#my hypotheses include:

[botanyshitposts]

Sign i saw recently had a bunch of paint worn away with lichen in its place, however i unfortunately did not have my phone on me 😔😔

in an alternate universe where science funding is stable and abundant regardless of monetary gain we have already gotten to the complex root of which lichens enjoy signs but only the letters or only the sign and what about the letters or sign they prefer and this haunts me

[scarecrowshindig]

big fan of mysteries that never get solved

[frogpols]

God bless kiraboss mention in op tags (Idk how to tumblr). I am very much samesies with le shipping, completely applicable to my fascination with kiraboss, also meaning kira and diavolo themselves

when i "ship" a thing really it just means "I would like to see more interactions between these two characters" regardless if the relationship is romantic, platonic, whatever. I just think it'd be interesting if you put these two together. usually there is also a coke and mentos aspect to it.

[prokopetz]

If you've seen trivia posts going around, may have seen ones about the baculum, a bone in the penis whose purpose is to help support erections which is present in most placental mammals, including non-human apes, but which is conspicuously absent in humans.

Those posts typically don't go into why this is the case, which is fair enough, since the question is far from settled. However, there are a lot of hypotheses about it, and some of them are pretty fucking wild.

I think my personal favourite is the recently proposed idea that, since soft tissue injuries tend to heal more rapidly and completely than broken bones, a flexible and resilient boneless penis constitutes a reproductive advantage in situations where genital trauma is common, possibly as a result of the development of upright posture rendering the penis more prone to blunt encounters.

Like, imagine humanity's proto-hominid ancestors going "actually, bipedalism is great" and promptly getting whacked in the ding so much that it exerted evolutionary pressure on the morphology of the penis.

[mayajadeart]

Fucking, thank god for grad students. Grad students are truly the GOAT of science. A lot of scientific research is limited by what kinds of research can produce results that might be profitable for businesses, including the journals that publish that research in the first place. But grad students? They're not trying to make money for anyone, they're trying to prove themselves as scientists before entering the professional world. The only thing a master's or doctorate thesis is supposed to do is prove to your university that you have mastered your craft and are capable of producing research that meets the standards of the scientific community. The only job that a graduate student has when producing that thesis is to do good research that has never been done before. They're just about the only scientists whose sole prerogative is to look where no one else has looked to answer questions that no one else has, possibly because no one else has even asked them yet, and to compile their results, whatever they are, for the pure sake of knowledge itself.

I'm not a scientist, I'm just someone who does scientific research in my free time because I'm deranged enough to think it's genuinely fun, and because a lot of the art I do is scientifically informed. But because I'm doing this research for art rather than a more "practical" application, a lot of the times the reasons why I want to know something are completely different from the reasons why these topics are actually studied. I don't want to know how to create synthetic equivalents of Feline Facial Pheromone F3, whose function we already know, in order to reduce stress and prevent undesirable behavior in pet cats in new homes and vet clinics, I want an analysis of the components that make up Feline Facial Pheromones F1 and F5, whose functions we don't know, in order to start building hypotheses about what those functions might be, so that I can figure out how catgirls would perceive these pheromones and theorize how they might talk about them in their native languages. But nobody's gonna pay me to do that, are they?

And let me tell you, sometimes the only people who seem interested in the kinds of bizarre and esoteric questions that an artist like me will have are grad students publishing theses. I still haven't found anyone trying to figure out what FFP F1 or F5 are used for, but I have found:

A full, comprehensive description of the complete phonology and grammar of the Lushootseed language and its dialects, spoken by several Coast Salish tribes of the Puget Sound region, published by Ted Kye in 2023 for his doctoral thesis at the University of Washington. Lushootseed is the source of many words from the region, including hugely important place names like Snoqualmie, Muckleshoot, Puyallup, Snohomish, Sammamish, Duwamish, Mukilteo, Shilshole, and of course, Seattle, but the language itself is extinct, with its last native speaker, Vi Hilbert, dying in 2008. There are, however, efforts to revive the language, and that would be significantly more difficult without Ted Kye's work. I think we can all see why this kind of thing is valuable.

And, this second one is a bit more esoteric but hear me out:

The discovery that a popular ornamental aquarium fish might actually have been sequentially hermaphroditic this whole time, which was practically a footnote in a 2016 thesis by Lia Gomes and Silva Henriques from the University of Porto, in Portugal. The fish in question is the red-tailed shark, Epalzeorhynchos bicolor, which is not an actual shark, but a member of the carp family that just happens to look like a shark, and two very important things to note about it are that it is critically endangered in the wild, and in fact was thought to be totally extinct in the wild until one was found in 2014, and that they are also practically impossible to breed in captivity. The primary threat to the species is considered to be habitat destruction. The quite substantial supply of this species in the pet trade today all come from fish farms in Southeast Asia, which use hormones to induce reproduction in the species, through processes that are kept as trade secrets and are essentially unknown to the scientific community. So, we have literally no idea how this fish breeds, which means that hobbyists can't breed it themselves, and scientists don't know what conditions they even need in order to breed in the wild. This one paper, written by students in Portugal who attempted to induce gonadal maturation in the species using hormone injections, is perhaps one of the only clues we have on the path to saving this species, and it hints at a conclusion that could have HUGE implications for the husbandry, captive breeding, and survival in the wild of the red-tailed shark: all of the individuals that were dissected without having undergone hormone injections were immature females, and immature males only started appearing in groups that had been injected, suggesting that all individuals of the species might start out as females, and then at some point in their development, certain individuals, for unknown reasons, may develop into males instead, making them sequential hermaphrodites. This isn't unknown in fish (clownfish do something similar, except they all start out as males and become female when they achieve dominance in their social group), but it was completely unexpected in this species, and could go a long way in starting to explain the difficulties with breeding them and potentially be a step on the path to learning how to breed them in captivity, as well as saving them in the wild.

Unfortunately, in the latter case, I wasn't able to find any other published work by either of the listed authors, and no one else seems to have repeated the experiment. This is a real shame, because the results of the experiments, while very intriguing, weren't conclusive; they had a fairly low sample size, and would need to be confirmed by further research. But there's no indication of that research being done, and I might be the only one other than the university's board of reviewers who's even read the thing.

All this is to say, fish testicles are interesting and I'm begging someone to do more research on them, please.

[literaryvein-reblogs]

Writing Notes: Anxious Attachment Style

Common Anxious Thoughts, Emotions, and Reactions

THOUGHTS

Mind reading: "That’s it, I know s/he’s leaving me."

All-or-nothing thinking: "I’ve ruined everything, there’s nothing I can do to mend the situation."

"I’ll never find anyone else."

"I knew this was too good to last."

"I have to talk to or see him/her right now."

"S/he can’t treat me this way! I’ll show him/her!"

"S/he is so amazing, why would s/he want to be with me anyway?"

"I knew something would go wrong; nothing ever works out right for me."

"S/he’d better come crawling back to beg my forgiveness, otherwise s/he can forget about me forever."

"Maybe if I look drop-dead gorgeous or act seductive, things will work out."

Remembering all the good things your partner ever did and said after calming down from a fight.

Recalling only the bad things your partner has ever done when you’re fighting.

EMOTIONS

Sad ⚜ Angry ⚜ Fearful ⚜ Resentful ⚜ Frustrated

Hopeless ⚜ Despairing ⚜ Jealous ⚜ Hostile ⚜ Vengeful

Guilty ⚜ Self-loathing ⚜ Restless ⚜ Uneasy ⚜ Humiliated

Hate-filled ⚜ Uncertain ⚜ Agitated ⚜ Rejected ⚜ Depressed

Unloved ⚜ Lonely ⚜ Misunderstood ⚜ Unappreciated

ACTIONS

Act out. ⚜ Attempt to reestablish contact at any cost.

Pick a fight. ⚜ Threaten to leave.

Wait for them to make the first reconciliation move.

Act hostile—roll eyes, look disdainful.

Try to make him/her feel jealous.

Act busy or unapproachable. ⚜ Act manipulatively.

Withdraw—stop talking to their partner or turn away from him/her physically.

Attachment classifications come from watching babies’ behavior.

Below is a short description of how anxious attachment style is defined in children. Some of their responses can also be detected in adults who share the same attachment style.

