#moon does stuff

[silly-lil-moon]

Meet Cassie!

My ppt oc (who's a toy that looks like a human child)

Some info:

She uses a butchers knife to protect herself.

Some would say she's a heretic.

She was made to help/teach some of the adoptive parents of playtime co.

She wasn't accounted for during the hour of joy. Just like Delilah.

Some rumors say she had a twin named Sarah.

One person would ALWAYS be carrying her around and acting like she's actually her child. Cassie doesn't remember her "caretakers" name, but she wants to find her.

The child who got assigned Cassie was named Sammy (No known last name)

When talking, it'll either be Pink or Red

Or both.

Thought you'd like this @ab-art-07 :D

[demaparbat-hp]

Here I am, pushing the Jian Li (Akai Kotou! Zuko) = Jinshi (The Apothecary Diaries) agenda.

[spotsupstuff]

I'm still working on getting the gardening ending for myself, but I've been collecting some ponderings I'd like to write down. So:

A congregate of thoughts on Watcher lore (as of now):

• I really like that this DLC is right now three kids in a spiritual trenchcoat. None of them is normal. I bet they'd all be friends if they met.

• I really like the color coding of these 3, as for what I've assumed regarding to colors' symbolism in this world: - Black stands for Nirvāṇa, the Void, being outside of the reincarnation cycle - Gold/yellow stands for holiness, ascension - Blue/purple stands for damnation/stagnation - White stands for Saṃsāra, the cycle of reincarnation, the physical world (the Watcher lingers in the physical world, unwilling to leave it)

On the account of blue and yellow being on opposing sides on the color wheel, I'd also gander a guess that the Rot and the Void don't entirely agree with each other/may be on opposing sides.

• Therefore, I don't think the gardening ending was exactly what the Rot Prince wanted to achieve, supported by his last two dialogues with the Watcher:

[Greeting lines]. As with all great deeds, my work is not without great challenge. It has taken eons and the light fades. The paths close and change. I can almost feel... a will... at odds with my own.

[Greeting lines]. Forgive me if I go on! You have done so much for me, I will not burden you with my troubles. Please, rest here as long as you wish. You are always safe here, my dear friend. You, who were there for me.

My guess is that the content that hasn't dropped yet will introduce either a new character/s in a sort of godly roles, or will explain the powers playing behind the wheel flowers and the Cycle.

• A light at the end of the tunnel (or something white/bright with a way to it?) is mentioned by both Spinning Top (at her ending) and the Prince (both as a flowerbud and in that first paragraph I copied up there).

I don't know what to do with this yet, I just found it interesting. Something something the white light within the Void Sea in the original game?

• ,,Outer Rim...?"

The Buddhist cosmology says the world is made out of 9 mountains (Mount Sumeru [the axis mundi], 7 golden mountain ranges and 1 outermost iron mountain range [maybe the withered buildings here are made of rusted iron, buried in stardust]) and 8 seas (7 freshwater and 1 saltwater), with 4 continents within the salt sea who's inhabitants each have a little something extra (except the South I guess, that's where *we* are. well apparently all Buddhas appear here actually, so you know. that's a something).

For an interesting example, the north continent called Uttarakuru is said to house the wealthy, owning no private property, where their food grows by itself and they live in the skies (Iterator cities, nudge nudge).

The name of this region could point to the Buddhist cosmological map being a physical fact for this world. I'd like to think that the dimension hopping aspect to the Watcher's worming through the space-time is at least limited to 4 continents(/realities?).

Also a fan fact: in Chinese mythology it is said the waters flow and stars fall slowly, because a water god with a bad tamper, Gònggōng, broke one of the pillars supporting the sky. Combining this fun nugget with the established lore in a pearl that everything is once eaten away by the Void down below, I'd say it is safe to assume on 89% that the dust mentioned in that pearl comes from the heaven itself and creates a sort of a cycle of the physical matter.

Suppose stardust is what creates everything, powers everything (just as is said in science). Suppose the Starcatchers are superstructures made for conversion of it into desired forms, these ones perhaps in the West of the world specifically, because of their circular shape.

(Meaning Signal Spires are perhaps of the South, while original game- aka Pebbles and Moon- are in the North of this world.)

• I find it fascinating and validating that Spinning Top needed some sort of an Embrace from one of the Five Urges/Hindrances (the third one, companionship) to be able to pass on.

It points to my idea of what the religion is Really supposed to be about: the Five Urges are what they are- urges- and they cannot run rampant. The point isn't to absolutely *eradicate* violence, pleasure, companionship, hunger and desire to live from oneself. The point is to be able to control these things and not cling on to them.

Because if one clings on to something, they stagnate, they cannot progress, they rot and they *fear* losing the something more than they can truly enjoy it or they get far too lost in it to feel it right anymore. To cling on to life means being afraid of taking risks, trying something new and really Living.

