#more stuff from behind the scenes

[fiepige]

Hobie intro animation concept to final scene

[mizgnomer]

Behind the Scenes shots from Good Omens Season Two Crowley and Aziraphale in Edinburgh

[juney-blues]

amazing digital circus would be so alright if it was good

[w1ld-wr1t3r]

I'm not even 15 minutes into rewatching Interstellar and I think there is a chance my imagination is running wild again . . .

I have at least half a loose fic plot already hELP.

[quibbs126]

My brain has basically fully convinced itself that Megatron is going to die in the Transformers One sequels, specifically in self sacrifice to defeat the Quintessons

It keeps appearing in my brain, it’s basically solidified itself as a concept now

[littleoddwriter]

So many people -- especially cis men -- not understanding why Elisabeth takes the Substance in the first place, and then continues to take it, despite Sue destroying her/them, is really frustrating for me to see.

Listen. If you make a video essay or write an analysis or whatever, but you don't understand possibly the most important theme of the entire movie, then maybe... do more research first and don't just continue to say everything about said theme is "stupid" because you fail to understand it. That is stupid.

Elisabeth is plagued by intense self-hatred that's been fuelled and made worse by outside forces; i.e. comments made about her age, body, importance, and worth -- and how all of that depends on her being young and sexy; but also just the general misogyny in our society and the industry she works in. People, who have been assigned female at birth, are confronted with that kind of misogyny from day one, essentially.

And Elisabeth is so desparate in the movie, so full of raging hatred toward her own ageing body that she'd do absolutely anything to "go back" and continue to live the life she's known best and felt "most comfortable (worthy)" with. Thus, the Substance is the very real chance she gets to do that with. It works well at first, until "Sue" becomes too greedy, for the lack of a better word.

Here's the thing where most people get confused, despite how much the movie emphasises it.

Elisabeth and Sue are one. They are still the same person, simply split into two bodies, but with one singular consciousness, which basically goes from one body to the other week after week. They both experience the same things every week, but are so dissociated from the "other self" that to some people it may seem like they aren't actually the same person, because Sue often doesn't seem to remember exactly what Elisabeth did during her week, and vice versa.

To me, that's not as confusing because I deal with dissociation myself, and my understanding of it here would be that Elisabeth's self-hatred forces this kind of dissociation between her true self and Sue, who is the perfect version of herself. She's so focused on Sue being perfect and better than her "true self" that they've become different people in her mind.

In her own mind, she can't associate Sue with herself, with Elisabeth, because she -- as Elisabeth -- is nothing like Sue (anymore) and could never be her. Elisabeth, now, only exists to further Sue. To keep Sue alive and successful and living her dream, Elisabeth needs to exist. But that's all the purpose she really has now. Of course, yes, she tried to actually live a normal life as Elisabeth in the beginning, but she was unhappy and couldn't do it because this self-hatred had gotten the best of her. All the time, she could only anticipate to be Sue again and continue to live her "true life".

This kind of self-hatred is incredibly vicious. Every chance Elisabeth had to go back to being just her, she couldn't take it. Even when she ended up terminating Sue, she regretted it and tried to reverse it, which ended in her death.

Self-hatred is not logical, and it can and does alter somebody's perception of themselves and the world around them so much that it can and does result in that person's death, be that figurative or literal. Unless, of course, that person gets the help they need. But for that, they'd have to actually admit that something is "wrong", and also be ready to change things.

I think it says a lot about how necessary a movie like this is when so many people misunderstand it, despite being so obvious with everything it's trying to say. A lot of people have complained about The Substance not being a subtle movie, yet at the same time, those people are most often the ones, who question Elisabeth's motivations and don't understand the most important theme of the movie -- self-hatred.

[aroaceleovaldez]

So, in your last post about the Percy Jackson TV show, I felt you lacked a few pieces of information/points. While it is true that the CGI in the film is pore and not constructed well, please note that while they have a large budget Disney has made a lot of restrictions to the show. In the original scrips there was a significantly larger amount of violence that would have needed more CGI. This was latter edited out of the script due to both restrictions and budget cuts for other parts in the show(sadly). Also to bring into prospective Sea of monsters the movie was made 10 years ago. Inflation has juristically affected the way money is used in films. Another thing to note is typically movie budgets are less than TV shows because they only are filming for one larger block of time. TV however they can take years meaning the acters need to be paid even for the time off set. This is not to say movies cannot take years, but it is to show that TV shows are filmed longer. I would also like to say I am genuinely not trying to be rude or unkind about your opinion and thoughts on the subject. I am just someone who has a different insight into the topic because of the things I know about the topic (I myself, am an actor and for the most part I think this is why the CGI was not the best as well as some of the script work). 

I did actually calculate inflation for Sea of Monsters versus the PJO TV show. We know the PJO TV show allegedly had a budget of $12-15 million per episode. For comparison, this is the type of budget Disney+ usually uses for stuff like The Mandalorian. I was doing a generous underestimate for the entire season which comes out to $96mil (12mil per episode x 8 episodes). Sea of Monsters' budget was 90mil. Here's that inflation:

So lil over $120mil. Going for a top estimate for s1 of the show (15x8) that's $120mil. And as far as I'd heard that may also not include stuff like budget for casting for the show. They are still roughly in similar ballparks.