This baby becomes extremely distressed when mommy leaves the room.

When her mother returns, she reacts ambivalently—she is happy to see her but angry at the same time.

She takes longer to calm down, and even when she does, it is only temporary.

A few seconds later, she’ll angrily push mommy away, wriggle down, and burst into tears again.

Where Do Attachments Styles Come From?

Initially it was assumed that adult attachment styles were primarily a product of your upbringing.

Thus, it was hypothesized that your current attachment style is determined by the way in which you were cared for as a baby:

If your parents were sensitive, available, and responsive, you should have a secure attachment style; if they were inconsistently responsive, you should develop an anxious attachment style; and if they were distant, rigid, and unresponsive, you should develop an avoidant attachment style.

Today, however, we know that attachment styles in adulthood are influenced by a variety of factors, one of which is the way our parents cared for us, but other factors also come into play, including our genes and life experiences.

Source ⚜ More: On Attachment ⚜ Writing Notes & References Writing Resources PDFs ⚜ Avoidant ⚜ Secure ⚜ Disorganized

[sasha-n-james]

DPHW ANALYSIS

{Includes TMAGP 44 Spoilers}

I have painstakingly sorted and totaled the DPHW Scores given for each episode and each statement.

Takeaways:

Things are looking... terribly unbalanced

We can confirm for sure what CAT is

We see why externals need to be hired

Feel free to take a peek!

(I do not promise to be 100% correct or claim to have complete knowledge of this podcast. These are just numbers, equations, and hypotheses.)

Shout out to @mita-vittua-olivia, she and were locked in for hours thinking about this stuff. Oh and my sister too. She ain't on Tumblr.

Extra notes below cut:

Edit 1:

The totals of D, P, H, and W I calculated are only counting the cases that have been heard by us in the podcast. There have been countless cases both before episode one, and in between episodes that we have not heard.

In my count, W is the highest score. However, in episode 36, it seems that the system needs more W.

So either,

A: It is impossible for us to know the true totals/balance of DPHW, or, B: Freddy is hijacking the totals and encouraging an imbalance in favor of W.

It might be worth noting that in Klaus's notes on DPHW (or, TSHU in German) from the ARG, W/U is also the highest total in his data. [T=454; S=226; H=472; U=575].

[actuallyberriesarebananas]

Just My Type

Anime/Manga: Blue Lock by Muneyuki Kaneshiro

Itoshi Rin x GN!Reader (they/them)

Word Count: 2k+399

Summary: During an approaching winter in Shibuya, the Blue Lock boys went to fetch Nagi at the arcade to enjoy their week deserved break. However, they have stumbled to see BL's manager waiting in the cold and these teenage boys had come up with some interesting theories on your type of lover.

A/N: Reader is referred as manager here. It felt odd seeing Y/N xD I can't take it seriously after the whole AOT Y/N thing.

Also, I'm not a Rin fan but I like his character and thought the plot idea suits him hehe

⋆꙳•̩̩͙❅*̩̩͙‧͙ ‧͙*̩̩͙❆ ͙͛ ˚₊⋆₊˚｡⋆❆⋆｡˚₊⋆꙳•̩̩͙❅*̩̩͙‧͙ ‧͙*̩̩͙❆ ͙͛ ˚₊⋆

Isagi thought the day at Shibuya would go by smoothly, in contrast with the incoming traffic flowing beside their walking lane.

What he didn't expect though is having a rowdy group of boys (himself included) hiding concernigly and inconspicuously behind almost transparent bushes and two tall vending machines which unfortunately didn't conceal much since Bachira and Otoya kept unintentionally nudging their heads against each other to peek at the victim who had caused this predicament.

The others did not offer much help at the situation either when Isagi dejected at the side, seeing the tallest members of the group hiding behind small bushes. "Forgive us" he muttered your name in pity.

It did not feel right to be hiding like this from Blue Lock's resident assistant manager, who is by the looks of it enjoying their time off work considering the slight smile etched on their tired face.

Heavy eye-bags evident that must be—Isagi hypothesize—the results of being assigned to handle 300 lively, troubling, and passionate strikers. As intense as he is when it comes to soccer, he commends their manager for their unwavering dedication.

"I thought we were picking up Nagi?" Isagi questioned to no one in particular as originally they were supposed to pick up their friend at an arcade.

Otoya gave a quick glance at Isagi and back at their target, "No can do! We must unravel this mystery."

"What mystery?" Isagi dropped a cold sweat.

"The person our manager is waiting for." A hand rested on his shoulder and red hair swayed softly as Chigiri's face came to Isagi's view that drew closer over his shoulder now, seemingly trying to get a better view.

"Wa-wait- you don't mean?" Isagi hitched a quick breath at the revelation.

Now everything clicked. The small and rare smiles he'd see back at Blue Lock as you tapped your phone. Sudden gifts like chocolates, flowers, and other trinkets that had now became questioningly downright romantic he'd see you hold around the base. A freshly prepared warm meal of ochazuke within your hands, a dish not commonly seen inside quarters.

When Isagi and Bachira approached you to ask about it, you simply dismissed it with a proud smirk "It's for a silly guy who overworked to sickness." You walked away after. Isagi dumbfounded at the shocking news of possible favoritism inside this establishment, and who—since the beginning—claimed to treat everyone fairly whether in the good or bad way.

Isagi wondered if Ego is even aware of this and already readied a number of complaints to be—not that he will—filed against his unfair daily natto treatment. Bachira's words came off from deaf ears as he said something of sort praying for—a name, Isagi didn't catch—full recovery.

Coming back from memory lane, his eyes landed back at you. Standing in front of a bus stop, and from his guess before you weren't finding a ride instead your behavior appeared to be waiting for someone.

Your lips pressed. A jittered hand fixing your hair from time to time even though it looked fine the way it was a second ago. A paper bag tightly held between you fingers and palm, your nails digging in to exude the cold from this upcoming winter weather.

Whoever is making you wait, Isagi assured in his mind with no offense, is kind of a douche for leaving you waiting during a time of low temp.

But it might not be a big problem for you when you still have that adoring grin that even seemed to twinkle at the wait partnered with a soft blush. Isagi is not sure if it was from the cold or a person in your mind.

Reo hummed with keen interest with the bush people "It's hasty to assume a lover." He rubbed his chin in contemplation "What if it's a friend?"

Karasu gave an abrupt laugh "Oh please, you are the last person I'd ask input about lovers and friends."

"What's that supposed to mean?" Reo incredulously looked at the crouched boy with full unidentified offense, but a gentle pat on his back from Yukimiya stopped his troubles who only exchanged a smile.

Tokimitsu at his other side added nervously, "Y-you'll get it soon, I'm s-sure."

"What-"

Yukimiya intercepted, "I truly wonder what he's like."

"Someone of superb glam if they had captured the heart of our oh so reserved manager!" Aryu theatrically posed.

"Someone shy and quiet like them?" Isagi contributed.

Reo interjected in front of Isagi, "No, no! Same attributes don't go well. It's gotta be an opposites attract thing." Isagi drooped down at his rejected assumption. Guess his puzzle piece didn't fit right.

"Of course you're into the opposites attract shit." Karasu rolled his eyes in mock, then smirked.

"I don't know what you are trying to insinuate here, but if you keep that up I'll—"

"I heard from others back at Blue Lock that manager likes short guys. Take it with a grain of salt though." Yukimiya added to Reo's claim which the violet head huffed at the support.

Reo glanced complacent at Karasu who replied in an expression of disagreeance.

"Oooh, I do see them chatting with Kurona often." Bachira tapped a finger on his chin, but a smirk crossed his face, "But actually, I know full well of their height preference. Manager is a tall guy enjoyer!" The dual haired boy exclaimed proudly with his finger raised up in confidence.

Isagi jumped at the sudden raise of volume, he bended a bit near Bachira to whisper "Bachira! Tone it down, they'll hear us." He sighed at his usual energetic friend, "What makes you sure of that anyway?"

"Huh? I told you before Isagi! Manager likes—" a smooth hand interrupted Bachira.

"Well, I think he has good personality. I asked manager about it one time and they said, they admire a guy who's patient and understanding through the highs and lows in a relationship." Chigiri gave a lopsided smile with his answer backed up from the original source. Bachira mumbled against his palm to retaliate.

