was unique and special, what made her "rich" in the sense it defined her self worth, but she was a "common rose", a person, a human being, just like Ruby. Being like any other common rose means Summer is much like Ruby herself, just a person trying their best, with their own flaws and burdens to carry. Ruby leaves the Rose behind initially (gives up her Rose emblem that Summer left her, rejects Crescent Rose) and the pedestal she puts her on shatters, becoming disillusioned with Summer like the Little Prince does with his Rose, specifically after finding out that they lied.

Ruby: What? What was that? She… She lied. She left with Raven. Why would she…?

Blacksmith: Who knows why people keep the secrets they do. Maybe you’re not the only one who has felt the weight of other’s expectations. Like Alyx, like your mother.

What makes Summer unique to Ruby is not her being an ideal hero, but the love she had for her as a mother, and that in of itself is incredibly beautiful and powerful, because it helps her realise and affirm her self worth.

Summer: (voice) I love you…

Ruby turns to see the red glowing light behind her.

Summer: (voice) Just the way you are.

"Of course I love you," the rose said to him. "If you were not aware of it, it was my fault"

Much like the Little Prince learning and understanding that his Rose is unique to him, not because she is one of a kind, but because of their time shared together, loving and caring for one another. That it is our ties to people that makes us special and unique in the world, to the people we are connected to and choose to care for, more than any power or titles do. Which goes back to the source of Ruby's power as a Silver Eyed Warrior, her love and compassion of those around her. The true power of humanity.

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juanarc-thethird · 1 year ago

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Think again…

Rusted Knight: *Loses his sword fighting*

Jabberwalker: Hahaha! You don't have a sword!

Rusted Knight: *He throws his shield to the ground and begins to crack his fingers in a threatening manner*

Jabberwalker: *Worry* Oh no, he doesn't have a sword

#jaune arc #jaune #rwby jaune arc #rwby jaune #rwby jabberwalker #jabberwalker #rwby #rwby shitpost

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lesbianneopolitan · 1 year ago

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'Uhm…Neo, whatcha got there?'

But regular version, because this is how her return to Remnant went, RIGHT?

#My art #rwby #neopolitan #jabberwalker

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pilot-boi · 10 months ago

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I'm imagining either Neo or the Jabberwalker attacking Team RWBY while they sit in Knightwood's shade, violating the safety that his branches and roots provid. And being very, VERY angry.

The Jabberwalker knows better than to approach the Knightwood or its charges. It is a simple creature, driven by instinct and a Purpose to end Afterans when they needed to end

Not everyone was meant to return to the Tree. The Cat was made to mend. The Jabberwalker was made to destroy. This is the way of things

It remembers when the tree was a man, remembers the Knight’s blade, remembers how the steel cut at its limbs, remembers how he screamed and raged

The Knight destroys. They are kin. It cannot kill the Knightwood any more than it can kill the Cat. So it does not approach the Knightwood.

The Hatter has no such qualms

She destroys the Jabberwalker and bends it to her will. The Hooded Huntress is her quarry, and she pays no mind to the girl lying under the safety of the Knightwood’s boughs. The Hatter sends the Jabberwalker and horde of facsimiles to destroy she and her friends, and it cannot argue

To destroy is its purpose. The Jabberwalker hopes the Knightwood understands

The creaking of its boughs sound like roars of fury, and its roots tear it limb from limb. The Huntress’s friends perch on branches and shelter behind boughs and tear into its facsimiles. But the Hatter only has one quarry, and she does not care how many Afterans are destroyed to reach her

The Jabberwalker lays torn asunder at the base of the Knightwood. The tree bleeds sap and cries leaves over the torn cape of the Hooded Huntress. Her friends curse the Hatter’s name.

But the girl herself is nowhere to be found

#rwby #jabberwalker #jaune arc #ruby rose #neopolitan #mine #my writing #anonymous #knightwood au

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aspoonofsugar · 2 years ago

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Neo's Hecate = The Triple Goddess

Trivia is the Roman name of Hecate, Goddess of witchcraft, crossroads and ghosts. Neopolitan is Roman's Hecate, so her birth name is Trivia. Is that really all there is?

Obviously not. Or at least, Neo's allusion to Hecate can be read in multiple ways. Sure, it might have been an unplanned reference, but by this point (either willingly or not) Neopolitan has grown into Hecate's role. So, let's analyze ice-cream's girl allusion to better understand her story, with a focus on volume 9.

WHO IS HECATE?

Hecate is a Greek Goddes, who is later adopted by the Romans with the name of Trivia. Her origin is probably more ancient than Greek culture, though. In short, she is a foreign deity, who gets integrated into Greek religion. Similarly, Neopolitan is an unplanned character shoved into the narrative. However, she finds her place in the story and grows into herself.

Here are some of Hecate's most famous attributes.

Hecate is the Goddess of crossroads and magic. In particular, she is the master of darkness and the queen of ghosts to the point she is linked to nechromancy. She also rules over demons called Empusas, who are half woman and half beast (either a cow or a dog usually). They eat human blood and are linked to fire. Finally, Hecate is a psychopomp deity (like Hermes/Mercury), so she moves freely among Earth (human world), Olympus (world of the gods) and Hades (world of the deads).

Hecate is often depicted with three bodies and three heads:

She holds torches and keys, which are symbolic of her ability to guide people in the underworld and to travel among dimensions. Sometimes, she can appear as a dog, which is her sacred animal.

Hecate is one of the Goddesses associated to the moon. In particular, she is the falling moon to Artemis's crescent moon and Selene's full moon. According to other traditions, she is a part of Artemis/Diana. This Goddess is the Moon in the Sky, Artemis on Earth and Hecate in the Underworld. Whatever the case, both Artemis and Hecate have a triple nature to them.

