#may be a friend... (conceptual demons)
Explore tagged Tumblr posts
Note
Are people playing the same game I did? What do they mean "Rook has done nothing to earn Solas' loyalty"? Given what Solas did to Varric, and just the general threat Solas' plans represent, Rook is well within their rights to give zero shits about his loyalty. Why are they concerned about Rook earning Solas' loyalty to begin with? Solas wronged THEM not the other way around??? What did Rook even do? Stop the ritual? The ritual which was going to cause apocalyptic destruction? You can't blame Rook for not having all the facts. The one who does have all the facts (Solas) has been keeping them to himself. It's not Rook's fault if they only know what they've been told. What are they supposed to think given that demons are literally popping up all over the place? Solas hasn't exactly given Rook any reason to trust him. Did they forget Solas has a whole track record of being untrustworthy??? And even that considered Rook still makes plenty of effort to understand Solas? That entire quest with Solas' memories? Various companions weighing in based on their perspectives? I don't understand where they're getting this impression that Rook is some unreasonably judgemental dickhead. I'm sorry for ranting I'm just so tired of going into the VG tags and seeing people put the most unwarranted Rook hate in the main tags. How do people have the most bad faith takes about their own character? Are they role-playing them like that??
Dude, I totally get what you mean. These are all the same questions I'm asking myself every time I happen across a take like that. (Adding the link to my prev post about the take in question.)
If you'll allow me some room for pondering, my guess is just that... they are kind of roleplaying them like you say, but they're not truly roleplaying. Or better said, they're not playing the role of Rook.
I think that these people posting takes like that, they're playing as themselves, not taking up the perspective of a character within the story but looking into the story from the outside, AND they're doing so filtered through the lens of having previously also played Inquisition (and their Inquisitor) the same way.
What I think may be happening here is that the Inquisitor's (and by extension, these players') experience with Solas is, by design, drastically different from that of Rook, and many of those who have loved the character they knew Solas as for a long time (a decade at this point) find Rook's and Veilguard's perspective of him and his role in the story irreconcilable with what they know.
These players see Solas as a companion, a friend, a lover, a character who is fundamentally a protagonist in the story (regardless of the fact that Trespasser explicitly states that him achieving his goals would cause massive devastation and the end of Thedas as we know it, plus that much of the face that he showed in Inquisition, he himself admitted was either shown under false pretenses or was an outright lie), and with that being their version of the truth about him as far as they are concerned, they find conceptualizing him as an antagonist very difficult, or even impossible.
Which means that the neutral/wary attitude that Rook (a character who was written as someone who never before interacted with Solas, spent the better part of the year pursuing him with the intention of stopping him, and now has goals that are explicitly contradictory to his ultimate goal) puts them in a place where the player's point of view character is one they think of as an antagonist.
That's why they think that Rook is the one who should win Solas' trust and loyalty, that's why they're frustrated that Rook has no option to immediately believe and trust everything Solas says and prioritize helping him, and in some fringe cases, that's why they think there should have been an option to let the Veil be brought down and let Solas succeed.
Simply, I think that these people, they aren't engaging with the story as written, but they are constantly fighting against their own protagonist, which creates this sort of... I guess moral dissonance(? can I call it that?) between them, and the point of view that the game asks them to embody.
I don't know how much sense this makes (I've been microwaving this in my head for a long time, I think it may be a bit burnt at this point), but I feel like it lines up with the posts that have broken into my isolation chamber. Granted I don't purposefully engage with these types of posts and I'm pretty sure I've blocked a large chunk of the people posting this stuff, but...
I mean, to me it makes sense, lol.
It's kind of that theme of fact and truth and history changing depending on who tells it (which permeates the entire setting) seeping into the real world, and into the fandom.
That has kind of an almost poetic irony to it.
#dragon age#squirrel plays datv#da fandom critical#fandom critical#veilguard positive#datv positive#do you even know just how much i hate that that has to be a tag we use#dragon age the veilguard
125 notes
·
View notes
Text
Asteroid Apollo, Asteroid Asmodeus in the Astrology Chart


Introduction
It is suggested for you to check the asteroid placements in astroseek.com and check out the house positions of the above two asteroid if you are interested in it.
================================================================================================
Asmodeus
Asmodeus, often associated with lust, desire, and ambition, is a demon of significance in occult and mystical traditions. In astrology, there is no established tradition of directly placing entities like Asmodeus in houses of the natal chart, as astrological houses typically represent areas of life. However, if you're exploring an esoteric or symbolic lens, you might consider how Asmodeus' attributes interact with the themes of each house.
Here’s a conceptual take on what Asmodeus might signify in each astrological house:
1st House (Self, Appearance, Identity)
Asmodeus here could symbolize a magnetic and seductive personality, someone who exudes allure and power. There might be a struggle with vanity or an overemphasis on physical or personal desires.
2nd House (Values, Money, Possessions)
The presence of Asmodeus could indicate an intense focus on material wealth and sensual pleasures. It might suggest a need to balance indulgence with deeper values.
3rd House (Communication, Learning, Siblings)
Here, Asmodeus might bring persuasive and cunning communication skills but also the potential for manipulative tendencies or excessive gossip.
4th House (Home, Family, Foundations)
Asmodeus in this house could reflect hidden family dynamics, secrets, or an intense connection to the past. The energy might manifest as a desire for power within the family unit.
5th House (Creativity, Pleasure, Romance)
This placement might amplify passion and creativity, making the native highly charismatic and indulgent in romantic and hedonistic pursuits.
6th House (Health, Work, Daily Routine)
Asmodeus here could point to perfectionism and ambition in daily tasks or health regimens, but also a risk of overworking or obsessing over control.
7th House (Partnerships, Marriage)
In this house, Asmodeus might suggest deeply passionate, intense relationships with potential for possessiveness or jealousy.
8th House (Transformation, Death, Shared Resources)
Asmodeus thrives in the transformative energy of the 8th house, highlighting themes of power, secrecy, and deep psychological exploration. This could also point to a magnetic allure or a fascination with taboo subjects.
9th House (Philosophy, Travel, Higher Education)
Asmodeus might inspire a quest for forbidden knowledge or a fascination with esoteric teachings. There may be a tendency to challenge or disrupt traditional belief systems.
10th House (Career, Reputation, Public Life)
In the 10th house, Asmodeus could amplify ambition and the desire for recognition and power. However, ethical considerations and ego control might be key challenges.
11th House (Friends, Community, Aspirations)
Here, Asmodeus might manifest as a compelling and influential presence in social groups, potentially drawing people together for shared ambitions or desires.
12th House (Subconscious, Spirituality, Secrets)
This house aligns with Asmodeus' hidden and mysterious nature, suggesting a deep connection to the unconscious mind, spiritual challenges, or hidden desires.
================================================================================================
Apollo
In astrology, Apollo, the Greek god of the Sun, music, prophecy, and healing, is symbolically linked to creativity, leadership, light, and self-expression. While there isn’t a direct “Apollo” planet or asteroid in mainstream astrology, you can explore his mythological attributes and how they might express themselves through the 12 houses of the natal chart.
Here’s how Apollo’s energy might manifest in each house:
1st House (Self, Appearance, Identity)
Apollo in the 1st house suggests a radiant, charismatic personality with a strong focus on self-expression and individuality. This placement may indicate natural leadership qualities and a desire to inspire others through your personal journey.
2nd House (Values, Money, Possessions)
In the 2nd house, Apollo’s energy could highlight a talent for creating wealth through artistic or creative means. There may be a focus on finding self-worth through personal achievements or a love of beauty and luxury.
3rd House (Communication, Learning, Siblings)
Here, Apollo brings eloquence and a gift for communication. This placement might indicate a talent for writing, speaking, or teaching, with a knack for shining in intellectual pursuits and connecting with others.
4th House (Home, Family, Foundations)
Apollo in the 4th house could signify a strong, inspiring presence within the family. This placement may suggest a focus on creating a harmonious and uplifting home environment or finding one’s sense of identity through ancestry or heritage.
5th House (Creativity, Pleasure, Romance)
Apollo thrives in the 5th house, which governs creativity, joy, and romance. This placement could indicate immense artistic talent, a love for the spotlight, and a deep connection to the joys of life, including love affairs and hobbies.
6th House (Health, Work, Daily Routine)
In the 6th house, Apollo might manifest as a healer or someone who uses their skills to bring light and improvement to daily life. There may be a strong focus on excelling in work and maintaining a healthy balance between productivity and well-being.
7th House (Partnerships, Marriage)
Apollo in the 7th house suggests a magnetic presence in relationships. You may attract partners who are inspiring, creative, or authoritative, and partnerships may serve as a platform for personal growth and public recognition.
8th House (Transformation, Death, Shared Resources)
Apollo’s presence in the 8th house could illuminate areas of deep transformation, shared resources, or psychological insight. This placement might inspire a fascination with life’s mysteries and an ability to regenerate and shine through challenges.
9th House (Philosophy, Travel, Higher Education)
Apollo in the 9th house could indicate a passion for philosophy, truth-seeking, and exploring broader horizons. This placement may inspire pursuits in education, spiritual growth, or international travel to share and gain wisdom.
10th House (Career, Reputation, Public Life)
Apollo in the 10th house highlights leadership and public recognition. This placement often points to a career in the arts, leadership roles, or any field where one can inspire and influence others through their talents and vision.
11th House (Friends, Community, Aspirations)
In the 11th house, Apollo shines as a unifying force in social circles. This placement could suggest an ability to inspire groups toward shared goals and aspirations, often taking on a visionary or innovative role in communities.
12th House (Subconscious, Spirituality, Secrets)
Apollo in the 12th house suggests a deep connection to the unconscious mind and a potential for profound spiritual insight. There may be a need to balance inner light with hidden fears or challenges, leading to significant personal growth.
If You Liked This Reading Sign up to TheObsidianPages777 Newsletter
+Free E-Guides on New Moon Manifestation and Gem Stone for Life Path
#asteroid astrology#astrology#astrology readings#astro observations#astro notes#asteroid notes#asmodeus#apollo#greek gods
102 notes
·
View notes
Note
Hello there! If I may ask about your oc Sakura, how did you go about conceptualizing her? Was there any characters or media that inspired her design? How did her character change to what it is now? Apologies for this many questions, feel free to choose just one when you have time; love your work!
Hello! You may indeed ask about my baby! 🥹
So for context, Feathers and Flowers' birthing concept was about a girl summoning a demon because she was lonely but too shy to make her own friends, so she concludes summoning a demon would somehow be easier. In that iteration of the story, Sakura was meant to be a side character; a friend to the main characters that acted as the ultimate foil to basically everyone around her. She combated Kaela's crippling anxiety by being confident and overwhelmingly outgoing, contrasted Evangeline's bossy, bitchy attitude with being kind and friendly, and be the opposite of Mal's stoic, silent character with being expressive and chatty. I also needed a character that could conveniently know enough about niche media to reasonably be able to help Kaela summon her demon in the first place, so I ended up making her a huge geek: she loved anime, video games, and had knowledge on obscure things... including occult summonings xD
So I worked off that idea to form her appearance. Again her core direction was to be a foil to all of the main cast: Kaela was short and soft. Evangeline was tall and thin. Mal was tal and hard. I wanted Sakura to be the biggest character, so she originally started started out compact and wide. Her face was what I started with: I wanted her to look somewhat like an anime character, and her inspiration was based off of the older episodes of Dragonball, Pokemon, Tenchi Muyo, Ranma, Inuyasha. I basically wanted her to have Goku vibes (his wide dark eyes, his big smile, his open and easy personality) but with Inuyasha's hairstyle (she originally had long hair).
But then the story changed; it wasn't about a demon being summoned in a silly slice-of-life story but a Spirit getting lost in a magical modern era, still very much slice of life.
That ultimately shifted Sakura's design into something more athletic; football specifically. I wanted her to keep her dorky traits but pair it with the popular star athlete trope, so she became leaner, taller, and more "top heavy". She also became more oblivious; she remained sweet and friendly and outgoing, but in turn she didn't understand when someone liked her. In fact she was later canonized to be asexual originally didn't have romance planned for her character.
Fastforward to now: the story of F&F has changed again. While the core remains mostly the same (found family), it ironically shifted into something much closer to one of the earlier concepts of the story; something more serious and not slice of life, something that focuses more on the good and bad of a world instead of being predominantly lighthearted. So with that change the characters had to get a tune-up to their characterizations. Sakura received the biggest change, I think.
Her core remains true: she's relentlessly kind, expressive, a dork. But I decided to make that her biggest strength and her biggest flaw, as well as making her loving personality be conflicted by how the world views her by changing her appearance. That's how we get current Sakura: she's kind, she's loving, she wants to help others. But people think she's a threat, a ticking timebomb, because of what she is. So her once open smile is now more manufactured, a wall to protect herself, a farce to try and make herself look less like a threat. She's now a pushover; she can't establish her boundaries without it being misinterpreted as being aggressive, so her coping mechanism is to grin and bear it. She can't get visiblt upset or angry, so she has to fight for calm to have even the smallest chance of being listened to. She's "nice" because it's all she's allowed to be.
Hence her appearance change! She is now the largest character in the main roster, the physically strongest. Her smile is now "tainted" by sabre teeth she can't hide, her size contradicts her gentle nature.
It's late for me so I'm sure I forgot a few things but that's what I got for now! If you're interested I could show older concept work of Sakura to illustrate how she looked then vs how she looks now too. But ye! Thank you so much for asking about my character! 🥹🙏
125 notes
·
View notes
Text
Ever wonder what would've happened if The Owl house aired in 2013?
That's right.
We would have had an OWLSTUCK.
They would've been rendered accordingly and there would've been a short-lived comic spoken of fondly by both fanbases.
Anyway here are some kids and their classpects.
Luz Noceda - Page of Light. Duh. Most obvious one on this list. You *could* make a very strong argument for Page of Hope too, but aside from her name literally BEING Light, I think it fits a bit more. Too bad you can't multi-aspect. Though let's be real, if anybody COULD, it would be Luz Noceda, so who knows, maybe that's her special Snest (in-world Sburb variant) given gift.
Amity Blight - Witch of Breath. Breath is a lot to do with one's self in the sense of self-actualization and understanding. She needed a lil help getting there but I feel Amity fits this quite well!
Willow Park - Mage of Life. In Homestuck, Life as an aspect is most closely tied to healing, but it can also be quite literal, as we do see Life aspected characters resurrect dead friends. I think if any aspect would allow one to wield life in the most literal sense via battle plants, it'd be, well, Life!
Gus Porter - Seer of Mind. This is a class and aspect wombo combo that fits him to a goddamn T. He's far sharper about others thoughts and natures than people think, including himself. Learning to trust in his intuition is his arc. He has a pretty good grasp of others, even if he does tend to try to focus more on the good bits than the bad, even when the latter may be pertinent.
King Clawthorne - Prince of Blood. Literal royalty in name and nature, with the Blood of the Titan running through his veins whether he realizes it or not. A Prince is an active destructive class with incredible offensive capability, one that destroys its aspect or through it, in this case, Blood. As a Titan, that potential is there for King. But we know the little guy wouldn't use it unless he had to. Right?
Hunter - Heir of Time. Of all the characters, no one fits the aspect of Time better than Hunter given his relations and just how many of him have existed throughout the ages. And as for Heir, I mean, could it be any more obvious?
Vee - Sylph of Space. Conceptually, Space means a lot of things in Homestuck, and is seen by the fandom as one of the "fundamental" aspects. A common theory is no game has a potential to win without both a Space and Time player. But one thing Space represents is Form and Boundary. It is the amorphous stage the play of reality is set upon. What better for a shapeshifter? Sylphs are essentially a Healer class.
Masha - Rogue of Doom. A Thief steals for their own benefit, and a Rogue for the benefit of others. Masha Stole Doom from the entirety of her Reality Check Summer Camp crew, *especially* Vee, giving her her very first friend, potential crush, and a new home and lease on life.
The Collector - Lord of Void. He is Everything and Nothing and can create or uncreate both at will. The Lord embodies their aspect to the absolute. They are a Master class, all-powerful and uncontested in their domain. He is a leftover from a previous game of Snest, one played between just two people, the other, of course, being...
Papa Titan - Muse of Life. We've never seen an adult play any variant of Sburb. But to deal with the Collector and his games, I think he may have had no choice. A Muse, too, is a Master Class, but far more passive. The Titan is how all life in the Demon Realm exists. The Titan *is* the Isles. How much more Life-aligned can you be? And as effectively just a corpse at this point, obviously, he's pretty passive.
Emperor Belos - Knight of Rage. A perfect mastery of his aspect to both directly harm and to manipulate, a truly terrifying foe. Again, adults aren't normally players, but, you better believe he's the reason this whole damn apocalypse happened in the first place.
Boom wrote that up in like 20 minutes, welcome to my special hell.
If by chance somebody actually *likes* this and wants more for some godforsaken reason, I'll give the kids a strife specibus too.
#Toast Talks#The Owl House#TOH#Homestuck#Sburb#Owlstuck#Snest#Hexsquad#The Hexsquad#Papa Titan#TOH Collector#King Clawthorne#Classpecting
68 notes
·
View notes
Note
Have you ever done any world building or storywriting, accompanied by drawing? If not, is there anything similar you have conceptualized mentally but haven’t yet put a pen to?
I have!! One of my better fleshed-out worlds is an Urban Fantasy story called Greenport, the name of the fictional american city in which most of the events take place.
It's not all that groundbreaking a concept - it holds the classic trope of supernatural beings and elements existing in secret alongside the mundane - but I think I managed to think up a coherency in the way the universe functions that makes it grounded in a pretty realistic way. I have a whole (but simplistic) 'encyclopedia' I started writing on my discord server to explain exactly how it works, of which you may have a sneak peek until I finish it properly:
This is the very basic rundown of the universe, and I go more in-depth in those links about each of the realities, which themselves usually have more links wherein I give details about the species from those worlds, so on and so forth. I love overexplaining details sometimes.
My main characters for this story are Marc and Pernelle, a demon and its summoner to whom he taught the secrets of alchemy. I love them to bits. Marc has a True Form that I had shown you a while back!
My issue with storytelling is that I feel pretty good at imagining universes and characters, the way they work and evolve within their environment... But I feel very lacking when it comes to crafting solid and specific scenarios. I'll tend to have overarching themes and directions, some specific scenes in mind (often 'the cool factor' or 'big character evolution moments'), but building off that into something that would actually function as a Proper Story to share is much more difficult. No matter the format!
But until, if ever, I manage to build this story in a solid enough way to become the novel I imagine it being, I've made it into a universe for my friends and I to play with, in a roleplaying server. It's been dormant a while due to me getting busy with life and all, but... I do have plans. I just have to tackle them and bring it back to life eventually ♥
#asks#greenport#ocs#mine#thank you so much for your ask racc!!#i always love rambling about my stories and characters. it's a lot of fun#imagining worlds is so satisfying although I don't make up that many original stories#i tend to have a flash of genius once in a while and then i'll feed off that same one for a long time#it suffices for me#i miss you greenport i must work on you again#anyway this is my more 'serious' stuff on my art blog that's currently buried under my more silly hyperfixation#i hope you forgive me for it LOL
10 notes
·
View notes
Text

yoooo! i'm rocket (she/her) and this is my manic pixie boy... man... pyro? idiot? callum, who is absolutely named after calum hood from 5sos i have a few pages up for him at the moment but this post may be better served regarding initial interesting in plotting! i do prefer d*scord for plotting just an fyi; feel free to like this post and i'll send you a dm to connect! ♡
tw: mentions of domestic/physical/familial abuse, accidental death
yes he DID forget how to speak korean when he got to ansong. yes he spent a week literally not being able to understand/read anything around him (this would be a fun plot for anyone who has a muse who speaks eng!) and i don't know how he did it. but one day he woke up and he could just suddenly understand everything again so he's ok now
is from sydney but doesn't remember that now. there's a picture of the sydney opera house on one of his mementos
came from a household with a very strict father and mother with little backbone; as the older son he was always being pressured to be amazing by his dad and would get hit when he didn't meet his father's standards (and then really started acting out as a result, but we'll get to that)
SUPER IMPORTANT TO KNOW: callum has a sister who is 2 years younger named callie and they were super close and i would love if someone brought her to the rp hello 2nd muse idea for y'all !!!
so once his dad really started laying on the trauma lol, callum began his rebellious era — literally just saying fuck all to his grades at school, hanging out with shitty people, getting involved with things he really shouldn't have
got arrested at 17 the spring before his high school graduation, father knew people in the city to get them to let him off with a smack on the wrist but nearly got his ass beat
father banished him to go live with his uncle in korea for the next decade. had a really hard time adjusting at first because his korean sucked. did some odd jobs, tutored english, wanted to be a cop but he couldn't because he wasn't technically a citizen so he actually started training to willingly enlist in the korean military
this happening while he was visiting aus for his bday: he just turned 27 this august so right before his frontal cortex stopped growing he thought it would be a great idea to set off illegal fireworks while was rly drunk with his friends... yeah ok buddy. ends up, i shit you not, "dumb ways to die" accidentally k*lls himself AND HIS SISTER with the fireworks striking them both. i swear this was more tragic when i was first conceptualizing him but writing this out now it's so stupid fjkdhfjkgf
except now on the bright side, he's dead but gets to be a firefighter! oh the irony
persona
personality wise he's like a pretty cool dude. fun to chill with. really likes fires. is calm and cool and that friend that always knows the right thing to say except he's got a lot of demons in him that keep him in his head a lot but is so frustrated because he can't even figure out what the demons are. loves his job. super into fitness and staying in shape. makes lists for everything. slightly neurotic. really wants to get a dog. left-handed. may come across as hard to read at times. nolan fanboy. good taste in memes but bad tiktok taste. only dresses in black/gray/neutrals outside of his work uniform. surprisingly makes banger charcuterie boards
tl;dr
childhood traumatized man accidentally k*lls himself and his sister
potential plots
someone who goes to the same boxing gym as him and maybe they have beef about something pretty juvenile? LMAO
one of your kitchen appliances catches on fire and you're too scared/embarrassed to call 119 so instead you run down to the third floor and make callum handle it instead
someone to go with him to one of the events posted on the community bulletin!!!
for females: callum meets you for the first time and when he does he gets deja vu. he feels like he's met you before (it's all his subconscious trying to push out his memory of his sister callie)
for males: someone younger he treats like an older brother (again, his subconscious longing for his sister)
#𝐨𝐨𝐜.#𝐢𝐧𝐭𝐫𝐨.#i feel like i'm forgetting a million things JKDSFHGFD but we'll work with what we've got!!!!