Tokimitsu slumped his shoulders at this, "How did you get that info out of them?"

This instance made everyone turn their heads toward Blue Lock's princess, his hand on his hip standing as proudly as he would feel kicking a skilled goal, "With the power of hair products."

Aryu stretched out his long skinny fingers, "So manager is interested in the opposites attract trope, has a preference for someone taller than them, prefers open-communication, and patience in a lover." He pushed his index finger on his opposite as he finished enumerating all their jumbled guesses into one, "Good taste, I say."

"Oops, you caught me guys. My bad." Otoya huffed out a smug, patting his chest with both hands as if he won something, "Sorry for not letting you guys know sooner. Bae, wanted to keep it on the down low—"

Otoya shrieked when an unexpected fist hit his head "And did I forget they also said they value loyalty!" Chigiri tsked.

As hushed commotion started to incur, Isagi heard a heightened squeak of wheels. He averted his eyes towards the bus stop and his body came to a stop catching their manager's eyes widened in anticipation. Their body straightened and their hold on the bag gripped harder. Their face blooming with longing and oh no this only meant...

"Sshhh! Quiet." Isagi whispered but loud enough for everyone to hear. "He's coming."

Hearing this, the ensemble of strikers scrambled back behind their cover. Swears and complaints muttered at each other, trying to squeeze in as much invisibility they can create. Emphasize on can.

The coverage proved to be pointless anyway, when everyone poked their heads a little to observe the awaited scene. Their hearts beated expectantly. Their breaths moved in and out readying theirselves. Just who is the man that had caught a captivating grasp around the reverent heart of their reliable and caring manager. What allure did he have for you to fall deep on the flowerbed of blossoming passion of pure gentle admiration that is too complex to explain with only those words they call—love.

With beated silence, the man in mystery had came out. They assume to be the man in mystery when he stepped out of the bus and your face turned bright and jumped slightly towards him. You carefully touched his arm and your lips moved to greet.

Isagi discerned the moment in front of him quickly, similar to how he would in a match. Black slacks. Matching black leather jacket which shined from the enveloping glow of the setting sun. The guy's posture showed strong resolve that towered the other passengers exiting the bus. Striped turtle neck of white and cyan that he concluded to be quite tacky if not for the jacket. As his gaze landed to identify his identity, his eyes opened widely like saucers.

Thick bottom lashes.

Teal eyes. The same color that would pierce his soul everytime.

Dark cyan hair.

That indifferent expression.

No fucking way.

How could someone who looks so sweet end up with someone so, so—

BITTER.

Wait no, not bitter. Because the face he had now was not familiar at all.

Itoshi Rin. The Itoshi Rin is—smiling.

To what counts as a smile from him anyway. His lips was still in a thin line with only a few centimeters curved upwards. If you really paid close attention, and Isagi means close attention, it looks kinda like a smile.

In honor of Karasu, he provided the ice breaker "I'm seeing what I'm seeing right?" His confirmation only made Isagi's observation positive.

"You know. I'm actually not really surprised." Yukimiya still in kneeling position, had his arm on his chest and his other perched up by the elbow. His hand against his chin.

"They suit each other." He further said, while Rin slided a quick cheek rub then moved to push back strands of hair at the side of your head.

Otoya whistled, "Didn't know Mr. Top One had game in and out of the field."

Bachira pumped his fist in the air, "Hell yeah! See? I was right!" then inched beside Reo punching his bicep "Reo! Reo! You owe me five mil'!"

"I didn't bet you shit!"

"Aahh, my prochecy prevailed! They are absolutely the glam couple."

"I th-think they look great!"

"Hmm, not bad." Chigiri hummed your name seeming content with the reveal (Isagi corrects reveal to eavesdropping, but Chigiri only swatted him away). "However, seeing that smile unnerves me. I didn't think it'd be possible."

"This makes me feel that if our manager can make Rin smile like that. We can win World Cup." Isagi sighed with a smile of his own and Chigiri laughed as he nudged his shoulder to agree.

"Anything is possible, eh, isn't that right Nagi? Haha, wait—huh? Nagi!?" Chigiri shook his head baffled, a loud scream erupted from him at the sudden appearance causing another man crouching in front of him to trip on his hand as a bright flash dawned.

The bedhead lad grumbled in between words as he munched on some chips "Reo texted y'all were picking me up." He hung his head low as if standing was already taxing work, "It's been an hour. I got worried."

"Um, guys..." Otoya sweatdropped his phone in hand while looking dead straight in front of him.

All the boys changed their view back at the whole reason of why they were hiding behind dirty bushes and supposed discreet vending machines.

Their manager only sighed exasperatingly which funnily enough, sounded like a laugh. They patted Rin's arm to soothe the other. Unfortunately, it wasn't helping.

A cold, deep, dead stare returned at them. The embodiment of if looks can kill.

"Who took that?"

And if actions can kill then the stance Rin was giving obviously indicated that they should probably run now. (Hiding is definitely out of the options, Isagi accepted.)

A rush of wind breezed beside Isagi as Otoya leaped away first, phone clutched like it's pearls. "Ninja escape!"

"Otoya, you traitor!" Karasu screamed in betrayal, but hypocritically followed.

On instinct, Isagi grabbed a hold of Bachira and Chigiri. Determined to make a run for it. The latter two got the message, grinned, and started sprinting ahead.

"Congrats! Rin-chan!" Bachira yelled back with a wave.

"Goodness." Yukimiya could only exhale at the expected as he ran after.

Aryu jumped twirling and finger guns at the two while slowly anchoring his speed, leaving not before saying "Glam, glam!"

Tokimitsu already screeched ten steps in front of him.

As a newcomer, Nagi was about to comment to Rin and their manager when his weight shifted quickly. His steps began to walk. Reo holding him tight.

"Nagi, let's go! We can't lose to them!" Reo started to sprint pointing at their other friends way far ahead.

This unexpected hold as familiar as it can be, he never thought he'd experience it again after everything. "Okay. I'll follow you, Reo." Nagi ran.

⋆꙳•̩̩͙❅*̩̩͙‧͙ ‧͙*̩̩͙❆ ͙͛ ˚₊⋆₊˚｡⋆❆⋆｡˚₊⋆꙳•̩̩͙❅*̩̩͙‧͙ ‧͙*̩̩͙❆ ͙͛ ˚₊⋆

Additional Time!

A ping ringed in your phone. Your eyes opened out of dreamland as the sound erupted you from your thoughts.

You opened the popped out message, a glint forming in your eyes. Clicking the surface you read,

—Are you there?

You body trembled from the current cold of winter breeze as if confirming, nonetheless you closed your body for warmth in order to type.

—Yeah, I'm waiting

A notification sound rose up.

—Sorry, house got busy.

You were about to type out another reply when,

—Sae just left.

Your movements paused for a second. At the mention of his brother, you didn't know what to say that might not trigger him. You instead thought to change the course.

—I understand and stay safe : )

—Ok. You too.

—But get here soon though!

You directed your eyes to the side. Only your peripheral vision needed to see what you thought before was the cold getting to you. You sillily reminded yourself that bushes can't move on its own and vending machines don't grow heads. You grinned and chuckled.

—I think our soccer team is stalking me.

A minute passed after you sent it. You were expecting a reaction, so you shrugged it off thinking he turned off his phone for the meantime. A buzzed vibrated on your fingers.

—I'll be there in a minute.

You heaved out a quiet laugh.

His house is ten minutes from here though.

[ssa-dado]

Breaking down Hotch's apartment layout until someone from Criminal Minds slides into my DMs with the damn floorplans

- CASE BRIEFING: HOW HOTCH'S APARTMENT GASLIT US ALL

As an architecture student, I have a very strong (borderline obsessive) interest in analyzing spaces and locations... especially when they don’t quite add up. And one that has always messed with my brain (sometimes in a good way, but mostly in a frustrating way) is Hotch’s apartment from seasons 4–11.

The transformation from the bare, depressing space in s5 to the warm, cozy atmosphere with antique furniture and clever spatial tricks later on… it’s fascinating.

But also confusing as hell.