Regardless of this - as an animator, i can tell you there is no excuse for that wonky CGI trident other than it being extremely quickly done. That's literally a transform error, like ctrl+t type stuff. That is a lazy and cheap trident, probably because Disney notoriously overworks and cheaps out with their CGI. The CGI problems in the show are majority because Disney's being cheap about it. This shows in nearly all the CGI in every episode.

If they had to remove violence from the script and so remove CGI scenes with it, then theoretically they should have more room in the budget for more or better CGI where it already is in the show. That money doesn't just vanish. Changing that in the script gives them less of an excuse, actually.

Also, as i mentioned in my previous post - if you don't want to CGI hydrokinesis, don't pick the franchise where the main character's defining power is hydrokinesis. If you can't have much violence, DON'T PICK THE GREEK MYTHOLOGY SERIES WHERE THE MAIN CHARACTER BEHEADS TWO PEOPLE IN THE FIRST BOOK AND IT ONLY GETS BLOODIER FROM THERE. You cannot have PJO without some level of violence. It's kind of very inherent to the series. Rick actually talks in his original Teaching Guide for The Lightning Thief about how, in argument against attempts to ban TLT (in this specific instance for "being too violent"), that monsters in the books poof into golden dust for a reason, because then they haven't "died." There is no blood. They can and will come back. Because it's fantasy. That is the excuse for all the violence. Of which there otherwise technically is a lot of.

If you are doing live action PJO you are going to have to have some amount of violence (and there is absolutely a level that is perfectly suitable for a PG13 audience. The show right now is leagues below that level. PG13 just means parental guidance for under 13 - this majority has to do with concerns about children under 13 replicating behavior on-screen. Past 13 kids know better than to do that, which is why that rating is a thing. There are plenty of film/media/etc that are way more gory and violent and are still PG13). You are going to have to CGI monsters/creatures to some degree regularly (alongside demigod powers like Percy's hydrokinesis even more regularly). And between those two things, characters are going to have to look like they're physically interacting with the CGI at times. Disney is capable of doing this. Disney does have the budget for this for the show. They're not doing it because they're being cheap. Disney has done this before and does it regularly. This is not anything new. It entirely has to do with CGI not having as many unions. They have no excuses. If they didn't expect to run into these problems then they clearly did no planning for what adapting the series would entail and didn't think at all of what the series actually featured before diving into it. And they have no excuse for that! That is step one!

[tex-now]

i think it'd be really fun to play around more with the veteran contestants being more experienced than the newbies

[repurposedmeatlocker]

There is a super annoying review of Lady and the Tramp on here trying to say that the film isn't about classism. While half-baked yes, I think it is very clear, ESPECIALLY with the historical context of romance films that came out at the same time, that it can't be seemingly pushed to the side simply because it is used as "dressing" for a film otherwise about dogs falling in love.

[r0semultiverse]

How to Super Boop & evil Boop on desktop.

Super Boop:

Hold down/hover over the boop paw button or the boop back prompt for at least one rotation cycle of the text or paw.

Evil Boop:

Hold down/hover over the boop paw button or the boop back prompt for at least three rotation cycles of the text or paw.

I hit post limit so apologies if I can't post this guide in time. 😩💜

[energeticpoltergeist]

Part 1: Mad King's War

Prologue: Diverged History(pages 17-21)

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[sapphic-luthor]

Honestly mon-el is hardly the worst instance of bland white hetero male character from the cw, but when you consider the circumstances of his character being introduced (abusive misogynistic showrunner self inserting) and the show he was introduced to (a show supposedly centered around a woman, with the ostensible purpose of her breaking free of the shadow of her more popular male counterpart) it does shoot his utter unlikeability through the roof past his more onerous peers.

see i wasn’t around in s2 so i didn’t/don’t know any of the behind the scenes stuff about the character choices or anything. i popped in right around the end of s4 i think and even then, years on, there was a lot of hatred toward mon-el that imo had the bang of a specific type of terminally online tumblr-callout-post off it. like just weeklong threads fighting with karamels and big huge posts about how problematic he was etc etc when honestly he’s like… fine, in the context of what he is, which is a cw character.

i honestly believe mon-el (and winn to an extent) both were victims (in this fanbase) of the modern online thing where we strive to equate unlikeability with moral failings to prove our own points; like it’s not “i hate this guy” it’s often “i hate this guy and he is problematic and here’s a callout post listing why.” and i totally fell for it because i went into this rewatch waiting for him to be this horrific unlikeable scumbag and he was pretty much fine.

obviously i don’t like the guy because straight men annoy me and we all know kara’s rightful place on earth is on her knees between lena’s legs, but all in all the ire that this fandom had for mon-el really does feel quite pearl-clutchy and overblown in retrospect lol

[averlym]

" just...come here. just sit here with me" (...that one scene from princess momonoke, click for better resolution)

[kcamberart]

I wanted to say that your 3D rendering is some of the best and aesthetically pleasing that I have seen in so long, it's my absolute favorite...! You are so talented. Thank you for always blessing my eyes with your beautiful work.

Thank you so much!! I've got a lot in store for this year already, so I really hope you'll enjoy seeing everything else I have to share with you all!

[deus-ex-mona]

i miss renrennnnnnnnnn

[unintentional-sad-wizard]

Waugh. Forgot to charge my phone before bed so I have to charge it now and since Apple is evil and removed the headphone jack I can’t listen to a podcast to fall asleep :(