#not in a bad way just in an aging way. in a ‘life goes on and so must I’ way

[onetwistedmiracle]

Um, yes. Parents allowed their kids to roam freely in the 70's and 80's.

I'm a GenXer born in 1968. I had only one sibling and he is profoundly disabled with autism (basically non-verbal, has lived in a group home since he was 18) so he had a nanny starting when I was about 13 and after that I was more supervised than most of my peers. Nonetheless, ages 7 through 12 I could leave my home in the morning on a day when there was no school and not return until dinner. I had a watch from a very young age.

My parents told me not to leave the island (small residential island near Savannah, GA) and I obeyed them, but if I had disobeyed they wouldn't have known unless something had happened to me. They may or may not have had phone numbers for most of the houses I was likely to walk or bike to, but those were landlines, obviously, and only got answered when both possible and convenient.

These clips on youtube? Are not fake.

As I once said to a snarly Boomer when my own kids were still fairly small (I have 3 GenZ kids, now all in their 20s): "Nancy, when you were raising children, if something happened people would cry with you and bring you a casserole. Now if something happens, Mommy goes to jail."

Times have CHANGED.

And as @lightandwinged brings up, it is hardly true that children didn't get hurt back then. I was once sexually assaulted while walking home. A friend's little brother touched a spinning ... machine (I wish I could tell you what it was) installed in his backyard and lost the tips of three fingers. I have two friends my own age who grew up elsewhere in the USA who were both, separately, snatched up by a stranger and sexually assaulted.

I was myself once walking home (different story from the first sexual assault, sigh) and realized I was being followed by a car. I went to the first friend's house I could and called my mother to ask her to pick me up so I wouldn't have to risk whatever that driver might have had in mind. I felt lucky she was home to answer the phone.

Younger people will probably have difficulty believing this, but my mother refused to drive less than a mile to come get me, though I explained about the suspicious car. She told me I was making up a story so I wouldn't have to walk home. She called me lazy. She was not abusive. She was generally a good mother. But she was quite sure, on that occasion, that it was infinitely more likely that I was a lazy asshole than a child in any danger from a suspicious stranger.

Luckily my friends' parents were willing to let me hang out for a while, and by the time I felt safe to leave and try walking home again, the car was gone.

So it isn't that kids never got hurt back then. It isn't that kids never got deliberately targeted by bad people and therefore hurt, either. It's just that it was assumed "normal" and "ordinary" and even "correct" that children were given a great deal more freedom and autonomy.

I think it may well be because children are considered more "valuable" now, but in the way of gold or diamonds, unfortunately. Children are a valuable commodity. A valuable product. Not really so much in the way of "all human life is precious" and definitely not in the way of "every child needs every possible opportunity to grow into the most amazing adult they have the potential to become." If it were one of those we'd find ways to balance this equation. Because children do benefit from freedom and the ability to take some risks. They benefit quite a lot.

This is a legitimate and damaging cultural shift for all involved parties and it needs to be addressed.

[aro-culture-is]

Aro culture is coming here and asking if calling myself caedromantic is right if I was aro before. Like I know I was aro, but then The Big Bad Very Awful Romantic Experience™ happened. Like I struggle saying no to friends even if they know I'm aro, so that happened.

another question is that I once heard people say caed-spec people aren't valid because trauma shouldn't decide your identity? The tumblr user arguing said something like "you can't traumatize someone into turning gay so you can't be traumatized into becoming aspec" and I'm really just a bystander in that comment section but back then that sort of made me doubt my identity too, even if I do think that I'm caedromantic.

I don't know. I think looking at disk horse doesn't help with figuring things about my aroness actually but now I am constantly hmmm-ing at this new label that I want to use.

listen. you can do whatever you want forever. if caedromantic is a term that helps you connect to yourself, your experiences, a community... go for it. be free.

the trauma thing is... very classic therapy speak used to harm others tbh. trauma shouldn't decide your identity, because you are the person deciding what labels describe your experience; not the trauma, and not other fucking people. that doesn't mean that trauma can't be part of your experience, or that people can't be part of helping you decide. just that you are the only person who knows what it is like to be you, and if you later decide you were wrong or things changed or whatever, that's just life.

i'm also gonna be totally real: this may or may not be the case, but I wonder if you might be one of the MANY people who have moral OCD and are not aware. you sound like you care a great deal about the "correctness", morally speaking, of labeling yourself. I don't find this to be common beyond "But what if I'm wrong and spoke like I was [a socially defined identity whose definition is decided by the people who identify that way, not some moral arbiter or coining post]". Here's two resources on what moral OCD is like:

In addition, folks with one presentation of OCD often have multiple obsessions and/or compulsions in different subjects, and this page goes into brief details about common subtypes:

[h0estar]

What do u think is the difference between the Apothecary diaries world and our current world's reality? Is the modern world we live in now, capitalistic as a primary? What do you think Jinshi and Maomao's position would be in our world? I mean regarding on their circumstances— I have a scenario like Tamaki and Haruhi from Ouran Host Club. But still, our world is more complex and diverse in technology fields than Ouran Host club world. And given the revolution of artificial intelligence, coming next 5 years would be totally different.

okay, first of all, very interesting question. second of all, my brain isn't built for something like this but i will try to answer as best as i can. sorry if i don't answer it as well as you expect me to but i'll try!

i'm going to point out the obvious here and say our modern reality (esp for women) isn't as harsh as it is in the apothecary diaries' world. for one, women in their time had practically zero rights and respect (though that is still very much happening today in some places). however, at least most women irl have access to education, voting rights, vast career options, free will and speech, and generally just be able to live their life independently without relying on men. at least in our world, women have laws protecting them against violence and sexual acts, and it's no longer a requirement to marry, bear children, and live for your husband; that's just a choice out of many—something the average woman in TAD universe could never dream of experiencing.

i'd say capitalism is one thing both this fictional story and our current reality have in common. just like irl, characters (mostly commoners) in TAD are scraping by to make profit: maomao with her apothecary shop, granny with the verdigris house, quack's family with their paper business, gyokuen with his family and the WC, and we've got mentions of merchants a lot in the story. there's also a moment in the manga i remember where maomao was carting books to the palace and she planned to overcharge Jinshi (wringing him out for his money to gain extra profit. go maomao!), too bad suiren caught her lol. anyway, yeah, like IRL the commoners are doing what they can to survive, while the important and rich ones (the royalty and ministers) cozy up in the court and palace, completely indifferent to the state of small villages and townsfolk outside (the farming villages affected by taxes, women in the red light district, kidnappings, slavery, etc).

as for jinshi and maomao's positions in our world, hmm, this is purely imagination but if we follow their ages (maomao at 20 and jinshi at 21), that'd make them college students. maomao would definitely be a pharmacy student and might even go to medical school. she'd also own a flower shop 100%, or at least a botanical shop. jinshi would probably be studying economics, anything business-related, or international relations. that's as far as my imagination will take me.

and if they're going to be like tamaki x haruhi in this little modern world, then maomao might accidentally ruin one of jinshi's projects (in the name of science!) and she'd have to pay him back by working for him (idk how; maybe by being his personal medic or offering him tips on how to make business out of medicines lol). or maybe jinshi just might stumble in maomao's little flower shop by chance, and find her studying, completely disinterested in him (despite his popularity), and this throws him off, lol. either way, i'm fairly certain they'll still find each other in this world, and in many worlds.

the two of them would also be fascinated by technology (both their hypothetical degrees often heavily rely on it), but they would probably reject the notion of using AI in extremely simple, practical, or professional tasks. however, jinshi has a progressive mindset and maomao just goes with the flow. they might accept this technological advancement (as part of the world)—they wouldn't try to fight it—but they also wouldn't use it as often.

thanks for this question lol. sorry i took so long to respond, i haven't been on tumblr for 2 days oops.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[self-made-purgatories]

So it's Kirk's birthday but Spock has to work so Bones shows up at the door in these skintight hoochie cowboy pants with a bottle of really strong illegal liquor and hands Kirk a little pouch and Kirk's first question is whether the pouch contains Klingon aphrodisiacs like that's a perfectly normal thing Bones sometimes brings over and I'm not supposed to ship McKirk?