9 notes
·
View notes
Note
I ADORE your ss with Eddie. The whole camp counselor si is such a cool and classic concept!! Y'all are just cute af in general, I need more content of you two!!! I love how it was so unexpected between you two and it just. HAPPENED. Just went w it! -soulnottainted
THANK YOU KELSEY !! hearing that from a fellow hhn shipper means the world to me 💕 theme parks (and their haunts) have always been such a passion of mine; combined with my love of horror and the slasher genre its not a shock im so into eddie 😔
rambling about them under the cut!!!
for my s/i, i liked the idea of subverting the classic slasher at a summer camp trope...it only made sense for eddie, who wanted to become a slasher on par with the movies, to want to have a "final girl" for himself, hence my s/i was conceptualized! originally, the ship relied much more on the "slasher falls in love with the one that got away" vibe but over time i developed them into more of an icon themselves!!
i suppose in the "canon" storyline, they keep that origin, being kidnapped by eddie to become his final girlboything, but after some gloating by jack, eddie keeps them alive out of spite... they eventually find a mysterious lantern in the basement of the cabin they're getting held at and upon inspecting it, they find themselves waking up days later. eddie remarks he thought they might have died (jack expresses his disappointment at seeing them stir), and about how pale they look, how cold they are to the touch. turns out being covered in the blood of your friends and touching a cursed lantern that may or may not hold a demon inside might have triggered some kind of protective curse that they now bear. also, the lantern seems to have disappeared. weird.
but yeah! now they haunt the campgrounds they used to work at as some sort of immortal menace (this is the concept for their theoretical house/maze/scarezone) and might be kissing eddie on the side, you know since they're kind of a vengeful murderous undead thing now.
jack makes a hobby out of finding new ways to 'kill' them, since they'll always come back anyways. it always pisses eddie off. LOL
5 notes
·
View notes
Text
i dont think that ill ever stop quietly being a bitch about warcraft lore tbh. world of warcraft ruined everything it was so cool before that. im not nostalgic youre nostalgic. i may have only played a free trial for a handful of hours when i was a teenager but LOOK. listen. in warcraft 3 they gave the lore a lot more depth and made it a lot more interesting and added two new factions, right. only to IMMEDIATELY turn around and go like okay fuck four factions despite all the lore we just set up. shove those guys into one of two boxes no matter how little sense it makes we cant have nuance in our new game which is conceptually about exploring this world we've created in a lot more personal detail with your friends. it has to be red team vs blue team and the blue team is always the good guys no matter what. what do you mean we established that the half of the world in which the blue team comes from was overrun by a literal demonic invasion
#fungus ramblings#ive been an rts fan since i was a kid i have opinions do NOT get me started on how blizzard fucked up starcraft so bad#also frankly blizzard very clearly wants to eat their cake and have it too in a lot of ways i wont get into now but suffice it to say#deeply frustrating for me!#alas. i keep checking in on the lore every so often bc i still like and play wc3 and its one trainwreck after another for 20 years 😭
2 notes
·
View notes
Text
Anyways I spent like four hours straight playing the new slime rancher, so here’s what slime I think every VT character I can think of (in alphabetical order to prevent perceived favoritism <3) would be and why! I am including largos, the tarr, secret style pack slimes, and slimes from what we currently have from the second game, but not gordos! :
Aimee : Phosphor-Nightshade Slime!
She has done nothing wrong in her life ever, but her presence is easily associated with chaos or danger. With this in mind, this choice was primarily because Phosphor slimes appearing at night causes a significant uptick of Tarr outbreaks, and the Tangle slimes are very cute, but can be very dangerous if you ignore them. Plus, I associate Aimee with roses.
Alberto Guppy : Puddle Slime
He’s just a little guuuuuy he can do no wrong, look at him! (Scooping puddle into hands) LOOK at him!!!
Bad Texture Bronson : Pink-Rad Slime!
I think it’s interesting that he might have worked for Darth Calculus in secret while working with the original PIE team. As a result; a slime that looks very basic and harmless, but is actually actively killing you the longer you’re near it.
Billy Acachalla / Ernie Ghost / The Toilet Toucher : Honey-Monochrome Slime OR Angel-Monochrome Slime!
Billy tends to attract the worst chaos to him, and has abilities he can’t quite control beyond comprehension. I’m using Quantum’s special style to reference toward the TT’s lab coat and white hair, since Billy isn’t known for a yellow palette. Did you know that honey slime plorts attract other slimes, increasing the risk of Tarr? Because I didn’t! It’s because of this that I couldn’t decide if I wanted to go with a reference to the bird wings, or a reference to how all of his “friends” go berserk.
Cardboard Friend : Angler-Ringtail Slime!
They lured and heavily traumatized a child and possibly killed his dad to do it all while being an inanimate object no further comment.
Chakalata Soup : Tabby-Boom Slime!
Spooker’s “Oh, that’s just my dad checking on me!” When seeing a room full of fire and dead people really stuck with me, okay? Also, I’m mixing Spooker’s family up with cats because I think it’s cute… and fits his gravitation to an evil cat demon. Chakalata especially I think suits the idea of something that’s equally really dangerous and really friendly, making it complicated when deciding whether you want it to be around you or not since its level of danger can flip on a dime.
Charlie Keller : Sparkly-Dervish Slime!
Sparkly slimes are just reskinned pink slimes and dervishes may be able to fly, but they mess up everything around them to do it. What more is there to say about Action Charlie, the guy who convinced himself he was the chosen one?
Chris “Colon” Ghostie : Flutter-Arcane Slime!
The flutter slime is from the second game, and the arcane slime is the boom slime’s secret style, but I think it works when I picture it in my head. The flutter slimes are incredibly curious, and are so chill that the game actually suggests letting them free-roam… and the arcane slimes are named after magic. That’s all it is for me, even though I know that Colon liking magic is just a me thing.
If I had to remove my interpretation of the character, I’d say Flutter-Rock slime. Flutter slime stays because I remember Colon being incredibly interested in most things PIE explored, but the Rock slime because he’s absolutely the most grounded member of the entire cast.
Dark Pit/Agent Angel : Angel-Batty Slime!
I decided to combine the two because I thought it made sense and made both characters more compelling. However, I do not know what a Phosphor-Batty slime looks like, much less an Angel-Batty slime (which are not currently possible to make), but I think it fits them conceptually!
Darth Calculus : Nebula-Mosaic Slime!
Incredibly destructive to everything around him while walking away unharmed himself, able to hurt others around him through implicit influence, and actively lures people into trusting him for no reason. Also the parent of a man who is heavily associated with fire.
Emmie Soup : Hunter-Boom Slime!
… Maybe it’s just mean to make the person who’s body was destroyed by a nuke into a boom slime, but I think it works. I’m throwing in the Hunter slime both to differentiate her from her dad, mark her attitude being pretty salty, and to connect her to her daughter later down the list (Poppy Soup)
Fred “The Spooker” Soup : Pink-Tabby Slime!
He’s a cute but really basic guy! Nothing weird about this guy at all! At All!!!!! In all seriousness, I think it’d be kind of interesting if Spooker was one of the most basic slimes in the game while also having an incredibly horrific family!
Gavin Toast : Crystal-Phosphor Slime!
Giving the Toast family the Crystal slime because the spikes on it are referred to as a “crown”, and giving Gavin the Phosphor slime because they’re more fragile than they look and, similar to Aimee, is inadvertently associated with danger because of the circumstances they can appear in. I would do Royal Jelly, but considering none of the toast siblings embrace the idea of royalty, I feel like it would work better if their ‘crown’ was actively dangerous and unremovable.
Gertrude Acachalla : Tiger-Honey Slime!
I don’t think there’s any good way to directly translate a slime into “mom vibes” but I’m trying my best lol… I think she’s a sweetheart who happens to be scarier than she may look on first glance.
Goober : Fire Slime!
I think he’d be a fire slime and he’d LOVE it. What more do you need than to constantly be arson itself??
Gregory Gregory. Gregory : Angel-Nebula Slime!
Bird Alien From SPACE I make my case your honor.
Higglydiggly Hogan - Quantum-Cotton Slime!
I was only thinking about the clone thing with this. I don’t know what else they do for the most part, but I think this combo captures it well.
The Housekeeper : Tarr!
A completely destructive force of nature, what better to represent who is likely the god of Chaos?
[And Now… The infinite J-Names…]
James Maloney : Pink-Angel Slime!
The man may be a bird alien, but he’s otherwise a pretty normal guy! Had no idea what he was or how odd he was until it couldn’t be denied anymore!
Jenny Ghost : Flutter-Ringtail Slime!
Jenny Toast : Rock-Nightshade Slime!
Jenny Toast (Sister) : Crystal-Dervish Slime!
Jeremy Acachalla : Feral Monochrome-Saber Slime!
Jimmy Casket : Feral Cheshire-Batty Slime!
Johnny Ghost : Batty-Hunter Slime!
Johnny Ghost Sr. : Batty-Ringtail Slime!
Johnny Toast : Crystal-Boom Slime!
Johnathan Toast Sr. - Feral Rad-Crystal Slime!
Johnny Roast : Fire Slime!
Jose Jose Jose Jose : Feral Angler-Sloomber Slime!
Josh Keller : Twin-Nebula Slime!
Katrina : Quicksilver Slime!
Kermit the Claw : Feral Saber-Cheshire Slime!
Lily-Friend : Angler-Heavy Metal Slime!
Maddie-Friend : Tiger-Nightshade Slime!
Not currently achievable, since the Tiger slime is the Tabby’s secret style from the first game, and the Nightshade slime is the secret style for the Tangle slime, which can reach out and grab things with plant tendrils… All the more limbs to hug Billy with!!
Maxwell Acachalla : (Feral) Saber-Quantum Slime!
Papa Acachalla : Saber-Honey Slime!
Peewee Ghost : Sloomber-Tangle Slime!
Prince Fang : Angler-Nebula Slime!
Angler bc mind control, Nebula because Space!
Princeton Quagmire : Quantum-Boom Slime!
Ronnie Boast : Batty-Dervish Slime!
Sally Acachalla : Royal Jelly-Batty Slime!
The Royal Jelly slimes are literally Sally’s colors! Queen Sally from the Billion Year War with the yellow and crown, normal Sally with all the purple— and while she’s really cute, she can be incredibly dangerous when hungry… like another certain slime I know (Batty slimes lose hunger FAST).
Sam Maloney : Pink-Heavy Metal Slime!
Taylor Keller : Dervish-Flutter Slime!
Woah : Sloomber Slime!
It fits her colors sooo well!
Dr. Zviggles : Rock-Radiant Slime!
I started drafting this December 31st, 2022. Finished it tonight but tooooo tired to. Do the actual reasons lol
5 notes
·
View notes
Text
@mmriesoftvat &&. said... "Hey friend, might I interest you in a friendly sparring match? You look like the kind of guy who loves a good fight."
sleep paralysis demon are the first words that come to mind. truth be told, the wanderer has no personal experience with such a thing — he doesn't sleep, and only rarely loses consciousness when his body has been too badly DAMAGED to bear the strain of staying awake. yet if nothing else, he holds a basic grasp on a purely conceptual level. tales of disorienting figures lurking at the edge of one's vision — of shadows that live, of monsters spawned from the recesses of thought that prey on victims unable to flee. perhaps childe may yet be a human ( allegedly ) but the resemblance seems almost uncanny. or perhaps that's merely a side-effect of the HEADACHE pounding ever harsher at his temples; his skull feels more akin to a drum, and it's making it hard to think.
❝ ... ❞ he is reluctant to agree for a myriad of reasons — beginning with abilities unbefitting of his self-proclaimed title as just a humble wanderer and ending with not wanting to give him the satisfaction. he probably won't be able to get rid of him if the spar proves too exhilarating — and ren would sooner send himself through irminsul a SECOND TIME than throw the fight. his pride and common sense are tearing each other to grotesque shreds. his headache is still getting worse. he has presumably been staring at childe for far longer than what would be considered socially acceptable — yet it has been centuries since ren last felt compelled to follow proper decorum when he didn't absolutely need to, and it will be centuries more before he even CONSIDERS changing that.
❝ i'll pass. ❞ the wanderer finally says. ❝ i left my SPARRING HAT back in the teapot. ❞ it certainly is an excuse. not necessarily a good one.
#mmriesoftvat#𝟎𝟎𝟗 : 𝘴𝘵𝘰𝘱 𝘵𝘳𝘺𝘪𝘯𝘨 𝘵𝘰 𝘮𝘢𝘬𝘦 𝘵𝘩𝘦 𝘧𝘢𝘯𝘥𝘢𝘯𝘨𝘰 𝘩𝘢𝘱𝘱𝘦𝘯. ◟ crack .◝#( SKJS HELP )#( i would love to do a serious thread with these two at some point )#( but my heart said shitpost hours )
4 notes
·
View notes
Text
Episode 86 Transcript: I’m Not Doing Revenge. And Neither Are You.
[intro guitar music]
G: Hello, it's Grey.
C: Hello, it's Crystal.
G: And this is Busty Asian Beauties, a Supernatural commentary podcast where I, someone who has seen this show several times...
C: And I, someone who only knows the show through social media, discuss every single episode of Supernatural from start to finish. Also, we are both Asian.
G: Both Asian! For today's episode, we will be discussing Season 5, Episode 4: "The End," written by Ben Edlund, directed by Steve Boyum.
C: Ben Edlund’s tirade against women in general continues on, I see.
G: Continues on. When will it ever end? A question of all time that we will find out-
C: Yeah, we'll find out. How long does Bedlund stay on? Like, he doesn't have a Season 15 episode, right, does he?
G: Oh, of course not. He's until Season 8, I think, because I'm pretty sure he wrote the last episode of Season 8. [C: It says he wrote 8.21 but I don't think he wrote "Sacrifice."] Oh, so not 22. I thought he wrote "Sacrifice," but I suppose "Sacrifice" is a Jeremy Carver because it's a Carver season. [C: Yeah.] Thoughts? Prayers? etc. [laughs]
C: Okay, I thought that the trajectory of, like, "This is a whole thing trying to convince Dean to say yes to Michael, and the lesson that he takes away is that he should talk to Sam again" is, like, nice. I hope that Endverse!Castiel gets beaten to death with, like, a bunch of raw fish. And yeah. [laughs] Those are my thoughts.
G: I do think this is a very interesting episode, but for the reasons that you mentioned last episode that you said you would not like it for, which is that "I don't care what the characterization is because it's Zachariah's conceptualization of the future instead of what actually happens," like, "This is Zachariah trying to convince Dean of something." But looking at it from that lens, I actually do find very interesting. Like, for example, the Cas thing. I don't think Cas would end up this way. [C: Yes.] But it's interesting that Zachariah thinks- not that Cas would end up this way, but that showing this to Dean will change his mind.
C: Yeah, I mean, it's 'cause Dean, like, he knows what Dean's views towards addiction are via Sam and demon blood. So it's like, "Well, Sam has to be Lucifer. Who's like, the next closest guy that we can do this to?"
G: No, but, like, it is fascinating too because Cas didn't need to be there, I think. Like, it's fascinating that Zachariah one would put Cas there.
C: I think he's playing on Dean's guilt about being the cause of [overlapping] Cas's powers, yeah, going away.
G: So it does matter to Dean that Cas is there? Like, 2009!Dean. 'Cause he looks for him. And I mean, he looks for him for powers-
C: Cas is the guy whose life he ruined the most recently.
G: Yeah, but I guess because they've been, like, very buddy-buddy with each other, I never really stopped to think about it that much. That, like, perhaps Dean is guilty about this. And also because Dean is just in a generally hapless, hopeless situation right now that I did not think it matters that much to him that he ruined Cas's life because, for all he knows, he's ruined everybody's life. [C: True.] But this episode, I feel like, cements that Dean really does give a shit about this. 'Cause, you know, we go back and forth. It's like, I mean in 5.01, he's like, "[teary] Oh, you killed my friend Cas!" And then 5.03, he's like, "Okay, you gonna die? Good. Let's go out." [C laughs] So here, I feel like this is the part where I'm like, "Oh, okay, no, he does care. It's just he is also in a very hopeless situation, that it may be difficult for him to act on it or for us to see it. But he does care that this happened to Cas."
C: But, I mean, what is that- how is that- What does it mean for him to care, though? 'Cause, like, it's just guilt because of his direct involvement. Like, that doesn't necessarily say anything about how he feels about Cas.
G: No, I mean, what I'm saying is, I didn't even buy that he was guilty for a while. [C: Mm-hm.] I was, like, "It was just what happens." And I mean, he felt sad. But feeling sad is different from feeling guilty, I believe. I don't know. I think it's a good insight on Dean's character to realize that there is this feeling of personal responsibility for Cas. Because that is something we've been saying last episode, also. That, like, he doesn't feel responsible for Cas in that way, and that's what makes it quote "work." But it's like, well, he does feel it a little bit. And I suppose that's just what happens.
C: He feels responsible when, like, Cas does something that Dean pressures him into doing, and then it causes consequences. [G: Yeah, I suppose.] But he doesn't feel responsible in terms of, like, [G: Day-to-day.] "You can run off to get killed by Raphael. Like, that's not my business. It's just when you do something I want you to do, and then it turns out badly, then I feel guilty." That doesn't really feel like responsibility for Cas.
G: That's true. He's not here being like, "You shouldn't do that, Cas!" [both laugh] He's just like, "Oh, okay." I don't know. I understand now why people are fascinated by this episode. I'm still not buying it. Like, after this-
C: I don't know why people are fascinated by this episode at all.
G: Yeah, but you hate Supernatural now, [C laughs] so you don't care about anything. [laughs] But like, me, this episode has always been just, like, "I don't understand why people like it. I don't really see the appeal that much." And I suppose I still don't see the appeal as much as other people would, but I get it now. Like, if I was someone who would be the target audience for this kind of episode, I'll be really into it.
C: Yeah, if I was more a consumer of, like, post-apocalyptic media, [G: Yeah.] I would understand the need to see characters in that situation. But I think that's where my understanding starts and ends.
G: Yeah. I mean, [laughs] we'll get into it, I think. Or maybe we won't. I'm not sure. [C laughs]
C: I did like this episode. I know I'm sounding very negative. I think I had a more fun time this episode-
G: What did you like about it? The path of like, Dean's conclusion, you liked that?
C: Yeah, I thought that that was nice. Yeah.
G: I do think- I mean, this is not a Sam episode, obviously. But I think it's a Sam and Dean episode, primarily, of course. [C: Yeah.] Which was surprising to me because I thought it was just gonna be a Dean episode, so that's fun.
C: And the Tumblrinas are under the impression that it's a Destiel episode.
G: I think it is also a Destiel episode, obviously. [C: Huh. I don't.] But I just- in the comparison of "Dean" and "Sam and Dean," it leans more on the Sam and Dean side. And I think it is a Destiel episode. Like, I think there is something here- Well, first of all, what do we define as "Destiel episode"? [laughs] I think we have already had this conversation. [C: Didn't we already have this conversation?] But I forgot. I forgot.
C: It's an episode where their relationship is the central point.
G: Oh, okay, it's not the central point, but I think it adds to the flavor of the relationship. [C: Yeah, it's like a D-plot.] Like, they're cute. They're cute, you know? [laughs]
C: Like, in the in the two conversations that they have in the present day? [G: They're cute!] Cas is cute. I agree that Cas, [both laughing] who uses they/them pronouns sometimes, is cute. But yeah.
G: No, they were cute! I mean- It is fascinating, though, because in that scene, I was like, "I don't really care about this episode that much. Let's press play." And then Cas is in that fucking side of the road, covering his ear, going, "Sorry, Dean! I can't hear you!" And I was giggling, twirling my hair. And I was, like, "Oh, maybe I do GAF." You have mentioned what you knew, right? Or have you not? [C: No.] Well, mention it.
C: Okay. What did I know about this episode? I knew that Cas was gonna say, "This isn't funny, Dean. [both] The voice says I'm almost out of minutes!" And that there would be the "I'll just wait here, then." [G: That's what he does.] So true. Yeah, and then that the main plot is that Zachariah shows Dean a potential future where he says no to Michael but Sam says yes to Lucifer, and Dean's the leader of some camp, and Croatoan and has taken over everyone, and Cas lost his grace and is addicted to prescription pills, and has orgies and lies about being some kind of shaman to get women to fuck him, and he agrees to die- Okay, what I thought was that he agrees to die for Dean, no question, but in fact, this was kept from him, so he did not really.
G: No, I think he does. I think he does know.
C: I think that he knows, but I don't know if Dean thinks he knows.
G: It's implied because he looks there. He looks with the thing, and after you see his face, and it's like, "Well, he knows he's going to die." [laughs] I think, to me. And also, he does point out immediately that, like, "Bad idea, we're gonna- it's reckless." And, I mean, that line combination of "If you don't want me select 'reckless,' maybe 'insouciant' could work." And then Dean goes, "Are you coming or not?" Then he goes, "Of course." And it's like, "Well, okay. Slay."
