#maker: tabitha

[erniesbrainfreeze]

[the-guild-codex-and-other-things]

Wave-Makers: Part 2 Spoilers

Tabitha, with a bunny on her head: This isn't quite what I meant when I said to get yourself something. Sabrina: You never said it couldn't be a living thing. Tabitha: No, I suppose I didn't.

[salem-the-puppet]

Idk why but I started to make a gender swap au in @anonymous525 ask box soooo imma switch that up and put it on my blog

Basically started with "lesbian ljeff"

Then to this point where their gender swap names

Jass the killer (thank you anon)

Homicidal Lindsay

Laughing Jacklen

Laughing Jillian

Candy Pop

Candy Cane

Jamesina the toymaker

Zero

Nathan Ouellette

Tina Wright

Brianna Thomas

Natalia the nobody

Vinicius the doll maker

Eyeless Jacklen

James the killer

Ticci Tabitha (thank you anon)!

Neil the killer (thank you anon)

[tabitha-martin]

Tabitha’s skin was tan and her heart was full. She was glowing as she practically floated her way into the office. Calvin had kissed her nearly senseless out front after insisting on not only making her breakfast and packing her lunch for her first day back after the holiday’s. Insisted on taking the tube in with her, too. Then walked her from the stop all the way to the door’s of her building, neither of them quite ready to end their nonstop time together. She was in a daze, still daydreaming about the King’s private island and family estate in Manchester, as she settled into her office with a brand new plaque on the door. Tabitha Martin - Senior Marketing Director A dream come true.

Opening her email, it took her nearly an hour to sort through all her emails and create her to-do list, which ended up being nearly a page long. Reality had finally sunk in as she locked in and started on her first task. Tabitha opened the OneDrive shared document to prepare for their 2025 Kick Off Meeting that afternoon. The third topic down was where her first tag was. The header read “New Campaign Launches” and there was a link to another document. Clicking it, she opened it and nearly screamed at the image that loaded on her screen. Tabitha’s heart began to beat wildly in her chest, so fast it felt like it had started to make its way up into her throat. The blood roared in her ears and her hands began to shake, palms going clammy as they soaked in a cold sweat. This couldn’t be real. She scrolled past the author’s stoic black and white image, staring into her soul as those dark eyes had countless times over, and began reading. We are pleased to announce the next publication from Professor Henry Jones in his series on Psychology through the lens of Business. In support of our client’s great achievement, we are proud to assign Tabitha Martin as the head of the campaign to promote both the book tour and speaking engagements. We believe this collaboration to be an ideal scenario to ensure optimal success as Ms. Martin came to us highly recommended from her time at Cambridge as a student of Professor Jones. We look forward to seeing the creative proposals at our kickoff meeting on January 14th. Meeting maker forthcoming.

She was going to be sick. She was going to vomit all over her computer and have to call IT and explain. Tabitha inhaled sharply through her nose and slowly through her mouth. She repeated the process until she managed to quell the rapid rising panic that threatened to cause her to hyperventilate. Blaire. She needed Blaire. Snatching her phone off her desk she immediately rang her best friend. Voicemail. Of course. It was as big of a day for her best friend as it was for her. The first day of her promotion and the first day of Blaire’s final semester in law school. She inhaled through her nose and exhaled through her mouth again as she hung up, the panic rising once more. After the last time she had to call Fisher with a Henry meltdown he had finally had enough. His patience with her on the matter had spanned years but who else knew. No one. Despite everything she had gone through, everything she had endured with Henry she hadn’t told anyone else. She kept her promise to him on keeping their affair a secret. For a while it had been to protect him and for a long time after that it had been for shame. Until...until she had told someone else. Only recently. But could the fragility of their past and the fresh start of their new relationship endure this? Or would this assignment become the second and third terrible things in a string of three? Tabitha, ready or not, was about to find out. With still shaking hands, she called Calvin.

[noodlecupcakes]

OC Picrew

I was tagged by @josephseedismyfather and @cassietrn in this picrew maker, thank you my loves <3 <3

Tabitha Murphy (FC5) Alex Howe (Saw)

I tag: @simplegenius042, @g0dspeeed, @la-grosse-patate and @3llisarts

[twistxdcrafts]

with: closed (5/5) ( @cardinalstart ) where: dorothy's birthday party / tabitha's halloween party when: halloween fright night

willa loved halloween. as a clothes maker, they enjoyed putting together their costume, and as a queer person, they enjoyed the freedom that halloween allowed. men dressed as women, women dressed as men, and people dressed as whatever and whomever they wanted to. they enjoyed the creativity of themself and others and pure self-expression.

it was also one of the few times they put effort into their make-up. the way they interacted with makeup was the same as clothing - a tool of creativity and self-expression. as a result, the way they did makeup rarely fit into the expectation of highlighting and accentuating femininity. on halloween, willa could wear as much make-up as they wanted, without worrying about any expectations except their own.

this year, they were jareth, goblin king of labyrinth. they had no skill with wigs, so they'd not worn one, but the rest of their costume was intended to be as accurate as possible to the film. including a cod piece, to pay homage to the infamous bowie bulge. so far, it had gotten a laugh from most people.

they'd been invited to the party by tabitha prior, a kind person and a new friend. in the few months willa had been in cardinal hill, tabitha had befriended them and introduced them to others, expanding their social circle graciously and generously. the least willa could do was turn up to a party they were invited to, and to have a good time.

"nice costume." willa told the person with them in the kitchen. willa was putting a drink together with what was available.

[wheelercore]

The Curious Case of The Dead Wheeler Granny

Also known as: I need to make a cohesive post that actually has context so i can add it to the ✨ master post ✨. So basically if you already know, you know. idk.

So... recently have been thinking A Lot about weird "production errors" (tm) and creel home fuckery + wheeler parallels. Its no secret that there are Many references to the creel home in the wheeler home for whatever reason, from the piano to the wedding dress to even the clock chimes (?) close to the the door way of the wheeler home.

However one of the most fascinating Choices was when the main urn that sat on the wheeler mantle place since s1 suddenly changed to a completely different urn during the convergence of the four gates at the climax of s4. What was the reason for this? It's also no secret that ST is riddled with what we can call "intentional" errors in objects, peoples positions, etc etc. But why a seemingly random object that has been sitting in the background of the home for 4 seasons w/o any special attention? And why at the important climax of the season?