Because one question has always haunted me:

Is the apartment we see in Season 4/5 (where Hotch was stabbed and possibly SA’d) the same one he’s living in by Season 10?

(And since I’m a visual learner, here are the pics, because this mystery needs solving... I'll try my best)

(05x01 ; 10x05 don't zoom in, you freaks)

Seems easy to solve, right? The civil number is the same! Great.

121

...But hold on - what’s this?

(07x23)

...Damn, Aaron, your mailman must be going through it - 121? 123? Pick a struggle.

So… is it the same apartment or not? Because at this point, I’m losing my mind.

- VICTIMOLOGY (TYPOLOGY)

As you all know, the starting point is always victimology—but in architecture, my go-to is typology.

So, what kind of apartment building does Hotch live in?

Because once we figure that out, we can finally make sense of all the architectural crimes committed in his apartment.

We get a glimpse of his building in 5x02, and - without dragging you through a full historical deep dive (unless you want me to, in which case, buckle up) - here’s what we do know: it looks like this...

The building looks pre-WWII, likely built in the late 1920s–1930s, or designed more recently to mimic that era.

My guess is primarily based on the architectural detailing of the ground floor - the stonework, arches, and classical elements that give it a grander, more “expensive” look - and the distinct visual separation from the upper levels.

Spencer Reid moment - you can skip it if you'd like -> This actually follows a common design principle (partly influenced by Louis Sullivan’s theories) where different sections of a building reflect their function. The ground floor, being more public-facing, is more decorative and inviting, while the upper floors (where the apartments are) are plainer, emphasizing privacy.

However, the upper levels look stripped down, almost too plain, like they went through a more recent renovation that removed some of the og character. While it was normal in the 1920s/30s to emphasize the lower level, the upper floors would still have had some kind of textured finish brick, terracotta, or even decorative stone accents. Instead, here, it looks like someone just painted over everything... a bit sad, honestly… much like the man living in one of these apartments. Sorry Hotch but it is the truth.

That said, based on the photos, I hypothesized a possible volumetry diagram and main floor plan of the apartment building, including its functions and layout.

Knowing that Hotch lives in 121 (or 123… whatever it is today), he could very well be on the first floor. Old man isn’t about to risk climbing seven flights of stairs, understandable.

(Or, if we lean into the conspiracy theory that he has childhood trauma related to fire, it’s very telling that he chose a first-floor unit, making for an easier escape in case of danger…)

Our lovely Emily Prentiss gave us a sneak peek at the ground floor interior in 5x01, which - combined with a study of the window placement on the facade - helped me piece together a small section of the central layout.

From what we see, I feel even more confident about the building’s era - especially because of the beautiful wooden decorated elevators (yes, those are elevators, not doors... check the buttons on the side)

And now, for another Spencer Reid moment, part two -> In the early 1900s, when elevators were first being introduced in residential buildings, they didn’t look like the modern ones we see today.

Why?

Because men fear change.

Just like with any new technology, people were hesitant, so architects and designers made elevators blend in by disguising them as something more familiar - often looking like grand wooden doors or classic entryways rather than the industrial metal boxes we think of today.

This same pattern happened with building structures - steel (and concrete too!) was widely adopted in the early 1900s because of its strength, allowing for taller buildings, but architects still hid the steel frame behind stone or brick facades to maintain the look of traditional palaces. Even early cars looked like carriages because people weren’t ready to embrace a completely new form.

So, Hotch’s apartment building? It’s yet another classic case of early 20th-century architectural reluctance to embrace modernity - which, honestly, fits him a little too well. The man bottles up his emotions behind the calmest face just like his home hides its innovations behind classic detailing.

I see you, Aaron. You’re not fooling me.

Now, you may be asking - "Phi, weren’t you supposed to expose all the inconsistencies in Hotch’s apartment and finally solve whether it’s the same place or if they changed it?"

To that, I say… we’re getting there.

Because before we dive into the madness, there’s something that really messes with my brain - the window placement in Hotch’s apartment.

But to even begin analyzing that, we first need to understand how a typical floor plan in a building like this would be structured. And once again, our queen Emily Prentiss in 5x01 unknowingly led us straight to the answer.

The bastard even has a vaulted ceiling - right where I believe the main distribution area (aka elevators and stairs) is located. You can spot it in the pictures near the exit signs.

Also, just a heads-up... in the diagrams, the apartments look smaller than they actually are because I was too lazy to make multiple detailed drawings. (But hey, if someone paid me - hi, CM - I absolutely would) So, for now, I’m using that as a quick reference.

Now… the interior! Or should I say… the everchanging interior.

In this issue, I’ll be analyzing the Season 5 version - I even sketched out a small section of the floor plan (which could be completely wrong, because things change every episode).

From these pics, we can see that his windows are on the opposite side of the entrance - which, so far, checks out.

But wait... look down here! Check out the window placement in the kitchen. Thanks to that little detail, we can hypothesize that Hotch’s apartment is located in what I’ve labeled as "Unit B" - aka the unit with double exposure (great for ventilation, Aaron, solid choice).

From this pic down here from the s4 finale, we also get a fun little bonus detail - there’s what looks like a tiny dryer (or washing machine?) just sitting out in plain sight. And right behind Hotch, there’s a door that, based on the dimensions, I suspect leads to a bathroom.

Enough details to sketch out a partial floor plan… and there you have it!

A (partial) floor plan of Hotch’s apartment in its saddest era: bare, empty, and drowning in case files from seasons 4–5

And seeing more of his apartment in later seasons should be a blessing, right? It should help us map out the whole thing, right?...

Right?

...Wait.

Is that... a full-ass door on the right that totally wasn’t there before?!

Aaron, you hypocrite - you shut down Spencer Reid’s physics magic, yet here you are summoning entire new rooms into existence in your apartment.

(05x02 ; 10x05)

Alright, fine... where does that door lead?

(10x20)

Hot damn.

Referring to the home office, of course… and here’s some solid proof of its placement. Now, I’m gonna… step away for a minute… process... this... architectural betrayal… but YOU - you make sure to study these pics. I’ll be quizzing you later, got it?

Alright… and now… now that you’ve hopefully been studying (and totally not getting distracted by Hotch’s shirt hanging on for dear life - OMG LOOK AT THE [REDACTED])… focus.

You nasty.

Window placement.

Where’s the home office window? Exactly... on the same side as the others in the living and dining area (you can tell by the way the light enters the room in the pic on the right)

And since you’re all very interested in the architecture (and definitely not drooling over a certain Unit Chief), let me ask you this:

WHY THE HELL IS THERE A WHOLE FIREPLACE IN HIS HOME OFFICE?!

Don’t worry - I’ll answer for you. Since y’all are nasty.

Can I just say that it UPSETS ME to the point where I’m considering a 30-day diet of just drywall that THAT MAN - THAT FEDERAL AGENT - HAS A FIREPLACE. IN HIS HOME OFFICE.

(HELLO?!?!?!?!?? Whore.)

Unhinged. Because:

1. A fireplace is quite literally a symbol of family and warmth (fun fact: Frank Lloyd Wright always designed homes starting with the fireplace! Oh, wait. You might not know who that is, so now this just sounds confusing. My bad. Anyway, he designed a lot of cool stuff... moving on). A fireplace belongs in a living room or dining area, where people actually gather. And considering Hotch’s building is old, there is no way it was originally designed to have one in a private office. That placement is categorically wrong. You’re a terrible designer if you stick a fireplace in an isolated office but not in the main living space where it actually makes sense.

2. The writers could try to lie to my face and say, “Oh, maybe the room was repurposed into Hotch’s home office.”Wrong. His apartment has a big open-concept living/dining area with the kitchen on the side. And unless his place is secretly Rossi’s mansion (spoiler: it’s not), there’s no way the original layout had a separate formal dining room. And even if it did, the fireplace is still in the wrong damn place because formal dining rooms are typically closer to the entry.

3. They could lie even harder and try to argue that Hotch having a fireplace in his office is some deep, symbolic artistic choice - like, oh, he’s so devoted to his job, he’d rather warm his ass doing paperwork than sit by the fire reading Jack a bedtime story like a decent human being. Like. Come on. He’s a family man, for god’s sake. Either give him a properly placed fireplace or JUST DON’T GIVE HIM ONE AT ALL.