This triple nature makes Hecate an example of Triple Goddess in modern Neopagan religions. The Triple Goddess is the archetype of a female deity linked to the three phases of a woman's life. Youth (Maiden), Maturity (Mother) and Old Age (Crone). Her male counterpart is the Horned God.

As you see, Hecate is hard to define. Just like Neo. Both are ambiguous and difficult to grasp. Still, let's try to understand ice-cream girl better by using this mysterious Goddess. Let's focus on three things (obviously :P):

Hecate's link to the number 3 and how it is used in Neo's story

Hecate and Artemis's bond and how it mirrors Neo and Ruby's

Hecate's imagery and attributes and what they mean for Neo

The first is an analysis of Neo's interiority (microchosm). The second explains Neo's role in the story (macrochosm). The third offers a synthesis and a conclusion (balance).

RULE OF THREE (MICROCHOSM)

Hecate is known for her three heads and three bodies. Neo is a normal human, but the number 3 still comes up in her design:

Pink, white and brown. Strawberry, vanilla and chocolate. The three flavours of the Neapolitan ice cream. The three sides of Neo's self:

We are ruled by thirds. In fashion we compare no more than three colors. Our personalities are defined by the id, the ego and the super-ego- always warring vying for control. But our goal is harmony. Balance. (Roman Holiday, chapter 13)

According to Freud, the human mind is made of three parts. The id is where fear and wishes lie. It is a primitive and instinctive force. The superego is society’s expectations. It is where morality and ideals are. The ego is what balances the other two parts. It mediates between wishes and duties.

As per Roman Holiday, Neo is a combination of Neopolitan (pink), Vanille (white) and Trivia (brown). So, Neo's color scheme is a metaphorical representation of id, superego and ego:

Pink represents the id - Neopolitan is Trivia's pink imaginary friend. She embodies everything the child is forced to repress, like her pink eye and her wish for freedom.

White represents the superego - Vanille is Trivia's surname and a shade of white. The Vanilles want their daughter to fit into society and despise her disability, which makes her "odd".

Brown represents the ego - Trivia has brown hair, wears brown clothes and a brown contact lens. She is conflicted between her parents' expectations and her own wishes.

In her childhood, Trivia is unbalanced because her family forces her to repress her id. She cancels her pink side and projects it on her imaginary friend Neopolitan. So, Trivia undergoes a transformation and claims this part of herself back:

As the old saying went, “You can’t put the moon back together”. At times you had to destroy something to make something even better in its place. When Mama had shattered Neopolitan in front of their burning house, Trivia finally understood that she had been broken all along. Losing her friend was Trivia’s first step toward putting herself back together and embracing her true, best self. (Roman Holiday, chapter 11)

She re-arranges herself and her three parts:

Pink becomes the color of Neo's ego (her truest self). She stops hiding her eye and dyes half of her hair pink. Similarly, she embraces her Neopolitan persona more.

Brown becomes the color of the superego. It is a color linked to Neo's female authority figures like her mother (Carmel) and her teacher (Beatrix Browning). It is still present in Neo's color scheme, but much reduced. Similarly, Trivia is still there, but feels more like a mask than Neo's real self.

White becomes the color of the id. It is the color of Neo's family name, which she sheds. However, Neo still loves her parents, so her semblance dyes a lock of her hair white as an unconscious response to their death.

Roman Holiday is the story of Trivia Vanille's death and Neopolitan's birth:

As far as she was concerned, Trivia Vanille was buried under that mess, too. Neopolitan was the sole survivor. (Roman Holiday, chapter 26)

Neo leaves behind her parents and their strict rules to become a living manifestation of the id:

She just wanted to do whatever she wanted. And for the moment, what she wanted was to help Roman set the world on fire. (Roman Holiday, chapter 26)

Neopolitan does whatever she wants, even if it hurts others. She embraces her deepest wishes and chaotic emotions. This is the character we meet at the beginning of RWBY.

Well, Neo's arc in the series is to discard this person and to become someone new once again. After all, Neopolitan's name is linked to renewal and transformation. "Neopolitan" comes from Naples, which means "new city" (neo + polis). Naples's fantastic origin itself is a story of death and rebirth. According to the legend, this Italian city is born from a Siren, who dies for love. Her body transforms into the city and gives new life.

Similarly, Neo is a character able to be reborn countless times (neo = new + poly= many). So is Hecate, whose name may refer to the Greek number 100, as the Goddess is said to have one-hundred forms.

Our Neo/Hecate is then a multifaceted force, who goes through destruction just to embrace creation.

Neo's change in the series starts with a loss:

She loses both Roman and her inner balance:

There was one thing To help escape the misery And now it's all disarrayed You took my whole life away You sent me back to nothing Now you'll pay

So, she needs to rebuild herself once again:

We must live with balance But balance is blind (Lost her world) Vengeance is a riptide In a fairy tale, she'll find Inside A new me, I'm ready But who will I find? Inside I've gotta let go but could I lose my mind?

Volume 9 is where this inner transformation takes place. This time the new found harmony among id, superego and ego is not described by Neo's three colors. Rather, allusions are used.

In the Ever After, Neo is associated to three different Wonderland / Through the Looking Glass characters:

The Hatter, who represents the id

The Cheshire Cat, who represents the superego

The Jabberwocky, who represents the ego

THE HATTER - THE ID

“Well, I'd hardly finished the first verse," said the Hatter, "when the Queen bawled out 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "and ever since that," the Hatter went on in a mournful tone, "he wo'n't do a thing I ask! It's always six o'clock now.”

The Hatter is a Wonderland and Through The Looking Glass character. He is famous for the Mad Tea Party, where he, the March Hare and the Dormouse chat with Alice. The original book reveals that the Hatter "killed time" while singing, so Time refuses to run normally for him and his friends. As a result, they are stuck in an eternal tea-party, as it is always tea-time for them. In the 1951 Disney movie, instead, he celebrates Alice's unbirthday.