Season 1

Season 4- before the climax

Season 4- after the climax

(and this isnt even to mention the fact that the wheeler dining room is covered in rose vases that mimic the OG urn)

If you reference this back to the mantle place in the Creel home... there is something quite interesting:

A few little trinkets, weirdly placed and evenly spread out. There is a little bird (dove?) statue like how the wheelers have two geese statues sitting on their mantle place. Next to that though? A strange looking golden vase. Mind you, this is happened when Virginia is having her "holding up the mirror" moment. As in this mirror is right there reflecting Virginia and this little urn-looking vase trinket and the rose-y wallpaper behind her (which is interesting given that the OG urn has pink roses on it with a framed picture of pink roses next to it).

Put the Virginia relation in your back pocket for now. Lets go up to the stuff in the Creel attic, which are heavily referenced in the wheeler home, in particular the wedding dress:

Where has have we seen a piece of a brides clothing in s4? In Suzie's home, where her sister Tabitha is wearing a wedding veil, and you guess it, a pink floral (roses? Honestly the color scheme is very similar to the creel wallpaper mentioned above) dress:

In which Tabitha pretends to die. She's not really dying. The joke here is that Tabitha's father had thought she was dying though ("it looked genuine"). And oh... is that the edge of a grandfather clock I see right outside the doorway framed right there this scene?

If I was extra weird about it I could also point out that the letter blocks on Tabitha's bracelet kind of spell out (M?)AMA. But its super blurry and I cant get a good shot of it so take this with a grain of salt:

A little sprinkle of Petergate here but Tabitha is a woman who was raised from the dead by Saint Peter:

Which I mean... If we're going to talk about lying about moms dying? The "Nanas got cancer" gag in s3 in which... Hopper lies about Mikes Nana being sick but then goes onto say:

There's nothing wrong with Nana

Mike then proceeds to repeatedly call him a liar. So... nothing's wrong with Nana? Would that explain the weird trend of people specifically lying over the phone about having a sick family member also in s3/s4?

(credit: screenshots from this @/heroesbyler post - unrelated to this theory, I just think its neat)

And if we're talking about lies:

(oh holly girl... wearing that pink + white outfit and that rose shirt lmao)

And of course: Papa lies.

(don't even get me started on how the grandfather clock most likely represents Brenner ("maybe hes a clock maker?" and s4 literally starting with Brenner setting a timer))

But this begs the question... If, by all accounts, nothing is wrong with Nana, so much so it would be like she was raised from the dead, then who's ashes do the Wheeler's have on their mantle place thinking that its their granny?

Could it be, thinking back to the weird trinket on front of the mirror in the Creel home, Virginia's ashes instead? Quick question, where exactly are Virginia and Alice buried? Did Victor get a say in his wife's funeral arrangements?

And if Nana Wheeler's death was a lie designed to conceal a truth and Papa lies... ah who am i kidding it was martin brenner. it was fucking brenner who else would do some weird shit like this. it was him.

Anyways things like this really make me question why exactly the Wheelers are one of two main families in the show. As far as I know they didn't do much in TFS, so hell, why not Patty? Bob? The Sin Claires?

Regardless, I would really like them to be kind and rewind back to whatever is going on here if you know what I mean

[anonymous-spooks]

Guess who who

Gender swap names:

Jass the killer

Homicidal Lindsay

Laughing Jacklen

Laughing Jillian

Candy Pop

Candy Cane

Jamesina the toymaker

Zero

Nathan Ouellette

Tobias Rogers

Tina Wright

Brianna Thomas

Natalia Lux

Vinicius the doll maker

Eyeless Jacklen

James the killer

Nat the killer

Got a wide list! 👍

I think for Toby and Nina, they could be Tabitha (or Tabby) and Neil.

[friemdlyships]

Pinned Post and Promo!

Hi! I'm Friendly, and I haven't really interacted with the self ship community in maybe 5 years or so and have just been lurking, but I'm back! This is a sideblog, I follow from @/notfriendlyhougen

I'm 23, transmasc, autistic, and go by he/they. Started as a Pokemon selfshipper at 16, always a Pokemon selfshipper. Also former a Sans fangirl.

I write, draw, and I'm planning on making a game in RPG Maker!

By the way, I'm not a "pro-shipper", "com-shipper", "neutral", or "anti", I'm a grown-ass adult who touches grass. Despite this, my blog is pro-ship friendly, even if I'm not much into darkship.

F/O list and more under the cut!

My F/Os (aka people that I want to do the above to me) are:

Gordie (Pokemon SwSh)

Tabitha (Pokemon ORAS)

Warrior of Light (FF1)

Zenos (FFXIV) (OCxCanon)

Elidibus/Themis (FFXIV) (OCxCanon)

I don't mind sharing!

No DNI, just be chill and 18+ please.

Thanks for reading, and I'm hoping to find some mutuals out in the chaos!

[thecherrypitpie]

Alaric Renaud Matthieu Trevelyan

might i present: the current state of Papa Trevelyan

As the youngest child of Bann Arthur Trevelyan, Alaric grew up in the Free Marcher city of Ostwick and has enjoyed a life of privilege. With close family ties to the Chantry, and many relatives among the priesthood and the templars, he was always expected to follow a similar path in service to the Maker - and so he did. As a career templar, he agreed to attend the Conclave both as a representative of the Trevelyan noble house and as a former member of the Templar Order advocating for peace. It did not go well.

Born: 8:92 Blessed (age 49 at the opening of Inquisition)

i would have made him older, but i forever mourn the lack of a greying slider

Warrior - Templar (former)

Wife: Tabitha Marlis Reinhardt Trevelyan

[riverdale-retread]

Riverdale S7 E 11 (Chapter 128) Halloween 2

Jughead has found some sort of closure with the death of Rayberry though no answers yet about his potential murder, so he’s back to narrating.  Except - you know how Veronica said that his storytelling had troubling sexual politics (i.e. misogynistic)? Well, he disappointed me by casually using the very unexamined & cliche misogynist phrase “crazy cat lady” about that woman who wanted to know if there was some milk she could borrow.