[swathingpath707]

I don’t know if i’ll ever get over how todd just kept living. like obviously to 16 year old todd, neil was his closest friend and everything. but to 40 year old todd? neil was a school friend. and of course he still cares about neil but his life grows to be so much else. He doesn’t think of neil the way he does at 16 forever, he moves forward. He will never know 40 year old neil. He can’t grow old with 70 year old neil. Neil is forever 16, that I can understand. but todd is Not. todd gets older.

[echo-s-land]

The way my father and aunt are both religious but in a total opposite way is insane

[ivytwines]

i know people just die and statistically the longer you live the more people you know will die but often I feel like it’s just me, constantly losing people, like no one else recognizes how monumentally crushing it is to lose someone, even if they were only on the periphery of your life. it just makes me feel so alone like is no one else seeing this?? is no one else feeling all this??

[werewolfdog]

I find another reason of why M's familial attitude and treatment towards me are impacting me so deeply much is the fact— taking this in now— that while I had a dismissive and emotionally distant father who pulled the abandonment card when I was thirteen, my mother is never as truly caring and understanding as he is.

[elytrafemme]

(kinda gets 18+ in tags srry. i never know how/where to talk abt it) and honestly it's never like i can pull up and talk about like, emotional abuse either. or like atmospheric triggers and shit. because talking about any of that is hard. but it's specifically fucking impossible to ever talk about sexual trauma to anybody ever, which is fucked because like... i'm trying and i'm doing good at it, i'm proud of myself, but it's so like. idk. when something dominates your entire life for an incredible critical five years of your life and entirely transforms how you approach anything it's like... i don't actually know how to express any of this at all. and i guess it's sometimes hard for people to get it. i dunno.

[dead-star]

I think it’s interesting how they’re both Y7 but have completely diff views

Nobody asked but my thoughts about these are below + a clip from a wk episode about it

Octonauts’ setting is a double edged sword- because they give every organism a voice, they can make people empathize with bacteria, coral, and other things people forget to see as living beings. However, that also means they portray consumers/predators as the bad guys, even when they try not to have a bias. Which means for when the urchins had to be eaten, they couldn’t be portrayed as alive (or at least at the same level of consciousness as other animals).

For the record, I do think their setting of making every animal talk is good for helping others understand issues a species might face, especially for man-made causes like pollution and climate change which the show covers. it’s definitely something I think should be taught bc I still know a lot of people my age or older who end up mistreating animals simply because they don’t communicate in the same way we do.

On the flip side, Wk uses predator/prey relationships to show off the different abilities an animal has. I was honestly very surprised with how they handled the topic of death? For a couple animals, their life cycle is taught by following a particular individual of the species, from the start of their journey to the day they die. And even though they passed on, their offspring can continue the journey their parents started. I think that’s a good way to look at it imo. Every animal has a role, and even in death their life is not wasted. They even bring up the fact it can be dangerous to be a predator, since prey animals have developed a bunch of defense mechanisms, and losing to those could mean dying. I’m glad they cover death along with life, and they handle it well considering it’s a tricky subject esp for a younger audience. I think it can be summarized well in this clip from the king cobra episode

They also touch on it in the episode where kid musky is introduced (forgot the name but Chris basically goes on a monologue abt the human perspective on prey/predator relationships and how hard it can be to watch. I thought that was neat)

That being said: I do think sometimes the deaths are a little mean, and the fact they’re so comfortable with it after s1 sort of gives you a shock when you remember the rating. Like we JUST met and named the snake in the clip and then bro dies🫡 not to mention the life cycle episodes getting us attached to an animal for 22 minutes and then they die at the end. Juice’s death was even played for comedic effect (at least I think it was. It made me laugh. Maybe that’s just me LMAO)

TLDR: both methods are good for diff aspects of wildlife education but I think wk handles it in a better way esp when they consider the fact that humans are outsiders to it. Send post

[butyoudidthis4what]

No Man's Land

Jack Abbot x f!Reader

5.1k || All my content is 18+ MDNI || C.W.: mentions of blood, mentions of guns and shootings, mentions of death/dying/coding, CPR, anxiety about partner's safety, Jack's traumatized, reader's traumatized, mentions of dissociation and compartmentalization, poor description of medical events, potentially incorrect medical descriptions/knowledge, very very light smut, angst, age gap kind of implied with Jack but not explicitly referenced, no use of y/n or related, not proofread, no beta, I think that's all but if I missed any please (nicely) let me know.

Summary: This is my Pitt-Fest-But-Not fic. Development of your relationship through vignettes of the past and conversations between Jack, Dana and Robby. There's a shooting where you work. Jack is at the ED when the dispatch comes in and is terrified when he can't get in touch with you.

A.N.: If my Robby reads like John Carter I'm sorry, except that a little bit I'm not. I feel like I'm struggling with my Jack characterization but can't tell if that's just me hating everything I do. This is my take on one of my fave tropes where reader is in mortal danger. I needed a physical location that could be associated with reader and settled on a courthouse, but what it is reader does there is not described. Probably (definitely?) needs a part two. If you get the nickname, thank you, I feel seen. If you don't I explain it at the end. This is absolutely something I would call him, in part to fuck with people who know his real name. I would love to know if you enjoyed and to hear any thoughts you'd like to share.

“He has a girlfriend,” Robby smirks at Dana. 

She blinks at him. “I’m sorry, I thought we were talking about Jack Abbot.”

“Oh we fucking are.” Robby stifles his smirk and forces his lips to remain closed and as neutral as possible. 

“You’re shitting me.” Dana’s incredulous look breaks Robby a bit and he starts to laugh, tries to turn it into a cough when both he and Dana look up to find Jack staring at them as he takes his snow dusted beanie off. He gives Robby a ‘really?’ look even though he knew Robby would rat him out to Dana the second Robby had dragged it out of him. 

Dana looks back at Robby. “Who? How did they meet?”

Robby holds up his hands. “You now officially know as much as I do about her.” Dana makes a noise of vague discontent but knows Jack well enough to know Robby is telling the truth. That’s all that’s been revealed. 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“It’s not worth it,” you whisper. Jack blinks and looks around, unsure if you’re talking to him. He has no idea who you are, has never seen you before in his life but it appears that you are in fact whispering to him in the middle of this bookstore. 

He raises his eyebrows. “It’s not?”

You shake your head, give him an almost conspiratorial smile. “No, he must have gotten a new ghost writer. It’s really bad in comparison to his other stuff. Save your time and money. I’ll give you a summary right now for free if you’re that curious.”

Jack smiles to himself a little bit as he sets the book back on the shelf. There’s something about you, your smile, the way you just randomly spoke to him. He’s drawn to you. An alarm goes off in some part of his brain telling him to ignore it, ignore you, he could get hurt. He pretends to weigh his options as he turns to face you fully. “How about for a cup of coffee?”

Your brows furrow in confusion for a moment. There’s simply no way this unfairly attractive man is asking to buy you a cup of coffee. “The summary?” You clarify. “That I’d give for free. You want it to cost a cup of coffee instead?” You let out a nervous laugh and some part of his heart aches because you’re so adorable. “I just want to make sure I understand before I potentially make an even bigger fool of myself.” 

“Yep.” He can’t help but laugh a little. “You give me the summary over coffee. Actually, you know what? You’re going to have to give me a recommendation too because now I’m going to have nothing to read.” He clicks his tongue at you. 

“Well,” you laugh out, all breathy as you try to pull yourself together. “You drive a hard bargain but I think I’m willing to accept those terms…” you glance at his name badge, “Dr. Abbot.” You give him a full smile and Jack knows then and there he’s totally fucked in the best of ways. 

“Jack.” He smiles at you as you both begin walking towards the café. “Call me Jack.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Everything quiet enough after handoff, Robby walks out with Jack into the morning sun that does little to warm the breeze pulling leaves off the trees. “Any chance you can cover a shift on Thursday night?” Robby is asking, yes, but he knows it’s not really a question, Jack is always willing to work.

“Can’t.” Jack says simply, shrugging his shoulders. “Sorry.” There’s an expectant silence that hangs between the two as they keep walking.

“Care to elaborate?” Robby finally asks.

“No.” Jack turns and smirks at him. “It’s none of your and Dana’s business.”