But now that doesn't mean going for the opposite is the correct way to go about it- that still creates a desire, a clinging- an urge for death is just as good as urge for life. It binds. It's extremism without careful consideration for what is really the best to do, feel and think in any given situation.

(This goes for love, too, it is GOOD to love, but going too far becomes unhealthy obsession instead of love. Going the other way results in hatred, another utterly useless and harmful thing to harbor. Same as indifference - that is stagnation again, that isn't picking up something, working with it to move forward. Love is a forward motion that is required, but cannot be overdone because as so it would be bastardized into something else, possessive and caging.)

Spinning Top could move on only when she knew that the flipside of the Third Urge- a sickening loneliness- wasn't something to fear anymore.

• Yeah, I don't think we can count on backgrounds too much when it comes to size calculating on the basis that they are probably shaped around gameplay. Specifically thinking about how the spinning top toy changes sizes between it's in-game model and the art. When it comes to Ancients, I'd say the best one can do is do what feels right.

• The Rot Prince is some sort of a boosted up Preta, I swear to heavens. Hungry guy. Maybe the Rot as a whole is a Preta stand in, just way more physical.

• Can't believe my ,,Respawning is real" headcanon has been officially given the thumbs down... The *Strand* Theory is real. (Even though DP is separate from the Watcher, this at least explains why Artificer didn't just go back to the last shelter she slept in when her cubs were still with her. They went to a different strand, where a different Artificer managed the situation better and we are stuck in this reality without them.) (We see them in her Void ending either because they are the one thing her heart wishes for [the Void gives comfort to those who are passing, as far as I am concerned], or because the Void is where all the reality strands and times coincide into one another.)

• On that note, no Fucking wonder the Ancients wanna bail - we don't really know to what extend they were aware of reality's unwounding nature, but assuming it is Pretty Thorough, I too wouldn't wanna live with the knowledge that in one reality I might've died on my loved ones, leaving them broken, while in the other everything is just fine and dandy.

The endless wondering of ,,Did I die in a different reality at any point in my life? Did I leave these people I love behind to hurt, alone, and I can't do anything to help them? I can never know, I'm not allowed to comprehend..." would slowly kill anyone with a heart, I think.

• I wonder if the Prince is a puppet/the Rot made itself a puppet, - because the Starcatchers were Iterator-esque biomechanications with a different directive than iterating on the Big Problem and this is a consumed Starcatcher (something about its budding dialogue feels to me like there was a sense of a Self beforehand that was drowned out by the Rot and then was pulled forward again with additions) - because the Rot is at the edge of the universe (humming a tune) where a messed up slugcat decided to start ripping holes in the reality, therefore connecting different strands including to places where the Rot already existed as a plague upon Some Iterator, which gave spark to sapience and inspiration to a new mind

• The new karma set is definitely a droplet and the ripples it leaves behind. Makes sense, too, there's more ,,movement" within it the more Spinning Top yanks the Watcher around in time-space (accidentally, I'd guess. or the ,,blame" is more on Watcher *somehow*), messing up their physical existence more and more.

Maybe the karma symbols or the imagery itself have something to do with a combination of an axis mundi and the strand form of existence.

Something about there being a main timeline in which each action and decision creates a new ripple, a new strand.

• I wonder if the Watcher could've come across Spinning Top and effectively latch on/follow her, - because they were already dead/echoed (the dream sequence upon reaching the final karma level could mean they did go to the Void Sea and swam pretty deep but turned back and that resulted in Echo-ification? then again why can a lizard bite me. Spinny's laughing at me for it. Goddammit.) - because of their nature as someone who's so damn hesitant about things, who hangs in the backlines, only observes and learns. Very Echo-esque personality - because of their desire to have someone there

• Just realized that we have a canonical design for Spinning Top's mask, hot damn. ,,How do children's masks look like?" answered.

I don't know why, that kind of creeps me out.

• The portals existing outside of us are made by Spinning Top, I'm pretty sure. She's always over them.

Is it normal for Echoes to leave tears like that? I think if the Rot Prince met her and knew she's the one who started this whole journey that resulted in him coming to exist as a consciousness and to bloom, he'd see her as a friend the same way he sees the Watcher.

• I wonder if his approach to the Rot Triple Affirmitive is ,,it's going to get worse before it gets better". He has suffered, too- while he normally speaks gently, calmly, orderly, when he is a flowerbud he seems frantic to me. Like someone breathing through death before getting better.

• Is the concept of the Rot Prince created for the first time in all existences' or is he a repeating pattern, too? The Rot in the least seems to be a pattern, because of what Spinning Top says when we meet her in one of the original regions, eaten through by the Rot.

,,You shouldn't have come here. It's too far." Does that refer to this strand's/ripple's distance from the axis mundi/the water drop creating all these realities? The further out the little wave carries out, growing smaller and weaker, the more rotten through it is? Is it because still water is stagnation, just as the Rot is?