He is not showing his usual acumen at sussing out the weird.  Because her obsession with filching milk from the associates of a known suicide is very intriguing.  Some questions, such as:  Is  this area some place that is impossible to get milk delivery? Has she ever seen the milkman or is this a place the milk man never came and suddenly showed up for Rayberry?  Is this residence in a food desert where getting basics like milk is difficult? Jughead is usually sympathetic to the underprivileged and yet- 1950s Jughead casual misogyny!  #disappoint.

Anyway, after failing to follow up on that potential lead, he nevertheless goes charging over to Sheriff Keller’s house to bother him in the middle of a not great work month  to tell him he’s doing his job badly.  Unsurprisingly, Keller’s reaction is not amused.  Jughead thinks that the milkman is important - “a killer milkman at large”  he says, even though he doesn’t like saying it. He literally cringes at himself (decade upon decades ahead of his time) in having to say the words A, Killer, Milkman, At, Large.  His hands are up in a very defensive, hands-up pose,  begging Please don’t kick me out and Please don’t think i’m crazy.   Keller is being very courteous.  He says it’s already established that Rayberry suicided - which Jughead vehemently disagrees with. 

It’s very hard to get law enforcement to redo homework they’ve already turned in.  Keller is not at all an exception to this rule. He wants Jughead to produce someone who actually SAW a milkman, before he opens Rayberry’s case again. He tells Jughead to stop being annoying, trying to give him work and such, then segues immediately into exposition for this episode:  Halloween is “not for teenagers looking to make trouble,” so he wants Jughead, a known trouble maker in Keller’s eyes because of his obsession with making Keller do proper policework, to remember “our ban.”

He has Jughead all wrong, does Keller, and always has across all universes.  Like, the narrative shows that Jughead liked, at minimum, and probably adored (for unspecified reasons) Jason Blossom but Keller accused Jughead of somehow obtaining a gun, shooting Jason at point blank range in the forehead and then transporting his body all the way to the river to dump it there.  Jughead for the past several episodes has been entirely isolated from anyone who does anything social in Riverdale right now (Archie, Reggie, Betty, Veronica), is trying to nurture a romantic friendship with Tabitha Tate, and is also revealed to be someone who has milk as part of his nutritionally complete breakfast - he’s as buttoned up and wholesome in his daily habits as anyone can be, in short - but Keller feels compelled to tell him to not get into trouble on Halloween.

We’re at the very fancily done traincar (Seriously, is that ceiling really like that or is that clever trompe l’oeil hollywood magic via Veronica??), where Jughead, who still manages to sleep with his felt crown without crushing it, contemplates a very full bottle of milk like it’s the skull of Yorick before smelling it then pouring it down the drain.

Many questions again - Does Jughead’s *train car* get milk delivery service?  Also he has a drain? It connects to a sewage system somehow?  (I also wonder this all the time about the OG Universe Dilton’s Bunker which has a flush toilet.)   In any case, he just pours what he thinks might be poisoned straight into the sewage system. 

While Drac’s Back (the song) is playing, Veronica is having breakfast at the Babylonium, which has on its marquee “Science Fiction Double Feature.”  I have long black hair and bangs.  Why can’t my hair look like that? How does she do that?   She’s excited because she’s going to wear a whole dominatrix witch outfit to school.  

Veronica’s outfit is EYE POPPING.  Super high heels, large-gauge fishnet stockings, a boudoir chiffon skirt over a gem encrusted bodysuit, bare shoulders and arms, studded collar, an excellent broom prop  and a fantastic witch hat.  Her lipstick is black even.  Everyone is completely agog, then it turns a bit mocking. As she walks down the hall, Veronica realizes these people don’t do Halloween costumes at school.  At all. 

When she enters the student lounge, her appearance is greeted with a record scratch sound.  Betty can’t stop smiling about how hot Veronica looks to her (“You look- [grin grin grin] everything PLUS.”) Everyone’s reactions are so funny.  Dilton is startled but can’t not stare at Veronica’s ass as she walks past him to talk to the people who count.  Betty as I’ve said is very happy.  Veronica glows so hot Reggie can’t actually keep looking directly at her.  Archie is googly eyed with happiness.  Why Betty and Archie look at each other to confirm that Veronica is indeed looking very fetching is the question that should launch much speculation about their respective sexualities. 

In any case, Archie, then Cheryl, then Toni provide some context rules:  Riverdale is uncomfortable about Halloween unlike Greendale which actively celebrates it, to such an extent that teenagers have to observe a sundown curfew.  When Archie explains finally that a bunch of teenagers died in a tragic car accident on Halloween a few years back, Clay also looks intrigued.   Veronica is bereft about not being able to do anything much on Halloween. Also nobody is allowed to say “hell” - Archie says “raising Heck” and Kevin says “raising Cain.”    Reggie won’t even miss it - he’s never celebrated Halloween. 

Veronica gives a little speech about all the ways Halloween can be liberating - for sexual exploration as well as to “honor the dead.”    When Veronica says “back in Los Angeles” and describes what sounds like a normal Hollywood party, Cheryl has a really bad reaction.  Why is Cheryl so enraged every time Veronica talks about Los Angeles?   In any case, Veronica says the Lodges had “a family altar” where they lit candles for the dead.  Im’ curious about the insane amount of Halloween related decorations that are up in this room anyway  - no fewer than five carved Jack O Lanterns, a witch decal, more pumpkins, a couple skulls and ghosts and bats.  

Veronica announces that nothing shall hold her down. She also uses the word “gatekeepers” and I don’t know if that means anything.  Just in time to her saying, “Just when you think this town couldn’t get any kookier” in comes Jughead.   Who immediately starts freaking out about milk.  He starts screaming to NOT DRINK FRESH MILK ANYMORE.  He slaps Dilton’s milk carton right out of his hand.  He advises everyone to Drink Powdered Milk.   Veronica is so tired of his silliness.  I wonder if she’s going to do anything about it, because she is the only who is shown having a reaction. 

We cut to Ethel, on the phone next to a very overbearing Mother Mary statuary AND a crucifix on the wall, telling Jughead she’s OK.  Ethel says she misses Jughead (aww) and she misses school but this all just sails right over his head because he is still in his manic episode about the milkman.  He tells Ethel, incarcerated in an insane asylum for claiming a milkman killed her parents, that he doesn’t want to upset her further but then directly proceeds to tell her his theory that his favorite author (which she knows! Because they’re actually really friends!) was murdered by “a” milkman at the very least.   Then she has a great insight- that it would be useful to talk to whoever wrote the originating Killer Milkman comic.  Just as Jughead is about to exult about this idea, Ethel hurriedly says that she has to go because the nun is giving her the evil eye, ending with a meaningful “hopefully I will see you soon.”  Jughead wonders what she meant.