“Ha!” Robby laughs. “So it’s her, it’s about her! The ever elusive girlfriend. Will we ever get to meet her? Or does she not want to meet us? Is she real?” Jack stops walking and gives Robby one of his looks. “Holy shit, is it someone here?”

Jack snorts at that. “No it’s not someone here. She’s not even in the medical field.” He sighs, half longing and half resignation of some kind. “She’s honestly dying to meet you guys, especially you and Dana, but I’m trying to protect her from this hellhole. It’s hard with schedules too, to find a time.”

“That’s such fucking bullshit,” Robby laughs. “Are you afraid to truly commit? Think bringing her here will make it too real?” 

It’s a valid question but one that Jack nevertheless resents. “No, actually, if you must fucking know Thursday is our one year anniversary. We have plans. So you’ll have to find someone else to cover. But I’ll bring her around soon,” he laughs through his nose to himself at your stubbornness, “if I don’t she’s liable to just show up one of-”

“A year?” Robby laughs, incredulous. “A fucking year? How the hell did you hide it for three months before I dragged it out of you?”

Jack ignores him. “Also, I’m moving to days. It’s better for us.” He’s so nonchalant about it, just states it like he’s saying the sky is blue, like it’s not going to make Robby’s eyes widen and mouth drop open like it does.

“I don’t,” Robby huffs a laugh, “I don’t even know where to fucking begin.”

“Then don’t.” Jack smirks, starts to walk again while Robby stays frozen, running a hand through his hair. “Go do some actual work.”

“I thought you found comfort in the darkness?” Robby yells after him. 

Jack slows and turns around but keeps walking backwards, one hand holding the strap of his backpack to keep it over his shoulder. He glances down at his phone and the photo of you that is now his wallpaper. He smiles to himself a little, yells back. “Guess I find it somewhere else now.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

You giggle, honest to god giggle and Jack could lose his damn mind as he nibbles at your collarbone. “You know if my anatomy class had been this fun, I might have become a doctor too.” 

You’re laying on your back in bed as Jack kisses your sweat slicked skin all over as you both come down from your last round. He’s taken to 'teaching you anatomy' like this, identifying different parts of the human body with his mouth.

“Hmm,” Jack hums against you. “I’m glad it wasn’t then. Fuck doctors.” He starts to kiss down your chest. 

“That has become quite the favorite pastime of mine, yes,” you smirk. “Fucking one specific doctor, actually.” 

“Getting fucked by one specific doctor more like it,” he murmurs into your sternum. He kisses laterally, lips hitting your breast and moving towards your nipple. 

“I think we’ve established what those are,” you moan softly as he takes your nipple into his mouth. You let your hands run through his salt and pepper curls that you adore so much. 

“Can never be too thorough.” You giggle at him again and can feel him smile against you. “But fine, you want something new?” You nod, let your nails scratch gently at his scalp. 

“Nipple,” he kisses your nipple and then down your torso to right above your belly button, “to navel is no man’s land.” He continues to lavish kisses on the soft skin of your stomach before looking up at you when you don’t respond. 

“I can’t tell if you’re fucking with me or not.” You eye him with mock suspicion. 

He laughs and it’s your favorite sound in the whole world, you swear. Well maybe second, only behind hearing him tell you that he loves you. 

“I’m not. Nipple to navel is no man’s land. It’s a real thing. It’s one of the worst places to get shot or stabbed because there’s so many organs that could be hit and the place we’d expect to get hit would depend on whether the person was breathing in or out at the time, whether their lungs were inflated or deflated. And we generally have no way of knowing. It can be difficult to get clear imaging.” He starts kissing lower, down below your belly button, rubbing his stubble along your skin to tease you as he gets lower and lower. “It’s never a good time. Lots of poor outcomes.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It’s supposed to be his day off and yet Jack finds himself staring at the board and running a hand over his face. “It’s still so fucking weird seeing you here during the day and it not meaning something catastrophic has happened.” 

Jack turns to look at Dana. “I’ve been working days for a month now and it’s my day off.”

“You can go, we’re fine for now,” Robby nods at Jack. “Thanks for the brief assistance brother.”

“No, no,” Dana interjects, “he’s not allowed to leave until we nail down a time to meet his girl.” 

Robby raises his eyebrows and starts to tilt his head and open his mouth to agree with Dana. A dispatch comes through before anyone can say anything else and Dana grabs it, pinning Jack down with her eyes, daring him to leave before discussing meeting you. 

“Saved by the bell,” Jack huffs, taking his stethoscope off and starting to walk away. 

“Shooting at a courthouse,” Dana relays to Robby, “not a mass cas, just a few people, two a little iffy, one they’re already doing CPR on, a few caught in the race to get out. Two dead on the scene.”

It takes a few seconds for Dana’s words to truly register with Jack, but when they do his hearing fades to only a sharp ringing in his ear. This wasn’t happening. He’d been so reticent at the beginning of your relationship, waited so long to give in and define it and hand his heart over to you, terrified he’d lose you because of himself and who he was, his imperfections, his past, his trauma, his PTSD, his baggage, as he thought of it. He feels so stupid now, in the moment, not having worried about how he could lose you from a random act of violence, that in the moments he can’t be there to protect you somebody could come in and rip you from him. Just like that. With the pull of a trigger. 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“You know, I can confidently say this is the most unique date I’ve ever been on,” you tease Jack. 

“Hey,” he pants, “me teaching you CPR is a great date.” 

“It would be better if you took your shirt off,” you whisper and wink at him before letting your eyes linger on his arm. 

“If I did that you’d be so distracted you’d learn nothing,” he smirks at you, sweat glistening on his skin just a little. Just enough to drive you nearly feral for him. 

 “I think I’ve got the compressions part down, but I may need more help learning the mouth to mouth part.”

He rolls his eyes at you. “You’re ridiculous.”

“You fucking love it,” you shoot back at him, leaning into his space and bumping him with your shoulder. 

He can’t help but kiss you. “Yes,” the word is muffled against your lips, “yes I do.” He gives you a firmer kiss this time before he pulls away. “But really. You should know how to do it, just in case. It will help you feel in control in the moment if the need for it ever arises. You’ll know what to do.”

You bite your lip and smile at him. 

“What?” He eyes you with suspicion. 

You shrug. “Nothing, I just love you so much. Sometimes it overwhelms me, how much I love you.”

He can see it in your eyes, how much you love him, can almost feel it physically squeezing him like a tight hug. He’s really not sure what he ever did to deserve you or your love. “I love you too, Doll.”

“I love you more, Peter.” Your face pulls up into that usual self-satisfied and silly grin you get sometimes when you call him that nickname. It’s a recent thing. You’re calling him it more and more though, it’s becoming a natural way of referring to him. From anyone else he would hate it, hearing it between another couple would make him roll his eyes. But from you? He loves it more than you’ll ever truly know. 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Jack spins around.

“Jack you can still go, we’ve got it covered.” Robby looks at Jack for a minute and then meets Dana’s eyes as she looks to him after taking her own look at Jack. 

“What courthouse?” Jack asks. It’s quiet, controlled and clipped and almost missable in the chaos of the ED. He’s not looking at either of them, staring past them at a wall with a chest heaving more and more by the second as his face grows paler. 

He tries to keep it together. Dana will say the name and it won’t be your courthouse and he’ll go straight to your actual courthouse, grab you, take you home and never let you leave. A perfectly reasonable reaction, he thinks.

“Jack-”

“What fucking courthouse?” It’s louder this time, almost enough to pause the chaos of the ED. 

Jack’s voice drips with what sounds like rage to most of those who hear him but is unmistakably fear to Dana and Robby. 

Neither of them have ever seen Jack like this, this scared, struggling this hard to keep it together, truly raising his voice for anything other than to quiet down an unruly patient. His eyes find Dana’s and they’re glassier than she’s ever seen them, the intensity of his gaze making it painfully clear he’s hanging on every word and the wrong ones will shatter him. 

She swallows and opens her mouth and Jack knows what she’s about to say before she even says it. And she does. The name of your courthouse. 

“I’ll triage.” He says it before Dana has even finished, the words hollow and breathless and commanding all at once. He spins and starts off to the bay doors with nothing more. He obviously knows from the report Dana gave that they won’t need triage. He just needed to get out of there and try to create an excuse to stay in the ambulance bay. He knows Robby won’t let him, that Robby and Dana already know you’re at that courthouse, could be a victim. 