Neopolitan has been stuck in time since Roman's death. She can't move on, so she focuses all her energies on revenge:

So close to closure The one thing you need Underneath a monument with a dedicated plea

Killing Ruby becomes Neo's One Thing to the point she organizes a special tea party of her own:

Ruby's unbirthday party, to be precise:

Cinder: And you… should have never been born…

Where she can dissolve Little Red in a cup, as if she were a sugar cube:

Kill for kill Eye for eye Blood for blood It's time to die Retribution tastes so sweet

The Hatter is a hostage in his tea party and Neo is a prisoner of her revenge. Both are consumed by their inability to go on. Both have killed time and can't face their future.

In Neo's case, the reason why she murders time is pretty clear. It is a coping mechanism to avoid grief:

In Wonderland, the Hatter can drink tea at every hour. In her fantasy world, Neo can stay with Roman forever:

Neo-Roman: Y’know once Neo realized where she was, everything changed. Always loved the idea of a place to run away from it all. Do whatever you want. I offered that to her back on Remnant.

This is also why the first thing Neo does after landing in the Ever After is to evolve Overactive Imagination and to kill the Jabberwalker:

The creature is symbolic of death, as they kill Afterans permanently. So, Neo metaphorically negates her grief (the Jabberwalker) through illusions (her semblance).

At the same time, Neo enters the Ever After and gives in to her id. She has her desires and instincts control her completely. She loses all filters:

(Then suddenly) Scratched through the surface And you've found a key Unlocking what you thought was safe inside a box But it's somehow been set free (Finally)

Overactive Imagination's evolution is a physical representation of this psychological process. Neo spirals throughout Mistral and Atlas, but in volume 9 she hits rock bottom and stops acting rationally. She becomes the incarnation of her anger, which manifests through her semblance. Her illusions are typically silent. However, in the Ever After they speak, as Neo is letting her inner voices out of the box:

Say something real Do you only speak in riddles, chatterbox? I'm waiting for your ugly mouth to spit it out

This is why she becomes a chatterbox. She tries to communicate through her creations.

In particular, she makes an imaginary Roman (the Hatter), who looks and sounds like the real deal. He becomes the dominant voice in Neo's mind and speaks to and for her. His presence highlights Neo's inability to accept Roman's death. She hides in a lie. Just like Trivia used to cower behind her imaginary friend Neopolitan. As a child, Trivia can't accept Neo is a part of her. As an adult, Neo can't accept Roman isn't with her anymore. In this way, Neo's first real human connection gets reduced to an imaginary friend. This is the tragedy of Neo's adventure in the Ever After.

All happens because Neo surrenders herself to the id (her inner world). Still, it can't last forever. The id is a powerful source of energy and drive, but it is also destructive. So, Neo self-consumes until she has nothing left:

Neo-Roman: (voice in Neo’s head) You’ve finally done it! Little Red’s gone. With your Semblance stronger than ever now, we can take over this whole absurd place! Why not? Offing Little Red can’t be all you wanted… Right?

She puts so much into destroying Ruby, that she ends up empty. A vessel for others to take advantage of.

Curious Cat: You’ve lost something most important, haven’t you? And now you have nothing left. How delightful! An empty host, perfect for me to fill.

THE CHESHIRE CAT - THE SUPEREGO

The Cheshire Cat appears twice in Alice's Adventures in Wonderland. The first time, he guides Alice at a crossroad and points her towards the March Hare's house. The second time, he appears at the Queen of Heart's croquet game as a giant head. The Queen and King are offended by his presence and want to behead him. Still, he is a head without a body, so the execution of this death sentence is complicated. Eventually, he simply fades away and disappears.

The character is inspired by the saying "grinning like a Cheshire Cat", whose origin is unknown. Among the many hypothesis, there is one about a grinning cat-shaped cheese. The cheese was cut from the tail, so that the last part eaten was the head of the smiling cat.

In RWBY, the character who alludes to the Cheshire Cat is not Neo, but the Curious Cat. Still, Neo and the Cat's stories are intertwined, as they destroy each other. The Cat possesses Neo and Neo kills the Cat.

Both characters eat and get eaten. They eat like the two wolves of Ruby's Little Red Riding Hood. They get eaten like the cat-shaped cheese, until only a floating head remains. A head separated from the body. A mind detached from reality:

“We’re all mad here. I’m mad. You’re mad.” “How do you know I’m mad?” said Alice. “You must be,” said the Cat, or you wouldn’t have come here.”

Neo and the Cat are mad, so they meet in the Ever After. However, their madnesses are opposite:

Neo loses herself in fantasy (the Ever After) and runs away from the real world (Remnant). She lets her unconscious feelings (id) run wild.

The Curious Cat is trapped in fantasy (the Ever After) and wants to reach the real world (Remnant). They are consumed by an imposed purpose (superego):

Curious Cat: I’m not like the other Afterans here, I’m cursed with curiosity. I need to know everything!

Blacksmith: A terrible thing to have a broken heart… And there’s nobody to send them (the Cat) back to the Tree for repair.

So, Neo and the Cat are foils, which is why they share the song Chatterbox. Both blabber non-stop. However, Neo's illusions speak her truest self. The Curious Cat instead uses smart words to hide their real intentions. Neo shows her inner beast (the shadow), while the Cat wears a mask (persona). So, Neo is the embodyment of the id and the Cat is her estranged superego. They are an external force, who comes and takes control of Neo's life:

The possession is a metaphor of Neo's state of mind. She goes from moving many characters around to becoming a controlled puppet. From shouting to radio silence. This switch is conveyed through the Curious Cat speaking through and for her.

This is Neo's nightmare, as her life is a struggle to be heard. Among other things, Neo refuses devices that make her sound robotic. She dislikes artificial voices because they sound fake to her. And yet, the Curious Cat forces Neo to speak their words. The Cat becomes Neo's new voice.