At the shop class facilities at school, Archie has successfully involved himself in Betty and Reggie’s twosome project to make Bella a usable car.   Reggie and Archie are wearing matchy-matchy his-and-his T shirts smudged just the right amount with gunk (Reggie in white, Archie in green).  The two of them flexing their muscles side by side doing car fiddly things makes Betty, who is dressed like Rosie the Riveter but with a pink paisley bandana that leaves most of her hair free, falls immediately into an erotic fugue.  Her fantasies are really very specific - a threesome when the two others have eyes - and lips - only for her.   Archie wants to give Reggie a “real Halloween” because all he’s ever done is cowtipping.  

Betty defines a real Halloween as 1. trick or treating, 2.  visiting a graveyard and 3. necking in a haunted house.  Archie is familiar with 1 and 2 but she just made up No. 3, I think, because his eyes are bugging out of his head.  He looks over at Reggie to see if he’s into it.  Reggie is all about it.  

Meanwhile, Veronica is flipping through the scrapbook of the Babylonium’s events of the past.  There was in 1942 a Halloween Ghost Show at this theater, where a Phantom Polka Dancer would “appear in person” for “one night only.”    The phantom polka dancer looks a lot like that possessed girl from The Exorcist.   Veronica wants to recreate this ‘Halloween Ghost Show’ but before she can complete her smirk of satisfaction she hears thudding from what should be the empty projection room. 

Very bravely, she goes to investigate.  In it she discovers the gays necking.   Clay pretends he left keys in the room.  Veronica wants to do a 1920s glam themed ghost show for a Halloween night indoor event for the teenyboppers - staying with the letter of the law in order to flout its spirit.   She’s so ambitious - it’s gonna be “monsters, movies, burlesque” ending with a “raising of the dead at midnight.” 

Is Jughead even going to school anymore or does he just pop in and out of the publishing house at lunch time?  In any case, his editor in chief keeps zero track of who has written what, so he doesn’t know who wrote the Milkman comics.  But he does invite Jughead to the staff party for grown ups. 

I guess Betty has completely subdued the school principal as well as his child psychologist boyfriend because the sheer amount of school real estate that Veronica’s promotional activities for her business is allowed to take up in its halls is astonishing.  For a town that supposedly has a lot of trauma about four teenagers that died on Halloween, the booth she’s erected is enormous and spectacular.   Clay and Kevin shout things like “There will be mayhem” but there isn’t a single disapproving  adult in sight.   Veronica is brazen. She promises that the four dead Riverdale students will “return from the dead before your very eyes.”

Later, Toni approaches Cheryl to show us that she’s back to her old bullshit. Here she is, drawing Cheryl ‘out’ again, to participate in a gay-backup-dancers-only floor show  choreographed by Veronica.  Cheryl isn’t so sure about any of this, and in any case, she has Vixen duties.  After giving Cheryl (and only Cheryl) an inexplicably hard time about race dynamics, now Toni brings up the need for LGBTQ solidarity in order to force Cheryl into doing something that Cheryl isn’t sure about, that will also cause her to renege on an obligation she feels is a “tradition.”  “People like us” is what Toni says.  She is so manipulative. 

At the end of basketball practice, Uncle Fucking Frank wants to make sure that none of his boys is gonna “go out wilding.”   The locker room is also festooned with Halloween paraphernalia.  Who put it up and why?  

Julian starts to immediately make trouble.   He has a little towel draped around  his lower half, and I wonder if he’s in the same erotic fugue about Reggie and Archie, because he unnecessarily spread his legs to put one foot up on the bench to show both of them his junk as he invites the two to go ‘wilding’ with him.  Reggie says no.  Julian starts bark-hooting to get the other boys riled up after announcing that the ‘wilding’ is going to begin in the school parking lot after sundown on Halloween.  Archie disapproves, turning  his back on everyone to open his locker.

WE HAVE A VERY COOL LOCKER TO LOCKER TRANSITION as Archie closes his locker which then turns into Veronica’s locker door in the girls’ locker room, which she opens.  She and Betty are talking about Reggie’s virginity (about Halloween) and how unbelievable that is.  Veronica knows that Betty has the hots for someone, so she asks about it.  Betty confesses that she has the hots for both Reggie and Archie.  She advises Betty to use Halloween night to figure out which one makes her clit tingle more (“figure out which way your love compass is truly pointing”).  Veronica’s skin in this game is that she wants to be told all about it the next day. 

At the Blossom mansion,  Penelope is drinking some red liquor. Her hair is amazingly ridiculous and it looks like a bitch to maintain it so it looks that exact degree of wrong and unflattering. Omg she’s so hot. Anyway.  She thinks that Cheryl is less likely to gayly molest the other cheerleaders if they “decamp” the sleepover to “the grand hall.”   Julian apparently is fully aware of what is being discussed, enough to object to his mother putting images of his sister engaging in “hanky panky” into the dinner conversation. 

Adult supervision finally catches up with Veronica just as she’s putting the final touches on the decorations for her Halloween show.  Alice Cooper appears, bristling with insecurity about the new competition in the Halloween entertainment of Riverdale of which she’s had a monopoly so far (“It’s not going to affect our ratings.”)  Hence the whole Halloween taboo is partially revealed to be not so much about lowering teen mortality nor in honor of the dead.  It’s about ratings & eyeballs on advertisers.   Alice says that she will “allow” the event to proceed, but tells Veronica that she has been “put on notice.”  About what?  That Alice disapproves of Veronica?

After stocking up on Powdered Milk, Jughead hears someone walk directly up to his (very insecure) residence.  He’s immediately terrified. He hides after grabbing some sort of hammer or poker or something.  

It’s Ethel!  She’s all smudged with dirt, wearing a very disheveled inmate uniform.  