Robby and Dana share another look, So you work at a courthouse. This courthouse. “Fuck,” Dana mutters, “I really hope we don’t end up meeting her today.”

Jack’s hand dives in his pocket as he strides to the ambulance bay. He already knows in his heart that there’s not going to be a text from you saying that you’re okay. He hasn’t felt his phone buzz. He never even kept his phone on him until you. 

Even though he knew he wouldn’t have any messages, waking his phone and seeing none hits him like a freight train all the same, right in the chest. It threatens to bring him to his knees, make him sick, but he can’t. He sets it all aside. If you do come out of one of the ambulances he can hear in the distance you’re going to need him at his best. But what if you’re one of the two people dead at the scene? He has to shove that out of his mind too, can’t give into the complete panic that threatens to consume him. 

Disassociate. Compartmentalize. Do the job. ABC. Assess. Stabilize. Repeat.

His fingers fly across his phone automatically, calling you having become so routine. He prefers it so much to texting, hearing your voice, communicating more directly. “Call me,” he starts, “the second you get this message. Or fucking text me,” his voice breaks, “please. Fucking please.” He hangs up and calls again, knowing he’ll get your voicemail again but trying anyway because it’s all he can do. 

He’s helpless, powerless, he can’t do anything to try and save you and that threatens to swallow him whole. 

Your voicemail recording telling people to leave a message plays again and all Jack can wonder is if this is all he’ll have left of your voice in his life. Your voice on your mailbox, maybe some voicemails you’ve left him, videos, voice memos you’ve sent. All distorted by recording, not your real voice. He can’t remember what your real voice sounds like all of the sudden. What your laugh sounds like, how you sound when you’re sleepy or in the throes of pleasure or telling him you love him. God, did he even tell you he loved you the last time he saw you, when he said goodbye? 

“I need you to call me,” he says into the phone again, pauses. “I love you.” He takes a ragged breath in and speaks through his teeth. “I love you so fucking much, so you have to be okay and you have to fucking call me.”

He sends a series of texts asking you to call him or text him or call the hospital or do anything to let him know you’re okay, asking if you are okay, asking where you are as though you’re going to respond. He already knows you’re in the back of one of those ambulances because of fucking course you are, because he’s not allowed to have anything good in his life apparently. How could he be so stupid to think differently?  

“Hey, we don’t need triage for this. The numbers are controlled.” Robby walks out to stand next to Jack in the ambulance bay. “If you want to stay you can, but you can’t wait out here to see who shows up, you have to-”

“Yeah, yeah, jump on the first patient that pulls up, I know, I got it,” he interrupts Robby. 

There’s a silence as Robby passes him a gown and ties for him before he does the same for Robby. 

“Jack, if she’s in one you cannot-”

“Like fuck I can’t.” It’s just a statement. Cool and collected and a projection of indifference. It scares Robby more than if Jack had yelled. 

“No, actually brother, you can’t. I’m telling you right now. You’re not working on her. We don’t work on family, on significant others, and you would tell me the exact same thing. It’s too risky, you’ll be too clouded.” Robby watches Jack’s jaw clench and roll as he stares out at the street. 

He wants to argue that of course he’ll be clear, he’ll be focusing on saving you, he’ll have never been so clear in his life. But part of him knows that seeing you like that on his trauma table, your blood all over the table and him and his hands might make him freeze.

“Fine.” Jack whispers. “But if she’s,” Jack has to pause and take a shuddery breath. “If she’s gone or really going and it’s inevitable you have to let me in. You have to let me try to save her. You have to let me code her, Michael.”

He can taste the rising bile in his throat just at having to talk about coding you.

The first ambulance pulls up before Robby can respond and Jack’s on it so fast Robby’s surprised Jack doesn’t get smacked in the face by the door opening. 

It’s not you. It’s someone who is very much not you and is clearly one of the iffy ones. 

Disassociate. Compartmentalize. Do the job. ABC. Assess. Stabilize. Repeat.

Jack forces himself to go emotionally numb as he listens to the paramedic rattle off vitals and history, trying so very hard to focus on this, something he can do, even if it’s not for you. By the time they hit trauma one Jack’s fine and in full swing, running it like he would any other trauma. Nobody on the team in the room with him suspects anything is amiss.  

He hates the way he can’t see the other’s who come in, that he has to stay with this patient until they’re stable and can’t go looking for you. He chastises himself for not having brought you here before or at least having you meet Dana and Robby. They don’t even know what you look like, couldn’t identify you.

“Jack!” He glances at Dana who stands at the door as he preps for the chest tube. “What’s her name?”

He yells your name at her, impassive and stoic as he reaches for the scalpel, ignoring the looks everyone throws each other at the slightest tremor in his voice.

“I’ll look for her.” Dana promises. He doesn’t respond. He can’t. He’ll fall apart. 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The restaurant you’re at has to be the fanciest place you’ve ever been to. It’s the hottest place in the city and you have no idea how Jack snagged reservations here for dinner to finish out celebrating your one year anniversary. 

The lighting and low hum of other patrons talking to each other and glasses and silverware and plates tinkling is cinematic. You feel like the main character. But then that’s always how Jack makes you feel. 

“I got you something.” He pulls out a wrapped rectangular object. 

You click your tongue and tsk at him. “We said we’d do them at home! I didn’t bring yours!”

“I know. I have something for you at home too.” His eyes sparkle in the flickering candle light, a little smirk pulling up. “I didn’t mean for it to be a double entendre, but both are true.” You snort a laugh at him and take the gift from him. “Open it.” He’s still smiling, eyes still sparkling,  but there’s something there. He’s nervous. It makes you even more curious. 

You carefully unwrap the object until it reveals itself as a hardcover book. That same one Jack had in his hand a year ago and that you told him was bad and gave him a summary of over coffee. 

“Oh, Jack,” you say softly, eyes getting a little watery. It’s so perfect. So sweet and sentimental. The book that brought you together, that gave you each other. It’s almost like a physical representation of the foundation of your relationship in a way. 

“You have to open it,” he instructs you in a whisper.

You raise an eyebrow but do as he says. 

‘Move in with me?’ is written on the blank first page. 

You look between the page and Jack. “Is this?” You look back at the page and then up at him again. “Are you really asking…?”

He nods. “Move in with me. Or move somewhere with me, we can get our own place, it doesn’t have to be my apartment. We basically live together anyway at this point. Let’s just make it official, yeah? Wherever you want, you can decorate however you want. Just as long as it’s our place.”

You bring a hand to your mouth for a second before using your napkin to dab at the inner corners of your eyes to stop the tears from falling and look back at him. 

“You’re a romantic, Jack Abbot,” you hum all dreamily. 

“You better not tell anyone. Can’t have you ruining my street cred.” He smirks, but his expression and the way he fidgets show he’s still anxious. “So?”

You realize then you never actually answered him. Sniffling a little laugh and letting a few tears fall you give him his answer, voice thick and full of emotion. “Yeah, I think I’m willing to accept those terms. I’d love to move in with you… Peter.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

He hears you counting to yourself before he sees you. “One, two…”

It’s not loud, just said in a normal voice, softer if anything because of how you’re panting, but Jack is so on edge and so desperate to find you he’d subconsciously been listening closely to his surroundings, military training kicking in. His head snaps to you and he doesn’t even know what to think when he sees you being rolled in on top of a gurney, performing CPR that would rival the quality of his own. 

“Why is she..?” He hears Robby question the paramedic as you roll in. 

“She was performing them just as well as we could and it was better to just scoop and run,” the paramedic explains. “She must have had one hell of an instructor.”

“Peter!” You yell, without looking up, not sure if he’s still here. You’re so used to it by now that the nickname is just what comes out of your mouth as you look for him. He’d texted you to let you know he was going in for a bit.  

Jack could sob and the entire team in the room with him can feel a crushing tension shatter. Maybe he does get a little teary just from the sheer relief. He tells himself it’s sweat in his eyes.

“Yeah Doll?” He yells back, not giving a fuck about everyone hearing him call you Doll, and you calling him Peter, knowing full well he’s going to have so much explaining to do about this entire situation, the confusion in the room palpable. 

“I’m okay!” This time he does laugh to himself. 