This is the result of Neo losing her inner drive:

NeoCat: She has no attachments to your world. Nothing to return to.

She is left with no wishes nor fears. She is a living id, who transforms into a walking superego. However, both extremes are wrong. A person is made of both her id and her superego. Both parts are needed to make an individual, which is why Neo is asked to face herself once more:

The Tree has the girl confront the pain and grief she has been ignoring. And yet, these feelings are what saves her:

NeoCat: No! These cracks, these feelings! I can’t… I can’t!!!

Thanks to them Neo gets back in control of her life. Symbolically, the Jabberwalker she kills in the beginning appears to finish the Cat off:

In this way, the cycle is complete and Neo's ego can finally surface.

JABBERWOCKY - THE EGO

Beware the Jabberwock, my son! The jaws that bite, the claws that catch!

The Jabberwocky is a nonsense poem Alice finds in Through The Looking Glass. She initially can't read it, but then she realizes the verses are written in mirror-writing. She holds a mirror to the text and the poem appears. Despite being able to read it, though, Alice can't understand it:

"It seems very pretty," she said when she had finished it, "but it's rather hard to understand!" (You see she didn't like to confess, even to herself, that she couldn't make it out at all.) "Somehow it seems to fill my head with ideas—only I don't exactly know what they are! However, somebody killed something: that's clear, at any rate."

The poem conveys two main ideas:

It tells about a slaughter:

He took his vorpal sword in hand: Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back.

It is impossible to understand, as it is full of gibberish and invented words

This is true for RWBY's Jabberwalker, as well:

They embody death, as Afterans killed by this creature are negated ascension

They jabber as they walk, which is why they fail to communicate with others

How does this relate to Neo? She kills the Jabberwalker, but assimilates them in her illusions. This happens because the creature is Neo's mirror. They reflect our Hecate in the making.

The Jabberwalker is a monster of grief who dies unheard:

Jabberwalker: Stop… It… Cease! No! NO! NOOOOOO!

Neo is a villain whose grief stays unrecognized:

Ruby: If you’re looking for an apology, you’ve wasted your time!

Not only by others, but by Neo too. She kills a part of herself in the Jabberwalker. Her most vulnerable and real part, that wants to communicate:

Say something real Do you only speak in riddles, chatterbox? I'm waiting for your ugly mouth to Say something real Do you only speak in riddles, chatterbox? I'm waiting on your ugly mouth to spit it out

She is a chatterbox that screams, but is not listened to. She can't talk, then she gains the ability to speak through her semblance. And yet, she can only be heard. Never understood. Similarly, Alice eventually learns how to read the Jabberwocky poem, but doesn't comprehend it.

This is why the Chatterbox song is so mysterious. Is it about Neo? The Cat? Both? Who sings what? Are they singing to each other? Or is it Ruby singing to them? It is impossible to say, just like it is impossible to grasp the full meaning of the Jabberwocky.

So, this song is about Neo and the Cat, but plays while RWBYJ fight the Jabberwalker. That is because the monster represents Neo's frammented self. They are the girl's ego, which is so broken and confused she herself negates it. Her journey in the Ever After, though, helps Neo find inner clarity:

(Waiting for it Sugar-coated All you need is here Come and find what Redefines you Make it crystal clear)

By the end she sees herself crystal clear:

Neo-Roman: To have what they have. What a thing, huh?

Her true wish is the same as ever. She wants a real connection. To succeed she has to let go of an imaginary one:

As a child, Trivia lets go of Neopolitan and finds Roman. As an adult, she lets go of Roman to find someone else. Trivia dies and Neo is born. Neo dies and someone new is born:

Blacksmith: She will have the chance to return her broken heart… And becomes something new. Such is balance.

Life from death. Creation from destruction. This is what transformation is. Symbolically, Neo kills all her three parts. She murders the Jabberwalker (ego), she rips the Curious Cat to shreds (superego) and finally releases Roman's illusion (id). Now, she is ready to move on.

HECATE AND ARTEMIS = SHADOW AND LIGHT (MACROCHOSM)

Hecate/Trivia and Artemis/Diana are two intertwined Goddesses. In particular, Hecate is sometimes described as a part of Artemis's triple identity. This Goddess is:

The Moon in the Sky (The Crescent Moon to be precise)

Artemis/Diana on Earth (Goddess of hunt)

Hecate/Trivia in the Underworld

Doesn't it remind you of anyone?

Ruby is

Associated with the Crescent Moon (Crescent Rose)

The best Huntress of all

A Red Grim Reaper with a Scythe

She is the Artemis (Crescent Moon) to Neo's Hecate (Falling Moon). This is why Neo's role in volume 9 is to play Ruby's Jungian Shadow:

In analytical psychology, the shadow is an unconscious aspect of the personality that does not correspond with the ego ideal, leading the ego to resist and project the shadow. In short, the shadow is the self's emotional blind spot, projected as archetypes.

The shadow is everything that is repressed or hidden. In Ruby's case that is her emotions over loss and grief. So, Neo becomes what links Ruby to these feelings of death. Just like Hecate/Trivia is the part of Artemis/Diana, who appears in the Underworld. This is why Neo and Ruby fall together in the Ever After.

During their fall, Neo transforms in three people Ruby cherishes: Oscar, Yang and Penny. What do they represent?

They are linked to future, present and past. In particular, Oscar is waiting for Ruby outside (future), Yang is in the Ever After with Ruby (present) and Penny is lost (past).

They are the three people Ruby's conflict is focused on in the Atlas Arc. In volume 7, Ruby disagrees with Oscar on telling Ironwood. In volume 8, Ruby and Yang fight over what to do. In volume 9, Ruby must overcome Penny's death.

These two meanings are linked to two roles Neo fulfills towards Ruby. That of Triple Goddess and that of Goddess of crossroads.