Jughead wants to know how she escaped from the asylum.  She says that she’d heard about the escape tunnels, so she spent all her time looking for them.  Having located them, it was her truncated call with Jughead that “gave me the push I needed to make a break for it.”  Because she is alone that absolutely nobody ever calls her (not Betty, not Alice, not Dilton, not Ben) that she clung on to the one slight indication she was entirely forgotten!   The two of them exchange a tender look.  I like them together.    Ethel says her keepers were cruel and abusive, so she just needs to make it a “couple months” until she’s 18.   Jughead wants to invite her to stay with him, but it’s not safe.  He offers Rayberry’s apartment, because Rayberry had the very useful foresight to pay rent through to the end of the year.  

Jughead is just the nicest.  He is concerned that she might be too afraid to stay in a dead man’s apartment, but Ethel is stalwart. He also invites her to a party her first night sprung from jail.

In the bathroom at school, Midge seeks permission to not have to go to the slumber party from Cheryl.  Cheryl responds at first with the party line - the slumber party is “a Vixen tradition” and “the center must hold.” Midge folds immediately. 

Cheryl is, I will note again, incredibly powerful in this timeline.  Archie really, really didn’t know what he was talking about when he said people don’t listen to Cheryl.  He’s simply protected from her wrath by dint of having the ginger gene. 

But then, Cheryl realizes she wants to go to the Veronica-led event, so she comes up with the idea to let Evelyn (“that witchy witch”) to host the slumber party instead, so she and Midge can go to the Babylonium instead.  The two girls (the gay one and the pregnant one) sweetly affirm to each other how discreet each of them are, and promise to reveal a big secret on Halloween night. 

So even though he allowed (or was powerless against) Veronica to do whatever she wanted in terms of her commercial activities, Featherhead and his boyfriend still have hard-ons for giving Jughead Jones a rough time.   Jughead is subjected to questioning by the pair as well as Keller and Sister Woodhouse about the missing Ethel Muggs.   Being a smart boy, Jughead has learned all the right lessons from Rayberry about how to deal with these people’s pressure tactics.   He responds with sarcastic amazement that they’ve essentially ‘lost’ Ethel - that is, he avoids lying but simply neglecting to answer an unstated question.  Then when Keller threatens him with another home invasion, Jughead directly asks him not to ‘trash’ the place with a smile, which he wipes from his face immediately to demonstrate his disdain.  As he takes his leave, a very Halloween ghost cackles for him as part of the soundtrack transition to the next scene. 

At home, Archie and Reggie are putting themselves into the costumes created by Mary Andrews (who can’t stand to be seen now that there are THREE men in the house.)  Reggie and Archie discuss Betty.   The boys boast to each other about “getting vibes” from Betty.  Archie suddenly wonders if Betty might want to “make it” with one of them this night.  Made entirely of cheekbones, pouty lips and pecs, this causes Reggie to very homosexually get super close to Archie to say that it wouldn’t surprise him if Betty had such horny plans, since “she ain’t blind.”  

It’s very ambiguous actually if he means only himself, or Archie, or both of them.  In the mirror, he’s looking at himself frontwise, but he’s also looking at Archie’s sculpted arms and chest and the rest of him in the all american white T and jeans.   Archie either genuinely doesn’t (he is just not smart in this universe) or pretends to think that Reggie meant only himself.  So they stand shoulder to shoulder in the mirror, because that’s a very heterosexual thing to do, while Archie says that “she might wanna get with me, Reg.”   Having been thus rejected,  Reggie walks away from him.  Unholstering his big gun, Reggie suggests that if either of them get the feeling that Betty has chosen either one of them, the unchosen will “vamoose.”   Archie agrees, which leads to the two of them pointing their guns at each other. Twice. 

Ethel and Jughead arrive at the Halloween party.  I wish I knew what they were dressed as.   Jughead is wearing a huge stovepipe hat. Ethel is in the mask that Jughead promised her.  The extraordinarily elaborate costumes that all these comic book industry people are wearing would put a lot of cons to shame.  Bernie screams for Jughead, launching himself into an embrace.   Jughead looks extremely happy to be embracing Bernie.  Bernie says “It’s gonna be a crazy night” so Jughead and Ethel enter the fray.

While her parents are hamming it up on tv, Betty’s three suitors (Reggie, Archie and for some reason Dilton) are waiting for her to appear at their home.   When Archie and Reggie (meanly) imply that Dilton is there as a form of hero worship for the two of them in his role as “the water boy,” Dilton stands up for himself to let them know that Betty invited him in particular to be here. 

When she appears, Betty’s cleavage looks absolutely amazing.  It brings Reggie and Archie  to their feet.   Dilton is so agog that he doesn’t know what she’s supposed to be.  Betty has really thought of everything about this entrance, from the costume to the perfect thing to say.  She’s Goldilocks because “she couldn’t decide on a bed so she tried all three.   Dilton has a really huge pumpkin head as his costume. 

Reggie is having the best time trick or treating. He cocks out a hip and deploys his dimples to maximum effect.   Of course, the good times can’t last.  The four of them witness Julian and others bashing pumpkin decorations with baseball bats as they drive by, hollering.  Of course, the cops are nowhere to be seen when it’s Julian Blossom flouting the rules and causing actual property damage.  Dilton wisely decides he’s had enough, and goes home. 

At Veronica’s event at the Babylonium, things look very “Cabaret” to me, which is 1930s not 20s, but it doesn’t matter.  People look very sexy here.   The costumes for this are eye popping as well - one girl has a whole 3 foot tall headdress and everything.   As soon as Cheryl and Midge enter, Toni is all over Cheryl.   

I was so happy they didn’t make me listen to Fangs singing at his big gig, but Riverdale betrays me by forcing me to listen to him at this party. 

At the Pep Comics party, workaholic artists gonna art, apparently because sketching is going on - with Ethel participating!  Jughead interviews a series of very interestingly wonky-looking people.   One guy in a silk top hat who says he doesn’t know who wrote the Milkman story but is seething with jealousy over it.  Jonah, in smudgy eyeliner, doesn’t think it was that great.  Then Jughead talks to the devil, who tells him that it was “Ted Sullivan, a journeyman writer.”  (Ted Sullivan is on the writing staff at Riverdale, and wrote among others, the “Killing Mr. Honey” episode.)  After saying his name four times, Riverdale drops the bomb that this Ted is dead, died the same way as Rayberry, because he didn’t think he could live up to the masterpiece that was the Milkman Comic.  Then the devil launches into a speech about “the enemy is here, at home” and “we’re the enemies.”  Jughead is very startled.