“Yeah I’d say so,” he mutters, smiling. He’s still anxious to see you, get his own eyes on you, feel you with his own hands. 

It’s only about thirty more seconds before his patient is stable enough and he can rip his gloves and gown off and start putting fresh gloves on as he walks into the trauma room you’d been wheeled into. Normally he’d yell out for someone to talk to him or ask what they’ve got but not this time. This time he doesn’t even care about who’s on the table, only the person who came off it. Only you. 

You’re standing to the side now, watching Robby and the rest of the team work, impassive as pink tears stream down your face from the dried blood on it. You’re just so fucking overwhelmed by everything and now that you’re not doing CPR everything that’s happened is hitting you at once. 

Jack says your name as he moves to you, needs his hands on you. 

“Are you hurt? Were you hit?” He rushes out. His voice brings you back and you look up at him with wide, terrified eyes. He goes to look you over but you latch onto him, hugging him tightly, shaking a bit. 

“I’m fine, I’m okay, I’m, I’m sorry,” you start to rattle off, fisting at his scrub top and clinging to him like he’s the only thing keeping you tethered to reality. In the moment he might just be. 

He hugs you back just as hard, kisses the top of your head. He doesn’t care who sees right now, all he cares about is you. “It’s okay, you have nothing to apologize for. I’m just so fucking glad you’re okay. I thought… I thought you were…” He doesn’t have to finish, you know what he means. “I can’t fucking lose you. I love you way the fuck too much.”

You’ve been so wrapped up in each other neither of you have noticed that Robby’s patient, the one you were doing CPR on, has started to code again. “Abbot, need you here!”

You let him go, nod at him. “Go on,” you whisper, “I’ll be right here. I’m okay. I love you more.” Jack nods at you and walks over, jumping in and assisting Robby.

It’s once you’re out of Jack’s arms, away from his warm body and more grounded in reality that you notice how cold you are, how you’re swaying because he was supporting you far more than you realized, how lightheaded you are, how your abdomen and chest really fucking hurt. You chalk it up to the adrenaline wearing off and being sore from the chest compressions you just did. 

On the other side of the room an instrument tray gets knocked over, metal hitting the floor in a loud clang. It startles you, makes you jump and twist quickly to see what it was, if it was another gun, another shot. You feel something almost tearing, a sharp pain across your abdomen and lower chest, a feeling of sticky warmth against your shirt.

You sway a little, start to realize how much worse the pain is now. It’s bad enough that you can’t even make noise to express the pain. There’s no air in your lungs, you swear. You realize your lightheadedness is now much, much worse, that you’re shivering from how cold you are. Or are you just shaking? You can’t tell. It doesn’t make sense. The room isn’t even that cold. You shouldn’t be so cold. Not unless.

You pull your shirt up slowly and look down and run your hand over your skin and sure enough, there’s a bullet hole seeping blood, about half way between your nipple line and belly button, skin now covered in a dark bruise. 

You cough a little, it’s quiet. It starts feeling like there’s water in your lungs. Like you can’t get any oxygen in even though you’re in a room full of it. The metallic taste in your mouth is what manages to seep into what’s left of your consciousness next. You cough again, into your hand, and feel something wet hit your skin. Blood. 

It hits you. You’re drowning in your own blood. That’s why it feels like you can’t breathe. You’ve been shot. In a bad place, one of the worst places, Jack had told you that night. You get scared, feel your heart pounding. It feels like you’re dying. You don’t want to die, don’t want to leave Jack. You’d just finished moving into your new place together, were going to spend all weekend unpacking and painting and getting furniture where you wanted it. You were going to make your home.

Time. You were supposed to have more time together.

“Hey, Jack,” you slur softly, struggling to keep yourself standing. Luckily he hears you. Your use of his first name and the slur to your voice has him panicking again already. Time slows as he turns around to take you in, eyes going from your face and the blood coating your teeth and trickling from your mouth as you try and smile reassuringly at him, down to your torso where you’re still holding your shirt up just enough for him and everyone else in the room to see the bullet hole and bruising marring your skin. “I think, I think I’m not good, it’s not good.” Your vision tunnels so fast you can just barely see Jack’s expression of sheer abject unadulterated horror and panic as you get out your last words. “Nipples to navel… no man’s land.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Peter. Peter Rabbit by Beatrix Potter. Yes, I worked in a bookstore through college.

Part Two is up!

[sage-nebula]

Let's talk about Toriel.

Toriel is a grown woman, a mother of two. She teaches kindergarten at the local school, and volunteers at the local church as part of the choir. She is recently divorced. Her oldest child has recently gone off to college, and her youngest is:

Adopted from a young age

A different species

Known for pulling pranks and otherwise causing trouble, sometimes to great expense (e.g. bath bombs in the toilet)

Despite this, Toriel loves her youngest child as though they were her biological child. She checked out a "how to care for humans" book many, many times over the course of parenting Kris. She drives them to school each day, makes sure they're fed and cared for, and is clearly invested in their social life given how excited she is to learn that they've made a friend. As a newly single mother, she's doing her best.

But let's talk about her being newly single, shall we? She recently divorced her husband, Asgore. Unfortunately, Asgore has not accepted this. Toriel is being stalked by her ex-husband; he keeps giving her unwanted bouquets of flowers, and showing up wherever she goes. He even lampshades this, as though it's funny, when he pops out from hiding in the bushes near the church, after knowing that she would be there. Every time he does this, Toriel responds with obvious discomfort and anxiety, and makes an excuse to get away as quickly as she can. Asgore's behavior seems goofy and "well-meaning," but he is clearly ignoring his ex-wife's boundaries and actively disrupting her living her life by showing up where he knows she'll be, uninvited and unwanted.

So Toriel is recently divorced, with one child off to college, and another child who is clearly not doing well (despite Toriel's best efforts) still at home. She is being stalked by her ex-husband, but in such a way that it comes across as "friendly" or "kind" to everyone else, meaning she can't really make a big fuss about it or she'll look like the bad guy.

Then a new guy moves to town. He's friendly, he's funny, and they hit it off immediately. And unlike everyone else in town, this is a friend that doesn't have a connection to Asgore. (Rudy was Asgore's friend first, after all; it's not as if Toriel can really open up to him about how much his best friend is really putting the ass in Asgore.) This is someone that she can open up to, someone that she can confide in, someone that she can let a little loose with. Because she can't let loose at school, around the children; she can't let loose at church, in front of the wider community; but with a friend, in her own home?

And Sans is non-judgmental. Sans likes her jokes. As mentioned, Sans doesn't know Asgore, so he's not going to be inclined to brush off Toriel's concerns or discomfort because "well he just really loves you" or "he's just being kind." (Not to mention, Asgore also trauma dumped to Sans a bit, making Sans visibly uncomfortable as well, so Sans might even be more inclined to hear Toriel's side.) Sans knows about responsibility, given that this version of Papyrus seems to have issues of his own, and therefore perhaps Sans can relate with Toriel on how it is taking care of someone when you love them, but you don't exactly know how best to help them. Finally, Toriel has someone in her corner, someone who can understand, who she can have fun with.

Toriel isn't one of the main characters, and she's a grown woman and a mother (figure) at that, so I feel like it's easy to dismiss her side of things. Was it great that she was drunk when Kris came home, or that she and Sans continued partying even after Kris tried going to bed? No. But Toriel is a person, a whole entire person with a life outside of being Kris' mother. She's allowed to not always be on her best behavior, and she's allowed to make and spend time with a new friend when she, too, is pretty isolated as a result of her divorce and clearly stressed with the fact that Asgore is stalking her. ("Trying to win her back" is not, it turns out, an excuse for stalker behavior.) Toriel even tells Kris that the house feels lonely now that it's just the two of them, meaning that she, too, has been plagued with loneliness just like the main cast, and that Sans is, perhaps, her Susie.

Toriel is not an awful, uncaring mother because she got a little silly drunk with the first friend that is truly hers since her divorce. She's just a person. And she's allowed to be a person.