C: I don't know. People just say that in, like, action movies, though.
G: Yeah, but they're not gay like Dean and Cas. [laughing]
C: It doesn't mean anything. [laughs] I don't know. I just- I don't know what genre Cas thinks he's in, so I can't really- that fake!Cas thinks he's in, so I can't really speak for him.
G: Yeah, again, I don't really think of this as, like, Cas and Dean. Like, future Cas and Dean.
C: Like, we see Cas when he loses his powers in Season 9, and he's not like.
G: Yeah, no no no. It interests me, not in them, but in how present day Dean is seeing it. Like, his seeing Cas just be like, "Okay. Let's go on a suicide mission," blah blah blah. But, I mean, Cas did go on a suicide mission last episode, but I feel like there's a difference. But yeah, whatever. Let's get into it. Oh, yeah, you're still-!
C: And that- yeah, Endverse!Cas says he likes younger Dean better in some kind of a scene, and that when we see Lucifer in Sam he's slaying in a white suit and there's like, a red rose involved, and he kills Dean by stepping on his head and snapping his neck, and then when Dean comes back, he tells, Cas to never change. Those are the things I knew.
G: Did you know, even, that Sam was gonna call and say-
C: I did not.
G: Interesting. Yeah, I also did not. [both laugh] I am so sorry, everyone! [C: "And I, someone who has watched Supernatural many times..."] No, because the thing is, like, in Seasons 1 to 3, I was saying, like, "These are not the seasons I cared about, so I recall nothing about them." [C laughs] And I mean, it was kind of true. [C: And now we're in seasons you care about-] And then we go to Season 4, and it's like, "I only recall the scenes with Cas in them, and maybe the scenes with Dean in them. So what does that say about me?" [C laughs] [C: What does that say?] What does that say? Does it mean I don't care about Sam? Well, obviously, I do. Or do I? [C laughs] Which is the question in everyone's head.
C: Yeah, yeah, there's 10 Discords dedicated to this debate [G: Exactly.], and they're furiously typing right now.
G: Exactly. Well, let's get into the episode. We have a flashback sequence, that's all- that's to "Croatoan," right? Oh, the Colt, too. We're bringing up the Colt back.
C: I think the only part that was funny to me was that they continue to do the "Maybe it's best we just go our separate ways" voiceover [G laughs] over scenes that aren't Sam leaving. This time, they put that voiceover-
G: It's like they didn't even hear you complain about it last episode!
C: I know! I know! Like, hello? We're like, the premiere live reviewers of Supernatural [G laughs] and, like, they change the show every time after our episodes come out, 'cause, like, they want to make us happy. But yeah, no, this time it's over Sam standing in the road at the end of 5.01-
G: Has it been 15 years since this episode? [laughs] [C: Yeah.] It has been! Well, it's been 14 and something, because this came out in October. [C: Yeah, it was October, and we're in March right now.] Yeah, we're the live 14-year-later reviewer of Supernatural! [C laughs]
C: Mm-hm. Exactly. Is it just the visual Sam getting into a pickup truck with a random guy too confusing [G laughs] 'cause people are gonna think that the random guy is relevant? Is that what it is?
G: Yeah, they think Sam's gonna get stranger dangered, or whatever.
C: Oh, I was going with the roadhead option [G, laughing: Noo!], but that too.
-
G: We start with Dean getting out of his car into to go into a motel. And this is like a- He's in a city, which is fascinating to me. I feel like when we think of motels in Supernatural, it's always, like, side of the road, there's nothing on both sides, so seeing it in the city is pretty fun for me! Yeah, there's a guy outside who is a Bible-thumping guy. Literally thumping a Bible, I think. [C laughs] And he is holding this flyer that's like, "Have you thought about God's plan for you?" And he asks Dean about it. And Dean goes, "Too freakin' much, pal!" And the guy just looks at him, like, "Huh." And so Dean enters the motel. There is a nice follow-through to this because in 15.16, I think, is what it's called- whichever episode it was that Cas beats Dean up, Dean calls the fucking angels via guy who was, like, Bible-thumping also. [C: Interesting.] And I thought that was fun, like, that thread was fun, even the first time I watched it. Is there commentary to be had here that they're entering the "fringier sides of Christianity," as Zachariah said earlier? [C: I don't know. What's the commentary?] [laughs] No idea. I feel like it's not my place.
C: I mean, as an atheist, it's very much not my place. [G, laughing: I feel like it's more your place.] I have no clue what Zachariah meant by fringe Christianity. Like, Jehovah's witnesses? Is that what- I think Dean calls the guy a Jehovah's witness later. [G: Does he really?] All I know about Jehovah's witness is that Troy Barnes on Community is supposedly a Jehovah's witness, [laughs] so I can't help you out. [G laughs]
G: Well, I feel like it's holding the quote "fringier" parts of Christianity is better for an atheist to do than a Catholic to do [laughs], is something is my humble opinion.
C: Okay, [laughing] 'cause I have no power in the Christian world over fringe Christians?
G: Like, I have no power over the American Christian world [C, laughing: Yeah.], obviously. But there are, like, sects here in the Philippines of Christianity that I feel like it's not my place, so, [laughing] whatever, let's proceed. We have a very cute scene, I think, to me. Crystal thinks it's cute for Cas reasons only. [C: It is.] But yeah, Dean and Cas are calling. Yeah, Dean brings up that they're talking about the Colt. So they're looking for the Colt again. Didn't they bring it up in 5.01? Sam brought it up.
C: Yeah, I mean, Sam said that we should find the Colt, and Dean was like, [G: "I don't give a shit, so."] "Who give a fuck?" [both laugh]
G: And now he's like, "Okay, slay!"
G: I mean, Cas wants to find the Colt, I guess. Cas also brings it up in 5.02, right? 'Cause he's like, "I'm talking about, like, your plan to kill Lucifer or whatever. Well, no, we have to find God to do it!" [laughs] But I guess Cas is now like, "Fine, okay. Let's get the gun." [G laughs]
G: Yeah. But Cas can't hear Dean because he is standing on this side of a road, and there's a big big truck passing by, and it's making his audio quality quite bad. And he just goes, "I didn't- I didn't- I didn't get that!" And Dean is giggling, twirling his hair, and he goes, "You know, it's kind of funny, talking to a messenger of God on a cell phone. It's, you know, like, watching a Hell's angel ride a moped," just like in the "Bless the Telephone" AMV. What a wonderful video that is. "This isn't funny, Dean! The voice says I'm almost out of minutes!" [C exclaims] And yeah. So Dean is insisting that the demons wouldn't keep it because it could kill them, and they probably melted it already. But, I mean, it could kill the devil, so Cas says, "Let's do it! This is how we do it."
C: He calls killing the devil an "insane task." [G: He's trying to look for God!] Was this his attitude last time? Is it just 'cause the God thing is getting him down?
G: I mean, I don't think he- they ever really talked about killing the devil. More of just finding God. And maybe to Cas, it's like, "You can find God. But you can't kill the devil."
C: Wait, but Cas wants to find God to defeat Lucifer.
G: But there's a difference between God defeating Lucifer and Dean Winchester.
C: Okay, so it's just, like, "Dean, you, personally, are incapable of killing the devil, [G laughs] but as a goal, it's fine."
G: Yeah, maybe if he was talking to Sam, it would be a different conversation. [C: Very true.] Dean goes, "Okay, so where do we start?" And Cas goes, "Where are you now?" And Dean says "Kansas City," [laughs] and then he leans over the bed, like, across the bed,and gets the key on the desk, and it says, "Century Hotel room 113." And what a visual. Am I delusional for thinking this? [laughing] Truly a visual.
C: I have no idea what you're pointing out as a visual.
G: [laughing] No, like, he's on a call, and he's telling Cas what motel room he's in, and he's leaning over, like, the bed like that. [C: Sure.] And I was like, "Well, that looks pretty gay. Does that not ping their 'this looks gay' radar?" which we know they have.
C: [laughs] Yeah, no, I tried to find a source for it, and Misha Collins said it at a con, and it wasn't the producers. [laughing] It was Kim Manners, [both laughing] the late Kim Manners that he was accusing of homophobia at a con, and I think that's so funny!
G: Kim Manners is dead now! At this point, right?
C: [laughing] Yeah. And he looked old enough in the con that, like, I think Kim Manners was dead by the point that he was saying in the con that "Kim Manners told me it was too gay." so.
G: [laughing] Okay, well, they don't have- I retract my statement. They don't have the "Does it look gay?" radar now.
C: [laughing] They no longer have a "too gay" radar. [both laughing] Sorry, Kim Manners.
G: Is this too impolite? I'm so sorry, Kim Manners and Kim Manners' kin.
C: Yeah. I mean, but okay, it was still, like, execs that said that Cassie couldn't be on top during "Route 666," [G: Yeah.] and I'm sure that those people have a "too gay" radar.
G: Exactly. This is beyond their too gay radar. It's too gay times two. Cas goes, "I'll be there, immediately!" [both laugh] And Dean says, "No, because I need to eat. I need to sleep." Well, first, he says, "There's stuff I gotta do." And Cas goes, [C: "What stuff?"] squints his eyes and goes, "What stuff?" [C laughs] But yeah, he needs to sleep. So he says, "Come back tomorrow morning in four hours" or something. And Dean closes his phone. But Cas is still talking. He just goes, "Yeah, I'll just-" and as Dean hangs up, he puts down his phone and goes, "Wait here, then." And then he stands there on the side of the road.
C: Doesn't he have the game with the snake that gets longer on his phone? Like, maybe if he knew about the game with the snake.
G: He's being dramatic right now. He's being dramatic right now. In 10 minutes, his phone will be out and he'll be playing the game with the snakes.
C: Thank god. Alright. [G: Thank god.] You were saying something about how this is a famous Destiel scene because of the song?
G: I mean, not just because of the song. It was famous prior to that already, obviously, 'cause they wouldn't make a song about it if it wasn't. But this is just in general. I think this entire conversation and both scenes, as you said, of where Cas and Dean are in present times this episode, are just famous by their own right, which is fun. I think it's fun.
C: Cas said some charming things, so I understand why this would linger. [G laughs]
-
C: So we're later in the motel room, and Dean gets a phone call, and he answers it by saying, "Damn it, Cas! I need to sleep." [G laughs] but it's Sam? What does Sam think about this? [both laughing] Probably nothing. Or perhaps everything. Who knows? [G: Who knows?] Yeah, I mean, I think Sam is preoccupied with his own shit.
G: In a headline later, Sam goes, "Dean answers call with 'Damn it, Cas! I need to sleep,' which could mean nothing." [both laugh] which is so true!
C: Yeah, I am surprised that he called Dean. This is, like, immediately after the Lucifer dream? [G: Think so.] Like, it's quarter past 4. It's the middle of the night. I'm assuming he just woke up from the Lucifer dream.
G: Yeah, I think so. Or maybe he's been, like, pondering about it. But I think it is immediately after. Well, no, he's in the car already, so he went out to drive. [C: Yeah, to clear his head or go somewhere or whatever.] Probably to go somewhere, because it might be a bit scary to have the devil in your-
C: Yeah, you'd probably want to be in a different motel room just in case he was able to see some details of the room. Yeah. Are you surprised that he would call Dean so immediately? [G: Yes.] Like, Dean has not proven himself to be worthy of trust in this regard.
G: No no no. It's not surprise, I guess. I'm more surprised at how Dean reacts.
C: Yeah, like, Dean doesn't immediately start going batshit about it.
G: I think what it is is that if Dean wasn't Michael's vessel, he'd be like, "See, Sam? You are the devil." [C laughs] But because he is Michael's vessel, and of course, the implication of Michael's vessel vs. Lucifer's vessel are different, just fundamentally, but it's the same.
C: I mean, also, the angels are just as bad as the demons at this point to Dean, given that they were both working towards the same goal earlier.
G: Yeah. And like, to Dean specifically, he says later, right? Like, "We're like the oil and fire or whatever of this Apocalypse." [C: Yeah, "We're the vessel brothers."] [laughs] Yeah, they're the vessel others. [laughs] Why did- I completely missed, like, one syllable on that word. [C laughing] One of the vessel brothers.
C: Did you say "vessel others" or "vessel udders"? I couldn't tell. [G laughs]
G: Well, one of those words could mean everything or nothing. [C: Perhaps.] The implication is different, but because Dean is implied in the same way- implicated in the same way, he's not gonna protest that much as like, that being representative of something bad. So yeah, I understand, maybe that's the logic in Sam's head, 'cause Sam does know that Dean is Michael's vessel. [C: Right. Dean's the only person in the same boat.] And it follows through. You give it a little bit of thought, it follows through, like, of course, they're going to be a brother situation also. The vessels of Michael and Lucifer. Although the way it follows through in the technical ways is still not revealed to them until later this season. [C: Mm-hm.] I also wanted to say something real interesting to me, which is that last episode- and this episode also, but it happens later. I just wanna bring it up now. Lucifer says, "It has to be you. It has to be you." Or "It has to be Sam," right? "It always had to be." They don't ever say that about Dean, don't you feel? They never say that it has to be Dean to be Michael's vessel.
C: Well, it doesn't, because it's Adam.
G: And that's true! Like, I don't know. I find that so fun that, like, with Sam, if Sam- 'cause with Dean, it's like, they just gave up on Dean at some point. They were like, "Let's just go to Adam." But with Sam, if they can't- Lucifer can't give up on Sam, I think. It literally is just Sam.
C: Yeah, 'cause I think it's the genetics and the demon blood.
G: I find that so interesting that Dean is replaceable in this way that Sam isn't.
C: Yeah. So Sam is calling Dean, quarter past 4, about something important while he's driving. We don't get that part where we just cut to a little bit later where Dean's like, "So you're his vessel, huh? Lucifer's wearing you to the prom?" [laughs] which would be such an unnatural thing to say in a real conversation if there were sentences in between. But it's just an exposition question.
G: And it is fun that he says "wearing you to the prom," and later, Lucifer is in a prom-ish outfit. That's fun!
C: Yeah, Sam says, "That's what he said." And Dean's being very casual. He just goes, "Just when you thought you were out, they pull you back in, huh, Sammy?"
G: Sam was like, "Dean, what the fuck's wrong with you?"
C: [laughs] Yeah, he goes, "That's your response?" Yeah, 'cause he expected Dean to feel a little bit of panic or something. And Dean just says that he's "numb to the earth-shattering revelations at this point." Get over yourself, Dean. Oh, "Since I'm a vessel, it no longer matters if anyone else is a vessel, 'cause I'm so special." Like, whatever! [G laughs]
G: No, I mean, I'm on Dean's side. I think the Samgirl/Deangirl divide is growing in this podcast. [C: Uh-huh.] Can you believe it? [C: I believe it.] It truly fucking is. I also believe it. [C laughs]
C: I don't know. This seems like a bad thing, and he should be having more of a reaction, or at least be trying to lend some sympathy.
C: Well, I mean, it's just, how would you do that?
C: I mean just a "That sucks and is scary" is, like, a lot better than what Dean's saying.
G: Well, I mean it does suck, and it is scary. But like, well, I mean, Dean was gonna be Michael's vessel. It's not like Sam was like, "That sucks, Dean, and that's scary."
C: He was too busy getting choked out by Zachariah! [G laughs] He couldn't talk!
G: And he was too busy being told by Dean, "I can never trust you again anymore!" later on, so.
C: Yeah. That too. I don't remember Dean's tone very well on the "just when you thought you were out, they pull you back in." Is it like, a bitter laugh?
G: It's kind of comedic, honestly. Like, just a little bit of a laugh going. Like, "Huh. Just when you thought you were out!"
C: Mm-hm. Yeah. And I mean, it is true. Like, Sam did think he was out. Like, he was like, "I'm taking this time for myself to distance myself from all the Hell shit," and then, like, the biggest Hell shit has hit him. So Sam asks, "What are we gonna do about it?" And Dean asks, "What do you wanna do about it?" which feels just like a "not my problem" statement. Like, it could be read as a nice thing, like, "This is happening to you so, like, you should be able to have first opinion on it." But Sam is asking for advice. But yeah, Dean has just seemingly checked out of all this, which I'm not a fan of, but whatever. It doesn't matter that much. Sam says that he wants back in, and that he's "sick of being a puppet to these sons of bitches. I'm gonna hunt him down, Dean." We were talking about the 5.03 trajectory with Sam, which is that the show did seem to be saying that him taking a break from hunting was him being a coward, [laughs] right?
G: Was it? I don't know. I feel like that is one of the things that is at least a little bit handled with some complexity in this season. [C: Yeah.] Like, I don't think the show was being like, "Sam's a coward." But like, also, the show kind of, like, misses the beat in some of it. That's like, "Oh, it's either he's fully out or he's fully in and he's drinking demon blood and everything." And it's like, [laughs] "Well, those are not the only two options." But, I mean, they do address it later on. Like, it is not the only two options.
C: I don't see how Sam tapping out is "being a puppet to these sons of bitches," when like Jess!Lucifer herself was like, "You can't change. You should just go back to what you were doing before." Like, isn't excising yourself from hunting not being a puppet?
G: We've had this conversation about what Lucifer!Jess meant by that, and again, it's not about going back to hunting. It's about [C: Saying yes to Lucifer.] something being fundamentally wrong with you. Yeah. So I don't think I count that in. But there was the aspect of- I don't know. I think being a puppet here, it's more on the having no control. So like, if Sam didn't go and hunt down Lucifer, it'll be, he's just letting things happen to him instead of being proactive, which I can see why he would think that. [C: Yeah, I can see it also.] It's just a waiting game now of waiting for Lucifer to find him when he could be going out there and finding Lucifer. Like, yeah, okay, I get it.
C: Yeah. And Dean's response to this is so wacky.
G: So weird. I mean, I forgive him for this because I feel like this is the show trying to do something [C laughs] instead of whatever the fuck. Like, "We're back to revenge?"
C: Dean says, "We're back to revenge? 'Cause that worked out so well last time." How the fuck- Who reads this as revenge? It's literally, "I don't want Lucifer to possess me [G: Yeah.], so I'm gonna kill him before he can possess-" What has Lucifer even initially done that Sam would be getting revenge on him for? [G: Getting out.] I guess, like, in some way, helping orchestrate the Azazel plot that became the Ruby plot. But like, I just- Yeah, I don't know. This just doesn't seem like a revenge thing in any way.
G: This is just followthrough of the revenge thing that they're trying to do. This is Dean Winchester looking at the screen and going, [overlapping] "Here's the themes and motifs." So yeah, it did put me out a lot, this line. But, I mean, Sam's reply of "Not revenge. Redemption." How do we compare that to, "Not revenge. Justice." with Mary in 5.0- No, in 4.21.
C: Well, I mean, Sam saying redemption is also unexpected for me, 'cause I was like, "It's a practical thing. You kill Lucifer so he doesn't possess you." But, like, no, this is like, a personal thing for Sam, where he's like, "Lucifer was directly involved in the me drinking demon blood and getting tricked thing."
G: "And stopping him is me redeeming myself," yeah.
C: "Is me redeeming myself for starting the Apocalypse." And I feel like, yeah, the justice approach is just [G: Afterwards.] "Yeah, I don't want people to be dying of the Apocalypse, so I am going to kill Lucifer."
G: Yeah. [laughs] Two revenge brothers telling each other [both laughing], "We're not doing revenge!" Literally.
C: Yeah. "I'm not doing revenge, and neither are you!" And Dean calls them the dynamic duo, like, hello? You're the vessel brothers or the revenge brothers? Like, keep up to date, Dean. And Sam says, "I can do this. I can. I'm gonna prove it to you." Which, why does Sam think that they have to do this together?
G: I mean, I don't know. You can just go back in the field, Sam.
C: Yeah, Sam you were hunting, like, alone- I guess, I mean, in "Mystery Spot." You were not hunting alone when Dean was dead because you had Ruby with you most of the time.
G: I think it's just help. Like, if there's the two of them, it's gonna be easier to do, I suppose. Call Bobby!
C: Yeah, also, Dean has the knife right now. [laughs]
G: Oh, you're right. He doesn't have any weapons, Sam.
C: Yeah. And he burned all his fake IDs. [G laughs] Like, he's not the one who does all that work at Kinko's getting, like, everything lined up.
G: Yeah, go to Recto, Sam. [laughs] That's a Filipino reference. Sam should go to Recto, which is the place here in Manila where you can get fake IDs. [C: Hell yeah.] He should fly directly from wherever he is in the United States to Manila to fucking go to Recto and get fake IDs. And birth certificates! There's a lot of them there. [laughs]
C: Is this well-known enough that it's fine to-
G: Yeah, this is well-known, yeah.
C: - okay, [laughs] have on the podcast. Cool. I was like, "God, Grey's gonna reveal these people's whole thing?"
G: No, it's literally- There's places in Manila where oh, if you need to get your car fixed, you go here. If you need to buy musical instruments, you go here. [laughing] If you need fake IDs, you go here. And it's literally- It's common knowledge to everyone.
C: Okay, cool, cool, cool. But yeah, I guess Sam has no weapons. But I do think he- He says, "I'm gonna prove it to you." And he's talking about redemption. So I feel like probably an amount of it is that he's specifically back on the wanting forgiveness from Dean train that he was on in 5.01. I think that is part of why he wants to do it as a team. Dean says that whatever they do, it doesn't matter, because they're the fire and oil of the Armageddon, and that they should just stay away from each other for good to avoid having to fight as vessels or whatever. And Sam says that, like, "It doesn't have to be like this. We can fight it." And Dean says that "We can, but not together." "You think you're strong when we're together, Sam? Try weak!" [both laugh] What does he say in 4.21 again? [G: No no no-] "Strong together? We're not strong. Try weak! Pathetic!" [G laughs] And he says, "Whatever we have between us- love, family, whatever it is, they're always gonna use it against us." Fascinating that love and family are [both] separate concepts to Dean Winchester.