After lighting a truly huge number of candles at the graveyard, Reggie and Bettie are howling at the sky.   Reggie says he knows a lot about wolves because he’s a fellow alpha who grew up with them.  His way of showing off is so cute and so dumb.   “Is that what you think you are? An alpha?” Betty asks in a butter soft voice.

I know they’ll deny it, but Riverdale writing team has read at least some of those werewolf-Serpent fanfics, because this set up - howling together ‘as a joke’ in a graveyard on Halloween then having Reggie and Betty talk  like this is almost a fricking prompt for some Retty/Beggie werewolf AUs to be drafted.

What could be a very interesting alpha-omega discussion between this pair is interrupted by Julian and a couple Bulldogs still whooping it up as they cruise around town being a nuisance.   Seeing Julian breaks the mood between Reggie and Betty, causing her to go seek Archie out.

Of course, Archie is sadly contemplating his father’s gravestone.  Betty starts to apologize immediately.  Even though he clearly isn’t, Archie reassures her that he’s fine and that it’s ok and it’s fine.  Then he demonstrates how haunted he is by this father’s absence -he immediately launches into a memory.  The two used to do a lot of trick or treating together as kids, even doing Tom Sawyer and Becky Thatcher.   Then I realize that I fell for it - THIS WAS ALL A PLOY.   Archie’s plan was to tug at her heartstrings so he could bring up that he was the OG hotstuff.  Well dang, Archie!

Reggie tries to interrupt but his face already admits defeat.  He asks to be taken to the haunted house.  The three of them go to the murder house.  Betty is not at all spooked, so she wanders further into the house to look for “eleven up.”    

Reggie is really the most honorable, because he takes this time to discreetly tell Archie that he’s going to vamoose as he originally proposed.  Archie is nice too, telling him he doesn’t have to do that, but Reggie is a man’s man (and a genuine ladies’ man) because cock blocking out of spite is just not something he’s willing to do no matter how enticing the girl.   Betty comes back with orange sodas.  Archie grants Reggie a good enough exit, by telling Betty that Reggie was tired.  Betty, despite her earlier threesome fantasy, doesn’t much care which of the pair she gets.  She smiles at Archie.

Veronica so loves giving speeches and hosting events. She looks so happy in her black lipstick, standing in front of four coffins. I still can’t believe that this event is going to go forward in this way.  This is so callous it’s kind of funny.  Anyway, Veronica is going on about the midnight feature, dropping the fact that Boris Karloff is her godfather.  

The music number is from the Rocky Horror Picture Show. Which is very timeline busting. So are we doing like a backwards-reverse Back to the Future thing where instead of a fictional white guy taking credit for a real-life black musical invention from his past ( Rock ‘n’ Roll) we have a fictional Latina woman taking credit for a real-life musical written by a white man in her future?   The twisty turny of all this is also breaking my brain because the singing in the actual movie of the real musical (Rocky Horror Picture Show) was very very imperfect except for Tim Curry and Meatloaf, and intentionally so.  The singing in the musical numbers of Riverdale also have this same trait - it’s intentionally imperfect except when Josie and Kevin were singing.  The overall technical quality of the singing is better than in that musical film (Susan Sarandon can barely sing, which places the Cheryl, Betty, Veronica and Archie actors in a higher competence category).  But for some reason (oh fine, because I love Rocky Horror Picture Show) this marmoreal smoothness of the singing by everyone involved is very very horrifying to me.  I’m getting literal shivers of distress.  There’s just too much camp happening.   When it meets the airbrushed camp of Riverdale, the rough-around-the-edges camp of Rocky Horror evaporates, leaving only raunchiness.  Riverdale has highly sexual teens, and always has, but at the same time it gets very coy with how it describes sex, sexuality and sexual activity, so I was a bit startled at Clay belting out “orgasmic rush of lust” like that.

Kevin calling for “mommy” when we’ve never seen her but has caused him to be, well, how he is by calling him fat one time because he actually was and he never got over it, is a lot.  But then they pan away as he sings “what’s this? Let’s see” as he starts to look at his own crotch I REALLY WANT TO KNOW what the choreo was implied to be. Did he look into the contents of his own crotch  pouch? Why is the audience reacting like that??

Cheryl then comes out with the most on the nose bit.  She scream-sings:  I feel released/ Bad times deceased - and so on. Cheryl has ballet training, and again the technical competence which doesn’t at all cover up the extremely clunky nature of the steps she’s being made to do is horrifying.   At the end of her number, she pulls Toni close to kiss her in front of everybody. 

We cut to Veronica doing Frank’n’Furter which is a bit like Nicole Kidman being made to sing Diamonds Are a Girl’s Best Friend.  There are certain songs that can never be sung by anyone other than that one singer, and “Don’t Dream It” is really one of those songs.   The topsy turvy un-doing and re-doing continues, because for a woman (and a very cis, very pretty one at that) wanting to be “dressed just the same” as Fay Wray has zero subversive energy compared to Tim Curry as the transsexual alien doing it, so there’s a neutralizing of the power of that song. In order to make up for it, they put Veronica in a Marlene Dietrich tuxedo-for-girls from Morocco (where Dietrich sings a floor show and then kisses a girl on the mouth in front of everyone to general delight and applause).   It’s not fair to pit Veronica’s Riverdalian version of this song (and the screechy belting they make her do given the key choices) against the true blue one by Tim Curry, but it must be said:  There’s nothing sensual about the way Veronica is saying things like “give yourself over to absolute pleasure.” Everything she’s doing  - the volume of the singing, the thinness of the voice, the effortful meaninglessness of the choreography - is the opposite of giving yourself over to anything. 

Into all this, Alice, looking like a bomb has hit her, enters the theater. She reacts with horror. I don’t know if the horror is supposed to be about the nature of the song she’s hearing or it’s from being turned on by Clay dancing gayly in just his shorts.   Kevin articulates her shellshocked reaction with yet more exactly on the nose misappropriation of the lyrics (“It’s beyond me/ Help me Mommy”). 

All the extra give the hardworking main cast of Riverdale a standing ovation.