1- The idea of past, present and future ties into Hecate being a Triple Goddess:

The fates are a representation of this Goddess and a declination of the Three Hecate Sisters, also known as Maiden, Mother and Crone. They are archetypes linked to three different phases of life. Youth, maturity and old age. In other words, past, present and future.

As Ruby's Hecate, Neo often brings up past, present and future throughout volume 9. Here is a quick list:

Ruby and Neo's fall in the Ever After (Penny is past, Yang is present and Oscar is future)

Ruby's first meeting with the Blacksmith, which is followed by the appearance of Neo's Jabberwalkers. There Ruby sees three weapons. Penny's sword is Ruby's inner child (past). Alyx's knife is the role Ruby is currently trying to fulfill (present). Summer's axe is who Ruby wishes to become (future)

Ruby's fight with Neo's Jabberwalker, where Ruby hallucinates three people. Cinder is the foe Ruby lost to (past). Penny is her current inner demon (present). Salem is the villain Ruby must eventually face (future)

Neo's crazy tea party, where Neo destroys Ruby by using three loved ones. Penny is a dead friend (past), Oscar is a friend Ruby could kill (future) and Little is a friend that dies (present)

Past, present and future haunt Ruby, so that she can accept who she was, understand who she is and move towards who she will be:

Past Ruby: So, are you a Huntress? Like the ones you read about in books? Ruby: I… I don’t know… Past Ruby: They always saved the day, didn’t they? Always knew what to do. Always won in the end. Ruby: But… life isn’t like a fairy tale… Past Ruby: That’s right! It’s up to you to make things better, isn’t it? Everything all depends on you! Your sister needs you, your friends need you, the whole world needs you to keep fighting, forever and ever, against an invincible monster that took your mother! Past Ruby: Mom was the best… but even she failed. That doesn’t seem fair. None of this seems fair. Ruby: But… What am I supposed to do…? Past Ruby: You can do whatever you want. Be whoever you want! You don’t even have to be Ruby Rose… So, what are you gonna be?

2- Neo brings to the surface Ruby's inner conflicts. She starts with the three struggles Ruby faces in Atlas and she keeps going by using her Jabberwalkers to re-create Atlas's destruction twice:

Finally, she has Ruby fight her inner demons all at once:

Neo-Ironwood: Who were you to think you knew what was best for Atlas? Neo-Pyrrha: I was the best and brightest Beacon had to offer. But I traded my life so my friends could live! Neo-Penny: Just like you were too late to save me at the Vytal Festival… I died in Atlas too, didn’t I? (walks towards Ruby) Can you imagine what that's like? To be completely and utterly failed… time and again… (kneels down to Ruby) by someone who meant the world to you… Neo-Pyrrha: How many more people are going to die because of you?! Ruby: I’m trying to save everyone! Neo-Ironwood: And yet with all your best intentions… Have you ever stopped to wonder if you’d done more harm than good?! Ruby: It’s not my fault…! Neo-Ozpin: How many more lives do you have to ruin before you realize you’re not cut out to save anyone?! Ruby: NO!!!

This happens because Neo is a manifestation of Ruby's id. Just like Hecate is a Goddess linked with crossroads and choice, Neo forces Ruby to transform.

Ruby's hidden self and her conflictual feelings are intertwined in Neo, who is the part of herself Ruby refuses to aknowledge until it explodes.

Let's juxtapose these two scenes:

Ruby: What is this about? The White Fang? Roman Torchwick?

Ruby: Is that seriously what this is all about? You still blame me for what happened to Torchwick?!

In volume 4, Ruby asks Tyrian why he is after her and mentions Torchwick. In volume 9, Ruby is surprised Roman's partner wants to avenge him. This happens because throughout Mistral and Atlas, Ruby starts shouldering too much responsibilities by herself. Her whole ego becomes intertwined with the duty to stop Salem. By doing so, she neglects other parts of the self:

Maria: You know, you don't give yourself enough credit. Ruby: Oh… Thanks. Maria: That wasn't a compliment.

Which leads to the shadow suffering and festering. Inside Ruby, the shadow is her grief and trauma. Outside, the shadow is Neo. A secondary villain with a revenge agenda, which is nothing compared to the threath Salem represents. And yet, Neo's personal grudge grows until she becomes dangerous for Ruby's own existence:

Neo-Roman: You don’t deserve to die, Red. You deserve to be broken down… Torn apart… wiped from existence.

In this context, Ruby refusing to empathize with Neo is really Ruby refusing to empathize with herself:

Give me anything But this symphony of technicolor rage You call it righteous, meaningful It's anything but love Don't take me for a fool I know this all too well so Leave your tears to someone else cuz It's not just you who lost it all

Neo kills the Jabberwalker because she doesn't want to accept Roman's loss. Ruby doesn't see Neo because it would mean to look at her own pain.

The end result is bad for both girls. On the one hand Ruby is overwhelmed by trauma and chooses to disappear. On the other hand Neo realizes how empty she is after Ruby is gone. That is because shadow and light can't live without each other. They need to integrate, which is what Ruby and Neo do by the end.

Both see themselves more clearly, so they are finally able to empathize with each other:

Their conflict almost kills them, but once they get throught it they are ready to become better versions of themselves. They die and are reborn:

Since she had used her Semblance for the first time to create a butterfly with one pink wing, one brown, with white spots all over- then sent it out her bedroom window and watched it flutter away until she lost sight of it and let it go. (Roman Holiday, chapter 11)

Like two butterflies, who step into a brand new phase of their lives.

HECATE (BALANCE)

Neo's story is about finding balance inside and outside:

Inside- As a child, Neo is too repressed (superego), so as an adult she becomes uncontrolled (id). Her arc has her grow more balanced (ego).

Outside - In volume 9, Neo is Ruby's shadow (id) and brings out all of Ruby's negative emotions. By the end, though, Ruby is able to understand Neo and feels sympathy for her. This is because our LRRH doesn't refuse her own shadow anymore.