G: But I agree, so it's fine. [C: It makes sense, yeah.] It makes sense for him, so it's fine.
C: I meant "fascinating" as in from a character analysis standpoint, [G: Oh, yeah yeah yeah.] not in a bad writing standpoint. [G: Yeah yeah yeah.] It's very him saying he's alone in 5.03.
G: Dean Winchester, many things are going on in that head, yeah. I mean, Dean is right here, right? Like, I think Dean is right here that they should just not- But I don't know. I'm not saying it is the wrong decision to hang out again [both laugh] later on, be buddies again later on. But like, I do think here, one, I don't understand why Sam would want this. So two, when Dean is like, "Well, we shouldn't." I'm like, "Yeah, that makes sense." But I guess because they have to look out for each other and blah blah blah and have to keep each other human. I understand the logic of the episode. But here, like, I'm like, "Well, he's right." [laughs] I understand the logic up to this point, and also later. But up to this point, specifically, I understand that.
C: I mean, yeah. Yeah, I- I don't. Okay, so you're- Why do you think Dean is right?
G: I think he's right in the same way where Bobby was like, "You have to put aside the family drama just to fucking do the Apocalypse." Obviously not in the way Bobby meant it, 'cause the way Bobby meant is mind-boggling. [C laughs] But there's still so much going on between them. Like, there's still so much baggage here, and just maybe it's not the best thing to enter the Apocalypse with all that in mind is how I feel.
C: But that's hard to get over on your own, though.
G: Well, yeah. And I've said earlier, too, in the Season 4 episodes where it's like, "They have to reconcile now, because if they reconcile later, you will have the retrospective analysis of the situation, and it's difficult- it's more difficult to have equal footing," blah blah blah. Which is what happens in the show, like, up until this point, right? [C: Mm-hm.] Yeah, I mean, what I'm saying is, I understand why Dean would do this, and I don't think he's wrong for it right now. I also understand why he does what he does later, and I don't think he's wrong for that, either. [C: Yeah, okay.] I want to bring up something, which is that Dean's wearing the green jacket this episode. And last episode, he was wearing it also, and you brought it up. I am wondering what it means. 'Cause like, it does matter what they wear, I feel like. [C: It's the same day.] No, no, no, I just mean, like, you brought it up with relation to-
C: Is it the 15.18 jacket? I thought we decided the colors were different.
G: No, but, like, the look is the same. And it's like, we know that when he wears the leather jacket, it means, like, "Oh, this is the daddy issues episode." [laughs] Let's not say "daddy issues" because you hate that line. [laughs] Or do you? I still am not- [laughs] Let's not get into it.
C: I'm fine with the phrase. [G: Let's not get into it.] Especially when we apply it to Dean, but yeah, [both laugh] let's not get into it.
G: But yeah. Like, is the green jacket supposed to represent hopelessness? Like, what does the color green represent in Supernatural when Dean is wearing it?
C: We've only seen him wear this jacket two times, [G: I know!] so it's just to show it's the same day.
G: But I will continue to look out for it in the future, I feel like. [C: Yeah, if we it again, I might have an idea.] Because he also wears something, I think, akin to this in Purgatory, and that does make me wonder if they are trying to-
C: Well, we'll never know because the coloring in Purgatory is so horrible that-
G: Yeah, he could be wearing a rainbow jacket in that one, and we'll never know! [both laugh] [C: Exactly.] He could be wearing tie-dye, yeah. God, imagine if Dean wore a tie-dye anything. I think he will combust spontaneously.
C: I mean, Jensen Ackles would refuse to put it on. He would quit on the spot.
-
G: I guess goes back to sleep, and he wakes up, and everything is different. He's in a run-down place, and he looks out the window, and everything outside is also run-down. We are in the future, baby! The future being, [laughs] in fact, 2014. [both laughing] [C: God.] Absolutely hilarious! I was confused for a little bit because I thought- I was, like, "Oh, it's been on quarantine since 2014, and then later, we'll learn that it's 5 years after 2014, and it started in 2014." So yeah, I was completely misunderstanding this situation, like, immediately, until I think I was like, "Oh, no no no! Like, it started-" I- whatever. It's so bullshit. Everything's horrible. [C laughs] Well, Dean exits the motel. He's walking through the city. There's graffiti everywhere. There's- well, that's not the most important part. The most important part is that cars are turned over and everything's in shambles. But also, there's graffiti everywhere of the word "Croatoan." [laughs] But I don't think he notices it until later. [C: He doesn't notice it, yeah.] He sees a little girl, [both laughs] and we know it's a little girl because he goes, "Little girl. [C, laughing: "Little girl?"] Little girl." And it's such a funny thing to say. Like, it's such a, like, "they're trying to creep us out" thing by saying the "little girl," which sounds stupid as fuck! It sounds so stupid! [C: Yeah.] I feel like if I was in this situation, I would go, "Hey, kid! Hey, kid!"
C: Yeah, I'd say "kid" also.
G: Not "Little girl? Little girl?" And like, why say "little"? Like, just say, "Hey, girl" or whatever. No, "Hey, girl" is not-
C: [laughing] I don't think you should say "Hey, girl." [both laughing] That's different.
G: Just say, "Hey, kid!" But no, they're trying to do the whole like, "Here's a little girl, and she's gonna hurt Dean, and woo, isn't that so creepy?" [C: Yeah.] But yeah, it's not that creepy. He approaches the girl and says, like, "You know it's kind of creepy that you're not responding, right?" And the girl, like, tries to attack Dean with a knife or a glass, but something, and [laughs] Dean just smacks her. And she falls to the ground, like, face-first. And yeah, Dean notices the Croatoan people start showing up, and they're like, seemingly cornering him. And then we have a chase. Have you heard about the whole thing about this chase and the behind the scenes? [C: No, I haven't.] Have you come across it?
C: Were people injured?
G: No, no, no. It was just like- 'cause it was a chase, and they wanted to make it look realistic that, like, Dean is running, and these people are running as well, but they needed Dean to have a lead, so they were like, thinking about how to make it so that the others would run seemingly normally, but Dean can still be ahead. And so they were trying to do that, and then they filmed the scene and Jensen Ackles, apparently, was just a really fast runner that they didn't have to do anything else. [C: Okay.] He was just such a fast runner. And I had that in mind while watching this episode, and honestly, I think it's a lie. [both laugh] Like, I think they were lying about it.
C: [laughs] They made that up for his reputation?
G: Because if it was true, they did not do a good job utilizing it because I feel like there's no single, like, shot, really, that utilizes that fact. I mean, I understand. It's because they probably were thinking about camera placements with "and we have to manipulate it to make it look real" in mind. So they weren't thinking, like, "Oh, but Jensen is a real fast runner, so let's put him- let's put an above shot or something that'll really really show it." But the cuts were so- yeah, and everything, that, like, I was like, "Oh, they doctored this." But apparently, they didn't. Apparently, he's a really fast runner. So I don't know. I remember that post because it calls him, like, "Really fast, like a gazelle." [C laughs] And I was like, "Well, that's- that's a bit of an exaggeration, I believe. But okay, well, maybe it's not. Who knows?" [C: Who knows?] But anyway, eventually, Dean gets cornered on a chain link fence, and then suddenly, [laughs] tanks come in [C laughs] and start shooting at the Croatoans. And he ducks down and hides. And there's this part where it's like, shot-shot-shot-shot-shot, and then a soldier pauses to play music. And it's like, you know, American music, American rock, whatever. And then the shots keep on firing. And I was like, [laughs] "Look at this fucking American fantasy bullshit." [C laughs] It literally fucking is. So what is the logic here? [C: Behind the music?] No, not the music. Like, the entire situation. So you have the government. These are government people, right? Like, these soldiers. [C: Yes, I think so.] They're government military. [C: Yes.] And Camp Chitaqua is not affiliated with this group.
C: [laughing] Yeah, it's just a fringe thing that's like, right nearby that the government doesn't care about.
G: How? It's like- it's a different quarantine area? Is that what we're supposed to believe?
C: I- the quarantine areas are like, areas with high Croatoan infection density, though, right?
G: I mean- sorry, sorry. I just mean, like, they're in a different pocket of place that's not infected yet, or what? 'Cause that's the only conceivable thing I can think of.
C: Yeah, I mean, I think the fenced-off place is where all the infected people are.
G: Yeah. So Dean comes in, and what? It's a different location? Or they're also just inside that place? Where's Camp Chitaqua? Where the fuck is it? And also, Dean is in Kansas City. Where the hell is Bobby's house? Isn't it in Sioux Falls? [C: Yeah.] Is that near? So he walked to Sioux Falls?
C: Sioux Falls is in South Dakota. Let me look on the maps how far that is from Kansas City.
G: It's a 5 hour 24 minute drive. [C laughs] How the hell did he get there?
C: Or 137 hour walk. Did he steal a car? Probably, he just stole a car, right?
G: Yeah, but are the roads serviceable? I was wondering about-
C: I guess. No, you're right. He had to drive to Camp Chitaqua, so it was not right next door to the quarantine area. [G: Yeah.] I totally forgot about the Bobby's house thing.
G: No, he drove to Bobby's first, and we're assuming that Camp Chitaqua is near Sioux Falls, I think. Or in that area. So it's a different place, and it's not reached by the government.
C: In the transcript, it says that Dean hotwires a car, and then we see him driving, and then Zachariah talks to him, [G: Oh my god, you're right! There was a hotwiring scene.] and then he shows up at Bobby's house. [laughs] So that explains that.
G: He did not walk for 137 hours, yeah. [C laughs]
-
C: After Dean escapes the quarantine area-
G: He "hotwires a conveniently located, conveniently fueled car," [both laugh] as the transcript says.
C: Someone in this transcript is throwing shade.
G: Someone in this transcript is asking the same questions that we are.
C: Yeah. And the thing that surprises him is that a sign outside of the quarantine area says that "This area is no entry by order of acting regional command, August 1, 2014," so it's at least 5 years in the future.
G: So how is- when did it start? When did the thing start? Because the way Cas talks about it, "A year ago I broke my foot. I was laid up for two months," I thought they were already here at that point. But I mean, here as in Camp Chitaqua. So when did the virus start? And also, it's still 2014?
C: I think pretty quickly.
G: It's quickly after [both] 2009. Okay, yeah. How do they still have supplies? Are they growing chickens in this place?
C: Well, okay, like, is the US the only Croatoan-affected country?
G: No, it went to Australia, right? [C: It went to Australia, right.] And also, who was still printing the fucking newspaper? [laughs]
C: I mean, I think that people would be focusing a lot on the news during a time of crisis.
G: Yeah. But usually, when that happens, I think the radio is the most efficient way to produce it, and not the fucking newspaper physically that you need to deliver places.
C: I mean, some people can't hear or whatever. Like, I get putting some amount of effort into the physical newspaper.
G: No, but I'm talking about the delivery of the newspaper. How do you get to places-
C: Well, Zachariah shows up with the newspaper. Like, we don't know they were delivered. Maybe they were just in a big stack outside of the printing house.
G: How are they sending out reporters to be like, "Hey, so are there Croa-?" [laughing] How is the journalism industry, that is currently dying, surviving in this fucking apocalypse?
C: I mean, I don't find it that questionable. Like, someone in Australia gets it, and the people who don't get it call, like, some journalists, and are like, "Oh my god! Someone got it!" And then they print it.
G: I highly doubt that a priority would be calling a journalist [laughs] when you're in such situations. [C: Why wouldn't it be?] But okay, maybe so. Maybe so. It's a way to contact the government, ideally, [C: Yeah.] going through the press. Yeah.
C: Or, and I mean, the press would also be talking to the government, and the government would be trying to spread- like, the government would want this to be printed in all the newspapers so that everyone's aware.
G: No, but okay. What date was the Zachariah newspaper? 'Cause it could have been, like, at the beginning of the Croatoan, and now-
C: Yeah, yeah, I don't know. I didn't look.
G: Yeah. Let's not get into this fucking fakeass apocalypse logic.
C: Yeah. So Dean's driving, but he can't get any cell service or any radio signal, so yeah, all the towers got fucked. And Zachariah shows up in the car with a newspaper. He reads off some headlines: "Croatoan pandemic reaches Australia, "President Palin defends bombing of Houston," there's no more sports because Congress revoked the right to group assembly. I think this is meant to be, like, recent news because Zachariah comments on, like, [G: What the Congress is?] yeah, like, "What's left of Congress, that is." That seems like, current.
G: Present, yeah. How are they just recently [C: Revoking the right-] banning sports? [laughs] Yeah.
C: Yeah, I mean, people could have acted faster during COVID, too. I get it.
G: But we are to assume that this started shortly after 2009. [C: True.] [laughs] It's been five years.
C: I mean, yeah, I don't know. [laughs] Sports are so important to keep the American spirit alive. Zachariah explains what he found Dean via the- what Dean calls the "Bible freak" outside the motel. They've been, like, handing Dean's picture out to these people. And Dean demands that he gets sent back to his time, but Zachariah says that he needs to marinate here for three days in order to understand that his choice to say no to Michael has consequences. And then he leaves.
G: I can't believe they had Zachariah create, like, a special fantasy universe where Dean is wrong. [both laugh] I mean, literally-
C: That's the universe also, but- Wait, sorry, you should finish your joke. I don't think I get it yet.
G: No no no, it's just like, in the universe of Supernatural, Dean is always right, [C: That's true.] and Zachariah had to create a very special fantasy universe where Dean is wrong, according to the narrative. Like, slay!
C: I mean, I think we're supposed to read this as the real future, it's just that I am incapable of doing so because of the inconsistencies in characterization.
G: No, I don't think- I mean, I don't think so. I mean, Zachariah says later that, like, "The time for tricks is over," or whatever. [C: What?] But like, who give a shit about what Zachariah says? Like, Dean asked Zachariah, like, "Is this all jokey-jokey-jokey?" And Zachariah says, "No jokeys!" [both laugh] So-
C: So we're supposed to believe that this is the real future.
G: Well, if we are to believe Zachariah, which I don't, this is the real future. But I don't, so I don't think it is.
C: Yeah, it's like, I don't think it is, either. But I think that that the writers intended-
G: No. [C: Really?] No, I don't think so. [C: Huh. Really? Why?] We're supposed to doubt Zachariah, I feel like. [C: Are we? But-] I mean, I don't know what the writers intended.
C: People just don't lie in Supernatural unless they, like, have a big reveal at the end that they lied. You know what I mean?
G: I don't know. So you think this is quite like Mary and John and, like, Dean going back to that? This is that, in the future? [C: Yeah.] Okay.
C: I think that is how we're meant to read it.
G: I think it's just because we know what the future looks like, and it don't look like this, so it's hard to think so.
C: Well, it's 'cause different choices were made.
G: I know, but still. There was an Apocalypse Universe in Season 13 that I forgot all details about on why it was like that, so [laughs] I don't know.
C: Yeah. I mean, was there like a Croatoan thing there? [G: I truly do not know.] There wasn't an Apocalypse!Sam or an Apocalypse!Dean, right? [G: Yeees?] So it makes sense that Sam got possessed by Lucifer and then killed Dean in that universe, or whatever.
G: So that one is a continuation? I mean, I don't know why I'm asking you, but I don't know.
C: I mean, I don't know anything about it, but I could- Like, if we find out later that it's a continuation of the current universe, [G: That would make sense.] I wouldn't be surprised. [G: But there was a Cas there, who was German!] Wait, wasn't that the one where- I thought that was the universe where John and Mary never fuck. Was that what it was?
G: No. Was it? Ah, I don't know. Okay.
C: I guess you could look it up.
G: [laughing] I don't want to. I really don't want to. Let's just proceed with our lives and have everyone who has watched Supernatural-
C: This is gonna bother me for the next twenty years that it'll take for us to get to Season 13!
G: Yeah, but it will also bother all our listeners, and that means they will continue to listen [laughs] [C: No?] until Season 14.
C: Also, Apocalypseverse is- it starts in Season 12, doesn't it?
G: Season 13. No! It starts in Season 13.
C: The end of Season 12? "The Watchtower" or whatever? Isn't there gray coloring?
G: No, I mean, it starts there, but Mary just gets transported there, but we don't see it yet.
C: Okay. Okay. I guess we still don't know if this is the real feature. I'm of the opinion that the writers think it is but that I think it isn't. It's up for interpretation. Dean goes to Bobby's house, and it's empty and trashed. And then he goes in and he goes, "Oh, no!" 'Cause Bobby's wheelchair is tipped over, and there's bullet holes in it. What did they do with his body afterwards?
G: I don't know. Maybe it decomposed, and Dean was also looking at bones below as well. He just didn't bother to pick it up.
C: [laughs] Maybe so. He opens some hidden mantle compartment where Bobby's journal is, and in there is a photo of Bobby with Cas. And [both laughing] they're all like, holding guns and posing.
G: [laughs] Yeah. And it zooms into Cas before it zooms in to Camp Chitaqua, the symbol.
C: Yeah. Okay, so, [laughing] Bobby died in his house. [G: Yeah.] So he went over to the camp, [G, laughing: He went back.] he went and posed with a gun, and he was like, "Thanks for letting me visit, guys. I'm going back to my house." And then he got shot to death. [G, laughing: I don't-] I mean, I guess I understand if he's like, "I still like my house, and I wanna stay in my house and run the hunter network out here but like, I'll come over to visit," but-
G: [laughing] But why is he out there taking pictures over there? [C: Yeah. I don't-] With a gun! Like, okay.
C: Like, he helped with the setting up of the camp, but he was like, "I don't wanna stay here," so they're posing in front of the sign after they first set it up [G: With guns.] and he's like, "Alright, good work, boys. I'm off." I still find it quite silly, though.
G: You like Cas's beard, don't you? [C: I-] Have you changed your mind?
C: It was hot in images, but [G: In action.] now that I have heard him speak and act, it's no longer hot, yeah.
G: I think, honestly, that's what I feel. Because I've always been averse to this look, but maybe not the look itself. Maybe it's the association of everything with it. [C: Mm-hm.] The implications, etc.
C: Yeah. Dean drives over to Camp Chitaqua. There's like, a fence, and then there's a bunch of people, who are all men, with guns who are on like, the lookout for intruders. Dean sneaks around and he sees the Impala, and it's all fucked up. And [G: He goes, "Oh, no, Baby!"] he goes, "Oh, Baby, no!"
G: "Baby, no! No, Baby!" [C laughs] Dean fucks this car.
C: Yeah. Yeah. Those exhaust pipes do get tired out sometimes.
G: Ew! Don't say that!
C: What? What does he fuck of the car, then?
G: No, it's just a general concept! [laughing] We're not gonna go into specifics.
C: But the jokes are all about exhaust pipes! That's the- [G: Is it really?] Remember the- [laughing] the Supernatural version of the fucking, like, the homophobic sperm comic, where, like, there's like, two sperm, and one of them is like, "I can't wait to like, make a baby that like, can vote for Biden," and the other one says, "No, dude we're in some guy's ass," but then the Supernatural girlies edited it to say, "No, dude we're inside the exhaust pipe of a 1967 Chevy Impala"? You've seen that. [G: Hell yeah.] He's like, reaching towards the Impala. But then someone shows up behind him and [overlapping] knocks him out.
G: We pan out. It's Dean. [C: It is Dean from 2014.] With a deeper voice and a military jacket.
C: Yeah, cool it, George W. Butch, or whatever that post said. [G laughs]
G: I love that post so much! [C: It's pretty good.] Literally, when I'm wearing a very masc outfit, and I put on a guy perfume, which I very rarely do, I'm like, "Cool it, George W. Butch!" [both laugh] [C: So true.] So true!
C: Also, I take back what I said about the jacket meaning nothing. I thought you were saying that 2009!Dean is wearing it, but actually, you meant 2014!Dean is wearing it.
G: [laughs] No, I'm not. [C: Oh.] But it is fascinating, too that here, after Dean wakes up in future times, he puts on a another jacket, so it's a blue one now. And his green jacket is underneath it. And Dean 2014 is wearing the green jacket- a green jacket. And I do- like, it is, like, a hopelessness thing, I think, still.
C: Yeah, the transcript calls the jacket "military issue." [G: Yeah, it's a different one.] Yeah, I think that that jacket is just like, "He's in soldier mode now."
G: Yeah. I will need to get more evidence in future episodes. I will take a look at every single time Dean is wearing something green. [C laughs] [C: Cool!] I mean, it does complement his look, I believe. Don't tell anyone I said that, but it looks good in his, like, hair and skin tone and eyes. [laughs] Don't tell anyone I said that!
C: Okay, I won't!
-
G: So we are in, well, Camp Chitaqua now, inside, like, their headquarters or whatever. And Dean- how are we going to fucking discuss- like, how are we separating Dean from Dean future? [C: Just Dean and future Dean?] Let's just get Dean and Dean future. Okay. So Dean is tied up and, like, handcuffed inside the room, and future Dean is over on the other side. He is butching it up! [laughs] His voice is so low! It's so low. It's kind of crazy. I mean, why? It's just to show like, gruffness?
C: He had five more years of voice training, but yeah.