Elsewhere, Reggie is walking home all lonesome along  the deserted road when very ominously, Julian and two others in death masks stop beside him.   Julian says that Reggie should “join the fun unless you’ve got something better to do” because he is “going across the bridge to Greendale to raise some hell.”

OOOH HE SAID THE FORBIDDEN H- WORD!!  Was - was the strange word choices in Raising Cain and Wilding and all that leading up to this moment? 

Reggie isn’t going to make it with Betty today, so he hops into the car of destruction.  

At the haunted house, Archie finally makes a move to Betty, telling her he wants to kiss her.  She says she feels exactly the same way.  Unfortunately, they are cockblocked by a milkman who peers in on them.   Betty is smart - she isn’t afraid of no ghosts, but a real-life white guy being creepy is very good reason to run the heck away. 

After the event, Clay and Kevin are cleaning up like the good theater people they are.  Veronica wants to do a weekly midnight event at the theater that is “Fun and Campy.”  We are being extraordinarily on the nose today.  Anyway, the gays are worried about Veronica’s homelessness after parental abandonment, leading to her having to live in the movie theater.  Veronica lies about all of it (“everything’s peachy”) because she can’t stand sympathy or pity from others. 

At the Diner, Midge and Fangs have told Cheryl and Toni their big secret (her “honeybun” in the oven).  Midge then remarks on the fact that Cheryl and Toni have effectively come out to all the teenagers who were there at the Babylonium.  Toni is so glad that they’ve all put away their masks.  

I don’t know how loud they were speaking or if Evelyn just has superhuman hearing capacity, but she is there at the diner (somehow? why? how? isn’t she supposed to be hosting the sleepover? Is she there to pick up a midnight snack??)

Archie and Betty are safely back at home.   They tell each other that they had the “best” time ever.  Now, they are cockblocked by Alice, who takes out her distress at finding Clay very hot by yelling at her daughter in front of the whole neighborhood.  

With a quiet moment to herself, Veronica lights a votive candle to… Rudolph Valentino. Why is he on the altar with her grandmother?  Where’s Boris Karloff??  There’s a Jughead amount of candles lit in her small living area she’s made in the movie theater.  Veronica sleeps with a photo of herself with her parents.  Oh the poor baby. She’s very upset.

Jughead has walked Ethel to Rayberry’s apartment. Jughead is not wearing any sort of headgear - no crown, no jokey hat.  I - I feel like he’s en déshabillé.  Unable to resist the hair,

Ethel invites him in, using a tone of voice that sets all my shipping urges tingling.  Except -oh poor Ethel.  This is the universe - THIS IS IT! - the one where she could totally have a thing with Jughead, but there’s Tabitha!  Tabitha the Real is out there saving all of the multiverse and Tabitha of this world is out there on the bus tour against racism.  No dice.  Jughead says he’s tired and that he needs to feed the dog.  Sigh.   Ethel totally reacts like this is a rejection of her invitation to an assignation, but she’s nice about it.  But come on Jughead, live a little!  (Sorry, Tabitha, but Ethel was here - in my heart - first.)

As soon as Ethel enters the Rayberry apartment, dun dun dun, that weird guy in the milkman outfit is totally in there waiting for her.

Jughead is walking out when he gets accosted by that very plot-important lady obsessed with forcing her neighbors to make a milk donation to her cat.  She says, “Oh I thought you were the milkman” because she heard the bottles again.  There’s both a Dutch Angle AND dolly zoom happening as Jughead puts it all together, before rushing back to the Rayberry former residence shouting for Ethel. 

Jughead breaks down the door!  He falls faceforward into the apartment, only to make direct eye contact with the corpse on the floor.  “Jeepers” he says and - seriously, truly, this was wonderful line delivery.  I mean it. 

Ethel is having HER MOMENT.  She’s so super tall to begin with, so she looks totally magnificent, holding a bloody knife, standing victorious over the dead milkman, as she passionately tells Jughead, “I told everyone it was a milkman!”  Jughead looks so scared.

Archie is woken up in the middle of the night by Uncle Frank, who seems very upset.  He says a carful of Bulldogs went over the bridge into the River.  Archie stares upset at Reggie’s very empty bed. 

If they made Reggie die in the racist’s car I will be pitching a FIT.

[erniesbrainfreeze]

[dumpingground6]

HIII

Okay so I got Scarlett hollow for my birthday and I just couldn't decide who to make my main character so I have like three

I'm going to introduce all of them and like I'm going to maybe dump some personality because yessss

Here is the pic crew I used

So like the first character who is my favorite character I made is lilith and she is a mystic and someone who can talk to animals

She's a little shy but she's more confident around the animals she talks to and when she gets her mystic feelings she tends to give out cryptic warnings

I Imagine she's also a bit of a doormat too

(btw I only played episode 1 but I am totally going to have her befriend Dustin)

Then we have Cassidy who is like really charismatic and Street smart , they use any pronouns but they are fine with she/they and they are a music streamer

I might have used the dead moms club joke on tabby with them and I feel like Tabitha is going to murder them in their sleep

I am totally going to have her date stella if I can

Last character I have is Edward who is like this built Chad and super book smart

He's like a skeptic who tends to stand his ground more often

He's a teacher too

[nastya-sokolova-2002]

Two characters in one day, why not👀

Full name: Linus Necronomicon Ichabodovich

Date of birth: October 1, 1905

Character: kind, shy, brave, caring, sometimes naive

Loves: his family, his friends, his talent for potions, helping others, talking to spirits

He does not like: when he or someone from his family is offended, raise his tone, lose his family, loneliness, feel unnecessary to anyone

Russian voice acting: Mikhail Khrustalev (speech), Dzhigan (real name of the singer Denis Alexandrovich Ustimenko-Weinstein) (vocals)

English voice acting: Richard Butler (singer from the music group "Love spit love")

First appearance in Fanon: The fifth chapter in the fanfiction "SCP Foundation: The Last Pages of History" (as a story)