In other words, Neo is an id character, who has to integrate both with herself and with the world around her. This fits Hecate, who is a Goddess linked to the Underworld. The Ever After itself is a representation of this kingdom for three different reasons:

It is the world before (under) Remnant

It is the world of the deads (buried under)

It is the world of the unconscious (buried inside)

This is why Neo's semblance grows more powerful while there. Hecate is the queen of ghosts and Neo grows powerful enough to rule the Ever After with her materialized spirits (illusions). On a deeper level, our lady of the deads must face her own grief. So, like other characters, Neo goes through the stages of grief. In particular, Neo's stages are represented by her reactions to different characters:

The Jabberwalker she kills (negation)

Ruby she stalks and tortures (rage)

The Roman she materializes (bargaining)

The Curious Cat she is controlled by (depression)

All these meetings are a part of her journey to find both acceptance and herself. Maybe this is why throughout volume 9 she progressively becomes more and more Hecate-like. As a matter of fact, she aquires many attributes of the mysterious Goddess.

She gains her personal Empusas:

The Empusas are Hecate's demons, who look like girls with some odd body parts. In this case, Neo's heterocromia.

The Empusas are usually monsters linked to fire that appear as half-dogs. Here, Ruby sees the Jabberwalker with Cinder's head.

She finds her own Horned God:

The Horned God is the Triple Goddess's companion in neopagan religions. The Jabberwalker is a horned creature associated with Neo.

She commands a pack of dogs (the Jabberwalkers) and she herself plays the part of Ruby's dangerous wolf. This fits with Hecate's sacred animals being dogs.

Finally, she stands beside a wicked torch:

Torchwick-illusion is her companion in the Underworld and a symbol of her friend's lost soul. She even uses Roman's voice to lead Ruby towards death. Just like Hecate holds torches to guide mortals in the Kingdom of the Deads.

Despite all this, there is still an attribute missing: keys. They represent Hecate's ability to travel through worlds. However, Neo is stuck in the Ever After:

Jaune: So Neo can’t go through the door…

This happens because she has still to fully bloom into Hecate (herself). However, she is making progress and by the end of volume 9 she reaches acceptance. A necessary step to grow.

In particular, she dispels her illusion of Roman. She overcomes her grief by overcoming her own fantasies. This is interesting because it is the opposite of what happens in Roman Holiday:

“He caught a lock of her hair and showed it to her. It was white. “This is new. It suits you,” he said. Why would she have done that with her Semblance?” (Roman Holiday, chapter 26)

There, she represses her sadness over her parents' death, which manifests in her illusory white lock of hair. In the series, though, she lets go of an illusion to move on. Why is that so? That is because Neo herself is a combination of illusion and reality:

“Roman shook his head. “Show them who you really are.” Neo changed back into herself, but swapper her school uniform for her favourite suite. Roman handed her her parasol. (Roman Holiday, chapter 22)

Roman Holiday is the story of how she realizes illusions are a part of who she is. Volume 9 is where she learns she can't live in a world made only of illusions. So, she chooses to face herself for real:

Once she emerges from the Tree, she will gain her allusion's ability to move freely between dimensions (psychopomp) and will go through the door. She will leave her fantastical world (the Ever After) and come back to reality (Remnant).

#rwby #rwby volume 9 #rwby meta #neopolitan #neopolitan (rwby)#neo rwby #ruby rose #roman torchwick #curious cat #jabberwalker #once upon an allusion #my meta

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aspiringwarriorlibrarian · 1 year ago

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Ozpin: So Darkness brings me back, and then Light kills me again, and then Darkness brings me back again, and then they agree, and Darkness kills me, only for Light to turn around and be like "I'm bringing you back after all but in a reincarnation way so it doesn't count.". I'm starting to wonder if Darkness ever showed up to the afterlife looking for me after I was gone.

Jabberwalker: Annoying. Painful. Sympathize.

#rwby gods #ozpin #jabberwalker #the jabberwalker just wanted someone to sympathize with its extremely specific life experience #apparently the gods have not matured over the millennia

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bobauthorman · 2 years ago

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RWBY episodes 7-10 of V9 could count as a Horror special

#RWBY #Greenlight Volume 10 #Ruby Rose #Jabberwalker #Cinder Fall #The Curious Cat #Neopolitan #Ever After #Happy Halloween #Volume 9

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marcmarcmomarc · 9 months ago

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So, we all know @pmpknsoup’s “Ruby and Robyn holding hands while Ruby tells the group where she, Jaune, and the girls have been throughout Volume 9” post by this point. I’ve brought it up too many times on my blog.

However, thanks to @onceuponalegendbg-rwby, I see now that how such a scenario would slot into Volume 10 could go one of two ways.

On one hand, if it’s in an episode, it can fade between different inaudible sections of the story and catch up with Ruby finishing the story so that the volume doesn’t lose too much time on information we already know.

On the other hand, if it’s a character short like the ones Volumes 4-6 had, then the actual Volume 10 can focus on the story and we can actually see every reaction.

Personally, I think the character short choice is better. A way to satisfy everyone. Heck, I think it could have made for a good episode of RWBY Volume 9: Beyond, but then again, there were going to be more stories in mind before CRWBY had to settle on just four, due to Rooster Teeth’s shutdown and probably limited voice actor availability.

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rwac96 · 2 years ago

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Spartan's Lament (RWBY AU)

The Jabberwalker growled as it walked on all fours, it jerked from left to right. The Afteran Predator growls as it stalks through the tall grass of a nearby settlement. The monster muttered one word, an adversary it had encountered some time ago. An opponent that would stand in the way of its purpose. Its tail flicked at the thought of its opponent; a warrior in rusted armor with a broken blade and rusted shield, that sported twin crescent moons.