G: So he said that he tested him with silver, salt, holy water, which is- didn't they do that with Adam, and then Adam still turned out to be a ghoul? So, like, obviously, there's other things that you ought to do, Dean. Have you forgotten about Adam, Dean? You've forgotten about your brother, Dean? [C laughs] [C: Yeah, I think he did.] I literally think he did. Like, I think he will continue to forget about Adam until time immemorial. And he also says that Dean has all of the lockpicks and weapons and everything that future Dean carries. So he's like, "What are you? Can you explain what you are and the resemblance, too?" And Dean says, "It's Zachariah. And he sent me here, five years into the future!" And future Dean is saying that he wants to talk to Zachariah, but Dean is, like, "Well, I don't know. I don't know what to do." Future Dean asks if there's any way that Dean can actually prove it. Like, "Tell me something that only the two of us would know or something." And what Dean says is when they were 19, "Rhonda Hurley made us try her panties, and they were pink and satiny. And you know what? We kind of liked it!"
C: I don't have any thoughts about that line. [G: I also don't have any.] I know people care about it, but.
G: I paused because I know people care about it, but [laughs] I don't have any other comments.
C: I mean, if I had anything to say it would just be about like, how that shouldn't be like, [G: The thing that you are most- yeah.] a thing that's so embarrassing that, like, you keep secret from everybody else. I mean, if you don't wanna talk about, like-
G: I don't think it's delivered as embarrassing.
C: Okay. What do you think it is treated as?
G: It's just like, it's a private thing. You don't sleep and tell. "Sleep and tell"? You don't kiss and tell.
C: But this is about him, mostly. This isn't about Rhonda Hurley.
G: But it's still- the way it is portrayed is like, a sexual thing, right?
C: Oh, no, I mean, I agree that it's a sexual thing. But okay, isn't "You don't kiss and tell: about, like, respecting the other person's privacy?
G: I mean, yeah, you're right. I think, to me, it's also [laughs] "I just don't wanna talk about having sex." Does Dean feel that?
C: I think Dean would talk about having sex.
G: I don't think so. [C: No?] No.
C: Okay. But like, there is a reason that this was singled out. [G: Yeah, of course, of course.] Like, if he never talked about having sex, it would be like, "We had sex with a woman named blank," and it's like, "Damn! I never tell anyone the names of the women I have sex with!" So yeah, this is-
G: No no no, of course. This is more like, I wouldn't classify it completely as "he's ashamed of it" just because of the way it's delivered, also, was like, tongue-in-cheek.
C: I don't think he delivers it as it's something to be ashamed of, but I think he-
G: It's just not something he would bring up around other people, is the way it's portrayed, which are different things.
C: Yeah. Yeah, it's like, I think it's just portrayed like "It's kind of weird!" [G: "But I did like it," yeah.] Yeah.
G: I mean, this is coming from a guy who thought, like, the kinkiest thing he could do, and he shouldn't, is like, be slapped around by a girl wearing a Zoro mask. [C laughs] So, I don't know. [C: Yeah. Like, that's nothing, bro.] Like, okay. Slay! I don't know. This convinces future Dean, and then he stands up and he goes over to a table and he starts cleaning/cocking his gun. [both laugh] Is that the proper term? [C: Um, is he pointing it at things?] No, he's like, doing the click-click. The only reason I'm bringing this up is because this episode is full of clicky AMV moments, and this is one of them. Like, when he's like, fixing up his guns, it's very clicky AMV.
C: I think cocking your gun is about pointing it and not about-
G: No, it's just doing the- tut-tut-
C: No, wait, it is doing the thing. No, you're right. It is pulling back the hammer. I've been reading everything wrong my entire life.
G: Yeah. When you're jerking off the gun, [laughs] you're cocking it, yeah. Every single time they show a clip from the clicky AMV, I will go, "Just like in the clicky AMV" for real. Dean is asking about what's happening, and it's just, you know, it's Croatoan, blah blah blah. He asks about Sam, and future Dean falls silent. And he just goes, "Well, there was a heavyweight showdown in Detroit, and from what I understand, Sam didn't make it." Dean asks- I do find this question fascinating. "You weren't with him?" Aww! It did make me feel an emotion. Future Dean says, "No, me and Sam, we haven't talked in, hell, five years." which, I think from this moment, Dean should be aware that, like, "Oh, it means Sam is still quote 'alive' in some way, he just got possessed." [C: That's true.] But I don't know. Maybe, I think, a part of Dean just would never have expected that of Sam. [C: Saying yes?] Yeah, like, perhaps Dean would never think that Sam would say yes, and so it just didn't cross his mind. But there is also the implication that because future Dean says, "From what I understand," he's unsure.
C: Yeah, like, he doesn't know if Sam's dead or not.
G: Yeah. Dean asks too, right? Like, "Did you never try to look for him?" [both] Yeah. And future Dean says, "I don't know. Like, I have other things going on." So true! [C: Yeah, he said, "IDGAF."] Yeah, he said, "I have a podcast empire to run, Dean!" [both laugh] He goes out to do stuff, and he leaves Dean tied up, and Dean was like, "You're just gonna leave me here?" And future Dean says, "Yup!" and he heads out.
C: He says he "has a camp full of twitchy trauma survivors out there," which, like, implies that that informs how he leaves, but I don't think that [G: He literally doesn't, yeah.] [laughs] he is being trauma-sensitive in the way that he leads.
G: I mean, he explains it later to Dean that, like, they just have different standards now. [C: Yeah.] 'Cause Dean asks this exact question that you're asking later.
C: Right, the "You don't think that, like, shooting a guy in front of everyone right inside the camp could have like, upset some people?"
G: "- traumatized them even more?" Yeah. But future Dean has an answer. I do find here that, like, he's saying that, like, "There's an apocalypse hanging over their head," which kind of implies that it's not happened yet. [both laugh]
C: Yeah, I guess. But it has, so. I don't know.
G: I mean, Supernatural is so ungodly funny, because every single time, it's like, I've said this to you. [C: "The Apocalypse is about to happen!"] In Season 4, it's like, "The Apocalypse is coming! We have to stop the Apocalypse! Oops! We didn't!" [both laughing] And Season 5 is, "The Apocalypse is coming! We have to stop the Apocalypse!" the entire season. It's literally the entire season. The last episode of the season is about how the Apocalypse was stopped! Like, okay! I thought the Apocalypse is starting in 4.02!
C: Yeah. I don't know, man. They keep moving the goalposts.
G: It's because doing the actual Apocalypse too much. Like, how are you even gonna show that? Speaking, in terms of "How are you even gonna show that?" the editing for this episode is wonderful with the Dean and future Dean. Good for them.
C: That's true. They would have had to edit that, good point.
G: Didn't they submit this to the Emmy's for Best Editing or whatever? [C: Did they?] They did.
C: Well, how did it do?
G: I mean, obviously, it didn't win any Emmy's. [C laughs] Because if it did, we would constantly be talking about Emmy-winning-
C: People would be saying "Emmy-winning show Supernatural" in every joke post.
G: Yeah. Yeah. They won- Did they ever win GLAAD? [C, laughing: The GLAAD award?] It was just GLAAD-nominated.
C: I think they were just nominated. [G: Yeah.] Let me check that.
G: GLAAD-nominated, Emmy-submitted show Supernatural. We already had this discussion before. I severely doubt it happened.
C: Oh, yeah, no, it was nominated, and it lost every time. And of course, most importantly, was that in 2014, it lost to an episode of Elementary, which I remember.
G: Yeah! 2014 being the Charlie episode. Yeah. [C: Yes.]
G: And then the one prior is the one where the gay couple is [both laughing] playing Sam and Dean in a LARPing situation. And the one before is the "gay love can pierce through the veil of death and save the day." [C: Yeah.] Wonderful.
C: Yeah, god. I just- The state of things that [G: I can't believe-] "Go be gay for that poor dead intern" was like, "This is the height of positive gay representation on our television today."
G: [laughing] I cannot believe that this is it. Like, when- How is this winning an award? [laughs] I mean, it didn't, it didn't actually win an award.
C: Oh, and yeah, actually, I think the Wincest cosplayers is even worse [laughs] as a "This is the best we get." [both laugh] Wow.
G: Like, Cas didn't even get nominated! But okay, fine, whatever. [C: What time.] Whatever! And then Dean, who is just left there, gets, like pries out a nail- a rusty nail, maybe, [C: Maybe.] out of the floorboards and uses it to uncuff himself. Well, maybe this is the actual [both laugh] tetanus thing that killed him in Season 15.
C: [laughs] Yeah, very slowly. Cas heals him over and over until he can't, yeah.
-
C: Dean heads out, and Chuck is here! Oh my god, hi, Chuck!
G: Yeah. I love Chuck. I do love Chuck. [C: Yeah, I do enjoy seeing him.] Ugh. Why is he ever gonna become God? Fuck this stupid baka life, or whatever people say. [C laughs]
C: If he and Sam had dated like they would have if Supernatural was a better show and really wanted to win those GLAAD awards, then he wouldn't be God.
G: Would they have a terrible breakup, or would they be together for so long, it's been so long, baby, we're fireproof?
C: I think they'd be fireproof.
G: They would be fireproof? [C: Yeah.] Just like Aziraphale and Crowley in the playlist I made? That makes sense.
C: Yeah. I never clicked on that one, sorry.
G: You should have! There's a lot of corny-ass songs on there.
C: I'm not going to listen to One Direction, no matter what package you wrap it in. [both laugh] Chuck says- Well, he's talking to Dean like he's the leader of the camp, which, as far as Chuck knows, he is. So he's talking about supplies. They're low on perishables and hygiene. "What should we do?" And Dean goes, "I don't know. Like, maybe [both] share?" [both laugh] Chuck says that, "Wait, aren't you supposed to be out on a mission right now?" And Dean is a bad liar about it. And then a woman named Risa comes up and tries to hit him. And Risa is Filipino. [laughs]
G: I didn't even think to look it up, but Crystal did, and yeah, she's Filipino. Hell yeah!
C: She is Filipino. Hell yeah, but also, not hell yeah, given the situation.
G: What I was thinking about when Crystal informed me of this was that was the many- and I mean many- like, Reddit posts about how "How is it that Dean loves Busty Asian Beauties, but, like, there's not a single Asian woman in the repertoire of women that he sleeps with?" And apparently, there is! Apparently, there fucking is. Let's kill Dean Winchester.
C: Yeah. How many Asian women have been on Supernatural? [G: One in-] There was Nancy and there was Maggie, and those were both in Season 3.
G: Who are these people? Who are these people?
C: Maggie, one of the Ghostfacers. [G: Yes.] Nancy's the virgin in "Jus in Bello." Was she Asian?
G: Is she Asian? [C: Not sure.] I think we thought she was Asian, and we were like, "No, I think she's Latina."
C: Okay. Yeah, she's she's Mexican and Puerto Rican, so she is not, as far as we know, Asian. Okay. [G laughs] So we had one other Asian woman on the show.
G: Well, does this matter? It matters because of the further context of Asian women in Supernatural. If there wasn't, I don't think we would- yeah.
C: Well, yeah, 'cause the point was like, "Why doesn't Dean have Asian women girlfriends?" and it's that there's only been one other Asian woman on the show so far. [laughs] [G: Yeah.] And so like, half of the Asian women on the show are women that Dean slept with. [G laughs]
G: Yeah, if you look at it from that perspective, it sends a very different story.
C: Yeah, there is a high Dean sleeping with Asian women rate. [G sighs] [G: Well.] Yeah. I'm sure we've missed someone. If we've missed someone, someone should email us or ping us. I know in "Changing Channels" the woman in the bikini that shows up briefly in the sitcom, I think, is Chinese, so. [G: Is that true?] I think I looked it up before in the past. [G: I don't recall.] Okay, I'm gonna go on "Changing Channels" IMDb, but like, scroll down to the bottom before I see the number.
G: I think, for me, there is already a perception of like, "foreign," so perhaps I have a lesser ability to it to, like, immediately think about it. You know what I mean? Like, there's like, a hierarchy of identities, and for me, like, the hierarchy of "American" supersedes quite a lot of things. Do you understand what I'm saying? [C: Yeah.] So I have a less tendency to remember Asian people in- especially in Supernatural, where the whole point of it to me is that it's American. Like, if it's another show, I'd probably remember.
C: Her name is Beatrice King. Yeah, her mom is Chinese and Spanish, the girl on the bikini in "Changing Channels." [both laugh] So yeah, no, actually, high rate. High rate [G: High.] of sexualized Asian women in Dean's vicinity on Supernatural. [G: Yeah.] I think just a lot of them are mixed race, so like, the Redditors couldn't tell. But I recognize a fellow Asian when I see one. [both laugh] [G: Yeah.] Yeah. Anyway, that was a long tangent. But anyway, yeah, Risa's here, and she's Filipino, and she tries to hit Dean. And Dean's like, "Whoa! Geez! Easy, lady!" I hate when Sam or Dean calls people "lady" on Supernatural. It always feels like they're dismissing their feelings. And Dean is, I guess, right now. [G: Dean is, yeah.] So Risa's angry. She says, "You spent the night in Jane's cabin last night, didn't you?"
G: I did appreciate that when Dean goes, "Easy, lady," Chuck goes, "[whispered] It's Risa."
C: Yeah, that's true. [laughs] Chuck is drinking an amount of respect women juice.
G: Yeah. But I think there's also an implication that he likes Risa [C: Yes.] because he goes, "Hi, Risa!" at the end.
C: Yes. Yeah, that is part of it. So I guess he does not necessarily respect women. Dean goes like, "What? Did I?" [laughs] and Chuck nods. Chuck is trying to homewreck Dean and Risa so he can move in. And Risa says, "I thought we had a 'connection,'" and she puts quotes around the word "connection," which means that Dean was the one who [both] said that to her that he felt something emotionally. Probably just to get her to sleep with him more. So that's a wonderful thing to think about. And Dean is sort of laughing, and he goes, "Well, I'm sure that we do." Like, die. [laughs] Die.
G: I mean, how is he supposed to react here? Because it's not like it's him!
C: Yeah. I would just be like, "Sorry," I think. [laughs] I'd just say "sorry." What do you think you would say, [laughs] in the scenario that would definitely happen where you- yeah.
G: [laughs] What I would say? I would say, "There's been a misunderstanding!" and it will make Risa much, much angrier. [C, laughing: More angry? Yeah.] But I'm like, "But I'm telling you the truth! There is a misunderstanding!"
C: Yeah, "I'm not the Dean who did that! I'm actually, like, him from the past, earlier? I don't know who you are!"
G: "I am not the person that I was yesterday!" [both laugh]
C: Yeah. "The Dean you knew is not the Dean standing before you right now! [G laughs] I've changed! Anti-changed!" So she's still angry, and Chuck goes, "Hi, Risa!" And Risa ignores him and says, "Screw you." Dean's like, "Wow, I can't believe I'm getting blamed for shit I haven't even done!" But the idea is that Dean would do this, though, right? Like, that Dean is a cheater or something?
G: Is he? Again, this is what I'm saying. Like, I don't think this is a realistic fucking portrayal.
C: But I feel like if Dean was like, "This is something I wouldn't do," like, he'd be a little more like, "Man, future me is an asshole, isn't he?" You know what I mean?
G: Like, we've seen Dean cheat in "After School Special."
C: Oh, yeah, we have. [laughs] He is a cheater. [G: But we also will see Dean-] Didn't he also try to get with Sam's prom date in- Oh, no, that was in "What Is and What Should Never Be," so we don't have that happen in real life.
G: Yeah, yeah. No, like, we have seen Dean in older, and like, with Cassie, he seems decent. With Lisa, later, he will be decent. So I don't know.
C: Yeah. And I guess this isn't necessarily cheating [G laughing] because it seems like they didn't settle on like, being exclusive, but he did sort of imply things.
G: [laughing] Yeah. I think if I told the audience of this podcast my views and opinions on cheating, I will be persecuted. [C laughing] Because every single person I have talked to, other than you, I think, has been like, "Grey, you're absolutely fucking insane about it."
C: [laughing] Well, we'll present a united front. [G laughing]
G: Of what? That cheating is fine sometimes? Yeah. [C laughing]
C: [laughing] I mean, it's not, but there are worst things to do.
G: There are worst things than cheating, and I think cheating is attributed to so much bullshit that's not even cheating.
C: Yeah, I think that the "cheating" doesn't mean anything anymore because like, if someone's like, "Someone cheated on me," it's like-
G: People are using it so all-encompassingly.
C: - sometimes, they- Yeah, sometimes they just mean, like, someone is watching porn or like, has a friend. [both laugh]
G: Yeah. There's stuff that are definitely cheating and are definitely wrong, [C: Yeah.] but I think there are layers to it, and the way it is talked about is so mind-bogglingly uncomplex. And it's like, this is experienced by so many people. So many people have done it. And so like, I think it warrants some kind of complexity. I don't know! [C: Yeah.] Maybe I'm completely in the wrong, but I've not yet been convinced by any single person who has made the argument that I'm wrong, [C laughing] so I don't know. [laughs] [C: Real. I don't know. I'd say-] [laughing] It's because every single time somebody is like, "Grey, that's so odd that you think that," I go to you and I'm like, "Crystal! They said blah blah blah!" [C laughs] And you're like, "Blah blah blah," and I go back to them, and I say, "Well, my friend Crystal [C laughing] thinks I'm right, so I'm right!" [both laughing]
C: Yeah, I don't- I just think that people- There's like, not really one idea of what a relationship is meant to mean and like, [G: Yeah.] what is allowed and not allowed inside of it unless you have, like, a pretty explicit conversation about it, [G: Yeah.] just because a lot of people are in open relationships or, like, a lot of dating is casual. So it's like, yeah.
G: I think our conceived notions of what cheating is is so highly based on a very whatever kind of normative mindset that we have about relationships. And I think a lot of people don't fall into those, and even people who fall into those categories shouldn't have to exist in a world where that is the only- those are the only definitions, you know? [C: Yeah.] Wow. [laughs] [C: Wow.] And nobody's arguing with me because you and I agree!
C: Anyway, I think Dean is still an asshole because [G, laughing: And Dean is terrible.] I think the implication- [laughs] Yeah, the implication is that he lied about them being- He tried to intimate towards her that he was thinking about becoming exclusive in a way that she clearly believed, and I think that he wanted her to believe. [G: Yeah.] So that's still bad.
G: Yeah. Oh my god, I mean, this is tangential, but like, the other day, I was talking to a friend about this, and he was like, "[scandalized] What are you talking about?!" And I was, like, laughing the entire time, so he was like, "Are you being, like, serious right now? Or is this, like, a joking thing [C laughs] that you're like, making fun of me, 'cause you're laughing also?" And I was like, "I truly have no idea how to answer that question. I'm being for- I'm saying all of this recreationally, but I'm also being so serious right now, [both laughing] so I don't know." [C: Well.] Well.
C: Dean asks after Cas, and Chuck says, "I don't think Cas is going anywhere," and directs him towards the cabin, where the world's most annoying man lives. [laughs]
G: What a crazy line! Well, first, let's focus on the "I don't think Cas is going anywhere." Like, people think that.
C: I think the point is he doesn't have any powers.
G: Yeah, he doesn't have any powers, he doesn't have anywhere to go.
C: He's got nothing going on for him. He's got no friends.
G: But it is, again, like, there is the perspective of what is happening in the camp, like, what Chuck, as Zachariah intended for him to mean here, means it here, but also how Zachariah formulated all this for Dean to react to. And it's like, well, this is a crazy line to say to Dean, who is looking at this from the outside, I believe. And I mean, at that moment, he does not know yet that Cas is what he is now. So, I mean, that could have struck a nerve.
C: Yeah, so he's just like, "Me and Cas are really good friends in the future!" [laughs]
G: Yeah, I think that struck some kind of nerve.
-
G: So yeah, as Crystal said, we enter the cabin of an annoying-ass guy. And it's Cas. And he is in a-
C: Can we come up with a new name for him, like Bob, [G: Endverse Cas.] [laughs] just to distinguish him from the real Cas?
G: We forgot the word "Endverse" for future Dean! [C: Oh, yeah, that's what people call that guy.] Endverse!Dean. So yeah, this is Endverse!Cas. 'Cause "future" has a different connotation, dunnit? [C: Yeah, that implies this is the actual-] "Future Cas." And also, there is an episode called "The Future," and for me, that's future Cas! [laughs]
C: True. And he was meant to be shirtless in it.
G: He was meant to be shirtless, and [laughs] Dean's supposed to kneel in front of him.
C: [laughing] While Sam runs through a field. [G laughing] Well. [G, laughing: Supernatural is-] What was that? Okay, I mean, they didn't film it because they also read it and went, "What was that?" The questions have been asked.
G: [laughing] Who wrote that episode? Let's look up who wrote "The Future"! [laughing]
C: Who wrote it? Was it a Bo- Who was it? [typing]
G: Who the fuck- It's Meredith Glynn! [C: Nice.] And Robert Berens. [laughing] Yeah, they fully intended that shit. [both laughing]
C: I wonder who stepped in and said, "Stop this."
G: "Stop this at once!" It was Kim Manners's spirit. [C, laughing: Noo!] Endverse!Cas is sitting on the floor of this cabin, and he's surrounded by, what, four women? And-
C: Is it only four? [G: I think so.] Okay, it seemed like more, but four makes sense to me.
G: Yeah. So he's sitting there and he's talking about-
C: Oh, and also, we see around his place, and, like, there's a bead curtain, there's like, a Buddha statue.
G: Oh, and the music!
C: And yeah, there's the #Eastern music going on.
G: [laughs] Yeah, #Eastern music.
C: Yeah. So, you know, it's very, like, drawing on, I guess, New Age mysticism, which is a bastardization of just Buddhism and also, like, Hinduism and various other religions.
G: Endverse Cas is talking about stuff. [C laughs] [C: Yeah. Sure is.] Like, perception and compartments and fragmental blah blah blah. And then he looks up and sees Dean.