(Less is more, people!!! Unless, of course, we’re talking about Hotch’s [REDACTED]... oof. Damn censorship. Right when I was about to say something deeply unholy. )

Goodbye. See you in the next issue.

Hopefully by the end of this series we'll manage to sketch down the entire floorplan

Phi.

[arminreindl]

Fossil Crocs of 2024

Another year another list of new fossil crocodilians that greatly expand our knowledge of Pseudosuchia across deep time. Happy to say that this is my third time doing this now, so I'm not going to bog you down with the details and get right into it.

Benggwigwishingasuchus

Our first entry, sorted by geological age of course, is Benggwigwishingasuchus eremicarminis (desert song fishing crocodile) from the Middle Triassic (Anisian) of Nevada. It was a member of the clade Poposauroidea, which some of you might recognize as also containing such bizarre early croc cousins like Arizonasaurus and Effigia. Also notable about Benggwigwishingasuchus is that it was found in the Fossil Hill Member of the Favret Formation. Why is that notable? Well the Fossil Hill Member preserves an environment deposited 10 km off the Triassic coastline and also yielded fossils of animals like Cymbospondylus, the giant ichthyosaur. Despite this however, Benggwigwishingasuchus shows no obvious signs of having been a swimmer or diver. Instead, its been hypothesized that it was simply foraging around the coast and might have been washed out to sea.

Artwork by Joschua Knüppe (@knuppitalism-with-ue) and Jorge A. Gonzalez

Parvosuchus

Fast forward some 5 million years to the Ladinian - Carnian of Brazil, specifically the Santa Maria Formation. Here you'll find the one new genus on the list I did not write the wikipedia page for: Parvosuchus aurelioi (Aurélio's Small Crocodile). With only a meter in length, Parvosuchus is amongst the smallest pseudosuchians of the year and a member of the aptly named Gracilisuchidae. Santa Maria was actually home to multiple pseudosuchians, including the mighty Prestosuchus (and its possible juvenile form Decuriasuchus), the small erpetosuchid Archeopelta and larger Pagosvenator and one more...

Artwork by Matheus Fernandes and Joschua Knüppe

Schultzsuchus

Yup, Santa Maria has been eating good this year. Before the description of Parvosuchus, scientists coined the name Schultzsuchus loricatus (Schultz's Crocodile). Now this one's not entirely new and has long been known under the name Prestosuchus loricatus (by which I mean since 1938). What's interesting is that this new redescription suggests that rather than being a Loricatan, Schultzsuchus was actually an early member of Poposauroidea like Benggwigwishingasuchus. Even if it was no longer thought to be close to Prestosuchus, it was liekly still a formidable predator and among the larger pseudosuchians of the formation.

Artwork by Felipe Alves Elias

Garzapelta

Our last Triassic pseudosuchian and our only aetosaur of the year came to us in the form of Garzapelta muelleri (Mueller's Garza County Shield). It comes from the Late Triassic (Norian) Cooper Canyon Formation of, you guessed it, Garza County, Texas. As an aetosaur, the osteoderms are already regarded as diagnostic, tho unlike some other recent examples there is a little more material to go off from. It's still primarily osteoderms, but at least a good amount and even some ribs.

Artwork by Márcio L. Castro

Ophiussasuchus

Our only Jurassic newcommer is Ophiussasuchus paimogonectes (Paimogo Beach Swimmer Portuguese Crocodile), but arguably you couldn't find a better posterchild for Jurassic crocodyliforms. This new lad is a goniopholidid from the Kimmeridgian to Tithonian Lourinhã Formation, yup, Europe's Morrison. It's anatomy is perhaps not the most exciting, like other goniopholidids it had a flattened, very crocodilian-esque snout and was likely semi-aquatic like its relatives.

Artwork by @manusuchus and Joschua Knüppe

Enalioetes

Another quintessential group of Jurassic crocodyliforms are the metriorhynchoids, however, 2024's only new addition to this clade was actually Cretaceous, specifically from the earliest Cretaceous (Valanginian) of Germany. Like Schultzsuchus, Enalioetes schroederi (Schroeder's Sea Dweller) is new in name only, as fossil material has been found at the latest in 1918 and given the name Enaliosuchus "schroederi" in 1936. This kickstarted a whole series of taxonomic back and forth until the recent redescriptoin finally just gave it a new name and settled things (for now). Looking back I realize that I really need to take the time and fix up the Wikipedia page. Tho I've written its current status, I was kinda limited by being on vacation and never dived into the description section.

Artwork by Joschua Knüppe and Jackosaurus

Varanosuchus

Another Early Cretaceous crocodyliform is Varanosuchus sakonnakhonensis (Monitor Lizard Crocodile from the Sakon Nakhon Province), described from Thailand's Sao Khua Formation. It lived around the same time as Enalioetes, but otherwise couldn't have been more different. Where Enalioetes was fully marine, Varanosuchus was more a land dweller as evidenced by the deep skull and long, slender legs. At the same time, some other features, like its more robust limbs compared to its kin, might suggest that Varanosuchus could have still spent some time in the water like some modern lizards. Tho one might be reminded of Parvosuchus from earlier, Varanosuchus is a much more recent example of small terrestrial croc-relatives, the atoposaurids, which are much closer to todays crocodiles and alligators.

Artwork once again by Manusuchus

Araripesuchus manzanensis

Yet another example of a small, gracile land "crocodile" comes to us in the form of Araripesuchus manzanensis (Araripe Basin Crocodile from the El Manzano Farm). And once again, it belonged to a completely different group, this time the notosuchian family Uruguaysuchidae. Now Araripesuchus is well known as a genus, in part due to the work of Paul Sereno and Hans Larsson (who popularized the names "dog croc" and "rat croc" for two species). Tangent aside, A. manzanensis is known from the upper layers of Argentina's Candeleros Formation, corresponding to the Cenomanian (earliest Late Cretaceous). The same locality also yielded A. buitreraensis, from which A. manzanensis can be distinguished on account of its blunt molariform teeth in the back of its jaw. This dentition, which corresponds to a durophageous diet of hardshelled prey, could explain how it coexisted with the related A. buitrensis at the same locality, allowing the two to occupy different niches. There is a neat little animation done for this animal you can watch here.

Artwork by Gabriel Diaz Yantén

Caipirasuchus catanduvensis

We're staying in South America but moving to Brazil's Adamantina Formation for our next entry: Caipirasuchus catanduvensis (Caipiras Crocodile from Catanduva). This one is a little more recent, tho the age of the Adamantina Formation is a bit of a mess far as I can tell, ranging anywhere from the Turonian to the Maastrichtian. One could also argue that C. catanduvensis is part of the "lanky small croc club" that Parvosuchus, Varanosuchus and A. manzanensis belong to, but I feel that the very short snout helps it stand out from that bunch more easily. Anyhow, Caipirasuchus catanduvensis is a member of Sphagesauridae, related to Armadillosuchus, and herbivorous. What's really interesting tho is that the internal anatomy suggests the presence of resonance chambers not unlike that of hadrosaurs, possibly suggesting that these animals were quite vocal. This could also explain why baurusuchids appear to have had very keen hearing.

Artwork by Joschua Knüppe and Guilherme Gehr

Epoidesuchus

We're staying in the Adamantina Formation for our last Mesozoic croc of the year, Epoidesuchus tavaresae (Tavares' Enchanted Crocodile). Tho also a Notosuchian like Araripesuchus and Caipirasuchus, this one belongs to the family Itasuchidae (or the subfamily Pepesuchinae depending on who you ask), which stand out as being rare examples of semi-aquatic members of this otherwise largely terrestrial group. Epoidesuchus was fairly large for its kin and had long, slender jaws. Like I said, Epoidesuchus and its relatives were likely more semi-aquatic than other notosuchians, something that might explain the relative lack of semi-aquatic neosuchians across Gondwana. They aren't absent mind you, but noticably rarer than they are in the northern hemisphere.

Artwork by Guilherme Gehr

And thus we move into the Cenozoic and towards the end our or little list. From here on out, say goodbye to Notosuchians or other weird crocodylomorphs and get ready for Crocodilia far as the eye can see.