"K-Knight," The Jabberwalker growled, picking up its foe's scent. "Knight!" It raises its twitching claw, preparing to strike down the interloper.

But, instead, it was pushed down to the ground on its back. The monster twitched and jittered, looking up to see an oxidized spear; green rust with some semblance of copper. Then, it became surrounded by a black aura, much to the Walker's confusion. But, the creature sniffs the air, growling lowly.

"S-Spartan!" The Walker then spots the lance returning to its owner, who caught it easily, the black aura disappearing. "Spartan!"

The armored woman gripped her lance in her right hand, holding an identical oxidized shield with the left. Sporting an oxidized, hypolite helmet, she glared at the Afteran with a pair of emerald irises. Long, red hair fell from behind; some grey can be seen in it. She takes a deep breath, beginning to circle around the Jabberwalker. The Spartan crouches down as the reptilian-lupine beast sprints towards her, then lunges for attack. It was met with a harsh shield bash courtesy of the armored woman, who then tossed it. It cries out in pain as it is struck again, falling down onto the earth as the shield returns to its owner.

"Leave," the armored woman spoke with command, pointing her lance at the dark violet beast. "Now!"

The Walker hissed in protest, raising both claws, not taking the Spartan's warning to heart. The redhead simply sighed, as she then charged toward the beast. Once more, she tosses her lance at the Walker, which smacks the weapon away. She raises her right hand, glowing black, calling back the spear. The Walker sprints toward the redhead, slashing its left claw at her, only to be blacked by the shield. Staggering back and groaning in pain, The Walker was met with a jab to its chest its opponent. She pulls her lance out of the creature's chest, only to jab it repeatedly; causing the monster to roar.

"Back!" She raises her shield, slamming it against the beast's grey masque. "Back, damn you!"

Clutching at one of the wounds, the beast turns around and limps away from the warrior. The Huntress exhaled lowly, turning around to a village in the distance. A village made of paper, a place she has come to call home since falling into this strange land. She begins the long walk back, many thoughts running through her mind. It has been decades since she and the Knight found themselves practically stranded, sent back due to that damned Clock Fruit. The first months after that incident, she was angry with her partner. But, more importantly, she was angry with herself. Angered at the amber-eyed 'Maiden', and angered at the silver-eyed brat, whose plan went wrong.

At this moment, since they found this village filled with paper-like beings called 'Paper Pleasers', they were the protectors of these innocents. But, innocents who always seemed to get themselves into trouble. The Spartan felt like a slave for all of her life, a slave to destiny, a slave to her status as a famed gladiator and celebrity status, a slave to the Old Man's crusade against his scorned lover, and now, a slave to a seemingly suicidal species. As she reached the bridge, she grabbed a hold of her helmet, removed it, and looked down at it.

"How long can I keep this up?" Pyrrha Nikos asked herself, "How long can we keep this up?" She lifted her head up to the blonde knight in rusted armor, pulling a ruby Paper Pleaser from one of the sharp stones.

Then, she looked up to the black sky, seeing four lights coming down. Red, White, Violet, and Yellow; colors that they waited years to see again. Then, the thought of the Walker came to Pyrrha's mind, the Red Prince. Though it had been years since Atlas' Fall, Pyrrha still resented the four, who stranded them in this demented Fairy Tale, who left them to play the roles of the Rusted Knight and the Tarnished Spartan, who left them with a selfish and cruel child known as Alyx. The same child who poisoned her beloved, who listened to that damned cat.

"How...How long can those four stay alive in this mad place?"

(based on the 'Tarnished Spartan' images by @davidellisartworkstuff)

#text post #text prompt #fanfiction #rwby #rwby au #rwby vol 9 #pyrrha nikos #the tarnished spartan #jabberwalker

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spectralpixelsredone · 1 month ago

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Analysis: The Sad Existence of the Jabberwalker and Its Relation to Adam Taurus

The Jabberwalker, a menacing creature from the Ever After in RWBY Volume 9, embodies a tragic existence defined by its creation as a destructive force, its limited sentience, and its role as a tool of the Brother Gods’ design. As a major antagonist, its purpose to prevent Afteran Ascension by devouring them (Page 2, Document) leaves it isolated, feared, and driven by an instinctual need to “finish” what the Curious Cat begins (Page 2, Document). This analysis explores the Jabberwalker’s sad existence, focusing on its creation, behavior, and ultimate futility, and connects it to Adam Taurus, whose destructive tendencies and tragic arc mirror the Jabberwalker’s role as a creation shaped by external forces. Unlike Blake Belladonna’s narrative parallel with the Curious Cat, which emphasizes transformation and curiosity, the Jabberwalker and Adam share a destructive essence, reflecting their roles as agents of chaos born from negligence and flawed design.

The Jabberwalker’s Tragic Existence

The Jabberwalker’s existence is inherently tragic, as it was created by the Brother Gods to serve a singular, brutal purpose: to devour Afterans and prevent their Ascension, acting as the antithesis to the Curious Cat (Page 2, Document). Described as “brutal… and effective” by the Blacksmith (Page 1, Document), its emaciated, horned form and jerky movements (Page 1, Document) make it a terrifying figure in the Ever After, yet its sentience and displays of fear reveal a creature not entirely devoid of self-awareness (Page 2, Document). Its constant muttering and searching for an unknown target (Page 2, Document) suggest a restless, purposeless existence, driven by an instinct it cannot escape. The Jabberwalker’s status as a favored creation of the God of Darkness, repeatedly resurrected despite its brother’s objections (Page 2, Document), underscores its role as a pawn in divine conflicts, left to terrorize without guidance or redemption.

Created for Destruction: The Jabberwalker’s sole purpose is to kill Afterans by devouring them, preventing their Ascension (Page 2, Document). This brutal role, designed to counter the Curious Cat’s transformative guidance, leaves the Jabberwalker as a tool of annihilation, with no capacity for creation or connection.