So the Cycle is change and movement, life and love, that exists in a hurtful matter not out of its design, but because it has to contend with absolute stillness/stagnation/the Rot? Or it's all part of the same system, truly designed like this?

Could a Mass Ascension be seen as an escape plan from a ripple growing old? Man...

• A quick attempt at illustrating the previous thought:

Some Pepe Silvia level nonsense going on here.

[angelshizuka]

"And now all I can see is how wrong it is to be so tethered to someone in such an unfair way. And not know how they feel. But I want you to continue to be who you are. Your business!"

HELLUVA BOSS 2.08 - The Full Moon

[batshaped]

wane, little crescent, and i'll be the moon

[mxterhyde]

I am the thousandth person to campaign for Moon Knight and Spider-Man to interact more

[starrysymphonies]

THE GANGS ALL HEREEE!!!!!! My vat7k redesigns

These drawings are kinda messy but!!! They took so long so I’m not cleaning it up :P

Plus a mini doodle comic with a little HC I have. Kinda?? Moon!Varian??? But also kinda not. More like magic radiation from Quirin being near the Moonstone being passed to Varian and my idea on how magic might work

[inkyucu]

Now, of course, this wouldn’t ACTUALLY happen because Ruin would be too terrified of being killed to say that

But it's still funny to think about

[silly-lil-moon]

Ah yes, chaos.

With, @miss-dolly-delilah (soon to be my own player blog-) and My version of the B.B.I catnap!

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[ohno-the-sun]

The sun and moon show is such a fascinating little case study of like the ups and downs of role playing entertainment

Like it’s pretty obvious they don’t have a script but do generically plan things out

Like sometimes I’m like there’s such good ideas here if they just had one or two more rewrites it would be perfect-

But there is no script they’re doing it in one take so all the little mistakes and inconsistencies are left in

[al-luviec]

band au

[mattodore]

guy whose “extended one-night stand” regularly deploys polish to call a little mouse

[tanadrin]

the inability to use modern expressions like "jesus christ" and "oh my god" when writing people speaking in a modern, colloquial fantasy in fiction is actually really awkward sometimes. because almost anything you replace it with is going to sound naff as hell. tempted to just leave the culturally-contextual oaths in and trust people to understand that they're translation conventions. turn linguistic smeerps into rabbits, as it were.

[vaguely-concerned]

I stumbled my way through some pseudo-milestone social and personal stuff today and you know what? it was incredibly nice and a good experience and I'm proud of myself, actually. needless to say my nervous system in the immediate aftermath is also humming at at a pitch that could break glass and kill dolphins, and I feel faintly like three day old sunkissed roadkill, but sometimes you just have to tank that shit because that seems to happen whether what's going on is good or bad lmao

[anghraine]

ngl I always find it wild to see Star Wars stuff that's like "if you think about it in terms of realistic statistics/science then..." about almost any aspect of it.

I mean, what about the Star Wars films gives the impression that this universe abides by realistic statistics, or realistic anything else? SW is broadly a fantasy epic projected onto an IMAX screen with a space background painted on it. Yeah, the planets and moons in the films almost always have improbably limited biomes and two major locations max, because narratively these locations are usually just fantasy city-states with space aesthetics.

Starships travel at the speed of plot and we simply jump past the amount of time that presumably is passing, and sort of imply the passage of that time through shifts in the character dynamics. But this passage of time cannot be analyzed with any kind of consistency because the only logic governing it is the pace of the story.

Just how long did it take the Empire to send a full contingent of forces to Dantooine, search the entire planet, find the Rebel base, and then report back to Tarkin between one scene and another? No one says and no one appears to care. How long did it take Han and Leia to reach Bespin and what exactly went on between them while Luke was, in the same time frame, going through a protracted training over multiple days at an absolute minimum? ¯\_(ツ)_/¯

How do giant space worms survive inside asteroids that somehow have an Earth-approximate gravitational field and I guess an atmosphere? Shhhh don't think about it. The point of the sequence is not "how does the giant space worm subsist off this random asteroid and how does it breathe and how does gravity work in this context, seriously" but that the giant worm sequence is fucking sick.

There's probably some after the fact EU justification invented by people who had nothing to do with the original writing of the space worm (or perhaps there are several mutually incompatible explanations) and I am profoundly disinterested in them. Nothing could make this even slightly realistic and it was never intended to be. Star Wars sings space shanties at scientific/mathematical realism as it sails past on a completely different ship going in the exact opposite direction.

And I do mean "sails" because while astronomy might tell us that space is unfamiliar and wild on a level we as Earthbound lifeforms can barely comprehend, Star Wars understands that space is basically an ocean, yet with stars and cool but survivable planets in it, or sometimes it's air but combined with a super cool space background so you can have early 20th century aerial combat that would make no sense in actual space conditions and doesn't need to.

"If you consider relativity, then just running the Empire would be..." General relativity does not govern the galaxy far, far away. Space magic does. I'm not sure there are even time zones.