Ahdeskatanka

The first Cenozoic croc we got is Ahdeskatanka russlanddeutsche (Russian-German Alligator), which despite its name comes from North Dakota, specifically the Early Eocene Golden Valley Formation. Ahdeskatanka is similar to many early alligatorines like Allognathosuchus in being small with rounded, globular teeth that suggest that it fed on hardshelled prey. This would have definitely helped avoid competition in the Golden Valley Formation, which also housed a second, similar form not yet named, a large generalist with a V-shaped snout similar to Borealosuchus and the generalized early caiman Chrysochampsa, also large but with a U-shaped snout.

Artwork by meeeeeeee

Asiatosuchus oenotriensis

We had an alligatoroid, so now its time for a crocodyloid. Asiatosuchus has been recognized from the Late Eocene Duero Basin of Spain for a while now, but now we have a name: Asiatosuchus oenotriensis (Asian Crocodile Belonging To The Land Of Wine). Asiatosuchus is a complex genus, most often not really forming a monophyletic clade and likely representing several distinct or at least successive taxa that form the "Asiatosuchus-like complex". Within this complex, A. oenotriensis is thought to have been close-ish to Germany's Asiatosuchus germanicus.

Artwork by Manusuchus

Sutekhsuchus

Rounding out the trio of major crocodilian clades is Sutekhsuchus dowsoni (Set's Crocodile/God of Deception Crocodile), representing our only gavialoid of the year. Originally described as Tomistoma dowsoni in 1920 based on fossil remains from the Miocene of Egypt, Sutekhsuchus has been at times regarded as distinct and at other times lumped into Tomistoma lusitanica. It was one of several early gavialoids to inhabit the coast of the Tethys during the Miocene and appears to have been most closely related to the genus Eogavialis, clading together just outside of the American and Asian gharials. A fun little personal anecdote, I prematurely learned about this one due to a friend highlighting the name in a study on Eogavialis. Never having heard of "Sutekhsuchus" I took to google scholar, where I found a single result: a reference to the then unpublished description, which naturally I ended up eagerly awaiting.

Artwork by Manusuchus and Joschua Knüppe

Paranacaiman

Two more and we're done. First, completely arbitrarily, Paranacaiman bravardi (Bravard's Caiman from Parana) from the Miocene Ituzaingo Formation of Argentina. Material of this genus has originally been referred to Caiman lutescens, described in 1912 but now considered a nomen dubium. Paranacaiman is known from limited material only, just the skull table, but that would indicate a "huge" animal. My personal scaling recovered a size of almost 5 meters in length, similar to large black caimans today.

Once again, credit to me

Paranasuchus

Last but not least, Paranasuchus gasparinae (Gasparini's Crocodile from Parana). Coming from the same deposits as Paranacaiman, this one too has been known as a species of Caiman for some time before being assigned its own genus, though it at least got to retain its old species name. Alas, I have not scaled it myself, tho its material is at least more extensive than that of Paranacaiman, including even parts of the snout. A little nitpick because I don't have much to say, but I personally think the name was ill conceived. On its own both Paranacaiman and Paranasuchus are fine names don't get me wrong, but together, coined by the same authors in the same study no less, they strike me as needlessly confusing to non experts. Both are caimans, both are from Parana, so the distinction between "Parana Caiman" and "Parana Crocodile" is entirely arbitrary and doesn't really distinguish them. Not helped by the fact that they are even closely related in the original description. Other than that tho another good addition to our understanding of fossil crocs.

No artwork on this one, but fossil material from Bona et al. 2024

And that wraps up 2024. I hope This post, or my posts throughout the year or even my work on Wikipedia has helped to make these fascinating animals just a little bit more approachable and a massive thanks to all the artists who took their time to create fantastic pieces featuring these incredible animals. Special shout outs to Manusuchus, who diligently illustrated a lot of the featured animals and Joschua Knüppe, who had to listen to me suggest Ahdeskatanka every Sunday for about two months straight now.

Fossil Crocs of 2023

Fossil Crocs of 2022

[mostlysignssomeportents]

Reality-Based Communities

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me in CHICAGO with PETER SAGAL next WEDNESDAY (Apr 2), and in BLOOMINGTON next FRIDAY (Apr 4). More tour dates here.

Remember the Global War on Terror? I know, it's been a minute. But there was a time when we were all meant to take terrorism – real terrorism, the knocking-down-buildings kind, not the being-mean-to-Teslas kind – seriously.

Back in the early oughts, I remember picking up a copy of the Financial Times in an airport lounge and flipping through it, and coming across an "advice to corporate management" column in which the question was, "Should I take out terrorism insurance for my business?" The columnist's answer: "The actual risk to your business of a terrorism-related disruption rounds to zero. However: a) your shareholders don't understand this, an b) your insurance company does. That means that you can buy a very large amount of terrorism insurance for a very small amount of money, making this a cheap price to pay to mollify your easily frightened investors."

I never forgot that little piece of writing. It was a powerful reminder that successful large-scale enterprises must attend to the world as it is, not as ideology dictates that it should be. This was – and is – a deeply heterodox position among the ideological defenders of capitalism, who continue to uphold Milton Friedman's maxim that:

Truly important and significant hypotheses will be found to have "assumptions" that are wildly inaccurate descriptive representations of reality, and, in general, the more significant the theory, the more unrealistic the assumptions (in this sense)

https://pluralistic.net/2025/02/17/caliper-ai/#racism-machine

These ideologues – who often cross over from boardrooms into governments – are with the GW Bush official who dismissed a journalist as a member of the "reality-based community":

When we act, we create our own reality. And while you're studying that reality—judiciously, as you will—we'll act again, creating other new realities, which you can study too, and that's how things will sort out. We're history's actors…and you, all of you, will be left to just study what we do.

https://en.wikipedia.org/wiki/Reality-based_community

But ultimately, someone has to make investments and plans that take accord of the world as it is, the adversaries they face, the real and material emergencies unfolding around them. When the Pentagon announces that henceforth the climate emergency will take a prime place in its threat assessments and budgets, that's not "the military going woke" – it's the military joining the reality-based community:

https://www.defensenews.com/opinion/commentary/2021/10/26/the-pentagon-has-to-include-climate-risk-in-all-of-its-plans-and-budgets/

This explains the radical shear between the Wall Street Journal's editorial page – in which you'll learn that governments can't solve any problems and markets solve all problems (including the problem of governments) – and the news reporting within, in which the critical role of the state in regulating and fueling markets is acknowledged.

The tension between the right's ideologues in boardrooms and governments and the operational people in charge of keeping the machines running has only escalated since the War on Terror days. There's an important sense in which leftists – as materialists – are playing the same game as these operational managers of capitalism. Take Thomas Piketty, the socialist economist whose blockbuster 2013 book Capital in the 21st Century argued that rising inequality threatened capitalism itself:

https://memex.craphound.com/2014/06/24/thomas-pikettys-capital-in-the-21st-century/

By analyzing three centuries' worth of capital flows, Piketty showed that when inequality reached a certain tipping point, the result was societal upheaval that continued until so much capital had been destroyed that inequality was reduced (because everyone had been pauperized). Piketty appealed to capitalism's technocrats to institute redistributive programs. His point was that building hospitals and schools was ultimately cheaper than paying for the guard-labor you'd need to keep people from building guillotines outside the gates of your walled estate.

The rise and rise of surveillance tech, and its successors, such as lethal drones and offshore gulags, can be seen as a tacit acknowledgment of Piketty's thesis. By lowering the cost of guard labor, it might possible to stabilize a society with higher levels of inequality, by identifying and neutralizing the people who are radicalized by the system's unfairness before you get an outbreak of guillotines:

https://pluralistic.net/2020/08/13/better-to-have-loved/#less-lethals

But reality is stubborn. Capitalism's defenders can insist that society will continue to function while wages stagnate and greedflation stokes the cost of living crisis, but ultimately, the military can't afford to have a fighting force that's in hock to payday lender usurers who are tormenting their families with arm-breaker collection calls:

https://www.nakedcapitalism.com/2025/03/payday-loan-apps-cost-new-yorkers-500-million-plus-new-study-estimates.html

As Stein's Law – a bedrock of finance – has it, "anything that can't go on forever eventually stops." The ideologues of capitalism can insist that Luigi Mangione is a monster and an aberration, an armed freeloader who wants something for nothing. But privately, their own security forces are telling them otherwise.