Sentience and Fear: Despite its fearsome reputation, the Jabberwalker displays sentience through its single-word speech and retreats when outnumbered, as seen with Team RWBY and Neopolitan (Page 2, Document). This fear-driven behavior suggests a tragic awareness of its vulnerability, trapped in a cycle of aggression and retreat.

Isolation and Futility: The Jabberwalker’s constant searching and muttering (Page 2, Document) imply a restless existence without a clear goal beyond its destructive purpose. Its cloning by Neopolitan to hunt Ruby Rose (Page 1, Document) and unknown status after her Ascension (Page 1, Document) highlight its lack of agency, used and discarded by others.

Connection to Adam Taurus

The Jabberwalker’s tragic existence parallels Adam Taurus’ arc in RWBY, particularly in their shared destructive natures, lack of agency in their creation, and ultimate futility as tools of larger forces. Adam, a bull Faunus and former White Fang leader, embodies a destructive rage fueled by personal trauma and Sienna Khan’s validation of violence (Page 3, Sienna Khan Document). Like the Jabberwalker, Adam’s horned appearance, volatile personality, and role as a feared antagonist (Pages 13, 16-17, Document 68) align with a design shaped by external influences—Sienna’s ideology and the societal oppression of Faunus—mirroring the Jabberwalker’s creation by the God of Darkness. Both are tragic figures, driven by forces beyond their control, whose destructive paths lead to isolation and downfall.

Destructive Essence: The Jabberwalker’s ability to devour Afterans and disrupt Ascension (Page 2, Document) parallels Adam’s Moonslice Semblance, which absorbs and redirects energy, and his violent campaign for Faunus supremacy (Page 17, Document 68). Both embody a destructive force, with the Jabberwalker’s Grimm-like nature (Page 2, Document) resembling Adam’s ruthless attacks, such as his role in the Fall of Beacon (Page 3, Sienna Khan Document).

Horned Symbolism: The Jabberwalker’s purple and yellow striped horns (Page 1, Document) mirror Adam’s bull horns (Page 13, Document 68), symbolizing their shared aggressive, predatory traits. This visual parallel, tied to the God of Darkness’ favor (Page 2, Document), suggests Adam’s Faunus traits may stem from the same destructive essence that shaped the Jabberwalker.

Manipulation by Higher Powers: The Jabberwalker’s creation as a counter to the Curious Cat, favored by the God of Darkness (Page 2, Document), echoes Adam’s radicalization under Sienna’s leadership, who empowered his violence without curbing his extremism (Page 3, Sienna Khan Document). Both were shaped by authority figures who failed to guide them, leaving them to spiral into chaos.

Tragic Isolation: The Jabberwalker’s retreat when outnumbered and unknown fate after Ruby’s Ascension (Pages 1-2, Document) parallel Adam’s isolation after his obsession with Blake and reckless attack on Haven Academy led to his downfall (June 24, 2025, 14:04 memory). Both are left alone, their purposes unfulfilled, as their destructive paths alienate them from others.

Relation to the Brother Gods’ Negligence

The Jabberwalker’s sad existence reflects the Brother Gods’ negligence, a theme central to RWBY and the Curious Cat/Jabberwalker theory of Faunus origins. Created to “finish” the Curious Cat’s work (Page 2, Document), the Jabberwalker was abandoned by the Gods, much like their other creations (Page 4, Document 66). This lack of guidance left it to terrorize the Ever After without purpose beyond destruction, similar to how Adam’s unchecked rage, fueled by Sienna’s ideology and societal oppression, led to his self-destructive path. The Gods’ favor toward the Jabberwalker, resurrecting it despite its brutality (Page 2, Document), mirrors Sienna’s initial praise of Adam’s violent actions (Page 3, Sienna Khan Document), both enabling destructive forces without addressing their consequences. The Jabberwalker’s potential role as a precursor to the Grimm (Page 2, Document) suggests its destructive essence may have influenced Faunus traits like Adam’s, tying his tragedy to the Gods’ flawed creations.

Abandoned Creation: The Gods’ abandonment of the Jabberwalker, leaving it to roam and terrorize (Page 2, Document), parallels their neglect of Remnant’s magical pools and creations (Page 4, Document 66). Adam’s radicalization, unchecked by Sienna or society, reflects a similar lack of guidance, leading to his violent spiral.

Flawed Design: The Jabberwalker’s brutal efficiency, displeasing one God yet favored by another (Page 2, Document), mirrors Adam’s talent as a fighter squandered by his obsession and extremism (Page 3, Sienna Khan Document). Both are products of flawed systems that prioritize destruction over balance.

Legacy of Chaos: The Jabberwalker’s role as a Grimm precursor (Page 2, Document) suggests its essence influenced beings like Adam, whose bull-like traits and destructive Semblance (Page 17, Document 68) align with the God of Darkness’ creations. This ties Adam’s tragic arc to the broader chaos of the Gods’ negligence.

Conclusion

The Jabberwalker’s sad existence is defined by its creation as a destructive force, its limited sentience, and its futile, restless search in the Ever After. As a tool of the Brother Gods, designed to counter the Curious Cat by devouring Afterans, it is both feared and isolated, its fear-driven retreats and unknown fate underscoring its tragic lack of purpose. Adam Taurus mirrors this tragedy, his horned appearance, destructive Semblance, and radicalized path reflecting the Jabberwalker’s brutal essence. Both are shaped by external forces— the Gods for the Jabberwalker, Sienna and oppression for Adam—yet abandoned to their destructive impulses, leading to isolation and downfall. The Jabberwalker’s connection to Adam reinforces the Curious Cat/Jabberwalker theory, suggesting that Adam’s Faunus traits and tragic arc stem from the same divine negligence that created the Jabberwalker, leaving both as agents of chaos in a world marked by the Gods’ failures.

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