C: Well, before he sees Dean, like, he said, he's saying that like, they're trying to achieve some kind of spiritual group mind, and you have to do that through a physical- like, "The way to that is surprisingly physical." [G: Yeah.] So he is using like, fake religious shit that he made up [G: Yeah.] in order to get these women to fuck him. And-
G: And I suppose there's the aspect of people know he used to be an angel, probably. [C: Right.] And so they're like, "Well, he's probably right about that."
C: Yeah. Yeah. And I guess there is a way to read it as, like, "It's just roleplay, and they know that it's not- like, they don't genuinely believe in it." But like, we don't know that that is the case, and I don't think that that is the case. Like, we're not supposed to read this as like, evil
G: Yeah, we're not supposed to. But we're not supposed to view much of anything from Supernatural that we read it.
C: Yeah. Yeah. And the fact that it's treated so casually, it's like, am I meant to take this as like, everyone here is just being silly and, like, they don't actually believe it. Or, more likely, [laughs] this is an episode written by Ben Edlund.
G: I think there is the aspect of, like, it could be that, you know, it's post-apocalyptic or whatever. And these are people trying to make do.
C: Yeah, find a larger purpose. [G: Yeah.] And this is a former angel claiming to know shit about religion. [G: Yeah.] I feel like if you said Ben Edlund down and was like, "What is going on here?" and, like, got specific with it, I think he eventually would be like, "Yeah, like, they're being deceived and manipulated into it, but I just didn't think it was that big of a deal 'cause I don't see women as people." [laughs] I feel like that is what is happening. I don't think it's like, "This is a fun roleplay." God. I love when they decide that when Cas becomes human, he also becomes racist immediately. Like, [laughs] remember when he called burritos "ethnic food" [G laughing, Yeah.] in 9.03 or some shit?
G: Like, you're a fucking angel!
C: [laughing] Like, as soon as he loses his angel superiority, like, feelings, he's like, "I gotta find another way to have a leg up in this world. Thank god, I possessed a white guy!"
G: He swats Dean, and then he tells these ladies, "Excuse me, ladies. [laughs] [C: God.] I think I need to confer with our fearless leader for a minute," which is what he calls Dean pretty much this entire episode. And then he goes, "Why not go get washed up for the orgy?" which makes- [C: It's so sleazy! It's so gross!] which makes Dean turn his head. And as they walk away, he's like, "You're all so beautiful." [C: What is this? It's horrible.] I don't like it. I don't like it! I don't like it. Who likes it? Absolutely no one.
C: No one! Absolutely no one. We could have gotten the cockroach thing. [G: Yeah.] Do you ever think about how we could have just gotten the fucking cockroach thing? [G: Yeah.] And I think the point is that like, for here, it's like, "What would make Dean feel the worst?" And it's like, Dean is currently- like, we already know that he has, like, intense, strange thoughts about addiction, and that he recently introduced Cas to sex, so, like, these are two things that Dean could blame himself for, so like, it's helpful for Dean's journey if this is what's happening. But like- And the cockroach thing is more about- like, I think that is a lot truer to Cas as a character. But since it's not a Cas episode, they just went with this route instead.
-
C: After the women leave, Dean goes, "What are you, a hippie?" Not my main concern here, Dean Winchester. Cas just makes some joke about "I thought you'd gotten over trying to label me," which- I can't tell if it's a sexuality joke. Because, like, that is what the word "label" means to me pretty quickly, but I don't know.
G: I think this is this is of that caliber, eah. [C: Yeah.] Also, I mean, in the moment he is, like, standing up and stretching and moaning [laughs] and grunting and whining. [C laughs] So like.
C: Sure, yeah, all those things. And Dean says that they have to talk. Cas goes, "Whoa! Strange." because he's realized that this is Dean from the past, 2009. Cas doesn't seem particularly concerned.
G: He goes, "Interesting."
C: Yeah. He calls it "interesting." And also, the whole time, he seems kind of spaced out. Dean goes like, "Whatever whatever, can you just use your angel powers and send me back to 2009?" Cas goes, "I wish I could." He, like, laughs himself a bit, and then he goes, "I wish I could, uh, just strap on my wings, but I'm sorry. No dice." And I'm not sure if Dean can tell at this point that Cas is fully human yet, because he asks follow-up questions later. So I don't know exactly what Dean thinks the situation is now. 'Cause [laughs] the main concern that Dean has right now is, "Are you stoned?" [laughs] And Cas says that he generally is. Dean asks, "What happened to you?" and Cas says, "Life." Meanwhile, outside, Endverse Dean returns from his mission.
G: He pops up a beer can, just like in the clicky AMV. [C: Yeah. Yeah.] [laughs] And then he shoots a guy!
C: Yeah, and then he points a gun at one of the guys that he threw a beer to, so, fucking wasted beer. He shoots that guy. [G: Shoots him.] And Dean this whole time is, like, "Hey, what the fuck?" He yells, "Watch out!" to the guy that Endverse Dean is shooting at. And then everyone's like, "What the hell? There's two Deans." And Endverse Dean goes like, "Damn it!" And then he tells the soldiers, who, I believe, are all men still-
G: Yeah. The only women here are Risa and then [C: The orgy ones.] the people in orgy. [C: So.] I can't believe I was like, defending- Like, "Well, at least she was a leader!" And it's like, well, it's horrible. I was defending it in a prior conversation with Crystal.
C: Yeah. Yeah, no, it's like- yeah, like, the implication- the vibe feels very much like, "There are men here who do the Apocalypse supplies war stuff, and there are women here to fuck."
G: Yeah. And even when she was, like, in that group, like, when they were making decisions, they still bring up the whole, like, "Oh, and she thought you guys have a connection."
C: Yeah, that Dean had a connection with her. Yeah. Ugh. Yeah, that's like, the entirety of her character, pretty much. But yeah. So Endverse Dean says, "I'm not gonna lie to you. Me and him, pretty messed up situation we got going. But when you need to know something, you'll know it. Until then, we all have work to do."
G: The way Cas is framed this episode, who- this is Steve Boyum, right? [C: The director? Yeah.] Do you think he just loves Cas or whatever? Because there are so many directorial choices of just putting Cas in the middle of the screen, [C: Huh.] panning to Cas when you don't need to. Like, the zooming on the picture, zooming into Cas first before going into the Camp Chitaqua. Here, when Endverse Dean points, he points to Dean, and then Dean turns around to look at Cas, and the camera lingers on Cas. Later on, when they're walking, Cas is in the middle of the screen. It's just fascinating to me. Like, why is Cas so centric to this like, Endverse stuff, specifically? Like, I mean, the modern day stuff, I get. But the Cas stuff specifically, it's like, it's fascinating to me. And it's extra fascinating- I bring it up in this scene because, in this one, Dean turns and then sees Cas, which is the same shot later of Dean turning and Cas is behind him in the "don't ever change" scene.
C: Steve Boyum directed "In the Beginning," so [G: He just loves that?]- Yeah, he loves the turning around to see Cas sort of vibe. I guess- I don't know. Cas is the most visible [G: Changed.] quote-unquote "victim" of Dean's choice to say no to Michael in this-
G: Bobby died! [laughs] And Chuck is here also!
C: Yeah, but like, not visibly. He's not visible. [G: He's invisibly dead.] Chuck seems to be doing fine. [G laughs]
G: Honestly, I think Chuck found a purpose in life. Like, honestly. [both laugh]
C: Yeah, I agree. I think he's having a better time here than he was like- He's not in his bathrobe, he's not depressed on the couch. I think he seems more chipper here than he was in Season 4.
G: You're right. And also because what are the two lessons here? Like, "Life is bad for people," and Cas is the representation of that. [C: Mm-hm.] And also, "Sam said yes to Lucifer," and that's [C: Revealed later.]- Lucifer in Sam's body, that's for later. So yeah. Like, for now, the focus, you're right, does ought to be Cas here because he is the representation of what humanity quote-unquote "has lost." [C: And he's not even human.] In the form of an angel who became human. [C: Yeah.] Or became mortal, I suppose I should say. 'Cause he seems to still be an angel. Like, he still has the vision, blah blah blah. He can sense things. [C: He can? Oh, yeah. Well.] He doesn't have the powers of an angel, including mortality. Including immortality.
C: I mean, maybe just- you mean he can sense that it's previous Dean? [G: Not Dean, yeah.] Yeah. I mean, I don't- people look different after 5 years. You can see that.
G: No, but it's like, he was- "Whoa. You're not you. Not now you, anyway. What year are you from?" is like a- [C: That's true. That does seem more perceptive.] And, like, he did see Chuck, and Chuck, you know, Chuck DGAF. But if that was Sam, I feel like Chuck would have been like, "Whoa, Sam, you're different." [both laugh]
C: Yeah. And Sam would go, "Is it my new haircut?" like he did with Anna. [laughs]
-
C: Endverse Dean shoves Dean into his cabin and is all angry about him, like, revealing his presence to the other camp people. He explains that he killed that guy because he got infected by, like, some Croatoans, and he didn't want to tell him the bad news. He just killed him. And yeah, Dean asks like, "Hey, don't you think that like, murdering a guy in front of everyone like, freaked everyone out?" Endverse Dean is just like, "This is literally normal. Like, whatever." [G: It's normal!] It's normal! "Whereas you probably freaked them out." He says that like, he's in charge, and Dean apologizes. Only person he'll apologize to. [laughs] No, he's apologized to other people before. And he says that he's "not trying to mess us up here. It's just been a weird time." And he asks after the mission, and Endverse Dean pulls out the Colt. [G: Ooh.] Fascinating that Cas was not part of that mission. [G: Yeah, what is Cas's job here?] And that the Colt mission literally took, like, less than a day?
G: What is Cas's role? 'Cause Chuck's role is pretty visible. He is- [C: Yeah, he's supplies guy.] Yeah, he's supplies guy. I mean, Risa also doesn't have a visible job.
C: Well, yeah, I mean, I guess she and Cas are both-
G: She's the girl leader, yeah. [laughs]
C: Yeah, they were both consulted, so I guess they're like, lieutenants or something.
G: They were there for the final one.
C: Yeah. I guess, I don't know. Cas is probably just taking a vacation day or something.
G: Now that I think about it, it is probably true that this is a fringe group, because I don't think, like, the government would be like, "And it's God. [C laughs] And it's the Apocalypse and the angels and demons." So you're right. They are a fringe Christian group to those people, Camp Chitaqua, yeah. [C: Yeah.] 'Cause I was wondering about, like, well, why not just make- I don't know. [laughs] You have people with tanks who can get the Colt, maybe. [C: Mm, yeah.] And it's like, well, they don't want to. [laughs] They're living the American fantasy.
C: Yeah, so he has the Colt and it took Endverse Dean five years, but he finally got it. And tonight, he's gonna kill the devil.
G: You know in When Harry Met Sally when they go, "Oh, just 12 years and 3 months." That's this mission. Like, it took him 5 years and, like, 2 hours to get this Colt. [both laugh] [C: Yeah. For real.]
-
G: Yeah, we go to them. They're meeting. Oh, it's the Colt, blah blah blah. Risa is like, "Okay, so we found the Colt. But how are we gonna find Lucifer?" And Endverse Dean is like, "Um, are you okay?" But not like that. [both laugh]
C: Yeah, no, but he is saying it in a "Why are you being so angry right now?" [G: "Why are you being so maad?"] [laughs] And I think she has brought up a good question.
G: Dean goes like, "Oh, yeah, we were at Jane's cabin," and, you know, he explains the situation. And Endverse Dean just looks at him and goes, "You want to shut up?" I think Endverse Dean is fascinating because does Dean- I mean, you don't know, probably, or maybe you do. I don't think even our Dean, who we hate towards the end of Season- of the season, ever turned out to be like. I mean, I was thinking about that too because, like, Cas definitely does not end up like Endverse Cas. [C: Yes.] But you can make the argument that Dean ends up a little bit like Endverse Dean, but no, not really. I think I can make the argument that he doesn't. Yeah, like, this is just fake to me. [laughs] Like, this is not true.
C: Yeah. Yeah, I mean, I think the main reason I think this isn't true is actually because of something that Endverse Dean says later. [G: Oh!] So yeah, I think that Endverse Dean does not feel correct to me.
G: Yeah. This is Zachariah putting on a puppet show, pretty much. This is not even a realistic portrayal of Dean in this situation. Or maybe it is. I don't know. But to me, it isn't. This is just puppet play.
C: Given that all the pussy on Supernatural leaves in later seasons, we just don't really see Dean being an asshole later coming out in any form of being shitty to women, at least, so, that part we don't see. In terms of like the practicality, killing people without telling them or feeling bad about it, like-
G: You can see aspects of that in Season 14, [C: You can see aspects of that, but he doesn't follow through with it either.] but towards himself. Yeah, and towards himself. There's a difference between leading people into a suicide mission and putting himself in a box and tossing himself in the ocean. Like, those are different things.
C: Yeah, no, I don't think Dean's really willing to sacrifice other people. [G: In this way ever, yeah.] Like, I don't think that ever becomes a trait for him, yeah.
G: Yeah, it never does. The game plan is to go to Lucifer, who they found out the location via another demon. He says that "I know for a fact that he's telling the truth." And it's like, "Why?" And Endverse Cas says, "Our fearless leader, I'm afraid-" Why are you afraid? [C laughs] "- is all too well-schooled in the art of getting to the truth."
C: I love, again, when Supernatural says that things that are extracted under torture are, in fact, more correct than things not extracted under torture. I'm sure that this is backed up by every single paper in the world [G laughs] and not the opposite.
G: Yeah. And Dean reacts to this as, like, "Oh, we're torturing again. That's good. Very classy." And we have this shot of Endverse Cas looking up at Dean and giggling a little bit. And-
C: I am surprised that Dean is surprised about this. Like, he's seen this guy. He's kind of a dick. [G: Yeah.] Is doing torture really so far from his mind that, like, this is a surprise?
G: Perhaps. I mean, the last time we saw Dean, quote, "torture"- I don't know why I said "quote." [C laughs] He did torture. [C, laughing: He did.] No, but like, I was thinking, like, are there other instances where they hurt someone? Like, a demon, but it's that they don't consider torture? Which they do do in Supernatural. But the last time he did torture was, he was very, very distraught by it.
C: He was distraught before it. But I think once he got into the groove, he got into the groove.
G: Yeah, but he was distraught by the torturing, I believe. [C: Maybe.] I think perhaps it's a leap too far for him at this point to think "And we're gonna go back to torturing." [C: Perhaps.] As I said, Cas is, like, giggling a little bit. And the camera is focused on him, and then it unfocuses on him and focuses on Endverse Dean's face, who is frowning. And Endverse Cas looks over and goes, "What? I like past you!" Is this the one they ADR-ed in? Am I misremembering? [C: Did they?] Yeah, it's supposed to be "I love past you," and then it was too gay.
C: Wait. Oh. Really? [G: I'm gonna look. I'm gonna look.] That sounds maybe fake, but also, I believe it.
G: No no no. You have to believe me. [laughs]
C: [laughs] I have to. Okay. Well, if I have to. [G: Wait, let's- look at this-] How are you gonna find this? They don't do image descriptions on Supernatural Tumblr enough.
G: No no no. Look at the fucking- [C: The script Google Drive?] mouth. Like- No no, not the script Google Drive. [C: The mouth?] Look at his mouth during the video. Do you have the episode pulled up?
C: I do not have the episode pulled up.
G: I'm gonna share screen. [C: Oh, okay.] [beep] See? See? Look at the way his tongue, like, flips. You don't do that for "like." 'Cause when "like," your tongue is at the back of your mouth. "Love," the tongue is more in front. [laughs]
C: Huh, okay. Well, are any of the, like, scripts- Is there a script?
G: No. I'm sure we can find evidence for this.
C: Okay. I mean, I believe it.
G: I think I'm right. Or maybe I'm not. Who knows? [C laughs] So yeah. He likes past Dean. Endverse Dean just goes back to the whole thing, and he relays his plans, which Endverse Cas says is so fucking stupid it's unreal. And he goes, "If you do not like 'reckless,' I could use 'insouciant,' maybe." [C laughs] And Endverse Dean asks, "Well, are you coming?" And he goes, "Of course. But why is Dean?" which is, you know, the question in everyone's mind. Or maybe not. [laughs] I didn't really think it. [C laughs] And the argument Cas is making is that if someone from five years ago- if you from five years ago died, maybe you're going to die too. So that's not a good idea. But Endverse Dean is just like, "Whatever. Just go get moving." And they do. And Dean asks, finally, when there's just the two of them again, like, "Why are you taking me?" And this is when the reveal happens that Sam said yes to Lucifer, and Endverse Dean is taking Dean into this trip because he wants them both to see Sam be a vessel for Lucifer. And, like, the whole thing here is that, like, you have to say yes to Michael because this is what happens when you don't. And Dean is like, "No, but, like, it's going to torch the half of the planet." And Endverse Dean is like, "Well, it doesn't matter. Look at everything! And if I could do it again, I'd say yes in a heartbeat." And apparently, he's tried, and he's tried saying yes, but the angels just left, and it's too late for him, but for Dean... And Dean is like, "There's gotta be another way!" But Endverse Dean insists that-
C: And this is the line where I was like, "Zachariah is puppeting this guy."
G: - "That's what I thought. But I was cocky. But I was wrong." [laughs]
C: Yeah, he goes, "I was cocky. Never actually thought I'd lose. But I was wrong," and that's not true. [G: That's not true.] Dean currently is not cocky. He doesn't think that he'll win. He thinks that just like, he'll go down fighting, and he doesn't want to say yes to Michael, so he'll just do whatever. [G: Yeah.] Like, there is no cockiness or thinking that he'll win in present day Dean, but that is what Zachariah [G: Thinks Dean is doing.] thinks that is why Dean is saying no to Michael. So that was the moment where I was like, "This is not real."
G: It is fascinating that Zachariah doesn't have that kind of insight on Dean's character. Like, he thinks Dean is being stubborn because` Dean thinks he's gonna win instead of "Even if I lose, I don't want to lose like this."
C: Yeah, I mean, we kind of see that in "It's a Terrible Life," too, right? Because Zachariah's argument there, part of it is like, "Well, you could either have a boring office job, or you could, [G: Yeah.] like, have a lot of sex and, like, look cool. So what do you want to do, Dean?" Like, I think he does overvalue- like, he does think that Dean cares more about, like, the image [G: Those kind of things, yeah.] and like, cockiness and things like that than Dean actually does.
G: Yeah, instead of that- He thinks that's the core thing instead of being a front to the cores. [C: Yeah.] Endverse Dean is saying, like, "I'm begging you, say yes! But you won't. 'Cause I didn't. Because that's not just us, is it?" Well, he doesn't say "Is it?" in [laughs] a British cadence, but yeah, he does say that.
-
C: They're heading out for the mission. They have a quick conversation with Chuck where he tells Dean to hoard toilet paper. Dean says "Thanks," and "I'll see you around." And they go. And so Cas is driving. Dean is in Cas's car. Like, what car is Endverse Dean in? Is he driving with Risa? [G: I mean, probably. Why did he put-] It seems kinda weird to split off from Dean.
G: I mean here, the intentionality is to talk to Cas. Like, he ought to talk to Cas because it's part of the convincing him.
C: Endverse Dean was like, ""Well, my Michael appeal didn't work, but if we put him in a car with Cas, [G laughs] he'll be like, 'This guy sucks so much that [both] I must say yes.'" [G laughs] But Cas isn't sucking so much in this scene. [G: Yeah.] He's just having a bad time. So in the car, Cas takes some pills,and Dean checks them over, and they're amphetamines. And he tells him, "Don't get me wrong, Cas. I'm happy that the stick is out of your ass." [laughs] Crazy thing to say!
G: And Cas just nods like, "Yes, yeah."
C: And then he asks, "What's going on with the drugs and orgies and love guru crap?" And Cas starts laughing, and he goes, "Dean, I'm not an angel anymore." And Dean is, like, surprised by this. He's like, "What?" even though that was pretty strongly hinted at earlier, and your present day Cas has already lost some of his powers. But yeah. Cas says that when all the other angels left, like, the rest of his powers just sort of went away, and now he's basically human, and he's definitely mortal. And Dean says, "Fuck this stupid baka life." [both laugh] [G: Literally.] Dean says, "So you're human. Well, welcome to the club." And Cas goes, "Thanks. Except I used to belong to a much better club." [both laugh] Real! Incredibly funny. [G: So true.] So true. Okay, I think currently, like, Season 5 Cas would consider angels to be a much better club. Do you think there's a point in later seasons where he doesn't think that?
G: I think an important part here is what he says the most is "useless." He thinks he's useless, and that's not an angel or human thing. That's a power thing. [C: Yeah.] And because- I mean, that's not a community thing, I'm saying. Like, that's not a club thing. That's a power, personal power thing. [C: And I think he'll always prefer having powers.] I don't think there's ever a universe where Cas would prefer to be human than be an angel because of the power. [C: Yes.] But I think there is a time at some point where he prefers to be with humans than with angels, which are completely different things.
C: Yeah. Yeah, agreed. Yeah, I was just trying to figure out how much of this is Zachariah being like, "We're really cool, and you guys suck!" [laughs] Like you said, he calls himself "powerless, hapless, and hopeless. Why the hell not bury myself in women and decadence, right?" I think we just need to take the word "woman" away from Super- I think we just need to take everything away from Supernatural until it becomes better. [both laugh]
G: I mean, this is, you know, "Booze, women," just like last episode.
C: Yeah, that is what Dean says last episode. And he says, "Why not bang a few gongs before the lights go out? But then, that's just how I roll!" None of these sentences- "But then that's just how I roll," [G: It doesn't make any sense.] how is that connected to any of the previous sentence? [laughs] Why is it a "But then, that's just how I roll." Like, that's not a but. That's a "and" situation. [G laughs] [G: Yeah.] Bedlund, go study your grammar books again.