Writing for The American Prospect, Daniel Boguslaw reports on a leaked intelligence dossier from the Connecticut regional intelligence center – a "fusion center" created as part of the War on Terror – wherein we learn that the American people sees Mangione as a modern Robin Hood:

https://prospect.org/justice/2025-03-27-intelligence-dossier-compares-luigi-mangione-robin-hood/

Many view Thompson as a symbolic representation of both as reports of insurance companies denying life sustaining medication coverage circulate online. It is not an unfair comparison to equate the current reaction toward Mangione to the reactions to Robin Hood, citizens may see Mangione’s alleged actions as an attack against a system designed to work against them.

https://drive.google.com/file/d/1hM3IZbnzk_cMk7evX2Urnwh5zxhRHpD5/view

The Connecticut fusion center isn't the only part of capitalism's operational wing that's taking notice of this. Today, Ken Klippenstein reports on an FBI threat assessment about the "heightened threat to CEOs":

https://www.kenklippenstein.com/p/fbi-becomes-rent-a-cops-for-ceos

The report comes from the FBI's counter-terrorism wing, which (Klippenstein notes) is in the business of rooting out "pre-crime" – identifying people who haven't committed a crime and neutralizing them. As Klippenstein writes, Trump AG Pam Bondi and FBI Director Kash Patel have both vowed to treat anti-Tesla protests as acts of terror. That's the view from the top, but back on the front lines of the Connecticut fusion center, things are more reality-based:

[The public] may view the ensuing manhunt and subsequent arrest of Mangione as NYPD, and largely policing as a whole, as a tool that is willing to expend massive resources to protect the wealthy, while the average citizen is left to their own means for personal security.

Any good investor knows that anything that can't go on forever eventually stops. The only question is: will that halt is a controlled braking action, or a collision with reality's brick wall?

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/03/27/use-your-mentality/#face-up-to-reality

Image: Lee Haywood (modified) https://www.flickr.com/photos/leehaywood/4659575229/

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/

[ouiouimochi]

We should kiss

pairing/s: jiro kirisaki x reader

genre/s: romance, comedy(?), plot of convenience

wc: 800 ish words

warning/s: wonky phone format, no beta we die like zenji sigh, plot holes but you pretend you don't see it, medical shit I say here may or may not be true— but pls do not immediately believe it, PC never catches a break, itty bitty minor spoilers up until episode 9, characters may be ooc

note/s: ngl if yuri sees this, he'd call me a quack and make a point that studying in the med field as I am now just proves how much of a quack I am— 🦆

sigh I should be reviewing but then inspiration struck me

⁠ *✧⁠˖✦ـــــــــــــــــــــﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـــــــــــــــــــــ✦⁠˖✧*

You stood there absolutely confused as Yuri continued yapping about… something. What the actual fuck was he actually saying? The teal-haired male kept droning on while using fancy scientific and medical jargons.

You just nodded every now and then to show you were listening, but you were just doing it out of courtesy if you were being honest. You understood a few but couldn't piece together what he was trying to say.

All you could make of his blabbering was “saliva”, “immunity”, and “Jiro”.

Speaking of which, the other male cut in— you were unsure if it was for your sake or it was just his nature to do so, but you were grateful nonetheless. Until you visibly grew even more perplexed at the stoic male’s words.

“He means to say that we should kiss.” Jiro’s garnet eyes gauged your expression as a barely noticeable smirk crept itself up on his lips. Whether he meant to rouse certain reactions from you or not, you were sure he was snickering behind that deadpanned countenance.

Yuri makes a very disgruntled noise, “That's oversimplifying things, but as concise as always— nevermind that, I've hypothesized this would greatly improve Jiro's overall health.”

You weighed your options, however the Captain of Mortkranken was not yet done as he crossed his arms over his chest.

“Consider the debt you owe us paid when you participate.” His use of ‘when’ instead of ‘if’ solidified the case that you didn't have a choice in the matter at all.

It didn't help that a phantom presence made itself known to you.

“My dear, a loveliest lady such as yourself shouldn't be forced like this even if he's my little brother…” Zenji’s voice dripped with concern, but it made the decision to decline even harder since you kind of felt bad.

You sighed and shook your head, briefly making eye contact with the ghost to reassure him before meeting the eyes of the Mortkranken ghouls.

“Fine.”

Jiro calmly approached you and immediately rested a hand on your lower back. Before you know it, you were eye level with his tired and attractive face. Your eyes widened in surprise.

“Wait, now?—” You last heard a dramatic gasp from Zenji, getting cut off as the tall, usually apathetic purple-haired man just casually locked his lips with yours.

Time slowed as his tongue slipped in to take advantage of your shock— you were just too stunned to kiss back even if you wanted to. You were just screaming on the inside at what was happening.

“Jiro! Jiro!! What on earth are you doing?!?!” Yuri's flustered response echoed loudly in the room, basically screeching at the taller ghoul.

“Is it not optimal to immediately test out a hypothesis when created?” Jiro voiced out logically after pulling away from the kiss, still holding you closely as his eyes looked at his captain’s before locking with yours. You swallowed a lump in your throat.

Your mind was swirling, your whole face basically heating up in embarrassment. You did not expect him to do that at all— in front of an audience well he didn't know zenji was there no less.

Jiro had the gall to laugh, allowing his normally unbothered personality to crack as he enjoys making fun of you as if it became his favorite pastime now. He licked his lips.

“Y-you heathen! Get a room and don't include me in the hypothesis testing!!!” The teal-haired ghoul expressed his distaste of the blatant display of intimacy right in front of his face.

Yuri turns away to pinch the bridge of his nose as he clicks his pen, pointing it at you still in Jiro’s arms— you didn't know why he was still holding you. Any longer, you feared you might grow comfortable.

“You, out. We have reports to record.”

And such you find yourself absentmindedly walking back to your dorm. Your fingers ghosting your lips, remembering the kiss. His lips were surprisingly soft. The way he held you wasn't uncomfortable either. And his tongue—

You shook your head to rid yourself of the thoughts.

‘It’s just another experiment.’

Too bad you actually enjoyed it.

⁠*✧⁠˖✦ـــــــــــــــــــــﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـــــــــــــــــــــ✦⁠˖✧⁠*

sigh

taglist: @ryescapades (hi wifey even if u dunno this fandom *cri*), @minasfwoopyponytail , @akiakabane18 , @rottenzombrainz , + anyone else who wants to be added

[yutarot]

IN PERFECT SYNC [j.jh smau]

twenty-one — im happy he’s over u

mlist — next

notes; i saw my family watching football the other day and haaland appeared it gave me a reality check that he’s actually a famous footballer and NOT just a character i made up😓😓anyways i hope ur enjoying this smau so far i told u it would be a rollercoaster 😕😕😕 it’s so fun (for me maybe not for u guys) i love hearing all ur theories and hypotheses!!! also pls lmk what u like about this smau because id love to include the stuff u guys like in the next one! thank u sm 🤗🤗🤗🤗 gosh this note is so long😓😓 hope ur enjoying! the next chapter is a big one 😨

taglist — open; @https-yeonjun @chenlesfavorite @therealbobbyshloby @f6llsun @jkslvsnella @nanaxwi @cloudmrk @neocrashed @vernonburger @vividwritess @taeeflwrr @mmjhh1998 @cyjzzl @stareaa @minkyuncutie @mrkleelvr @dudekiss3r @nattan127 @slayhaechan @jaeveil @tynlvr @mslora @nosungluv @grassbutneo @dokyriu @girlz4jaem @axo-l0tl @yyangj3lly @solvrse @m1ng1swife @gentlepeach @xiuriii @soobinbunnie5 @tocupid @apolloxxivmin @ctrlstar @gyuguys @tokitosun @i-kai @flamingi @mrkleelvr @en-dream @queenrachelpink @ssweetreveries @swanyvess @flaminghotyourmom @hyuck-me @cryingforjae @hizhu @starfilledgaze

[weebsinstash]