[fushitoru]

all i want for christmas is you! a gojo satoru fic

pairing ⸺ bf!gojo x reader

summary ⸺ after a well needed rest from the kids, you and your boyfriend focus on baking christmas cookies for your pta responsibilities. however, it ends up taking a naughty twist when satoru finds out the surprise you've planned out for him.

warnings ⸺ FLUFF, smut in the form of fingering and p i v sex, reader has a vagina, fem reader implied, some jealousy, but mostly crack, pta cookie baking for megumi, very domestic, not edited, “good girl,” teasing, use of pet names like “baby,” gojo is a warning in himself

a/n hbd to my husband and loml 😚😚 i hope you guys enjoy this it kind of made me realize only long fics heal my soul but this is anticipation of holidays :33

general masterlist

You sometimes did not know what to do with Satoru.

When he told you to come over to make Christmas cookies that are part of his PTA commitments for Megumi, you really didn’t expect him to come out of his room with that sweater on. It’s an ugly sweater—so he’s got the holiday spirit nailed down—that has printed “BIG PACKAGE JUST FOR YOU.” Below it, a cartoon Santa stood pantsless, strategically holding a neatly wrapped gift box over his crotch.

You give him a look as he comes out to join you in the kitchen. “Please don’t tell me you wore that in front of Tsumiki and Megumi.”

He has the gall to look offended as he puts on his even stupider “Your opinion wasn’t on the recipe” apron. “Of course, what kind of father do you think I am?”

You sigh, moving to put in the last of the dry ingredients. “I saw Megumi watching Breaking Bad on his iPad last week.”

“What?” he gasps dramatically as he pauses while moving for the fridge. “I swear I downloaded Youtube Kids!”

Look, Satoru is a good dad. Foster-dad. Whatever. He’s been taking care of Megumi and Tsumiki for ages now, ever since that incident happened, and he’s been doing his best. But, unfortunately, his adult life and burdens and responsibilities cause him sometimes to be a absent father. He makes up for it—goes shopping with Tsumiki for her clothes, spends quality time with Megumi.

One thing he’d never miss, however, are those PTA meetings.

He is the PTA mom final boss. No matter what event is being held, he’s going to go all out. You don’t miss the smirk he gives to Karen everytime he brings an even bigger cookie platter for Megumi’s homeroom than she did for her son Sam’s, nor the sassy pursed lips as he donates artist-grade markers from Michael’s instead of Mia’s cheap ones from Walmart.

Yea, he is just petty like that, but it’s always the moms whose sons have gotten into fights with Megumi that he outdoes everytime. You know better than to question his peculiar form of revenge.

“I think that means he found a way to break through the parental controls. He’s definitely your kid,” you reply with a bit of mirth in your voice. Then, you quickly move to intercept Satoru’s journey to get the eggs as soon as you notice a miniscule movement of his. You were not about to let Satoru force another trip to Whole Foods with the clumsiness you’re all too familiar with in your five years of dating.

Grabbing the eggs before he can, you turn around to find him staring at you, a dazzled look on his face.

“What?” you ask, already smirking. The view of the outfit you’d worn today had been obscured by the apron when he first came in, but when you moved to get the eggs in front of him, he definitely got a view of your ass in your tiny red skirt and fuzzy, festive top.

“Why the hell are you wearing a sexy Mrs. Claus outfit?”

“I was thinking we’d watch Christmas movies and chill today after the cookies!” you exclaim, just as Satoru interrupts with, “We’re baking cookies for children, you freak.”

The room went dead silent.

Your cheerful smile dropped instantly. Meanwhile, Satoru’s face lit up like he’s just won the lottery, full of pure glee.

Both of you shout at the same time, “What?”

You slam the eggs down onto the counter with just enough force to make him flinch, narrowing your eyes at him. “Excuse me? Did you just call me a freak?”

“I didn’t mean it like that!” he yelped, backpedaling so fast you were surprised he didn’t trip over his own feet. “It’s just—” He gestured wildly at you. “—that outfit is… is…”

“Is what?” you demand, crossing your arms and daring him to dig himself deeper.

“Babe,” he starts to whine, apologetic like a wet dog and padding his way back over to you while pulling you in for a back hug. “It’s hot, okay? Don’t get me wrong, it’s driving me crazy. I’m trying to focus on cookies, and you’re over here looking like every Christmas fantasy I didn’t know I had.”

“Get off me,” you grumble, shooting him a glare as you try to shake him off. “You are not touching these cookies. Sit on the couch.”

He yelps as you slap his hand. “Babe, but I’ll just be reinforcing the patriarchy if I let you stay and do all the work in the kitchen.” Then, he moves closer to your ear like the chronically online loser he is and whispers, “6’ 3’’ btw.”

“Go away!” you shriek, waving him off. This process would indeed be two times faster if Satoru was on his couch. There wasn’t any rush, but you’d really appreciate getting to the dicking-down part of tonight after much appreciated privacy from the kids for the first time in forever. You take a mental note to thank Yuji’s grandpa and Nobara’s grandmother with extra cookies for the sleepover as you shoo your boyfriend to the couch.

You get back to work on the wet ingredients by cracking the eggs, but not before you hear a “I’ll be reflecting on the systematic oppression women face in the workforce.”

Pulling off the oven mitts on your hands, you wash your hand but not without sneaking a peek over the kitchen counter. You were locked in on the cookies, paying no mind to Satoru’s existential bemoaning, and now that you’re done, you can’t wait for the fun part of tonight.

After waiting a few minutes and checking and rechecking the cookies to make sure they’re done, you set them aside to cool and make sure to turn off the oven. Tonight, you were determined to get that big fucking package Santa owed you, and your boyfriend was going to be the one to deliver it.

As you walk out, you know the strat you’re going to use: innocently suggest a Christmas movie to watch, snuggle close to him, and he’ll fall into the trap you set for him like a bear towards honey. You know your boyfriend all too well, and today, you were feeling coy.

He’s stretched out on the couch, scrolling on his phone, his posture as awful as ever. But the second he hears your footsteps, his head snaps up. His eyes immediately dart to the movement of your bare legs, lingering on the tiny red skirt you’re still wearing, before slowly traveling back up to your chest. Wow. He really wasn’t making this difficult.

You plop down next to him while grabbing the remote, pulling up Netflix. “What movie should we watch today?”

He blinks, clearly distracted. “We’re watching a movie?”

The Princess Switch catches in the side of your eye as you scroll through the options. Without looking at him, you answer, “Yes? What else were we going to do?”

“Oh, I don’t know,” he drawls, his voice already dipping into that teasing tone you know so well. “Maybe something that doesn’t involve Vanessa Hudgens playing herself two times.”

You roll your eyes, nudging his shoulder with your own. “Don’t knock it till you try it, Mr. Holiday Spirit.”

His gaze doesn’t leave you, though, and when you finally glance at him, his expression has shifted. He’s not teasing anymore. His eyes are a little darker, his lips twitching like he’s holding back a grin. “What?” you ask, already smirking.

“Nothing,” he says, his voice lower now. “Just... you look really good in that outfit.”

Your cheeks heat, but you play it off with a laugh. “Flattery will get you nowhere, Satoru.”

“Won’t it?” he murmurs, leaning a little closer, his hand brushing against your knee. The heat of his palm lingers even after he pulls it away, and you feel your heart skip a beat.

You’re about to respond—something witty, something to keep the banter going—but then his hand moves again, this time resting firmly on your thigh. “You’re really going to make me sit through a Christmas movie when you look like that?” he asks, his voice a low rumble.

Your breath hitches, and you can’t help the way your body reacts, leaning just a fraction closer to him. “What would you rather do?” you challenge, your voice softer now.

His gaze dips to your lips, and that’s all the invitation he needs. In a second, he’s closing the distance, his mouth pressing against yours in a kiss that’s anything but sweet. It’s hungry and demanding, like he’s been waiting for this all day, and when his hand slides higher up your thigh, you realize you’ve completely forgotten about the movie and the preview playing. Satoru, clearly a little annoyed judging by the pout on his face, moves to close the preview featuring Vanessa Hudgens’ obnoxious British accent and then the room is silent except for the wet sounds of your sloppy kissing.

When you’ve both made out for a while—now with you on his lap—you both pull back with fastened breaths, looking at each other’s glistening lips. Finally, from Satoru comes out a, “That. I wanted to do that.”

Maybe it’s the attention whore in you always looking to rile up Satoru and get his affection, but you couldn’t refrain from blurting out a “Are you sure you wanted to do this with me, or would Linda have sufficed?”