G: No! [C: No?] I mean, it's so odd 'cause like, what it is is like, if they end it like "Just bang a few gongs before the lights go out," it feels like there's something missing, you know? You can't just end the scene there. [C: Does it?] And what I expect was- and I knew that "But then, that's just how I roll" was gonna happen. But what I was expecting was for that was, like, that line happens, and then there's like, a few seconds pause where, I don't know, there's some acting happening. [C: They look sad, yeah.] Yeah, or some self-reflection, whatever. But no, it's just an immediate cut. And the thing is, if there was that time to breathe, this breathing room after this line, I would be less, like, "Ugh, what a fucking terrible-ass way to end this scene!" But because there's no breathing room, and it's just the end of the scene, it's so bad!
-
G: We go to like, in front of this building, I suppose, and they're all, like, looking into with binoculars, and Cas is there and Risa's there. I mean, Dean leads- are sliding them into a suicide mission. Like, he knows they're all going to die or whatever. Horrible. And Dean notices this and asks future Dean for a conversation, where he asks, "What's going on?" and like, "Why are you lying? Why are you lying? You're lying to all of us." And yeah. They cleared an- Future Dean says, like, "There's a reason why there's no Croatoans here, and it's because they cleared a path for us. And this is all a trap." And, like, he's going to be using these people as decoys, and the Dean and him are going to go through the back of this building, which is, you know, horrible. [C: Yeah.] Dean asks, "You're gonna feed your friends into the meat grinder? Cas, too?" [C: "Cas, too?"] Which is, I think the thing here is that "Cas already sacrificed so much for you." [C: Yeah.] And this is the guilt thing. Like, "Cas sacrificed so much for you. Cas became human because of you. And now you're just going to send him to die?" And I do understand why Cas is distinctified here. I mean, other people are also going to die, but like, Cas was immortal. Cas was never going to die. And now he's miserable, and he's going to die! Like, what a bad combination! [laughs]
C: Yeah, yeah. And Cas is the only one here- 'Cause Chuck didn't come on this mission, so Cas is the only one here that Dean like, knows, so I also understand.
G: I love that no matter what, there's the like, Chuck is not gonna be a gun-bearing warrior. [C laughs] Like, let's just leave it be. Let's just give him the fucking supplies.
C: Yeah, he's in charge of counting the toilet paper rolls. [laughs] [G: Yeah.] Good for him.
G: Good for him, honestly. Future Dean basically admits to it. And Dean says, "Something is broken in you. You're making decisions that I would never make. I wouldn't sacrifice my friends." And he's right. As he said, like, this is the thing that is different.
C: Yeah. I mean he is willing to sacrifice Jack at points, like in Season 15. But I think his way of doing it is going, "Jack isn't family, though!"
G: Eventually, Dean protests just a little bit too much, and [laughs] future Dean knocks him out because of it. [C: Yep. Slaycaysh.] When he wakes up, there's, you know, gunfire and everything. There's thunder, there's lightning, and he goes into, like, the garden, and Dean- future Dean is dead. He's on the ground, and his neck is being stepped on by a white shoe-wearer. And this white shoe wearer is... Lucifah! [laughs] [C: Hell yeah.] in Sam's body.
C: And he says "Hello" to Dean. He looks great. It is a good outfit.
G: It is a good outfit, and do you think Jared Padalecki does a good job of differentiating Sam and Lucifer?
C: Yeah, I think that the eyes are different. The way that they move and the expression in them.
G: As someone who has seen future Supernatural, I would have thought that this was bad. [C: Mm-hm.] But I now realize that a lot of that is because I was looking at it from, like, what future Lucifer is going to be like. But from what we see of Lucifer right now, this is actually very, very good. Like, this is accurate.
C: Future Lucifer is so unserious, [laughs] [G: Yeah.] but current Lucifer is serious. [G: Yeah.] Yeah, Lucifer is facing down Dean, and they're in this garden, and there's like, lightning, and there's thunder and shit. And Lucifer is just being very menacing, and like, holding his body very deliberately. And there's this this someone who said once, I forgot, I mean, people would talk quite a lot about, like, Sam's posture here versus when he is possessed or not himself, he changes his posture, and how as Lucifer and as Gadreel. [C: Gadreel? I don't know how to pronounce it.] His posture, his shoulders are straight up, which I do find fun.
C: Lucifer goes, "Aren't you a surprise? You've come a long way to see this, haven't you?" And Dean tells him to "Just kill me." And Lucifer's like, "Don't you think that would be a little redundant?" And then, like, he puts on this sort of, like, look of, like, sympathy and kindness, except it doesn't really work due to how he's evil and shit. [G: Yeah.] And he goes, "I'm sorry. It must be painful speaking to me in this shape," and he sort of, like, gestures at himself, and he goes, "But it had to be your brother. It had to be." [G: Yeah.] which, echoing what he said last episode, [G: To Sam.] and what Ruby said. Yeah, to Sam.
G: He tries to reach for these shoulder, and Dean, like, moves away from it. So, that's fun!
C: That is fun. And he says, "You don't have to be afraid of me, Dean. What do you think I'm going to do?" And Dean says, like, "Well, you're gonna destroy the planet." And this point, Lucifer's sort of turned away, looking at a rose, and he goes, "Why? Why would I want to destroy this stunning thing? Beautiful in a trillion different ways. The last perfect handiwork of God." And then [laughing] he pulls out the fucking. "Did you hear about how I fell from grace?" story again.
G: It's so annoying, because I was like- actually, throughout the scene, I was like, "Is this the first time this is being told? Did I just completely imagine that this has been told before?" But no, it has been told before.
C: [laughs] Yeah, he tells it to Nick in 5.01, and we don't get any new information about it. Like, we got, like, half of it, ish, from Uriel in "On the Head of a Pin," and then we get the rest of the phrasing from him talking to Nick at 5.01. Like, this is not new. [laughs] But whateber. So he says that God cast him down because he "loved him more than anything." And God created humans, and he told all the angels to love the humans more than him, and Lucifer, who thinks that he is Cordelia in King Lear, [laughs] he says, like that he told God, "Father, I can't! These human beings are flawed and murderous!" [laughs] And then Michael cast him into Hell or whatever. Is this all we get of this? Like, do we get more information? Is this, like, truly what happened? That's hilarious.
G: I mean, I'm not sure. I'm not sure if it ever gets disproven. But like, you know, Lucifer's attitude does change, so it becomes less believable, let's say [C laughs] [C: Yeah.] that it's from this kind of benevolence that it comes from.
C: Yeah. Yeah. I mean, I guess being in Hell for, like, millennia can make you a really shitty person eventually. [G: Yeah.] Like, it's possible. But if that is what happened, like, they don't really engage with it in the show, I think, in a particularly interesting way. So I think believing it or not believing it doesn't actually add much my watching experience. Yes. "Now, tell me, does the punishment fit the crime? Especially when I was right. [laughs] Look what 6 billion of you have done to this thing, and how many of you blame me for it!" Hilarious.
G: 'Cause you literally caused it! Like, he literally caused it, though.
C: He did do it though. Like, it was not a coincidence that, I don't know, what is Supernatural saying? That swine flu- It is a coincidence that swine flu was in 2009. [both laugh] But in the text of Supernatural, it isn't a coincidence. Dean says, "You're not fooling me with that sympathy for the devil crap. I know what-"
G: Dean is crying here. [C: Is he?] Like, he's tearing up. And it was confusing to me why. 'Cause he specifically starts tearing up in the story. [C: Huh.] And it's like, I get- the reasons why I think Dean would tear up here is, like, Sam. [C: Seeing Lucifer talk with Sam's body, yeah.] How I can justify him crying in that moment is perhaps here, he is now starting to see the reasons why Sam would have said yes. [C: Okay, yeah.] Like, how Lucifer could have possibly-
C: Yeah, he has some forms of rhetoric that would work on Sam, etc.
G: Yeah. But it was still kind of mind-boggling to me, honestly, that he was crying here. Like, why are you crying? [laughs]
C: Yeah. Lucifer asks what he is, and Dean says, "You're the same thing, only bigger. The same brand of cockroach I've been squashing my whole life. An ugly, evil belly-to-the-ground, supernatural piece of crap. The only difference between them and you is the size of your ego." And I guess this is supposed to be a whole thing, but, I don't know. Yeah, whatever.
G: Because we a more- we have a complex idea of what hunting is and what monsters and Supernatural, this doesn't really fly the way the episode wants it to, yeah.
C: Yeah. So Lucifer smiles and says, "I like you, Dean. I get what the other angels see in you." What do- [laughs] Only one other angel likes Dean. Everyone else thinks he's dumb as fuck.
G: Well, yeah, but, like, he is, you know, the vessel, etc. and they are looking for him.
C: Yeah, but like, it's not 'cause they- Like, how much is of a vessel's personal strength, or whatever is involved? What is it about- "I get what the other angels see in you" are like, "There are Dean-specific qualities related to his personality that other angels like." And it's like, I think that the people who want him for Michael's vessel don't like [G: - don't like this aspect of this personality.] his personality, yeah. Is the will of the vessel, like, part of how well the possessing them and using them to fight people- like, is that part of it?
G: I think a part of it is you know how Uriel was like, not fond of Dean.
C: Yeah, he had the "I'm starting to like you, boy," or whatever, yeah.
G: Yeah. That kind of amusement of "Yeah, your spunky attitude is not helping the case, but it is entertaining." [C: Yeah.] And I did just use the word "spunky," which is pretty funny.
C: It is. He turns away to say, "Goodbye. We'll meet again soon," but Dean yells at him to kill him now or he'll find a way to kill Lucifer, and he won't stop. And Lucifer says, "Well, no. 'Cause you won't find a way, and you won't say yes to Michael, and you won't kill Sam, so you'll always end up here. No matter what, I will win." And Dean says that he's wrong. Lucifer says, "See you in five years, Dean!" He leaves, and then Zachariah zaps Dean back to 2009.
-
G: Zachariah is in the motel room with Dean now. Dean is still trying to be snarky, but he's obviously very moved or very affected, at least by what happened. So his voice is a little bit shaky, and it's not working, really. Zachariah is saying that "You see what happens? You're the only one who can prove the devil wrong. Just say yes." And this is what I'm saying, that Dean asked, like, "Is this a trick?" And Zachariah says, "The time for tricks is over. Say yes, and we can strike before Lucifer gets to Sam. Before billions die." And Dean walks away, and then he just goes, "Nah. I've learned my lesson, but not the one you wanted to teach." And Zachariah gets really mad, and he's like, "Well, I'll just have to teach it again! Because I got you now, boy, [C laughs] and I'm never letting you go!" He sounds like the PS5 song. You know the one? [C, laughing: Yeah, yeah, he does.] "It's me, boy, I'm the PS5." He sounds like the PS5. [C: He is the PS5.] Dean, before Zachariah can't can get to him, is gone! And Zachariah looks around and is like, "Son of a-" and then we go to [C exclaims] Dean at the side of the road, and he's standing there. And he turns around- [C: Who else happens to be standing there?] and Cas is there! [C: Is it our favorite character?] He's there! And it's this very quiet scene where, like, there's no background music or anything. And Cas is just standing there, and I'm not sure he even knows what happened, but he's pleased. He looks pleased. He knows Zachariah was in the room. [C: Yeah.] But I don't think know he got transported to blah blah blah.
C: I don't think he knows about the Endverse, but I think that he rescued Dean from something.
G: He's smiling a little bit! [C: Aw, yeah.] Which is so- It gets to me. It gets to me. Like, remember when Destiel was nice? Do you? It's crazy! But yeah, Dean goes, "Pretty nice timing, Cas." And Cas goes, "We had an appointment." [C: Agh.] Ah! [laughs] Ahh. Ahh. But yeah, Dean puts his hand on Cas's shoulder, and he goes, "Don't ever change." And Cas just smiles at him. And Dean, like, takes off his phone and starts contacting Sam. And Cas asks, like, "How did they find you?" And Dean goes, "Let's just stay away from Jehovah's witnesses from now on, okay?" as you said. And yeah, Dean calls Sam. And before this, Cas asks, like, "What are you doing?" And he says, "Something I should have done in the first place." We go to a bridge, which is, Supernatural loves to do [C: Loves a bridge.] these fucking scenes in a bridge. I've never noticed it before, but it is true that they do love a bridge.
C: There's like, a big bridge scene with, like, them and John, too?
G: Them and John. There's a big one- not a big one, but there's a scene with the siren that's under a bridge, like, the siren episode that's under a bridge. Bunch of episodes where they're just talking under a bridge. It is a fun visual, I suppose. [C: Yeah.] Why is it a fun visual? What does it entail? It's just a bridge?
C: I don't know. It's just a bridge. [G: I think it's just on the side of the road.] I think it's connecting two sides or whatever the fuck is what they're going for with this one?
G: Yeah. But also it's the side of the road. Like, you can't do this in the middle of the road, obviously, but it'll be weird to do it in an establishment, also. Something that is like, very clearly not on the road but also not in an establishment is the way to do it, and a lot of that is on a bridge. On the, like, below a bridge. Dean is there. He's by the Impala. He's by Baby! Oh my god! They're reunited, [singing] and it feels so good! [both laugh] And yeah, Sam shows up in his own car. Wonderful. [C: Wonderful!] And as he approaches, Dean is holding Ruby's knife, and he gives it to Sam. He says, "If you're serious and you want back in, you should hang onto this. I'm sure you're rusty."
C: Right. And that's a gesture of trust specifically, 'cause it's like, "I'm okay with you killing demons now."
G: Yeah. And also, that's a sign of Ruby in some way, right? [C: Yeah.] Like, that's Ruby's knife. And, I mean, we have talked about this, but, like, eventually, Sam's main weapon is gonna be Ruby's knife, and Dean's is going to be an angel blade, which is fun. [C: Mm-hm.] No, no, Dean's weapon is always gonna be a fucking gun. [C: Right.] Like, that is gunboy. But when they're doing combat like that where it's blades, he is the angel blade guy.
C: Is the idea that because Sam resisted in the last episode, he now trusts himself more, like, around demons and demon blood? [G: What do you mean "resisted"? Ah, when he was made to drink-] Like, when he was force-fed demon blood by the other hunters and he spat it out.
G: I suppose so. I really wish they leaned into the thing I was talking about last episode with Lindsey and the working at the bar.
C: Yeah, working at a bar, but still- yeah. I agree. I wish they leaned into that more, too. Because I guess there's like, I don't know. Giving him Ruby's knife is like, a sign of trust. But it's also like, I'm still not sure why Dean trusts him with hunting demons specifically right now. I mean, I guess the decision is just "I'm just making a decision to trust. It's not that there are reasons for me to trust. [G: Reasons, yeah yeah yeah.] I've just decided that that's what I'm gonna do now," which I think is fine, yeah.
G: Yeah. "If we're gonna hunt together, I have to trust you anyway, so might as well."
C: "So I just will." And then I think, yeah, I think that Sam takes it partly because he's honored by this trust and partly because he feels like he's proven to himself something last episode. Yeah. It's a pretty fast turnaround for an addiction recovery arc, but I guess there's gonna be more of it in "My Bloody Valentine."
G: Yeah. And also, Sam really did get, like, magic- sobered by God, right? [C: That's true. That's true.] That does affect-
C: That helps, yeah. And soon he'll get magic all of his Hell trauma taken away by Cas. [laughs] [G: Hell yeah!] I love when Supernatural refuses to deal with recovery normally.
G: Sam asks, "What made you change your mind?" And Dean says, "Well, it's a long story. But the point is, maybe we are each others' Achilles's heel, but we're all we've got. And more than that, we keep each other human." And Sam says, "Thank you, really. I won't let you down." And Dean says, "Oh, I know it." And I was afraid, a little bit. I was like, a little bit afraid of what he's gonna say afterwards. But then he says, "You are the second-best hunter on the planet," which I was like, "Aww!" That's sweet.
C: Yeah. Yeah. It is a deliberate return to "here's our jokey brother dynamic again."
G: Yeah, Sam says, "What are we gonna do now?" Dean says, "Well, we make our own future." [both laugh] Sam says, "I guess we have no choice," which is so funny.
C: [laughing] A lot of nothing lines on the end, yeah. But yeah.
-
G: Okay, so, what did we think about this episode? I liked it.
C: Is Dean really not gonna tell Sam about Endverse? This is just like how they never talked about "It's a Terrible Life." Like, come on, guys!
G: Dean was like, "It's not real, because it's a fiction- it's a fragment of [overlapping] Zachariah's imagination."
C: Yeah, his headcanon is valid to him.
G: But yeah, okay, what do we think about this episode? I liked it more than I thought I would.
C: Yeah, yeah, I think that was also my impression. I was like, "This is pretty alright." I thought that it did a decent job saying what it wanted to say, and it landed in a place that I'm fairly happy with.
G: Okay. Best Line/Worst Line.
C: "We had an appointment" is the best line, yeah.
G: Agh! Well, the worst line is the Jane's cabin stuff. [C: Mm.] I think. I just think it's annoying.
C: That was irritating, yeah. I'm gonna go with Cas's line about the dragonfly consciousness and the way to connect to it is "surprisingly physical." Like, [laughs] you are a terrible person.
G: Oh, I have another honorary worst line. [C: Yeah.] "Little girl! Little girl!" [C laughs] [C: Real.] It's so ungodly funny. Oh, I wanted to point something- because I opened my notes to check if I wrote down a best line. But I wanted to point out that future Dean doesn't wear his ring anymore. [C: Oh.] And you see it very clearly when he handles the guns, and you see it very clearly, too, when- 'Cause when I noticed it was when, you know when they drink whisky, and they're facing each other, so the hand of our Dean that's facing us is the one with the ring, and the hand that's Dean future, that's facing us, is the one without the ring. So you know this immediately that like, one person's wearing, one person's not. But Dean is supposed to be wearing it on his other hand. [C: On the other hand, yeah.] So I was like, "Okay, I'm gonna wait until it shows us the other hand," and it's not there. So I do think [C: Fascinating.], like, as someone who has the same kind of attachment to a ring, you notice immediately when you're not wearing it. And so either Dean lost it accidentally in a way that he couldn't recover, or he purposefully removed it. And I do think about that. [C: Yeah, that's a fun concept.] I think about it in the context of does Dean Dean ever remove his ring, like at some point in the show? I wonder. I'm not sure. [C: We'll keep a look out.] I really am not sure. I mean, people always say constantly, "Oh, I miss the early season jewelry." But when when does that change is something I want to know. So I will keep a lookout for that. But I think my best line ought to go to "We had an appointment," too because that is a line that makes you go, "Aww!" But I suppose I shall give my line to "You're the second-best hunter in the world," [C: Yeah.] which is also pretty good. So yeah. Spreadsheets.
C: Yes. There is misogyny. [G: Of course there is.] What is the number of misogyny?
G: I would put it fundamental. I would put it 3.
C: Yeah, yeah, I think 3 makes since. We have had so many 3 misogynies. This is our third 3-misogyny of Season 5, and we are only on the fourth episode. Racism, I think there's the use of, like, Buddha imagery and the Eastern music, etc.
G: Can I put 2 here, or do you think it's more a 1? Because I also want to count [C: Risa?] Risa's characterization, although I would say it falls more into misogyny than anything. But as we previously discussed, I would want a 2 here.
C: I could do a 2.
G: Homophobia. [both laugh] [C: Huh!] Is this a-
C: The "labeling me" line? Is that what you're thinking about?
G: Yeah. But I don't think so. [C: I don't know. Yeah, I don't think so.] Okay, so it's a 0?
C: Yeah, I guess so. I think an argument could be made, I don't wish to make the argument 'cause I don't believe it that strongly. Oh, wait. Panties line homophobia?
G: Mm. I think we had a similar discussion in the past about transphobia specifically in the show and how- and we brought this up in that one.
C: 'Cause I think it was- Dean was saying "Sam wears women's underwear" as a thing to see that he was asleep or whatever. Or I think that might have been in "Mystery Spot" as one of the things they were saying really fast. I think given that it is a pattern, given that we've had this discussion before, I would give it a point.
G: Okay. I'm not opposed to such.
C: Okay. I think there was a time in television where, like, men wearing women's underwear was, like, a big joke. Like, they had one of those, in like, Elementary Season 1 too, where like, Sherlock comes in, and he's like, "Oh, you bankers have to do what I say, and if you don't, I'm gonna start listing off your secrets. For example, that man wears like, nail polish and women's underwear sometimes." And it's like, a big, like- So like, I feel like Supernatural is falling into that tradition. IMDb.
G: I would say this is a highly-rated episode. I would- You go first.
C: I was gonna put it at maybe 5.02's level. I don't think it's like, the highest one so far or anything. [G: Okay.] So I think I was gonna say 8.6.You are thinking higher.
G: I'm gonna go 9.1.
C: Alright. You're probably right. We'll see.
G: Let's see. This episode is a 9.1! Yes! [C: Oh my god, congrats.] Finally! And that's a big one for me, too, 'cause you're so wrong!
C: It's a big win? [G: Yeah.] Congratulations! I'm very happy for you.
G: This one is talking about the budgetary restrictions and how they were able to get over that.
C: Right, portray post-Apocalypse with- yeah, they did the set pretty well and all that.
G: Yeah. [laughing] This one says, "Post season 15"- This is from November 22, 2020, which is an iconic time in most people's lives, including me. By "most people," I mean most people on Tumblr. [C laughs] This says, "Only improved since we know Castiel loved Dean during this episode."