Kind of late to the wanna fuck the old government man from invincible party, but I wanna add that my personal taste is the mechanical diva machine head 😫 I need a rich whiney yandere who won’t let me be independent, who I thought I got away from only to be broken out of prison with a stronger than ever desire to have me

Godddd i was literally watching scene packs of him the other day and then immediately pivoted to writing a little draft where Reader develops powers but keeps it from their mom (because their mom fucking sucks) and you move to a new city and you/your mom are struggling to pay bills and you get approached by Machine Head who not only knows you have superpowers but managed to trap your mom into a predatory loan and he basically blackmails/coerces you into being his personal goon so he doesn't kill her

Like ngl when Titan smashed his desk in a rage and MH's basically all "see?! THAT'S why I can never let you go" that uh, that's the kind of possessive villain x hero shit that I live for. I even Googled if he was a cyborg or an android just because I wanted to hypothesize what his dick situation is. He has one as far as I'm concerned. He probably doesn't eat or drink which is a bit of a plot hole but I don't care. He's still organic from the waist down as far as I'm concerned

But then it's like :3 what's to stop him from expanding his demands? What's to stop him from saying "hey Reader, suck me off under the expensive desk I had to replace after you smashed it. Italian maple ain't cheap you know, so pay up". What's to stop him from bugging your home and seeing you in all of your private moments, including in the shower or when you're sleeping? What's to stop him from saying, "you know what, ride my dick or I'll just kill your mom and burn your apartment down, I literally own the building you guys are living in anyways". He'd burn the whole place down and leave you homeless if it meant he could wrap a tighter leash around you

Just the idea that he sends a summons for you and you're expecting to be told to kill a guy or fight someone or do something illegal and he's just outright, "soooo, anyways, I was thinking about it, aaaaaaaand I want you to take your clothes off" and you've just got ice in your veins as you weigh whether you want to listen to him or try to rush forward and kill him.

Of course, I also like the outcome of, just as you're about to start stripping down to do whatever he says, that's when Cecil and the GDA storm the building and here Stedman is, "we've got your mom in a secure location, come work for us instead" and you couldn't be more relieved to be offered a job as a government stooge. Of course that just leaves Machine Head all the more... hungry and vengeful that you slipped through his fingers before he got to indulge in any of his personal fantasies. Sucks for you that he becomes even more powerful and influential when he escapes :3

[allofnypeaches]

I love a lot of things about the hunger games trilogy, but by far my favorite part of reading the books is how suzanne collins manages to use katniss' unreliability as a narrator as an advantage that improves the reading experience instead of limiting the readers' interpretation of the facts. I think about how when reading other first-person narrated books I am always conditioned to perceiving things the way they are presented to me by the narrator, without me even realizing it, and how that - obviously - reflects how every story has multiple sides to it and whatnot. but the hunger games, despite having a very biased narrator, manages to paint us a picture that is wider than katniss' view somehow. I haven't fully figured this out yet, but I think it's a combination of the following things that make this possible;

#1: Katniss, although very young and at times naive and blinded by fear, survival instincts, propaganda and most of the time just sheer confusion because of all the information that is kept from her, is very skeptical of everything. she rarely ever takes things at face value (even when she should, like when peeta shows his feelings for her), and is always questioning, pondering the different motives behind things, the possibilities and outcomes of what could happen if x thing meant y instead of z. and yes, her hypothesizing is often inconclusive - which is very understandable for someone in her situation - but it invites us to question things and hypothesize about them on our own, and through context clues that she may sometimes miss or misinterpret, we are sometimes able to piece together entire puzzles of the narrative before she does, and that is simply delightful to experience, while simultaneously not spoiling anything either, because it makes us anxious to see how and when she will realize what we already know.

a few examples include, but are not limited to :

- realizing that Peeta is madly in love with her before she even considers that possibility

- realizing that Madge genuinely likes her, as well as her entire family, and that they're actually friends before she admits this

- seeing through Gale's words and knowing he has romantic feelings for her before that ever crosses her mind

- thinking that the people in 12 are definitely looking out for her and Prim in any way they can (with their extremely limited resources and freedom) before she gets suspicious of that fact

- realizing how much of a symbol of hope and rebellion she is to Panem before she is told so (that's the most obvious one though)

- comprehending her mother's reaction (or lack thereof) to her father's death before she can see past the resentment in catching fire

- seeing that Gale brings out the worst in her at times, and seeing that he's constantly pressuring her when she's already holding the weight of the world on her shoulders, and how that makes him a bad friend, who, by the way, doesn't see her as a friend at all especially after the first games

- piecing together how terrible Coin is and how she needs to be eliminated just as much as Snow for the war to end before Katniss fully accepts that reality (she is the least oblivious to this one)

- realizing that Squad 451 don't actually believe that Coin gave her a mission in Mockingjay, but they're following her anyway because they want to, long before they tell her that

- watching her fall in love with Peeta, develop deep feelings of love and desire for him, while she is always either excusing it as something else, or too confused/oblivious/naive to see it

#2: the characters around Katniss never seem one-dimensional because of how empathetic she naturally is. because of how much she treats everyone like multi-faceted human beings as complex as she is, we are invited to wonder about those characters' feelings very deeply, and to interpret their actions accordingly, which greatly diminishes the potential for mischaracterization if the person reading actually exercises at least 1% of their critical thinking. this also goes for the system that she lives in, the culture she grows up in and the overall symbolism of things throughout the books. because of how well everything is presented, we don't need Katniss to tell us straight up how manipulative, coniving, dirty, cruel and tyrannic the government is, we can see this time and time again, in small and big things, from her odd description of things she's never seen/tried before showing us how isolated the districts are from eachother and how precarious their living situations are, to her talking about how traumatic her father's death was for her making us wonder if it was actually an accident. she doesn't have to connect the dots for us to wonder about the limited genetic pool of district 12, or about her father's extensive knowledge, where it came from and why he passed it all down to her, why he documented it in a book. it's like there is always a door open into the lives of others, into the things they believe in, into what the past of what that world was like, and if you're just willing to go through that door, the universe within the books greatly expands.

and that is all extremely intentional, too. Suzanne is trying to tell us that it is always worth it to look past our own lenses, to question things, to not be susceptible to manipulation and propaganda, to look beyond what we are shown and see the world, and the people in it, for what they truly are instead of always being limited by our own perspective of things. it's just so beautifully and masterfully written, and it will never stop being relevant. that's why these are my favorite books ever.

[mollywog]

Molly, You made a post (I can't remember which one) where you said something like how STOR avoids the subject of skin tone between Seam and Town. Can you explain better?

Sure!

In The Hunger Games Katniss lays out a clear social divide between Seam and Merchant/town that includes an element of physical appearance:

I watch as Gale pulls out his knife and slices the bread. He could be my brother. Straight black hair, olive skin, we even have the same gray eyes. But we're not related, at least not closely. Most of the families who work the mines resemble one another this way.

That's why my mother and Prim, with their light hair and blue eyes, always look out of place. They are. My mother's parents were part of the small merchant class that caters to officials, Peacekeepers, and the occasional Seam customer.

And in Catching Fire

Haymitch's name is called last of all. It's more of a shock to see him than my mother. Young. Strong. Hard to admit, but he was something of a looker. His hair dark and curly, those gray Seam eyes bright and, even then, dangerous.

Katniss even later notes:

The woman, Seeder, looks almost like she could be from the Seam, with her olive skin and straight black hair streaked with silver. Only her golden brown eyes mark her as from another district.

Because of this, many hypothesized that Katniss and the Seam were indigenous, biracial, or simply - that race played a part in the Seam/Town divide.

In Sunrise on the Reaping, Haymitch also points out the social divide:

Town girls don’t marry Seam boys, not unless something really goes haywire.

and

Town kids are rarely tributes because they don’t generally have tesserae like those in the Seam.

and

While Seam folk might have a treasured ornament or two, nobody has six necklaces. And if they did, they wouldn’t show off by wearing them all at once.

and

You can see why she drives people nuts. If there’s breakfast available in the Seam, everybody’s just pleased to see it.

But as far as I can remember, or search, Haymitch doesn’t mention skin tone in the book (primarily focusing on hair color.) He also notable does not describe himself aside for some references to looking strong.

Take what you will from its absence, but I think it’s worth noting…