At the scrunch of Satoru’s nose, his face practically spells out a Who the fuck is Linda? “You know, the one that gets really friendly with you when I’m going to the bathroom at those PTA meetings.”

Satoru sometimes did not know what to do with you.

Here he is, trying to make out with you when you’re looking like that, makeup done perfectly and looking beautiful as always. He hasn’t gotten laid with you in a hot minute, and here you are, picking at him. He has no fucking clue who Linda is, but what he does know is that you’re really cute when you get jealous. “Yeah?” he teases, brushing a stray lock of hair from your face, his fingers lingering against your cheek. His grin is maddeningly smug, his blue eyes sparkling with amusement. “Linda sounds nice. Should I call her up?”

Your jaw drops, but the sharp retort forming in your head is lost when his hand slides from your cheek to your neck, his thumb brushing lightly along your jawline. He leans closer, his breath warm against your skin. “You know,” he continues, his voice a low murmur, “if you’re jealous, you could just say so.”

“I’m not jealous,” you shoot back, your voice unconvincing even to yourself. You shift under his gaze, trying to keep up the façade, but it’s hard when his lips hover so close to yours.

Satoru’s grin widens. “No? Then why are you bringing up some imaginary PTA Linda when I’m clearly only interested in you?” His lips press against the corner of your mouth, a slow, deliberate kiss that makes your breath catch.

“You’re clearly only interested in being annoying,” you quip, but the words lack their usual bite as his hand slips lower, trailing down your side until it rests on your bare thigh. His touch is firm, possessive, and it sends a shiver through you.

“Annoying?” he echoes, his tone mock-offended. “That’s a big word for someone who just ruined a perfectly good makeout session to talk about Linda.”

You glare at him, but the effect is ruined when his thumb begins tracing lazy circles on your thigh. “I didn’t ruin anything,” you argue weakly.

“Didn’t you?” He dips his head, his lips brushing against the sensitive spot just below your ear. “Because now, instead of kissing you like I want to, I’m stuck reassuring you that Linda doesn’t stand a chance against my very sexy, very jealous girlfriend.”

You can’t help the laugh that escapes you, but it turns into a soft gasp as his teeth graze your skin, his tongue soothing the faint sting. “You’re insufferable,” you mutter, but your hands betray you, tangling in his hair and tugging him closer.

“Mm, but you like it,” he murmurs, his lips trailing down your neck. His free hand slides higher, skimming under the hem of your skirt, his fingers teasing against the soft skin of your hip. “Admit it.”

“Shut up,” you manage, though your voice is breathless now. He’s too close, his scent overwhelming, his touch setting your nerves on fire. When his hand tightens on your thigh and he pulls you closer, you give in, letting him capture your lips in a kiss that’s all desperation.

Linda, whoever she may be, is long forgotten as Satoru kisses you like he’s trying to make up for every second you’ve spent apart. His hands roam, his touch firm and confident, and when he pulls back just enough to murmur against your lips, “You’re all I want,” you believe him completely.

A breathless “Satoru” leaves your lips as he gently–but hurriedly–lowers you down to lay on the couch while he bends over you, inching down the hem of your top to bury his head in your tits. “Oh my god,” he groaned. “I missed my girls.” He starts to leaves rough kisses, an occasional bite and suck, and then stops. Takes in a deep breath. “Wow, you smell good babe.”

You look at him, flustered. “Stop smelling my tits, oh my god.” For good measure, you grab his hair to bury his face against your breasts once more.

“No,” smooch, “it’s,” smooch, “smelling good. Like the new holiday scents from Bath and Body Works.” He then abandons your chest to kiss his way down your body, sliding your skirt down as he kisses around the edge of your panties. “I’ve missed her, too.”

Despite yourself, you moan, spreading your legs to give him full access. He takes it enthusiastically, giving you a little kiss in your middle. Then, his eyes don’t leave yours as he uses his teeth to pull your panties down, slowly and sultry. Your pussy leaks even more, and the motherfucker notices, because there’s a faint smirk on his face as he hones back in your wetness, running his fingers to spread your slick. “Wow, my girl must have been sooo pent up,” he croons, eyes not leaving your hole and the way it clenched every time he spoke. “My good girl is soo desperate.”

Without missing a beat, you sneakily reply, “Don’t call me that, that’s so corny oh my god—-“ You’re interrupted with your own gasp as he enters a finger in. When he finally curls it, hitting your g-spot dead on, you suck in your breath. You really missed this.

“Oh, really?” He giggles, clearly amused by you trying to rile him up. “If my baby doesn’t like being called a good girl then why is she clenching so hard on my—“ thrust— “fingers?”

And suddenly the feminist in you leaves as his big, thick fingers ram into you faster than ever, and you start squealing like the slut you are for your incredibly hot boyfriend who’s equally as much of a slut for you, judging based on the rock hard erection against your thigh. Take that, Linda.

You’re in a daze of pleasure, too fucked out to notice Gojo wrenching down his sweats to pull out his throbbing cock, to pump it to full mast. It’s only when he rips his finger away from your cavern that you start to whimper, clawing at his arms to continue fingering you.

And he starts cooing, giving you a small kiss on your cheek as he aligns his dick with your pussy. “I know baby, I know,” and he groans as the soft, wet heat of your pussy grips on him hard as he pushes in. It’s not long before he starts thrusting, wiping your tears while driving in even faster. “Wow, good fucking pussy.”

“Satoru,” you whine, but you don’t even know for what. You were close enough when he was fingering you, but now you’re steadily approaching your climax. But Satoru, who’s attuned to what your body needs, readjusts himself to go even deeper.

It’s when you gasp loudly that a glint lights up in his eyes. “That’s the spot, isn’t it?” He drives into that spot like a jackhammer, savoring in your little squeals and moans of his name, until finally, he feels you climax.

“Oh my god,” you says breathlessly as your orgasm takes over you, convulsing while Satoru doesn’t let up, continuing his pace until his hips become more sloppy. After a few off rhythm thrusts, he comes in you, collapsing on top of you.

He’s breathing heavily from exertion, and you run your nails on his back and hair gently. You both bask in the glow of your orgasm. Of course, that is until Satoru perks his head up. “Do you think I can eat that kid Martin’s cookie? Megumi told me he doesn’t like him and that he’s annoying—-OWWW, what was that for?”

[cosmic-dust-poltergeist]

De-aged Danny shenanigans with an adult Damian taking after his father.

Danny, about 6: *drigging through the trash*

Damian, 26: Hello? Are you alright?

Danny, whips around to look at him with glowing green eyes: hissssss

Damian, blinks: Oh, dear....Are you hungry?

Danny, suspicious:... yeth

Damian, nods: If you come with me, we can either go to a batburger down the street or my apartment a block over. I have a washer and dryer I can run your clothes through while you bathe.

Danny: Are you trying to kidnap me?

Damian: If I was, I'd be a fool to say so

Danny: mm twue...why else would you want to help me though?

Damian: one. It would be irresponsible of me to level a toddler alone, in an alley, in Gotham.

Danny, pouting: I'm not a toddler

Damian: Two. I will never hear the end of it from my siblings whether or not I help you, but it'd be more teasing than lecturing if I do help you.

Danny: Why would they do dat?

Damian: If you don't have any place to go, I might just tell you. But only if I can make sure you don't tell the wrong person.

Danny: I'm good wif secrets!

Damian, amused: We shall see. And now third and final reason. Are you aware your eyes are glowing green?

Danny, gasps and slams his eyes shut: You're not supposed to see!

Damian, softly: It's okay. I understand what that means. One of my elder brothers' eyes glow the same way. It must have been very scary for you to die

Danny, sniffling: It was... does his eyes weally glow green?

Damian: They do. His usually glow when he gets angry, is it the same with you?

Danny, now blinking blue glowing eyes at Damian: mmm? No? Green is too much bad emotion

Damian: Bad emotion?

Danny: Mad, um, strezz? No, the bigger one!

Damian: Panic or anxiety?

Danny, points at him with a bounce: Yeah!!

Damian, amused and concerned: I see

Danny: mmm let's see, um, and scared?

Damian: Interesting. Jason's eyes are usually an indicator of angry, but I know he likes to cover his fear and concern with that same anger. I shall look into it. On that note. And what does glowing blue mean?