C: Oh my god. Boo. I don't think he loves Dean during this episode. [G: I don't think that is a conscious thought.] I feel like the way that their relationship has developed in the Endverse is like, different. And I don't think there is that much love there.
G: Wait, what do you mean? No, not Endverse. Like, Cas. Real Cas.
C: Okay. Well, but like- Okay, so are they just talking about the two scenes of real Cas being better?
G: Yes. Yes. I think the "We had an appointment," "Don't ever change." Which, I mean, to be fair, in the confession, Cas references the "don't ever change." [C: He does??] I mean, not referenced, but he says you changed me.
C: [laughing] I don't think [G laughs] that's a reference to "Don't ever change"! I think that the word "change" is a very common word.
G: [laughing] It's a reference to me when I make an AMV but not in the show.
C: People will connect those, but I don't think it was intentional. [G: On Cas's behalf, yeah.] I don't think Cas is in love with Dean yet. I think he has a little crush and he wants to fuck that guy. [G: Yeah.] I think that's the extent of it.
G: Yeah. And as we've said, Cas doesn't really do a good job of analyzing the situation.
C: Aw, someone has ended theirs with "Also, because I'm an Anna fan, I have to ask for the fourth time running this season: Where is Anna?!" [laughs] I hope they're doing okay after "Song Remains the Same."
G: This one says, "Sam is one of the main characters but yet 27 min without even seeing him once!! [C: Real.] Wtf wtf wtf? Jared was bloody brilliant as Lucifer and I give him a 10! But don't sideline him it's insulting!" And it's a 1 over 10. [C laughing]
C: So true, I suppose. Very fun of them.
G: Okay. Well, that’s it for this episode of Busty Asian Beauties. Next week, we will be discussing Season 5, Episode 5: "Fallen Idols." Leave us a rating or a review wherever you get your podcasts.
C: Wait, is that the Paris Hilton one? [G: I think so.] [laughs] We're gonna go from this to Paris Hilton? [G laughs] Okay, yeah, sure. Follow us on social media! We are on Tumblr at bustyasianbeautiespod.tumblr.com. Our official tag is #BABPod, B-A-B-POD. Thanks to everyone who's donated to our Ko-Fi at ko-fi.com/bustyasianbeautiespod, which is where our outtakes live, and check out our merch at babpod.redbubble.com.
G: You can email us any feedback, comments, or inquiries at [email protected]. See you guys next time! [both] Bye!
[guitar music]
-
[beep]
G: Okay, are we doing the analysis- Ugh! The phone is fucking ringing. Like, the telephone. [C: Okay.] Unbless the telephone. [C laughs] Fuck that telephone.
-
[beep]
G: It's just- Is my voice really okay? I feel like it isn't. Sound-wise. I can speak.
C: I can't tell but I'm very good at telling. [G: Yeah, okay.] You're the audio engineer here.
G: This is true. By "audio engineer," I mean someone who has downloaded Audacity. [both laugh]
C: Yeah. Many people have not downloaded Audacity. [G: This is true.] You're probably in the top 0.1% of people in audio engineering.
G: Of Audacity users. Honestly, probably. [C: Yeah.] I spend so much time in that fucking app!
-
[beep]
G: Yeah, 11:11, Aziraphale and Crowley should fuck raw in Season 3! [laughs]
C: Oh, fuck yeah! It's passed for me, but-
G: That's so sad. I just made it.
C: [laughs] I have every other 11:11 in my life.
0 notes
Text
(Wow... Chess Demon.............
I have more thoughts on them but it's late as hell and I need to get my sleep schedule back to normal before school starts. My handwriting is a little messy in this one so I'll put what it says under this nifty readmore, along with elaborations for some points)
(1st image:
Mid-ranking (Droid[]Soda) (they'd be between those 2 in the ranks)
2 bodies, 1 mind (like Cerberus Helltaker)
Rarely referred to individually (neither pawn is mentioned by itself unless the other is unavailable for some reason; others just call them Chess Choco, which is already canon so pffbfbft. They use "I" instead of "we" for themselves too)
Different abilities depending on body
5 horns like a crown and 2 tails, 4'5
2nd image:
Pawn White is a vanguard; this body charges to the frontlines with dark and lightning magic.
Pawn Black is a defender; this body uses light magic to heal from the backlines and ice magic to shield endangered allies.)
#lost pages (concept/misc. art)#may be a friend... (conceptual demons)#cookie run#chess choco cookie
17 notes
·
View notes
Text
❓ FAQ ◇ 🎨 Art Tag ◇ ✏️ AO3 ◇ 💛 Shop
recurring fandoms ::: mcyt ◇ legend of zelda ◇ indie rpgs ◇ …others works ::: isaac beamer versus the supernatural ◇ kcu ◇ short works past works ::: dreamswap ◇ greyscale ◇ dintis ◇ meme waker ◇ driftverse ✨ Commissions
Details:
🌟 Isaac Beamer Versus the Supernatural - Written work
A plot-heavy comedy. With a large cast of characters, IBVS is a mostly-original work that evolved from an idea for an Undertale Multiverse story conceptualized back in 2016. It centers around the unusual activity that occurs in the fictional city of Foxfield, California. Edward Quinton, the 'school king' of Foxfield High who secretly harbors mysterious powers, discovers a social outcast with his same supernatural predicament: the titular character, Isaac Beamer. Edward, motivated to form a secret club of others like them, goes down a path that changes their lives for the better or worse. The two of them make friends along the way… and enemies. Curiosity just may lead them straight to hell itself. Last updated June 15th 2025.
🔪 Kagehara Cinematic Universe - Written works, mostly
An incredibly niche fic series where I rip apart everyone’s derogatory favorite Danganronpa V3-inspired fan character, featuring lucid dreams, existential crises, depression and kissing your idiot hot inner demon. The character list has increased significantly since it started, featuring counterparts for other V3 characters as well. Last updated August 2022.
🗡 Dreamswap - Open Setting, No Ongoing Story
An ‘AU’ that was once based on UTMV characters. It originally got its name from being centered around Dream and Nightmare switching roles. Other other characters have also technically switched roles, but at this point, the swap element is obsolete due to the convoluted nature of the lore. A comedy-heavy setting despite its themes. This was being adapted into a separate story called Fatal Flaws.
❤️ Greyscale - Comic (Stopped)
An Undertale comic about two humans with drastically different ideas on how problems should be solved who end up in the Underground at the same time and have to work together to make their way through it. Went on hiatus in 2019. Any comebacks would be a complete rework.
🌙 Darkness Is Nicer Than It Seems - No Ongoing Story
Forced into the role of a hero, Dark has been at odds with his power-hungry childhood companion Jet for a long time, but he decides that continuing to fight him is not worth it anymore. A Dreamtale alternate timeline. Its tag is #dintis.
❌ Meme Waker (Discontinued) - Comic
A parody of Zelda: Wind Waker featuring various Underverse characters as characters from the original game. Please note that the link may not work on mobile due to being set to a chronological tag. The last comic strip was in 2018.
🌓 Driftverse (Discontinued) - Comic
An interactive story dedicated to Nightmare and Dream, except they were combined into one person and they had no idea how. A post was released explaining the remainder of the story. The last comic strip was in 2019.
If you’re looking for some of my old works that are not on Ao3, feel free to check out the #fics tag. If you want anything older than what you can find in that tag, you'll have to dig for them yourself.
There are other projects that I don’t talk much about online, if you can call them that. I may as well note that when I say private projects, I really just mean characters and stories that I brainstorm them occasionally and I don’t actively work on. If you see something not listed here, it’s probably one of those.
143 notes
·
View notes
Text
BatDR: Joey's Final Scene is Weird (+ Ink Demon Audrey AU I Guess)
I'm sure I'm not the first person to have this thought but I keep thinking about it, so, some thoughts!! Grain of salt as always since I've mostly osmose'd the game through friends and cutscenes, so there may well be significant things I've missed.
In BatDR, the initial vibe is that Joey Drew has turned over a new leaf, and finally found a better person in himself as a father. It's a good direction for Joey -- rather than trying to be accepted by people who do not owe him forgiveness, instead moving forward and being better for someone new.
But... there's a lot of evidence that isn't quite true. Joey's response to letting go of his hatred for Henry wasn't to admit what he'd done or to end the cycle or even apologise, it was just.... to put an invented Allison Angel in there -- because of the existence of Allison, we know the hellish experience we see in BatIM is what Joey figured it was probably fine to leave Henry looping through after his supposed change of heart. And his imperfect attempts at creating a child apparently only get to see him as an uncle -- only his perfect, special Audrey is Good enough to call him "dad." Maybe Joey genuinely is a little better (it's a pretty low bar) and loves her with a sincerity and humility he wasn't able to find before, but... a decent part of that seems to be because she came out right, because she made him happy.
Thren described it as the "authentic Joey Drew experience" and I love that framing; we all KNOW everything he did in BatIM, everything he's responsible for -- but he's charming, and he loves the player character so much, and it seems like... he must be better! When Joey Drew likes you, Buddy tells us in DCTL, it's the best feeling in the world. And.... I don't think Joey's lying, it's just that loving Audrey (just Audrey) doesn't actually make him a kinder or better person.
One of the places that stands out to me the MOST is his final scene.
This scene is DELIGHTFUL on its own but becomes EXTREMELY WEIRD ONCE YOU PONDER ANY CONTEXT AT ALL -- Joey stands before the Ink Demon, his greatest failure to be kind to a "grinning thing" that once wandered Thomas Connor's office before being locked away in the infirmary, and refers to it as an "evil face" before telling Audrey that she's special, more special than those cartoons he once brought to life, that she's his greatest creation and his family whom he loves, and that they shouldn't dwell on the past. NO WONDER THE INK DEMON MURDERS HIM??? What must it be like to hear your creator tell someone else that they got all the love you were denied, that they were better, more important, and you're still a monster? JOEY YOUR SON IS RIGHT THERE HE CAN HEAR YOU
Part of me thinks this is REALLY GOOD. I'm honestly into the idea of Joey believing himself to be a changed man when he's still falling into old habits, and the idea of a narrative that seems on the surface to be a redemption, when closer inspection reveals it to be just, seeing Joey's biased story, is such an interesting idea? But, since the story itself doesn't really acknowledge it, just glossing over every point to the contrary with a more sincere-seeming emotional beat, it ends up feeling kinda discordant with the story we DO see. As if it were an accident. No one, not even the villains, calls Joey's change of heart into question -- when the Ink Demon pushes back, it's not with justified anger at being openly dissed, but just because the demon's Evil and Audrey has to fight back against it. The idea of Joey as an unreliable narrator of every one of his scenes in BatDR is conceptually cool, but emotionally jarring; I feel like I need an entire extra fic of Audrey coming to terms with the idea that her father really did love her, but maybe he wasn't actually a better or kinder person in the end (and what if Memory Joey could actually face his mistakes in a way her IRL father never managed to....).
But I wanna focus in on one odd other odd thing Joey says to Audrey.
This doesn't quite feel like it goes with what's happening to Audrey -- she has no real reason to be genuinely tempted by the Ink Demon or to believe that her past dooms her to this (Joey Maybe You're Projecting); she's just reasonably freaked out that a big monster subsumed her into himself. It sounds like it's a line from some other scene in a different story, one where Audrey has always been the ink demon and this statement would have some emotional weight.
AND MAN LIKE........ ACTUALLY THAT SURE WOULD SHIFT THE TONE OF THIS SCENE, HUH. Maybe that would actually be really good in a different way???? lets think about this
Joey regretted his actions and, just as Allison had seen the good in him, he sought the good in the Ink Demon -- no longer trying to force his perfect Bendy, but just to give it a choice to be something else. And after many many tries, he was able to give the demon a piece of his own soul, make the demon something almost human. That's Audrey. the ink demon can be trans as a treat
aUDREY HAS EVEN BETTER REASON TO BE ANGRY ABOUT THE REVEAL THAT SHE'S THE DEMON
The demon that exists in the cycle is, like Joey, a memory. It's literally a representation of the past, it speaks to Audrey because it's her own memories, and it starts to take over Audrey as a resurgence of her grudges and anger from when she WAS that creature. She has a reason to have conflicted feelings here.
All of Joey's exhortations to not let the past define you, telling Audrey "you don't have to be this" when she becomes one with the demon -- these suddenly actually apply to her instead of just Joey projecting his own baggage onto her. When he says that she's his family and that he loves her, in this version, it wouldn't be just because she's better than his other creations; it's reaffirming that a love he'd failed to show for a long, long time still applies even when she's big and weird and angry. That family is more important than perfection. It's a resolution, finally, to one of his biggest failures in BatIM.
It would change the scene tremendously; Joey could say a lot of the same things and it would have more genuine emotional weight because it's no longer him ignoring and dissing the ink demon in favour of this shiny new person who makes him feel a lot better about himself, but him specifically refuting how he'd felt before, and saying "I love you so very much" to someone who maybe... really needed to hear that, actually.
The struggle between Audrey and the Demon also becomes emotionally relevant -- it's her grappling with whether she's willing to reset things, or to fall into the same cycle of mistreatment.
Other potential benefits to this change:
Baby Bendy showing up at the end has weird vibes when you know that it's a form the Ink Demon was forced into as a prison, actively doesn't want to be in, and escapes whenever possible... but if the Ink Demon is a representation of Audrey's past resentment, it seems a little less troubling that he could become the cute cartoon once Audrey is at peace with who she is and how she came to be.
If Audrey explicitly has a piece of THE SOUL OF JOEY DREW within her, then there is an immediately intuitive reason why Wilson would need her in order to control the Ink Realm -- and also why she realises that it's hers to influence in the end. I think you could already sorta headcanon this with what we got, but with how important souls were in BatIM and DCTL, it'd be nice to have them come up again.
Anyway I think that's.... enough for this post. Some Joey thoughts and AN AUDREY AU I GUESS!!!
#batdr spoilers#batdr#we all write on the walls#joey drew#batim audrey#audrey drew#ink demon audrey#unsure how coherent this is i just have a LOT of feelings about this scene#whether you play it straight or treat it as unreliable its still REALLY INTERESTING
234 notes
·
View notes
Text
You Should Diversify Your Horror Rec List (Rec List Enclosed)

by Rae Maybee.
If you’re a Western reader, hopelessly in love with horror as hard as I am, you might have found you’ve gotten bored of the common tropes involving demons, poltergeists, vampires, and zombies. While it might be part of the fun for genre elements to provide reliable elements to a book that you’ll know you’ll enjoy, a predictable ending might conversely not be as hard-hitting and well… scary.
Psychologist D. Zillmann proposes that enjoyment is the result of suspense and specifically, the anticipation of a resolution.* For this sense of suspense to be at its most acute, a reader must not know exactly how the plot is going to resolve—for better or for worse—because the resolution itself is technically less important than one’s anticipation of it. Dr. Neil Martin, summarizing multiple studies of horror film viewers, also proposes that enjoyment is associated with destruction, excitement, and unpredictability.** In other words, fans enjoy horror because they find it new, interesting, and stimulating; entertainment comes from the exposure to new ideas. (Usually, horror does this well by shocking and appalling.)
Dr. Matias Clasen’s 2012 biocultural approach to horror, furthermore, examines monsters specifically as an adoptive storytelling form designed to help readers encounter and deal with innate fears.*** Most interestingly, he argues that there is a depth to horror that taps into our upbringing and the instincts we’ve evolved to survive—that is, environmental factors brought on by our culture and other surroundings.
While it is true that many cultures share fears and conceptualize similar ideas revolving around those fears, it is also true that there is a wealth of unfamiliar concepts waiting to be explored outside the boundaries of intra-national fiction. Using Dr. Clasen’s model, one could surmise that writers of different cultures will have grown up with varying fears, based on their unique geographies and socio-political climates. A writer from one continent might write a monster inspired by an animal that another continent doesn’t encounter, to give one broad example. And horror consumers will attest that religious and mythological elements play a big part in many subsets of the genre (those tend to be known for inspiring fear.)
To give an example from my own experience, when a reader who has consumed nothing but American horror is exposed to say, a demon possession in a book they’re reading, they may be able to predict its strengths and weaknesses (ergo, an exorcism). However, that same reader picking up a book from, say, Bolivia, might find themselves introduced to a threatening Pishtaco and especially worried about the powers it might yield.
Of course, if you’re reading this and you’re already well-acquainted with the monsters of the Andes region of South America, fear not. I’m excited about a few other recommendations for books that will pique your curiosity.
Violet Kupersmith’s Build Your House Around My Body is a good example of a novel that winds around itself and consistently keeps the reader guessing. The story revolves around a young Vietnamese-American woman who has traveled to Saigon to teach English—and, hopefully, reconnect with her heritage. She gets far more than she bargained for, though, as her story intersects with almost fifty years of Vietnamese history coming back to (quite literally) haunt.
Stephen Graham Jones’s The Only Good Indians is a novel about four Blackfeet Native American men struggling with tradition, identity, and the wrath of a spirit hard-bent on vengeance. Readers are kept on their feet by the intense imagery and shifting points-of-view which never let the tension slack for a moment.
The Queen of the Cicadas, by V. Castro, follows a woman who’s returned to Texas for her best friend’s wedding. Once there, she comes face to face with a local legend, la Reina de las Chicarras, who was born from the unsolved murder of a Mexican farmhand. Part detective story, part tale of revenge, this book introduces readers to a number of goddesses and ghosts—and all the worse, the very harsh realities faced by migrant workers.
Whether it’s with the books above or beyond, I highly recommend seeking out and supporting authors from cultures and nations different to your own. Fear is such a universal emotion, and not only will more international interest boost chances of further translated works (we always need more), their perspectives simply demand to be heard. After all, it’s a big, diverse, and terrifying world out there. You already love it; why not wander further into the darkness?
Rae Maybee is a graduate student from Emerson College’s Publishing and Professional Writing program, and she’s published the following pieces online: “Momentary Imbalance” in The Bluffton University Literary Journal and “Challenging the Best to be Better” in Moreover.
*D. Zillmann (1996). “The psychology of suspense in dramatic exposition” in Suspense: Conceptualizations, theoretical analyses, and empirical explorations eds. P. Vorderer, H. J. Wulff, and M. Friedrichsen (New York: Routledge, 1996).
**Neil Martin, “(Why) Do You Like Scary Movies? A Review of the Empirical Research on Psychological Responses to Horror Films” Frontiers in Psychology 10 (2019). 10.3389/fpsyg.2019.02298
***Mathias Clasen, “Monsters Evolve: A Biocultural Approach to Horror Stories” Review of General Psycology 16, no. 2 (2012): 222-229. https://www.ucentral.edu.co/sites/default/files/inline-files/monsters-evolve-cineclub-julio-2020.pdf
#review#gothic fiction#gothic literature#book review#horror books#fiction review#horror fiction#horror literature#tbrbooks#horror tbr#essay#lit essay#horror industry#literary criticism#horror novels#gothic lit#horror lit
13 notes
·
View notes
Note
Why do you think piracy’s not an inherent loss of profit for the creators? Genuine question. I’m pro-piracy AF (currently in a developing country and broke :/ I pirate literally everything that isn't made locally)
I guess my primary issue with it is the assumption of someone wanting to consume your good = guaranteed profit and therefore them not spending money on it = loss of profit, when that's simply not... how that works?
Like, I went to the store today craving doritos. If I ended up buying pringles instead, that isn't "lost" profit because it was never their profit to lose. It was never a guarantee, it was never owed to them just because I want it.
To bring it more directly to piracy and media, someone WANTING to consume something doesn't guarantee they will EVER spend money on it. Maybe they can never afford to buy that book. Maybe it's a low priority purchase, so they'll always buy other books first. Maybe they're not that interested in it and would only ever read it for free.
Some things literally cannot be accessed legally--maybe it’s not sold in their country, maybe it’s banned, maybe it’s only available for rental and not purchase, maybe it’s not being sold at ALL anymore. This happens to many books! They go out of print!! Sometimes books aren’t ever officially translated or otherwise made accessible to entire populations.
Right, so that book was never "guaranteed" the profit to claim it has lost when that person buys another book or doesn’t buy anything at all.
Likewise, the profit isn't "lost" if they get it from a library instead. Or if they borrow it from a friend. Is buying a book second hand piracy? The author isn’t getting that money. What is the line on “lost profit?” Arguably, there is no line.
So, a person pirating a book is just... someone who may have never purchased the book, continuing to not purchasing it. No money was lost because no money was ever gonna be made there.
And then there is the element that can't be neglected: many people who pirate a good will later purchase it. Maybe they pirated it as a test run to see if they'd like to own it and when they do, they purchase it. Maybe they end up liking it so much, they gift it to a loved one so they can partake too. Maybe they want a physical copy to show off their love for it.
Maybe they don't buy that book but the next time the author publishes a book, they buy that one.
Or they talk about their love so much, they inspire others to get into it.
Do those purchase negate the “loss” stemming from piracy? Is five people buy a book because one pirate raves about it, isn’t that a gain? Or can we recognize on a conceptual level, profit doesn’t work in such a grand way.
IMO, demonization of piracy is just a way to avoid conversations around the actual issues keeping artists from profiting from their work--piss poor contracts, lack of societal support for the arts (ie not being able to take time off to actually do creative endeavors), horrific work conditions or deadlines for a lot of the arts, and the way the teams around them (agents, publishers/distributors) get bigger pieces of the pie than them. As well as accessibility of the arts—like if your work is devalued and therefore not sold in certain areas or is straight up banned or not translated, THAT is the issue, not pirates.
And then bigger problems like bigotry and privilege with creative spaces, giving opportunities to some but not others. Like, yeah, not being able to get anyone to pick up your work is going to affect your ability to make profit.
But it's easier to shame individuals for pirating than face the systemic issues around being an artist.
143 notes
·
View notes