Last appearance in Fanon: Currently unknown

Story: Linus grew up with his single mother named Gertrude, who is a sorceress and a potion maker. He inherited only his appearance from his father, and the color of his fur and eyes from his mother. From the age of five, he felt that he had discovered a gift for potions (like Gertrude and her father). Before he left his mother just because he had friends (before his birth, Gertrude killed all the mice in Los Angeles until she married Ichabod (he is an ordinary mouse like Pinky and Brain's family), but you know specifically about this in the post about Gertrude), He was talking to his father's spirit. After he got to Burbank, he began to live in the cemetery, continuing to communicate with spirits. When he decided to walk around the city, he noticed Linda, who was singing on stage. At first glance, he thought she was a pretty mouse, but he was too shy to get to know her. The next day, he met her by chance and started walking with her. After a few days, he began to feel that he loved her more than his friend. One day, when Linda also felt love for him, she sheltered him and told him that her parents were not against it and that they really liked him. Later, he and Linda had a daughter, Bella. Linus was very happy until Jasper found out about it and kicked him out of town. After being exiled, not knowing where to go next, he decided to go to a place where the mouse's foot had not yet stepped on, and ends up on an island called the Island of Unnecessary Mice. There he also began to live in the cemetery, or he again felt that he did not need anyone. Later, he meets two mice named Fedya and Zakhar, who became his best friends. When he saw that his friends also had their own girls, he sadly remembered Linda and realized that he would not have a girlfriend here. But suddenly he accidentally meets a lonely mouse named Faina, who lives with her mother Willow and younger brother Bahram. He also thought she was a pretty mouse, but decided that he did not want to risk having love with her, but Faina fell in love with him at first sight and considered him a wonderful male and thought about him every day. A little later, Faina herself invites him on a "date", which he does not refuse. After that, Linus also falls in love with her and also wants to ask her out on a date, but he can't. Fedya and Zakhar help him with this. After he confessed his love to Faina, Linus marries her and lives with her. Soon they have a daughter, Sheila, and Fedya and his wife, Heidi, have a son, Henry. Next, Zakhar and his wife Tabitha have twin sons named Lukum and Rahat. At this time, Bahram starts living alone and works as a banker. Five years later, Linus and Faina have a son named Orm. But after the birth of Orm, a terrible thing happens. Out of nowhere, a Snowy Wind arrives on the island and takes Faina back to where it came from. Linus first went to his mother and asked her to take care of his daughter Sheila, as he alone could not cope with his children. Sheila initially did not want to leave her father, especially her younger brother, but Linus said he would always be there for her. And he gave Orm to his mother-in-law Willow, but she asked him about himself, and he replied that he would leave and promised her that she would not tell Orm, who when he grows up, about his parents and older sister. Willow promised him. Linus goes to the cemetery, says his one last phrase and committed suicide in order to be with his wife in the next world and watch his children with her. And then, almost throughout the fifth chapter, he appears as a story in the form of a spirit.

Interesting facts: Linus and his father Ichabod are the very first mice that look like Brain, but in Pinky's family.

[things-to-do-in-williamsburg-va]

TABITHA SEWER STUDIO upcoming Creative Classes for Adults, and Kids plus evening events! Tabitha Sewer Studio is open in its New Location at the Williamsburg Prime 5707 Richmond Rd, Suite 5, Williamsburg VA 23188 Grand Opening Friday June 27 at 1 pm Grand Opening will be on Friday, June 27 with a ribbon cutting at 1 pm! Stop by and say, "Hi!" Look around, check it all out. They will have raffles, free class of your choice, free t-shirt, free tote bag of goodies, membership sign ups, workshops, classes and a new Maker Lab ( drop in activities). This Studio has memberships that offer a wide variety of classes and they also have non member events and summer camps. Their Memberships fit all creative levels and needs, learn about membership levels and what they offer. Then call the studio: they love going over the options and finding the best fit for you and your family! Call them at 757-332-1861 or email at info.tabithasewer@gmail.com. Keep scrolling to see information about the Maker Lab, their camps, non member events and monthly calendars! What’s the Maker Lab?It’s the ultimate creative escape for families looking to shake up their routine—perfect for summer break, rainy days, or anytime the kids need something fun and hands-on to do outside the house. Inside the Maker Lab, visitors will find a rotating lineup of trendy, social-media-inspired craft experiences designed for all ages. Here’s a peek at what’s on the menu: 🧁 Sugarcoating – Think fake icing, real fun! Crafters "frost" everyday items like trinket boxes or signs with realistic-looking faux icing and decorations. Totally sweet (but not edible)! 🧢 Cabin Craft – A hit with the stylish crowd! Pick a hat and personalize it with an array of cool patches and pins to show off your vibe. 🐶 Adopt a Pal – Perfect for younger makers! Kids choose a plush pet to “adopt,” then use a themed craft kit to decorate a tiny house for their new buddy. 🕯️ The Glow Up – A candle-making experience just for ages 16 and up. Choose your own scent, select a stylish vessel, and pour a custom candle that’s totally you. Whether you're a seasoned crafter or just looking for something new to try, the Maker Lab makes it easy—and fun—to get creative together. Upcoming Non Member Events: Summer couldn't be more fun than spending time at a Tabitha Sewer Studio Camp!  - Lilo & Stitch Summer Camp - Sew Kawaii Dessert Plushie Camp SOLD OUT - Magical Fairy Camp - Fashion Designer Camp - Harry Potter Summer Camp SOLD OUT - MORE INFO Nail Art: Design your Own Nails - Friday, June 20 - 10am-12pm Pixel Art - Friday June 20 - 5 - 7:30 PM Cookie Decorating - Saturday, June 21st from 1pm-2pm Adult Candle making class - Saturday, June 28th 6pm-7pm Intro to Sewing - Saturday, July 5th 10am-12pm Cookie Decorating - Friday, July 11th from 5pm-6pm PNO: Slumber Party - July 26 from 5:30 - 8 pm Intro to CrochetPart 1- August 2nd 10am-12pmPart 2- August 9th 10am-12pm LOCATION:Tabitha Sewer Studio5707 Richmond RdSuite 5Williamsburg VA 23188 Learn more and see all the upcoming classes and summer camps here. Have questions? Email Tabitha at info.tabithasewer@gmail.com or call or text 757-332-1861 Read the full article

[noodlecupcakes]

Picrew Elf maker

I was tagged by @cassietrn, in this picrew maker, thank you <3

Tabitha Murphy (FC5) Alex Howe (Saw)

Raven Harper (Marvel) Emerald Napier (DC)

Cora (Star Wars) Lilith (Original OC)

I tag: @simplegenius042, @la-grosse-patate, @g0dspeeed and @josephseedismyfather