Danny, blinks: Blue?

Damian: Yes. Did you know your eyes are glowing blue now?

Danny, shocked: No! They didn't do that before!... At least I don't think they did?

Damian: Well, they're a very pretty shade of blue.

Danny: Maybe... Maybe that's how my parents noticed...

Damian, trying not to frown: What did your parents notice?

Danny, turning his big teary eyes on Damian: That I'm not fully human anymore. They didn't notice. They never noticed!

Damian, slowly reaching out to the kid to see if he'd accept a hug: Sounds like your parents didn't deserve you.

Danny, giving into his childish instincts and flinging himself into Damian's arms to sob his little heart out: They didn't even know I died! It's not fair! I'm not weally human and it's their fault! I hate their stupid po-po- THING! It shocked me and it hurt and now I'm dead and it's their fault!

Damian: *gently rocking Danny til he tires himself out*

Danny, sniffling: It's not fair...

Damian: Something I've found is, it never is. Every stray my father has housed has had an unbearably harsh life, and I, being his blood son, was no different. My mother and her father raised me for the first ten years of my life, and I've come to understand that my childhood was not a good one. It took me a long time and a lot of patience from my eldest brother to come to realize what I was missing.

Danny: Like, Jazzy?

Damian: mm? Who's Jazzy?

Danny: My big sister. She's a big know it all, but she tries...

Damian: Well, that's-

Danny, jolts in Damian's hold: Tried! *GASP* Jazzy doesn't know mom and dad didn't kill me!! *pause* um, kill me again?

Damian: Well, we'll have to tell her, won't we? You wouldn't happen to know her full name? I can ask my family to contact her while we get you cleaned up

Danny: Yeah! Her name is Jasmine Fenton! She goes to a big big school here! That's why I came here! I just... I got lost..

Damian: That won't do

Damian, pulls out his phone and calls Barbara while starting to walk to his apartment: Gordon. I have a request.

Barbara: Yeah? Whatcha got, baby bat?

Damian: Can you look up a Jasmine Fenton? I have something she will probably want back.

Barbara: Holy shit! Is that a child??

Damian, sighs: Yes, it's her little brother. He ran away from a bad situation with his parents and got lost trying to find his elder sister.

Barbara: Alright. I'll check out her entire life to make sure she's safe to- wait. Damian, is that kid's name Danny?

Damian, realizing he never asked: One moment.

Damian, looks down at a sleepy, but curious Danny: Is your name Danny?

Danny, beams: Yeah!!

Barbara: Caught that, but, uh, Damian, Danny is supposed to be 20, not...4? 5? Not a tiny child

Damian: umm... Danny did you used to be older?

Danny, shrinks into himself and his eyes turn green: Ye-yeah... I don't know why I'm little... mommy did something and it Huuurt and hurt til suddenly I was free and I ran and hid in a bus

Damian, soothingly petting his back: Okay, it's okay, we'll figure it out.

Barbara: Take care of him for the night, we'll contact his sister tomorrow at a reasonable time. I'm not finding anything too concerning on her yet so she's probably safe

Damian: Copy that. Goodnight, Gordon.

Barbara, teasing: Goodnight, mini-Bruce!

Damian, flushes, but doesn't deny it before hanging up and glancing towards Danny: That was Barbara Gordon. A family friend. She'll help us find your sister, but you'll be staying with me for tonight.

Danny, sleepy: Okay..

Damian, slipping into his apartment lobby and going straight up the stairs, ignoring the gaping attendants: Don't fall asleep just yet. You will be fed and bathed first

Danny, huffs, but straightens up: What food?

Damian: That depends, I only really have vegetarian food so I suppose we'll have to find something you'll eat

Danny: Sam is vegetarian! I eat vegetarian sometimes with her!

Damian: hm? Very good, then it should be easier for me to feed you

Damian and Danny have a wonderful time. Danny is fed, watered, and cleaned up before being set up with a quiet sound machine to sleep. Damian has a crisis over wanting to keep Danny and suddenly understands his father's adoption habit. He sets alarms to check on Danny throughout the night, but it's otherwise uneventful.

[cavernsandcod]

a little continuation to this post of mine. | 0.8k

cw; dirty dog simon and husband!price, nsfw themes

───────────────

Price knows Simon by the sound of his footsteps.

An ego-driven, menacing gait that makes all the soldiers disunite like the red sea when he travels the corridor. All the small talk and banter comes to a halt when the big man is around, as if he's some sort of bad omen. It's not true, at least John doesn't think so, but that might be a Captain's privilege. He's in charge of the brute, not the other way around.

A dark shadow passes by the stained glass, a masked head held up high. He passes the crack of John's office door, likely intent on avoiding any unnecessary interaction—

—always yes sir, no sir, like a good boy.

"Riley. In here. Close the door." Price calls out, taking off the reading glasses hanging low on his nose, tossing them onto a stack of intel. The soldier stops in his tracks. Doesn't flinch at the serious tone of his superior. It's not the first time he's heard it, won't be the last.

Simon crosses the threshold, shutting the door. Crosses the room in two quick strides like a floating apparition. "Intel?"

"Thankfully, no." Price slowly rises and rounds the oak desk, which feels uncanny. His lips curve into some sort of uneasy smile, crow's feet and lines of age deepening. Makes the air feel calmer, more personable. The Lieutenant stiffens and crosses his arms, his face in a permanent scowl under the black balaclava. Nothing about this is normal.

"I need a favor, Simon." Simon. Not Ghost. "It's about the wife."

Simon turns his head to the shelf beside him, studying the row of framed photos, the majority encapsulating you. The dating stages, youthful and bright-eyed in pubs and restaurants with a thick, hairy arm wrapped around your waist. Then, months after he popped the question—the idyllic wedding in Madrid where you faced each other, hand in hand.

All he remembers of it is the itchy suit and open bar. If he weren't the shell of a man, he might feel bad.

And now, the photos are few and far between. No life to them, just fake smiles with friends and their kids. A hand around your shoulder and a nose in your hair, all while you fight an inner battle. No vacations, no fun. Just the pretty missus to an esteemed Captain.

He was certain you two wouldn't last.

The first time you visited him on base and tried to hide how out of element you felt. Didn't notice the man spectating from the corner, his identity concealed. Or pretended not to. Too sweet for your own good. Ignored for months on end. Mere roommates with the man you married on the off chance he is home. Probably doesn't have time to lay you down proper—

"Well? Simon?"

He shrugs, feigning indifference. "What about 'er?"

"I need you to keep an eye on her for me. Laswell has something for me in Istanbul, and it might be a few weeks." Price responds, fiddling with the band on his left hand.

"Been gone weeks before, Cap. Months, too. She knows how it is by now." Simon retorts, curtly. Their problems aren't his. He's not keen on becoming private security for a boring housewife, either. You live a boring life. Nobody knows where or who you are, except the circle.

"This is different." The captain's tone sours. "She's pulling away from me. Doesn't see things... clearly anymore. If I leave us where we are now, she might not come back. You're the only one I trust." His voice almost splits into something weak. Almost.

Trusting him took years of work and near-death experiences that had them make it home by the skin of their teeth. Some sort of war-bred trauma bond, his shrink said once. John only goes to his appointments out of necessity, not so much his own volition.

They see horrors the paper-pushers don't, and will never, truly digest.

He could talk about personal things, too. The questionable childhood, his marriage, the prospect of children—but doesn't. He's too guarded to hash any of that out.

"So," Ghost begins, head dipping low in thought. "You're asking me to shadow your bird. Follow her... Keep her sound?"

It's not really a question, but the polite thing to do is ask. Simon knows what he should do and what he actually will; always ten steps ahead.

Price nods, letting out a small hum. He pats the hard shoulder standing beside him, a firm pat of approval. "Do whatever you have to."

All it takes is five words. Five words and another lingering stare at the photos of you make his chest pound, fingers twitching in search of action.

In truth, Simon always thought you were captivating—an anthesis to everything he is.

He spent the years of your relationship on the outskirts, curled up on the front porch like a stray that isn't allowed inside, chained and confined to his place. Never broke the rules because he's a patient, headstrong bloke with a few fantasies.

All he needed was an invitation inside.

His cock twitches in the confines of his trousers, the forbidden switch finally flipped.

"Yes, Sir."